1. Civic TV...
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2. the one you take to bed with you.
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3. Max, it's that time again:
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4. time to slowly, painfully
ease yourself back into consciousness.
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5. No, I'm not a dream...
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6. although I've been told
I'm a vision of loveliness.
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7. - Who told you that?
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8. I'm nothing less than
your faithful Girl Friday, Bridey James...
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9. here with your wake-up call of today,
which is Wednesday the 23rd.
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10. You got that?
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11. Wednesday the 23rd.
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12. And I have a message.
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13. Remember your meeting this morning at 6:30...
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14. with Shinji Kuraki of Ηiroshima Video.
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15. This meeting is to take place...
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16. at the Classic Ηotel, suite 17.
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17. And needless to say,
it's your first of the day.
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18. Don't you know anyone
who works 9:00 to 5:00?
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19. Over and out, Commander.
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20. Civic TV,
the one you take to bed with you.
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21. - Cindy, open the door, will ya?
- Go away.
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22. Come on. You know I love ya.
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23. - Get outta here!
- Will you open the door?
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24. For fuck's sake, open the door!
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25. - I want you out of this place!
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26. For fuck's sake, open the door!
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27. You just gotta open
the fucking door!
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28. Well, I looked over the stills.
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29. I am interested a little bit.
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30. - How many shows you got?
- Thirteen.
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31. With a possibility of another six
if the sales go well.
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32. - You got cassettes?
- Of course.
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33. No, hold it.
Uh, show me the last one.
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34. - Number 13.
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35. But you won't understand anything.
Everything is set up in the first two.
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36. My audience ain't gonna see
the first two shows. Show me the last one.
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37. What do you think?
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38. Can we get away with it?
Do we wanna get away with it?
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39. I think Oriental sex is a natural.
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40. I think it'll get us an audience
we've never had before.
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41. I don't like it.
It's not tacky enough.
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42. - Not tacky enough for what?
- Tacky enough to turn me on.
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43. Too much class. Bad for sex.
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44. Maybe.
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45. I don't know.
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46. It's soft.
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47. Something too...
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48. soft about it.
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49. I'm lookin' for something that'll
break through, you know? Something...
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50. tough.
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51. Hey, Harlan, uh - Huh?
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52. Oh. Okay.
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53. Here we go.
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54. Now, it'll come through on that.
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55. Now, we only got about 53 seconds,
so keep your eyes open.
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56. They've got an unscrambler scrambler,
if you know what I mean.
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57. It sensed that we were unscrambling...
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58. and, uh, automatically
changed its code on us.
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59. What satellite is it coming from?
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60. - Snooker, I think.
- Country of origin?
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61. Uh, let me see. Uh -
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62. Assuming 53 seconds
represents the period of delay...
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63. I'd say somewhere, uh...
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64. in Malaysia?
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65. - Okay, here we go.
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66. This is it.
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67. What is that wall behind her?
What is that, clay?
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68. - Yeah. Wet clay.
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69. I think it's electrified.
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70. - That's it?
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71. That's it.
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72. - Grotesque, as promised.
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73. Okay. Can you hang a search on it
next time it -
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74. Already workin' on it.
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75. I was pretty insulted when it just
shrugged us off in less than a minute.
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76. Well, patrón, interested?
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77. Yeah. Harlan, can you do something
about these labels?
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78. I mean, uh, this is supposed to be
a clandestine operation, you know?
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79. Sí, patrón.
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80. You always find yourself
getting nervous...
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81. even if you've been doing it
all your life, don't you think?
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82. Oh, yeah. Oh, for sure.
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83. - Course, that's part of the excitement of it.
- Mm-hmm.
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84. Want a smoke?
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85. No, thanks.
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86. - Max, just relax.
- Okay.
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87. And now here it is: The Rena King Show.
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88. And this afternoon,
Rena's guests are Max Renn...
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89. controversial president of Channel 83,
radio personality Nicki Brand...
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90. and media prophet
Professor Brian O'Blivion.
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91. Take it away, Rena.
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92. - Max Renn...
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93. your television station
offers its viewers...
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94. everything
from soft-core pornography...
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95. to hard-core violence.
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96. - Why?
- Well, it's a matter of economics, Rena.
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97. We're, uh, small.
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98. In order to survive, we have to give people
something they can't get anywhere else...
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99. and, uh - and we do that.
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100. But don't you feel
such shows contribute...
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101. to a social climate of violence
and sexual malaise?
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102. - And do you care?
- Certainly, I care.
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103. I care enough, in fact,
to give my viewers a -
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104. a harmless outlet for their fantasies
and their frustrations.
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105. As far as I'm concerned,
that's a socially positive act.
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106. What about it, Nicki?
Is it socially positive?
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107. Well, I think we live
in over stimulated times.
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108. We crave stimulation
for its own sake.
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109. We gorge ourselves on it.
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110. We always want more, whether
it's tactile, emotional or sexual...
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111. and I think that's bad.
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112. Then why did you wear that dress?
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113. - Sorry?
- That dress.
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114. It's very stimulating, and - and it's red.
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115. You know what Freud would
have said about that dress.
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116. And he would've been right.
I admit it.
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117. I live in a highly excited
state of overstimulation.
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118. Listen, I'd really like to take you
out to dinner tonight.
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119. - Professor O'Blivion.
- What do you think?
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120. Do you think erotic TV shows
and violent TV shows...
