X-Rated: The Greatest Adult Movies of All Time (2015)

1. MIND IF I SMOKE

2. WHILE YOU'RE EATING?

3. KISSING WITH THEIR TONGUE.

4. AND THAT'S FIRST CLASS?

5. CORRECT.

6. WHICH PART OF FIRST CLASS?

7. SEX OR NONSEX?

8. IT'LL BE LIKE I NEVER

9. EVEN EXISTED.

10. I'M LUKE SKYWALKER.

11. I'M HERE TO SAVE YOU.

12. I'M BEING RESCUED BY

13. A TRANSVESTITE?

14. MY GOD, HE'S A PERVERT, TOO.

15. WHAT WE DID WAS

16. TERRIBLY WRONG.

17. IS THIS SEXUAL HARASSMENT?

18. YEAH...

19. DO YOU THINK YOU'RE

20. LIBERATED?

21. YOU'RE A FUCKING ASSHOLE!

22. I DESPISE YOU!

23. FUCK THAT SHIT. RUN.

24. AND THANK YOU FOR FLYING

25. STAR TOURS.

26. MOVIES HAVE BEEN MAKING US

27. LAUGH AND CRY, GASP AND SCREAM

28. FOR OVER 100 YEARS.

29. AND SINCE THE EARLIEST DAYS

30. OF CINEMA, ADULT FILMS HAVE

31. BEEN A PART OF THE MOTION

32. PICTURE LANDSCAPE, MAKING US

33. GASP FOR ENTIRELY DIFFERENT

34. REASONS.

35. AS FAR BACK AS THE 1880's,

36. FILMMAKERS SAW THE GOLDMINE

37. POTENTIAL OF EROTIC FILM—

38. LOOPS, STAG FILMS,

39. PEEP SHOW BOOTHS.

40. FOR THE NEXT 90 YEARS,

41. SOCIETY WATCHED SEX IN

42. A VARIETY OF WAYS.

43. THEN IN THE 1970's,

44. EVERYTHING CHANGED.

45. TAKING ADVANTAGE OF A MORE

46. SOCIALLY PERMISSIVE ATMOSPHERE,

47. DIRECTORS BEGAN TELLING STORIES

48. SURROUNDING THE HARDCORE SEX.

49. FOR THE FIRST TIME EVER,

50. FULL-LENGTH MOVIES WITH

51. EXPLICIT SEX WERE BEING SHOWN

52. IN THEATERS FOR A MASS AUDIENCE.

53. IT'S IMPOSSIBLE TO OVERSTATE THE

54. IMPORTANCE OF GERARD DAMIANO'S

55. FILM, "DEEP THROAT."

56. THIS MOVIE OPENED THE DOOR FOR

57. VIRTUALLY EVERY ADULT FEATURE

58. THAT CAME AFTER.

59. WHILE THE EXAGGERATED CLOSE-UPS,

60. CAMPY PERFORMANCES, AND

61. FIREWORKS GOING OFF DURING

62. ORGASMS MIGHT SEEM A LITTLE

63. COMICAL TO A MODERN AUDIENCE,

64. IN 1972, AUDIENCES HAD NEVER

65. SEEN ANYTHING LIKE IT.

66. WHETHER DISCUSSING ADULT OR

67. MAINSTREAM, "DEEP THROAT"

68. REMAINS ONE OF THE MOST

69. YOU SAY THAT YOU WANT MORE

70. OUT OF SEX THAN JUST A LOT OF

71. LITTLE TINGLES?

72. YES, I WANNA HEAR BELLS

73. AND BOMBS—

74. YES, WE JUST WENT THROUGH

75. THAT, MISS LOVELACE. LET'S NOT

76. DO THAT PART AGAIN.

77. I DON'T THINK PEOPLE UNDER

78. A CERTAIN AGE UNDERSTAND JUST

79. HOW EDGY AND HOW RADICAL IT WAS

80. TO PUT ACTUAL SEX IN A BIG MOVIE

81. THEATER.

82. "DEEP THROAT," IN PARTICULAR,

83. OPEN A LOT OF DOORS.

84. IT MADE IT— SEEING SOMETHING

85. LIKE THAT MORE ACCESSIBLE,

86. AND THEN THAT HELPED IN MAKING

87. "DEEP THROAT" AND...

88. "THE DEVIL IN MISS JONES"

89. PLAYED THE DOUBLE BILL FOR,

90. WHEN "DEEP THROAT" CAME OUT

91. IN NEW YORK THEATERS, LINES

92. AROUND THE BLOCK— JACKIE O.

93. JACKIE KENNEDY WENT TO SEE—

94. DEEP THROAT IS THIS GIRL

95. SHE'S— SHE'S TIRED OF— OF SEX.

96. SHE THINKS THAT IT SHOULD BE

97. MORE THAN JUST LITTLE TINGLES.

98. IT MAKES ME FEEL SORT OF

99. TINGLY ALL OVER, AND THEN—

100. AND THEN WHAT?

101. NOTHING. I MEAN THERE SHOULD

102. BE MORE TO SEX THAN A LOT OF

103. LITTLE TINGLES.

104. THERE SHOULD BE BELLS RINGING,

105. SEAMS BURSTING, BOMBS GOING

106. OFF— SOMETHING.

107. DO YOU WANNA GET OFF, OR DO

108. YOU WANNA WRECK A CITY?

109. SHE CAN'T UNDERSTAND WHY SHE

110. CAN'T HAVE AN ORGASM, BECAUSE

111. SHE HAS ALL THIS SEX, AND

112. NOTHING— I MEAN IT'S NICE, BUT

113. NOTHING HAPPENS.

114. SO, UM, SHE GOES TO SEE A SEX

115. THERAPIST, MR. HARRY REIMS,

116. WHO, UM, EXAMINES HER AND

117. DISCOVERS THAT HER CLITORIS

118. IS ACTUALLY ALL THE WAY IN

119. THE BACK OF HER THROAT.

120. WELL, THERE IT IS.

121. YOU LITTLE BUGGER!

122. THERE IT IS!

123. WHAT?

124. WELL, YOUR CLITORIS, IT'S

125. DEEP DOWN IN THE BOTTOM OF YOUR

126. THROAT.

127. NOW, NOW, MISS LOVELACE,

128. LISTEN, HAVING A CLITORIS DEEP

129. DOWN IN THE BOTTOM OF YOUR

130. THROAT IS BETTER THAN HAVING

131. NO CLITORIS AT ALL.

132. THERE'S A THEME SONG—

133. I FORGOT.

134. UM, THERE'S A THEME SONG

135. WHEN SHE DISCOVERS THIS—

136. THIS, UH, SKILL.

137. SHE FINALLY HAS AN ORGASM.

138. THERE'S A MONTAGE OF FIREWORKS

139. AND BELLS RINGING AND A ROCKET

140. SHIP GOING UP WHILE IT'S

141. FLASHING BETWEEN HER FACE COMING

142. AND... SO FUNNY.

143. SO HE HIRES HER AS A NURSE,

144. AND SHE GOES OUT ON CALL

145. AND FUCKS ALL THESE GUYS.

146. TELL ME, MR. MOORE,

147. HOW DO YOU FEEL NOW?

148. AND, EVENTUALLY, SHE FINDS

149. THE PERFECT PENIS

150. FOR HER THROAT.

151. AND THEY HAVE ANOTHER MONTAGE.

152. IN MOST '70s PORNO, EVERYONE

153. HAS A LOT OF HAIR, BUT IN

154. "DEEP THROAT," LINDA IS

155. COMPLETELY CLEAN-SHAVEN.

156. I WONDERED IF MAYBE SHE STARTED

157. THAT TREND PERHAPS?

158. OR MADE IT POPULAR AT LEAST?

159. I DON'T KNOW, BECAUSE SO MANY

160. PEOPLE SAW IT,

161. NIXON, ALONG WITH KEATING,

162. AND THAT ADMINISTRATION WAS OUT

163. TO STOP THE NEGATIVE PRESS OF

164. WATERGATE AND, UH, VIETNAM.

165. I THINK REVISITING THIS STORY

166. AND REVISITING, YOU KNOW, THE

167. TACTICS THAT CAME INTO PLAY

168. THAT, UH, THEY HAD A PROBLEM

169. MORALLY WITH SUBJECT MATTER,

170. AS IN "DEEP THROAT," THE FILM,

171. UM, IS IMPORTANT.

172. AND THE EASIEST TARGET WAS

173. THE ADULT FILM INDUSTRY.

174. NIXON RIGGED THE COURTROOM AND

175. RIGGED THE JUDGE AND GOT HIS,

176. UH, CONVICTIONS AGAINST THE CAST

177. MEMBERS OF "DEEP THROAT."

178. I DEFINITELY THINK SHE'S—

179. SHE'S BETTER AT, UM,

180. DEEP-THROATING THICKER COCKS

181. THAN I AM, BUT I DEFINITELY

182. DROOL A LOT MORE THAN SHE DOES.

183. LADIES AND GENTLEMEN, YOU ARE

184. ABOUT TO WITNESS THE RAVISHMENT

185. OF A WOMAN WHO HAS BEEN

186. ABDUCTED.

187. I ANSWERED AN AD IN THE

188. "SAN FRANCISCO CHRONICLE"

189. THAT SAID "NOW CASTING FOR A

190. MAJOR MOTION PICTURE."

191. SO I WALKED UP THE STAIRS, AND I

192. SAT IN THEIR OFFICE, AND HERE'S

193. THESE TWO BROTHERS WHO ARE

194. ABSOLUTELY CHARMING, FABULOUS

195. NOT THE LEAST BIT OF A QUESTION

196. IN MY MIND THAT THEY WERE

197. TOTALLY HONEST GUYS.

198. THEY EXPLAINED TO ME THE STORY

199. OF "BEHIND THE GREEN DOOR,"

200. WHICH I THOUGHT WAS VERY COOL,

201. BECAUSE THAT WAS THE TIME OF

202. DRUGS, SEX, AND ROCK-N-ROLL.

203. IT WAS JUST, YOU KNOW,

204. ANYTHING WENT.

205. BEFORE I LEFT, I SAID, "IF YOU

206. DO WANT ME TO DO THIS, BY THE

207. WAY, I WANT THIS AMOUNT OF

208. MONEY AND THIS PERCENTAGE OF

209. WHATEVER FOR SO MANY YEARS."

210. AND THEY SAID, YOU KNOW, "DON'T

211. CALL US, WE'LL CALL YOU."

212. SO ABOUT AN HOUR LATER, I'M

213. SITTING AT MY HOUSE, AND THEY

214. CALLED AND SAID, "WE WANNA

215. DO IT."

216. SO THEY CAME OVER FOR ME TO

217. SIGN THE CONTRACT, AND THAT WAS,

218. UH, THAT WAS THE END OF THAT.

219. ALTHOUGH, AT FIRST,

220. HER REACTIONS MAY LEAD YOU TO

221. BELIEVE THAT SHE IS BEING

222. TORTURED, QUITE THE CONTRARY

223. IS TRUE, FOR NO HARM WILL COME

224. TO THOSE BEING RAVISHED.

225. IN THE MORNING, SHE WILL BE

226. SET FREE, UNAWARE OF ANYTHING

227. EXCEPT THAT SHE HAS BEEN LOVED

228. AS NEVER BEFORE.

229. THE WHOLE THING ABOUT THE

230. MOVIE WAS— AND I SAID TO THEM,

231. "I'M AN ACTRESS, AND I SAY

232. NOT ONE WORD."

233. HE SAID, "OH, NO, THAT'S EVEN

234. MORE DIFFICULT," WHICH IT IS.

235. BECAUSE YOU REALLY HAVE TO

236. CONVEY YOUR FEELINGS, WHATEVER

237. THEY MAY BE, THROUGH YOUR EYES

238. AND YOUR ACTIONS.

239. AND I SAID, "I DON'T REALLY

240. WANNA KNOW WHAT'S GONNA HAPPEN.

241. I KNOW IT'S GONNA BE WILD AND

242. SEXY, AND IT'S GONNA BE SCARY,

243. PROBABLY, FOR ME AT CERTAIN

244. TIMES, BUT I DON'T

245. WANT TO KNOW."

246. JOHNNIE KEYES, HE WAS THE BLACK

247. GUY WITH THE SHARK TEETH

248. AROUND HIS NECK AND, UM,

249. VERY ETHNIC LOOKING.

250. AND WHEN WE STARTED TO HAVE SEX,

251. IT WAS THE KIND OF THING WHERE

252. I WAS, LIKE, TOTALLY FREAKED

253. OUT, I DIDN'T THINK I WAS GONNA

254. I FUCKED HER FOR A LONG TIME.

255. I FUCKED HER FOR 43 MINUTES

256. WITHOUT STOPPING. NOBODY DOES

257. THAT. THAT WAS A MARATHON FUCK.

258. WHERE IT TURNED FROM TERROR

259. TO PLEASURE, AND I REALLY

260. BELIEVE YOU CAN SEE THAT.

261. AND I KNOW THAT THERE WAS A TIME

262. THAT I FELT MYSELF SLIP ON TO

263. THE OTHER SIDE,

264. IF YOU KNOW WHAT I MEAN.

265. UH, MARILYN, SHE PASSED OUT,

266. SHE FAINTED. AND I— IN MY MIND,

267. I SAID, "SHIT, I'M GOING TO

268. JAIL. I DONE KILLED THIS WHITE

269. WOMAN WITH MY DICK."

270. WELL, THE TRAPEZES

271. WERE A BIT MUCH.

272. IT'S A GOOD THING I WAS IN

273. PRETTY GOOD SHAPE, BECAUSE THERE

274. WAS A LOT OF STANDING AROUND,

275. LITERALLY, ON TOP OF PEOPLE,

276. AND THERE WAS TRAPEZES

277. AND WHATNOT. YOU HAD TO BE

278. A GYMNAST, DEFINITELY.

279. THE WAY THAT THE STORY OF—

280. WHEN "BEHIND THE GREEN DOOR"

281. AND "IVORY SOAP BOX" CAME OUT,

282. I TOLD THE MITCHELL BROTHERS

283. THAT, "OH, BY THE WAY, I DID

284. THIS COMMERCIAL FOR PROCTER &

285. GAMBLE, UH, IVORY SOAP BOX."

286. AND THEY'RE SAYING, "WHAT?"

287. WE WALKED DOWN THE SOAP AISLES,

288. WE LOOK, AND THERE IS MY MUG

289. ON ALL THESE BOXES, STARING DOWN

290. AT US, AND IT JUST HAPPENED TO

291. BE THE VERY SAME WEEK THAT

292. "BEHIND THE GREEN DOOR" OPENED

293. IN THE THEATERS.

294. I'M NOT GONNA SAY THAT I CREATED

295. PORNO CHIC, BUT I KNOW THAT I

296. WAS PART OF IT.

297. AND THAT WAS A VERY IMPORTANT

298. TIME IN OUR HISTORY WHERE PEOPLE

299. LIKE JOHNNY CARSON WERE WAITING

300. IN LINE TO SEE "DEEP THROAT."

301. IT WAS COUPLES, AND IT WAS

302. ALL DIFFERENT PEOPLE FROM

303. DIFFERENT WALKS OF LIFE GOING

304. TO SEE ADULT FILMS AND GETTING

305. YOU'RE TELLING ME THAT

306. I'M DEAD, AND YOU'RE TRYING TO

307. DECIDE WHETHER TO SEND ME UP TO

308. HEAVEN OR DOWN TO HELL.

309. I REALLY HONESTLY THOUGHT

310. NOBODY I KNEW— MUCH LESS

311. ANYBODY I WAS RELATED TO—

312. WOULD EVER KNOW ABOUT IT.

313. I CERTAINLY DID NOT EXPECT

314. IT TO BECOME A HOUSEHOLD WORD.

315. "THE DEVIL IN MISS JONES"

316. WAS DEFINITELY AN ART MOVIE,

317. AND I'M STILL NOT REALLY 100%

318. SURE EXACTLY WHAT THE STORY WAS.

319. BUT I STILL THINK IT WORKED.

320. CAN YOU HELP ME?

321. I— I SEEMED TO HAVE LOST

322. MY WAY.

323. I'LL HELP YOU ALL I CAN,

324. BUT YOU'RE NOT LOST.

325. THEN WHERE AM I?

326. YOU'RE HERE.

327. JERRY DAMIANO WAS

328. THE SWEETEST GUY I EVER MET.

329. HE LOOKED BACK OVER AT ME,

330. AND HE SAYS, "CAN YOU COOK?"

331. I SAID, "YEAH."

332. HE SAID, "OKAY, YOU WANNA

333. COOK ON THE FILM?"

334. I SAID, "SURE."

335. HE SAID, "I GOT SOMEBODY COMING

336. IN TO READ THE PART OF THE DEVIL

337. IN THIS FILM I'M DOING.

338. WOULD YOU MIND READING

339. WITH HIM?"

340. AND I SAID, "SURE,

341. I'D BE GLAD TO."

342. I'VE DONE EVERYTHING THAT

343. I'VE BEEN TAUGHT.

344. DOESN'T THAT COUNT FOR ANYTHING?

345. AND HE LOOKS OVER AT ME,

346. HE SAID, "WOULD YOU LIKE TO PLAY

347. MISS JONES?"

348. AND I SAID, "AND COOK?"

349. HOW ABOUT LUST?

350. LUST?

351. YES, LUST.

352. IT IS ONE OF THE SEVEN DEADLY

353. SINS, ISN'T IT?

354. HE OFFERED ME $100 A DAY TO

355. DO MISS JONES.

356. AND I SAID, "THAT SOUNDS GOOD."

357. SO I WAS MAKING 125 A DAY,

358. INSTEAD OF JUST 100.

359. GEORGINA WAS AMAZING.

360. HER ACTING WAS FANTASTIC,

361. AND THE WAY THAT SHE FUCKED

362. WAS SO PASSIONATE.

363. LIKE, SHE— SHE BROUGHT ENERGY

364. TO ALL OF THE SCENES, AND IT

365. REALLY, REALLY SHOWED.

366. FOR THAT DAY, IT WAS A BIG

367. BUDGET FILM.

368. I THINK THEY WERE SPENDING

369. SOMETHING LIKE $25,000.

370. IT DIDN'T PUT MY KIDS THROUGH

371. COLLEGE, BUT IT CERTAINLY DID

372. OPEN UP AN INTERESTING CAN OF

373. WORMS FOR MY LIFE.

374. THAT SUICIDE SCENE— EVERY ACTOR

375. AND ACTRESS IN THE WORLD,

376. FROM THE BEGINNING OF TIME,

377. WANTS TO PLAY A DEATH SCENE.

378. A SUICIDE AT THE BEGINNING

379. OF A PORN MOVIE REALLY SETS

380. THE TONE.

381. AND I THINK IT'S ALSO VERY

382. BRAVE TO START A MOVIE THAT'S

383. SUPPOSED TO BE ABOUT SEX

384. WITH DEATH.

385. AH, HERMAN, HERMAN, THAT

386. BEAUTIFUL, SWEET, AFFECTIONATE

387. BOA, WHO COULD TURN AND LOOK AS

388. FIERCE AS YOU WANTED HIM TO.

389. WHAT AN ACTOR.

390. IT WASN'T PLANNED FOR HIM

391. TO BE IN THE FILM.

392. AND I'M TALKING TO THE SNAKE

393. ON THE BED, AND JERRY WALKS BY

394. AND SKIDS TO A HALT AND SAID,

395. "YOU'RE A SNAKE WRANGLER."

