X-Rated: The Greatest Adult Movies of All Time (2015)

1. MIND IF I SMOKE

2. WHILE YOU'RE EATING?

3. KISSING WITH THEIR TONGUE.

4. AND THAT'S FIRST CLASS?

5. CORRECT.

6. WHICH PART OF FIRST CLASS?

7. SEX OR NONSEX?

8. IT'LL BE LIKE I NEVER

9. EVEN EXISTED.

10. I'M LUKE SKYWALKER.

11. I'M HERE TO SAVE YOU.

12. I'M BEING RESCUED BY

13. A TRANSVESTITE?

14. MY GOD, HE'S A PERVERT, TOO.

15. WHAT WE DID WAS

16. TERRIBLY WRONG.

17. IS THIS SEXUAL HARASSMENT?

18. YEAH...

19. DO YOU THINK YOU'RE

20. LIBERATED?

21. YOU'RE A FUCKING ASSHOLE!

22. I DESPISE YOU!

23. FUCK THAT SHIT. RUN.

24. AND THANK YOU FOR FLYING

25. STAR TOURS.

26. MOVIES HAVE BEEN MAKING US

27. LAUGH AND CRY, GASP AND SCREAM

28. FOR OVER 100 YEARS.

29. OF CINEMA, ADULT FILMS HAVE

30. PICTURE LANDSCAPE, MAKING US

31. REASONS.

32. AS FAR BACK AS THE 1880's,

33. LOOPS, STAG FILMS,

34. PEEP SHOW BOOTHS.

35. FOR THE NEXT 90 YEARS,

36. A VARIETY OF WAYS.

37. THEN IN THE 1970's,

38. EVERYTHING CHANGED.

39. SOCIALLY PERMISSIVE ATMOSPHERE,

40. SURROUNDING THE HARDCORE SEX.

41. FOR THE FIRST TIME EVER,

42. IN THEATERS FOR A MASS AUDIENCE.

43. IT'S IMPOSSIBLE TO OVERSTATE THE

44. IMPORTANCE OF GERARD DAMIANO'S

45. FILM, "DEEP THROAT."

46. THAT CAME AFTER.

47. WHILE THE EXAGGERATED CLOSE-UPS,

48. CAMPY PERFORMANCES, AND

49. COMICAL TO A MODERN AUDIENCE,

50. IN 1972, AUDIENCES HAD NEVER

51. SEEN ANYTHING LIKE IT.

52. MAINSTREAM, "DEEP THROAT"

53. YOU SAY THAT YOU WANT MORE

54. LITTLE TINGLES?

55. YES, I WANNA HEAR BELLS

56. YES, WE JUST WENT THROUGH

57. THAT, MISS LOVELACE. LET'S NOT

58. DO THAT PART AGAIN.

59. I DON'T THINK PEOPLE UNDER

60. THEATER.

61. "DEEP THROAT," IN PARTICULAR,

62. OPEN A LOT OF DOORS.

63. LIKE THAT MORE ACCESSIBLE,

64. "DEEP THROAT" AND...

65. "THE DEVIL IN MISS JONES"

66. PLAYED THE DOUBLE BILL FOR,

67. WHEN "DEEP THROAT" CAME OUT

68. IN NEW YORK THEATERS, LINES

69. AROUND THE BLOCK— JACKIE O.

70. JACKIE KENNEDY WENT TO SEE—

71. DEEP THROAT IS THIS GIRL

72. SHE'S— SHE'S TIRED OF— OF SEX.

73. MORE THAN JUST LITTLE TINGLES.

74. IT MAKES ME FEEL SORT OF

75. TINGLY ALL OVER, AND THEN—

76. AND THEN WHAT?

77. NOTHING. I MEAN THERE SHOULD

78. LITTLE TINGLES.

79. THERE SHOULD BE BELLS RINGING,

80. SEAMS BURSTING, BOMBS GOING

81. OFF— SOMETHING.

82. DO YOU WANNA GET OFF, OR DO

83. YOU WANNA WRECK A CITY?

84. SHE CAN'T UNDERSTAND WHY SHE

85. CAN'T HAVE AN ORGASM, BECAUSE

86. SHE HAS ALL THIS SEX, AND

87. NOTHING— I MEAN IT'S NICE, BUT

88. NOTHING HAPPENS.

89. SO, UM, SHE GOES TO SEE A SEX

90. THERAPIST, MR. HARRY REIMS,

91. WHO, UM, EXAMINES HER AND

92. THE BACK OF HER THROAT.

93. WELL, THERE IT IS.

94. YOU LITTLE BUGGER!

95. THERE IT IS!

96. WHAT?

97. WELL, YOUR CLITORIS, IT'S

98. THROAT.

99. NOW, NOW, MISS LOVELACE,

100. LISTEN, HAVING A CLITORIS DEEP

101. NO CLITORIS AT ALL.

102. THERE'S A THEME SONG—

103. I FORGOT.

104. UM, THERE'S A THEME SONG

105. THIS, UH, SKILL.

106. SHE FINALLY HAS AN ORGASM.

107. THERE'S A MONTAGE OF FIREWORKS

108. SHIP GOING UP WHILE IT'S

109. AND... SO FUNNY.

110. SO HE HIRES HER AS A NURSE,

111. AND FUCKS ALL THESE GUYS.

112. TELL ME, MR. MOORE,

113. HOW DO YOU FEEL NOW?

114. AND, EVENTUALLY, SHE FINDS

115. FOR HER THROAT.

116. AND THEY HAVE ANOTHER MONTAGE.

117. IN MOST '70s PORNO, EVERYONE

118. HAS A LOT OF HAIR, BUT IN

119. "DEEP THROAT," LINDA IS

120. COMPLETELY CLEAN-SHAVEN.

121. THAT TREND PERHAPS?

122. OR MADE IT POPULAR AT LEAST?

123. I DON'T KNOW, BECAUSE SO MANY

124. PEOPLE SAW IT,

125. NIXON, ALONG WITH KEATING,

126. WATERGATE AND, UH, VIETNAM.

127. I THINK REVISITING THIS STORY

128. AND REVISITING, YOU KNOW, THE

129. THAT, UH, THEY HAD A PROBLEM

130. MORALLY WITH SUBJECT MATTER,

131. AS IN "DEEP THROAT," THE FILM,

132. UM, IS IMPORTANT.

133. AND THE EASIEST TARGET WAS

134. THE ADULT FILM INDUSTRY.

135. RIGGED THE JUDGE AND GOT HIS,

136. UH, CONVICTIONS AGAINST THE CAST

137. MEMBERS OF "DEEP THROAT."

138. I DEFINITELY THINK SHE'S—

139. SHE'S BETTER AT, UM,

140. THAN I AM, BUT I DEFINITELY

141. DROOL A LOT MORE THAN SHE DOES.

142. LADIES AND GENTLEMEN, YOU ARE

143. ABDUCTED.

144. I ANSWERED AN AD IN THE

145. "SAN FRANCISCO CHRONICLE"

146. THAT SAID "NOW CASTING FOR A

147. MAJOR MOTION PICTURE."

148. SO I WALKED UP THE STAIRS, AND I

149. SAT IN THEIR OFFICE, AND HERE'S

150. ABSOLUTELY CHARMING, FABULOUS

151. TOTALLY HONEST GUYS.

152. OF "BEHIND THE GREEN DOOR,"

153. WHICH I THOUGHT WAS VERY COOL,

154. DRUGS, SEX, AND ROCK-N-ROLL.

155. IT WAS JUST, YOU KNOW,

156. ANYTHING WENT.

157. BEFORE I LEFT, I SAID, "IF YOU

158. DO WANT ME TO DO THIS, BY THE

159. WAY, I WANT THIS AMOUNT OF

160. WHATEVER FOR SO MANY YEARS."

161. AND THEY SAID, YOU KNOW, "DON'T

162. CALL US, WE'LL CALL YOU."

163. SO ABOUT AN HOUR LATER, I'M

164. SITTING AT MY HOUSE, AND THEY

165. CALLED AND SAID, "WE WANNA

166. DO IT."

167. SIGN THE CONTRACT, AND THAT WAS,

168. UH, THAT WAS THE END OF THAT.

169. ALTHOUGH, AT FIRST,

170. TORTURED, QUITE THE CONTRARY

171. IS TRUE, FOR NO HARM WILL COME

172. TO THOSE BEING RAVISHED.

173. IN THE MORNING, SHE WILL BE

174. SET FREE, UNAWARE OF ANYTHING

175. AS NEVER BEFORE.

176. THE WHOLE THING ABOUT THE

177. MOVIE WAS— AND I SAID TO THEM,

178. "I'M AN ACTRESS, AND I SAY

179. NOT ONE WORD."

180. HE SAID, "OH, NO, THAT'S EVEN

181. MORE DIFFICULT," WHICH IT IS.

182. CONVEY YOUR FEELINGS, WHATEVER

183. THEY MAY BE, THROUGH YOUR EYES

184. AND YOUR ACTIONS.

185. AND I SAID, "I DON'T REALLY

186. WANNA KNOW WHAT'S GONNA HAPPEN.

187. I KNOW IT'S GONNA BE WILD AND

188. SEXY, AND IT'S GONNA BE SCARY,

189. PROBABLY, FOR ME AT CERTAIN

190. TIMES, BUT I DON'T

191. WANT TO KNOW."

192. JOHNNIE KEYES, HE WAS THE BLACK

193. AROUND HIS NECK AND, UM,

194. VERY ETHNIC LOOKING.

195. AND WHEN WE STARTED TO HAVE SEX,

196. I WAS, LIKE, TOTALLY FREAKED

197. OUT, I DIDN'T THINK I WAS GONNA

198. I FUCKED HER FOR A LONG TIME.

199. I FUCKED HER FOR 43 MINUTES

200. WITHOUT STOPPING. NOBODY DOES

201. THAT. THAT WAS A MARATHON FUCK.

202. TO PLEASURE, AND I REALLY

203. BELIEVE YOU CAN SEE THAT.

204. THE OTHER SIDE,

205. IF YOU KNOW WHAT I MEAN.

206. UH, MARILYN, SHE PASSED OUT,

207. SHE FAINTED. AND I— IN MY MIND,

208. I SAID, "SHIT, I'M GOING TO

209. JAIL. I DONE KILLED THIS WHITE

210. WOMAN WITH MY DICK."

211. WELL, THE TRAPEZES

212. WERE A BIT MUCH.

213. IT'S A GOOD THING I WAS IN

214. PRETTY GOOD SHAPE, BECAUSE THERE

215. WAS A LOT OF STANDING AROUND,

216. LITERALLY, ON TOP OF PEOPLE,

217. AND WHATNOT. YOU HAD TO BE

218. A GYMNAST, DEFINITELY.

219. WHEN "BEHIND THE GREEN DOOR"

220. AND "IVORY SOAP BOX" CAME OUT,

221. THAT, "OH, BY THE WAY, I DID

222. GAMBLE, UH, IVORY SOAP BOX."

223. AND THEY'RE SAYING, "WHAT?"

224. WE WALKED DOWN THE SOAP AISLES,

225. WE LOOK, AND THERE IS MY MUG

226. ON ALL THESE BOXES, STARING DOWN

227. AT US, AND IT JUST HAPPENED TO

228. "BEHIND THE GREEN DOOR" OPENED

229. IN THE THEATERS.

230. I'M NOT GONNA SAY THAT I CREATED

231. PORNO CHIC, BUT I KNOW THAT I

232. WAS PART OF IT.

233. IN LINE TO SEE "DEEP THROAT."

234. IT WAS COUPLES, AND IT WAS

235. YOU'RE TELLING ME THAT

236. I'M DEAD, AND YOU'RE TRYING TO

237. HEAVEN OR DOWN TO HELL.

238. I REALLY HONESTLY THOUGHT

239. WOULD EVER KNOW ABOUT IT.

240. IT TO BECOME A HOUSEHOLD WORD.

241. "THE DEVIL IN MISS JONES"

242. WAS DEFINITELY AN ART MOVIE,

243. AND I'M STILL NOT REALLY 100%

244. SURE EXACTLY WHAT THE STORY WAS.

245. BUT I STILL THINK IT WORKED.

246. CAN YOU HELP ME?

247. MY WAY.

248. I'LL HELP YOU ALL I CAN,

249. BUT YOU'RE NOT LOST.

250. THEN WHERE AM I?

251. YOU'RE HERE.

252. JERRY DAMIANO WAS

253. THE SWEETEST GUY I EVER MET.

254. HE LOOKED BACK OVER AT ME,

255. AND HE SAYS, "CAN YOU COOK?"

256. I SAID, "YEAH."

257. HE SAID, "OKAY, YOU WANNA

258. COOK ON THE FILM?"

259. I SAID, "SURE."

260. HE SAID, "I GOT SOMEBODY COMING

261. IN THIS FILM I'M DOING.

262. WITH HIM?"

263. AND I SAID, "SURE,

264. I'D BE GLAD TO."

265. I'VE DONE EVERYTHING THAT

266. I'VE BEEN TAUGHT.

267. DOESN'T THAT COUNT FOR ANYTHING?

268. AND HE LOOKS OVER AT ME,

269. HE SAID, "WOULD YOU LIKE TO PLAY

270. MISS JONES?"

271. AND I SAID, "AND COOK?"

272. HOW ABOUT LUST?

273. LUST?

274. YES, LUST.

275. SINS, ISN'T IT?

276. HE OFFERED ME $100 A DAY TO

277. DO MISS JONES.

278. AND I SAID, "THAT SOUNDS GOOD."

279. SO I WAS MAKING 125 A DAY,

280. INSTEAD OF JUST 100.

281. GEORGINA WAS AMAZING.

282. HER ACTING WAS FANTASTIC,

283. WAS SO PASSIONATE.

284. LIKE, SHE— SHE BROUGHT ENERGY

285. TO ALL OF THE SCENES, AND IT

286. REALLY, REALLY SHOWED.

287. FOR THAT DAY, IT WAS A BIG

288. BUDGET FILM.

289. SOMETHING LIKE $25,000.

290. IT DIDN'T PUT MY KIDS THROUGH

291. COLLEGE, BUT IT CERTAINLY DID

292. WORMS FOR MY LIFE.

293. AND ACTRESS IN THE WORLD,

294. FROM THE BEGINNING OF TIME,

295. WANTS TO PLAY A DEATH SCENE.

296. A SUICIDE AT THE BEGINNING

297. THE TONE.

298. AND I THINK IT'S ALSO VERY

299. BRAVE TO START A MOVIE THAT'S

300. WITH DEATH.

301. AH, HERMAN, HERMAN, THAT

302. BEAUTIFUL, SWEET, AFFECTIONATE

303. BOA, WHO COULD TURN AND LOOK AS

304. FIERCE AS YOU WANTED HIM TO.

305. WHAT AN ACTOR.

306. IT WASN'T PLANNED FOR HIM

307. TO BE IN THE FILM.

308. AND I'M TALKING TO THE SNAKE

309. ON THE BED, AND JERRY WALKS BY

310. AND SKIDS TO A HALT AND SAID,

311. "YOU'RE A SNAKE WRANGLER."