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121. lead to desensitization...
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122. to dehumanization?
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123. The television screen has become
the retina of the mind's eye.
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124. - Yes.
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125. That's why I refuse
to appear on television...
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126. except on television.
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127. Of course, O'Blivion is not
the name I was born with.
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128. That's my television name.
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129. Soon all of us
will have special names...
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130. names designed to cause
the cathode ray tube to resonate.
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131. - Yes.
- Yes, I am. Very interested.
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132. Nicki, is Max Renn
a menace to society?
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133. I'm not sure.
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134. He's certainly a menace to me.
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135. When does the plot,
uh, start to unravel here?
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136. I mean, who is this black guy?
Is he a political prisoner?
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137. - There's no plot.
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138. It just goes on like that for an hour.
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139. - Goes on like what?
- Like that.
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140. - Torture, murder...
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141. mutilation.
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142. - We never leave that room?
- Nope.
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143. - It's a real sicko.
- Brilliant.
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144. - For perverts only.
- It's absolutely brilliant.
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145. I mean, look, there's almost
no production costs.
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146. You can't take your eyes off it.
It's incredibly realistic.
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147. Where do they get actors
who can do this?
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148. - Oh, help me. I think he wants it.
- Come on.
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149. It's worth checking out.
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150. Did you have any trouble
locking onto it this time?
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151. Not after I realized
the Malaysia delay was a plant.
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152. - It's not coming from Malaysia?
- You can't fool the Prince of Pirates for long.
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153. Har - Harlan,
where is it coming from?
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154. Pittsburgh.
That's in the U.S.A.
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155. Pittsburgh?
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156. - Pittsburgh.
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157. Get professional help.
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158. But it's not me. It's my sister.
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159. It's not your sister.
It's you, lover.
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160. Can't you tell?
Isn't that why you called me?
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161. You want help.
You need help.
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162. You're going insane. I can hear you
disintegrating while you talk to me.
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163. - I've got your number, haven't I?
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164. I hate my sister.
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165. I don't want to.
It's ripping me up inside.
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166. But I do. I do.
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167. - Will you call our Distress Center?
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168. Will you call
the CRAM Distress Center?
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169. They'll tell you where
to get help, lover.
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170. And you need it.
You need it now.
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171. I will. I will.
Oh, thank you, Nicki.
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172. We'll return to Nicki Brand...
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173. and the Emotional Rescue show
in just a moment.
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174. This is CRAM in Toronto,
and we've got the weather for you.
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175. - Got any porno?
- You serious?
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176. Yeah.
Gets me in the mood.
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177. What's this? "Videodrome. "
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178. - Torture, murder.
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179. Sounds great.
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180. Ain't exactly sex.
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181. Says who?
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182. - God, I can't believe it.
- I'll turn it off.
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183. No, no, no. It's okay.
I can take it.
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184. Can you get it any clearer?
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185. It's a pirate tape.
They scramble it.
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186. - I like it.
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187. - Yeah?
- Yeah, it turns me on.
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188. Take out your Swiss Army knife
and cut me here...
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189. just - just a little.
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190. Looks like somebody's
beat me to it.
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191. I wonder how you get
to be a contestant on this show.
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192. I don't know. Nobody ever
seems to come back next week.
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193. What did you say happened
to your shoulder?
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194. A friend.
I think he'd like Videodrome.
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195. - You let somebody cut you?
- Uh-huh.
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196. - What do you think?
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197. Well, I-I don't know.
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198. You wanna try a few things?
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199. Oh.
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200. Max, thank God. Masha Borowczyk
has been in your office for an hour.
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201. - Masha.
- What were you doing last night?
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202. - Didn't you get my message?
- I don't think I'm ready for this.
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203. - Coffee. Cigarette. Office. Masha. Go.
- All right. Masha.
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204. - She's hot to trot.
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205. I call it...
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206. Apollo and Dionysus.
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207. Masha, does it ever get good?
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208. It's all good.
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209. - Darling...
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210. I am looking
for something a lot more...
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211. contemporary.
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212. I want something that's gonna show people
what's really goin' on under the sheets.
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213. This stuff is too - It's too naïve.
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214. It's too sweet, like you, darling.
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215. Well, it's your market.
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216. Do you know a show
called Videodrome?
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217. - Video-what?
- D-R-O-M-E.
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218. Videodrome,
like video circus, video arena.
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219. - You know it?
- No.
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220. It's just torture and murder.
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221. No plot, no characters.
Very, very realistic.
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222. I think it's what's next.
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223. Then God help us.
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224. - Better on TV than on the street.
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225. Arnold on line three.
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226. You interested in, uh,
tracking it down for me?
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227. I'll see that you get
the agent's commission.
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228. I'm interested.
Let me try.
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229. Max...
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230. did you ever think...
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231. of producing your own show?
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232. Right here?
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233. I could be your agent...
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234. worldwide.
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235. I could sell subterranean
for you everywhere.
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236. - No, I don't have the temperament.
- But if you did...
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237. what kind of show would you do?
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238. I mean,
for the subterranean market.
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239. Would you do... Videodrome?
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240. Max.
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241. - Mm-hmm.
- I'm goin' away tomorrow for two weeks...
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242. on assignment.
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243. Guess where?
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244. L.A.
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245. - Pittsburgh.
- Fabulous.
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246. Don't stay in the sun too long.
I hear it's bad for the skin.
