1. Werner Herzog Eats His Shoe
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2. A Film by Les Blank
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3. We look at the TV, we see
that she's ridiculous and destructive.
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4. She kills us. The talk-shows
they kill us, they kill our language.
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5. That is why we must declare
a holy war...
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6. against what we see every day
on TV, commercials and...
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7. I think it should be,
there must be a real war...
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8. against the ads, a
real war on talk shows,
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9. real war on Bonanza
and Rawhide and all that.
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10. In honor of the premiere of "The Doors
of the sky", on Wednesday, April 11
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11. Werner Herzog will eat his shoe.
Live, in the balcony of the UC Theatre.
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12. I'm convinced that cooking is
the only alternative for making films.
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13. Maybe there's another alternative,
to go out for a walk.
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14. Let's put some
of garlic in each.
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15. It's pretty spicy.
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16. I recently discovered that that
He hates me so much because...
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17. when I stopped to think later
a lot of work done,
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18. I realized that in almost a year
I hadn't prepared a meal.
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19. And... a grown man like me, I don't
you should let go...
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20. a week without having
prepared a great meal.
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21. And that's what I hate about it...
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22. then I should
to care more about cooking.
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23. What are you putting in?
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24. Duck fat to soften up.
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25. I think you should put
a little more rosemary.
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26. Yes, it will be tasty... Looks good, doesn't it?
Look here...
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27. - Is that enough?
- Yes. We must put in more water,
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28. and cook for two hours.
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29. So, let's spice up this devilish thing.
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30. And we put this on him.
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31. It must be like a pig's foot,
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32. that... I think it's a little
like shoe leather,
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33. and is served with things
like the beans, the
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34. chilli and onion
sprinkled on top...
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35. and some raw garlic,
and spices like oregano or rosemary.
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36. Yeah, there's a lot of garlic in there
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37. and onion, cumin or chili.
Shall I put salt?
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38. Chili and beans...
Forget the salt, right.
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39. Hey, I want my shoe back!
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40. Shout loudly so I can see.
Scream loudly.
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41. Nice shoe.
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42. - What was...? What is that?
- It's a shoe made of sugar.
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43. It's not licorice, like
Charlie Chaplin's.
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44. Werner said, "I doubt it!
They don't think it's worth it."
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45. "But if you do, I'll come to
Berkeley and eating the shoe...
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46. at the film's premiere."
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47. Emboldened, the next morning,
Errol called me on the phone...
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48. and asked if he had a camera
or knew people with equipment...
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49. because I'd like to shoot something with her
with no money or commercial intentions.
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50. I gave him a name of a very
Well, she went to film, and in two days...
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51. became a director with so much
trust that fired the cameraman...
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52. and then hired another cameraman
who also fired...
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53. and a third one who stayed and little by little
little did it become a movie...
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54. that she showed to the
New York City Festival...
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55. premiered last October
at the New York City Festival.
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56. Then he exhibited it at the Festival
of the London Film Festival, where...
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57. the American Film Magazine
wrote that it was the best film.
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58. Then he showed it in the
Berlin Festival and
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59. recently in the
Los Angeles Festival
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60. and, of course, it's
one of the best
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61. films released by
the decade in America,
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62. so you must stay and see it.
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63. And Werner called on Monday and,
to our surprise and horror...
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64. he said he wanted to eat his shoe.
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65. And here it is. I don't know to what extent
we should let him get on with it.
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66. He cooked his shoe...
and will try to eat it.
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67. I would suggest helping him by cutting it off
in pieces, but...
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68. You can give a warm
welcome to Werner Herzog.
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69. I have no intention of
eat his shoe in public.
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70. My intention was to eat it
in a restaurant...
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71. but I was pushed a little bit,
and to some extent it makes sense...
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72. because it should be an encouragement
for those who want to make films...
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73. and they're too afraid to
to begin with and they don't have the courage.
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74. So you can continue
a good example.
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75. And I think we should also...
I also do this in public because...
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76. I want to help Errol's film,
which is not yet distributed...
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77. and that it should be distributed
by the big studios,
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78. would make me happy.
And that's why I'm here.
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79. And don't worry, because we cooked it
for five hours...
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80. but it's even harder
than before, so I brought...
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81. I brought a pair of bird scissors
and some sharp knives.
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82. You can have the same
experience whenever they want...
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83. so they have to go to a
Kentucky Fried Chicken.
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84. I survived so many... I survived
so many Kentucky Fried Chicken...
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85. that this won't do me any harm.
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86. It's true that you swore to play
about a cactus at the end of...
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87. "Even dwarves are born small"?
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88. That was a different story.
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89. I realized that the danger was when
one of them was hit by a car.
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90. The car ran over
from him and even set himself on fire...
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91. when we wet the flower vases
with gasoline and lit a fire...
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92. it caught fire and I put it out
with my body, I threw myself at it...
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93. and when it went out I said, "I'm going to play
about a cactus if everyone survives."
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94. So I had fun drinking
photos and filming in super-8.
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95. Was he in a lot of pain
jump into the cactus?
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96. No, it wasn't a big deal.
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97. It was a horrible one, with big thorns.
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98. Some of them are still in my knee.
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99. I can't get them out of there, I just
are still there. But they don't hurt.
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100. Werner, you're a man of your word
when promises of self-destruction are made.
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101. No, it's not self-destructive
lie on a cactus.