312. HE SAID, "WOULD YOU DO

313. A SCENE WITH IT?"

314. MARKS SAYS, "$100 A DAY,

315. SAME AS I GET."

316. SO HERMAN WAS IN THE FILM.

317. THE ANAL SCENE, WHICH EVERYONE,

318. OF COURSE, ALWAYS ASKS ABOUT—

319. I DON'T KNOW— IT'S— IT'S A

320. HUGE FANTASY IN EVERYONE'S MIND,

321. I THINK, TO— TO GIVE IT A TRY.

322. AND HARD AND SLIPPERY, AND YOU

323. COULD STICK IT IN MY ASS.

324. YOU GET USED TO IT.

325. ONE OF MY FAVORITE THINGS

326. GEORGINA'S DIRTY TALK.

327. CAN YOU FEEL HIS PRICK?

328. CAN HE FEEL YOU?

329. CAN YOU FEEL HIM?

330. TOGETHER?

331. CAN YOU, RUBBING AGAINST MY...

332. IT SO ADDED TO THE SEX SCENE.

333. OF THE MOVIE FOR ME.

334. WHEN JERRY CALLED ME ABOUT

335. AND SAID, "I WANT YOU TO GO TO

336. OPENING—"

337. IT WAS LAVISH, IT WAS ELEGANT,

338. CAMERAS ALL OVER THE ROOM, AND

339. SPLASHED ALL OVER THE PLACE.

340. AND...

341. I SAID, "WELL, SO MUCH FOR

342. ANIM— ANONYMITY NOW.

343. I GUESS I— I GUESS I'LL

344. WHAT'S YOUR NAME?

345. MISTY BEETHOVEN.

346. IS THAT YOUR REAL NAME?

347. NO, IT'S NOT.

348. MORE IMPORTANT.

349. WHAT WAS IT BEFORE?

350. I WAS CAST IN "MISTY BEETHOVEN"

351. AND I FLEW TO NEW YORK,

352. AND I MET HIM, AND HE TALKED TO

353. EVERY BIT OF CLOTHING,

354. LIFE, AND BRING IT ALL BACK

355. TO NEW YORK.

356. AS HYMAN MANDEL ONCE SAID,

357. "NEVER LET THE FACT THAT THEY

358. FROM DOING IT RIGHT."

359. WHO WAS HYMAN MANDEL?

360. I DON'T KNOW.

361. I READ THAT ON THE MEN'S ROOM

362. IT'S A TAKE ON GEORGE BERNARD

363. SHAW'S "PYGMALION" OR MODERN-DAY

364. "MY FAIR LADY" OR EVEN "SHE'S

365. ALL THAT," IF YOU'RE IN THE

366. BUT IT'S TAKING THIS WOMAN,

367. WHO IS, LIKE, A DIME-STORE

368. HOOKER, BASICALLY, GIVING

369. HAND JOBS IN MOVIE THEATERS.

370. EXCUSE ME,

371. MY GUM WAS IN FRONT OF YOU.

372. HOW'D YOU KNOW

373. THAT WAS YOURS?

374. FIVE SEATS IN.

375. FIVE'S MY LUCKY NUMBER.

376. YOU AMERICAN?

377. MOST OF THE TIME.

378. FIVE BUCKS FOR A HAND JOB.

379. I'LL MEET YOU OUTSIDE IN

380. TEN MINUTES.

381. TEN MINUTES?

382. MM-HMM. TEN MINUTES.

383. I HAVE TO MEET NAPOLEON.

384. NAPOLEON?

385. NAPOLEON.

386. HI. YOU'RE RIGHT ON TIME.

387. JAMIE GILLIS WAS A

388. SEXOLOGIST, AND HE WAS GOING

389. HE TAKES HER ON AS A PROJECT

390. MY DEAR, YOU ARE THE ABSOLUTE

391. NADIR OF PASSION, THE MOST

392. CREATED, A SEXUAL CIVIL

393. SERVICE WORKER.

394. MY NEXT BOOK LESS THAN YOU.

395. IT'S FASCINATING, BECAUSE

396. YOU'RE WATCHING THIS VERY

397. WIG AND MAKEUP TO THE END, WHERE

398. SHE'S BASICALLY TAKING ONE OF

399. AND FUCKING HIM WITH IT.

400. I WENT UP TO SEE A FELLOW

401. BY THE NAME OF RADLEY METZGER,

402. WHO, UH, HIS NOM DE PORN

403. BECAME HENRY PARIS.

404. AND, UM, UH, INSTEAD OF BEING,

405. UH, ON THE FILM, HE'S A BIT OF A

406. SVENGALI, AND I WOUND UP BEING

407. IN THE FILM.

408. YOU DON'T THINK I'M GONNA LET

409. ALONE?

410. IT WAS QUITE AN EXPERIENCE,

411. SUPPOSED TO BE LIKE, UH, ON AN

412. ADULT SET, SO IT WAS REALLY

413. BROKE ALL THE RULES.

414. IT'S FUNNY— I WASN'T EVEN

415. THE FILM, BUT I WAS ROOTING FOR

416. SHE'S GIVING HIM A BLOW JOB,

417. AND HE'S DEGRADING HER AS IF

418. SHE'S NOT IN THE ROOM, UH,

419. PRETENDING THAT SHE'S NOT THERE,

420. WHERE THEY— THEY COME TOGETHER.

421. IT'S JUST— IT'S BEAUTIFUL.

422. YOU KNOW WHY MOST PEOPLE

423. HAVE SEXUAL PROBLEMS?

424. THEY TALK TOO GODDAMN MUCH!

425. JAMIE IS A VERY SWEET PERSON

426. ON ONE HAND, AND ON THE OTHER

427. HAND, IS A VERY DISTURBED

428. INDIVIDUAL.

429. JAMIE HAD HIS DEMONS.

430. YOU INSTANTLY JUST ARE SO

431. ENGAGED BY HIM.

432. IN FACT, WHEN I STARTED WATCHING

433. THE— THE OPENING IN "MISTY

434. BEETHOVEN," I WASN'T EVEN AWARE

435. PERFORMER.

436. HAVE ANY SEX IN THE MOVIE,

437. BECAUSE HE WAS SO GOOD.

438. YOU THINK TO YOURSELF, "HOW

439. COULD THIS GUY BE A PORN ACTOR?"

440. WORKING FOR RADLEY METZGER

441. WAS, UM— I DON'T REALLY KNOW.

442. I— I DON'T KNOW HOW TO REALLY

443. THING, "IF YOU CAN'T SAY

444. ANYTHING NICE..."

445. OKAY, LET'S GET YOU

446. UNDRESSED.

447. NO, NO, NO, YOU DON'T DO IT

448. YOURSELF.

449. YOU DON'T KNOW HOW,

450. FOR ONE THING.

451. HE TOLD ME HE DIDN'T THINK

452. I COULD ACT, AND THAT'S WHY HE

453. PUT ME THROUGH EVERYTHING.

454. THAT WAS HIS JUSTIFICATION.

455. I THINK MEN STINK.

456. WELL, THEY THINK YOU STINK.

457. IN FACT, IT'S ONE OF THE MOST

458. IN NATURE.

459. I'D LIKE TO SAY THAT MOVIE

460. SWEAT THAN MONEY.

461. MAKE A MASTERPIECE.

462. I'VE HEARD SO MANY PEOPLE QUOTE

463. BEEN DOING SOMETHING RIGHT.

464. IT HAS AN EXTREMELY STRONG

465. STORY WITH BEAUTIFUL IMAGERY.

466. AND, ALSO, I MEAN, LOOKING AT

467. IT ALL THESE YEARS LATER, IT WAS

468. PRETTY GOOD, TOO.

469. THAN FANTASY.

470. THERE IS SO MUCH GOING ON

471. SAYS, "THIS IS AN ARTISTIC

472. EXCUSE ME. UH, PARDON ME.

473. YOUR WAITER?

474. NOT AT ALL.

475. I DON'T KNOW WHAT ON EARTH

476. HAPPENED TO MINE.

477. BARBARA BROADCAST WAS A MOVIE

478. WORKER WHO WROTE A BOOK.

479. IT'S TAKING PLACE AT A

480. RESTAURANT, AND PEOPLE ARE

481. IT'S NO BIG DEAL.

482. NOBODY'S BATTING AN EYE,

483. NOBODY'S LOOKING AT IT

484. PEOPLE ARE HAVING SEX ON TABLES.

485. ADULT SHOULD— FILM SHOULD BE,

486. WHERE THERE'S ABSOLUTELY ZERO

487. JUDGMENT ABOUT EVERYTHING THAT'S

488. GOING ON AROUND THEM.

489. YES, WE'LL HAVE YOUR

490. MINUTES.

491. THANK YOU VERY MUCH.

492. YOU'RE QUITE WELCOME.

493. THERE'S A LOT OF JOKES IN

494. "BARBARA BROADCAST."

495. MAITRE 'D, UM, HE RECEIVES A

496. DROPS A PLATE OR MESSES UP.

497. AND IT'S JUST SO CAVALIER IN

498. HIS PANTS, AND THEY GET

499. DOWN ON THEIR KNEES.

500. WELL, BOBBY ASTER I REMEMBER

501. VERY WELL, BECAUSE HE'S THE VERY

502. ANNETTE HAVEN'S A BEAUTIFUL

503. WOMAN, AND IT LENDS ITSELF TO

504. AND BE A SEXUAL WOMAN.

505. MY BROTHER'S KIND OF SHY,

506. AND, WELL, HE'S A BIG, BIG FAN

507. OF YOURS.

508. WELL, WOULD YOU MIND GIVING HIM

509. AN AUTOGRAPH AND A LITTLE HEAD?

510. ANNETTE, UM, WAS JUST, UH,

511. BEAUTIFUL WOMAN I HAD EVER SEEN,

512. THAT I HAD EVER SEEN.

513. GREAT BUSINESSWOMAN,

514. AND, UH, NUTTIER THAN A

515. FRUITCAKE AS WELL.

516. IN "BARBARA BROADCAST,"

517. METZGER'S USING THESE VERY WIDE

518. SHOTS WHERE YOU'RE SEEING SEXUAL

519. THE MAIN CHARACTERS.

520. "BARBARA BROADCAST" THAT I LOVED

521. ORDERED UP A NUMBER 17, WHICH,

522. BASICALLY, WAS A MAN CAME ON

523. A SALAD.

524. HE DOES A WONDERFUL

525. CAFE AU LAIT.

526. IT'S CINEMATICALLY BEAUTIFUL,

527. THE LOCATIONS, I MEAN, SHOOTING

528. AT, UH, A RESTAURANT.

529. I MEAN, THE KITCHEN SCENE WITH

530. C.J. LAING WITH ALL THE STEAM

531. THE THIS AND THE THAT AND...

532. THEY TOOK A SCENE FROM "MISTY

533. BEETHOVEN," I UNDERSTAND, AS A

534. CLIMAX OF THE FILM.

535. SO WE HAVE THIS LITTLE PET

536. WORKING FOR US, AND TO SET HER

537. STRAIGHT, WE LET CURLY AT HER,

538. TO ACT OUT ONE OF HIS FANTASIES.

539. JIMMY WASN'T VERY NICE TO ME

540. WHEN HE FIRST MET ME.

541. THE MAKEUP LADY,

542. IN MY HAIR, MORE AND MORE

543. HAIRPIECES. SHE SAID, "WELL,

544. I DON'T WANT HER BRAINS TO SPILL

545. AND JAMIE SAID, "WELL, IF IT'S

546. GONNA BE REALISTIC— IF THEY'RE

547. GONNA COME OUT, THEY'RE GONNA

548. COME OUT.

549. IN HER HAIR."

550. I DIDN'T EVEN KNOW WHAT WAS

551. GOING ON.

552. JAMIE WOULD CALL ME WHENEVER

553. ANOTHER.

554. HE SAYS, "MITCH, YOU'VE

555. GOTTA COME HERE RIGHT AWAY.

556. YOU'VE GOTTA COME RIGHT— RIGHT

557. AWAY," AND I HEAR THIS, LIKE,

558. WATER SOUND, LIKE,

559. THIS FLUSHING SOUND.

560. HE'S LIKE, "HURRY, HURRY."

561. SO I THREW SOMETHING ON,

562. AND I JUMPED IN A CAB.

563. I GET THERE, AND JAMIE WAS

564. FUCKING C.J. FROM BEHIND,

565. IN THE TOILET BOWL, AND SHE HAD

566. A NECKLACE ON, AND THE CATCH GOT

567. CAUGHT, AND SO HE HAD TO KEEP

568. HER TO GET AIR.

569. UNDERNEATH HER NECK, AND, UH,

570. SHE COMES UP FOR AIR AND SAYS,

571. I'LL GIVE YOU $10 IF YOU LET

572. ME LOOK AT YOUR TITS.

573. MR. GREENFIELD!

574. PLEASE, PLEASE, I JUST WANNA

575. LOOK AT YOUR PRETTY LITTLE TITS.

576. YOU KNOW WE'RE ALL

577. GOOD GIRLS.

578. THE DIRECTOR AT THE TIME—

579. I'D WORKED FOR HIM QUITE A FEW

580. SOME PEOPLE IN THAT FILM.

581. I ALSO, UM, FOUND A WAY TO GET

582. ACCESS TO BROOKLYN COLLEGE.

583. FACILITIES WERE OPEN.

584. WE— IT WAS LIKE "DO WHAT YOU

585. CAN WHEN YOU CAN."

586. WE JUST LUCKED OUT.

587. WE DIDN'T GET CAUGHT DOING

588. ANYTHING.

589. I DON'T THINK I WAS EVER

590. ON SET.

591. MAYBE I MET HER ONE TIME.

592. SHE WAS, FOR THAT TIME,

593. INCREDIBLY HOT-LOOKING.

594. DEBBIE, WHAT ARE YOU

595. GONNA DO?

596. RAISE THE MONEY FAST.

597. WHEN DO YOU HAVE TO

598. LEAVE, DEBBIE?

599. IN TWO WEEKS.

600. BUT THAT'S NOT ENOUGH TIME

601. TO RAISE THE FARE.

602. THE WORST THING ABOUT

603. "DEBBIE DOES DALLAS" IS

604. R. BOLLA'S THE ONLY GUY THAT

605. GETS TO FUCK HER.

606. YOU WANNA FUCK THAT GIRL.

607. I MEAN, IT'S A COMPLETE TEASE.

608. IT'S A— IT'S A COCK-TEASING

609. FILM, AND IT WORKED

610. ON THAT LEVEL.

611. SIX, SEVEN, EIGHT...

612. OH!

613. THE DALLAS COWBOYS STARTED

614. THE WHOLE CHEERLEADER CRAZE,

615. AND IT REALLY WENT VIRAL.

616. BACK THEN. AND SOMEBODY WAS

617. THAT. THEY DIDN'T HAVE ANY IDEA

618. IT WOULD BLOW UP LIKE IT DID.

619. NO, MOM. YOU KNOW

620. I'M GONNA STAY WITH YOU.

621. OH, DARLING, I'M SO GLAD.

622. KIRDY STEVENS.

623. IN, UM, WEST L.A., AND HE TOLD

624. ME IT WAS ABOUT INCEST, AND I

625. SAID, "NO, ABSOLUTELY NOT."

626. I LOVED "TABOO" AS A MOVIE.

627. IN FACT, THE ENDING WAS SO

628. THAT SHE DIDN'T END UP WITH HER

629. SON, IT MADE ME QUESTION MY OWN

630. HE PERSISTED, AND THEN, UM,

631. AGAIN, I— I CAN ONLY DESCRIBE

632. AND SAID, "DO IT."

633. BECAUSE SOMEBODY'S GOING TO

634. DO IT.

635. YOU— IF YOU DO IT, YOU CAN

636. TO IT, SO DO IT.

637. WE ARE CENSORING OURSELVES

638. 35 YEARS AGO.

