1. In a few hours,
life will begin anew
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2. The church bells
will ring for me
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3. I know that my throat will constrict
before pronouncing the word "Yes"
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4. I spent so many years
holding my father's hand
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5. I explored so many times,
at his side, the corners of this island
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6. Mother died
many years ago
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7. My father means everything to me
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8. Sometimes, he was too severe
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9. It took me a long time to understand that, under these rigid aspects of his character,
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10. he hid an immense tendernessthat he was ashamed to show
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11. Now, the only thing that mitigates my joy...
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12. is the thought that he will be left alone
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13. He was always afraid that, one day,
I would fall in love and would marry,
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14. and I would leave our precious home
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15. My first rendez-vous was secret and furtive...
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16. and ultimately, increasingly intense
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17. Suddenly, my father became
increasingly withdrawn
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18. Hello
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19. Good day
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20. Hello
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21. What do you want?
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22. You are Mr Oliveira,
the director of the archeaological museum?
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23. Yes. Please approach
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24. I am Arturo Bauer
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25. I have just come from your friend,
Mr Rosenthal
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26. Very good
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27. Let me take a look
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28. So, you are completing
your archeological studies
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29. Yes. I am preparing a thesis
on the origins of the island of Madeira
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30. Very interesting.
How may I help you?
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31. I would like your co-operation with my research
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32. You are very young...
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33. and I suppose you share
the revolutionary ideas...
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34. of your mentor, Mr Rosenthal
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35. I wish to warn you that the results of your research
may be disappointing
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36. Additionally, residents of this island don't like
strangers meddling in our affairs
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37. Excuse me, I thought you were English
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38. I came from there... a long time ago
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39. I was born in a wonderful region
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40. Very different from this, of course,
with more rivers. Many more
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41. But also very green, with pines,
huge poplars, firs
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42. My village is called Tendce
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43. Is is by a lake. In spring,
couples travel there by boat
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44. Then they swim naked and make love
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45. I adore it...
and, at the same time, I dislike it
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46. Girls there do this with no consequence,
sleeping with anyone
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47. Whilst here...
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48. Here, to give a kiss without getting
a slap in return, is a minor victory
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49. - You wanted to see me, father?
- Yes
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50. Who is this young man you are courting?
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51. A young man?
A boy... normal
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52. I would have noticed if he was abnormal
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53. Are you engaged?
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54. - Engaged?
- Yes, engaged?
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55. Yes
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56. What is happening to you?
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57. You wish to marry?
To leave me alone?
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58. We have not thought about getting married.
Nothing like that...
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59. So, if you have thought about none of this,
it is best for you to part ways with him
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60. I have never liked
relationships that are ambiguous
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61. - Ambiguous?
- Yes
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62. But... I don't...
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63. It is difficult to say...
Because I...
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64. Your daughter, Ana...
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65. I would like...
If it does not bother you...
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66. - You want to marry, eh?
- Yes, sir. That is it
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67. Thank you for making things easy
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68. I already guessed as much
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69. I opened the doors of my house to you,
and you take the only good thing in my life
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70. Very well
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71. Go ahead.
Get married as soon as possible
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72. Look, aunt, this is my dress
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73. Wait a second
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74. You can see all of your things
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75. Thank you, my angel
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76. I know very well all of these beautiful things
that your father collected
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77. You are very kind.
Thank you for coming back
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78. He will not feel alone
when I leave
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79. Don't worry about him.
I know him well...
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80. He has always been selfish and obsessive
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81. You have done enough for him
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82. Now, get married and be happy
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83. This is the only important thing, angel
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84. - I will keep him occupied
- Thank you
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85. You are beautiful.
You must show your father
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86. - He will be angry if I do
- It will pass as soon as he sees you
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87. Lord have mercy upon the sinner,
who died of a mortal sin
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88. At the hour of your judgement, look at his life,
his good deeds and thoughts
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89. Ana, I am very sorry
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90. You must maintain your composure
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91. Thank you for everything, Arturo
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92. If you had not persuaded the doctor torecord the death as accidental...
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93. we could not bury him in this way
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94. It was the least I could do
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95. Do you want me to stay with you?
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96. I would like to keep you company
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97. Do you know why he did it?
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98. No. There was no reason
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99. If you don't mind, I'll call you
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100. No, I don't want you to call me...
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101. at least for a few days
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102. We must delay our wedding
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103. The timing is not right, but...
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104. I'm sorry, Arturo,
but don't call me any more
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105. I do not want to marry you.
Ever
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106. Don't ask me why.
I don't know myself
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107. I sense a great void
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108. I do not love you
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109. I love nobody
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110. Perhaps if we leave
to spend some time...
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111. Maybe, but I don't think so
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112. I'd be lying if I said anything else
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113. Thank you for everything, Ana
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114. His infinite mercy relieves
His penance for ever and ever
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115. and gives us the joy of
Thy divine presence
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116. I'll call you soon. I'm going
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117. Big kiss. Ana
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118. I'm here
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119. This is what you wanted, right?
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120. You do not want to run the risk
of bumping into your wife?
