1. PROHIBITED TO CHILDREN UNDER 18
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2. - It's for you.
- Who is it?
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3. Your office. Call Mother afterwards,
to check about the clinic.
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4. I told you, I've done it.
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5. She's misunderstood you, then.
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6. When Roland drives your father
home from the clinic,
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7. it would be nice if they both
died in an accident.
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8. Did he get his brakes repaired?
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9. No, I managed to make him forget.
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10. Seven people were killed
at Evreux junction last Sunday.
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11. That would be Iovely.
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12. Hey, are you nuts?
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13. But what will you do?
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14. I'm not driving back with them.
I'll say I have a cough.
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15. What are you thinking?
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16. Is Roland getting suspicious?
He gives me funny looks at times.
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17. No, I let him screw me sometimes,
so he thinks I love him.
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18. Don't phone here again,
it's dangerous.
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19. The fuss was someone hitting a guy
who'd broken his headlight.
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20. I thought he was dead
for a moment.
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21. Yes, it would have been nice
if it was her.
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22. No, the money first.
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23. I always say that
because I love you.
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24. I've got to be careful,
after the sleeping pills and gas.
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25. She's stupid, but she'll catch on
sooner or Iater.
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26. The main thing is for her dad
to pop off.
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27. When Corinne's got the money
we'll take care of her.
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28. Sure I love you.
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29. You're my splendid bitch,
you know that.
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30. Till Monday, then.
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31. When was it, then?
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32. Tuesday... Tuesday evening
after the swimming pool.
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33. - You said it was two days ago.
- I was wrong.
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34. I know it was Tuesday because
I took the last pill on Wednesday.
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35. Anyway, I wasn't scared about it.
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36. Why should you be?
It wasn't the first time.
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37. Well, it wasn't like a women's
magazine romance.
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38. I don't know... his eyes were
so hard... his mouth, his words...
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39. He started in the Mercedes.
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40. I told him I went for him.
I wanted more than a quick screw.
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41. We ought to meet again somewhere.
Cuddling in cars is dreary.
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42. I said to take me home
and I'd call him in the afternoon.
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43. I wanted to screw,
but I'd rather wait.
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44. What did he say?
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45. He talked about my body,
and how I turned him on...
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46. and how it was vulgar and unkind.
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47. - Did you think of me, too?
- Of course I did.
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48. But he did drive you home.
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49. But we stopped in rue Molitor...
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50. and kissed for a long time
in the parking place.
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51. He had one hand between my Iegs.
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52. The other grasping my neck.
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53. He stayed like that, without moving.
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54. And you?
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55. I didn't move either. I was cold.
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56. He guessed I wanted another drink
so we drove to St. Lazare.
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57. All the cafés were shut.
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58. He Iives in rue Pasquier,
near St. Lazare.
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59. I was tired and very cold.
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60. I realize now I wasn't drunk at all.
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61. I wanted him to screw me then -
anywhere, even in the Iift.
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62. But I didn't say anything.
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63. His shoulder touched one of my breasts
when he shut the Iift door.
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64. - Why?
- It just did.
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65. Monique came and opened the door.
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66. Surprising. I thought she'd gone
to Spain with that designer. You know?
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67. No. I don't know.
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68. We saw them once
in that line at the cinema.
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69. I didn't know she was his wife.
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70. They've only been married
two months.
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71. Well, what then?
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72. Well, she opened the door.
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73. Paul took off his coat and asked
if there was a hot drink.
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74. Monique said there was only whiskey
and some vile red wine.
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75. She started Iaughing.
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76. Paul began to look annoyed.
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77. I burst into Iaughter, too.
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78. He Iooked at us, then said
he'd go and change his clothes.
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79. I went with Monique to her room.
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80. Not bad. There was a fire.
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81. I took off my raincoat.
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82. Monique Iooked at me.
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83. She asked why I seemed
to be shivering...
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84. if I was cold I could undress.
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85. No need to feel embarrassed.
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86. Then she helped me.
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87. To do what?
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88. Take off my skirt and pullover.
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89. I see.
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90. I was in my bra and panties.
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91. I went to the fire.
My back was to her,
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92. but I knew she was watching me.
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93. I asked why she said nothing.
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94. She didn't reply, so I turned around.
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95. She was by the window,
her back to me.
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96. She sensed my gaze. She took off
her dressing gown. She was naked.
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97. She asked if I thought her bottom
was too big. I said no.
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98. She turned around, parted her Iegs
and asked me to describe them.
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99. I said she had white thighs...
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100. and her bush
was a black smudge above them.
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101. She called Paul.
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102. She came up behind me.
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103. Why?
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104. To unhook my bra.
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105. Then Paul came in.
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106. Wearing pajamas, the coat open.
He had a bottle of whiskey.
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107. He made me drink.
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108. Then he told Monique to go on.
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109. What was she doing?
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110. Fondling my breasts.
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111. And then?
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112. Paul stripped off too,
and flaunted his penis for me.
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113. He told Monique to take off
my panties.
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114. He made me kneel and put my head
between Monique's Iegs.
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115. Now my back was turned to Paul.
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116. I remember she was
describing my buttocks...
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117. and he gazed at them
all the time...
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118. then came closer
and fingered them.
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119. The rest of the bottle
was poured over my back.
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120. I felt the Iiquid run between
my buttocks.
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121. Paul knelt and began to Iick my ass.
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122. It wasn't unpleasant.
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123. It was quite wonderful.
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124. I felt Monique's bush against my neck...
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125. her hair mingling with my hair.
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126. While her husband
caressed my buttocks...
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127. she put my hands
on her buttocks...
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128. and she fondled my breasts again.
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129. I felt her buttocks open to receive
my fingers, then close upon them.
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130. And you?
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131. They wanted me to talk about it,
so that my sensations would excite them.
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132. Only Gitanes?
No American cigarettes?
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133. In my jacket.
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134. None left.
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135. - Take a Gitane.
- I can't bear them.