639. 35 YEARS AGO.

640. I HATED THE SCRIPT THE FIRST

641. TIME I READ IT.

642. DIFFICULT TO, UM— TO READ ABOUT

643. FLIPPANT, UM, MANNER.

644. BUT IT WAS SO WRONG.

645. LOOK, MA, I DON'T THINK ANY

646. LESS OF EITHER ONE OF US.

647. IT HAPPENED,

648. AND I GOTTA TELL YA,

649. I WANT IT TO HAPPEN AGAIN.

650. DON'T— DON'T... NO, PAUL,

651. DON'T. THE WORLD HAS

652. A DIRTY WORD FOR THIS.

653. THERE'S THESE— THESE MOMENTS

654. THAT KIND OF MAKE YOU SAY,

655. "WHOA!" THESE JARRING MOMENTS,

656. LIKE, FOR EXAMPLE, WHEN KAY

657. PARKER IS IN THE KITCHEN, AND

658. SHIRT, AND SHE'S STANDING THERE

659. WITH HER SON, AND IT'S ALMOST AS

660. IF THERE'S NO COVERING UP,

661. AND IT— IT'S JUST, AGAIN,

662. SEX IS OUT THERE.

663. I MEAN I'M NOT EXACTLY

664. OVER-THE-HILL, YOU KNOW.

665. YOU'RE TELLING ME.

666. YOU SEE IT A LOT WITH KAY

667. PARKER'S FRIEND IN THE MOVIE,

668. DOESN'T HAVE ANY ISSUES WITH—

669. SHE THINKS IT'S HOT IMAGINING

670. HAVING SEX WITH HER.

671. IS, YOU KNOW, HAS BEEN KIND OF

672. ASSAULTED BY HER BOSS.

673. AND SHE'S ON THE PHONE WITH HER

674. FRIEND, AND THE FRIEND SAYS...

675. WHAT'S GOING ON OVER THERE?

676. IS JERRY RAPING YOU?

677. CUT THAT OUT,

678. YOU SON-OF- A-BITCH!

679. WHAT'S HE DOING?

680. DOES HE HAVE HIS COCK OUT?

681. BUT IT— IT— IT LENDS ITSELF

682. TO THIS IDEA THAT THERE'S LOTS

683. FIND SEXUALLY AROUSING, EVEN IF

684. FORBIDDEN.

685. WHENEVER I THINK ABOUT THE—

686. THE SCENE, THE SEDUCTION SCENE

687. WITH MIKE RANGER IN "TABOO,"

688. I'M GETTING RIGHT NOW, AS I—

689. AS I GET READY TO TALK ABOUT IT,

690. VERY, UM, SPIRITUAL EXPERIENCE.

691. SHE'S JUST LEFT THIS ORGY

692. PARTICIPATE IN, AND SHE JUST

693. SHE MUST HAVE SEX,

694. AND HE'S SAFE FOR HER.

695. HE IS SAFE.

696. I LOST MYSELF IN THAT SCENE.

697. I WAS NOT THERE.

698. I SURRENDERED, IF YOU WILL, TO

699. THE PART, AND THE PART, OR THE

700. ROLE, THE MOTHER, JUST TOOK ME,

701. UM, ON THIS TRIP.

702. IT WAS ALMOST LIKE, YES, THIS

703. HAPPEN BETWEEN MY MOTHER AND I.

704. THAT'S—

705. I'M APPALLED.

706. THERE'S NOTHING WRONGER

707. WHAT'LL IT BE, GENTS?

708. OH, THE MASTER WILL HAVE

709. A BEER, ANYTHING IMPORTED.

710. BOTTLE OF BUFFALO PISS,

711. PLEASE.

712. THE AMERO BROTHERS MADE A BIG

713. BUDGET COMEDY. WE JUST HAD A LOT

714. OF FUN. I SWEAR, THE BURNING OF

715. THE FUNNIEST THING I'VE EVER

716. NOW, REMEMBER, PAY NO

717. ATTENTION TO ME WHEN I'M TALKING

718. TO YOU, JUST DO WHAT I SAY.

719. SCENE I'D LIKE TO GET DONE

720. QUICKLY, BECAUSE WE ARE SHOOTING

721. THIS AFTERNOON.

722. IT WAS FUNNY AND QUIRKY.

723. IT WAS— IT WAS VERY HORNY,

724. IT HAD SO MANY SEX SCENES.

725. I WAS REALLY IMPRESSED.

726. I DID IT IN A BOAT ONCE,

727. AND I HAD TO DO ALL THE ROWING.

728. R. BOLLA AND I ARE IN

729. WYOMING, WHERE WE MEET

730. THE CANE SISTERS.

731. NEW YORK WITH US, AND— AND SHE

732. SAYS SOMETHING LIKE, "WHAT,

733. YOU GOT AN AIRPLANE?"

734. ANYWAY, I'M TO BE QUEEN

735. OF THE FAIRIES, AND I'VE GOT

736. THIS TERRIFIC GOWN RIGGED UP.

737. A GOWN?

738. TRANSYLVANIANS?

739. SUSIE MANDELL WAS THE— MY

740. FAVORITE OF THE TWO CHARACTERS.

741. CANDY, WHAT'S A FILM LOOP?

742. YOU'VE GOT ME.

743. THEY'RE LOOKING FOR 46 GIRLS

744. AND A MONKEY.

745. IT WAS REALLY A TRIBUTE TO

746. THE, UH, MGM MOVIES,

747. ONLY WITH HARDCORE SEX.

748. FUCK.

749. THE RAPE SCENE WHERE THE

750. YANKEES CAME IN AND, LIKE,

751. BANGED ALL THE CHICKS.

752. I WANT A CUM SHOT, OR NONE OF

753. YOU FAGGOTS GET PAID!

754. "BLONDE AMBITION" WAS PLAYING

755. VERSION AT ONE THEATER,

756. IT'S SANDY, AM I RIGHT?

757. OH, BUT THERE IS AN AMAZING

758. RESEMBLANCE.

759. BUT NOW THAT I LOOK AT YOU,

760. WELL, IS MY SISTER HERE

761. OR NOT?

762. "NEON NIGHTS" HAD A VERY

763. VERONICA HART PLAYED A MADAME,

764. AND I WAS KIND OF HER BOY-TOY,

765. I'M GONNA MAKE YOU SWEAT,

766. BABY.

767. YOU'RE MY PRIVATE FUCKING

768. THE FILM WAS ACTUALLY

769. KIND OF FUCKED UP.

770. UM, THE DAUGHTER IS LISTENING TO

771. HER MOM AND HER MOM'S BOYFRIEND

772. MASTURBATING WITH A HAIRBRUSH.

773. AND THEN SHE'S IN THE BATHROOM,

774. AND HE COMES IN,

775. AND HE'S TELLING HER TO SHUSH

776. AND TURN AROUND, AND HE'S

777. AND TOUCHING HER.

778. NO.

779. TURN AROUND, COME ON.

780. TURN AROUND, BABY.

781. THAT'S A GIRL.

782. THAT'S A GOOD GIRL.

783. WHEN JAKE TEAGUE MAKES

784. LYSA THATCHER ELEVATE, THEY DID

785. IT VERY WELL, LIKE, HE WAS

786. OVER HER VAGINA AND, LIKE, DOING

787. THE WHOLE CREEPY THING, AND THEN

788. I LOVE HOW HE GOT IN HER MIND.

789. MIND, AND SHE WAS FEELING

790. OTHER WOMAN WERE DOING.

791. INTERESTING.

792. SO VERONICA, BACK HOME,

793. IS TAKING A SHOWER, AND A LA

794. HITCHCOCK IN "PSYCHO," UH, I

795. AND I PULL BACK THE CURTAIN,

796. AND SHE SCREAMS.

797. GOTCHA!

798. OH, MAN, WERE YOU EVER GOIN'!

799. NO!

800. PEEING IN YOUR PANTS,

801. YOU WERE SO SCARED.

802. YOU FUCK!

803. SHE'S ALL PISSED OFF AT THAT,

804. AND HARD, HARD SEX.

805. I THOUGHT HE DID VERY WELL AT

806. THAT IS, NOT ONLY RISKY AND

807. WITH HER MOTHER'S BOYFRIEND,

808. I WANNA GIVE IT A TRY.

809. I DON'T WANNA LOOK BACK

810. WITH REGRETS.

811. YOU KNOW, IF ONLY I'D GONE

812. TO NEW YORK, I COULD'VE BEEN

813. THE PLOT OF "ROOMMATES" IS

814. SHE HAPPENS TO BE A HOOKER,

815. OF THE BUSINESS.

816. AND HER APARTMENT'S TOO BIG

817. FOR HER, SO SHE CONSIGNS

818. WELL, THERE YOU HAVE IT—

819. ONE WAS, UH, A BEAUTIFUL,

820. GORGEOUS MODEL, WHO,

821. UNFORTUNATELY, SEEMED TO HAVE

822. WHO, ACTUALLY, I THINK,

823. RAN AWAY FROM COLLEGE.

824. COLLEGE PROFESSOR, AND IT

825. HE DIDN'T LOVE ME AT ALL.

826. MY CHARACTER HAD SOME BAD

827. PEOPLE IN HER LIFE, AND, UH,

828. RAMPANT, AND I KIND OF

829. LEARN MY LESSON.

830. WHERE AM I?

831. YOU'RE IN QUEENS. WHERE THE

832. FUCK DO YOU THINK YOU ARE?

833. THE FAMOUS RAPE SCENE

834. FROM "ROOMMATES."

835. SO MUCH OF IT WAS INFERRED.

836. THE CAMERA.

837. I WAS LAYING ON THE FLOOR.

838. RUB SOME ON HER FACE, SAL,

839. RUB IT IN.

840. MAKE HER EAT IT.

841. AGAIN, YOU HEAR THE SOUNDS,

842. YOU HEAR THEIR VOICES, YOU CAN

843. THING IS HAPPENING TO ME.

844. JAMIE GILLIS COMES BURSTING IN,

845. STARTS KNOCKING THE GUYS ASIDE,

846. JAMIE GILLIS.

847. DID THEY HURT YOU?

848. NO.

849. LET ME SEE IF THEY HURT YOU.

850. SHOVED IT IN?

851. HE'S NOT THERE TO HELP ME,

852. HE'S THERE TO JERK OFF ON ME,

853. YOU KNOW?

854. SICK, TWISTED JAMIE GILLIS.

855. HE WASN'T INTERESTED IN

856. DEGRADING ANYBODY, YOU KNOW?

857. CHUCK'S IDEA OF A GREAT TIME

858. WAS TO— TO HAVE FUN.

859. COME ON, YOU GUYS ARE ANIMALS.

860. TAKE A BREAK ALREADY.

861. IT DIDN'T FIT INTO ANY CATEGORY.

862. ON A LIMB TO MAKE THIS.

863. WHERE EVERYBODY WASN'T RUNNING

864. AROUND, GOING "FUCK ME, FUCK ME,

865. FUCK ME."

866. IN THE END OF THE 1970s,

867. BEGIN TO STRUGGLE.

868. OBSCENITY PROSECUTIONS ROSE,

869. NEIGHBORHOODS, AND THE PORN CHIC

870. DIED OUT.

871. WHEN DID PEOPLE START

872. TO BUY VHS's?

873. THE NORM VERSUS, UH,

874. GOING TO THE THEATER?

875. IN THE MID-'70s, THE MACHINES

876. CAME OUT, AND PEOPLE THOUGHT

877. YOU HAD TO GO OUT.

878. BUT, LIKE YOU SAID, THEY WERE

879. EXPENSIVE. THEY WERE

880. $1,000 A MACHINE.