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121. No, not at all
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122. As you wish
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123. You want to show me a shabby room
in a cheap hotel?
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124. This reminds me of a film I watched
at Ciné-Club.
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125. Jean Gabin, very young...
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126. pursued by the police, shut himself up
in a room as ugly as this one
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127. I love you
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128. Have you seen that film?
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129. - I love you?
- Have you seen that Jean Gabin film?
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130. I love you. I see nothing but you.
When I fall asleep, I awaken thinking of you
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131. My dear, you flirt like an old man
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132. Perhaps, but love is very old,
an ancient idea
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133. I don't want to sleep with you, Bill
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134. - Why not?
- I don't know
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135. Let me go
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136. Carry on. I'll be back
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137. Can I come to you, after?
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138. - If you like
- I would like to
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139. - I believe you already know my wife
- Of course. Right?
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140. We've known each other for a long time
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141. There are Brazilian musicians here.
I would like to play with them for a while
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142. It's a good audience, tonight
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143. You know what? I love you
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144. I already know
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145. I need to tell you. It's true
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146. Why don't we leave?
Let's go
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147. What about her?
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148. She ...
She's as pissed as a newt
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149. And then?
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150. She's accustomed to it.
She's from Alabama
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151. They're like that, over there
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152. She either comes from Alabama,
or she has realised about us two
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153. Perhaps she knows about us
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154. I'll wait in the park.
I have to speak with you
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155. Take the first opportunity to escape
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156. Okay
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157. - I'll come when I am able
- Don't be late
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158. Bill...
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159. Where are you going?
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160. What the hell concern is it of yours?
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161. Everything you touch concerns me
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162. Oh well, start worrying about it then
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163. Ana, just play
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164. Ana...
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165. Ana...
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166. What is wrong?
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167. Ana, why are you looking at me
like that?
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168. I love you
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169. Ana! What's going on?
Why are you crying?
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170. Do you want something to drink?
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171. - I'll fetch you a drink
- Hurry up
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172. - What happened, Ana?
- Feeling better?
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173. It's nothing. I sensed a great emptiness
in my head. It's happened before
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174. - Come on. Play something jolly
- Yes, go ahead and play!
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175. Hello?
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176. It's Miguel. It's almost 14h00.
It's time to wake up
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177. That depends on what time we go to bed
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178. Come quickly: I want to
take you for a bite to eat
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179. Okay
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180. Where do you want to go?
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181. I don't know. I'll honk my horn
so you know where I am
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182. How will I know
it is your horn?
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183. I have a new one.
It plays the Marseillaise
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184. Very well
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185. I'm coming!
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186. You weren't joking
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187. I never joke
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188. - So, where are we going?
- Where would you like?
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189. No, it's up to you.
Would you like Turkish food, Chinese...
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190. Vietnamese, Russian, Italian,
Spanish, or, simply, French?
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191. I would like something exotic
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192. Your wish is my command, madam
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193. That's magnificent. Just imagine...
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194. Medea clad in a long, romantic dress,
candelabras of gold, and the music of Strauss
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195. The decor, I think, will remain classical
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196. With columns, and everything else.
But ancient...
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197. Greek ruins contribute
a romantic theme...
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198. which should be presented in a romantic way.
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199. She will wear boots
instead of her costumes
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200. and a cape in the place of her tunic
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201. Do you like it?
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202. I never learn anything with you:
you're just a pig!
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203. From the dawn of time,
man has eaten with his fingers
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204. Then, an idiot invented the fork
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205. Me, I decided to return to our heritage
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206. It is excellent
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207. The combination of the meat and the hands
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208. Narcissist
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209. I have the Atheneum theatre
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210. I have a good budget
and a formidable cast
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211. The extras are good too
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212. Ted Montolliou will act,
the light held on him...
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213. wearing the best costume
he's ever worn
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214. We will play something special,
in the spirit of jazz
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215. I have everything I need
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216. A special group to provide the
soundtrack...
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217. the participation of great actors...
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218. Even the approval of censors,
despite the erotic content
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219. There is just on thing missing: ...
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220. Medea
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221. I auditioned twenty actresses.
None were right for the part
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222. They are all crazy, or look like whores...
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223. Too old... or too young
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224. None are what I want
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225. So, I told myself... you...
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226. I know where you're coming from
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227. Your passion will win out
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228. I've never done theatre,
and I've never studied drama
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229. I would be an object of ridicule.
And you too
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230. I'm just asking you to give it a go
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231. Don't you want to?
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232. Think of the opening night.
The ovation that will await you
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233. And later, we will celebrate
more intimately, in bed...
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234. Idiot! For a moment I thought
you were being serious
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235. I swear I have never been
as serious in my life
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236. I'm really sure...
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237. that you are the solution
to my problem
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238. Just give it a small try
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239. If you feel it's going wrong,
we shall be honest
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240. The triumphant trumpets
managed to quel the surge...
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241. One moment, Alfonso
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242. Play it differently
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243. This is a full stop, not a comma
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244. Blah blah blah... echoing his
thousand victories. Full stop.