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136. Is that all?
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137. After a while, Paul asked Monique
to change places with me.
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138. She kissed my bush while I helped
Paul screw her from behind.
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139. And that was all?
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140. Then we watched each
other masturbate.
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141. Then Paul cried:
"To the kitchen, pussies!"
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142. - What for?
- I'm telling you.
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143. On the fridge there was
a dish of milk for the cat.
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144. Monique said: "What will you
bet me to sit in the dish?"
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145. "I bet you wouldn't dare," said Paul.
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146. She climbed on the sink,
Ievel with the fridge,
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147. and sat in the dish.
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148. Never taking her eyes off us,
she ordered us to masturbate.
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149. Is that all?
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150. Paul told me to stop
just as I was coming...
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151. and to climb up
on the sink, too...
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152. and kneel in front of Monique.
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153. Then he took an egg from the fridge.
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154. I Iicked Monique's pussy,
in the milk...
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155. and he put an egg
between my buttocks.
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156. When I came the egg broke
and ran down my Iegs.
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157. - Is this true, or a nightmare?
- I don't know.
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158. I adore you, Corinne.
Come and work me up.
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159. 10:00 AM
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160. Hurry up, or the highway
will be jammed.
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161. I'll show you!
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162. Get a move on!
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163. Hey, mister!
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164. - What make is this junker?
- Get lost.
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165. I know what it is.
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166. It's a crapped-out Facel.
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167. As crapped-out as your wife.
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168. A crapped-out Facel!
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169. They've damaged the Dauphine.
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170. What is it?
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171. It's fine.
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172. Mom, they've damaged the Dauphine!
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173. - Particulars must be exchanged.
- I'll kick your particulars!
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174. Mom!
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175. - Want some money? Shut up, then.
- Thanks.
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176. Hey, 8805!
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177. - See what you've done to my car?
- Your car's all right.
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178. The bumper's dented.
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179. Bumpers are made to be bumped.
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180. Just because your father-in-Iaw
owns the building...
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181. Just because you've got a dress
from Chez Dolores...
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182. Give me your details.
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183. Georges!
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184. Give me the paint thing
from the trunk.
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185. Toffee-nosed Iittle bitch!
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186. - I've had enough.
- Stop it.
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187. Stop it, that's enough!
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188. Bastard! Shit-heap! Communist!
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189. 1 1 :00 AM
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190. 1:40 PM
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191. 2:10 PM
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192. The Internationale
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193. Unites the human race...
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194. Go on, then, telephone to Oinville.
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195. If you drove faster,
we wouldn't be late.
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196. I'll drive the way I please.
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197. We must pick up Father from the clinic.
Mother mustn't arrange it.
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198. They're a real drag.
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199. I know, but if Papa dictates
a new will into his tape recorder...
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200. It wouldn't be valid.
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201. Maybe not, but don't risk losing
your winter holiday in Mexico.
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202. Or it'll take forever.
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203. Of course not.
Don't worry, it'll work out.
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204. Then why have we put poison in his
grub every Saturday for five years?
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205. Ring and say the highway's blocked
and we'll be late.
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206. See what happened to that Triumph?
If only it were Papa and Mama.
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207. You bourgeois turd!
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208. You stupid hick!
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209. Parisian bitch!
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210. You killed the man I love!
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211. Why drive so fast?
This isn't St. Tropez.
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212. You can't stand us having money
when you don't, can you?
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213. You can't stand us screwing on
the Riviera, screwing at ski-resorts!
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214. Can't stand us throwing cash around
all year while you can't!
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215. And in spring we go to Greece,
where dirty peasants like you...
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216. are thrown into jail along
with their shitty tractors.
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217. No need to insult my tractor, miss.
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218. I bet you don't even own it.
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219. It belongs to a crooked union
or a crummy cooperative.
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220. Your foreign car!
Stolen, I bet!
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221. The heir to the Robert factories
gave it to me because I screwed him.
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222. You impotent bunch
are incapable of screwing!
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223. The government screws you
and your twat of a tractor!
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224. Without me and my tractor
the French would starve.
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225. Paul is dead!
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226. He had the right of way.
Now he's dead.
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227. Don't you be so sure.
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228. He had the right.
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229. He was handsome, young, rich.
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230. He had the right over fat ones,
poor ones, old ones...
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231. You shouldn't say that.
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232. You wretched great shit heap, you!
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233. You wretched Iittle tart!
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234. Your cut-price tractor!
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235. It cost plenty for someone
who toils with his hands.
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236. And my Triumph? A total loss.
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237. You don't give a damn, do you?
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238. And now he's dead.
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239. You think you can shrug it off,
do you? Well, I say you won't!
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240. Witnesses!
We had right of way, didn't we?
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241. Sorry, but we don't have the time.
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242. You can't just leave like that.
We're all brothers, as Marx said.
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243. You bastards!
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244. Bastards!
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245. Jews! Dirty Jews!
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246. You're disgusting!
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247. Your shortcuts always waste time
and that means money.
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248. Don't bother me.
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249. When did civilization begin?
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250. You're worried about it?
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251. No, it's the Iandscape.
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252. Anyway, I don't understand.
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253. What?
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254. Didn't you hear what he said?
"We're all brothers, as Marx said."
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255. It wasn't Marx.
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256. Another communist said it.
Jesus said it.
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257. Anyway, I agree with you.
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258. I don't care, even if it's true.
These aren't the Middle Ages.
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259. What's the time?
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260. 3:00 PM
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261. 4:00 PM
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262. If I humped your wife and hurt her,
would you call that a scratch?
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263. Run them down.
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264. Will it rain?
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265. Certainly it will.
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266. No, the sun's coming out.
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267. I say it'll rain.
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268. 5:00 PM
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269. Can you give me a Iift?
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270. - Get in.
- Joseph!
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271. - To Mantes Ia Jolie?
- It's the other way.
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272. - Then turn round.
- You're crazy.
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273. Go on!