881. WERE $95.

882. THEY WOULD HAVE PARTIES, THOUGH.

883. THERE WAS MORE WORK THAN—

884. THAN GIRLS IN THE BUSINESS.

885. LIKE, THERE WERE, LIKE, 12 OF US

886. REALLY IN THE BUSINESS,

887. IT SEEMED, AND I THINK WE ALL

888. I MEAN, IT WAS JUST— THE—

889. THE PRODUCERS COULDN'T GET

890. ENOUGH GIRLS.

891. SO WHAT WAS IT LIKE

892. LIKE BACK THEN?

893. UM, LET'S SEE, THERE WAS

894. USUALLY A SCRIPT, LIKE, A

895. 20-PAGE SCRIPT, WHICH ALWAYS

896. IRRITATED ME, 'CAUSE I WAS NOT

897. GOOD AT MEMORIZING THINGS.

898. IT WAS ALWAYS SHOT AT, LIKE,

899. A REALLY NICE HOUSE,

900. THE LOCATION— NOT ALWAYS, BUT

901. FOR THE MOST PART IT WAS, YOU

902. KNOW, SHOT IN REALLY NICE HOUSES

903. UP IN PORN VALLEY SOMEWHERE.

904. THEY ALWAYS HAD CATERING,

905. HAIR, AND MAKEUP.

906. I MEAN, IT WAS LIKE— IN A WEIRD

907. WAY, IT WAS KINDA LIKE BEING ON

908. A REAL MOVIE SET, ONLY WE WERE

909. NAKED HAVING SEX.

910. YOU COULD ACTUALLY SEE THE

911. PLAYBACK AT— ON THE SET.

912. IT WAS LIKE A WHOLE NEW WORLD.

913. DAYS WAS NOT THE BEST.

914. BECAUSE IT WAS CHEAP,

915. IT WAS QUICK, IT WAS PAINLESS.

916. SO, AS A PERFORMER, WHAT...

917. SORT OF EXPECT FROM YOU?

918. LIKE, WERE YOU GUYS SHOOTING

919. A LOT OF CRAZY SEX ACTS?

920. NUDITY. NO.

921. OR DID THEY WANT YOU TO BE

922. I THINK, IN 1984, THEY WERE

923. GIRL SUCKING A GUY'S DICK.

924. LIKE, THERE WAS DEFINITELY NO

925. I MEAN, IT WAS KINDA LIKE, YOU

926. KNOW, THE TYPICAL THREE

927. POSITIONS, HEAD, HIM EATING ME

928. OUT, BUT IT WASN'T CRAZY SEX.

929. I REALLY THINK, BACK IN '84,

930. GOOD EVENING, MUTANTS

931. AND MUTETTES, AND WELCOME TO

932. THE STORYLINE IS THERE'S BEEN

933. THING AND, IN THE WAKE OF THAT,

934. HUMAN BEING, AND THE REST OF

935. THEM CAN'T.

936. TRUST ME, FOLKS, I KNOW WHAT

937. YOU WANT, AND I KNOW WHAT IT

938. FEELS LIKE WHEN YOU DON'T

939. GET IT.

940. NEED IS MY FIX, LADIES AND

941. GENTLEMEN.

942. AND SO THE PEOPLE WHO CAN

943. TOUCH OTHER PEOPLE AND,

944. THEREFORE, HAVE SEX ARE FORCED

945. FOR THE PEOPLE WHO CAN'T HAVE

946. SEX LIKE THAT.

947. IT'S, LIKE, WEIRD AND

948. EXPERIMENTAL, BUT THEN IT'S GOT

949. IN THE WORLD.

950. LEAVING SO SOON, FRIEND?

951. FEELING A LITTLE QUEASY?

952. LIVE THEATER, ON THE OTHER

953. HAND, AND THE HISTORY OF LIVE

954. THEATER, YOU CAN SEE A LOT OF

955. WHERE "CAFE FLESH'S" REFERENCES

956. PROBABLY CAME FROM.

957. "CAFE FLESH" STANDS THE TEST

958. OF TIME BECAUSE IT'S A PORNO

959. ABOUT PORNO.

960. IT, IT VERY MUCH IS WHAT IT IS,

961. AND THERE'S SOMETHING SO

962. WONDERFULLY HONEST ABOUT IT.

963. BUT THEN IT'S GOT ALL OF THE

964. OTHER LAYERS, SO IT REMAINS

965. INTERESTING.

966. I MEAN, YOU WATCH IT SIX OR

967. SEVEN TIMES, YOU'RE STILL GONNA

968. DOES IT EVER BOTHER YOU

969. FUCKING YOUR BEST FRIEND'S

970. WIFE?

971. YOU'RE IN

972. "SCOUNDRELS" WAS THE FIRST

973. AND HOWARD SAID TO ME, CECIL

974. HOWARD, "YOU'RE NOT GONNA CRACK

975. ONE JOKE IN THIS.

976. YOU'RE NOT GONNA BE— NO MUGGING

977. TO THE CAMERA.

978. YOU'RE NOT GONNA BE A HAM."

979. RON JEREMY SCARED ME AT THAT

980. TIME, UM...

981. IT WAS, IT WAS REALLY ODD

982. BECAUSE, BEFORE I HAD MET

983. RON JEREMY, I HADN'T HEARD

984. ANYTHING ABOUT HIM, UM, BUT HIS

985. HOWARD WAS A TOUGH GUY.

986. CECIL HOWARD WAS TOUGH.

987. HE WANTED THINGS HIS WAY.

988. BUT I RESPECT THAT.

989. I REALLY ENJOYED WORKING WITH

990. CECIL HOWARD, AND HE WAS ONE OF

991. MY FAVORITE DIRECTORS,

992. EVERYTHING IN THE MOVIE IS

993. IN GENERAL.

994. THE DRAMA OF THE MOVIE, I THINK,

995. AH, I'M GONNA CHANGE.

996. THAT'LL BE THE DAY.

997. IT'S A FASCINATING

998. PSYCHODRAMA.

999. THROUGHOUT THE MOVIE,

1000. I'M IN CLOWN WHITE

1001. TALKING ABOUT MY LIFE.

1002. I'VE BEEN GOOD.

1003. I'VE BEEN REAL GOOD.

1004. FUCK IT, NOBODY TELLS THE TRUTH

1005. ALL THE TIME.

1006. EVERYBODY'S FUCKING EVERYBODY

1007. IN THIS MOVIE, BUT IT'S NOT A

1008. HAPPY-GO-LUCKY THING, YOU KNOW.

1009. THE DOCTOR IS CHEATING ON HIS,

1010. UM, HIS WIFE WITH HIS SECRETARY.

1011. AND, YOU KNOW, HIS SECRETARY'S

1012. FRIEND WHO, I BELIEVE, HIS WIFE

1013. IS ALSO SLEEPING WITH.

1014. DAUGHTER WHO FEELS INVISIBLE.

1015. MY PERFECT PARENTS.

1016. THEY DON'T KNOW ANYTHING

1017. ABOUT ME.

1018. WHAT DO I LIKE?

1019. I LIKE MAKING LOVE.

1020. SO SHE'S TAKING IT OUT

1021. IN THE WORLD THAT SHE CAN.

1022. SHE'S THE GIRL AT THE CANDY

1023. STORE ON THE CORNER.

1024. THAT'S WHY I GET TO SEE HER

1025. EVERY DAY, AND THEN FINALLY,

1026. I JUST TELL HER TO HOP IN.

1027. SHE GETS IN MY CAR, AND WE'RE

1028. GONNA ESCAPE AND RUN AWAY.

1029. MY MOM ALWAYS TOLD ME

1030. I SHOULD MARRY A DOCTOR.

1031. WE CRASH MY CAR AND DIE.

1032. AGAINST INFIDELITY, YOU KNOW?

1033. EVERYBODY HAS A DARK SIDE,

1034. AND IT'S REALLY HARD TO HIDE

1035. YOUR SURROUNDINGS ARE.

1036. EVERYBODY'S SEXUALLY DEVIANT

1037. DARK SIDE.

1038. NO ONE FILMS LIKE

1039. THAT ANYMORE.

1040. CECIL HOWARD, CHUCK VINCENT,

1041. RADLEY METZGER, HENRI PACHARD,

1042. COAST, THESE GUYS MADE FILMS

1043. WHICH HAD SEX IN IT.

1044. BY THE WAY, WHAT'S YOUR NAME?

1045. ELIZABETH.

1046. THAT'S A NICE NAME.

1047. SPINELLI, HIS NAME WAS SAM,

1048. HE WAS MORE THAN, UH,

1049. A TALENTED DIRECTOR.

1050. HE WAS MAKING THE BEST MOVIES.

1051. AND A MENTOR.

1052. ANTHONY SPINELLI...

1053. WHO IS...

1054. HE WAS MY— HE'S A DIRECTOR.

1055. HE'S MY DAD.

1056. IT WAS A GREAT TEAM.

1057. HE WOULD USUALLY SAY,

1058. "I HAVE AN IDEA."

1059. AND I'D GO, AND I'D WRITE THE

1060. ROUGH DRAFT, AND WE, UH,

1061. SHOWED IT TO HIM, AND WE—

1062. GREAT COLLABORATION,

1063. THE PLOT OF "NOTHING TO HIDE"

1064. "OF MICE AND MEN."

1065. AND I THINK THAT THAT'S

1066. FOR A PORN MOVIE.

1067. HOW TO BE A MAN.

1068. AND "LOVE'S FOR SUCKERS,"

1069. HE'S TEACHING ME.

1070. AND I FALL IN LOVE,

1071. AND I WANNA MARRY.

1072. HAVE YOU EVER LOVED SOMEBODY?

1073. NO.

1074. HAVE YOU EVER WANTED

1075. TO LOVE SOMEBODY?

1076. NO.

1077. I THINK THAT THERE IS PARTS

1078. JERK-OFF TO.

1079. SLOW AND DEEP.

1080. AS LONG AS YOU'RE INTO

1081. JOHN LESLIE.

1082. JERK OFF TO.

1083. OH, JACK!

1084. I'M NOT SURE YOU CAN JERK OFF

1085. TO THE RICHARD PACHECO SCENE.

1086. NONE OF THE WOMEN THAT HAD

1087. COME OUT OF THAT CHARACTER.

1088. AH!

1089. WHY DON'T YOU WATCH WHERE

1090. YOU'RE GOING?

1091. SHE WAS PERFECT.

1092. THE SEX SCENE BETWEEN RICHARD

1093. AND CHELSEA WAS MY FAVORITE.

1094. IT WAS SO REAL.

1095. I SORT OF GOT MY—

1096. PLAYED WITH HER NIPPLE AND...

1097. "NO, NO, NO,

1098. WHAT ARE YOU DOING?

1099. LENNY WOULD NEVER DO THAT!"

1100. SEE?

1101. OH, IS THAT A RUBBER?

1102. HOW'D YOU KNOW?

1103. I SAW ONE IN

1104. MY BROTHER'S DRAWER.

1105. I'VE NEVER SEEN THAT IN

1106. A CONDOM, AND THEY TALK ABOUT

1107. SHE'S NEVER DONE THAT BEFORE,

1108. AND IT JUST— IT WAS SO,

1109. SO REAL. I LOVED IT.

1110. THERE'S A GREAT AWKWARDNESS

1111. THIS, ABOUT PUTTING ON THE

1112. CONDOM 'CAUSE IT'S PLAYED,

1113. PLAYED REALISTICALLY.

1114. OF A HOT DOG STAND.

1115. YOU DON'T FOOL ME.

1116. YOU DON'T WANNA STOP BEING

1117. A MOTHER AND A FATHER, RIGHT?

1118. HE AND JOHN HAVE A LONG SCENE

1119. WHERE THEY TALK ABOUT, YOU KNOW,

1120. "YOU'RE JUST JEALOUS

1121. IS WHAT IT IS."

1122. YOU'RE GONNA LOSE THE KID.

1123. WHEN AVN DID THEIR FIRST AWARDS,

1124. "IRRESISTIBLE", AND THEY ALSO

1125. FOR "NOTHING TO HIDE."

1126. FOR SEVERAL MONTHS, I'VE BEEN

1127. WRITING STORIES, NOT FOR

1128. CURIOUS MAN,

1129. A PRIVATE CLITEROTICA.

1130. JANINE AND I BECAME BEST

1131. 18 AND 19 YEARS OLD.