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247. Oh, come on.
Isn't that where they make Videodrome?
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248. Yeah. Why?
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249. I'm gonna audition.
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250. I was made for that show.
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251. Nobody on earth
was made for that show.
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252. Hey. Listen to me.
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253. - Listen to me.
- What?
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254. I want you to stay away from it.
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255. Those mondo weirdo video guys,
they've got unsavory connections.
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256. They play rough, rougher than
even Nicki Brand wants to play.
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257. Do you understand me?
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258. Sounds like a challenge.
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259. Got a cigarette?
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260. It's not a challenge.
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261. I swear. You know, in Brazil,
Central America, those kinds of places...
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262. making underground video
is considered a subversive act.
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263. They execute people for it.
In Pittsburgh, who knows?
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264. Max.
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265. Nicki, don't!
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266. Nicki, don't.
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267. Don't.
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268. - Do you have a hangover?
- No. Stayed up late watching TV.
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269. Did you get in touch
with our friends in Pittsburgh?
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270. In a way.
At a distance.
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271. - Subterranean grapevine.
- And?
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272. Max...
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273. Videodrome is something
for you to leave alone.
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274. It is definitely not
for public consumption.
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275. Channel 83 is
a little small to be considered public.
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276. It is still too public.
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277. - Do you understand me?
- No. What's the punch line?
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278. I think it's dangerous, Max,
Videodrome.
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279. - Why? It's Mafia? They do business.
- No, no.
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280. It's more, um -
How can I say?
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281. More political than that.
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282. - Come on, Masha. What are we talkin' about?
- Videodrome.
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283. What you see on that show...
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284. it's for real.
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285. It's not acting.
It's snuff TV.
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286. I don't believe it.
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287. So don't believe.
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288. Why do it for real?
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289. It's easier and safer to fake it.
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290. Because it has something...
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291. that you don't have, Max.
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292. It has a philosophy...
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293. - and that is what makes it dangerous.
- Whose philosophy?
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294. There must be a name.
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295. Give me a name I can talk to.
Masha, Masha, you know me.
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296. I stay away from the scary stuff.
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297. Max...
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298. you are going to have to
be nice to me for this.
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299. We can take a shower together,
anytime you say.
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300. I'm sure you would be
very beautiful...
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301. but, uh, you're a little older
than I prefer.
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302. Thank you...
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303. so much.
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304. Sell me a name...
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305. and I'll make Apollo and Dionysus
part of the package.
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306. That hurts me, Max.
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307. Ηey, the world's
a shithole, ain't it?
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308. Yes, Max.
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309. It is.
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310. Brian O'Blivion.
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311. That is the only name
I have to give.
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312. Professor Brian O'Blivion.
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313. Wait, where you goin'? Come back here.
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314. Hey. Ηey, buddy. Got a fag?
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315. - Are they goin' in now?
- Got a cigarette?
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316. - Gotta have a smoke and a cup of coffee.
- Wait a minute.
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317. They don't serve coffee there.
They just serve piss water.
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318. I don't need to put up
with this shit. I'm a young woman.
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319. Take a good look at me.
I'm a good-lookin' woman. I got nice tits.
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320. Let's go.
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321. Hello. Move along.
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322. Move out of my way!
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323. Ηello.
Straight down the hallway.
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324. Keep on.
Straight down the hallway.
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325. Keep going, keep going.
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326. Come on. Step along.
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327. - Bianca O'Blivion?
- Yes.
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328. I'm Max Renn. I, uh -
I run Civic TV.
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329. I did a panel show with Prof. O'Blivion.
The Rena King Show.
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330. Oh, yes. You said some
very superficial things.
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331. Violence, sex, imagination, catharsis.
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332. - My exact words.
- What do you want?
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333. I wanna talk with your father...
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334. about a new twist in video
that he may not be aware of.
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335. I love the view.
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336. You look like them,
like one of Father's derelicts.
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337. Think it's a style that's coming back.
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338. In their case, Mr. Renn,
it's not a style.
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339. It's a disease forced on them by their
lack of access to the cathode ray tube.
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340. You think a few doses of TV
are gonna help them?
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341. Watching TV will help patch them
back into the world's mixing board.
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342. Absolutely.
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343. And I guess you encourage Father's derelicts
to make home movies?
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344. The world's mixing board?
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345. Professor O'Blivion sends video letters
all over the world.
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346. - Is the Professor here?
- I am my father's screen.
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347. Once you've told me what this visit is all
about, he may choose to send you a cassette.
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348. If he does, which format
would you like?
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349. If he does, it's gonna
make conversation a little difficult.
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350. My father has not engaged in conversation
for at least 20 years.
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351. The monologue
is his preferred mode of discourse.
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352. Format.
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353. Videodrome.
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354. Is that a Japanese configuration?
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355. - You've never heard of it?
- No.
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356. Then there have been serious gaps
in your education.
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357. - Videodrome.
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358. Mention it to your father.
He may want to have a conversation.
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359. I Iove the view.
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360. Torture, murder, mutilation.
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361. Videodrome.
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362. What you see on that show...
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363. it's for real.
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364. I'm gonna audition.
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365. I was made for that show.
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366. It has something
that you don't have, Max.
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367. It has a philosophy,
and that is what makes it dangerous.
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368. Ηi. This is
your wake-up cassette...
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369. and this came to the office
for you by courier.