396. HE SAID, "WOULD YOU DO

397. A SCENE WITH IT?"

398. MARKS SAYS, "$100 A DAY,

399. SAME AS I GET."

400. SO HERMAN WAS IN THE FILM.

401. THE ANAL SCENE, WHICH EVERYONE,

402. OF COURSE, ALWAYS ASKS ABOUT—

403. I DON'T KNOW— IT'S— IT'S A

404. HUGE FANTASY IN EVERYONE'S MIND,

405. I THINK, TO— TO GIVE IT A TRY.

406. AND WHEN IT GETS ALL BIG AND FAT

407. AND HARD AND SLIPPERY, AND YOU

408. COULD STICK IT IN MY ASS.

409. GETTING FUCKED IN THE ASS

410. IS JUST A COUPLE OF MINUTES OF—

411. YOU GET USED TO IT.

412. ONE OF MY FAVORITE THINGS

413. ABOUT THE SEX SCENES WAS

414. GEORGINA'S DIRTY TALK.

415. CAN YOU FEEL HIS PRICK?

416. CAN HE FEEL YOU?

417. CAN YOU FEEL HIM?

418. CAN YOU FEEL YOUR COCKS

419. TOGETHER?

420. CAN YOU, RUBBING AGAINST MY...

421. IT SO ADDED TO THE SEX SCENE.

422. THE DIRTY— THE DIRTY TALK

423. WAS ONE OF THE HOTTEST THINGS

424. OF THE MOVIE FOR ME.

425. WHEN JERRY CALLED ME ABOUT

426. A YEAR AFTER WE DID THE FILM

427. AND SAID, "I WANT YOU TO GO TO

428. TORONTO FOR THIS GRAND

429. OPENING—"

430. IT WAS LAVISH, IT WAS ELEGANT,

431. IT WAS COVERED BY A MILLION

432. CAMERAS ALL OVER THE ROOM, AND

433. SPLASHED ALL OVER THE PLACE.

434. AND...

435. I SAID, "WELL, SO MUCH FOR

436. ANIM— ANONYMITY NOW.

437. I GUESS I— I GUESS I'LL

438. HAVE TO TELL MY PARENTS WHAT

439. WHAT'S YOUR NAME?

440. MISTY BEETHOVEN.

441. IS THAT YOUR REAL NAME?

442. NO, IT'S NOT.

443. I THOUGHT IT WOULD SOUND

444. MORE IMPORTANT.

445. WHAT WAS IT BEFORE?

446. I WAS CAST IN "MISTY BEETHOVEN"

447. AND I FLEW TO NEW YORK,

448. AND I MET HIM, AND HE TALKED TO

449. ME AND EVERYTHING AND TOLD ME

450. TO GO BACK HOME AND TO GET

451. EVERY BIT OF CLOTHING,

452. EVERY PHOTOGRAPH THAT HAD EVER

453. BEEN TAKEN OF ME IN MY ENTIRE

454. LIFE, AND BRING IT ALL BACK

455. TO NEW YORK.

456. AS HYMAN MANDEL ONCE SAID,

457. "NEVER LET THE FACT THAT THEY

458. ARE DOING IT WRONG STOP YOU

459. FROM DOING IT RIGHT."

460. WHO WAS HYMAN MANDEL?

461. I DON'T KNOW.

462. I READ THAT ON THE MEN'S ROOM

463. WALL AT THE NEW YORK

464. IT'S A TAKE ON GEORGE BERNARD

465. SHAW'S "PYGMALION" OR MODERN-DAY

466. "MY FAIR LADY" OR EVEN "SHE'S

467. ALL THAT," IF YOU'RE IN THE

468. BUT IT'S TAKING THIS WOMAN,

469. WHO IS, LIKE, A DIME-STORE

470. HOOKER, BASICALLY, GIVING

471. HAND JOBS IN MOVIE THEATERS.

472. EXCUSE ME,

473. MY GUM WAS IN FRONT OF YOU.

474. HOW'D YOU KNOW

475. THAT WAS YOURS?

476. FIVE SEATS IN.

477. FIVE'S MY LUCKY NUMBER.

478. YOU AMERICAN?

479. MOST OF THE TIME.

480. FIVE BUCKS FOR A HAND JOB.

481. I'LL MEET YOU OUTSIDE IN

482. TEN MINUTES.

483. TEN MINUTES?

484. MM-HMM. TEN MINUTES.

485. I HAVE TO MEET NAPOLEON.

486. NAPOLEON?

487. NAPOLEON.

488. HI. YOU'RE RIGHT ON TIME.

489. JAMIE GILLIS WAS A

490. SEXOLOGIST, AND HE WAS GOING

491. TO TRAIN ME TO BECOME THE

492. HE TAKES HER ON AS A PROJECT

493. WHERE HE FEELS HE CAN TURN THIS

494. LOWLY STREET GIRL INTO A

495. MY DEAR, YOU ARE THE ABSOLUTE

496. NADIR OF PASSION, THE MOST

497. UNEXCITING THING GOD HAS EVER

498. CREATED, A SEXUAL CIVIL

499. SERVICE WORKER.

500. NOBODY NEEDS TO READ MY LAST

501. BOOK MORE OR DESERVES TO BE IN

502. MY NEXT BOOK LESS THAN YOU.

503. IT'S FASCINATING, BECAUSE

504. YOU'RE WATCHING THIS VERY

505. INSECURE CONSTANCE MONEY

506. GO FROM THIS VERY UNATTRACTIVE

507. WIG AND MAKEUP TO THE END, WHERE

508. SHE'S BASICALLY TAKING ONE OF

509. THE MOST PRESTIGIOUS MEN IN TOWN

510. AND PUTTING A STRAP ON

511. AND FUCKING HIM WITH IT.

512. I WENT UP TO SEE A FELLOW

513. BY THE NAME OF RADLEY METZGER,

514. WHO, UH, HIS NOM DE PORN

515. BECAME HENRY PARIS.

516. AND, UM, UH, INSTEAD OF BEING,

517. UH, ON THE FILM, HE'S A BIT OF A

518. SVENGALI, AND I WOUND UP BEING

519. IN THE FILM.

520. YOU DON'T THINK I'M GONNA LET

521. HIM MAKE THAT PERILOUS JOURNEY

522. ALONE?

523. IT WAS QUITE AN EXPERIENCE,

524. BECAUSE I WAS UNFAMILIAR WITH

525. WHAT BEHAVIOR AND PROTOCOL WAS

526. SUPPOSED TO BE LIKE, UH, ON AN

527. ADULT SET, SO IT WAS REALLY

528. BREAKING INTO SOMETHING THAT

529. BROKE ALL THE RULES.

530. IT'S FUNNY— I WASN'T EVEN

531. AWARE— IT WAS— I WAS WATCHING

532. THE FILM, BUT I WAS ROOTING FOR

533. BOTH OF THEM TO BE TOGETHER

534. UNTIL THE ACT— END MOMENT WHERE

535. SHE'S GIVING HIM A BLOW JOB,

536. AND HE'S DEGRADING HER AS IF

537. SHE'S NOT IN THE ROOM, UH,

538. PRETENDING THAT SHE'S NOT THERE,

539. AND THEN THEY HAVE THIS MOMENT

540. WHERE THEY— THEY COME TOGETHER.

541. IT'S JUST— IT'S BEAUTIFUL.

542. YOU KNOW WHY MOST PEOPLE

543. HAVE SEXUAL PROBLEMS?

544. THEY TALK TOO GODDAMN MUCH!

545. JAMIE IS A VERY SWEET PERSON

546. ON ONE HAND, AND ON THE OTHER

547. HAND, IS A VERY DISTURBED

548. INDIVIDUAL.

549. JAMIE HAD HIS DEMONS.

550. YOU INSTANTLY JUST ARE SO

551. ENGAGED BY HIM.

552. IN FACT, WHEN I STARTED WATCHING

553. THE— THE OPENING IN "MISTY

554. BEETHOVEN," I WASN'T EVEN AWARE

555. THAT JAMIE GILLIS WAS A PORN

556. PERFORMER.

557. I THOUGHT HE WAS GOING TO NOT

558. HAVE ANY SEX IN THE MOVIE,

559. BECAUSE HE WAS SO GOOD.

560. YOU THINK TO YOURSELF, "HOW

561. COULD THIS GUY BE A PORN ACTOR?"

562. WORKING FOR RADLEY METZGER

563. WAS, UM— I DON'T REALLY KNOW.

564. I— I DON'T KNOW HOW TO REALLY

565. SAY IT— IT COMES BACK TO THAT

566. THING, "IF YOU CAN'T SAY

567. ANYTHING NICE..."

568. OKAY, LET'S GET YOU

569. UNDRESSED.

570. NO, NO, NO, YOU DON'T DO IT

571. YOURSELF.

572. YOU DON'T KNOW HOW,

573. FOR ONE THING.

574. HE TOLD ME HE DIDN'T THINK

575. I COULD ACT, AND THAT'S WHY HE

576. PUT ME THROUGH EVERYTHING.

577. THAT WAS HIS JUSTIFICATION.

578. I THINK MEN STINK.

579. WELL, THEY THINK YOU STINK.

580. IN FACT, IT'S ONE OF THE MOST

581. PERFECTLY BALANCED EQUATIONS

582. IN NATURE.

583. I'D LIKE TO SAY THAT MOVIE

584. WAS MADE MORE WITH BLOOD AND

585. SWEAT THAN MONEY.

586. HE REALLY DID

587. MAKE A MASTERPIECE.

588. I'VE HEARD SO MANY PEOPLE QUOTE

589. LINES FROM IT THAT HE MUST HAVE

590. BEEN DOING SOMETHING RIGHT.

591. IT HAS AN EXTREMELY STRONG

592. STORY WITH BEAUTIFUL IMAGERY.

593. AND, ALSO, I MEAN, LOOKING AT

594. IT ALL THESE YEARS LATER, IT WAS

595. ALSO— I MEAN I LOOKED

596. PRETTY GOOD, TOO.

597. I THINK IT WAS ALSO THE FACT

598. THAT IT WAS MORE REALITY

599. THAN FANTASY.

600. THERE IS SO MUCH GOING ON

601. WITHIN THAT MOVIE THAT REALLY

602. SAYS, "THIS IS AN ARTISTIC

603. EXCUSE ME. UH, PARDON ME.

604. DO YOU MIND IF I BLOW

605. YOUR WAITER?

606. NOT AT ALL.

607. I DON'T KNOW WHAT ON EARTH

608. HAPPENED TO MINE.

609. BARBARA BROADCAST WAS A MOVIE

610. ABOUT A WOMAN WHO IS A SEX

611. WORKER WHO WROTE A BOOK.

612. IT'S TAKING PLACE AT A

613. RESTAURANT, AND PEOPLE ARE

614. GIVING BLOW JOBS AS IF

615. IT'S NO BIG DEAL.

616. NOBODY'S BATTING AN EYE,

617. NOBODY'S LOOKING AT IT

618. PEOPLE ARE HAVING SEX ON TABLES.

619. AND IT WAS WHAT I FEEL A TRUE

620. ADULT SHOULD— FILM SHOULD BE,

621. WHERE THERE'S ABSOLUTELY ZERO

622. JUDGMENT ABOUT EVERYTHING THAT'S

623. GOING ON AROUND THEM.

624. YES, WE'LL HAVE YOUR

625. RESERVATION IN ABOUT FIVE

626. MINUTES.

627. THANK YOU VERY MUCH.

628. YOU'RE QUITE WELCOME.

629. THERE'S A LOT OF JOKES IN

630. "BARBARA BROADCAST."

631. ONE OF THEM IS WHEN THE

632. MAITRE 'D, UM, HE RECEIVES A

633. BLOW JOB EVERY TIME SOMEBODY

634. DROPS A PLATE OR MESSES UP.

635. AND IT'S JUST SO CAVALIER IN

636. THAT HE JUST UNBUTTONS

637. HIS PANTS, AND THEY GET

638. DOWN ON THEIR KNEES.

639. WELL, BOBBY ASTER I REMEMBER

640. VERY WELL, BECAUSE HE'S THE VERY

641. FIRST PERSON THAT I EVER WORKED

642. ANNETTE HAVEN'S A BEAUTIFUL

643. WOMAN, AND IT LENDS ITSELF TO

644. THIS IDEA THAT YOU CAN BE

645. A BEAUTIFUL WOMAN

646. AND BE A SEXUAL WOMAN.

647. MY BROTHER'S KIND OF SHY,

648. AND, WELL, HE'S A BIG, BIG FAN

649. OF YOURS.

650. WELL, WOULD YOU MIND GIVING HIM

651. AN AUTOGRAPH AND A LITTLE HEAD?

652. ANNETTE, UM, WAS JUST, UH,

653. JUST ONE OF THE MOST FLAWLESSLY

654. BEAUTIFUL WOMAN I HAD EVER SEEN,

655. LET ALONE I THINK IT WAS THE—

656. THE FIRST RED BUSH

657. THAT I HAD EVER SEEN.

658. SERIOUS AS A HEART ATTACK AND A

659. GREAT BUSINESSWOMAN,

660. AND, UH, NUTTIER THAN A

661. FRUITCAKE AS WELL.

662. IN "BARBARA BROADCAST,"

663. METZGER'S USING THESE VERY WIDE

664. SHOTS WHERE YOU'RE SEEING SEXUAL

665. ACTIVITY HAPPENING WHILE THERE

666. IS DIALOGUE HAPPENING BETWEEN

667. THE MAIN CHARACTERS.

668. THERE ALSO WAS ANOTHER JOKE IN

669. "BARBARA BROADCAST" THAT I LOVED

670. WHERE I BELIEVE IT WAS THEY

671. ORDERED UP A NUMBER 17, WHICH,

672. BASICALLY, WAS A MAN CAME ON

673. A SALAD.

674. HE DOES A WONDERFUL

675. CAFE AU LAIT.

676. IT'S CINEMATICALLY BEAUTIFUL,

677. THE LOCATIONS, I MEAN, SHOOTING

678. AT, UH, A RESTAURANT.

679. I MEAN, THE KITCHEN SCENE WITH

680. C.J. LAING WITH ALL THE STEAM

681. AND THE POTS AND THE PANS AND

682. THE THIS AND THE THAT AND...

683. THEY TOOK A SCENE FROM "MISTY

684. BEETHOVEN," I UNDERSTAND, AS A

685. FILLER FOR THE GIGANTIC CLIM—

686. CLIMAX OF THE FILM.

687. SO WE HAVE THIS LITTLE PET

688. WORKING FOR US, AND TO SET HER

689. STRAIGHT, WE LET CURLY AT HER,

690. TO ACT OUT ONE OF HIS FANTASIES.

691. JIMMY WASN'T VERY NICE TO ME

692. WHEN HE FIRST MET ME.

693. THE MAKEUP LADY,

694. SHE KEPT PUTTING MORE HAIRPIECES

695. IN MY HAIR, MORE AND MORE

696. HAIRPIECES. SHE SAID, "WELL,

697. I DON'T WANT HER BRAINS TO SPILL

698. AND JAMIE SAID, "WELL, IF IT'S

699. GONNA BE REALISTIC— IF THEY'RE

700. GONNA COME OUT, THEY'RE GONNA

701. COME OUT.

702. STOP PUTTING THOSE HAIRPIECES

703. IN HER HAIR."

704. I DIDN'T EVEN KNOW WHAT WAS

705. GOING ON.

706. JAMIE WOULD CALL ME WHENEVER

707. HE WAS IN KIND OF ONE BIND OR

708. ANOTHER.

709. HE SAYS, "MITCH, YOU'VE

710. GOTTA COME HERE RIGHT AWAY.

711. YOU'VE GOTTA COME RIGHT— RIGHT

712. AWAY," AND I HEAR THIS, LIKE,

713. WATER SOUND, LIKE,

714. THIS FLUSHING SOUND.

715. HE'S LIKE, "HURRY, HURRY."

716. SO I THREW SOMETHING ON,

717. AND I JUMPED IN A CAB.

718. I GET THERE, AND JAMIE WAS

719. FUCKING C.J. FROM BEHIND,

720. BUT HAD HER HEAD IMMERSED

721. IN THE TOILET BOWL, AND SHE HAD

722. A NECKLACE ON, AND THE CATCH GOT

723. CAUGHT, AND SO HE HAD TO KEEP

724. FLUSHING THE TOILET IN ORDER FOR

725. HER TO GET AIR.

726. AND I GOT THE CATCH FROM

727. UNDERNEATH HER NECK, AND, UH,

728. SHE COMES UP FOR AIR AND SAYS,

729. I'LL GIVE YOU $10 IF YOU LET

730. ME LOOK AT YOUR TITS.

731. MR. GREENFIELD!

732. PLEASE, PLEASE, I JUST WANNA

733. LOOK AT YOUR PRETTY LITTLE TITS.

734. YOU KNOW WE'RE ALL

735. GOOD GIRLS.

736. THE DIRECTOR AT THE TIME—

737. I'D WORKED FOR HIM QUITE A FEW

738. TIMES— I HELPED CAST

739. SOME PEOPLE IN THAT FILM.

740. I ALSO, UM, FOUND A WAY TO GET

741. ACCESS TO BROOKLYN COLLEGE.

742. AND WE KINDA KNEW WHEN THE

743. FACILITIES WERE OPEN.

744. WE— IT WAS LIKE "DO WHAT YOU

745. CAN WHEN YOU CAN."

746. WE JUST LUCKED OUT.

747. WE DIDN'T GET CAUGHT DOING

748. ANYTHING.

749. I DON'T THINK I WAS EVER

750. ON SET WHEN BAMBI WOODS WAS

751. ON SET.

752. MAYBE I MET HER ONE TIME.

753. SHE WAS, FOR THAT TIME,

754. INCREDIBLY HOT-LOOKING.

755. DEBBIE, WHAT ARE YOU

756. GONNA DO?

757. RAISE THE MONEY FAST.

758. WHEN DO YOU HAVE TO

759. LEAVE, DEBBIE?

760. IN TWO WEEKS.

761. BUT THAT'S NOT ENOUGH TIME

762. TO RAISE THE FARE.

763. THE WORST THING ABOUT

764. "DEBBIE DOES DALLAS" IS

765. R. BOLLA'S THE ONLY GUY THAT

766. GETS TO FUCK HER.

767. YOU WANNA FUCK THAT GIRL.

768. I MEAN, IT'S A COMPLETE TEASE.

769. IT'S A— IT'S A COCK-TEASING

770. FILM, AND IT WORKED

771. ON THAT LEVEL.

772. SIX, SEVEN, EIGHT...

773. OH!

774. THE DALLAS COWBOYS STARTED

775. THE WHOLE CHEERLEADER CRAZE,

776. AND IT REALLY WENT VIRAL.

777. IF YOU COULD USE THAT WORD

778. BACK THEN. AND SOMEBODY WAS

779. SMART ENOUGH TO CAPITALIZE ON

780. THAT. THEY DIDN'T HAVE ANY IDEA

781. IT WOULD BLOW UP LIKE IT DID.

782. NO, MOM. YOU KNOW

783. I'M GONNA STAY WITH YOU.

784. OH, DARLING, I'M SO GLAD.

785. KIRDY STEVENS.

786. WE MET— WE MET AT A RESTAURANT

787. IN, UM, WEST L.A., AND HE TOLD

788. ME IT WAS ABOUT INCEST, AND I

789. SAID, "NO, ABSOLUTELY NOT."

790. I LOVED "TABOO" AS A MOVIE.

791. IN FACT, THE ENDING WAS SO

792. DISTURBING AND BOTHERSOME TO ME

793. THAT SHE DIDN'T END UP WITH HER

794. SON, IT MADE ME QUESTION MY OWN

795. HE PERSISTED, AND THEN, UM,

796. AGAIN, I— I CAN ONLY DESCRIBE

797. THIS AS MY HIGHER SELF JUMPED IN

798. AND SAID, "DO IT."

799. BECAUSE SOMEBODY'S GOING TO

800. DO IT.

801. YOU— IF YOU DO IT, YOU CAN

802. BRING CONSCIOUSNESS AND QUALITY

803. TO IT, SO DO IT.

804. WE ARE CENSORING OURSELVES

805. FROM DOING THINGS THAT ARE AS

806. FREE AND AS OPEN AS THEY WERE

807. 35 YEARS AGO.