1132. AND I DON'T THINK EITHER OF US

1133. TOTALLY PREPARED FOR.

1134. I THINK SHE'D DONE SOME...

1135. SHE'D BEEN A "PENTHOUSE" PET SO

1136. SHE'D DONE SOME "PENTHOUSE"

1137. VIDEOS, BUT NOT EXACTLY THE

1138. TO GET INVOLVED IN.

1139. WORKING WITH ANDREW BLAKE,

1140. HE'S, UM... HE'S VERY

1141. UNDERSTATED, YOU KNOW, QUIET

1142. GUY, BUT HIS WHEELS ARE ALWAYS

1143. ANDREW BLAKE IS THE

1144. QUINTESSENTIAL ARTIST.

1145. I MEAN, HE'S QUIRKY.

1146. HE'S INTERESTING.

1147. SOMEWHAT INTROVERTED.

1148. BIT OF A RECLUSE, UH, EXCEPT FOR

1149. WHEN HE'S FILMING, AND I THINK

1150. THAT'S KIND OF WHEN IT ALL

1151. I HIRED THIS GUY TO MAKE

1152. THESE— HE MADE, LIKE,

1153. AND BOY, AT THE BEGINNING,

1154. THERE'S SOME MIGHTY HEFTY ONES.

1155. THEY WERE QUITE BIG.

1156. AND WHEN HE ARRIVED ON THE

1157. SET, HE WAS BLOODY, AND HE HAD

1158. CUT HIMSELF, AND HE NEEDED TO GO

1159. TO THE HOSPITAL.

1160. AND HE DROPPED OFF THE DILDOS,

1161. AND, YOU KNOW, I NEVER HEARD

1162. FROM HIM AGAIN.

1163. AND, OF COURSE, BY THE TIME

1164. WE WERE DONE,

1165. WE WERE COMPLETELY NUMB.

1166. I DIDN'T KNOW ANYTHING ABOUT

1167. THE ADULT INDUSTRY.

1168. AT THAT TIME OF MAKING "HIDDEN

1169. OBSESSIONS," I HAD NEVER

1170. HEARD OF VIVID.

1171. AND WHAT HAVE YOU.

1172. I MEAN, BASICALLY, I'M ONE TO

1173. FLY UNDER THE RADAR.

1174. TO EVER DO.

1175. I'M THE LAST MAN STANDING,

1176. UH, STILL SHOOTING FILM.

1177. WHEN I'M 80, AND I'M STILL

1178. SHOOTING SOME 19-YEAR-OLD GIRL,

1179. AND I WANNA KEEL OVER, AND MY

1180. BOLEX GOES INTO HER PUSSY.

1181. THAT'S WHAT I ENVISION FOR

1182. WELL, I GUESS THESE ARE FOR

1183. IF YOU'RE LONELY AT NIGHT AND,

1184. UH, NEED SOMEONE TO TALK TO.

1185. YEAH.

1186. I TOOK THE IDEA OF "JUSTINE"

1187. FROM A FRENCH FILM BY, UM,

1188. A DIRECTOR NAMED LOUIS MALLE.

1189. IT'S ABOUT A FATHER WHO

1190. FALLS FOR HIS SON'S GIRLFRIEND.

1191. I SAID, I'VE SEEN IT.

1192. AND HE SAID, "WHAT'D YOU THINK?"

1193. AND I SAID, "I HATED IT."

1194. HE SAID, "YOU HATED IT, WHY?"

1195. I SAID, "BECAUSE OF THE MORALITY

1196. IT WAS AN EVENT OF MY...

1197. SORT OF... HAVING A SON WHO'S IN

1198. SOME WAYS MORE GROWN-UP THAN ME.

1199. HE'S TELLING ME, YOU KNOW,

1200. WHY DON'T YOU TELL ME WHAT

1201. YOU'RE THINKING.

1202. I'M THINKING ABOUT MY FATHER.

1203. YOUR FATHER?

1204. IN "DAMAGE", UH, JEREMY IRONS

1205. IS THE FATHER.

1206. HE KNEW THAT THIS WAS HIS SON'S

1207. GIRLFRIEND.

1208. HE DIDN'T CARE.

1209. BUT IN OUR MOVIE,

1210. HIS SON.

1211. BECAUSE HIS SON IS HIS SON.

1212. MMM.

1213. WOULD YOU LIKE A TASTE?

1214. I LIKE OUR VERSION BETTER.

1215. ROXANNE BLAZE HAD A SERIES OF

1216. HOSE I WAS SPRAYING HER WITH.

1217. AND THAT WAS VERY REAL,

1218. IT WAS VERY INTERESTING.

1219. SHE'S ONE OF HIS GIRLS,

1220. HE WOULD LOOK AND— AND SAY,

1221. "WHAT'S A NICE GIRL LIKE YOU

1222. DOING IN A PLACE LIKE THIS?"

1223. WHY'D YOU COME BACK, HMM?

1224. BECAUSE I SHOULDN'T HAVE.

1225. BECAUSE YOU'RE DANGEROUS FOR ME.

1226. WE REALLY FELT

1227. YOU KNOW, WE KNEW IT WAS

1228. ONLY PORN.

1229. MAKE IT.

1230. "JUSTINE" DOES QUALIFY AS ONE

1231. OF THE BETTER MOVIES MADE, UH,

1232. UH, BOTH IN THE HISTORY OF PORN,

1233. WORKING.

1234. MY CRIME WAS TO SHARE THESE

1235. VISIONS WITH YOU.

1236. THE TRUTH.

1237. AND FOR THIS, I HAVE BEEN

1238. "LATEX" WAS VERY INEXPENSIVE

1239. 12 MONTHS OF POST MAKING ALL OF

1240. THIS STUFF, SO THAT MIGHT'VE

1241. COMPUTER-GENERATED EFFECTS.

1242. THAT FOR PORNO, YOU KNOW?

1243. WERE IN FOR A RIDE.

1244. THIS IS SOMETHING THAT YOU'RE

1245. THERE IN AN HOUR.

1246. UH, MORE OFTEN THAN NOT, IT

1247. JUST TO GET YOUR MAKEUP ON.

1248. ABLE TO "SEE INSIDE OF PEOPLE."

1249. DID YOU SAY THAT?

1250. YES.

1251. I'D CALL THAT E.S.P.,

1252. WOULDN'T YOU?

1253. I WOULD CALL IT SEEING

1254. JON DOUGH REALLY TOOK HOLD OF

1255. ALMOST ON HIS OWN.

1256. UM, MICHAEL NINN MADE IT INTO

1257. BEEN MADE BEFORE THAT.

1258. YOU'RE ASKING ME TO EXPLAIN

1259. SOMETHING THAT I DON'T REALLY

1260. UNDERSTAND MYSELF.

1261. HE WAS SO DEEPLY DEDICATED TO

1262. WHAT WAS GOING IN THERE, MORE

1263. IN ANY MOVIE.

1264. THERE WAS ONE SET,

1265. AND SUNSET THOMAS.

1266. THAT'S THE ONLY SET WE SHOT ON.

1267. AGAINST GREEN SCREEN, WHICH

1268. I'M IN THE KITCHEN, YOU KNOW,

1269. LATEX GLOVES ON.

1270. AND THERE'S THESE BIG, WHITE

1271. AND I WAS IN THE DRESSING ROOM.

1272. LITTLE SKIMPY UNDERWEAR.

1273. I SAID, "MIKE, I CANNOT WEAR

1274. THESE GRANNY UNDERWEAR."

1275. MICHAEL NINN SEEMS TO DEAL

1276. MORE WITH, UM, BROAD SYMBOLISM,

1277. LIKE, SYMBOLIC STORIES.

1278. GOOD AND EVIL.

1279. THERE'S ALWAYS THE INNOCENCE

1280. THAT GETS CORRUPTED.

1281. THERE'S THE, THE SOCIETY THAT

1282. GEARS, IT'S— IT'S VERY SYMBOLIC

1283. AND BROAD IN ITS SCOPE, AND

1284. ABOUT INSTANCES.

1285. HOME VIDEO BECAME SUCH

1286. A POPULAR FORMAT FOR PORN THAT,

1287. BY THE MID-90'S, ADULT THEATERS

1288. OF THE PAST.

1289. SAN FRANCISCO FOR SUNNY L.A.,

1290. OF THE ADULT BUSINESS.

1291. FOREVER.

1292. BUT PROGRESS NEVER STANDS STILL.

1293. WHY ARE YOU GOING THROUGH

1294. MY PURSE?

1295. TO FIND YOUR BADGE.

1296. YOUR FIREMAN I.D.

1297. YOU'RE THE KIND OF GIRL WHO

1298. TAKES OUT PERSONAL ADS.

1299. "OH, HOT-BLOODED BLONDE

1300. IT WAS SHORTLY AFTER

1301. "BACKDRAFT," THAT BIG FIREMAN

1302. "FLASHPOINT," WHAT WE WERE

1303. SEX OUT OF THEM, BECOME KIND OF

1304. LIKE THAT "B" MOVIE VIBE.

1305. I JUST WISH I HAD

1306. IT HAD A STORYLINE.

1307. AND IT HAD REAL ACTING.

1308. FOR ITS TIME, IT WAS A HUGE

1309. MOVIE, AND, UH, AS LUCK WOULD

1310. HAVE IT, I JUST HAPPENED TO MEET

1311. WORKED IN THE MAINSTREAM.

1312. THEY ACTUALLY WORKED ON

1313. "BACKDRAFT."

1314. WHEN WORKING WITH FIRE,

1315. OF COURSE, THERE'S ALWAYS A HUGE

1316. GUY DOING IT ALL, YOU KNOW,

1317. ALL THE TIME.

1318. AT THE TIME, I DIDN'T REALLY

1319. TO BE A FIREFIGHTER.

1320. DUMMIES UPSTAIRS.

1321. I THINK A COUPLE OF PEOPLE

1322. STAIRS WITH ALL THE GEAR ON.

1323. STEVENS, WHAT DO YOU THINK

1324. YOU'RE DOING?

1325. SHH!

1326. IF THE CAPTAIN CATCHES YOU,

1327. YOUR ASS IS HISTORY.

1328. I DIDN'T REALLY REALIZE HOW

1329. THIS WAS GOING TO BE.

1330. WHEN YOU'RE HAVING SEX BEHIND

1331. FIRE, YOU DON'T REALLY REALIZE

1332. THE FEAR THAT YOU'RE

1333. GONNA BE FEELING.

1334. WE REALLY ONLY HAD ONE HUGE

1335. FIRE DAY, AND HE HAD A HUGE CREW

1336. KNEW WHAT THEY WERE DOING.

1337. SAFETY AND ANY, UH— AND KEEPING

1338. THE ACTORS OUT OF DANGER.

1339. I REALLY THINK THAT WE—

1340. TO BE HONEST WITH YOU,

1341. I DIDN'T EXACTLY INHERIT

1342. MY FATHER'S SIN...

1343. IT WAS NOT

1344. A HIGH-BUDGET MOVIE.

1345. OVER FIVE DAYS FOR 70 GRAND.

1346. SO 2-1/2 DAYS, $35,000...

1347. IT'S NOTHING FOR FILM.

1348. TO ME, IT WAS A BIG DEAL

1349. YOU KNOW, THE FILMS WERE HERE

1350. AND THERE, JUST FEW AND FAR

1351. DIDN'T YOU APPLY AT

1352. THE SHERIFF'S OFFICE IN COUNCIL

1353. BLUFFS OR SOMETHING?

1354. YEAH, I GOT ACCEPTED, TOO,

1355. BUT I'M NOT READY TO LEAVE YET.

1356. THE ACTORS THAT CAME ON

1357. REALLY, YOU KNOW, I GOT GOOD

1358. PEOPLE WITH ACTING CHOPS.

1359. McCULLOUGH WHO,

1360. YOU KNOW, LATER WON AN AWARD

1361. FOR IT FOR BEST ACTRESS.

1362. THIS WAS A FILM NOIR

1363. AND HE WANTED ME TO STAR IN IT.

1364. IT'S A STORY OF TWO DETECTIVES

1365. WHO'S A FEMME FATALE KILLER.

1366. AND SHE'S, YOU KNOW, SEDUCING

1367. MEN AND THEN KILLING THEM.

1368. AND SHE'S BEEN STALKING

1369. MY PARTNER.

1370. APPARENTLY, HIS FATHER DEALT

1371. IN HIS CAREER AS A POLICEMAN.

1372. AND HE THINKS IT'S THE SAME

1373. WOMAN AND SHE'S STILL AROUND

1374. AFTER 50 YEARS.

1375. AND I SAID, "NO, IT MUST

1376. BE HER DAUGHTER."

1377. THE LOOK OF "LOOKER" IS VERY

1378. AND THIS IS NO ACCIDENT.

1379. COULD'VE BEEN SHOT IN THE 30s.

1380. HE WAS A REAL SLAVE DRIVER.

1381. A 24-HOUR DAY IF THAT WAS WHAT

1382. EVERYBODY ELSE TO BE.

1383. WHEN WE SHOT THAT MOVIE, WE

1384. KNEW WE HAD SOMETHING SPECIAL.

1385. WE PUT A LOT OF HEART INTO IT

1386. IT, AND WE DIDN'T GET

1387. WE REALLY WANTED IT TO BE.

1388. EARLY ON IN THE SHOW,

1389. SHANNA WON FOR BEST ACTRESS.

1390. OTHER LIKE, "COULD THIS BE?"

1391. FILM DIRECTOR FOR ME, BEST FILM,

1392. ART DIRECTION, SCRIPT, EDITING.

1393. I MEAN, TRIFECTA, SWEEP.

1394. DOGS LICK.

1395. MEN FUCKING EAT PUSSY.

1396. EAT MY PUSSY.

1397. "SEVEN DEADLY SINS" WAS

1398. THE VIGNETTE STYLE OF SHOOTING.

1399. EVERYTHING DISTINCTLY,

1400. UH, REPRESENTED

1401. BY THE SIN ITSELF.

1402. WHERE AM I?

1403. YOU STUPID BITCH.

1404. THE BASIC STORY IS A CRISIS

1405. OF THIS WOMAN WHO'S IN LOVE

1406. WITH THE REAL JANINE.

1407. AND SHE'S BEEN TOLD THAT SHE

1408. JANINE, BUT OF COURSE, WE HAVE

1409. A REALLY DOWDY VERSION OF HER.

1410. IT WAS A STRETCH, YOU KNOW,

1411. IT WAS, UH...

1412. I WAS JUST KIND OF... IT'S HARD

1413. NOT TO JUST EMBRACE HER.

1414. SO, UH, TO TAKE MYSELF OUT OF

1415. THAT SITUATION AND BE LIKE,

1416. "YEAH, IT'S ME AND IT'S ME,"

1417. YOU KNOW, THERE WERE CERTAIN

1418. THINGS THAT WE HAD TO HIDE.

1419. WHEN YOU'RE TRYING TO SHOOT AND

1420. BE SOMEBODY, AND YOU CAN'T SHOW

1421. YOUR FACE OR YOU'RE TRYING TO

1422. IT WASN'T EASY.

1423. THAT I CAN TELL YOU.

1424. YOUR A WHINY, DRIED-UP

1425. OLD MAID.

1426. SHUT UP!

1427. THAT NOBODY WANTS.

1428. SHUT UP.

1429. THERE WAS A LOT OF FOOD.

1430. IT'S A PERFECT SCENE IF YOU'RE

1431. A FOOD FETISH KIND OF GUY.

1432. WE HAD TO BUILD SUPPORTS

1433. AND WE DID AN ARC AROUND THAT.

1434. A STAGE THAT, AT THE TIME,

1435. I THINK WAS BLACK.

1436. SO WE COULD, YOU KNOW—

1437. ON SO THAT COULD REVOLVE, SO THE

1438. WAS REVOLVING AT THE SAME TIME.

1439. IT HAD A VERY, YOU KNOW, KIND OF

1440. HEY, WATCH THE TEETH,

1441. SWEETIE.

1442. SORRY, FORCE OF HABIT.

1443. "DARK ANGELS" CAME OUT—

1444. SCOTT TAYLOR, THE OWNER

1445. OF NEW SENSATIONS.

1446. HE GOES, "I'VE ALWAYS REALLY

1447. STUFF AND VAMPIRE-TYPE STUFF."

1448. AND I SAID, "WELL, WE CAN DO

1449. YOU LOOKING FOR SOMETHING

1450. SPECIAL TONIGHT?

1451. IT DEPENDS, YOU A COP?

1452. YOU SEE A BADGE, SWEETHEART?

1453. WHEN I CONCEIVED THE WHOLE

1454. AND EVERYTHING, MIKE HORNER WAS

1455. ALREADY CAST IN MY HEAD.

1456. WE HAD TO SPEND MORE TIME

1457. THE ENTIRE SEX SCENE, BECAUSE IT

1458. ALL OVER THE WINDOWS.

1459. IT JUST DIDN'T WORK FOR

1460. I WAS JUST GETTING TO THAT.

1461. WE DIDN'T GET STARTED DOING

1462. THAT SCENE UNTIL ABOUT MIDNIGHT.

1463. 4:00 IN THE MORNING,

1464. 5:00 IN THE MORNING.

1465. FOR THE SUNRISE.

1466. WHEN I APPROACHED SYDNEE TO

1467. DO THE MOVIE, I SAID,

1468. "ALL RIGHT, I DON'T KNOW IF

1469. YOU'VE DONE SOMETHING LIKE THIS

1470. BEFORE, WE'RE GONNA DO, LIKE,

1471. YOU KNOW, FULL-BODY CAST

1472. OF YOU, PROSTHETICS."

1473. 'CAUSE THAT'S HER IN THE MONSTER

1474. SUIT AT THE END.

1475. AND, YOU KNOW, AND YOU'RE GONNA

1476. AND ALL THIS.

1477. AND, YOU KNOW,

1478. WOULD YOU COMMIT TO THIS?

1479. AND I'M LOOKING AROUND THE

1480. WAREHOUSE AND THINKING, "MAN,

1481. YOU KNOW, I'M WORKING IN THIS

1482. WAREHOUSE AND, YOU KNOW, I'M A

1483. HERE ALL OVER, BROKEN."

1484. "AH, I'LL NEVER FALL ON THAT."