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274. I said turn round!
Get in, Marie-Madeleine.
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275. Hurry up!
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276. Get a move on!
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277. Stop!
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278. SIowly!
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279. - Get out! Hurry up!
- You're crazy!
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280. Get in, quick!
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281. Be careful!
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282. Help!
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283. Silence! Even God has His police.
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284. Prove it!
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285. Will you shut up?
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286. - Prove it.
- Help!
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287. Shut up!
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288. Will you shut up?
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289. Prove it how?
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290. Well, we're married.
We screw Iegally.
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291. I bet that's not true of you two.
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292. That's it in a nutshell!
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293. Tell me your name, Madame.
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294. Me? Corinne Durand.
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295. Durand's your husband's name.
What's yours?
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296. My maiden name?
Corinne Dupont.
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297. Dupont is your father's name.
What's yours?
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298. I don't know.
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299. You see, you don't even know
who you are.
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300. Christianity is the refusal
of self-knowledge,
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301. the death of Ianguage.
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302. Shut up, I said!
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303. Are you going to keep
your traps shut?
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304. - And what is your name?
- Joseph Balsamo.
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305. Never heard of him.
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306. - Help!
- Will you shut up?
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307. Listen.
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308. I'm not surprised, the way you look:
A Reader's Digest look.
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309. Quiet, please.
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310. You remind me of those who wouldn't
move André Breton when he was dead.
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311. Anyway, I'll explain.
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312. Joseph Balsamo is the son of God
and AIexandre Dumas.
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313. God's an old queer,
as everyone knows.
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314. He screwed Dumas and I'm the result.
I am God.
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315. Yes, I'm God, because I'm Iazy.
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316. That's not true, my love.
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317. - Help!
- Will you...
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318. Will you shut up?
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319. You, too, Marie-Madeleine.
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320. She's nice, but she's not too bright.
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321. Laziness, God...
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322. Look, shut up. Pack it in, will you?
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323. That's enough.
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324. She's nice.
She understands Iaziness.
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325. She understands about God, too.
She obeys me.
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326. What exactly are you up to?
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327. I'm here to inform these Modern Times
of the Grammatical Era's end...
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328. and the beginning of FIamboyance,
especially in cinema.
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329. I've had enough. I'm stopping.
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330. I'll make you a proposition.
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331. Take me to London
and I'll grant your wishes.
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332. Oh, sure, you loser.
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333. Really, just look and see
what's under the dashboard.
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334. Oh, shit, a miracle!
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335. A rabbit.
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336. Anything you wish,
if you'll take me to London.
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337. A big Mercedes sports car?
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338. Yes.
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339. An Yves St. Laurent evening dress?
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340. Yes.
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341. A Miami Beach hotel?
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342. Make me a blonde, a natural blonde.
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343. A squadron of Mirage IVs,
like the yids used to thrash the wogs.
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344. - A weekend with James Bond.
- I'll go for that, too.
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345. Is that all you want?
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346. Yes.
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347. You creeps, I'll give you nothing.
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348. Quick, a miracle, you swindler.
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349. What, for assholes like you?
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350. - That'll do! Get out!
- Out!
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351. Get out!
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352. Out, you whore! I'll make you run!
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353. Bastard!
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354. Dirty Jew! I'll kill you!
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355. Silence!
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356. Vade retro. Go home.
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357. You see, the sun's come out.
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358. Keep right!
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359. Long Iive Anquetil!
Long Iive Poulidor!
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360. My Hermés handbag!
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361. Freedom is violence.
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362. Like crime.
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363. It seems to be the virtue of vice...
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364. Is the knife under the pillow?
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365. fighting against slavery...
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366. desperately.
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367. No, in the shed.
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368. Freedom will kill herself
in the long struggle.
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369. Can the inconsistency of humanity
be conceived?
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370. And the ax?
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371. Can one believe
that man ordered society...
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372. in order to be happy
and reasonable?
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373. Weary of wisdom, more like...
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374. nature's wisdom...
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375. In the shed, too.
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376. he wishes to be unhappy
and witless.
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377. I see nought but constitutions...
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378. steeped in gold, pride and blood...
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379. and nowhere do I see
the sweet humanity...
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380. and equable moderation...
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381. which ought to be the foundation
of the social treaty.
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382. I cry into the void
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383. The social treaty.
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384. I cry into the void
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385. I cry into the void
I call you in the midst of night
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386. Get a move on.
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387. Hello, can you hear me?
Are you having good weather?
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388. Even here, in the rain
I breathe your air again
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389. Here in the phone booth
I'm cooped for all to see
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390. I imagine you in a bar
Looking out across the sea
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391. Hello, can you hear me?
How's Laurent, Jean-Luc and Joelle?
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392. Do they still fish off the islands
At the spot we know so well?
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393. There go the pips again
They tot up every word
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394. I'm doing all the talking
Tell me what news you've heard
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395. Tell me with whom you're dancing
What Iies behind your words?
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396. Hello, can you hear me
Reply. Are your Iips too slack?
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397. Can't you speak any Iouder?
Will you be there if I call back?
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398. I must be ringing off now
People are waiting outside
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399. Although I have been babbling
I've hardly said a word
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400. Hello, can you hear me?
They're getting impatient outside
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401. In this world of dog eats dog
Who cares for a love that's died?
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402. - What are you doing?
- Trying the gears.
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403. Is it a Porsche gearbox?
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404. Get out!
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405. Can you take us
to the nearest garage?
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406. There's only room for your wife,
not you, too.
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407. - I can sit in the back.
- No, you'll clobber my hood.
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408. You'll break it.
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409. Clear off, or I'll smash your face.
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410. You're crazy!
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411. Go on, clear off!
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412. - He's nuts!
- He's mad!
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413. Clear off!
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414. But you said I could go with you.
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415. If you like, but not him.
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416. Roland!
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417. Quick!
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418. - Let me go!
- Wait.
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419. - Go round.
- Let me...
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420. Hold him while I start up.