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370. - What did they say at CRAM?
- They said that Nicki Brand...
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371. is definitely not
on assignment for them.
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372. She had a month off coming.
She decided to take it now..
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373. Don't touch that!
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374. Jesús, Max, you scared me.
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375. What the hell's wrong with you?
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376. I don't know, man. I think I'm gettin',
like, a rash or somethin'.
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377. - Uh -
- What?
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378. Are you all right?
Bridey, I didn't mean to hit you.
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379. Hit me?
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380. You didn't hit me.
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381. No? No.
No, I know I didn't hit you. I meant -
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382. - Do you want me to stay here?
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383. - Uh -
- You look awful.
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384. - Can I get you something?
- Uh, no, uh -
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385. No, I'm just, uh -
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386. Uh, I'm -
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387. I'm exhausted.
I was in a deep sleep when you knocked...
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388. and I guess I'm still not out of it.
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389. I'll remember to set the timer.
Don't worry.
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390. - You're sure? Are you sure?
- I'm sure. Yeah.
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391. Thanks, Bridey.
Tomorrow.
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392. Max, that other cassette
is from the office of Brian O'Blivion.
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393. I promised
I'd hand-deliver it directly to you.
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394. Will you call me
if you need me?
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395. The battle for the mind
of North America...
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396. will be fought in the video arena:
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397. the Videodrome.
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398. The television screen
is the retina of the mind's eye.
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399. Therefore, the television screen is part
of the physical structure of the brain.
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400. Therefore, whatever appears
on the television screen...
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401. emerges as raw experience
for those who watch it.
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402. Therefore, television is reality...
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403. and reality is less than television.
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404. - Max.
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405. I'm so glad you came to me.
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406. I've been through it all
myself, you see.
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407. Your reality is already
half video hallucination.
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408. If you're not careful,
it will become total hallucination.
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409. You'll have to learn to live
in a very strange new world.
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410. I had a brain tumor...
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411. and I had visions.
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412. I believed the visions
caused the tumor...
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413. and not the reverse.
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414. I could feel the visions
coalesce and become flesh.
Copy !req
415. Uncontrollable flesh.
Copy !req
416. But when they removed the tumor...
Copy !req
417. it was called Videodrome.
Copy !req
418. I was the -
Copy !req
419. I - I...
Copy !req
420. was Videodrome's...
Copy !req
421. first victim.
Copy !req
422. But who's behind it?
What do they want?
Copy !req
423. I want you, Max.
Copy !req
424. You.
Copy !req
425. Come to me.
Copy !req
426. Come to Nicki.
Copy !req
427. Come on.
Copy !req
428. Don't make me wait.
Copy !req
429. Please.
Copy !req
430. I want you, Max.
Copy !req
431. You.
Copy !req
432. Come on.
Copy !req
433. - Come on.
Copy !req
434. Come to me now.
Copy !req
435. Come to Nicki.
Copy !req
436. - Don't keep me waiting.
Copy !req
437. Please.
Copy !req
438. Today Lady Luck
may smile on these four players...
Copy !req
439. and start them on the road
to $12,000 -
Copy !req
440. We have a new group of people
coming in this afternoon...
Copy !req
441. - so tell the staff about that.
- All right. Good.
Copy !req
442. Exciting. Very lively.
Copy !req
443. Careful. It bites.
Copy !req
444. - You watched the cassette?
- Yeah.
Copy !req
445. - And?
- It changed my life.
Copy !req
446. I'm not surprised.
It's dangerous, you know.
Copy !req
447. Because your father admits
he's somehow involved with Videodrome?
Copy !req
448. More than that. It bites.
Isn't that what you said?
Copy !req
449. What kind of teeth
do you think it has?
Copy !req
450. It triggered off a series of hallucinations.
I woke up with a headache.
Copy !req
451. - First time ever?
- No, I-I've been hallucinating for a while...
Copy !req
452. - ever since -
- What?
Copy !req
453. Since I first saw Videodrome.
Copy !req
454. Ηow did you come
to be exposed to it?
Copy !req
455. Pirate satellite dish.
Copy !req
456. A-An accident.
Copy !req
457. I made some tapes.
Copy !req
458. This is part of my own
Videodrome collection.
Copy !req
459. But that tape is just your father
sitting at his desk.
Copy !req
460. The tone of the hallucinations is determined
by the tone of the tape's imagery.
Copy !req
461. But the Videodrome signal,
the one that does the damage...
Copy !req
462. it can be delivered
under a test pattern, anything.
Copy !req
463. Mmm.
Copy !req
464. Damage?
Copy !req
465. The signal induces
a brain tumor in the viewer.
Copy !req
466. It's the tumor that creates
the hallucinations.
Copy !req
467. You let me watch it?
Copy !req
468. I expect them to come to me eventually
to hurt me. I thought it might be you.
Copy !req
469. Now I realize you're
just another victim...
Copy !req
470. like Father was.
Copy !req
471. Where is your father?
I think I'd better talk to him.
Copy !req
472. He's in there.
Copy !req
473. I'm afraid he'll disappoint you.
Copy !req
474. This is him.
Copy !req
475. - This is all that's left.
- What are you talking about?
Copy !req
476. Brian O'Blivion died quietly
on an operating table 11 months ago.
Copy !req
477. - The brain problem?
- The Videodrome problem.
Copy !req
478. - You have it too.
- But he was on that panel show with me.