808. I MEAN THEY WERE MORE FREE

809. 35 YEARS AGO.

810. I HATED THE SCRIPT THE FIRST

811. TIME I READ IT.

812. IT WAS— IT WAS REALLY

813. DIFFICULT TO, UM— TO READ ABOUT

814. INCEST IN SUCH A SORT OF

815. FLIPPANT, UM, MANNER.

816. BUT IT WAS SO WRONG.

817. LOOK, MA, I DON'T THINK ANY

818. LESS OF EITHER ONE OF US.

819. IT HAPPENED,

820. AND I GOTTA TELL YA,

821. I WANT IT TO HAPPEN AGAIN.

822. DON'T— DON'T... NO, PAUL,

823. DON'T. THE WORLD HAS

824. A DIRTY WORD FOR THIS.

825. THERE'S THESE— THESE MOMENTS

826. THAT KIND OF MAKE YOU SAY,

827. "WHOA!" THESE JARRING MOMENTS,

828. LIKE, FOR EXAMPLE, WHEN KAY

829. PARKER IS IN THE KITCHEN, AND

830. HER BREAST IS HANGING OUT OF HER

831. SHIRT, AND SHE'S STANDING THERE

832. WITH HER SON, AND IT'S ALMOST AS

833. IF THERE'S NO COVERING UP,

834. AND IT— IT'S JUST, AGAIN,

835. SEX IS OUT THERE.

836. I MEAN I'M NOT EXACTLY

837. OVER-THE-HILL, YOU KNOW.

838. YOU'RE TELLING ME.

839. YOU SEE IT A LOT WITH KAY

840. PARKER'S FRIEND IN THE MOVIE,

841. WHO IS HAVING ORGIES AND— AND

842. DOESN'T HAVE ANY ISSUES WITH—

843. SHE THINKS IT'S HOT IMAGINING

844. THAT HER SON WOULD BE

845. HAVING SEX WITH HER.

846. SHE REFERENCES THAT KAY PARKER

847. IS, YOU KNOW, HAS BEEN KIND OF

848. ASSAULTED BY HER BOSS.

849. AND SHE'S ON THE PHONE WITH HER

850. FRIEND, AND THE FRIEND SAYS...

851. WHAT'S GOING ON OVER THERE?

852. IS JERRY RAPING YOU?

853. CUT THAT OUT,

854. YOU SON-OF- A-BITCH!

855. WHAT'S HE DOING?

856. DOES HE HAVE HIS COCK OUT?

857. BUT IT— IT— IT LENDS ITSELF

858. TO THIS IDEA THAT THERE'S LOTS

859. OF DIFFERENT THINGS THAT PEOPLE

860. FIND SEXUALLY AROUSING, EVEN IF

861. IT IS NEC— EVEN IF IT IS

862. FORBIDDEN.

863. WHENEVER I THINK ABOUT THE—

864. THE SCENE, THE SEDUCTION SCENE

865. WITH MIKE RANGER IN "TABOO,"

866. I— I GET GOOSEFLESH—

867. I'M GETTING RIGHT NOW, AS I—

868. AS I GET READY TO TALK ABOUT IT,

869. BECAUSE I DO REFER TO IT AS A

870. VERY, UM, SPIRITUAL EXPERIENCE.

871. SHE'S JUST LEFT THIS ORGY

872. PARTY THAT SHE FELT EXTREMELY

873. UNCOMFORTABLE AND DID NOT

874. PARTICIPATE IN, AND SHE JUST

875. FINDS IT WITHIN HERSELF THAT

876. SHE MUST HAVE SEX,

877. AND HE'S SAFE FOR HER.

878. HE IS SAFE.

879. I LOST MYSELF IN THAT SCENE.

880. I WAS NOT THERE.

881. I SURRENDERED, IF YOU WILL, TO

882. THE PART, AND THE PART, OR THE

883. ROLE, THE MOTHER, JUST TOOK ME,

884. UM, ON THIS TRIP.

885. IT WAS ALMOST LIKE, YES, THIS

886. IS THE NATURAL THING THAT SHOULD

887. HAPPEN BETWEEN MY MOTHER AND I.

888. THAT'S—

889. I'M APPALLED.

890. THERE'S NOTHING WRONGER

891. WHAT'LL IT BE, GENTS?

892. OH, THE MASTER WILL HAVE

893. A BEER, ANYTHING IMPORTED.

894. BOTTLE OF BUFFALO PISS,

895. PLEASE.

896. THE AMERO BROTHERS MADE A BIG

897. BUDGET COMEDY. WE JUST HAD A LOT

898. OF FUN. I SWEAR, THE BURNING OF

899. ATLANTA SCENE OR WHATEVER WAS

900. THE FUNNIEST THING I'VE EVER

901. NOW, REMEMBER, PAY NO

902. ATTENTION TO ME WHEN I'M TALKING

903. TO YOU, JUST DO WHAT I SAY.

904. THIS IS A VERY SIMPLE LITTLE

905. SCENE I'D LIKE TO GET DONE

906. QUICKLY, BECAUSE WE ARE SHOOTING

907. THE BOMBING OF ATLANTA

908. THIS AFTERNOON.

909. IT WAS FUNNY AND QUIRKY.

910. IT WAS— IT WAS VERY HORNY,

911. IT HAD SO MANY SEX SCENES.

912. I WAS REALLY IMPRESSED.

913. I DID IT IN A BOAT ONCE,

914. AND I HAD TO DO ALL THE ROWING.

915. R. BOLLA AND I ARE IN

916. WYOMING, WHERE WE MEET

917. THE CANE SISTERS.

918. I DECIDE TO TAKE THEM TO

919. NEW YORK WITH US, AND— AND SHE

920. SAYS SOMETHING LIKE, "WHAT,

921. YOU GOT AN AIRPLANE?"

922. ANYWAY, I'M TO BE QUEEN

923. OF THE FAIRIES, AND I'VE GOT

924. THIS TERRIFIC GOWN RIGGED UP.

925. A GOWN?

926. ARE YOU ONE OF THOSE

927. TRANSYLVANIANS?

928. SUSIE MANDELL WAS THE— MY

929. FAVORITE OF THE TWO CHARACTERS.

930. CANDY, WHAT'S A FILM LOOP?

931. YOU'VE GOT ME.

932. THEY'RE LOOKING FOR 46 GIRLS

933. AND A MONKEY.

934. IT WAS REALLY A TRIBUTE TO

935. THE, UH, MGM MOVIES,

936. ONLY WITH HARDCORE SEX.

937. FUCK.

938. THE RAPE SCENE WHERE THE

939. YANKEES CAME IN AND, LIKE,

940. BANGED ALL THE CHICKS.

941. I WANT A CUM SHOT, OR NONE OF

942. YOU FAGGOTS GET PAID!

943. "BLONDE AMBITION" WAS PLAYING

944. IN NEW YORK— THE R-RATED

945. VERSION AT ONE THEATER,

946. AND THE X-RATED VERSION AT

947. IT'S SANDY, AM I RIGHT?

948. OH, BUT THERE IS AN AMAZING

949. RESEMBLANCE.

950. BUT NOW THAT I LOOK AT YOU,

951. WELL, IS MY SISTER HERE

952. OR NOT?

953. "NEON NIGHTS" HAD A VERY

954. VERONICA HART PLAYED A MADAME,

955. AND I WAS KIND OF HER BOY-TOY,

956. I'M GONNA MAKE YOU SWEAT,

957. BABY.

958. YOU'RE MY PRIVATE FUCKING

959. THE FILM WAS ACTUALLY

960. KIND OF FUCKED UP.

961. UM, THE DAUGHTER IS LISTENING TO

962. HER MOM AND HER MOM'S BOYFRIEND

963. AND THEN SHE STARTS

964. MASTURBATING WITH A HAIRBRUSH.

965. AND THEN SHE'S IN THE BATHROOM,

966. AND HE COMES IN,

967. AND HE'S TELLING HER TO SHUSH

968. AND TURN AROUND, AND HE'S

969. GRABBING ON HER

970. AND TOUCHING HER.

971. NO.

972. TURN AROUND, COME ON.

973. TURN AROUND, BABY.

974. THAT'S A GIRL.

975. THAT'S A GOOD GIRL.

976. WHEN JAKE TEAGUE MAKES

977. LYSA THATCHER ELEVATE, THEY DID

978. IT VERY WELL, LIKE, HE WAS

979. PUTTING HIS ARMS UNDERNEATH HER

980. BUTT AND OVER HER BOOBS AND

981. OVER HER VAGINA AND, LIKE, DOING

982. THE WHOLE CREEPY THING, AND THEN

983. I LOVE HOW HE GOT IN HER MIND.

984. HE WAS HAVING SEX WITH ANOTHER

985. WOMAN WHILE HE WAS INSIDE OF HER

986. MIND, AND SHE WAS FEELING

987. EVERYTHING THAT HIM AND THE

988. OTHER WOMAN WERE DOING.

989. I THOUGHT THAT WAS PRETTY

990. INTERESTING.

991. SO VERONICA, BACK HOME,

992. IS TAKING A SHOWER, AND A LA

993. HITCHCOCK IN "PSYCHO," UH, I

994. ENTER— BUT I HAD SOME FLOWERS—

995. AND I PULL BACK THE CURTAIN,

996. AND SHE SCREAMS.

997. GOTCHA!

998. OH, MAN, WERE YOU EVER GOIN'!

999. NO!

1000. PEEING IN YOUR PANTS,

1001. YOU WERE SO SCARED.

1002. YOU FUCK!

1003. SHE'S ALL PISSED OFF AT THAT,

1004. AND THEN WE GO OFF IN THE

1005. BEDROOM AND MAKE REALLY FRANTIC

1006. AND HARD, HARD SEX.

1007. I THOUGHT HE DID VERY WELL AT

1008. KEEPING THE PLOT TOGETHER AND

1009. MAKING IT AN INTERESTING MOVIE

1010. THAT IS, NOT ONLY RISKY AND

1011. DIFFERENT AND VERY INTERESTING

1012. WITH THE MAGICIAN AND HER

1013. HITCH-HIKING AND BEING IN LOVE

1014. WITH HER MOTHER'S BOYFRIEND,

1015. I WANNA GIVE IT A TRY.

1016. I DON'T WANNA LOOK BACK

1017. WITH REGRETS.

1018. YOU KNOW, IF ONLY I'D GONE

1019. TO NEW YORK, I COULD'VE BEEN

1020. THE PLOT OF "ROOMMATES" IS

1021. SHE HAPPENS TO BE A HOOKER,

1022. AND SHE DECIDES TO GET OUT

1023. OF THE BUSINESS.

1024. AND HER APARTMENT'S TOO BIG

1025. FOR HER, SO SHE CONSIGNS

1026. TWO ROOMMATES TO COME

1027. WELL, THERE YOU HAVE IT—

1028. ONE WAS, UH, A BEAUTIFUL,

1029. GORGEOUS MODEL, WHO,

1030. UNFORTUNATELY, SEEMED TO HAVE

1031. A DRUG PROBLEM AND GET IN

1032. AND I PLAYED A COLLEGE STUDENT

1033. WHO, ACTUALLY, I THINK,

1034. RAN AWAY FROM COLLEGE.

1035. I WAS HAVING AN AFFAIR WITH MY

1036. COLLEGE PROFESSOR, AND IT

1037. FINALLY DAWNED ON ME THAT

1038. HE DIDN'T LOVE ME AT ALL.

1039. MY CHARACTER HAD SOME BAD

1040. PEOPLE IN HER LIFE, AND, UH,

1041. STUFF HAPPENS BECAUSE I RUN

1042. RAMPANT, AND I KIND OF

1043. LEARN MY LESSON.

1044. WHERE AM I?

1045. YOU'RE IN QUEENS. WHERE THE

1046. FUCK DO YOU THINK YOU ARE?

1047. THE FAMOUS RAPE SCENE

1048. FROM "ROOMMATES."

1049. SO MUCH OF IT WAS INFERRED.

1050. THE BACKS OF THE ACTORS WERE TO

1051. THE CAMERA.

1052. I WAS LAYING ON THE FLOOR.

1053. RUB SOME ON HER FACE, SAL,

1054. RUB IT IN.

1055. MAKE HER EAT IT.

1056. AGAIN, YOU HEAR THE SOUNDS,

1057. YOU HEAR THEIR VOICES, YOU CAN

1058. ONLY IMAGINE THE WORST POSSIBLE

1059. THING IS HAPPENING TO ME.

1060. JAMIE GILLIS COMES BURSTING IN,

1061. STARTS KNOCKING THE GUYS ASIDE,

1062. AND THEN JAMIE STARTS DOING

1063. JAMIE GILLIS.

1064. DID THEY HURT YOU?

1065. NO.

1066. LET ME SEE IF THEY HURT YOU.

1067. THEY STUCK THE BOTTLE—

1068. DID THEY HURT YOU WITH—

1069. DID THEY HURT YOU WITH THE

1070. BOTTLE WHEN THEY— WHEN THEY

1071. SHOVED IT IN?

1072. HE'S NOT THERE TO HELP ME,

1073. HE'S THERE TO JERK OFF ON ME,

1074. YOU KNOW?

1075. SICK, TWISTED JAMIE GILLIS.

1076. HE WASN'T INTERESTED IN

1077. DEGRADING ANYBODY, YOU KNOW?

1078. CHUCK'S IDEA OF A GREAT TIME

1079. WAS TO— TO HAVE FUN.

1080. COME ON, YOU GUYS ARE ANIMALS.

1081. TAKE A BREAK ALREADY.

1082. IT DIDN'T FIT INTO ANY CATEGORY.

1083. SO CHUCK REALLY WENT OUT

1084. ON A LIMB TO MAKE THIS.

1085. IT WAS ONE OF THE FIRST MOVIES

1086. WHERE EVERYBODY WASN'T RUNNING

1087. AROUND, GOING "FUCK ME, FUCK ME,

1088. FUCK ME."

1089. IN THE END OF THE 1970s,

1090. THEATRICAL PORN FILMS

1091. BEGIN TO STRUGGLE.

1092. OBSCENITY PROSECUTIONS ROSE,

1093. ZONING LAWS HAD FORCED ADULT

1094. THEATERS INTO THE WORST

1095. NEIGHBORHOODS, AND THE PORN CHIC

1096. THAT FUELED TICKET SALES

1097. DIED OUT.

1098. BUT THERE WAS A NEW FRONTIER

1099. OPENING FOR ADULT MOVIE

1100. PRODUCERS— THE VCR WAS ABOUT

1101. TO REDEFINE THE PORN INDUSTRY

1102. WHEN DID PEOPLE START

1103. TO BUY VHS's?

1104. WHEN WAS THAT STARTING TO BE

1105. THE NORM VERSUS, UH,

1106. GOING TO THE THEATER?

1107. IN THE MID-'70s, THE MACHINES

1108. CAME OUT, AND PEOPLE THOUGHT

1109. THIS WAS THE GREATEST INVENTION

1110. AND THEY HAD TO HAVE ONE—

1111. YOU HAD TO GO OUT.

1112. BUT, LIKE YOU SAID, THEY WERE

1113. EXPENSIVE. THEY WERE

1114. $1,000 A MACHINE.