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421. Help!
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422. - Police!
- Help!
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423. Do you know if there's a garage
nearby?
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424. Is Oinville that way?
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425. All these jerks are dead.
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426. Here's someone.
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427. Hello.
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428. Do you come from around here?
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429. Are you Iocal?
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430. - Are you deaf?
- Are you blind?
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431. Robbed in Los Angeles,
where one trades in dreams...
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432. I concealed the theft, committed
by an immigrant such as I...
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433. a reader of my poems...
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434. as I feared the deed might be
observed by... animals, let us say.
Copy !req
435. - Thank you, Miss Brontë.
- Not at all, love.
Copy !req
436. - Miss...
- Yes, what?
Copy !req
437. Excuse me, but...
Copy !req
438. Which way is Oinville?
Copy !req
439. Poetical information
or physical information?
Copy !req
440. - Which way to Oinville?
- That way or this way?
Copy !req
441. Physics does not yet exist, only
individual physical sciences, maybe.
Copy !req
442. What a rotten film,
all we meet are crazy people.
Copy !req
443. It's your own fault.
Take it or leave it.
Copy !req
444. Yeah, yeah, yeah.
Copy !req
445. Perhaps fate knows everything
and only appears to mishandle things.
Copy !req
446. Hesitatingly, it gives seven years
of happiness, then takes back two.
Copy !req
447. - Thank you, Emily.
- Not at all, love.
Copy !req
448. Miss, please!
Copy !req
449. - What is this?
- A pebble.
Copy !req
450. LEWIS CARROLL'S WAY
Copy !req
451. Poor pebble.
Copy !req
452. Ignored by architecture, sculpture,
mosaic and jewelry.
Copy !req
453. It dates from the beginning of the
planet, perhaps from another star.
Copy !req
454. Warped by space, like the stigmata
of its terrible fall.
Copy !req
455. It predates man. And man has not
embodied it in his art or industry.
Copy !req
456. He did not manufacture it
and thus decide its place.
Copy !req
457. The pebble perpetuates nothing more
than its own memory.
Copy !req
458. Obviously, minerals are neither
independent nor sensitive.
Copy !req
459. That's why it takes much to stir them.
Copy !req
460. The heat of a blowtorch,
for instance, or an electric arc...
Copy !req
461. earthquakes, volcanoes
or eons of time.
Copy !req
462. Which way is Oinville?
Copy !req
463. And I ask you what this is.
Copy !req
464. Grass.
Copy !req
465. No. Poa nemoralis.
Copy !req
466. Where's Oinville?
Copy !req
467. And what is that?
Copy !req
468. Chestnut.
Copy !req
469. No. Castanea sativa.
Copy !req
470. The start of a new day,
in the gray dawn...
Copy !req
471. vultures will take wing
to far shores...
Copy !req
472. flying soundlessly
in the name of order.
Copy !req
473. - Thank you, miss.
- Not at all, love.
Copy !req
474. We've been in an accident,
people are expecting us.
Copy !req
475. And I beg you to help me
solve this problem.
Copy !req
476. What now?
Copy !req
477. One. A kitten which Iikes fish
is a good pupil.
Copy !req
478. Two. No tailless kitten
is ready to play with a gorilla.
Copy !req
479. Three. Kittens with whiskers
always love fish.
Copy !req
480. Four. No kitten fond of study
has green eyes.
Copy !req
481. Five. No kitten with whiskers
has a tail.
Copy !req
482. - What is the answer?
- No idea.
Copy !req
483. And this one.
Copy !req
484. One. No shark doubts
that it is well-armed.
Copy !req
485. Two. A fish that cannot dance
the minuet is worthy of contempt.
Copy !req
486. Three. Without three rows of teeth,
a fish is not assuredly well-armed.
Copy !req
487. Four. All fish except sharks
are kind to children.
Copy !req
488. Five. No corpulent fish
can dance the minuet.
Copy !req
489. Six. A fish with three rows of teeth
is unworthy of contempt.
Copy !req
490. - What's the answer?
- No idea.
Copy !req
491. Miss Emily,
Copy !req
492. cease punishing petty crime
and big crime will die.
Copy !req
493. Ponder that black night,
in this vale of tears and horror...
Copy !req
494. but exterminate
the big thieves today...
Copy !req
495. for it is from them that
the chill and the night come...
Copy !req
496. from them stems
this world of horror.
Copy !req
497. Enough!
Copy !req
498. Be he black or white, I demand
the death of the crocodile, murderer.
Copy !req
499. This isn't a novel, it's a film.
A film is life.
Copy !req
500. Cover the flowers in flame, stroke
their hair, teach them to read...
Copy !req
501. It's rotten of us, isn't it?
Copy !req
502. We have no right to burn
even a philosopher.
Copy !req
503. Can't you see they're only
imaginary characters?
Copy !req
504. - Why is she crying, then?
- No idea.
Copy !req
505. We're Iittle more than that ourselves.
Copy !req
506. I said to myself:
What's the good of talking to them?
Copy !req
507. If they buy knowledge,
it's only to resell it.
Copy !req
508. They want knowledge
to sell at a profit.
Copy !req
509. They want nothing which would
stand in the way of their victory.
Copy !req
510. They don't want to be oppressed,
they want to oppress.
Copy !req
511. They don't want progress,
they want to be first.
Copy !req
512. They'll submit to anyone
who promises they can make the laws.
Copy !req
513. I wondered what I could say of them.
I decided it was that.
Copy !req
514. IN THE 100 YEARS WAR
Copy !req
515. - We know nothing.
- Yes.
Copy !req
516. We're totally ignorant of ourselves.
Copy !req
517. We're totally ignorant
of what this worm is.
Copy !req
518. We're both enigmas.
Copy !req
519. Anyone who denies it
is the most ignorant of all.
Copy !req
520. Look, trousers by Eddy!
Copy !req
521. - How many days has it been now?
- Today's Thursday.