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102. It was just a way of
have some fun...
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103. to show them that I was aware
of the problems they had...
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104. and giving them a little
of fun in return.
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105. Maybe we can make some
questions as he prepares.
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106. How did Errol get
money to make the film?
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107. It's still a mystery, he borrowed
in every way, he stole...
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108. I don't know how, but
this is one way to do it.
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109. If you want to make a movie,
steals a camera, steals the film...
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110. Invade...
Invade a lab and do it.
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111. It's all good.
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112. Take a bite here.
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113. I don't think I'm gonna eat the soles,
because they're very sticky.
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114. When you eat a chicken,
they leave their bones behind.
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115. Not bad, he's got a
pleasant garlic flavour.
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116. I'll eat another shoe when the
20th Century Fox or Columbia...
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117. or Warner Brothers
distribute the film.
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118. So, we're going to
save the other one.
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119. The position of the U.S. is not known after
of the State of Union Address.
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120. But after seeing this movie,
you'll know.
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121. "It's not a film about
pet cemeteries."
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122. It's a film about a family...
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123. with all its faults, all
his dreams, all the dramas.
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124. It's the only movie
about true love,
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125. the emotions and the
late capitalism...
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126. and perhaps the only authentic film about
the emotional void and the loss of...
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127. distortion of feelings,
the degeneration of feelings.
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128. It's a very, very sad and very pure film,
and a very pure and very mature film.
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129. This guy came and
made his first film...
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130. and yes, it's a
very mature director...
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131. and I really like it a lot.
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132. Scene deleted from "Gates of Heaven"
A film by Errol Morris
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133. The most important trophy
I won in California.
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134. I received a necklace
of $1 bills.
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135. There were about 600
dollars hanging there.
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136. I had no idea I'd won.
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137. I had sold more policies
in that period than in any other...
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138. and represented each policy with a
dollar, so I got a big head start...
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139. but I couldn't walk with him.
I don't dare expose him here.
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140. But it was a beautiful trophy. It took me four
hours to remove the tape from every dollar.
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141. I like Errol Morris.
I knew him when he was a student...
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142. I had seen
some of my films.
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143. I encouraged him to make a movie
because he'd done a lot of things.
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144. He was a cellist and gave up,
abandoned his career as a scientist...
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145. and he was a writer.
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146. It had thousands and thousands of pages
of the most incredible material...
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147. I've ever seen in my life.
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148. But he hadn't finished his books, so
I said, "You're a man...
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149. that I should be making movies,
and you're going to do them now."
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150. And he said, "Well, I don't have any money
and no one's going to give it to me."
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151. I said, "Money doesn't make movies. Just
you have to do it, take the initiative.
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152. I'm going to eat my shoe
if you finish this film."
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153. And now the time has come.
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154. In fact, these are the shoes I had
when I made the promise to Errol.
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155. I had to bring these shoes. I could
come with the running shoes...
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156. but that doesn't make sense,
not as a coward.
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157. Well, I think we should let
Werner eat the rest of his shoe in peace.
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158. Is it getting better or worse?
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159. Better.
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160. - Tear this part off there.
- Yes.
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161. Werner, can you tell us about
the social use of your films?
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162. What is the value of the
films for society?
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163. Do not ask questions that
they're not up to it.
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164. What is society?
I don't know.
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165. I wonder...
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166. since I've been
in contact with the public...
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167. about the value of films.
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168. And I think... I don't know,
provide a "vision".
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169. They don't change people's minds,
do not cause revolutions, do not...
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170. films can modify
our perspective on things,
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171. and ultimately,
in the long run...
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172. can be valuable, but it has
also a lot of nonsense involved.
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173. As you can see,
I became a clown.
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174. That happens to everyone.
Seeing Orson Welles or seeing...
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175. even people like Truffaut
are turning into clowns.
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176. Would it be because of the publicity?
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177. No, because what we do as directors
of cinema is not important...
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178. is just a projection of light,
and doing that all your life...
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179. makes him a clown,
and it's almost an inevitable process.
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180. I feel the same way about photography.
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181. Yeah, it looks a little like this.
It's the work of a magician.
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182. And it's embarrassing to be a filmmaker and
sitting here like this, I mean...
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183. Thank God I don't have to
sitting here for one of my films...
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184. I'm sitting here for
a film made by a friend.
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185. <The day after he ate his shoe.
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186. That doesn't give you an image ethic.
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187. We have no ethics of
the images, our
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188. civilization does not have
ethics of images.
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189. I think our civilization is
doomed, she will die like the dinosaurs...
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190. if no ethics of the
language or an ethics of images.
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191. This is a dramatic situation.
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192. For example, we discovered
that the serious ones
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193. problems encountered
for civilization...
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194. like energy, the environment,
or nuclear power, overpopulation...
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195. but in general they don't understand
that a problem just as big...
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196. is in the absence of adequate images.
And I'm working,
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197. in a new grammar of images.
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198. Errol brought a good example.
He is now a reference point...
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199. and I'm proud of that.
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200. I'm proud of the
and proud of me,
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201. that I pushed him a little bit for this.
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202. So, eating a shoe
it's a stupid act, but it's worth it.
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203. I think sometimes we have to be pretty
stupid enough to do such things.
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204. More shoes, more boots, more garlic.
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205. Translation and Subtitling: Rolf Rüst
Buenos Aires-2011
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