1115. AND THE MOVIES THEMSELVES

1116. WERE $95.

1117. THEY WOULD HAVE PARTIES, THOUGH.

1118. THEY WOULD GO IN AND CHIP IN

1119. THERE WAS MORE WORK THAN—

1120. THAN GIRLS IN THE BUSINESS.

1121. LIKE, THERE WERE, LIKE, 12 OF US

1122. REALLY IN THE BUSINESS,

1123. IT SEEMED, AND I THINK WE ALL

1124. I MEAN, IT WAS JUST— THE—

1125. THE PRODUCERS COULDN'T GET

1126. ENOUGH GIRLS.

1127. SO WHAT WAS IT LIKE

1128. SHOOTING— WHAT WAS A DAY ONSET

1129. LIKE BACK THEN?

1130. UM, LET'S SEE, THERE WAS

1131. USUALLY A SCRIPT, LIKE, A

1132. 20-PAGE SCRIPT, WHICH ALWAYS

1133. IRRITATED ME, 'CAUSE I WAS NOT

1134. GOOD AT MEMORIZING THINGS.

1135. IT WAS ALWAYS SHOT AT, LIKE,

1136. A REALLY NICE HOUSE,

1137. THE LOCATION— NOT ALWAYS, BUT

1138. FOR THE MOST PART IT WAS, YOU

1139. KNOW, SHOT IN REALLY NICE HOUSES

1140. UP IN PORN VALLEY SOMEWHERE.

1141. THEY ALWAYS HAD CATERING,

1142. HAIR, AND MAKEUP.

1143. I MEAN, IT WAS LIKE— IN A WEIRD

1144. WAY, IT WAS KINDA LIKE BEING ON

1145. A REAL MOVIE SET, ONLY WE WERE

1146. NAKED HAVING SEX.

1147. YOU COULD ACTUALLY SEE THE

1148. PLAYBACK AT— ON THE SET.

1149. IT WAS LIKE A WHOLE NEW WORLD.

1150. BUT THE VIDEO QUALITY IN THOSE

1151. DAYS WAS NOT THE BEST.

1152. BUT EVERYBODY WANTED TO DO IT

1153. BECAUSE IT WAS CHEAP,

1154. IT WAS QUICK, IT WAS PAINLESS.

1155. SO, AS A PERFORMER, WHAT...

1156. DID THE CONSUMERS

1157. SORT OF EXPECT FROM YOU?

1158. LIKE, WERE YOU GUYS SHOOTING

1159. A LOT OF CRAZY SEX ACTS?

1160. NUDITY. NO.

1161. OR DID THEY WANT YOU TO BE

1162. A GOOD ACTRESS

1163. DID THEY JUST WANNA SEE YOUR—

1164. I THINK, IN 1984, THEY WERE

1165. JUST HAPPY THAT THEY COULD WATCH

1166. A FILM IN THEIR HOUSE OF A NAKED

1167. GIRL SUCKING A GUY'S DICK.

1168. LIKE, THERE WAS DEFINITELY NO

1169. CRAZY SEX ACTS LIKE THERE ARE—

1170. I MEAN, IT WAS KINDA LIKE, YOU

1171. KNOW, THE TYPICAL THREE

1172. POSITIONS, HEAD, HIM EATING ME

1173. OUT, BUT IT WASN'T CRAZY SEX.

1174. I REALLY THINK, BACK IN '84,

1175. PEOPLE WERE JUST SO HAPPY THAT

1176. THEY COULD WATCH PEOPLE HAVE SEX

1177. GOOD EVENING, MUTANTS

1178. AND MUTETTES, AND WELCOME TO

1179. THE STORYLINE IS THERE'S BEEN

1180. THING AND, IN THE WAKE OF THAT,

1181. STILL STAND THE TOUCH OF ANOTHER

1182. HUMAN BEING, AND THE REST OF

1183. THEM CAN'T.

1184. TRUST ME, FOLKS, I KNOW WHAT

1185. YOU WANT, AND I KNOW WHAT IT

1186. FEELS LIKE WHEN YOU DON'T

1187. GET IT.

1188. NEED IS MY FIX, LADIES AND

1189. GENTLEMEN.

1190. AND SO THE PEOPLE WHO CAN

1191. TOUCH OTHER PEOPLE AND,

1192. THEREFORE, HAVE SEX ARE FORCED

1193. TO STAGE THESE LIVE SEX SHOWS

1194. FOR THE PEOPLE WHO CAN'T HAVE

1195. SEX LIKE THAT.

1196. IT'S, LIKE, WEIRD AND

1197. EXPERIMENTAL, BUT THEN IT'S GOT

1198. THIS VERY OBVIOUS METAPHOR

1199. ABOUT PORNOGRAPHY AND ITS PLACE

1200. IN THE WORLD.

1201. LEAVING SO SOON, FRIEND?

1202. FEELING A LITTLE QUEASY?

1203. LIVE THEATER, ON THE OTHER

1204. HAND, AND THE HISTORY OF LIVE

1205. THEATER, YOU CAN SEE A LOT OF

1206. WHERE "CAFE FLESH'S" REFERENCES

1207. PROBABLY CAME FROM.

1208. "CAFE FLESH" STANDS THE TEST

1209. OF TIME BECAUSE IT'S A PORNO

1210. ABOUT PORNO.

1211. IT, IT VERY MUCH IS WHAT IT IS,

1212. AND THERE'S SOMETHING SO

1213. WONDERFULLY HONEST ABOUT IT.

1214. BUT THEN IT'S GOT ALL OF THE

1215. OTHER LAYERS, SO IT REMAINS

1216. INTERESTING.

1217. I MEAN, YOU WATCH IT SIX OR

1218. SEVEN TIMES, YOU'RE STILL GONNA

1219. DOES IT EVER BOTHER YOU

1220. FUCKING YOUR BEST FRIEND'S

1221. WIFE?

1222. YOU'RE IN

1223. "SCOUNDRELS" WAS THE FIRST

1224. FILM TO WIN A BEST PICTURE AWARD

1225. AND HOWARD SAID TO ME, CECIL

1226. HOWARD, "YOU'RE NOT GONNA CRACK

1227. ONE JOKE IN THIS.

1228. YOU'RE NOT GONNA BE— NO MUGGING

1229. TO THE CAMERA.

1230. YOU'RE NOT GONNA BE A HAM."

1231. RON JEREMY SCARED ME AT THAT

1232. TIME, UM...

1233. IT WAS, IT WAS REALLY ODD

1234. BECAUSE, BEFORE I HAD MET

1235. RON JEREMY, I HADN'T HEARD

1236. ANYTHING ABOUT HIM, UM, BUT HIS

1237. HEADSHOT TO ME LOOKED LIKE

1238. HOWARD WAS A TOUGH GUY.

1239. CECIL HOWARD WAS TOUGH.

1240. HE WANTED THINGS HIS WAY.

1241. BUT I RESPECT THAT.

1242. I REALLY ENJOYED WORKING WITH

1243. CECIL HOWARD, AND HE WAS ONE OF

1244. MY FAVORITE DIRECTORS,

1245. AND I WORKED FOR HIM

1246. EVERYTHING IN THE MOVIE IS

1247. VERY DARK LIT AND VERY DARK

1248. IN GENERAL.

1249. THE DRAMA OF THE MOVIE, I THINK,

1250. AH, I'M GONNA CHANGE.

1251. THAT'LL BE THE DAY.

1252. IT'S A FASCINATING

1253. PSYCHODRAMA.

1254. THROUGHOUT THE MOVIE,

1255. I'M IN CLOWN WHITE

1256. TALKING ABOUT MY LIFE.

1257. I'VE BEEN GOOD.

1258. I'VE BEEN REAL GOOD.

1259. FUCK IT, NOBODY TELLS THE TRUTH

1260. ALL THE TIME.

1261. EVERYBODY'S FUCKING EVERYBODY

1262. IN THIS MOVIE, BUT IT'S NOT A

1263. HAPPY-GO-LUCKY THING, YOU KNOW.

1264. THE DOCTOR IS CHEATING ON HIS,

1265. UM, HIS WIFE WITH HIS SECRETARY.

1266. AND, YOU KNOW, HIS SECRETARY'S

1267. CHEATING ON HIM WITH HIS BEST

1268. FRIEND WHO, I BELIEVE, HIS WIFE

1269. IS ALSO SLEEPING WITH.

1270. AND THEN THEY HAVE THIS TEENAGE

1271. DAUGHTER WHO FEELS INVISIBLE.

1272. MY PERFECT PARENTS.

1273. THEY DON'T KNOW ANYTHING

1274. ABOUT ME.

1275. WHAT DO I LIKE?

1276. I LIKE MAKING LOVE.

1277. SO SHE'S TAKING IT OUT

1278. BY BECOMING A WHORE

1279. AND HAVING ALL THE SEX

1280. IN THE WORLD THAT SHE CAN.

1281. SHE'S THE GIRL AT THE CANDY

1282. STORE ON THE CORNER.

1283. THAT'S WHY I GET TO SEE HER

1284. EVERY DAY, AND THEN FINALLY,

1285. I JUST TELL HER TO HOP IN.

1286. SHE GETS IN MY CAR, AND WE'RE

1287. GONNA ESCAPE AND RUN AWAY.

1288. MY MOM ALWAYS TOLD ME

1289. I SHOULD MARRY A DOCTOR.

1290. WE CRASH MY CAR AND DIE.

1291. WHICH IS CERTAINLY A STATEMENT

1292. AGAINST INFIDELITY, YOU KNOW?

1293. EVERYBODY HAS A DARK SIDE,

1294. AND IT'S REALLY HARD TO HIDE

1295. NO MATTER HOW PRETTY

1296. YOUR SURROUNDINGS ARE.

1297. AND THIS MOVIE REALLY DIGS INTO

1298. EVERYBODY'S SEXUALLY DEVIANT

1299. DARK SIDE.

1300. NO ONE FILMS LIKE

1301. THAT ANYMORE.

1302. CECIL HOWARD, CHUCK VINCENT,

1303. RADLEY METZGER, HENRI PACHARD,

1304. ANTHONY SPINELLI ON THE WEST

1305. COAST, THESE GUYS MADE FILMS

1306. WHICH HAD SEX IN IT.

1307. BY THE WAY, WHAT'S YOUR NAME?

1308. ELIZABETH.

1309. THAT'S A NICE NAME.

1310. SPINELLI, HIS NAME WAS SAM,

1311. HE WAS THE BACKBONE

1312. HE WAS MORE THAN, UH,

1313. A TALENTED DIRECTOR.

1314. HE WAS MAKING THE BEST MOVIES.

1315. AND HE BECAME A FRIEND

1316. AND A MENTOR.

1317. ANTHONY SPINELLI...

1318. WHO IS...

1319. HE WAS MY— HE'S A DIRECTOR.

1320. HE'S MY DAD.

1321. IT WAS A GREAT TEAM.

1322. HE WOULD USUALLY SAY,

1323. "I HAVE AN IDEA."

1324. AND I'D GO, AND I'D WRITE THE

1325. ROUGH DRAFT, AND WE, UH,

1326. SHOWED IT TO HIM, AND WE—

1327. GREAT COLLABORATION,

1328. THE PLOT OF "NOTHING TO HIDE"

1329. REALLY REMINDED ME OF

1330. "OF MICE AND MEN."

1331. AND I THINK THAT THAT'S

1332. REALLY DIFFERENT

1333. FOR A PORN MOVIE.

1334. HOW TO BE A MAN.

1335. AND "LOVE'S FOR SUCKERS,"

1336. HE'S TEACHING ME.

1337. AND I FALL IN LOVE,

1338. AND I WANNA MARRY.

1339. HAVE YOU EVER LOVED SOMEBODY?

1340. NO.

1341. HAVE YOU EVER WANTED

1342. TO LOVE SOMEBODY?

1343. NO.

1344. I THINK THAT THERE IS PARTS

1345. OF THIS MOVIE THAT YOU CAN

1346. JERK-OFF TO.

1347. SLOW AND DEEP.

1348. AS LONG AS YOU'RE INTO

1349. JOHN LESLIE.

1350. ONE OF THE SCENES IN THERE

1351. HAS SOMETHING FOR MOST PEOPLE TO

1352. JERK OFF TO.

1353. OH, JACK!

1354. I'M NOT SURE YOU CAN JERK OFF

1355. TO THE RICHARD PACHECO SCENE.

1356. NONE OF THE WOMEN THAT HAD

1357. COME BY FIT WHAT SAM WANTED TO

1358. COME OUT OF THAT CHARACTER.

1359. AH!

1360. WHY DON'T YOU WATCH WHERE

1361. YOU'RE GOING?

1362. SHE WAS PERFECT.

1363. THE SEX SCENE BETWEEN RICHARD

1364. AND CHELSEA WAS MY FAVORITE.

1365. IT WAS SO REAL.

1366. I SORT OF GOT MY—

1367. SOME SPITTLE ON MY FINGER AND

1368. PLAYED WITH HER NIPPLE AND...

1369. "NO, NO, NO,

1370. WHAT ARE YOU DOING?

1371. LENNY WOULD NEVER DO THAT!"

1372. SEE?

1373. OH, IS THAT A RUBBER?

1374. HOW'D YOU KNOW?

1375. I SAW ONE IN

1376. MY BROTHER'S DRAWER.

1377. I'VE NEVER SEEN THAT IN

1378. A PORN MOVIE BEFORE WHERE THEY

1379. ACTUALLY STOP THE SEX TO PUT ON

1380. A CONDOM, AND THEY TALK ABOUT

1381. PUTTING ON THE CONDOM AND HOW

1382. SHE'S NEVER DONE THAT BEFORE,

1383. AND IT JUST— IT WAS SO,

1384. SO REAL. I LOVED IT.

1385. THERE'S A GREAT AWKWARDNESS

1386. AND PLAYFULNESS ABOUT WINNING

1387. THIS, ABOUT PUTTING ON THE

1388. CONDOM 'CAUSE IT'S PLAYED,

1389. PLAYED REALISTICALLY.

1390. SPINELLI PLAYED THE OWNER

1391. OF A HOT DOG STAND.

1392. YOU DON'T FOOL ME.

1393. YOU DON'T WANNA STOP BEING

1394. A MOTHER AND A FATHER, RIGHT?

1395. HE AND JOHN HAVE A LONG SCENE

1396. WHERE THEY TALK ABOUT, YOU KNOW,

1397. "YOU'RE JUST JEALOUS

1398. IS WHAT IT IS."

1399. YOU'RE GONNA LOSE THE KID.

1400. WHEN AVN DID THEIR FIRST AWARDS,

1401. THEY GAVE ME BEST ACTOR FOR

1402. "IRRESISTIBLE", AND THEY ALSO

1403. GAVE ME BEST SUPPORTING ACTOR

1404. FOR "NOTHING TO HIDE."

1405. THAT PROBABLY WAS THE

1406. FOR SEVERAL MONTHS, I'VE BEEN

1407. WRITING STORIES, NOT FOR

1408. PUBLICATION BUT FOR A VERY

1409. CURIOUS MAN,

1410. A PRIVATE CLITEROTICA.

1411. JANINE AND I BECAME BEST

1412. FRIENDS WHEN WE WERE

1413. 18 AND 19 YEARS OLD.