Copy !req
522. Your old man must have died by now.
Copy !req
523. Monday at the Iatest.
Copy !req
524. Your mother will be furious with us.
Copy !req
525. It's too bad, not fair.
Copy !req
526. I bet the old bitch has altered his will.
She won't share now.
Copy !req
527. A Iittle torture will change her mind.
Copy !req
528. I remember a few tricks from
when I was a Iieutenant in AIgeria.
Copy !req
529. Isn't that a truck coming?
Copy !req
530. Quick, off with those trousers
and Iie down in the road!
Copy !req
531. Raise your knees!
Open them wide, you fool!
Copy !req
532. Are you going towards Oinville?
Copy !req
533. Well?
Copy !req
534. He needs help with his concert.
His helper's run off with some chick.
Copy !req
535. There's two sorts of music:
Music you listen to and music you don't.
Copy !req
536. Mozart you listen to.
Just imagine all the royalties...
Copy !req
537. the poor man would get nowadays.
Copy !req
538. Music you don't listen to is what's
called modern "serious" music.
Copy !req
539. No one goes to the concerts.
Copy !req
540. Real modern music, paradoxically...
Copy !req
541. is based on Mozart's harmonies.
Copy !req
542. You hear bits of Mozart...
Copy !req
543. in Dario Moreno, the Beatles,
the Rolling Stones or whatever.
Copy !req
544. Fundamentally Mozart's harmonies.
Copy !req
545. Modern "serious" music
Iooked for others,
Copy !req
546. resulting in what is probably
the biggest disaster in the history of art.
Copy !req
547. I'll continue the sonata,
as all this bores you.
Copy !req
548. No, it's best to start again.
Copy !req
549. Not bad.
Copy !req
550. Extraordinary grace, isn't it?
Just think, when the poor man died...
Copy !req
551. he was dumped into
a pauper's grave, like a dog.
Copy !req
552. How sad, when you think
of such melodic tenderness.
Copy !req
553. Do remember that all Vienna
attended his funeral, happily.
Copy !req
554. A snowstorm drove them off, though.
They were a pack of dogs. Unfeeling.
Copy !req
555. Forgive me.
Copy !req
556. Where had I got to, my dear?
No, not there. You ought to know.
Copy !req
557. That's it.
Copy !req
558. Not bad.
Copy !req
559. Don't think I play well, I'm no good.
Copy !req
560. If you could have heard Schnabel.
He was my master. He's dead now.
Copy !req
561. He was a pianist, I'm just crap.
Copy !req
562. You must excuse me
playing like a pig.
Copy !req
563. If only you'd heard him...
Copy !req
564. his extraordinary tone.
Copy !req
565. He rarely tackled Mozart,
because he used to say:
Copy !req
566. Mozart's too easy for beginners
and children, too hard for virtuosi.
Copy !req
567. Shit! It's this damn cigar
that's making me play wrong notes.
Copy !req
568. Now...
Copy !req
569. A WEEK OF 4 THURSDAYS
Copy !req
570. Straight ahead.
Copy !req
571. Good-bye. Thanks.
Copy !req
572. Your turn.
Copy !req
573. What's this lot doing?
Copy !req
574. They're the Italian actors
in the coproduction.
Copy !req
575. I've had it.
Copy !req
576. Come on.
Copy !req
577. Are you coming?
Copy !req
578. I've had enough.
Copy !req
579. Are you in a film or in reality?
Copy !req
580. - In a film.
- In a film? You Iie too much.
Copy !req
581. Bastard!
Copy !req
582. We'll find the way in the end.
Copy !req
583. I've had enough,
I'm going to sleep or I'll die.
Copy !req
584. Die, then!
Copy !req
585. - Got a Iight?
- No.
Copy !req
586. - There's a chick over there.
- What of it?
Copy !req
587. Is she your chick?
Copy !req
588. No! Ouch!
Copy !req
589. Help!
Copy !req
590. Are you going towards Oinville?
Copy !req
591. Would you rather be screwed
by Mao or Johnson?
Copy !req
592. Johnson, of course.
Copy !req
593. Drive on, Jean. He's a Fascist.
Copy !req
594. BIoody hell!
Copy !req
595. To Oinville?
Copy !req
596. - Who struck first: Israel or Egypt?
- The bloody Egyptians!
Copy !req
597. Pathetic ignoramus.
Copy !req
598. Let's go.
Copy !req
599. Your turn.
Copy !req
600. 1, 2, 3, 4,
Copy !req
601. 5, 6, 7, 8, 9, 10.
Copy !req
602. Your turn.
Copy !req
603. 1, 2, 3, 4, 5, 6, 7, 8, 9, 1 0...
Copy !req
604. - To Oinville?
- Yes, jump on.
Copy !req
605. - Shit!
- Careful! Out of the way.
Copy !req
606. Just one mouthful.
Copy !req
607. A Iittle bit more.
Copy !req
608. That piece exactly corresponds
Copy !req
609. to the fraction of the USA Budget
given to the Congo.
Copy !req
610. Roland, help me.
Copy !req
611. Sir, I'm hungry.
Copy !req
612. Kiss me.
Copy !req
613. Kiss me!
Copy !req
614. Pack it up!
Copy !req
615. I'm applying the Iaw that the big
oil companies apply to AIgeria.
Copy !req
616. What Iaw?
Copy !req
617. The Iaw of a kiss
and a kick in the ass.
Copy !req
618. WORLD 3
Copy !req
619. No need to be nasty.
Copy !req
620. My black brother
will tell you my thoughts.
Copy !req
621. The optimism reigning today in Africa
Copy !req
622. is not inspired by natural forces
benefiting Africans.
Copy !req
623. Nor because the old oppressor
is behaving less inhumanely
Copy !req
624. and more benevolently.
Copy !req
625. The optimism is the direct result
of revolutionary action,
Copy !req
626. political and or military,
by the African masses.