Copy !req
479. On tape.
He made thousands of them.
Copy !req
480. Sometimes three or four a day.
Copy !req
481. I keep him alive as best I can.
Copy !req
482. He had so much to offer.
Copy !req
483. My father helped
to create Videodrome.
Copy !req
484. He saw it as the next phase in the evolution
of man as a technological animal.
Copy !req
485. When he realized what his partners
were going to use it for...
Copy !req
486. he tried to take it
away from them.
Copy !req
487. And they killed him.
Quietly.
Copy !req
488. At the end, he was convinced
that public life on television...
Copy !req
489. was more real than
private life in the flesh.
Copy !req
490. Ηe wasn't afraid
to let his body die.
Copy !req
491. Tell me about
my Videodrome problem.
Copy !req
492. My father knows much more
about it than I do.
Copy !req
493. Listen to him.
Copy !req
494. Where's Harlan?
He's not in the lab.
Copy !req
495. - I think he's up in V.T.R. Max -
- Not now.
Copy !req
496. - Harlan.
- Sí, patrón.
Copy !req
497. Have you been hallucinating lately?
Copy !req
498. No.
Copy !req
499. - Should I be?
- Yes.
Copy !req
500. You should be.
Copy !req
501. I believe...
Copy !req
502. that the growth in my head -
Copy !req
503. this head, this one right here -
Copy !req
504. I think that it is not
really a tumor...
Copy !req
505. not an uncontrolled,
undirected little bubbling pot of flesh...
Copy !req
506. but that it is in fact...
Copy !req
507. a new organ...
Copy !req
508. a new part of the brain.
Copy !req
509. I think that massive doses
of Videodrome signal...
Copy !req
510. will ultimately create
a new outgrowth...
Copy !req
511. of the human brain...
Copy !req
512. which will produce
and control hallucination...
Copy !req
513. to the point that it will
change human reality.
Copy !req
514. After all, there is nothing real...
Copy !req
515. outside our perception of reality...
Copy !req
516. is there?
Copy !req
517. You can see that, can't you?
Copy !req
518. - Max Renn?
- Yes.
Copy !req
519. Who is this?
Copy !req
520. Barry Convex would like to talk
to you about Videodrome.
Copy !req
521. I've got a car waiting
downstairs for you, sir.
Copy !req
522. Please direct your attention to
the television set in front of you, Mr. Renn.
Copy !req
523. Mr. Convex has recorded
a little introduction for you.
Copy !req
524. Hi, I'm Barry Convex,
Chief of Special Programs...
Copy !req
525. and I'd like to invite you
into the world of Spectacular Optical...
Copy !req
526. an enthusiastic global corporate citizen.
Copy !req
527. We make inexpensive glasses
for the Third World...
Copy !req
528. and missile guidance systems for NATO.
Copy !req
529. We also make Videodrome, Max...
Copy !req
530. and as I'm sure you know...
Copy !req
531. when it's ready for the marketplace,
things will never be quite the same again.
Copy !req
532. It can be a giant hallucination machine
and much, much more.
Copy !req
533. But it's not ready.
Those were test transmissions you picked up.
Copy !req
534. We thought nobody
could tap into them.
Copy !req
535. He's good, that Harlan.
Good pirate.
Copy !req
536. Well, now that you have...
Copy !req
537. I think we oughta have
a little talk, don't you?
Copy !req
538. I thought maybe... my place?
Copy !req
539. I hope you realize
you're playing with dynamite.
Copy !req
540. That's our spring line.
Top secret stuff.
Copy !req
541. I brought it with me for a trade show
here in town later this week.
Copy !req
542. Max Renn, I'm Barry Convex.
Copy !req
543. I -
Copy !req
544. I think that machinery
you're wearing is...
Copy !req
545. too much for the shape of your face.
Copy !req
546. Overwhelms you.
Copy !req
547. Try something more, uh, spidery...
Copy !req
548. more delicate.
Copy !req
549. Ηere she is.
This is our prototype.
Copy !req
550. This is the little number
that started it all.
Copy !req
551. Max...
Copy !req
552. I would like you
to try this on for size.
Copy !req
553. I would like to use this machine
to record one of your hallucinations now.
Copy !req
554. Then I would like to take that tape
back with me to home base for analysis.
Copy !req
555. Do I get to keep the copyright?
Copy !req
556. I mean, I'd hate to see it show up as
a Movie of the Week and not get paid for it.
Copy !req
557. Max, I'm trying to help you.
Copy !req
558. What makes you think
I need help, Barry?
Copy !req
559. None of our test subjects
has returned to... normality.
Copy !req
560. They're all in need
of intensive psychiatric care.
Copy !req
561. Now, you seem
to be functioning reasonably well...
Copy !req
562. so far.
Copy !req
563. I'd like to find out why...
Copy !req
564. and I think an analysis
of one of your hallucinations...
Copy !req
565. would be the right place to start.
Copy !req
566. Will it hurt?
Copy !req
567. It won't hurt you.
Copy !req
568. You might catch yourself
sliding in and out...
Copy !req
569. of a hallucinatory state
after this is all over.
Copy !req
570. If you do, just relax and enjoy it.
It'll soon go away.
Copy !req
571. But for now, I think that
you'll find a little S-and-M...
Copy !req
572. will be necessary to trigger off
a good, healthy series of hallucinations.
Copy !req
573. - That's why our Videodrome show is so strange.