1414. AND I DON'T THINK EITHER OF US

1415. REALLY KNEW WHAT TO BE

1416. TOTALLY PREPARED FOR.

1417. I THINK SHE'D DONE SOME...

1418. SHE'D BEEN A "PENTHOUSE" PET SO

1419. SHE'D DONE SOME "PENTHOUSE"

1420. VIDEOS, BUT NOT EXACTLY THE

1421. HARDCORE WE WERE ABOUT READY

1422. TO GET INVOLVED IN.

1423. WORKING WITH ANDREW BLAKE,

1424. HE'S, UM... HE'S VERY

1425. UNDERSTATED, YOU KNOW, QUIET

1426. GUY, BUT HIS WHEELS ARE ALWAYS

1427. ANDREW BLAKE IS THE

1428. QUINTESSENTIAL ARTIST.

1429. I MEAN, HE'S QUIRKY.

1430. HE'S INTERESTING.

1431. SOMEWHAT INTROVERTED.

1432. BIT OF A RECLUSE, UH, EXCEPT FOR

1433. WHEN HE'S FILMING, AND I THINK

1434. THAT'S KIND OF WHEN IT ALL

1435. I HIRED THIS GUY TO MAKE

1436. THESE— HE MADE, LIKE,

1437. AND BOY, AT THE BEGINNING,

1438. THERE'S SOME MIGHTY HEFTY ONES.

1439. THEY WERE QUITE BIG.

1440. AND WHEN HE ARRIVED ON THE

1441. SET, HE WAS BLOODY, AND HE HAD

1442. CUT HIMSELF, AND HE NEEDED TO GO

1443. TO THE HOSPITAL.

1444. AND HE DROPPED OFF THE DILDOS,

1445. AND, YOU KNOW, I NEVER HEARD

1446. FROM HIM AGAIN.

1447. AND, OF COURSE, BY THE TIME

1448. WE WERE DONE,

1449. WE WERE COMPLETELY NUMB.

1450. I DIDN'T KNOW ANYTHING ABOUT

1451. THE ADULT INDUSTRY.

1452. AT THAT TIME OF MAKING "HIDDEN

1453. OBSESSIONS," I HAD NEVER

1454. HEARD OF VIVID.

1455. I KNEW NOTHING ABOUT THE

1456. BIG-BUDGET CONTRACT GIRLS

1457. AND WHAT HAVE YOU.

1458. I MEAN, BASICALLY, I'M ONE TO

1459. FLY UNDER THE RADAR.

1460. THAT WAS THE WRONG FIRST SCENE

1461. TO EVER DO.

1462. I'M THE LAST MAN STANDING,

1463. UH, STILL SHOOTING FILM.

1464. WHEN I'M 80, AND I'M STILL

1465. SHOOTING SOME 19-YEAR-OLD GIRL,

1466. AND I WANNA KEEL OVER, AND MY

1467. BOLEX GOES INTO HER PUSSY.

1468. THAT'S WHAT I ENVISION FOR

1469. WELL, I GUESS THESE ARE FOR

1470. IF YOU'RE LONELY AT NIGHT AND,

1471. UH, NEED SOMEONE TO TALK TO.

1472. YEAH.

1473. I TOOK THE IDEA OF "JUSTINE"

1474. FROM A FRENCH FILM BY, UM,

1475. A DIRECTOR NAMED LOUIS MALLE.

1476. IT'S ABOUT A FATHER WHO

1477. FALLS FOR HIS SON'S GIRLFRIEND.

1478. I SAID, I'VE SEEN IT.

1479. AND HE SAID, "WHAT'D YOU THINK?"

1480. AND I SAID, "I HATED IT."

1481. HE SAID, "YOU HATED IT, WHY?"

1482. I SAID, "BECAUSE OF THE MORALITY

1483. THAT THIS MAN WOULD DESTROY HIS

1484. SON AND HIS WIFE FOR THE SAKE OF

1485. IT WAS AN EVENT OF MY...

1486. SORT OF... HAVING A SON WHO'S IN

1487. SOME WAYS MORE GROWN-UP THAN ME.

1488. HE'S TELLING ME, YOU KNOW,

1489. WHY DON'T YOU TELL ME WHAT

1490. YOU'RE THINKING.

1491. I'M THINKING ABOUT MY FATHER.

1492. YOUR FATHER?

1493. IN "DAMAGE", UH, JEREMY IRONS

1494. IS THE FATHER.

1495. HE KNEW THAT THIS WAS HIS SON'S

1496. GIRLFRIEND.

1497. HE DIDN'T CARE.

1498. BUT IN OUR MOVIE,

1499. THE FATHER WOULD NOT DESTROY

1500. HIS SON.

1501. HE WOULD GIVE UP THE GIRL

1502. BECAUSE HIS SON IS HIS SON.

1503. MMM.

1504. WOULD YOU LIKE A TASTE?

1505. I LIKE OUR VERSION BETTER.

1506. ROXANNE BLAZE HAD A SERIES OF

1507. ENDLESS ORGASMS FROM A WATER

1508. HOSE I WAS SPRAYING HER WITH.

1509. AND THAT WAS VERY REAL,

1510. IT WAS VERY INTERESTING.

1511. SHE'S ONE OF HIS GIRLS,

1512. HE WOULD LOOK AND— AND SAY,

1513. "WHAT'S A NICE GIRL LIKE YOU

1514. DOING IN A PLACE LIKE THIS?"

1515. WHY'D YOU COME BACK, HMM?

1516. BECAUSE I SHOULDN'T HAVE.

1517. BECAUSE YOU'RE DANGEROUS FOR ME.

1518. WE REALLY FELT

1519. WHAT WE WERE DOING—

1520. YOU KNOW, WE KNEW IT WAS

1521. ONLY PORN.

1522. BUT WE WANTED TO MAKE IT THE

1523. BEST PORN WE COULD POSSIBLY

1524. MAKE IT.

1525. "JUSTINE" DOES QUALIFY AS ONE

1526. OF THE BETTER MOVIES MADE, UH,

1527. UH, BOTH IN THE HISTORY OF PORN,

1528. BUT IN MY PERSONAL HISTORY

1529. WORKING.

1530. IT WOULD BE IN MY TOP TEN

1531. MY CRIME WAS TO SHARE THESE

1532. VISIONS WITH YOU.

1533. THE TRUTH.

1534. AND FOR THIS, I HAVE BEEN

1535. "LATEX" WAS VERY INEXPENSIVE

1536. BUT THEN THERE WAS ABOUT

1537. 12 MONTHS OF POST MAKING ALL OF

1538. THIS STUFF, SO THAT MIGHT'VE

1539. THIS IS A WHOLE MOVIE FULL OF

1540. COMPUTER-GENERATED EFFECTS.

1541. THIS WAS SO FAR BEFORE ANYBODY

1542. EVER THOUGHT TO DO ANYTHING LIKE

1543. THAT FOR PORNO, YOU KNOW?

1544. EVERYBODY WHO WORKED ON

1545. A MICHAEL NINN FEATURE KNEW THEY

1546. WERE IN FOR A RIDE.

1547. THIS IS SOMETHING THAT YOU'RE

1548. NOT GONNA WALK IN AND BE OUT OF

1549. THERE IN AN HOUR.

1550. UH, MORE OFTEN THAN NOT, IT

1551. MIGHT TAKE YOU A COUPLE OF HOURS

1552. JUST TO GET YOUR MAKEUP ON.

1553. HE SAYS THAT YOU CLAIMED TO BE

1554. ABLE TO "SEE INSIDE OF PEOPLE."

1555. DID YOU SAY THAT?

1556. YES.

1557. I'D CALL THAT E.S.P.,

1558. WOULDN'T YOU?

1559. I WOULD CALL IT SEEING

1560. JON DOUGH REALLY TOOK HOLD OF

1561. THAT ROLE AND CREATED THAT ROLE

1562. ALMOST ON HIS OWN.

1563. UM, MICHAEL NINN MADE IT INTO

1564. VISUALLY POWERFUL MOVIE AND

1565. TECHNICALLY FAR SUPERIOR THAN

1566. MOST EVERYTHING ELSE THAT HAD

1567. BEEN MADE BEFORE THAT.

1568. YOU'RE ASKING ME TO EXPLAIN

1569. SOMETHING THAT I DON'T REALLY

1570. UNDERSTAND MYSELF.

1571. HE WAS SO DEEPLY DEDICATED TO

1572. WHAT WAS GOING IN THERE, MORE

1573. THAN I EVER SAW HIM

1574. IN ANY MOVIE.

1575. THERE WAS ONE SET,

1576. THE KITCHEN SET WITH ZACK

1577. AND SUNSET THOMAS.

1578. THAT'S THE ONLY SET WE SHOT ON.

1579. EVERYTHING ELSE WAS SHOT

1580. AGAINST GREEN SCREEN, WHICH

1581. MEANS EVERYTHING ELSE IN THE

1582. MOVIE HAD TO BE MANUFACTURED

1583. I'M IN THE KITCHEN, YOU KNOW,

1584. LATEX GLOVES ON.

1585. AND THERE'S THESE BIG, WHITE

1586. AND I WAS IN THE DRESSING ROOM.

1587. I WAS JUST ALL UPSET BECAUSE

1588. I WAS SO USED WEARING THESE

1589. LITTLE SKIMPY UNDERWEAR.

1590. I SAID, "MIKE, I CANNOT WEAR

1591. THESE GRANNY UNDERWEAR."

1592. MICHAEL NINN SEEMS TO DEAL

1593. MORE WITH, UM, BROAD SYMBOLISM,

1594. LIKE, SYMBOLIC STORIES.

1595. THEY WERE HUGE STORIES THAT

1596. TALKED ABOUT BASICALLY

1597. GOOD AND EVIL.

1598. THERE'S ALWAYS THE INNOCENCE

1599. THAT GETS CORRUPTED.

1600. THERE'S THE, THE SOCIETY THAT

1601. CHURNS UP THE INNOCENTS IN ITS

1602. GEARS, IT'S— IT'S VERY SYMBOLIC

1603. AND BROAD IN ITS SCOPE, AND

1604. I THINK ANDREW BLAKE WAS MORE

1605. ABOUT INSTANCES.

1606. HOME VIDEO BECAME SUCH

1607. A POPULAR FORMAT FOR PORN THAT,

1608. BY THE MID-90'S, ADULT THEATERS

1609. WERE ESSENTIALLY A THING

1610. OF THE PAST.

1611. PRODUCERS TRADED NEW YORK AND

1612. SAN FRANCISCO FOR SUNNY L.A.,

1613. AND THE SAN FERNANDO VALLEY

1614. BECAME THE UNDISPUTED CAPITAL

1615. OF THE ADULT BUSINESS.

1616. VHS AND THE INDUSTRY SEEMED LIKE

1617. A MARRIAGE THAT WOULD LAST

1618. FOREVER.

1619. BUT PROGRESS NEVER STANDS STILL.

1620. AND A POWERFUL NEW FORMAT WAS

1621. ABOUT TO BRING NEW OPTIONS AND

1622. WHY ARE YOU GOING THROUGH

1623. MY PURSE?

1624. TO FIND YOUR BADGE.

1625. YOUR FIREMAN I.D.

1626. YOU'RE THE KIND OF GIRL WHO

1627. TAKES OUT PERSONAL ADS.

1628. "OH, HOT-BLOODED BLONDE

1629. IT WAS SHORTLY AFTER

1630. "BACKDRAFT," THAT BIG FIREMAN

1631. AND WHEN IT CAME TO

1632. "FLASHPOINT," WHAT WE WERE

1633. TRYING TO DO IS WE HAD KIND OF

1634. STARTED TO ELEVATE OUR ADULT

1635. MOVIES INTO WHAT WE THOUGHT

1636. SEX OUT OF THEM, BECOME KIND OF

1637. LIKE THAT "B" MOVIE VIBE.

1638. I JUST WISH I HAD

1639. IT HAD A STORYLINE.

1640. AND IT HAD REAL ACTING.

1641. FOR ITS TIME, IT WAS A HUGE

1642. MOVIE, AND, UH, AS LUCK WOULD

1643. HAVE IT, I JUST HAPPENED TO MEET

1644. A BIG PYROTECHNICS GUY WHO

1645. WORKED IN THE MAINSTREAM.

1646. THEY ACTUALLY WORKED ON

1647. "BACKDRAFT."

1648. WHEN WORKING WITH FIRE,

1649. OF COURSE, THERE'S ALWAYS A HUGE

1650. AMOUNT OF SAFETY PRECAUTIONS

1651. ESPECIALLY WITH THE MAINSTREAM

1652. GUY DOING IT ALL, YOU KNOW,

1653. WE HAD SAFETY MEETINGS

1654. ALL THE TIME.

1655. AT THE TIME, I DIDN'T REALLY

1656. THINK ABOUT HOW HARD IT IS

1657. TO BE A FIREFIGHTER.

1658. SO THEY HAD ME CARRYING

1659. DUMMIES UPSTAIRS.

1660. I THINK A COUPLE OF PEOPLE

1661. STARTED THINKING THEY WERE GONNA

1662. PASS OUT RUNNING UP AND DOWN

1663. STAIRS WITH ALL THE GEAR ON.

1664. STEVENS, WHAT DO YOU THINK

1665. YOU'RE DOING?

1666. SHH!

1667. IF THE CAPTAIN CATCHES YOU,

1668. YOUR ASS IS HISTORY.

1669. I DIDN'T REALLY REALIZE HOW

1670. INCREDIBLY REAL

1671. THIS WAS GOING TO BE.

1672. WHEN YOU'RE HAVING SEX BEHIND

1673. FIRE, YOU DON'T REALLY REALIZE

1674. THE FEAR THAT YOU'RE

1675. GONNA BE FEELING.

1676. WE REALLY ONLY HAD ONE HUGE

1677. FIRE DAY, AND HE HAD A HUGE CREW

1678. IN THERE TO MAKE SURE EVERYBODY

1679. KNEW WHAT THEY WERE DOING.

1680. AND REALLY HAD A GRASP OF WHAT

1681. THE ISSUES WERE WHEN IT CAME TO

1682. SAFETY AND ANY, UH— AND KEEPING

1683. THE ACTORS OUT OF DANGER.

1684. I REALLY THINK THAT WE—

1685. WE ACCOMPLISHED SOMETHING

1686. REALLY BEAUTIFUL AND SOMETHING

1687. TO BE HONEST WITH YOU,

1688. I DIDN'T EXACTLY INHERIT

1689. MY FATHER'S SIN...

1690. IT WAS NOT

1691. A HIGH-BUDGET MOVIE.

1692. OVER FIVE DAYS FOR 70 GRAND.

1693. SO 2-1/2 DAYS, $35,000...

1694. IT'S NOTHING FOR FILM.

1695. TO ME, IT WAS A BIG DEAL

1696. BECAUSE THIS WAS ANOTHER ONE—

1697. YOU KNOW, THE FILMS WERE HERE

1698. AND THERE, JUST FEW AND FAR

1699. DIDN'T YOU APPLY AT

1700. THE SHERIFF'S OFFICE IN COUNCIL

1701. BLUFFS OR SOMETHING?

1702. YEAH, I GOT ACCEPTED, TOO,

1703. BUT I'M NOT READY TO LEAVE YET.

1704. THE ACTORS THAT CAME ON

1705. REALLY TOOK IT SERIOUSLY AND

1706. REALLY, YOU KNOW, I GOT GOOD

1707. PEOPLE WITH ACTING CHOPS.

1708. SHANNA McCULLOUGH WHO,

1709. YOU KNOW, LATER WON AN AWARD

1710. FOR IT FOR BEST ACTRESS.

1711. THIS WAS A FILM NOIR

1712. AND IT WAS A DETECTIVE STORY

1713. AND HE WANTED ME TO STAR IN IT.

1714. IT'S A STORY OF TWO DETECTIVES

1715. AND THIS WOMAN

1716. WHO'S A FEMME FATALE KILLER.

1717. AND SHE'S, YOU KNOW, SEDUCING

1718. MEN AND THEN KILLING THEM.

1719. AND SHE'S BEEN STALKING

1720. MY PARTNER.

1721. APPARENTLY, HIS FATHER DEALT

1722. WITH THIS ALSO FEMME FATALE

1723. IN HIS CAREER AS A POLICEMAN.

1724. AND HE THINKS IT'S THE SAME

1725. WOMAN AND SHE'S STILL AROUND

1726. AFTER 50 YEARS.

1727. AND I SAID, "NO, IT MUST

1728. BE HER DAUGHTER."

1729. THE LOOK OF "LOOKER" IS VERY

1730. GRITTY AND NOIR INSPIRED

1731. AND THIS IS NO ACCIDENT.

1732. I WANTED TO DO A MOVIE THAT

1733. COULD'VE BEEN SHOT IN THE 30s.

1734. HE WAS A REAL SLAVE DRIVER.

1735. HE LITERALLY WOULD WORK

1736. A 24-HOUR DAY IF THAT WAS WHAT

1737. WAS NECESSARY BECAUSE HE WAS

1738. A PERFECTIONIST AND HE WANTED

1739. EVERYBODY ELSE TO BE.

1740. WHEN WE SHOT THAT MOVIE, WE

1741. KNEW WE HAD SOMETHING SPECIAL.

1742. WE PUT A LOT OF HEART INTO IT

1743. AND NIC PUT A LOT OF HEART INTO

1744. IT, AND WE DIDN'T GET

1745. AN OPPORTUNITY TO DO THAT MUCH

1746. ANYMORE SO IT REALLY FELT GOOD

1747. THAT IT WAS RECOGNIZED FOR WHAT

1748. WE REALLY WANTED IT TO BE.

1749. EARLY ON IN THE SHOW,

1750. SHANNA WON FOR BEST ACTRESS.

1751. AND WE WERE LOOKING AT EACH

1752. OTHER LIKE, "COULD THIS BE?"

1753. AND THEN JUST THE FLOODGATES

1754. JUST OPENED UP AND WE WON BEST

1755. FILM DIRECTOR FOR ME, BEST FILM,

1756. ART DIRECTION, SCRIPT, EDITING.

1757. I MEAN, TRIFECTA, SWEEP.

1758. SO IT WAS ONE OF THE BETTER

1759. DOGS LICK.

1760. MEN FUCKING EAT PUSSY.

1761. EAT MY PUSSY.

1762. "SEVEN DEADLY SINS" WAS

1763. THE OBVIOUS CANDIDATE FOR

1764. THE VIGNETTE STYLE OF SHOOTING.

1765. I WANTED TO BE ABLE TO HAVE

1766. EVERYTHING DISTINCTLY,

1767. UH, REPRESENTED

1768. BY THE SIN ITSELF.

1769. WHERE AM I?

1770. YOU STUPID BITCH.

1771. THE BASIC STORY IS A CRISIS

1772. OF THIS WOMAN WHO'S IN LOVE

1773. WITH THE REAL JANINE.

1774. AND SHE'S BEEN TOLD THAT SHE

1775. ACTUALLY KIND OF LOOKS LIKE

1776. JANINE, BUT OF COURSE, WE HAVE

1777. A REALLY DOWDY VERSION OF HER.

1778. SO THE CHALLENGE WAS HOW DO WE

1779. IT WAS A STRETCH, YOU KNOW,

1780. IT WAS, UH...

1781. I WAS JUST KIND OF... IT'S HARD

1782. NOT TO JUST EMBRACE HER.

1783. SO, UH, TO TAKE MYSELF OUT OF

1784. THAT SITUATION AND BE LIKE,

1785. "YEAH, IT'S ME AND IT'S ME,"

1786. YOU KNOW, THERE WERE CERTAIN

1787. THINGS THAT WE HAD TO HIDE.

1788. WHEN YOU'RE TRYING TO SHOOT AND

1789. BE SOMEBODY, AND YOU CAN'T SHOW

1790. YOUR FACE OR YOU'RE TRYING TO

1791. IT WASN'T EASY.

1792. THAT I CAN TELL YOU.

1793. YOUR A WHINY, DRIED-UP

1794. OLD MAID.

1795. SHUT UP!

1796. THAT NOBODY WANTS.

1797. SHUT UP.

1798. THERE WAS A LOT OF FOOD.

1799. THERE WAS AN ABUNDANCE OF—

1800. IT'S A PERFECT SCENE IF YOU'RE

1801. A FOOD FETISH KIND OF GUY.

1802. WE HAD TO BUILD SUPPORTS

1803. FOR THESE— I THINK THEY WERE

1804. TEN-FEET TALL—

1805. AND WE DID AN ARC AROUND THAT.

1806. AND THEN SET THAT IN

1807. A STAGE THAT, AT THE TIME,

1808. I THINK WAS BLACK.

1809. SO WE COULD, YOU KNOW—

1810. AND THEN WE ACTUALLY GOT A

1811. TURNTABLE FOR THEM TO HAVE SEX

1812. ON SO THAT COULD REVOLVE, SO THE

1813. IMAGE BEHIND IN ALL THE MIRRORS

1814. WAS REVOLVING AT THE SAME TIME.

1815. IT HAD A VERY, YOU KNOW, KIND OF

1816. A SURREAL DEPARTMENT STORE

1817. HEY, WATCH THE TEETH,

1818. SWEETIE.

1819. SORRY, FORCE OF HABIT.

1820. "DARK ANGELS" CAME OUT—

1821. SCOTT TAYLOR, THE OWNER

1822. OF NEW SENSATIONS.

1823. HE GOES, "I'VE ALWAYS REALLY

1824. KIND OF LIKED HORROR MOVIES AND

1825. STUFF AND VAMPIRE-TYPE STUFF."

1826. AND I SAID, "WELL, WE CAN DO

1827. YOU LOOKING FOR SOMETHING

1828. SPECIAL TONIGHT?

1829. IT DEPENDS, YOU A COP?

1830. YOU SEE A BADGE, SWEETHEART?

1831. WHEN I CONCEIVED THE WHOLE

1832. STORY AND WAS WRITING THE SCRIPT

1833. AND EVERYTHING, MIKE HORNER WAS

1834. ALREADY CAST IN MY HEAD.

1835. WE HAD TO SPEND MORE TIME

1836. PREPPING AND SETTING UP FOR THE

1837. BLEEDING SCENE THAN WE DID ON

1838. THE ENTIRE SEX SCENE, BECAUSE IT

1839. TOOK SEVERAL HOURS FOR THEM TO

1840. THEY HAD TO CLEAN THE CAR ONE

1841. TIME FROM ALL THIS BLOOD—

1842. ALL OVER THE WINDOWS.

1843. IT JUST DIDN'T WORK FOR

1844. I WAS JUST GETTING TO THAT.

1845. WE DIDN'T GET STARTED DOING

1846. THAT SCENE UNTIL ABOUT MIDNIGHT.

1847. AND WE WENT TILL LIKE

1848. 4:00 IN THE MORNING,

1849. 5:00 IN THE MORNING.

1850. WE GOT OUT OF THERE JUST IN TIME

1851. FOR THE SUNRISE.

1852. WHEN I APPROACHED SYDNEE TO

1853. DO THE MOVIE, I SAID,

1854. "ALL RIGHT, I DON'T KNOW IF

1855. YOU'VE DONE SOMETHING LIKE THIS

1856. BEFORE, WE'RE GONNA DO, LIKE,

1857. YOU KNOW, FULL-BODY CAST

1858. OF YOU, PROSTHETICS."

1859. 'CAUSE THAT'S HER IN THE MONSTER

1860. SUIT AT THE END.

1861. AND, YOU KNOW, AND YOU'RE GONNA

1862. BE WEARING CONTACTS

1863. AND ALL THIS.

1864. AND, YOU KNOW,

1865. WOULD YOU COMMIT TO THIS?

1866. AND I'M LOOKING AROUND THE

1867. WAREHOUSE AND THINKING, "MAN,

1868. YOU KNOW, I'M WORKING IN THIS

1869. WAREHOUSE AND, YOU KNOW, I'M A

1870. NEVER TOOK THE TIME TO TAKE CARE

1871. OF ALL THESE PALLETS THAT LAY

1872. HERE ALL OVER, BROKEN."

1873. "AH, I'LL NEVER FALL ON THAT."