Copy !req
627. Recently, a Iarge section of humanity
Copy !req
628. was shaken to the core
by the outbreak of an ideology,
Copy !req
629. Nazism, bringing a resurgence
of torture and genocide
Copy !req
630. from the distant past.
Copy !req
631. The countries most immediately
threatened by Nazism
Copy !req
632. formed an alliance and pledged
to liberate occupied territory
Copy !req
633. and to break the back of Nazism:
Copy !req
634. to destroy the evil at its very source
Copy !req
635. and liquidate all such regimes.
Copy !req
636. Africans must remember
Copy !req
637. that they also suffered
a form of Nazism,
Copy !req
638. exploitation, physical
and spiritual Iiquidation
Copy !req
639. deliberately executed.
Copy !req
640. They must see its French, English,
South African manifestations...
Copy !req
641. and be just as ready to confront it
Copy !req
642. throughout all of Africa.
Copy !req
643. We Africans declare
that for over a century,
Copy !req
644. two hundred million Africans' Iives
have been held cheap,
Copy !req
645. denied, perpetually haunted by death.
Copy !req
646. We must not trust in the goodwill
of the imperialists.
Copy !req
647. We must arm ourselves
with resolution and militancy.
Copy !req
648. Material development of material
resources will not Iiberate Africa.
Copy !req
649. It is the African's hand and brain
which will set in motion
Copy !req
650. the dialectic
of the continent's Iiberation.
Copy !req
651. Given those conditions, we may
allow ourselves to be optimistic.
Copy !req
652. My Arab brother
Copy !req
653. will speak for me.
Copy !req
654. Now that our hour of Iiberation
is at hand, you scrape the barrel
Copy !req
655. hoping to find non-violent, pacific men,
Copy !req
656. men hardened by suffering,
yet willing to pardon the outrage.
Copy !req
657. That is not what I seek.
Copy !req
658. I say a black's freedom
is as valuable as a white's freedom.
Copy !req
659. I say that to gain his freedom,
a black has the right
Copy !req
660. to do everything that other men
have done to win their freedom.
Copy !req
661. I say that you and I
won't win our freedom
Copy !req
662. by non-violence, patience and love.
Copy !req
663. We won't win it
until we make everyone realize
Copy !req
664. that it is our right
to follow the example
Copy !req
665. of all who, to win their freedom,
sacrificed their Iives
Copy !req
666. and took the life of others
Copy !req
667. and that we are ready
to follow their example.
Copy !req
668. We blacks are at war
with America and its friends.
Copy !req
669. But we can't actually fight them
Copy !req
670. because we haven't enough arms
or the knowledge to use them.
Copy !req
671. Furthermore, we are fewer in number.
Copy !req
672. We have chosen guerrilla
warfare perforce.
Copy !req
673. It is an advantageous tactic
and easy to conduct.
Copy !req
674. We work at strategic points:
factories, farms, homes of whites.
Copy !req
675. It is easy for us to sabotage and
destroy, often without firing a shot.
Copy !req
676. We can destroy telephone lines,
railways, airfields,
Copy !req
677. electric and electronic installations.
Copy !req
678. Western communities
Copy !req
679. depend on electronic systems.
Copy !req
680. They're paralyzed without them.
Copy !req
681. Town by town we will bring
the West to its knees,
Copy !req
682. ruin it economically.
Copy !req
683. We will also undertake
bloody acts of sabotage.
Copy !req
684. It is not by accident that Viet-Cong
guerrilla warfare impresses us.
Copy !req
685. Our black brothers fighting
in Vietnam for white America
Copy !req
686. are gaining priceless lessons
in modern guerrilla techniques.
Copy !req
687. They'll be useful
when they come back to our midst.
Copy !req
688. Not only as fearless soldiers,
but as guerrilla teachers.
Copy !req
689. Of course, weapons are essential
for bloody acts of sabotage.
Copy !req
690. But all blacks have at home
a rifle or a revolver at least,
Copy !req
691. and Molotov cocktails
are easy to make.
Copy !req
692. Anyway, we have the means
of acquiring weapons.
Copy !req
693. I'll say that,
but I'll give no details.
Copy !req
694. Civilization means belonging
to a class society,
Copy !req
695. a reality of contradictions.
Copy !req
696. The development of production
is Iinked to the exploitation
Copy !req
697. of man by man.
Copy !req
698. SIavery, serfdom, wage-
Copy !req
699. these are the forms of servitude
characterizing civilization's epochs.
Copy !req
700. Engels observed the steps
leading to a class society
Copy !req
701. and inter-class relations
Copy !req
702. as beginning with the Greeks
Copy !req
703. and ending in industrial capitalism.
Copy !req
704. When the three elements,
Copy !req
705. private property,
monogamy and the state
Copy !req
706. were combined in one society,
Copy !req
707. it passed from barbarism to civilization
Copy !req
708. and from a classless society
to a class society.
Copy !req
709. To be precise: Morgan,
whom Engels drew upon,
Copy !req
710. said man moved from advanced
savagery to primitive barbarism
Copy !req
711. when clan developed into tribe.
Copy !req
712. Mankind advances
from primitive barbarism
Copy !req
713. when individual tribes
form a confederation of tribes.
Copy !req
714. It achieves the highest stage
of barbarism
Copy !req
715. moving from tribal federation
to military democracy.
Copy !req
716. In its "heroic" age
Copy !req
717. on the threshold of civilization,
of a class society,
Copy !req
718. mankind finds itself organized
in a military democracy.
Copy !req
719. As with Greece of the heroes,
Rome of the "Kings"
Copy !req
720. was a military democracy which
had developed from the gentes,
Copy !req
721. phratries and tribes.
Copy !req
722. Even though the patrician nobility
had gained some ground,
Copy !req
723. even if the administrators
were slowly gaining privileges,
Copy !req
724. the fundamental constitutional
character was unchanged.
Copy !req
725. The Greeks passed from tribe,
to confederation,
Copy !req
726. to military democracy.
Copy !req
727. To understand this evolution,
one must understand its origin.