Copy !req
574. Something to do with the effects of exposure
to violence on the nervous system.
Copy !req
575. It opens up receptors
in the brain and the spine...
Copy !req
576. and that allows
the Videodrome signal to sink in.
Copy !req
577. You mean I'm gonna have
to hurt you, Barry?
Copy !req
578. 'Fraid not. You don't have
to actually hurt anybody.
Copy !req
579. You just have to think about it.
Copy !req
580. Wha-a-a - That's too bright!
I can't take it!
Copy !req
581. - Yes! I forgot! Sorry! How's that?
- Shit.
Copy !req
582. - Yeah. Yeah. Yeah, that's fine.
Copy !req
583. Okay, we're rolling.
Copy !req
584. The taping mechanism
is all self-contained.
Copy !req
585. You don't have to do
anything now but hallucinate.
Copy !req
586. Yeah. Yeah. Okay.
Copy !req
587. I'll come back for you later.
Copy !req
588. You'll forgive me if I don't
stay around to watch.
Copy !req
589. I just can't cope with the freaky stuff.
Copy !req
590. Nicki?
Copy !req
591. - Nicki.
- Well, here we are at last...
Copy !req
592. right where we oughta be:
Copy !req
593. on Videodrome.
Copy !req
594. What are you waiting for, lover?
Copy !req
595. Let's perform.
Copy !req
596. Let's open those neural floodgates.
Copy !req
597. Aah!
Copy !req
598. Aah!
Copy !req
599. Aah!
Copy !req
600. - Aah!
Copy !req
601. What's going on, Professor O'Blivion?
Copy !req
602. I mean, really.
Copy !req
603. Oh.
Copy !req
604. Oh, Masha.
Copy !req
605. Harlan...
Copy !req
606. it's Max.
Copy !req
607. Can you come over to my apartment?
Right away.
Copy !req
608. Yeah, I'm serious.
Copy !req
609. - Come on in.
- Well, here I am, patrón.
Copy !req
610. Camera. Flashgun. What's up?
You wanna be a centerfold?
Copy !req
611. I want you to go
into my bedroom...
Copy !req
612. and I want you to take a look
at what's in my bed.
Copy !req
613. Uncover it. Don't be shy.
I want pictures.
Copy !req
614. - Pictures of what's in your bed?
- Yeah. Do it.
Copy !req
615. Sure. Okay.
Copy !req
616. Oh, God.
Copy !req
617. Well?
Copy !req
618. Max.
Copy !req
619. I don't see anything.
Copy !req
620. You didn't just want me to shoot
your bed, pillows, sheets...
Copy !req
621. did you?
Copy !req
622. - It's disa -
- Max, are you in some kind of drug warp?
Copy !req
623. I've got friends who can help.
Bridey said she came by
a couple of days ago. You were -
Copy !req
624. Did you tape Videodrome
last night?
Copy !req
625. If it was transmitted,
the machine would've caught it.
Copy !req
626. I'll meet you in the lab in one hour.
I wanna see it.
Copy !req
627. - Jeez, it's not even 7:00 a.m.
- I'm not fucking around! Do you understand?
Copy !req
628. Well, fuck you. I'm not some fucking
servomechanism you can switch on.
Copy !req
629. You want me to run around like an asshole,
tell me what I'm doing it for.
Copy !req
630. Otherwise, I'll see you
during office hours, patrón.
Copy !req
631. Harlan... you're right.
Copy !req
632. It's momentum. I'm runnin' like an express
train here. I don't know how to stop.
Copy !req
633. Look, I'll meet you
in the lab in one hour.
Copy !req
634. Okay? And then we'll see if we pulled in
any Videodrome last night...
Copy !req
635. and I'll tell you what's going on.
Copy !req
636. Everything. I promise.
Okay?
Copy !req
637. Okay. I'm sorry
if I freaked out on you.
Copy !req
638. - I don't work with you for the money.
- I know that.
Copy !req
639. With pirates, it's never
just for the money, is it?
Copy !req
640. You want a cup of cof - No, look.
I'll meet you in the lab in an hour.
Copy !req
641. Come on in.
Copy !req
642. - Did you look at the tape?
Copy !req
643. - Did you see me on Videodrome?
- There was no tape.
Copy !req
644. There was no Videodrome
transmission last night?
Copy !req
645. Not last night.
Copy !req
646. - Aw, fuck!
- Not ever.
Copy !req
647. What - What are you talking about?
Copy !req
648. I'm out of my depth now, patrón.
Copy !req
649. I had to bring in the reinforcements.
Copy !req
650. Max.
Copy !req
651. An intriguing combination.
Very interesting.
Copy !req
652. - Don't let me interrupt.
- I think I was saying something like...
Copy !req
653. "What are you talking about?"
Copy !req
654. I was playing you tapes, Max.
Copy !req
655. Prerecorded cassettes.
Copy !req
656. Videodrome has never been transmitted
on an open broadcast circuit.
Copy !req
657. Not yet.
Copy !req
658. I guess Barry sent you here,
what, two years ago?
Copy !req
659. It has been... two years,
hasn't it, Harlan?
Copy !req
660. Two. Two wonderful years.
Copy !req
661. Why?
Copy !req
662. To get you involved.
Copy !req
663. To expose you
to the Videodrome signal.
Copy !req
664. It didn't affect you because
you never watched it!