1485. IN THE DUMPSTER,

1486. WOULDN'T YOU KNOW IT?

1487. PALLET, RIGHT, RIGHT?

1488. A PALLET AND BROKEN GLASS.

1489. JEWEL DE'NYLE WAS THE

1490. CONTRACT GIRL, AND SHE ACTUALLY

1491. QUIT, UH, FIVE DAYS BEFORE

1492. WE FINISHED SHOOTING.

1493. SHE STORMED OFF THE SET.

1494. IT'S ACTUALLY ON THE

1495. BEHIND-THE-SCENES.

1496. FORTUNATELY, I HAD SHOT THE END

1497. ALREADY.

1498. WHEN IT CAME OUT.

1499. IT UPSET SOME PEOPLE,

1500. IT EXCITED A LOT OF PEOPLE, IT

1501. MADE A LOT OF MONEY, YOU KNOW?

1502. IT WAS— IT WAS ONE OF

1503. I WAS NEVER ABLE TO DUPLICATE,

1504. EVEN WITH BIGGER BUDGETS, BIGGER

1505. CREWS, NEWER EQUIPMENT,

1506. EVERYTHING.

1507. YOU TRIED TO GET MY

1508. ATTENTION.

1509. YES.

1510. WELL, YOU DID.

1511. BY YOUR DVD.

1512. I THOUGHT I HAD A GOOD MOVIE

1513. BECAUSE, UH, THE SCRIPT WAS THE

1514. INTERESTING IDEAS.

1515. IT TOOK A LONG TIME TO WRITE IT.

1516. TO BE DIRECTED BY JOHN,

1517. ESPECIALLY FOR THIS MOVIE,

1518. I WAS A BIG FAN OF ALL

1519. THE "BUTTMAN" SERIES.

1520. I WAS A BIG FAN OF JOHN, SO IT

1521. WAS LIKE BEING IN A DREAM.

1522. I HAD A GOOD MEETING WITH MY

1523. CINEMATOGRAPHER WHO SAID,

1524. "WELL, WHAT'S THE RELATIONSHIP

1525. BETWEEN THOSE TWO GIRLS?"

1526. AND I SAID, "OH.

1527. THEY COULD HAVE A RELATIONSHIP."

1528. THAT'S MORE THAN JUST THE GIRL

1529. SEDUCE ROCCO.

1530. MY ENGLISH AT THAT TIME

1531. WAS HORRIBLE, LIKE,

1532. BARELY ANY ENGLISH.

1533. THE THINGS, BUT THE FUNNIEST

1534. I HAD, I WAS BASICALLY DOING

1535. IT— DOING IT— PHONETICALLY.

1536. I TOLD YOU THEY ARE STILL

1537. IN THE DARK AGES.

1538. I'M ALREADY NOT A GREAT ACTOR

1539. TO START WITH,

1540. BUT HERE, IT WAS LIKE—

1541. LIKE ROBOTIC ACTING.

1542. I'LL DO THIS THING ABOUT

1543. 'CAUSE I WANNA DO STUFF WITH

1544. FASHION 'CAUSE I LIKE CLOTHES

1545. AND SEXY CLOTHES ON GIRLS.

1546. IT GIVES ME AN EXCUSE, AND I'LL

1547. SHE'LL JUST— SHE'LL REALLY BE

1548. THE BRAINS BEHIND THE OPERATION.

1549. AND WE'LL DO THIS LIKE NORMAL,

1550. LIKE TV SHOW KIND OF THING.

1551. SHE'S TRYING TO SEDUCE AN

1552. ON THE DVD.

1553. FOR S&M SEX.

1554. WHEREAS, IT WAS SUPPOSED TO BE

1555. THIS MIDDLE-OF-THE-ROAD THING,

1556. BECAUSE I CAN'T THINK

1557. MIDDLE-OF-THE-ROAD SOMEHOW.

1558. 305 ROLLS OF FILM AS I RECALL.

1559. MINUTES, ALTHOUGH, WE DID HAVE

1560. ON TWO DIFFERENT DAYS, WE HAD

1561. 11 MINUTES AT A TIME

1562. WHICH WAS SO GREAT, 11 MINUTES.

1563. I DON'T THINK I'VE DONE MY BEST

1564. MOVIE YET, THAT'S FOR SURE.

1565. IS GONNA BE MY BEST MOVIE,

1566. WHAT CAN I DO FOR YOU TODAY?

1567. I'D LIKE A MASSAGE.

1568. WELL, YOU'VE CERTAINLY COME

1569. TO THE RIGHT PLACE.

1570. I MADE THE ORIGINAL

1571. "MASSEUSE" IN ABOUT 1990

1572. OR SOMETHING LIKE THAT.

1573. HELLO, THIS IS JIM.

1574. I THINK IT IS THE BEST

1575. COMFORTABLE WITH THE SCRIPT,

1576. THE DIRECTNESS, THE

1577. SIMPLICITY, THE TRUTHFULNESS

1578. OF IT.

1579. THERE'S NO BELLS AND WHISTLES.

1580. IT'S JUST A MASSEUSE

1581. AND HER CLIENT TALKING.

1582. YOU KNOW, WHAT DID I CALL IT—

1583. "MY DINNER WITH ANDRE"

1584. OF X-RATED MOVIES.

1585. IF YOU WATCH THE MOVIE

1586. CLOSELY, YOU CAN ALMOST SEE ME,

1587. THE REAL ME,

1588. DISCOVERING MYSELF.

1589. SO THAT'S WHY I LIKE IT SO MUCH.

1590. HOW OLD ARE YOU?

1591. 28.

1592. GIRLFRIEND?

1593. CAN I TELL YOU A SECRET?

1594. SURE, I LOVE SECRETS.

1595. I'M A VIRGIN.

1596. I LIKE TO STAB

1597. AND SEE HOW FAR I CAN GO.

1598. PAUL THOMAS HAS A WAY ABOUT HIM,

1599. A LITTLE BIT OF HIS RESPECT.

1600. HE'S USED TO BEING ABLE TO TELL

1601. PEOPLE POP, POP, POP, POP, POP.

1602. AND I WOULD BE LIKE, "LISTEN,

1603. NO, THIS IS THE WAY THIS SHOULD

1604. BE, AND THIS IS THE WAY

1605. THIS SHOULD BE.

1606. WHAT DO YOU THINK ABOUT THAT?"

1607. SHE BROUGHT A LOT TO

1608. THE TABLE, SHE LISTENED TO ME,

1609. ALWAYS ON TIME— I'M THE ONE

1610. WHO HAD TO STEP UP MY GAME.

1611. YOU KNOW, WITH JENNA,

1612. NO PARTYING, YOU KNOW?

1613. I'LL SEE YOU LATER,

1614. I PLAYED JUSTINE JONES,

1615. JONES," AND JENNA JAMESON

1616. PLAYED THE DEVIL, WHICH WAS

1617. THIS AMAZING CLASSIC FILM,

1618. "THE DEVIL AND MISS JONES," BUT

1619. AT FIRST IT FEELS LIKE

1620. A NO

1621. ONCE IN A WHILE, YOU GET

1622. "GODFATHER TWO," BUT MOST OF THE

1623. TIME, THE SEQUEL'S JUST AREN'T

1624. SO GOOD IF THE ORIGINAL'S

1625. I HAD BEEN OUT OF

1626. THE BUSINESS FOR A LONG TIME.

1627. NIGHT AND SAID, "WE'RE GONNA DO

1628. A REMAKE OF 'THE DEVIL

1629. AND I SAID, "WELL, VERY GOOD,

1630. PAUL, CONGRATULATIONS,

1631. GOOD LUCK," AND SO FORTH.

1632. AND HE SAYS, "YOU'RE GONNA

1633. BE IN IT," AND I SAID,

1634. "OH, NO, I'M NOT."

1635. AND HE SAID, "OH, YES, YOU ARE."

1636. HE SAYS, "YOU'RE JUST GONNA DO

1637. A CAMEO, THREE LINES."

1638. I SAID, "I DON'T EVEN WANNA

1639. LEARN THREE LINES."

1640. HE SAYS, "I'LL GIVE YOU

1641. $10,000," I SAID, "OKAY."

1642. WHEN SHE COMES OUT AT THE END

1643. OF THAT MOVIE, YOU GET CHILLS.

1644. WHO SHE IS.

1645. IT REALLY WORKS, AND, UH...

1646. SHE'S JUST DELIGHTFUL.

1647. DO YOU READ, MISS JONES?

1648. ONLY ROMANCE NOVELS,

1649. IT'S MY JOB.

1650. YOU ARE SO PRIVILEGED.

1651. FOR YOURSELF.

1652. GROUNDBREAKING WOMEN EVER.

1653. SHE WAS FAME— UBER FAMOUS.

1654. I HAVE ULTIMATE RESPECT FOR HER,

1655. AND I MADE SURE I TOLD HER THAT.

1656. AND HER ACTING WAS FANTASTIC,

1657. TOO.

1658. IT WAS REALLY COOL TO DO THAT

1659. BECAUSE, YOU KNOW, AT THE TIME,

1660. NAMES IN THE BUSINESS,

1661. AND IT WAS LIKE, "WOW, THIS

1662. WHILE I'M GETTING DP'D,

1663. THE ORIGINAL "MISS JONES."

1664. IF YOU TOUCH ME, I'LL COME,

1665. I KNOW I WILL.

1666. TOUCH ME, TOUCH ME, TOUCH ME.

1667. I'LL MAKE YOU COME, TOO.

1668. SO WHEN I DID HOWARD STERN,

1669. HE SAID, "WELL, DID YOU FUCK

1670. A SNAKE," BECAUSE THAT'S WHAT

1671. MISS JONES.

1672. THEY DON'T REMEMBER MUCH, BUT

1673. THEY REMEMBER THE SNAKE SCENE.

1674. ABOUT IT, BUT THEY THINK MOSTLY

1675. WITH A SNAKE.

1676. SO I WENT TO VIVID AND I SAID,

1677. "LOOK, WE HAVE TO DO

1678. A SNAKE SCENE."

1679. IT WAS A GOOD TIME

1680. IN EVERYONE'S LIVES.

1681. THEY WERE TIGHT.

1682. VIVID WAS TIGHT.

1683. "THE DEVIL IN MISS JONES" AND

1684. FOR "MASSEUSE", WORKING AT THE

1685. AND OUR PERSONAL LIVES.

1686. WE'RE ALL PRETTY DAMN TOGETHER.

1687. NOTHING BUT POSITIVE.

1688. THE 2000s WERE THE DECADE

1689. WHEN PORN GREW UP.

1690. BOOM, PRODUCERS BEGAN SHOOTING

1691. BUDGETS, GIGANTIC CASTS,

1692. AND ELABORATE SCRIPTS.

1693. VIDEO, AND FILM WAS BECOMING

1694. TOO COSTLY TO JUSTIFY.

1695. TECHNICAL ISSUES AND CONCERNS,

1696. THE FEATURES OF THAT TIME,

1697. OF MONEY ON THEM...

1698. YEAH.

1699. WHEN IT WAS NEW, WERE THEY—

1700. YEAH, I MEAN, LIKE,

1701. "WICKED."

1702. IT WAS THIS REALLY BIG,

1703. LIKE, MICHAEL RAVEN MOVIE.

1704. I REMEMBER IT HAD, LIKE, THESE

1705. OOZING, LIKE, TENTACLE DILDOS

1706. AND FOG MACHINE, AND, LIKE,

1707. FIRST TIME, YOU KNOW, WE SHOT

1708. OUT IN THE DESERT AND IT WAS,

1709. LIKE, A WIND STORM AND IT WAS

1710. JUST— IT WAS AWESOME. IT WAS,

1711. LIKE, REALLY FUN TO GO FROM,

1712. LIKE, JUST GETTING, LIKE,

1713. YOU KNOW...

1714. NAILED.

1715. FUCK-NAILED ON A GONZO SET,

1716. JUST POUNDED, LIKE, "YEAH,

1717. MOTHERFUCKER, COME ON, I CAN

1718. TAKE IT," YOU KNOW,

1719. TO, LIKE, CATERING.

1720. YOU KNOW, LIKE, "WOULD YOU LIKE

1721. A SNACK?"

1722. "YES, I WOULD."

1723. THERE'S BREAKFAST ON SET?

1724. SO HOW HAS INTERNET AFFECTED

1725. THE INDUSTRY TODAY?

1726. I THINK IT MAKES THE FANS

1727. GIFTS AND, YOU KNOW, JUST TO

1728. TALK TO WHOEVER YOU'RE A FAN OF.

1729. SO THE INTERNET, LITERALLY, THEY

1730. CAN SEE WHO'S SHOOTING WHEN,

1731. THAT DAY, THEY KNOW WHEN IT'S

1732. GONNA COME OUT.

1733. IT'S JUST, LIKE, RIGHT NOW,

1734. I'M LOOKING FOR A PIRATE.

1735. WE KNOW MANY, MANY PIRATES.

1736. BY FAR, THE BIGGEST

1737. PRODUCTION THAT I'VE EVER BEEN

1738. THE "PIRATES."

1739. SHOT STUFF IN L.A., THEN TOOK

1740. THE WHOLE TROOP, CREW, EVERYBODY

1741. ALL THE WAY TO FLORIDA.

1742. WE SHOT ON THE U.S.S. BOUNTY.

1743. HELMSMAN, PREPARE

1744. TO SET SAIL.

1745. ARE YOU REALLY GONNA

1746. LET HER GO UNSCATHED, SIR?

1747. OF COURSE NOT.

1748. WORKING WITH JOONE,

1749. HE HAS A VISION,

1750. HE'S AN ARTIST.

1751. THERE'S SOME DIRECTORS THAT

1752. STUFF, THEY HAVE THE VISION IN

1753. THEIR HEAD, AND JOONE IS ONE

1754. OF THOSE DIRECTORS.

1755. WHAT HE WANTED.

1756. IN HIS HEAD.

1757. IT'S A BIT SLOW TONIGHT,

1758. IT'S AWKWARD.

1759. LINE UP THE CREW ON THE BOW.

1760. FROM THE DECK BELOW.

1761. AND, SERENA,

1762. AS MUCH AS I LOVE YOUR METHODS,

1763. DON'T EVEN CONSIDER KILLING

1764. I DON'T THINK I WAS EVER

1765. A CRUEL PIRATE.

1766. I'M GONNA HAVE TO WATCH THAT

1767. AGAIN... UH, WAS I A CRUEL—

1768. SHE WAS A HORNY PIRATE.

1769. I DON'T KNOW IF SHE WAS CRUEL.

1770. WELL, THERE'S THE VICIOUS

1771. LADY I REMEMBER.

1772. DON'T EVER SECOND-GUESS ME.

1773. HE BUILT THE TENSION.

1774. SO WE WERE, OF COURSE,

1775. THE LAST SCENE OF "PIRATES."

1776. HE JUST WAITED, AND THEY WOULD

1777. AND READY TO GO.

1778. THEY KEPT JESSE JANE

1779. AND I SEPARATE, UH, SEPARATED

1780. THE, YOU KNOW, THE ANTICIPATION

1781. WOULD BUILD UP AND...

1782. AND HE'S COME TEASE ME.

1783. "I WONDER WHO'S GONNA WIN?

1784. I GUESS SHE'S GONNA SHOW YOU."

1785. SHE'S ABOUT HALF MY SIZE

1786. CUPCAKE THOUGHT SHE WAS GONNA...

1787. DOMINATE ME?

1788. I HAD TO— I HAD TO PUT HER IN

1789. HER PLACE, BUT I LET HER PRETEND

1790. TO THINK THAT FOR A LITTLE BIT.

1791. OKAY, SO CARMEN GETS PUT—

1792. BY TOMMY GUNN.

1793. AND THEY WANTED TO DO THIS

1794. STUNT WHERE, UH, STUNT GIRL GOES

1795. OFF IN THE WATER, NO BIG DEAL.

1796. AND SHE GOES, "NO."

1797. WELL, JESSE WOULDN'T HAVE

1798. NOTHING TO DO WITH THAT.

1799. HERSELF.

1800. AND OF COURSE, I'M A

1801. DAREDEVIL, SO I'M LIKE,

1802. "I'LL DO IT."