Copy !req
728. The gens.
Copy !req
729. Engels, after Morgan,
Copy !req
730. assumed the American gens
to be the original form
Copy !req
731. and the Greco-Roman form
to be a derivation.
Copy !req
732. He assumed that the lroquois gens,
and particularly the Seneca gens,
Copy !req
733. to be the classic form
of this primitive gens.
Copy !req
734. By the 19th century, the lroquois
had evolved a tribal confederation.
Copy !req
735. Thus the Iroquois clarified
the early history of the West.
Copy !req
736. However, according to Morgan
and Engels, it was not the lroquois
Copy !req
737. who represented the most advanced
organization of American Indians.
Copy !req
738. The great pre-Columbian civilizations,
Copy !req
739. lnca, Maya, Aztec,
Copy !req
740. had ended their independent history,
Copy !req
741. had paralleled the Greeks
at the end of their heroic age
Copy !req
742. and were about to change
into class societies.
Copy !req
743. Shit, stop!
Copy !req
744. Hurry up.
Copy !req
745. - Oinville! Now for a bath!
- Me first!
Copy !req
746. It wasn't our fault we weren't here
when your father died.
Copy !req
747. - What exactly did she say?
- She won't split it fifty-fifty now.
Copy !req
748. All that for nothing.
Copy !req
749. - What's this book?
- It was Ioaned to me.
Copy !req
750. "The hippopotamus Iived on land,
but he went to the Lord of Animals
Copy !req
751. and asked to be allowed
to Iive in water."
Copy !req
752. She's not getting away with it.
Copy !req
753. "The Lord refused
and the hippopotamus asked why.
Copy !req
754. 'Because you are a monstrous
creature,' the Lord replied."
Copy !req
755. - I'll sort her out.
- "'You'll eat all the fish.'
Copy !req
756. 'I swear I won't eat one fish,'
the hippopotamus replied.
Copy !req
757. 'Who'd believe that of such
a monster?' replied the Lord."
Copy !req
758. It just won't do, Roland.
Copy !req
759. "The hippopotamus thought it over,
then said:
Copy !req
760. 'I'll offer a deal.
Copy !req
761. Let me Iive in the water.
Whenever I shit,
Copy !req
762. I'll fan it out with my tail
to show there are no fish bones.'
Copy !req
763. The Lord considered
the deal fair enough
Copy !req
764. and the hippopotamus was
granted his days in the water."
Copy !req
765. Corinne, Roland, hurry up!
Copy !req
766. "The hippopotamus
is quite different by day.
Copy !req
767. Night cloaks its ugliness,
its bulging eyes,
Copy !req
768. enormous mouth, misshapen body,
Copy !req
769. tiny legs and ridiculous tail.
Copy !req
770. Maybe it's the acme of beauty
to a hippopotamus."
Copy !req
771. "The hippopotamus is not only
the ugliest creature in history,
Copy !req
772. but also a paragon of stupidity.
Copy !req
773. I would not have expounded
so long on the subject
Copy !req
774. if not for the fact that his
acceptance of collective life
Copy !req
775. constitutes
his most abject characteristic."
Copy !req
776. - Roland, we must do something.
- "We must, we must, we must"!
Copy !req
777. - Where are you going?
- To get a rabbit from Mr. FIaubert.
Copy !req
778. - Sixty-forty.
- Out of the question.
Copy !req
779. - Seventy-thirty.
- Out of the question.
Copy !req
780. - Eighty-twenty.
- Out of the question.
Copy !req
781. Be reasonable! Ninety-ten.
Copy !req
782. Impossible!
We'd only get four million.
Copy !req
783. Right, that's it!
Copy !req
784. Hurry up!
Copy !req
785. - What shall we do?
- There's the Doctor Petiot method.
Copy !req
786. No, the neighbors
would see the smoke.
Copy !req
787. The Doctor Tar
and Professor Feather method.
Copy !req
788. Put her in the trunk of the car.
Copy !req
789. We'll find an accident
on the way back.
Copy !req
790. And make it look like
the car was involved.
Copy !req
791. And set fire to the bunch.
Copy !req
792. Brilliant.
Copy !req
793. - The perfect crime.
- Happy ever after.
Copy !req
794. With all the millions.
Copy !req
795. - I love you.
- I love you, too.
Copy !req
796. I've doused it in gas.
Copy !req
797. I'll set fire to it.
Copy !req
798. Wait for me, you bastard!
Copy !req
799. Same to you!
Copy !req
800. Is this the road to Versailles?
Copy !req
801. What's going on?
Copy !req
802. Quiet!
Copy !req
803. Get up!
Copy !req
804. Yves, the car! CIaude, the food!
Copy !req
805. Shut it, grandpa!
Copy !req
806. Lie down over there.
Copy !req
807. Get down.
Copy !req
808. The fat guy Iie down,
the young girl, too!
Copy !req
809. The pretty one and you two, over there!
Lie down, grandpa!
Copy !req
810. - Shut up!
- Quiet!
Copy !req
811. There's nothing you can do.
Copy !req
812. Shut up!
Copy !req
813. - Stay there.
- You've got a nerve!
Copy !req
814. Everybody be quiet!
Copy !req
815. Miss...
Copy !req
816. Hurry up, Yves!
Copy !req
817. - She's setting Iight to it!
- Lie down.
Copy !req
818. Lie down!
Copy !req
819. - My car!
- Lie down!
Copy !req
820. Lie down!
Copy !req
821. Grandpa, Iie down!
Copy !req
822. - What do you want?
- It's burning!
Copy !req
823. Get moving!
Copy !req
824. What's the hurry?
Copy !req
825. Get moving, I said!
Copy !req
826. Hurry up!
Copy !req
827. - Pretty Iittle spot.
- Quiet!
Copy !req
828. - We've got money, I tell you.
- Quiet.
Copy !req
829. Listen, will you?
Copy !req
830. Are you crazy? I've got fifty million
in the bank, I tell you!