Copy !req
665. You knew what was there.
You didn't have to see it.
Copy !req
666. It really does work
on just about anybody.
Copy !req
667. Anybody who watches it, Max.
Copy !req
668. But why would anybody watch it?
Copy !req
669. Why would anybody watch
a scum show like Videodrome?
Copy !req
670. Why did you watch it, Max?
Copy !req
671. - Business reasons.
- Sure. Sure.
Copy !req
672. What about the other reasons?
Copy !req
673. Why deny you get your kicks
out of watching torture and murder?
Copy !req
674. You murdered Brian O'Blivion,
didn't you, you freak?
Copy !req
675. Did you enjoy that?
Copy !req
676. North America's getting soft, patrón.
Copy !req
677. And the rest of the world
is getting tough.
Copy !req
678. Very, very tough.
Copy !req
679. We're entering savage new times...
Copy !req
680. and we're going to have to be pure...
Copy !req
681. and direct...
Copy !req
682. and strong...
Copy !req
683. if we're gonna survive them.
Copy !req
684. Now, you and this, uh...
Copy !req
685. cesspool you call a television station...
Copy !req
686. and, uh, your people
who wallow around in it...
Copy !req
687. and, uh, your viewers...
Copy !req
688. who watch you do it -
Copy !req
689. you're rotting us away
from the inside.
Copy !req
690. We intend to stop that rot.
Copy !req
691. We're gonna start
with Channel 83, Max.
Copy !req
692. We're gonna use it for our first authentic
transmissions of Videodrome.
Copy !req
693. I have a hunch it's gonna be
very popular... for a while.
Copy !req
694. I've gotta be hallucinating now, right?
Copy !req
695. I mean...
Copy !req
696. you two can't possibly be for real.
Copy !req
697. Ah, we did record
your hallucinations, Max...
Copy !req
698. as I said we would.
Copy !req
699. And we did analyze them.
Copy !req
700. You're ready for something new.
Copy !req
701. That's terrific.
Copy !req
702. What do you, uh -
What do you want from me?
Copy !req
703. I want you to open up, Max.
Copy !req
704. Open up to me.
Copy !req
705. I've got something
I want to play for you.
Copy !req
706. Oh, my God!
Copy !req
707. We want Channel 83, Max.
Copy !req
708. - Give it to us.
Copy !req
709. Give us Channel 83.
Copy !req
710. Kill your partners.
Copy !req
711. Kill them.
Copy !req
712. Kill your partners
and give us Channel 83.
Copy !req
713. Aah.
Copy !req
714. Give us Channel 83.
Copy !req
715. Kill your partners.
Copy !req
716. Kill them.
Copy !req
717. Kill your partners
and give us Channel 83.
Copy !req
718. Hello, Max.
Copy !req
719. How ya doin', Max?
Copy !req
720. Where's Moses?
Copy !req
721. He's in a meeting with Rafe.
I'll tell him you want him.
Copy !req
722. Don't.
Copy !req
723. We dub in a funny track. Gentle comedy.
Copy !req
724. Mm-hmm.
And you'd be the one to write it?
Copy !req
725. Yeah. Yeah, I would. I used to write
in high school, then I lost it.
Copy !req
726. Hi, Max.
Copy !req
727. You're just in time to throw some light
on an interesting problem.
Copy !req
728. Don't.
Copy !req
729. Max.
Copy !req
730. What the fuck?
Copy !req
731. Jesús!
Copy !req
732. It was from the boardroom!
Copy !req
733. Max, what happened?
Are you hurt?
Copy !req
734. - They killed - They -
- What happened?
Copy !req
735. - They killed us!
- What happened?
Copy !req
736. - Jesús! Look out!
Copy !req
737. Help!
Copy !req
738. In here! In here!
Copy !req
739. Get out! Just clear outta here!
Copy !req
740. Come - Get out!
Copy !req
741. Let me see.
Copy !req
742. Max!
Copy !req
743. Max.
Copy !req
744. Kill Bianca O'Blivion.
Copy !req
745. She knows too much.
Copy !req
746. She can hurt us.
Copy !req
747. Don't let her hurt us, Max.
Copy !req
748. Kill her.
Kill Bianca O'Blivion.
Copy !req
749. Bianca O'Blivion.
Copy !req
750. I run Civic TV.
Copy !req
751. I was on a talk show
with your father.
Copy !req
752. So it was to be you after all.
Copy !req
753. You've come to kill me.
Copy !req
754. No. No, I'm Max Renn.
I run Civic TV. I don't -
Copy !req
755. - I don't kill people.
- Oh, but you do.
Copy !req
756. You're an assassin now
for Videodrome.
Copy !req
757. They can program you.
Copy !req
758. They can play you
Iike a videotape recorder.
Copy !req
759. They can make you do
what they want...
Copy !req
760. and they want you to destroy
whatever is left of Brian O'Blivion.
Copy !req
761. They want you to destroy me.
Copy !req
762. Destroy you?
Copy !req
763. They killed her, Max.
They killed Nicki Brand.
Copy !req
764. She died on Videodrome.
Copy !req
765. They used her image to seduce you,
but she was already dead.
Copy !req
766. Don't back away.
Copy !req
767. I stole it from them
just for you to see.
Copy !req
768. Videodrome is death.
Copy !req
769. That's better.
Copy !req
770. So much better.
Copy !req
771. It's always painful
to remove the cassette...