1874. IN THE DUMPSTER,

1875. WOULDN'T YOU KNOW IT?

1876. PALLET, RIGHT, RIGHT?

1877. A PALLET AND BROKEN GLASS.

1878. JEWEL DE'NYLE WAS THE

1879. CONTRACT GIRL, AND SHE ACTUALLY

1880. QUIT, UH, FIVE DAYS BEFORE

1881. WE FINISHED SHOOTING.

1882. SHE STORMED OFF THE SET.

1883. IT'S ACTUALLY ON THE

1884. BEHIND-THE-SCENES.

1885. FORTUNATELY, I HAD SHOT THE END

1886. ALREADY.

1887. IT BROKE A LOT OF RULES

1888. WHEN IT CAME OUT.

1889. IT UPSET SOME PEOPLE,

1890. IT EXCITED A LOT OF PEOPLE, IT

1891. MADE A LOT OF MONEY, YOU KNOW?

1892. IT WAS— IT WAS ONE OF

1893. THOSE GREAT EXPERIENCES THAT

1894. I WAS NEVER ABLE TO DUPLICATE,

1895. EVEN WITH BIGGER BUDGETS, BIGGER

1896. CREWS, NEWER EQUIPMENT,

1897. EVERYTHING.

1898. I WAS NEVER ABLE TO CAPTURE

1899. THE MAGIC THAT WENT INTO

1900. YOU TRIED TO GET MY

1901. ATTENTION.

1902. YES.

1903. WELL, YOU DID.

1904. I WAS VERY IMPRESSED

1905. BY YOUR DVD.

1906. ANYTHING ELSE IMPRESS YOU

1907. I THOUGHT I HAD A GOOD MOVIE

1908. BECAUSE, UH, THE SCRIPT WAS THE

1909. BEST SCRIPT THAT I THOUGHT I HAD

1910. EVER COME UP WITH IN TERMS OF

1911. INTERESTING IDEAS.

1912. IT TOOK A LONG TIME TO WRITE IT.

1913. TO BE DIRECTED BY JOHN,

1914. ESPECIALLY FOR THIS MOVIE,

1915. WAS SO SPECIAL FOR ME

1916. I WAS A BIG FAN OF ALL

1917. THE "BUTTMAN" SERIES.

1918. I WAS A BIG FAN OF JOHN, SO IT

1919. WAS LIKE BEING IN A DREAM.

1920. I HAD A GOOD MEETING WITH MY

1921. CINEMATOGRAPHER WHO SAID,

1922. "WELL, WHAT'S THE RELATIONSHIP

1923. BETWEEN THOSE TWO GIRLS?"

1924. AND I SAID, "OH.

1925. THEY COULD HAVE A RELATIONSHIP."

1926. THAT'S MORE THAN JUST THE GIRL

1927. IN THE BACK ROOM TRYING TO

1928. SEDUCE ROCCO.

1929. MY ENGLISH AT THAT TIME

1930. WAS HORRIBLE, LIKE,

1931. BARELY ANY ENGLISH.

1932. ROCCO SPEAKS FRENCH VERY WELL

1933. SO HE WOULD TRANSLATE SOME OF

1934. THE THINGS, BUT THE FUNNIEST

1935. PART WAS— WAS THE DIALOGUE

1936. I HAD, I WAS BASICALLY DOING

1937. IT— DOING IT— PHONETICALLY.

1938. I TOLD YOU THEY ARE STILL

1939. IN THE DARK AGES.

1940. I'M ALREADY NOT A GREAT ACTOR

1941. TO START WITH,

1942. BUT HERE, IT WAS LIKE—

1943. LIKE ROBOTIC ACTING.

1944. I'LL DO THIS THING ABOUT

1945. THIS LITTLE FASHION COMPANY

1946. 'CAUSE I WANNA DO STUFF WITH

1947. FASHION 'CAUSE I LIKE CLOTHES

1948. AND SEXY CLOTHES ON GIRLS.

1949. IT GIVES ME AN EXCUSE, AND I'LL

1950. HAVE THIS LITTLE MOUSEY GIRL

1951. SITTING IN THE CORNER AND

1952. SHE'LL JUST— SHE'LL REALLY BE

1953. THE BRAINS BEHIND THE OPERATION.

1954. AND WE'LL DO THIS LIKE NORMAL,

1955. LIKE TV SHOW KIND OF THING.

1956. BUT THAT MORPHED INTO A FETISH

1957. FASHION COMPANY AND THE GIRL

1958. SITTING IN THE CORNER WAS

1959. BELLADONNA WHO SENDS THE GUY

1960. SHE'S TRYING TO SEDUCE AN

1961. EXTREME S&M DVD WHERE HE FINDS

1962. THIS STUFF WITH EASTER EGGS

1963. ON THE DVD.

1964. IT MORPHED INTO SOMETHING THAT

1965. WAS REALLY LIKE A PRIMER

1966. FOR S&M SEX.

1967. WHEREAS, IT WAS SUPPOSED TO BE

1968. THIS MIDDLE-OF-THE-ROAD THING,

1969. BECAUSE I CAN'T THINK

1970. MIDDLE-OF-THE-ROAD SOMEHOW.

1971. 305 ROLLS OF FILM AS I RECALL.

1972. AND MOST OF THOSE WERE THE FOUR

1973. MINUTES, ALTHOUGH, WE DID HAVE

1974. ON TWO DIFFERENT DAYS, WE HAD

1975. THE BIG CAMERA WHICH COULD SHOOT

1976. 11 MINUTES AT A TIME

1977. WHICH WAS SO GREAT, 11 MINUTES.

1978. I DON'T THINK I'VE DONE MY BEST

1979. MOVIE YET, THAT'S FOR SURE.

1980. I HOPE TO BE DOING MY NEXT MOVIE

1981. IS GONNA BE MY BEST MOVIE,

1982. WHAT CAN I DO FOR YOU TODAY?

1983. I'D LIKE A MASSAGE.

1984. WELL, YOU'VE CERTAINLY COME

1985. TO THE RIGHT PLACE.

1986. I MADE THE ORIGINAL

1987. "MASSEUSE" IN ABOUT 1990

1988. OR SOMETHING LIKE THAT.

1989. AND IT WAS REALLY A DEPARTURE

1990. HELLO, THIS IS JIM.

1991. I THINK IT IS THE BEST

1992. I FELT SO INCREDIBLY

1993. COMFORTABLE WITH THE SCRIPT,

1994. THE DIRECTNESS, THE

1995. SIMPLICITY, THE TRUTHFULNESS

1996. OF IT.

1997. THERE'S NO BELLS AND WHISTLES.

1998. IT'S JUST A MASSEUSE

1999. AND HER CLIENT TALKING.

2000. YOU KNOW, WHAT DID I CALL IT—

2001. "MY DINNER WITH ANDRE"

2002. OF X-RATED MOVIES.

2003. IF YOU WATCH THE MOVIE

2004. CLOSELY, YOU CAN ALMOST SEE ME,

2005. THE REAL ME,

2006. DISCOVERING MYSELF.

2007. SO THAT'S WHY I LIKE IT SO MUCH.

2008. HOW OLD ARE YOU?

2009. 28.

2010. GIRLFRIEND?

2011. CAN I TELL YOU A SECRET?

2012. SURE, I LOVE SECRETS.

2013. I'M A VIRGIN.

2014. I LIKE TO STAB

2015. AND SEE HOW FAR I CAN GO.

2016. PAUL THOMAS HAS A WAY ABOUT HIM,

2017. AND I THINK I GAINED

2018. A LITTLE BIT OF HIS RESPECT.

2019. HE'S USED TO BEING ABLE TO TELL

2020. PEOPLE POP, POP, POP, POP, POP.

2021. AND I WOULD BE LIKE, "LISTEN,

2022. NO, THIS IS THE WAY THIS SHOULD

2023. BE, AND THIS IS THE WAY

2024. THIS SHOULD BE.

2025. WHAT DO YOU THINK ABOUT THAT?"

2026. SHE BROUGHT A LOT TO

2027. THE TABLE, SHE LISTENED TO ME,

2028. ALWAYS ON TIME— I'M THE ONE

2029. WHO HAD TO STEP UP MY GAME.

2030. YOU KNOW, WITH JENNA,

2031. NO PARTYING, YOU KNOW?

2032. I'LL SEE YOU LATER,

2033. I PLAYED JUSTINE JONES,

2034. JONES," AND JENNA JAMESON

2035. PLAYED THE DEVIL, WHICH WAS

2036. QUITE INTERESTING BECAUSE I GOT

2037. THE SCRIPT AND THEN HEARD THAT

2038. AND MY— MY FIRST THOUGHT WAS

2039. NOT ONLY DO YOU HAVE TO REMAKE

2040. THIS AMAZING CLASSIC FILM,

2041. "THE DEVIL AND MISS JONES," BUT

2042. ALSO NOW NEXT TO JENNA JAMESON

2043. AT FIRST IT FEELS LIKE

2044. A NO

2045. WHAT AM I GONNA MAKE

2046. ONCE IN A WHILE, YOU GET

2047. "GODFATHER TWO," BUT MOST OF THE

2048. TIME, THE SEQUEL'S JUST AREN'T

2049. SO GOOD IF THE ORIGINAL'S

2050. I HAD BEEN OUT OF

2051. THE BUSINESS FOR A LONG TIME.

2052. AND PAUL THOMAS CALLED ME ONE

2053. NIGHT AND SAID, "WE'RE GONNA DO

2054. A REMAKE OF 'THE DEVIL

2055. AND I SAID, "WELL, VERY GOOD,

2056. PAUL, CONGRATULATIONS,

2057. GOOD LUCK," AND SO FORTH.

2058. AND HE SAYS, "YOU'RE GONNA

2059. BE IN IT," AND I SAID,

2060. "OH, NO, I'M NOT."

2061. AND HE SAID, "OH, YES, YOU ARE."

2062. HE SAYS, "YOU'RE JUST GONNA DO

2063. A CAMEO, THREE LINES."

2064. I SAID, "I DON'T EVEN WANNA

2065. LEARN THREE LINES."

2066. HE SAYS, "I'LL GIVE YOU

2067. $10,000," I SAID, "OKAY."

2068. WHEN SHE COMES OUT AT THE END

2069. OF THAT MOVIE, YOU GET CHILLS.

2070. ESPECIALLY IF YOU KNOW

2071. WHO SHE IS.

2072. IT REALLY WORKS, AND, UH...

2073. SHE'S JUST DELIGHTFUL.

2074. DO YOU READ, MISS JONES?

2075. ONLY ROMANCE NOVELS,

2076. IT'S MY JOB.

2077. YOU ARE SO PRIVILEGED.

2078. AND YOU FEEL SO SORRY

2079. FOR YOURSELF.

2080. IS ONE OF THE MOST

2081. GROUNDBREAKING WOMEN EVER.

2082. OWNING HER SEXUALITY AND NOT

2083. BACKING DOWN AT THE TIME WHEN

2084. SHE WAS FAME— UBER FAMOUS.

2085. I HAVE ULTIMATE RESPECT FOR HER,

2086. AND I MADE SURE I TOLD HER THAT.

2087. AND HER ACTING WAS FANTASTIC,

2088. TOO.

2089. IT WAS REALLY COOL TO DO THAT

2090. BECAUSE, YOU KNOW, AT THE TIME,

2091. WE WERE THREE OF THE BIGGEST

2092. NAMES IN THE BUSINESS,

2093. AND IT WAS LIKE, "WOW, THIS

2094. WHILE I'M GETTING DP'D,

2095. I SAY THIS MONOLOGUE FROM—

2096. THAT GEORGINA SPELVIN SAID IN

2097. THE ORIGINAL "MISS JONES."

2098. IF YOU TOUCH ME, I'LL COME,

2099. I KNOW I WILL.

2100. TOUCH ME, TOUCH ME, TOUCH ME.

2101. I'LL MAKE YOU COME, TOO.

2102. SO WHEN I DID HOWARD STERN,

2103. HE SAID, "WELL, DID YOU FUCK

2104. A SNAKE," BECAUSE THAT'S WHAT

2105. PEOPLE THINK OF THE ORIGINAL

2106. MISS JONES.

2107. THEY DON'T REMEMBER MUCH, BUT

2108. THEY REMEMBER THE SNAKE SCENE.

2109. AND WHAT THEY ACTUALLY REMEMBER

2110. ABOUT IT, BUT THEY THINK MOSTLY

2111. THAT THERE WAS A SEX SCENE

2112. WITH A SNAKE.

2113. SO I WENT TO VIVID AND I SAID,

2114. "LOOK, WE HAVE TO DO

2115. A SNAKE SCENE."

2116. IT WAS A GOOD TIME

2117. IN EVERYONE'S LIVES.

2118. THEY WERE TIGHT.

2119. VIVID WAS TIGHT.

2120. WE WERE ALL TIGHT AND WORKING—

2121. REALLY WORKING BOTH FOR

2122. "THE DEVIL IN MISS JONES" AND

2123. FOR "MASSEUSE", WORKING AT THE

2124. TOP OF OUR PROFESSIONAL LEVELS

2125. AND OUR PERSONAL LIVES.

2126. WE'RE ALL PRETTY DAMN TOGETHER.

2127. SO IT WAS NOTHING BUT—

2128. NOTHING BUT POSITIVE.

2129. THE 2000s WERE THE DECADE

2130. WHEN PORN GREW UP.

2131. FLUSH WITH MONEY FROM THE DVD

2132. BOOM, PRODUCERS BEGAN SHOOTING

2133. BIGGER MOVIES WITH MAJOR

2134. BUDGETS, GIGANTIC CASTS,

2135. AND ELABORATE SCRIPTS.

2136. THESE ADULT BLOCKBUSTERS NEEDED

2137. A BETTER FORMAT THAN SIMPLE

2138. VIDEO, AND FILM WAS BECOMING

2139. TOO COSTLY TO JUSTIFY.

2140. COMING WITH ITS OWN SET OF

2141. TECHNICAL ISSUES AND CONCERNS,

2142. THE FAST-GROWING HD FORMAT

2143. THE FEATURES OF THAT TIME,

2144. WERE PEOPLE SPENDING A LOT

2145. OF MONEY ON THEM...

2146. YEAH.

2147. WHEN IT WAS NEW, WERE THEY—

2148. YEAH, I MEAN, LIKE,

2149. FIRST FEATURE LEADS WAS FOR

2150. "WICKED."

2151. IT WAS THIS REALLY BIG,

2152. LIKE, MICHAEL RAVEN MOVIE.

2153. I REMEMBER IT HAD, LIKE, THESE

2154. OOZING, LIKE, TENTACLE DILDOS

2155. AND FOG MACHINE, AND, LIKE,

2156. THESE BIG SETS AND IT WAS THE

2157. FIRST TIME, YOU KNOW, WE SHOT

2158. OUT IN THE DESERT AND IT WAS,

2159. LIKE, A WIND STORM AND IT WAS

2160. JUST— IT WAS AWESOME. IT WAS,

2161. LIKE, REALLY FUN TO GO FROM,

2162. LIKE, JUST GETTING, LIKE,

2163. YOU KNOW...

2164. NAILED.

2165. FUCK-NAILED ON A GONZO SET,

2166. JUST POUNDED, LIKE, "YEAH,

2167. MOTHERFUCKER, COME ON, I CAN

2168. TAKE IT," YOU KNOW,

2169. TO, LIKE, CATERING.

2170. YOU KNOW, LIKE, "WOULD YOU LIKE

2171. A SNACK?"

2172. "YES, I WOULD."

2173. THERE'S BREAKFAST ON SET?

2174. SO HOW HAS INTERNET AFFECTED

2175. THE INDUSTRY TODAY?

2176. I THINK IT MAKES THE FANS

2177. ACCESS YOUR FAVORITE STARS AND

2178. HAVE CONVERSATIONS AND GIVE THEM

2179. GIFTS AND, YOU KNOW, JUST TO

2180. TALK TO WHOEVER YOU'RE A FAN OF.

2181. SO THE INTERNET, LITERALLY, THEY

2182. CAN SEE WHO'S SHOOTING WHEN,

2183. THAT DAY, THEY KNOW WHEN IT'S

2184. GONNA COME OUT.

2185. IT'S JUST, LIKE, RIGHT NOW,

2186. I'M LOOKING FOR A PIRATE.

2187. WE KNOW MANY, MANY PIRATES.

2188. BY FAR, THE BIGGEST

2189. PRODUCTION THAT I'VE EVER BEEN

2190. INVOLVED IN HAD TO BE

2191. THE "PIRATES."

2192. SHOT STUFF IN L.A., THEN TOOK

2193. THE WHOLE TROOP, CREW, EVERYBODY

2194. THAT WAS INVOLVED IN IT

2195. ALL THE WAY TO FLORIDA.

2196. WE SHOT ON THE U.S.S. BOUNTY.

2197. IT TOOK THREE WEEKS TO SHOOT

2198. HELMSMAN, PREPARE

2199. TO SET SAIL.

2200. ARE YOU REALLY GONNA

2201. LET HER GO UNSCATHED, SIR?

2202. OF COURSE NOT.

2203. WORKING WITH JOONE,

2204. HE HAS A VISION,

2205. HE'S AN ARTIST.

2206. HE HAS THIS GREAT VISION

2207. OF SOMETHING BIGGER

2208. THERE'S SOME DIRECTORS THAT

2209. ACTUALLY GET INVOLVED IN THEIR

2210. STUFF, THEY HAVE THE VISION IN

2211. THEIR HEAD, AND JOONE IS ONE

2212. OF THOSE DIRECTORS.

2213. HE ALREADY HAD THE SET IN HIS

2214. HEAD AND THEY BUILT IT AND

2215. THEY TOOK THEIR TIME TO DO IT

2216. AND HE KNEW EXACTLY

2217. WHAT HE WANTED.

2218. ALREADY HAD THE SHOTS

2219. IN HIS HEAD.

2220. IT'S A BIT SLOW TONIGHT,

2221. IT'S AWKWARD.

2222. LINE UP THE CREW ON THE BOW.

2223. BRING ME THE PASSENGERS

2224. FROM THE DECK BELOW.

2225. AND, SERENA,

2226. AS MUCH AS I LOVE YOUR METHODS,

2227. DON'T EVEN CONSIDER KILLING

2228. I DON'T THINK I WAS EVER

2229. A CRUEL PIRATE.

2230. I'M GONNA HAVE TO WATCH THAT

2231. AGAIN... UH, WAS I A CRUEL—

2232. SHE WAS A HORNY PIRATE.

2233. I DON'T KNOW IF SHE WAS CRUEL.

2234. WELL, THERE'S THE VICIOUS

2235. LADY I REMEMBER.

2236. DON'T EVER SECOND-GUESS ME.

2237. HE BUILT THE TENSION.

2238. SO WE WERE, OF COURSE,

2239. THE LAST SCENE OF "PIRATES."

2240. HE JUST WAITED, AND THEY WOULD

2241. SAY LITTLE THINGS TO US TO LIKE

2242. GET US READY AND TURNED-ON

2243. AND READY TO GO.

2244. THEY KEPT JESSE JANE

2245. AND I SEPARATE, UH, SEPARATED

2246. JUST SO THE TENSION AND

2247. THE, YOU KNOW, THE ANTICIPATION

2248. WOULD BUILD UP AND...

2249. AND HE'S COME TEASE ME.

2250. "I WONDER WHO'S GONNA WIN?

2251. I GUESS SHE'S GONNA SHOW YOU."

2252. SHE'S ABOUT HALF MY SIZE

2253. AND THIS LITTLE— THIS LITTLE

2254. CUPCAKE THOUGHT SHE WAS GONNA...

2255. DOMINATE ME?

2256. I HAD TO— I HAD TO PUT HER IN

2257. HER PLACE, BUT I LET HER PRETEND

2258. TO THINK THAT FOR A LITTLE BIT.

2259. OKAY, SO CARMEN GETS PUT—

2260. CHOKED OFF THE BOAT

2261. BY TOMMY GUNN.

2262. AND THEY WANTED TO DO THIS

2263. STUNT WHERE, UH, STUNT GIRL GOES

2264. OFF IN THE WATER, NO BIG DEAL.

2265. AND SHE GOES, "NO."

2266. WELL, JESSE WOULDN'T HAVE

2267. NOTHING TO DO WITH THAT.

2268. SHE WANTED TO DO THE STUNT

2269. HERSELF.

2270. AND OF COURSE, I'M A

2271. DAREDEVIL, SO I'M LIKE,

2272. "I'LL DO IT."