1803. AND I KNOW WHAT'S GONNA

1804. HAPPEN BEFORE IT EVEN HAPPENS.

1805. SO I ALREADY GOT MY STUFF OFF,

1806. GOT MY BOOTS OFF, AND

1807. I'M JUST STANDING HERE AND JUST

1808. WAITING FOR HER TO JUMP IN.

1809. SPLASH, I'M IN THE WATER

1810. AFTER HER.

1811. THEY'RE NOT EVEN THINKING THAT

1812. THIS BIG, BALLOONING DRESS IS

1813. JUST GONNA SUCK UP RIGHT TO HER,

1814. AND SHE'S NOT GONNA BE ABLE TO

1815. KICK, SHE'S NOT GONNA BE ABLE

1816. TO DO ANYTHING.

1817. WELL, MY DRESS, HER DRESS,

1818. AND I CAN'T COME UP.

1819. BUT SHE WENT IN

1820. AND SHE ALMOST DROWNED.

1821. I THINK SOME OF THAT WAS

1822. BEHIND-THE-SCENES, NOT ALL OF IT

1823. WHERE I WAS DROWNING,

1824. 'CAUSE THAT WAS PROBABLY

1825. NOT GOOD.

1826. I DEFINITELY DIDN'T KNOW

1827. AND THE NUMBER ONE MOVIE EVER.

1828. TO WATCH IT.

1829. RENTED IN BLOCKBUSTER.

1830. IT WAS A BLOCKBUSTER HIT.

1831. YOU MUST THINK ME A MONSTER.

1832. "CORRUPTION" WAS PROBABLY

1833. I WAS THAT INVOLVED IN.

1834. I'D, YOU KNOW, BEEN IN OTHER

1835. BIG-BUDGET MOVIES AS TALENT,

1836. BUT YOU'RE NOT AS INVOLVED

1837. YOU SHOW UP AND, YOU KNOW,

1838. IT WAS SOMETHING BEING DONE

1839. AND BEING DONE WELL AND WITH,

1840. LIKE, HEART.

1841. THAT, LIKE, ATTRACTS ME.

1842. YEAH, I GOT YOU

1843. RIGHT WHERE YOU WANT ME.

1844. I ALSO HAD A PRETTY

1845. DECENT ACTING ROLE.

1846. OF CAROLYN HELMS,

1847. WHO WAS THE SENATOR'S WIFE.

1848. AND SHE'S KIND OF THE CENTRAL

1849. PART OF THE MOVIE.

1850. HERE'S CAROLYN IN THE MIDDLE,

1851. AND SHE'S KIND OF STARTS

1852. I'M A UNION LEADER,

1853. A TEAMSTER.

1854. AND I'M A— I'M TRYING TO WORK,

1855. TO GAIN AN ADVANTAGE.

1856. WORD IS YOU'RE PLANNING A RUN

1857. AT THE BIG TICKET IN TWO YEARS.

1858. IF THAT'S TRUE, YOU'RE GONNA

1859. NEED MONEY, US, AND GOD

1860. ON YOUR SIDE... IN THAT ORDER.

1861. I'M BEING BLACKMAILED IN THIS

1862. SCENE, SO I'M— SO I'M DOING—

1863. I'M PERFORMING A SEXUAL ACT

1864. THAT IF I GET CAUGHT,

1865. MY OWN CAREER WOULD BE DONE.

1866. OF HUMILIATION FOR ME, WHICH I'M

1867. WITH TWO MARRIAGES BEHIND ME.

1868. HOW MANY TIMES DID THEY PUSH

1869. ME OUT OF THE CAR?

1870. HIT ME WITH THE CAR?

1871. I THINK THEY WERE JUST HAVING

1872. FUN THROWING JAMES OUT OF A CAR.

1873. I HAD TO BE LIKE LIMP AND GET

1874. THROWN OF THIS CAR, UM,

1875. ONTO A PILE OF GARBAGE.

1876. I THINK THEY MUST'VE SHOT

1877. THAT SCENE. FOR WHATEVER REASON,

1878. LIKE 15 TIMES.

1879. IT FELT LIKE FOREVER 'CAUSE

1880. I'D BEEN PUSHED OUT OF THE CAR

1881. IN TO GARBAGE.

1882. WHERE, UH, MY LEGS FELT A LITTLE

1883. WEIRD AND, LIKE, EVERYONE

1884. STARTED SCREAMING 'CAUSE THE CAR

1885. ALMOST ROLLED OVER MY ANKLE.

1886. IT WAS FUN, IT WAS FANTASTIC

1887. BECAUSE WE'D ALL WORKED SO HARD

1888. ON IT AND, YOU KNOW, WE HAD THIS

1889. SENSE OF FAMILY AND HARD WORK,

1890. INCREDIBLE.

1891. AND THEN WE WON.

1892. WOW.

1893. TO GOD I'VE EVER FELT.

1894. I DON'T KNOW, BUT IT'S...

1895. IT'S A LOT BIGGER AND A LOT

1896. IT WAS MY FIRST LEAD,

1897. BIG FEATURE FILM LIKE THAT.

1898. ACTRESS.

1899. PUT ME ON THE MAP AS FAR

1900. MY PARTNER DIES,

1901. LIKE, IN THE LINE OF DUTY.

1902. I'M DEVASTATED.

1903. BUT I'M KIND OF LIKE A HARD-ASS,

1904. TOO, AND I DON'T LET ANYBODY

1905. KIND OF SEE MY EMOTIONS.

1906. GIRL, WHICH WAS PLAYED

1907. BY HILLARY SCOTT.

1908. AT THAT POINT, SEXY PICTURES

1909. TO UNDER CONTRACT.

1910. WE HAD TO USE HER.

1911. IN THE END,

1912. HILLARY DID AN AMAZING JOB.

1913. SHE ACTUALLY, YOU KNOW...

1914. AND WHO AM I KIDDING?

1915. SHE DID NOT WORK HARD AT ALL.

1916. SHE DIDN'T, I'M LYING TO TRY

1917. AND GOOD ACTING COACHING,

1918. THE ROLE FINE.

1919. DAVID, I KNOW YOU CAN

1920. HEAR ME.

1921. SHOWED UP ON SET AND I WAS

1922. LIKE, "OH, THIS IS A BIG MOVIE,

1923. AND THEY'RE LIKE, "YEAH, YOU'RE

1924. LIKE THE STAR OF IT."

1925. I'M LIKE, "BUT I'M ONLY HERE

1926. FOR A DAY."

1927. AND THEY'RE LIKE, "WELL, ALL

1928. RIGHT, YOU'RE NOT THE STAR OF

1929. IT, YOU'RE JUST— THE WHOLE

1930. YOU SEE A LOT OF MOVIES IN

1931. PORN WHERE THEY SAY, "WE SPEND

1932. A MILLION DOLLARS, WE SPEND $2

1933. MILLION," WHATEVER THE CASE IS.

1934. AND I'M GOING TO TELL YOU THAT

1935. FOR THE MOST PART, THEY LIE.

1936. PEOPLE WILL SAY, "WE SPEND ALL

1937. THIS MONEY," AND THEY USUALLY

1938. DOUBLE THE AMOUNT.

1939. NOW LET ME TELL YOU,

1940. "UPLOAD" COST $350,000.

1941. THAT'S AN UNHEARD OF AMOUNT

1942. OF MONEY IN PORN.

1943. WE SHOT FOR 20 DAYS.

1944. I DON'T THINK I'VE EVER KNOWN

1945. FOR 20 DAYS.

1946. WHEN "UPLOAD" WON

1947. ALL THE AWARDS, PICKED UP PRETTY

1948. THE SUN AT AVN'S, I FELT LIKE

1949. OF ACCOMPLISHMENT.

1950. ONE OF THE THINGS THAT

1951. SAID, "THERE'S TWO THINGS YOU

1952. NEED, YOU NEED MONEY AND TIME.

1953. HELP YOU WITH A BETTER MOVIE."

1954. INTO TIME, AND THAT MADE

1955. FOR A BETTER MOVIE.

1956. WHATEVER YOU ASK...

1957. I AM YOUR SERVANT.

1958. "FALLEN" TO THIS DAY IS

1959. IN "FALLEN" I AM A GUARDIAN

1960. IS JENNA HAZE.

1961. NO!

1962. I THEN LOSE MY WINGS,

1963. AND I'M SORT OF ROAMING

1964. THE EARTH IN LIMBO IF YOU WILL.

1965. WITH EVERYONE IN MY PATH.

1966. THAT'S ONE OF THE THINGS.

1967. WHEN YOU'RE IN THAT FANTASY

1968. REALM, ESPECIALLY WHEN YOU'RE

1969. ROOFTOPS, IS CAN YOU ACTUALLY

1970. OH! OH!

1971. A LOT HAS CHANGED.

1972. I'M NO LONGER AN ANGEL.

1973. "FALLEN", I THINK WE SHOT IT

1974. OVER TWO WEEKS, BUT IT WASN'T

1975. EVERY DAY OF THOSE TWO WEEKS.

1976. DOWN DAYS, SO— SO PEOPLE COULD

1977. REST THEIR PARTS, YOU KNOW?

1978. AMAZING PEOPLE IN IT.

1979. IT HAD ACTING, IT HAD A REALLY

1980. GREAT STORYLINE.

1981. IT HAD A LOT OF SEX.

1982. IT HAD A LOT OF HARDER SEX, TOO.

1983. A LOT OF "FALLEN" TAKES PLACE

1984. ON ROOFTOPS, AND THOSE ARE

1985. ACTUALLY IN CAMERA.

1986. I'M— I'M SCARED OF

1987. GREEN SCREEN MYSELF.

1988. I THINK "FALLEN" STANDS

1989. ON ITS OWN MERITS.

1990. IT'S A GREAT STORY.

1991. INTO THAT SUPERSTAR STATUS.

1992. AND, UH, DIDN'T DO BAD FOR ME

1993. AS A DIRECTOR, AS WELL.

1994. THE REAL REASON TO DO "FALLEN"

1995. HIT THAT OTHER LEVEL.

1996. AND IT'S GREAT IF YOU CAN PUT

1997. HER IN THIS GREAT MOVIE.

1998. BUT IF THE SEX FALTERS,

1999. THEN IT'S JUST A GREAT MOVIE

2000. AND, YOU KNOW, YOU HAVEN'T DONE

2001. WHAT YOU'RE TRYING TO DO WITH

2002. WHAT HAPPENED?

2003. NO ONE KNOWS FOR SURE.

2004. THEY CALL IT THE BIG BURN.

2005. AND ON THE EIGHTH DAY,

2006. WHEN I THINK OF

2007. A POST-APOCALYPTIC WORLD,

2008. UH, IT'S MORE THAN

2009. JUST BROKEN DOWN BUILDINGS.

2010. THERE'S A PRIMAL ELEMENT TO IT

2011. ONE, AND LIFE BECOMES CHEAPER

2012. BECAUSE YOU DON'T HAVE ENOUGH

2013. MY CHARACTER WAS BASICALLY

2014. IN POST-APOCALYPTIC, UH—

2015. I DON'T THINK IT WAS ACTUALLY

2016. I MEAN, JUST POST-APOCALYPTIC

2017. EARTH.

2018. YOU A BUTCHER NOW, TOO?

2019. SPECIAL COMMISSION

2020. FOR THE PRINCE.

2021. AT ALL MY TRADE.

2022. "THE 8TH DAY" WAS CONCEIVED

2023. AS THE LEAD CHARACTER.

2024. IN THE WHOLE MOVIE.

2025. THAT KAYDEN, BEING ADAM & EVE'S

2026. CONTRACT GIRL, WAS THE STAR

2027. OF THE SHOW.

2028. THE BOX COVER, BUT SHE IS

2029. THE SUPPORTING ACTRESS.

2030. AND, UM, WHEN AWARDS TIME CAME

2031. OUT, IT WAS THE OTHER WAY

2032. AROUND.

2033. NOMINEE AND KAYDEN GET,

2034. YOU KNOW, ACTRESS NOMINEE.

2035. "THE 8TH DAY" WAS PROBABLY

2036. THE HARDEST MOVIE I'VE EVER

2037. WORKED ON.

2038. HAD STARTED THE DAY BEFORE.

2039. OF, UM, LIKE A MARKETPLACE, LIKE

2040. OR CLOTHES, THINGS THAT

2041. THEY'D SCAVENGED.

2042. THAT WAS A HUGE UNDERTAKING

2043. WAS CONCERNED.

2044. THE ART DIRECTOR, KYLIE IRELAND,

2045. SPENT WEEKS RUNNING AROUND L.A.

2046. FINDING STUFF TO DO THERE.

2047. MY FAVORITE KAYDEN MOMENT, UM,

2048. SHE'S SUPPOSED TO BREAK DOWN

2049. AND CRY ABOUT HER DAD.

2050. IT WAS BEFORE I LEARNED

2051. HOW TO CRY BY MYSELF.

2052. AND CAN'T GET ANY TEARS

2053. TO FLOW AT ALL.

2054. WE WAITED A GOOD LONG TIME,

2055. AT LEAST A HALF AN HOUR.

2056. I WALK BACK IN AND I SAID,

2057. "YOU GOT NOTHING?"