Copy !req
772. to change the program.
Copy !req
773. But now that we have...
Copy !req
774. you'll see that you've become something
quite different from what you were.
Copy !req
775. You've become
the video word made flesh.
Copy !req
776. I am the video word made flesh.
Copy !req
777. And now that you are
the video word made flesh...
Copy !req
778. you know what you have to do.
Copy !req
779. You turn against Videodrome.
Copy !req
780. You use the weapons they've given you
to destroy them.
Copy !req
781. Death to Videodrome.
Copy !req
782. Long live the new flesh.
Copy !req
783. Death to Videodrome.
Copy !req
784. Long live the new flesh.
Copy !req
785. It was only 26 hours ago
in the building you see behind me...
Copy !req
786. that a bizarre, apparently
motiveless shooting occurred...
Copy !req
787. which has triggered off
an intensive manhunt by Metro Police.
Copy !req
788. Thirty-four-year-old Max Renn,
president of the Civic TV Corporation...
Copy !req
789. is being sought in connection
with the shooting deaths...
Copy !req
790. of two executives
at Channel 83 -
Copy !req
791. You wanna see the monkey dance,
you pay the piper.
Copy !req
792. See what I'm sayin', Teddy? You know
how much my monkey's batteries cost?
Copy !req
793. They don't last in the cold.
The cold knocks 'em right out.
Copy !req
794. I can't dance.
I would if I could.
Copy !req
795. But, uh, I can't, so -
Copy !req
796. You got some change, Teddy?
You got somethin'. Ηalf a buck. Teddy, yeah.
Copy !req
797. - A quarter. You got somethin', Teddy.
Copy !req
798. Can't ya put somethin' in, Teddy?
Copy !req
799. Well, hello, sport.
Copy !req
800. They call me Brolley.
How can I help you, sir?
Copy !req
801. - Just looking.
- Yeah, man.
Copy !req
802. Well, that's a good one.
Copy !req
803. There ain't much to see here, but
take your time and have a good look anyway.
Copy !req
804. Ah, what this?
Copy !req
805. Yeah, this is one hell
of a scrip you got here.
Copy !req
806. Very tricky grind.
Copy !req
807. Can't imagine you'd see things
too clear without them, you know.
Copy !req
808. Well, don't worry at all.
I'm gonna get you fixed up in no time flat.
Copy !req
809. Where's Convex?
Copy !req
810. Oh, setting up his trade show.
Copy !req
811. - Oh.
- Gotta introduce the spring line.
Copy !req
812. - What's in the box?
- Your head.
Copy !req
813. - Got your head in this box.
Copy !req
814. Ah.
Copy !req
815. You've been busy, Max.
Copy !req
816. Been readin' about you in the papers.
Copy !req
817. Ηave you been
to see Bianca O'Blivion?
Copy !req
818. - I saw her.
- And she give you any trouble?
Copy !req
819. No.
Copy !req
820. Well, that's good.
Copy !req
821. Maybe you'd like to visit
somebody else now.
Copy !req
822. - Is that why you're here?
- Maybe.
Copy !req
823. You've been very useful to us, Max.
Copy !req
824. We'd like to keep using you
until you're all gone.
Copy !req
825. Open up to me.
Copy !req
826. Got something
I wanna play for you.
Copy !req
827. See ya in Pittsburgh.
Copy !req
828. Mommy, look at the big ka-boom!
Copy !req
829. Tracey, come back here!
Copy !req
830. - Stay with Mommy.
- I want - I wanna see it.
Copy !req
831. You come with me.
Copy !req
832. Come on.
We're going home now.
Copy !req
833. Well, you know me.
Copy !req
834. - Yeah, we know you.
- And I sure know you.
Copy !req
835. - Every one of you!
Copy !req
836. We're here to celebrate the arrival
of our spring collection...
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837. the Medici line...
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838. and our theme for this year
is based on two quotes...
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839. from the famous Renaissance
statesman and patron of the arts...
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840. Lorenzo de Medici.
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841. "Love comes in at the eye,"
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842. and "The eye is the window of the soul."
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843. Now, I think that even Pete...
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844. oughta be able to sell the hell
out of a classy campaign like that.
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845. Oh, God!
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846. - No!
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847. Death to Videodrome!
Long live the new flesh!
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848. I was hoping you'd be back.
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849. I'm here to guide you, Max.
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850. I've learned a lot
since I last saw you.
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851. I've learned that death is not the end.
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852. I can help you.
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853. I don't know where I am now.
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854. I'm having trouble...
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855. finding my way around.
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856. That's because you've gone just about
as far as you can with the way things are.
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857. Videodrome still exists.
It's very big, very complex.
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858. You've hurt them,
but you haven't destroyed them.
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859. To do that, you have to
go on to the next phase.
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860. What phase is that?
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861. Your body has already
done a lot of changing...
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862. but that's only the beginning -
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863. the beginning of the new flesh.
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864. You have to go all the way now -
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865. a total transformation.
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866. Do you think you're ready?
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867. I guess I am.
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868. How do we do it?
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869. To become the new flesh,
you first have to kill the old flesh.
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870. But don't be afraid.
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871. Don't be afraid
to let your body die.
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872. Just come to me, Max.
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873. Come to Nicki.
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874. Watch. I'll show you how.
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875. It's easy.
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876. Long live the new flesh.
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877. Long live the new flesh.
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