2273. AND I KNOW WHAT'S GONNA

2274. HAPPEN BEFORE IT EVEN HAPPENS.

2275. SO I ALREADY GOT MY STUFF OFF,

2276. GOT MY BOOTS OFF, AND

2277. I'M JUST STANDING HERE AND JUST

2278. WAITING FOR HER TO JUMP IN.

2279. AS SOON AS SHE JUMP IN

2280. AND THEY GOT THE SHOT AND THE

2281. SPLASH, I'M IN THE WATER

2282. AFTER HER.

2283. THEY'RE NOT EVEN THINKING THAT

2284. THIS BIG, BALLOONING DRESS IS

2285. JUST GONNA SUCK UP RIGHT TO HER,

2286. AND SHE'S NOT GONNA BE ABLE TO

2287. KICK, SHE'S NOT GONNA BE ABLE

2288. TO DO ANYTHING.

2289. WELL, MY DRESS, HER DRESS,

2290. GETS CAUGHT ON A NAIL

2291. UNDERNEATH THE BOAT

2292. AND I START SINKING

2293. AND I CAN'T COME UP.

2294. BUT SHE WENT IN

2295. AND SHE ALMOST DROWNED.

2296. I THINK SOME OF THAT WAS

2297. BEHIND-THE-SCENES, NOT ALL OF IT

2298. WHERE I WAS DROWNING,

2299. 'CAUSE THAT WAS PROBABLY

2300. NOT GOOD.

2301. I DEFINITELY DIDN'T KNOW

2302. IT WOULD BE AS BIG AS IT WAS

2303. AND THE NUMBER ONE MOVIE EVER.

2304. AND PEOPLE WHO EVER WATCHED PORN

2305. HEARD OF THE MOVIE AND WENT

2306. TO WATCH IT.

2307. IT WAS THE FIRST MOVIE TO BE CUT

2308. INTO A RATED R VERSION AND

2309. RENTED IN BLOCKBUSTER.

2310. IT WAS A BLOCKBUSTER HIT.

2311. YOU MUST THINK ME A MONSTER.

2312. "CORRUPTION" WAS PROBABLY

2313. THE FIRST BIG-BUDGET MOVIE

2314. I WAS THAT INVOLVED IN.

2315. I'D, YOU KNOW, BEEN IN OTHER

2316. BIG-BUDGET MOVIES AS TALENT,

2317. BUT YOU'RE NOT AS INVOLVED

2318. YOU SHOW UP AND, YOU KNOW,

2319. YOU PRETTY MUCH DO YOUR THING

2320. IT WAS SOMETHING BEING DONE

2321. AND BEING DONE WELL AND WITH,

2322. LIKE, HEART.

2323. THAT, LIKE, ATTRACTS ME.

2324. YEAH, I GOT YOU

2325. RIGHT WHERE YOU WANT ME.

2326. I ALSO HAD A PRETTY

2327. DECENT ACTING ROLE.

2328. AND THAT WAS PLAYING THE PART

2329. OF CAROLYN HELMS,

2330. WHO WAS THE SENATOR'S WIFE.

2331. AND SHE'S KIND OF THE CENTRAL

2332. PART OF THE MOVIE.

2333. HERE'S CAROLYN IN THE MIDDLE,

2334. AND SHE'S KIND OF STARTS

2335. MANIPULATING EVERYBODY

2336. I'M A UNION LEADER,

2337. A TEAMSTER.

2338. AND I'M A— I'M TRYING TO WORK,

2339. TO GAIN AN ADVANTAGE.

2340. WORD IS YOU'RE PLANNING A RUN

2341. AT THE BIG TICKET IN TWO YEARS.

2342. IF THAT'S TRUE, YOU'RE GONNA

2343. NEED MONEY, US, AND GOD

2344. ON YOUR SIDE... IN THAT ORDER.

2345. I'M BEING BLACKMAILED IN THIS

2346. SCENE, SO I'M— SO I'M DOING—

2347. I'M PERFORMING A SEXUAL ACT

2348. THAT IF I GET CAUGHT,

2349. MY OWN CAREER WOULD BE DONE.

2350. SO I WAS— IT WAS ANOTHER SCENE

2351. OF HUMILIATION FOR ME, WHICH I'M

2352. COMFORTABLE WITH IN MY OWN LIFE

2353. WITH TWO MARRIAGES BEHIND ME.

2354. HOW MANY TIMES DID THEY PUSH

2355. ME OUT OF THE CAR?

2356. HOW MANY TIMES DID THEY ALMOST

2357. HIT ME WITH THE CAR?

2358. I THINK THEY WERE JUST HAVING

2359. FUN THROWING JAMES OUT OF A CAR.

2360. I HAD TO BE LIKE LIMP AND GET

2361. THROWN OF THIS CAR, UM,

2362. ONTO A PILE OF GARBAGE.

2363. I THINK THEY MUST'VE SHOT

2364. THAT SCENE. FOR WHATEVER REASON,

2365. LIKE 15 TIMES.

2366. IT FELT LIKE FOREVER 'CAUSE

2367. I'D BEEN PUSHED OUT OF THE CAR

2368. IN TO GARBAGE.

2369. AND THEN THERE WAS THIS ONE TIME

2370. WHERE, UH, MY LEGS FELT A LITTLE

2371. WEIRD AND, LIKE, EVERYONE

2372. STARTED SCREAMING 'CAUSE THE CAR

2373. ALMOST ROLLED OVER MY ANKLE.

2374. IT WAS FUN, IT WAS FANTASTIC

2375. BECAUSE WE'D ALL WORKED SO HARD

2376. ON IT AND, YOU KNOW, WE HAD THIS

2377. SENSE OF FAMILY AND HARD WORK,

2378. AND THE MOVIE JUST LOOKED

2379. INCREDIBLE.

2380. AND THEN WE WON.

2381. AND I REMEMBER JUMPING UP

2382. WHEN WE WON AT THE AVN AWARDS

2383. AND I HAD A CORSET ON AND I WAS

2384. SO EXCITED AND I ACTUALLY PEED

2385. WOW.

2386. THAT WAS THE CLOSEST THING

2387. TO GOD I'VE EVER FELT.

2388. I DON'T KNOW, BUT IT'S...

2389. IT'S A LOT BIGGER AND A LOT

2390. IT WAS MY FIRST LEAD,

2391. BIG FEATURE FILM LIKE THAT.

2392. I HAD DONE THE SMALLER ONES

2393. WHERE I WAS LIKE SUPPORTING

2394. ACTRESS.

2395. BUT THIS WAS LIKE— IT REALLY

2396. PUT ME ON THE MAP AS FAR

2397. MY PARTNER DIES,

2398. LIKE, IN THE LINE OF DUTY.

2399. I'M DEVASTATED.

2400. BUT I'M KIND OF LIKE A HARD-ASS,

2401. TOO, AND I DON'T LET ANYBODY

2402. KIND OF SEE MY EMOTIONS.

2403. AND WE DISCOVER THIS HACKER

2404. GIRL, WHICH WAS PLAYED

2405. BY HILLARY SCOTT.

2406. AT THAT POINT, SEXY PICTURES

2407. HAD JUST SIGNED HILLARY

2408. TO UNDER CONTRACT.

2409. AND THEY TOLD US

2410. WE HAD TO USE HER.

2411. IN THE END,

2412. HILLARY DID AN AMAZING JOB.

2413. SHE ACTUALLY, YOU KNOW...

2414. SHE WAS PREPARED AND SHE CAME

2415. AND WHO AM I KIDDING?

2416. SHE DID NOT WORK HARD AT ALL.

2417. SHE DIDN'T, I'M LYING TO TRY

2418. THROUGH THE MIRACLE OF EDITING

2419. AND GOOD ACTING COACHING,

2420. I THINK THAT SHE FILLED

2421. THE ROLE FINE.

2422. DAVID, I KNOW YOU CAN

2423. HEAR ME.

2424. SHOWED UP ON SET AND I WAS

2425. LIKE, "OH, THIS IS A BIG MOVIE,

2426. AND THEY'RE LIKE, "YEAH, YOU'RE

2427. LIKE THE STAR OF IT."

2428. I'M LIKE, "BUT I'M ONLY HERE

2429. FOR A DAY."

2430. AND THEY'RE LIKE, "WELL, ALL

2431. RIGHT, YOU'RE NOT THE STAR OF

2432. IT, YOU'RE JUST— THE WHOLE

2433. YOU SEE A LOT OF MOVIES IN

2434. PORN WHERE THEY SAY, "WE SPEND

2435. A MILLION DOLLARS, WE SPEND $2

2436. MILLION," WHATEVER THE CASE IS.

2437. AND I'M GOING TO TELL YOU THAT

2438. FOR THE MOST PART, THEY LIE.

2439. PEOPLE WILL SAY, "WE SPEND ALL

2440. THIS MONEY," AND THEY USUALLY

2441. DOUBLE THE AMOUNT.

2442. NOW LET ME TELL YOU,

2443. "UPLOAD" COST $350,000.

2444. THAT'S AN UNHEARD OF AMOUNT

2445. OF MONEY IN PORN.

2446. WE SHOT FOR 20 DAYS.

2447. I DON'T THINK I'VE EVER KNOWN

2448. A PORN MOVIE THAT SHOT

2449. FOR 20 DAYS.

2450. WHEN "UPLOAD" WON

2451. ALL THE AWARDS, PICKED UP PRETTY

2452. MUCH ALMOST EVERYTHING UNDER

2453. THE SUN AT AVN'S, I FELT LIKE

2454. SUCH A STRONG FEELING

2455. OF ACCOMPLISHMENT.

2456. ONE OF THE THINGS THAT

2457. I LEARNED FROM ELI CROSS IS HE

2458. SAID, "THERE'S TWO THINGS YOU

2459. NEED, YOU NEED MONEY AND TIME.

2460. AND THOSE TWO THINGS WILL ALWAYS

2461. HELP YOU WITH A BETTER MOVIE."

2462. WE WERE ABLE TO TAKE THE MONEY

2463. THAT WE HAD AND TURN IT

2464. INTO TIME, AND THAT MADE

2465. FOR A BETTER MOVIE.

2466. WHATEVER YOU ASK...

2467. I AM YOUR SERVANT.

2468. "FALLEN" TO THIS DAY IS

2469. IN "FALLEN" I AM A GUARDIAN

2470. ANGEL AND MY CHARGE

2471. IS JENNA HAZE.

2472. NO!

2473. I THEN LOSE MY WINGS,

2474. AND I'M SORT OF ROAMING

2475. THE EARTH IN LIMBO IF YOU WILL.

2476. AND I PRETTY MUCH HAVE SEX

2477. WITH EVERYONE IN MY PATH.

2478. THAT'S ONE OF THE THINGS.

2479. WHEN YOU'RE IN THAT FANTASY

2480. REALM, ESPECIALLY WHEN YOU'RE

2481. AND A LOVE STORY AT THAT WITH

2482. ALL THIS FANTASY STUFF WITH

2483. ANGELS AND FLYING AROUND ON

2484. ROOFTOPS, IS CAN YOU ACTUALLY

2485. OH! OH!

2486. A LOT HAS CHANGED.

2487. I'M NO LONGER AN ANGEL.

2488. "FALLEN", I THINK WE SHOT IT

2489. OVER TWO WEEKS, BUT IT WASN'T

2490. EVERY DAY OF THOSE TWO WEEKS.

2491. WE HAD PREP DAYS AND THEN WE HAD

2492. DOWN DAYS, SO— SO PEOPLE COULD

2493. REST THEIR PARTS, YOU KNOW?

2494. WE HAD A LOT OF REALLY

2495. AMAZING PEOPLE IN IT.

2496. IT HAD ACTING, IT HAD A REALLY

2497. GREAT STORYLINE.

2498. IT HAD A LOT OF SEX.

2499. IT HAD A LOT OF HARDER SEX, TOO.

2500. A LOT OF "FALLEN" TAKES PLACE

2501. ON ROOFTOPS, AND THOSE ARE

2502. ACTUALLY IN CAMERA.

2503. I'M— I'M SCARED OF

2504. GREEN SCREEN MYSELF.

2505. I THINK "FALLEN" STANDS

2506. ON ITS OWN MERITS.

2507. IT'S A GREAT STORY.

2508. IT KIND OF PROPELLED JESSICA

2509. INTO THAT SUPERSTAR STATUS.

2510. AND, UH, DIDN'T DO BAD FOR ME

2511. AS A DIRECTOR, AS WELL.

2512. THE REAL REASON TO DO "FALLEN"

2513. WAS TO KIND OF HAVE JESSICA

2514. HIT THAT OTHER LEVEL.

2515. AND IT'S GREAT IF YOU CAN PUT

2516. HER IN THIS GREAT MOVIE.

2517. BUT IF THE SEX FALTERS,

2518. THEN IT'S JUST A GREAT MOVIE

2519. AND, YOU KNOW, YOU HAVEN'T DONE

2520. WHAT YOU'RE TRYING TO DO WITH

2521. YOUR STARLET BY TAKING HER

2522. WHAT HAPPENED?

2523. NO ONE KNOWS FOR SURE.

2524. THEY CALL IT THE BIG BURN.

2525. AND ON THE EIGHTH DAY,

2526. WHEN I THINK OF

2527. A POST-APOCALYPTIC WORLD,

2528. UH, IT'S MORE THAN

2529. JUST BROKEN DOWN BUILDINGS.

2530. THERE'S A PRIMAL ELEMENT TO IT

2531. WHERE PEOPLE ARE STEALING FROM

2532. EACH OTHER IN MORE WAYS THAN

2533. ONE, AND LIFE BECOMES CHEAPER

2534. BECAUSE YOU DON'T HAVE ENOUGH

2535. MY CHARACTER WAS BASICALLY

2536. BEING SEX TRAFFICKED

2537. IN POST-APOCALYPTIC, UH—

2538. I DON'T THINK IT WAS ACTUALLY

2539. I MEAN, JUST POST-APOCALYPTIC

2540. EARTH.

2541. YOU A BUTCHER NOW, TOO?

2542. SPECIAL COMMISSION

2543. FOR THE PRINCE.

2544. HE GETS FIRST LOOK

2545. AT ALL MY TRADE.

2546. "THE 8TH DAY" WAS CONCEIVED

2547. BY ME WITH AMBER RAYNE IN MIND

2548. AS THE LEAD CHARACTER.

2549. SHE IS THE SCRUFFY TANK GIRL

2550. IN THE WHOLE MOVIE.

2551. BUT IT WAS PERCEIVED BY EVERYONE

2552. THAT KAYDEN, BEING ADAM & EVE'S

2553. CONTRACT GIRL, WAS THE STAR

2554. OF THE SHOW.

2555. AND SHE CERTAINLY WAS

2556. THE BOX COVER, BUT SHE IS

2557. THE SUPPORTING ACTRESS.

2558. AND, UM, WHEN AWARDS TIME CAME

2559. OUT, IT WAS THE OTHER WAY

2560. AROUND.

2561. AMBER GOT SUPPORTING ACTRESS

2562. NOMINEE AND KAYDEN GET,

2563. YOU KNOW, ACTRESS NOMINEE.

2564. "THE 8TH DAY" WAS PROBABLY

2565. THE HARDEST MOVIE I'VE EVER

2566. WORKED ON.

2567. THERE WERE SOME DAYS WHERE WE

2568. HAD STARTED THE DAY BEFORE.

2569. THERE WERE EXAMPLES IN THE MOVIE

2570. OF, UM, LIKE A MARKETPLACE, LIKE

2571. A BAZAAR THAT WE HAD TO BUILD

2572. WHERE PEOPLE WERE HAWKING JUNK

2573. OR THEY WERE HAWKING FOOD

2574. OR CLOTHES, THINGS THAT

2575. THEY'D SCAVENGED.

2576. THAT WAS A HUGE UNDERTAKING

2577. AS FAR AS ART DIRECTION

2578. WAS CONCERNED.

2579. THE ART DIRECTOR, KYLIE IRELAND,

2580. SPENT WEEKS RUNNING AROUND L.A.

2581. FINDING STUFF TO DO THERE.

2582. MY FAVORITE KAYDEN MOMENT, UM,

2583. IN THE WHOLE SHOW WAS WHEN

2584. SHE'S SUPPOSED TO BREAK DOWN

2585. AND CRY ABOUT HER DAD.

2586. IT WAS BEFORE I LEARNED

2587. HOW TO CRY BY MYSELF.

2588. AND CAN'T GET ANY TEARS

2589. TO FLOW AT ALL.

2590. WE WAITED A GOOD LONG TIME,

2591. AT LEAST A HALF AN HOUR.

2592. I WALK BACK IN AND I SAID,

2593. "YOU GOT NOTHING?"