Copy !req
831. Come with us
and we'll give you half.
Copy !req
832. Found it, then?
Copy !req
833. Thanks.
Copy !req
834. - Louis!
- What are you doing here, Gérald?
Copy !req
835. Shut up!
Copy !req
836. Valérie!
Copy !req
837. - Who's that?
- A friend.
Copy !req
838. We fought in Ethiopia together.
Copy !req
839. - What have we?
- Two middle-aged, one girl.
Copy !req
840. Let me see.
Copy !req
841. Try that one.
Copy !req
842. That's for Ernest.
Copy !req
843. Have the others sit down.
Copy !req
844. You can screw her
before eating her, if you like.
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845. Battleship Potemkin
calling The Searchers.
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846. Over.
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847. Do you read me?
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848. This is The Searchers.
I hear you, Battleship Potemkin.
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849. This is The Searchers.
Battleship Potemkin. Over.
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850. It was under
the Trocadero Bridge in 1964.
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851. It was terribly cold, you remember?
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852. The famous winter of 1964.
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853. AIphonsine's hands were so cold.
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854. She'd grabbed my prick to warm them
and she was wanking me.
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855. It was so cold,
everything was frozen.
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856. AIphonsine said:
"What a huge prick you've got!"
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857. "You fool, I'm shitting," I said.
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858. The sweater.
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859. Okay!
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860. The skirt.
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861. Hurry up!
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862. On your knees.
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863. The bra.
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864. The panties.
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865. It's ready.
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866. Lie down.
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867. Go on.
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868. The fish.
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869. They're going.
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870. Go in 30 seconds.
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871. Ernest?
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872. - Quick!
- Come on.
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873. - Why disembowel him?
- It's best that way!
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874. It's horrible.
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875. The horror of the bourgeoisie
can only be overcome with more horror.
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876. Hurry up!
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877. My money!
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878. - All right, Miss Gide?
- Fine.
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879. A touch of black would be nice, too.
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880. A Iittle orange.
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881. Johnny Guitar calling Gösta Berling.
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882. Johnny Guitar calling Gösta Berling.
Come in, Gösta Berling.
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883. This is Gösta Berling.
I hear you, Johnny Guitar. Over.
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884. I intend
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885. to declaim
in an unemotional voice
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886. the following solemn, cold Iines.
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887. Listen carefully to them,
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888. prepared for the painful effect
they must have
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889. on your troubled imaginations.
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890. Do not believe that I am
on the point of death,
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891. for age is not yet branded
on my brow.
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892. Spurn any comparison
with the dying swan
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893. when its spirit flees
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894. and see me only as a monster
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895. whose face is happily unseen,
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896. though it is less horrible
than its soul.
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897. However, I am not a criminal.
Enough said.
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898. Ancient ocean! At first sight of you
a deep sigh of sadness
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899. like your sweet zephyrs
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900. ruffles the troubled soul,
leaving indelible traces.
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901. Your admirers remember,
sometimes unwittingly,
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902. man's rude awakening to the pain
which has never since left him.
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903. Greetings, ancient ocean!
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904. I suppose man believes in his beauty
only because he is vain
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905. and he suspects
that he isn't really beautiful.
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906. Otherwise, why should he be
so contemptuous of a face like his?
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907. Greetings, ancient ocean!
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908. Ocean, often I have asked myself
which is the easier to divine:
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909. the depth of the ocean
or the depth of the human heart.
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910. I may say that despite
the depth of the ocean,
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911. it cannot be compared
in this respect with the depth
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912. of the human heart.
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913. Psychology has much to learn.
Greetings, ancient ocean!
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914. Ancient ocean!
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915. From your dark, mysterious depths
you pulse your waves
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916. with all the coolness
of your eternal power.
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917. Your moral grandeur,
a reflection of infinity,
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918. is as immense as philosophy's
reflections, like love of women,
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919. like the divine beauty of a bird.
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920. Tell me, ancient ocean,
will you be my brother?
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921. Ignorant of your secret destiny,
everything about you interests me.
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922. Are you the abode
of the Prince of Darkness?
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923. Tell me, ocean. You must tell me,
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924. for I shall rejoice to know
that hell is so close to men.
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925. So once more I wish to greet you,
and bid my farewell.
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926. Ancient ocean, I Iack the power
to continue. It is the moment
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927. to return to the brutal land of men.
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928. Let us make a supreme effort
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929. and, conscious of our duty,
fulfill our destiny on this earth.
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930. Greetings, ancient ocean.
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931. All right?
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932. Yes!
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933. - Please...
- Shut up!
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934. - Let me stay with you.
- Too late.
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935. Isabelle!
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936. Don't wait for me.
Good-bye, Valérie.
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937. Good-bye, Isabelle.
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938. How happy I'd be if you knew
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939. You, who I'm leaving tonight
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940. That though it seems
everything's through
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941. To others it seems it's all right
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942. A smile, though the heart may be torn
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943. Pretend that it's not past mending
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944. Write the last word, so forlorn
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945. Just a novel with an unhappy ending
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946. When your foot slips on a frog,
you have a feeling of disgust.
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947. But if you even Iightly graze
a human body, your fingers fragment
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948. like scales of mica
beneath hammer-blows.
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949. Really?
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950. And just as a shark's heart beats
for an hour after death,
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951. so our guts throb
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952. long after making love.
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953. Why? I don't understand.
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954. Because of man's immense horror
of his fellows.
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955. Perhaps I may be wrong in this,
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956. but perhaps I am right.
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957. There must be a malady more terrible
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958. than the swelling of eyes after
contemplating man's odd nature,
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959. but I still seek it.
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960. Well, Ernest?
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961. - Not bad.
- Yes.
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962. A mixture of pig and the Ieftovers
of the English tourists.
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963. - Those from the Rolls?
- Yes.
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964. There must be
a bit of your husband, too.
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965. I'll have a bit more Iater, Ernest.
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966. THE END
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