2058. SHE GOES, "NO, NOTHING BAD'S

2059. EVER HAPPENED TO ME."

2060. I THINK THEY SQUIRTED CITRUS

2061. FRUIT IN MY EYES TO MAKE IT GO.

2062. SHE SAID, "HOLY SHIT, LET'S

2063. SHOOT RIGHT NOW 'CAUSE GOD DAMN

2064. IT, THIS BURNS."

2065. AND I SAID, "PERFECT."

2066. MY DAD DID THIS.

2067. ALL OF THIS.

2068. AND SHE GOES, "WHY DID YOU DO

2069. THAT TO ME?"

2070. I SAID, "FUCK YOU, YOUR LIFE'S

2071. PERFECT."

2072. NO WONDER YOU CAN'T CRY.

2073. IT WAS ONE OF THOSE THINGS

2074. AFTER THE BLOOD, SWEAT, AND

2075. TEARS THAT WENT INTO IT,

2076. IT WAS REALLY A NICE PAYOFF.

2077. SOMEONE ACKNOWLEDGED THIS.

2078. IT WASN'T JUST US, YOU KNOW,

2079. FUCKING AROUND IN THE DESERT.

2080. 'CAUSE THERE WERE TIMES WHEN IT

2081. HOW DID MY FATHER DIE?

2082. A YOUNG JEDI NAMED DARTH

2083. VADER, WHO WAS A PUPIL OF MINE,

2084. IN A RIVER OF LAVA.

2085. "STAR WARS" IS PROBABLY THE

2086. AND THERE'S SO MUCH TO PARODY

2087. IN IT, SO, UM...

2088. WE REALLY DID— WE REALLY DID,

2089. THAT COULD BE HAD, EVERYTHING

2090. HAVE, AND RECREATING A LOT

2091. OF THE SCENES.

2092. IT WAS REALLY A LOT OF FUN.

2093. IT'S A LOT OF WORK,

2094. BUT WE HAD A LOT OF FUN.

2095. SHOOT FIRST, SHOOT OFTEN.

2096. SORRY FOR THE MESS.

2097. HAD TO KNOW "STAR WARS" TO ONE,

2098. GET THE HUMOR.

2099. SCRIPT.

2100. THE THING THAT ALL THE FANS

2101. WHEN I ANNOUNCE THE MOVIES,

2102. LIKE, OKAY, THERE'S ONLY ONE

2103. GIRL IN "STAR WARS."

2104. YOU'RE GONNA HAVE A PORN MOVIE—

2105. TO THIS DAY, PEOPLE WRITE ON

2106. YOUTUBE, THEY WATCH, YOU KNOW,

2107. THEY READ ABOUT IT LIKE THERE'S

2108. GONNA BE ONLY ONE GIRL?

2109. IT'S NOT TRUE, WE FOUND OTHER

2110. THE "STAR WARS" UNIVERSE.

2111. THE GIRLS IN THE CANTEEN,

2112. I MEAN, THERE'S— THERE'S

2113. WERE ABLE TO PUT TOGETHER,

2114. IT'S WAS REALLY INTERESTING.

2115. YOU CAN FIND SEX IN ANYTHING.

2116. I DON'T NECESSARILY THINK THAT,

2117. YOU KNOW, THE MOVIE OR THE THEME

2118. HAS TO BE SEXY TO MAKE IT SEXY.

2119. THAT'S OUR JOB,

2120. THAT'S WHY WE'RE HERE.

2121. WE'RE SUPPOSED TO MAKE THE

2122. THINGS THAT AREN'T SEXY SEXY.

2123. DON'T ACT SO SURPRISED,

2124. YOUR HIGHNESS.

2125. I'M NOT SURPRISED.

2126. I'M DISGUSTED.

2127. INTO A POT.

2128. GIANT POT, LIKE A SPAGHETTI POT.

2129. IT WAS HILARIOUS.

2130. EVERY ONCE IN A WHILE

2131. I HAVE A GOOD IDEA.

2132. AND IN "STAR WARS" IT WAS LIKE

2133. CHI CHI LARUE.

2134. I'M SAVED!

2135. OVER HERE.

2136. HEY, SAILOR!

2137. C-3PO HAS ALWAYS BEEN VERY

2138. METROSEXUAL, AND I FIGURE WE

2139. TAKE IT, YOU KNOW, TO PARODY

2140. THAT, TO EXPLORE THAT.

2141. "STAR WARS" WON A TOTAL OF

2142. WON, AND I THINK THAT'S AMAZING.

2143. IT'S CRAZY, UM,

2144. AND WHAT'S EVEN MORE AMAZING

2145. DONE BEHIND-THE-SCENES, WITHOUT

2146. THE SETS, WITHOUT THE COSTUMES,

2147. FOR THE SCRIPT.

2148. THE SHOOTING, THE ANGLES,

2149. THE GREEN SCREEN,

2150. THE POST PRODUCTION.

2151. THE MOVIE WOULD'VE BEEN NOTHING.

2152. AND I THINK, UM, YOU KNOW, THAT

2153. REALLY SHOWS AND, YOU KNOW,

2154. BY WINNING EIGHT AVN AWARDS,

2155. MOST KNOW ME AS DEATH.

2156. WHAT DO YOU WANT FROM ME?

2157. I'VE COME FOR YOU.

2158. THE BASIS BEHIND

2159. "UNDERWORLD—" I PLAY

2160. A CHARACTER NAMED TANYA,

2161. AND WE HAVE MADE THE SWEET LOVE,

2162. TO DRIVE ME HOME,

2163. WE'RE IN HIS PARKING GARAGE,

2164. AND ALL OF A SUDDEN, WE'RE

2165. VICTIMS OF A VIOLENT MUGGING.

2166. SAY GOOD-BYE TO YOUR

2167. BOYFRIEND.

2168. NO, PLEASE!

2169. THE OPENING IS, UH,

2170. AND VIOLENT, UH,

2171. HOW VIOLENT TO MAKE IT.

2172. AND THEY'RE TRYING TO SAVE MY

2173. LIFE, I'M PUT UNDER ANESTHESIA.

2174. AND WHEN I GO UNDER ANESTHESIA,

2175. THE REST OF THE MOVIE IS THAT,

2176. IN THE UNDERWORLD.

2177. IF YOU REALLY WATCH THE

2178. MOVIE, EVERYTHING PRETTY MUCH

2179. AND THE UNDERWORLD BELOW.

2180. EVERYTHING'S KIND OF TIED IN

2181. AND EVERYTHING'S, UH, GOT

2182. A YING AND A YANG SORT OF THING.

2183. XANDER CORVUS PLAYS SLICE

2184. AND HE WAS SORT OF, UH,

2185. WAS STARTING THE SURGERY.

2186. THIS JOURNEY THAT YOU'VE

2187. TO THE WORLD AROUND IT.

2188. THE NURSE WAS PASSING

2189. THE GAUZE TO THE DOCTOR.

2190. DURING MY OPERATION IT FELL.

2191. AND AS IT DROPPED, YOU SEE

2192. SO ME AND JESSICA DRAKE GOT

2193. TO HAVE SEX ON WATER, OR IT

2194. ON THE WATER, BUT IT WAS

2195. WAS BUILT AND, UH, THERE WAS

2196. ON TOP OF IT.

2197. AND I'M BLOODY IN A SHALLOW

2198. EIGHT HOURS THAT DAY.

2199. WHEN THE INTIMIDATION MELTED

2200. AT HERSELF.

2201. AND THEN YOU REALIZE, LIKE,

2202. SOMEONE'S A HUMAN BEING,

2203. AND THEY'RE A NORMAL PERSON

2204. AND... THAT'S OKAY.

2205. OH, I LOVE HAVING SEX

2206. WITH ASA AKIRA.

2207. RIGHT BEFORE THE SCENE, WE'RE

2208. TAKING PRETTY GIRLS AND I'M

2209. LIKE, "OH, THIS IS GONNA BE

2210. REALLY FUN."

2211. OTHER AND ROLLED OFF THE SET.

2212. WE DID IT EVERYWHERE.

2213. LIKE, WE WERE JUST HAVING SEX,

2214. SO, AS MUCH AS POSSIBLE, YEAH,

2215. I WOULD LIKE TO, UH,

2216. IS THERE ANYTHING ELSE

2217. YOU WANT?

2218. I MEAN, WHAT ELSE IS THERE

2219. APART FROM LUXURY?

2220. THAT CAN'T BE

2221. A SERIOUS QUESTION.

2222. AN INDIE PORNO,

2223. THAT'S WHAT WE CALL IT.

2224. IT'S— IT'S LIKE A REAL MOVIE

2225. IT'S PORN WITH A REAL STORYLINE.

2226. WHY DID YOU COME?

2227. I CAN'T DO THIS AGAIN.

2228. WHY DID YOU COME

2229. AFTER FIVE FUCKING YEARS?

2230. MY CHARACTER, HER NAME'S JACKY.

2231. SHE'S THE BADASS.

2232. SHE'S DEFINITELY THE BADASS

2233. OF THE MOVIE AND SHE, UH,

2234. MY ROLE IN "WASTELAND"

2235. WAS VERY SIMPLE.

2236. THERE'S TWO GIRLS AT THE BAR.

2237. WHICH IS EASY FOR ME.

2238. IN THE BATHROOM.

2239. IT'S A VERY, VERY CLOSED

2240. ENVIRONMENT, IT'S LITERALLY

2241. TO OPEN THE DOOR, SHOOT, LIKE,

2242. THROUGH THE OPEN DOOR.

2243. THEY SHOT IT ALL FROM ABOVE.

2244. SPEAK BUT LET ME JUST FUCK.

2245. I THINK THAT'S ONE OF THE

2246. "WASTELAND" FROM A LOT OF

2247. AND THEY ARE THOUGHT OUT.

2248. IT WAS REALLY, REALLY DARK,

2249. UM, WHERE WE SHOT THAT SCENE,

2250. FOR ME BECAUSE I'VE NEVER SHOT

2251. ANYTHING IN SUCH DARK LIGHTING.

2252. IT WAS JUST COMPLETELY DARK.

2253. I WAS LIKE, "REALLY, LIKE, CAN

2254. WHAT WE'RE SHOOTING?"

2255. THEY'RE LIKE,

2256. "YEAH, YEAH, IT LOOKS COOL."

2257. IT'S THIS WHOLE STORY

2258. ITS UGLY HEAD.

2259. WAS FULLY DOWN,

2260. IT SUDDENLY HAD POPPED BACK UP.

2261. EMMA GOES INTO INTERVIEW

2262. EMPLOYS PREDOMINANTLY FEMALES.

2263. THERE'S AN UNSPOKEN ATTRACTION

2264. THE ROLE OF BEING HIS SUB.

2265. SHE'S NOT A VERY SEXUAL PERSON.

2266. SHE DEFINITELY DOESN'T CONFORM

2267. TO NORMAL SOCIETY'S VIEWS

2268. I DIDN'T READ THE "50 SHADES

2269. OF GREY" BOOK OR ANYTHING LIKE

2270. THE OPPOSITE OF THAT.

2271. I READ "50 SHADES OF GREY"

2272. PROTAGONIST WAS PORTRAYED.

2273. A MAN AND TO MAKE A MAN HAPPY.

2274. EXPLORED A STRONG WOMAN'S

2275. SO EMPOWERING FOR HER.

2276. SHE WAS, UM, LIVING, LIKE,

2277. AND NOT REALLY BEING HERSELF,

2278. AND THAT'S SOMETHING THAT I CAN

2279. I ALWAYS WANTED TO JUST, LIKE,

2280. WANTED ME TO BE.

2281. BDSM IS NOT JUST BEATING

2282. AND PHYSICALLY HURTING THEM.

2283. IT'S SO MUCH ABOUT THE MENTAL

2284. ASPECT OF THOSE RELATIONSHIPS.

2285. SO FOR ME, I WANTED TO TELL

2286. A STORY ABOUT THAT.

2287. I DID FEEL LIKE, UH, I HAD

2288. IN THE INDUSTRY.

2289. SO MUCH, LIKE, REVOLVES AROUND

2290. THE BDSM COMMUNITY.

2291. SO "THE SUBMISSION OF

2292. EMMA MARX" WON BEST BDSM MOVIE

2293. AT AVN.

2294. BECAUSE WE'RE UP AGAINST

2295. BDSM COMPANIES.

2296. THAT DOESN'T REALLY FOCUS ON

2297. ANYTHING PARTICULARLY HARDCORE.

2298. I WAS REALLY FLATTERED THAT

2299. THEY WOULD RECOGNIZE THAT FILM,

2300. ESPECIALLY GIVEN THAT IT WASN'T

2301. THAT WAS EXPLORED.

2302. IT WAS THE MENTAL ASPECT.

2303. WHEN I FIRST STARTED,

2304. WE WERE DOING FILM,

2305. IT WAS A THRILL.

2306. IT WAS GREAT, YOU KNOW, WE'RE

2307. AND HAVING A FIELD DAY.

2308. NOBODY BOTHERED US, NOBODY

2309. CARED, YOU JUST DID THE MOVIES.

2310. AND THE DRUGS WERE GREAT.

2311. IT WAS A SMALLER PARTY.

2312. YOU DIDN'T NEED THE CREW

2313. YOU HAD FOR 35 MILLIMETER.

2314. YOU HAD WAY SMALLER CREW, AND

2315. IN A VAN, SHOW UP AT A LOCATION,

2316. AND RAN OUT THE DOOR,

2317. YOU WERE DONE.

2318. AND THE DRUGS WERE OKAY.

2319. AND— AND TOWARD THE END,

2320. IT REALLY JUST GOT, "HOW FAST

2321. IT..." AND THE DRUGS SUCKED.

2322. IT'S HARD TO SAY WHERE THE

2323. PORN INDUSTRY WILL GO FROM HERE.

2324. EROTIC FILM IN THE FIRST PLACE.

2325. IT'S A SHAME TO THINK THAT THIS

2326. OF ITS KIND.

2327. BUT THE FUTURE IS HARD TO SEE.

2328. SURPRISE US WITH ITS LONGEVITY.

2329. I'M CHANEL PRESTON, GOOD NIGHT.

2330. IF THE BRILLIANT SWEDISH

2331. MADE AN X-RATED MOTION PICTURE,

2332. IT WOULD LOOK EXACTLY LIKE THIS.

2333. "PRISONER OF PARADISE" STARS

2334. SUCH FILM GREATS AS SEKA.

2335. FIBBER.

2336. AMERICAN, I SAID OVER HERE!

2337. FUCK ME!

2338. AMERICAN GIRLS ARE LOVELY

2339. CREATURES.

2340. ILSA, TIE HER UP!

2341. DON'T YOU COME IN ME,

2342. YOU AMERICAN SWINE.

2343. YOU'D NEVER GUESS WHAT THESE

2344. DO FOR A LIVING.

2345. GARAGE GIRLS, GOOD MORNING.

2346. WATCH AS THESE GORGEOUS

2347. THEIR WAY TO THE TOP.

2348. HERE SHE COMES,

2349. THE INCREDIBLE, VOLUPTUOUS

2350. "THE SENATOR'S DAUGHTER."

2351. JOHN HOLMES.

2352. YOU ARE AN EROTIC

2353. AN ESSENTIAL MEMBER,

2354. BUT WE CAN REBUILD IT.

2355. "THE SENATOR'S DAUGHTER"

2356. COMING TO THIS THEATER SOON.

2357. I'M STILL SORE HERE FROM WHAT

2358. THE DEVIL DID TO ME.

2359. HE EVEN MADE IT TALK.

2360. IN THIS CASE, CURIOSITY

2361. DIDN'T KILL THE CAT.

2362. DO YOU WANT TO FIND OUT

2363. WHAT LOVE IS ALL ABOUT?

2364. HONEY, I'M ALMOST READY.

2365. I'M GETTING READY.

2366. DON'T MISS

2367. "HERE COMES THE BRIDE."

2368. COMING SOON TO THIS THEATER,

2369. "THE PLEASURE PALACE."

2370. FROM CARTER STEVENS.

2371. AS "LICKITY-SPLIT", "THE LOVE

2372. COUCH," AND "TEENAGE TWINS."

2373. SUZIE SUPERSTAR.

2374. GOD DAMN IT, YOU KNOW HOW

2375. HORNY I GET WHEN I SING.

2376. FIND OUT WHAT HAPPENS WHEN

2377. TWO SEXY 16-YEAR-OLD GIRLS

2378. AND GO AWAY FOR THE WEEKEND.

2379. THIS IS EXCITING.

2380. I'VE NEVER BEEN TO AN ORGY

2381. BEFORE.

2382. NEITHER HAVE I.

2383. WHAT'S AN ORGY?

2384. "NAKED AFTERNOON" IS MORE

2385. THAN EXPLICIT DRAMA.

2386. WOMAN-CHILD.

2387. HOLLYWOOD IN THE 30s

2388. IN A BIG, BRIGHT, AND BUBBLING

2389. BLOCKBUSTER OF A MOVIE.

2390. YOU'VE NEVER SEEN ANYTHING LIKE

2391. "PINK CHAMPAGNE."

2392. YOU GOTTA SEE IT TO BELIEVE IT.