2594. SHE GOES, "NO, NOTHING BAD'S

2595. EVER HAPPENED TO ME."

2596. I THINK THEY SQUIRTED CITRUS

2597. JUICE OR SOME SORT OF CITRUSY

2598. FRUIT IN MY EYES TO MAKE IT GO.

2599. SHE SAID, "HOLY SHIT, LET'S

2600. SHOOT RIGHT NOW 'CAUSE GOD DAMN

2601. IT, THIS BURNS."

2602. AND I SAID, "PERFECT."

2603. MY DAD DID THIS.

2604. ALL OF THIS.

2605. AND SHE GOES, "WHY DID YOU DO

2606. THAT TO ME?"

2607. I SAID, "FUCK YOU, YOUR LIFE'S

2608. PERFECT."

2609. NO WONDER YOU CAN'T CRY.

2610. IT WAS ONE OF THOSE THINGS

2611. AFTER THE BLOOD, SWEAT, AND

2612. TEARS THAT WENT INTO IT,

2613. IT WAS REALLY A NICE PAYOFF.

2614. IT WAS NICE TO BE ABLE TO SAY

2615. SOMEONE ACKNOWLEDGED THIS.

2616. IT WASN'T JUST US, YOU KNOW,

2617. FUCKING AROUND IN THE DESERT.

2618. 'CAUSE THERE WERE TIMES WHEN IT

2619. HOW DID MY FATHER DIE?

2620. A YOUNG JEDI NAMED DARTH

2621. VADER, WHO WAS A PUPIL OF MINE,

2622. OFF AND LEFT HIM BURNING

2623. IN A RIVER OF LAVA.

2624. "STAR WARS" IS PROBABLY THE

2625. AND THERE'S SO MUCH TO PARODY

2626. IN IT, SO, UM...

2627. WE REALLY DID— WE REALLY DID,

2628. THAT COULD BE HAD, EVERYTHING

2629. SINGLE REFERENCE THAT WE COULD

2630. HAVE, AND RECREATING A LOT

2631. OF THE SCENES.

2632. IT WAS REALLY A LOT OF FUN.

2633. IT'S A LOT OF WORK,

2634. BUT WE HAD A LOT OF FUN.

2635. SHOOT FIRST, SHOOT OFTEN.

2636. SORRY FOR THE MESS.

2637. HAD TO KNOW "STAR WARS" TO ONE,

2638. GET THE HUMOR.

2639. TRYING TO GO WITH IT AND WHAT

2640. WAS HAPPENING WITH STILL KIND OF

2641. TRYING TO STICK TO THE ORIGINAL

2642. SCRIPT.

2643. THE THING THAT ALL THE FANS

2644. WOULD ASK ME IN THE BEGINNING

2645. WHEN I ANNOUNCE THE MOVIES,

2646. LIKE, OKAY, THERE'S ONLY ONE

2647. GIRL IN "STAR WARS."

2648. YOU'RE GONNA HAVE A PORN MOVIE—

2649. TO THIS DAY, PEOPLE WRITE ON

2650. YOUTUBE, THEY WATCH, YOU KNOW,

2651. THEY READ ABOUT IT LIKE THERE'S

2652. GONNA BE ONLY ONE GIRL?

2653. IT'S NOT TRUE, WE FOUND OTHER

2654. GIRLS THAT ARE PART OF

2655. THE "STAR WARS" UNIVERSE.

2656. THE GIRLS IN THE CANTEEN,

2657. I MEAN, THERE'S— THERE'S

2658. A TON OF PEOPLE THAT WE

2659. WERE ABLE TO PUT TOGETHER,

2660. IT'S WAS REALLY INTERESTING.

2661. YOU CAN FIND SEX IN ANYTHING.

2662. I DON'T NECESSARILY THINK THAT,

2663. YOU KNOW, THE MOVIE OR THE THEME

2664. HAS TO BE SEXY TO MAKE IT SEXY.

2665. THAT'S OUR JOB,

2666. THAT'S WHY WE'RE HERE.

2667. WE'RE SUPPOSED TO MAKE THE

2668. THINGS THAT AREN'T SEXY SEXY.

2669. DON'T ACT SO SURPRISED,

2670. YOUR HIGHNESS.

2671. I'M NOT SURPRISED.

2672. I'M DISGUSTED.

2673. WE SAT IN A ROOM AND HE TALKED

2674. INTO A POT.

2675. WE RECORDED ALL HIS SOUND IN A

2676. GIANT POT, LIKE A SPAGHETTI POT.

2677. IT WAS HILARIOUS.

2678. EVERY ONCE IN A WHILE

2679. I HAVE A GOOD IDEA.

2680. AND IN "STAR WARS" IT WAS LIKE

2681. CHI CHI LARUE.

2682. I'M SAVED!

2683. OVER HERE.

2684. HEY, SAILOR!

2685. C-3PO HAS ALWAYS BEEN VERY

2686. METROSEXUAL, AND I FIGURE WE

2687. TAKE IT, YOU KNOW, TO PARODY

2688. THAT, TO EXPLORE THAT.

2689. "STAR WARS" WON A TOTAL OF

2690. EIGHT AWARDS AT AVN WHICH IS THE

2691. MOST THAT ANY PARODY HAS EVER

2692. WON, AND I THINK THAT'S AMAZING.

2693. IT'S CRAZY, UM,

2694. AND WHAT'S EVEN MORE AMAZING

2695. ABOUT THAT IS MOST OF ALL THAT—

2696. ALL THE WORK FOR THE MOVIE WAS

2697. DONE BEHIND-THE-SCENES, WITHOUT

2698. THE SETS, WITHOUT THE COSTUMES,

2699. WITHOUT THE TIME AND DEDICATION

2700. FOR THE SCRIPT.

2701. THE SHOOTING, THE ANGLES,

2702. THE GREEN SCREEN,

2703. THE POST PRODUCTION.

2704. THE MOVIE WOULD'VE BEEN NOTHING.

2705. AND I THINK, UM, YOU KNOW, THAT

2706. REALLY SHOWS AND, YOU KNOW,

2707. BY WINNING EIGHT AVN AWARDS,

2708. IT DEFINITELY SHOWS THAT OTHER

2709. PEOPLE APPRECIATE ALL THE HARD

2710. MOST KNOW ME AS DEATH.

2711. WHAT DO YOU WANT FROM ME?

2712. I'VE COME FOR YOU.

2713. THE BASIS BEHIND

2714. "UNDERWORLD—" I PLAY

2715. A CHARACTER NAMED TANYA,

2716. AND I HAVE BEEN WITH MY FIANCÉ

2717. AND WE HAVE MADE THE SWEET LOVE,

2718. TO DRIVE ME HOME,

2719. WE'RE IN HIS PARKING GARAGE,

2720. AND ALL OF A SUDDEN, WE'RE

2721. VICTIMS OF A VIOLENT MUGGING.

2722. SAY GOOD-BYE TO YOUR

2723. BOYFRIEND.

2724. NO, PLEASE!

2725. THE OPENING IS, UH,

2726. A BIT DRASTIC

2727. AND A BIT BLOODY

2728. AND VIOLENT, UH,

2729. BUT WE ACTUALLY

2730. WENT BACK AND FORTH ON

2731. HOW VIOLENT TO MAKE IT.

2732. AND THEY'RE TRYING TO SAVE MY

2733. LIFE, I'M PUT UNDER ANESTHESIA.

2734. AND WHEN I GO UNDER ANESTHESIA,

2735. THE REST OF THE MOVIE IS THAT,

2736. GOING BACK AND FORTH BETWEEN

2737. ME FIGHTING FOR MY LIFE IN THE

2738. OPERATING ROOM AND THE THINGS

2739. THAT ARE HAPPENING TO ME

2740. IN THE UNDERWORLD.

2741. IF YOU REALLY WATCH THE

2742. MOVIE, EVERYTHING PRETTY MUCH

2743. IS— HAS A MIRROR IMAGE WITH THE

2744. PEOPLE IN THE OPERATING ROOM

2745. AND THE UNDERWORLD BELOW.

2746. EVERYTHING'S KIND OF TIED IN

2747. AND EVERYTHING'S, UH, GOT

2748. A YING AND A YANG SORT OF THING.

2749. XANDER CORVUS PLAYS SLICE

2750. AND HE WAS SORT OF, UH,

2751. HE HAD SCALPEL FINGERS

2752. AND HE WAS UP ON STILTS AND

2753. SO HE WAS THE SCALPEL THAT

2754. WAS STARTING THE SURGERY.

2755. THIS JOURNEY THAT YOU'VE

2756. EMBARKED UPON IS YOUR

2757. SUBCONSCIOUS SELF REACTING

2758. TO THE WORLD AROUND IT.

2759. THE NURSE WAS PASSING

2760. THE GAUZE TO THE DOCTOR.

2761. DURING MY OPERATION IT FELL.

2762. AND AS IT DROPPED, YOU SEE

2763. AN AERIALIST FALL OUT OF THE SKY

2764. SO ME AND JESSICA DRAKE GOT

2765. TO HAVE SEX ON WATER, OR IT

2766. LOOKED AS THOUGH IT WAS DIRECTLY

2767. ON THE WATER, BUT IT WAS

2768. WAS BUILT AND, UH, THERE WAS

2769. MAYBE LIKE AN INCH OF WATER

2770. ON TOP OF IT.

2771. AND I'M BLOODY IN A SHALLOW

2772. POOL OF WATER FOR LIKE

2773. EIGHT HOURS THAT DAY.

2774. WHEN THE INTIMIDATION MELTED

2775. AWAY WAS WHEN SHE STUMBLED ON

2776. A FEW OF HER LINES AND LAUGHED

2777. AT HERSELF.

2778. AND THEN YOU REALIZE, LIKE,

2779. SOMEONE'S A HUMAN BEING,

2780. AND THEY'RE A NORMAL PERSON

2781. AND... THAT'S OKAY.

2782. OH, I LOVE HAVING SEX

2783. WITH ASA AKIRA.

2784. RIGHT BEFORE THE SCENE, WE'RE

2785. TAKING PRETTY GIRLS AND I'M

2786. LIKE, "OH, THIS IS GONNA BE

2787. REALLY FUN."

2788. WE JUST SORT OF GOT ON EACH

2789. OTHER AND ROLLED OFF THE SET.

2790. WE DID IT EVERYWHERE.

2791. LIKE, WE WERE JUST HAVING SEX,

2792. SO, AS MUCH AS POSSIBLE, YEAH,

2793. I WOULD LIKE TO, UH,

2794. IS THERE ANYTHING ELSE

2795. YOU WANT?

2796. I MEAN, WHAT ELSE IS THERE

2797. APART FROM LUXURY?

2798. THAT CAN'T BE

2799. A SERIOUS QUESTION.

2800. AN INDIE PORNO,

2801. THAT'S WHAT WE CALL IT.

2802. IT'S— IT'S LIKE A REAL MOVIE

2803. WITH EMOTION AND ACTING

2804. IT'S PORN WITH A REAL STORYLINE.

2805. WHY DID YOU COME?

2806. I CAN'T DO THIS AGAIN.

2807. WHY DID YOU COME

2808. AFTER FIVE FUCKING YEARS?

2809. MY CHARACTER, HER NAME'S JACKY.

2810. SHE'S THE BADASS.

2811. SHE'S DEFINITELY THE BADASS

2812. OF THE MOVIE AND SHE, UH,

2813. IS TRYING TO OPEN

2814. THE OTHER LILY UP TO THIS WORLD

2815. MY ROLE IN "WASTELAND"

2816. WAS VERY SIMPLE.

2817. THERE'S TWO GIRLS AT THE BAR.

2818. I SAY SOMETHING IN THEIR EARS

2819. WHICH IS EASY FOR ME.

2820. TAKE HER UP TO THE BATHROOM

2821. AND HAVE SEX WITH LILY LABEAU

2822. IN THE BATHROOM.

2823. IT'S A VERY, VERY CLOSED

2824. ENVIRONMENT, IT'S LITERALLY

2825. REAL TOILET SO THERE WAS NO ROOM

2826. TO OPEN THE DOOR, SHOOT, LIKE,

2827. THROUGH THE OPEN DOOR.

2828. THEY SHOT IT ALL FROM ABOVE.

2829. I THINK HE KNEW THAT THE BEST

2830. WAY TO USE ME IS NOT TO HAVE ME

2831. SPEAK BUT LET ME JUST FUCK.

2832. I THINK THAT'S ONE OF THE

2833. BIGGEST THINGS THAT SEPARATES

2834. "WASTELAND" FROM A LOT OF

2835. THE OTHER PORN IS THAT THE SHOTS

2836. ARE SO BEAUTIFUL

2837. AND THEY ARE THOUGHT OUT.

2838. EVERY SINGLE SHOT IS THOUGHT OUT

2839. AND PLANNED TO JUST—

2840. IT WAS REALLY, REALLY DARK,

2841. UM, WHERE WE SHOT THAT SCENE,

2842. FOR ME BECAUSE I'VE NEVER SHOT

2843. ANYTHING IN SUCH DARK LIGHTING.

2844. IT WAS JUST COMPLETELY DARK.

2845. I WAS LIKE, "REALLY, LIKE, CAN

2846. YOU GUYS REALLY SEE

2847. WHAT WE'RE SHOOTING?"

2848. THEY'RE LIKE,

2849. "YEAH, YEAH, IT LOOKS COOL."

2850. IT'S THIS WHOLE STORY

2851. COMBINING TO MAKE THIS BEAUTIFUL

2852. JUDGMENT HAD REARED

2853. ITS UGLY HEAD.

2854. AND RIGHT WHEN MY GUARD

2855. WAS FULLY DOWN,

2856. IT SUDDENLY HAD POPPED BACK UP.

2857. EMMA GOES INTO INTERVIEW

2858. A MAN BY THE NAME OF

2859. WILLIAM FITZGERALD WHO IS THIS

2860. VERY PROMINENT BUSINESSMAN WHO

2861. EMPLOYS PREDOMINANTLY FEMALES.

2862. THERE'S AN UNSPOKEN ATTRACTION

2863. PROPOSITIONS HER FOR

2864. THE ROLE OF BEING HIS SUB.

2865. SHE'S NOT A VERY SEXUAL PERSON.

2866. SHE DEFINITELY DOESN'T CONFORM

2867. TO NORMAL SOCIETY'S VIEWS

2868. I DIDN'T READ THE "50 SHADES

2869. OF GREY" BOOK OR ANYTHING LIKE

2870. THAT BECAUSE I REMEMBER JACKY

2871. WE WANNA DO PRETTY MUCH

2872. THE OPPOSITE OF THAT.

2873. I READ "50 SHADES OF GREY"

2874. AND I HATED HOW THE FEMALE

2875. PROTAGONIST WAS PORTRAYED.

2876. SHE WAS INCREDIBLY WEAK AND HER

2877. ENTIRE MOTIVATION WAS TO PLEASE

2878. A MAN AND TO MAKE A MAN HAPPY.

2879. I WANTED TO SET ABOUT WRITING

2880. A BDSM STORY THAT REALLY

2881. EXPLORED A STRONG WOMAN'S

2882. SUB ROLE AND HOW THAT CAN BE

2883. SO EMPOWERING FOR HER.

2884. SHE WAS, UM, LIVING, LIKE,

2885. A KIND OF RESERVED LIFE

2886. AND NOT REALLY BEING HERSELF,

2887. AND THAT'S SOMETHING THAT I CAN

2888. VERY MUCH RELATE TO BECAUSE

2889. I ALWAYS WANTED TO JUST, LIKE,

2890. BE THE PERSON THAT EVERYONE

2891. WANTED ME TO BE.

2892. BDSM IS NOT JUST BEATING

2893. SOMEBODY AND HARMING SOMEBODY

2894. AND PHYSICALLY HURTING THEM.

2895. IT'S SO MUCH ABOUT THE MENTAL

2896. ASPECT OF THOSE RELATIONSHIPS.

2897. SO FOR ME, I WANTED TO TELL

2898. A STORY ABOUT THAT.

2899. I DID FEEL LIKE, UH, I HAD

2900. A LITTLE BIT OF AN ADVANTAGE

2901. JOINING THE MOVIE BECAUSE I HAD

2902. SOME BDSM EXPERIENCE WORKING

2903. WITH DIFFERENT BONDAGE COMPANIES

2904. IN THE INDUSTRY.

2905. SO IT WAS NICE TO BE ABLE TO

2906. BRING IN A LITTLE BIT OF

2907. MY KNOWLEDGE AND EXPERIENCE

2908. WITH THAT FOR A MOVIE THAT

2909. SO MUCH, LIKE, REVOLVES AROUND

2910. THE BDSM COMMUNITY.

2911. SO "THE SUBMISSION OF

2912. EMMA MARX" WON BEST BDSM MOVIE

2913. AT AVN.

2914. AND I WAS COMPLETELY FLOORED

2915. BECAUSE WE'RE UP AGAINST

2916. BDSM COMPANIES.

2917. AND NEW SENSATIONS MAINLY IS

2918. A FEATURE GONZO STUDIO

2919. THAT DOESN'T REALLY FOCUS ON

2920. ANYTHING PARTICULARLY HARDCORE.

2921. I WAS REALLY FLATTERED THAT

2922. THEY WOULD RECOGNIZE THAT FILM,

2923. ESPECIALLY GIVEN THAT IT WASN'T

2924. REALLY THE PHYSICALITY

2925. THAT WAS EXPLORED.

2926. IT WAS THE MENTAL ASPECT.

2927. WHEN I FIRST STARTED,

2928. WE WERE DOING FILM,

2929. IT WAS A THRILL.

2930. IT WAS GREAT, YOU KNOW, WE'RE

2931. LUGGING THESE BIG ASS CAMERAS

2932. AROUND SAN FRANCISCO

2933. AND HAVING A FIELD DAY.

2934. NOBODY BOTHERED US, NOBODY

2935. CARED, YOU JUST DID THE MOVIES.

2936. AND THE DRUGS WERE GREAT.

2937. AND VIDEO CAME OUT AND IT WAS—

2938. IT WAS A SMALLER PARTY.

2939. YOU DIDN'T NEED THE CREW

2940. YOU HAD FOR 35 MILLIMETER.

2941. YOU HAD WAY SMALLER CREW, AND

2942. YOU WOULD JUST SORT OF LOAD IT

2943. IN A VAN, SHOW UP AT A LOCATION,

2944. SHOT YOUR FOUR OR FIVE SCENES

2945. AND RAN OUT THE DOOR,

2946. YOU WERE DONE.

2947. AND THE DRUGS WERE OKAY.

2948. AND— AND TOWARD THE END,

2949. IT REALLY JUST GOT, "HOW FAST

2950. CAN YOU CRANK IT OUT AND GET IT

2951. BACK TO ME AND I GOTTA PEDAL

2952. IT..." AND THE DRUGS SUCKED.

2953. IT'S HARD TO SAY WHERE THE

2954. PORN INDUSTRY WILL GO FROM HERE.

2955. THE INTERNET ERA SEEMS TO DEMAND

2956. A RETURN TO THE LOOPS AND

2957. VIGNETTES THAT GAVE BIRTH TO THE

2958. EROTIC FILM IN THE FIRST PLACE.

2959. IT'S A SHAME TO THINK THAT THIS

2960. LIST OF THE GREATEST ADULT

2961. MOVIES MAYBE THE LAST

2962. OF ITS KIND.

2963. BUT THE FUTURE IS HARD TO SEE.

2964. AND MAYBE THE ADULT FEATURE WILL

2965. SURPRISE US WITH ITS LONGEVITY.

2966. I'M CHANEL PRESTON, GOOD NIGHT.

2967. IF THE BRILLIANT SWEDISH

2968. FILMMAKER INGMAR BERGMAN EVER

2969. MADE AN X-RATED MOTION PICTURE,

2970. IT WOULD LOOK EXACTLY LIKE THIS.

2971. "PRISONER OF PARADISE" STARS

2972. SUCH FILM GREATS AS SEKA.

2973. FIBBER.

2974. AMERICAN, I SAID OVER HERE!

2975. FUCK ME!

2976. AMERICAN GIRLS ARE LOVELY

2977. CREATURES.

2978. ILSA, TIE HER UP!

2979. DON'T YOU COME IN ME,

2980. YOU AMERICAN SWINE.

2981. YOU'D NEVER GUESS WHAT THESE

2982. SEXY YOUNG LADIES IN THE

2983. FUNNY-LOOKING UNIFORMS

2984. DO FOR A LIVING.

2985. GARAGE GIRLS, GOOD MORNING.

2986. WATCH AS THESE GORGEOUS

2987. GARAGE GIRLS MIX BUSINESS

2988. AND PLEASURE AS THEY CLIMB

2989. THEIR WAY TO THE TOP.

2990. HERE SHE COMES,

2991. THE INCREDIBLE, VOLUPTUOUS

2992. LESLIE BOVEE IN HER MOST

2993. ELECTRIFYING ROLE AS

2994. "THE SENATOR'S DAUGHTER."

2995. CO-STARRING THE FABULOUS

2996. JOHN HOLMES.

2997. YOU ARE AN EROTIC

2998. FILM STAR NOW LACKING

2999. AN ESSENTIAL MEMBER,

3000. BUT WE CAN REBUILD IT.

3001. "THE SENATOR'S DAUGHTER"

3002. COMING TO THIS THEATER SOON.

3003. I'M STILL SORE HERE FROM WHAT

3004. THE DEVIL DID TO ME.

3005. HE EVEN MADE IT TALK.

3006. IN THIS CASE, CURIOSITY

3007. DIDN'T KILL THE CAT.

3008. DO YOU WANT TO FIND OUT

3009. WHAT LOVE IS ALL ABOUT?

3010. HONEY, I'M ALMOST READY.

3011. I'M GETTING READY.

3012. DON'T MISS

3013. "HERE COMES THE BRIDE."

3014. COMING SOON TO THIS THEATER,

3015. "THE PLEASURE PALACE."

3016. THE NEWEST X-RATED FILM

3017. FROM CARTER STEVENS.

3018. THE MAN WHO GAVE YOU SUCH FILMS

3019. AS "LICKITY-SPLIT", "THE LOVE

3020. COUCH," AND "TEENAGE TWINS."

3021. SUZIE SUPERSTAR.

3022. GOD DAMN IT, YOU KNOW HOW

3023. HORNY I GET WHEN I SING.

3024. FIND OUT WHAT HAPPENS WHEN

3025. TWO SEXY 16-YEAR-OLD GIRLS

3026. TAKE THEIR PARENTS CAR

3027. AND GO AWAY FOR THE WEEKEND.

3028. THIS IS EXCITING.

3029. I'VE NEVER BEEN TO AN ORGY

3030. BEFORE.

3031. NEITHER HAVE I.

3032. WHAT'S AN ORGY?

3033. "NAKED AFTERNOON" IS MORE

3034. THAN EXPLICIT DRAMA.

3035. IT IS THE REAL STORY OF

3036. A GENUINE HONEST-TO-GOD

3037. WOMAN-CHILD.

3038. HOLLYWOOD IN THE 30s

3039. IN A BIG, BRIGHT, AND BUBBLING

3040. BLOCKBUSTER OF A MOVIE.

3041. YOU'VE NEVER SEEN ANYTHING LIKE

3042. "PINK CHAMPAGNE."

3043. YOU GOTTA SEE IT TO BELIEVE IT.