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245. What is there, is a
narrative of what has past
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246. What a joy to hear this voice, etc...
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247. - Do you understand?
- Yes, thank you
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248. We will resume with the opening paragraph
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249. Whenever you want. Go
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250. It is better to begin
with the prior sentence, thus: ...
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251. "No, in vain, they returned..." Okay?
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252. Very well
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253. That's the new candidate?
Pretty girl
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254. Do you like it?
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255. It's too big
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256. It's like a Gothic cathedral
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257. You are not a believer, but you need to pray.
You need protection
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258. It's like a way to progress
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259. If I had to say one thing about this scenario,
it would be this: ...
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260. Help!
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261. That's enough for today.
Tomorrow at 16h00
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262. You see...
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263. From there, the scene is scary.
But from here, it's not
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264. I like that
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265. Bring me a sofa
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266. Do you like this sofa?
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267. You are going to lay on it
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268. Voilà, your house!
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269. The Chéophores and the Eumenides have spoken.
They have made their predictions
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270. You know who the Chéophores and
the Euménides are in Greek theatre?
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271. It's like the 'good guys' and the 'bad guys',
the Indians and the cowboys...
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272. Yes, that's almost it
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273. So they are in the process of talking
whilst you sleep feverishly
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274. Anxiety makes you delirious
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275. You have no new...
Franco, give me the script
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276. You have no news of your beloved
husband; then, you say to yourself...
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277. You'll see, read it once.
It's charming; you'll like it
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278. - When will this machine be removed?
- Tomorrow
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279. O benevolent Gods, who have brought
our armies, though decimated...
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280. O benevolent Gods, who have brought
our armies, though decimated...
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281. fought with bayonets...
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282. with bayonets, against the
unbridled Prussian force, superior in number...
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283. with bayonets, against the
unbridled Prussian force, superior in number...
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284. Everything okay?
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285. O benevolent Gods, who have brought
our armies, though decimated,
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286. fought with bayonets
and defeated the Prussians
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287. Do you understand? Is it clear?
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288. Then tell it as you feel it
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289. As you must feel it
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290. O benevolent Gods, who have brought
our armies, though decimated,
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291. who fought with bayonets,
defeating the unbridled Prussian army...
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292. superior in number
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293. Then you have done so...
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294. And the joy of all those who, like me,
await the return of their men
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295. Then you have done so...
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296. Why did you leave ringing in my ears
the hollow voice whose failure is heard?
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297. Why did you leave,
in my eyes, the image of your absence...
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298. and in my mouth, the name
that my being implores be pronounced...
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299. but whose sound offends the heavens...
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300. that would change the direction of the wind...
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301. if it could not reach the
ears of the beloved
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302. Have you heard,
you who listen to the silence?
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303. You can read the threat in the wind...
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304. or the powerful light of the Oriental star
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305. You, the Gods, would be able...
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306. I congratulate you: this girl is stupendous
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307. You can congratulate me with
bottles of champagne
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308. This car is like
a benevolent pistol
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309. The avenue which runs...
People willing to die...
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310. open their eyes wide,
just before they're shat on!
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311. Imagine them, pyjamas, nightdresses,
curlers?
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312. You are like a magician
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313. I am a magician
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314. And here is the design
that creates the illusion in our hearts
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315. Seriously, thank you, Ana!
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316. Thank you for being who you are, living in this city,
and giving me the chance to know you
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317. I've been seeking a star for months
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318. I ran into invisible walls...
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319. Now is the day.
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320. A beautiful sun shines...
And me, I return to the theatre
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321. Now?
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322. Yes, alone,
to reflect on everything
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323. Medea now has a face...
a beautiful face
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324. Everything is very good
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325. Too perfect
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326. Till tomorrow, then
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327. Where's Bill?
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328. You don't know? We called,
but you weren't home
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329. What's going on?
What's happened to Bill?
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330. He's been killed.
Yesterday evening, in the park
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331. It must have happened when he left your house
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332. He was stabbed
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333. The doctors say it was
a rare weapon, very old
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334. A kind of Oriental dagger
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335. - Do they know who did it?
- No
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336. Nothing was stolen.
It was a madman's crime
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337. A whisky, please
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338. Hello?
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339. Good evening, aunt. It's Ana
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340. It's been a while since I've heard from you.
One doesn't always realise...
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341. - Do you know what time it is?
- 04h00 in the morning
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342. The hour is a little indecent
for making telephone calls
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343. Sorry, but I needed to speak with you.
I miss you
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344. How are you?
Why do you not write?
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345. I'm fine. And you?
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346. With my ailments...
My leg hurts me,
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347. and the weather is wet and cold
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348. - Have you heard from dad?
- What did you say?
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349. Have I heard from your father?
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350. Excuse-moi, but I forgot about his death
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351. He is no longer of this world,
but I sense him near to me
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352. His presence is always with me
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353. My girl... I wouldn't tell anyone this,
but whilst we're talking...
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354. This evening, I had a strange sensation.
I woke up immediately
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355. I had an impression that I was not alone
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356. There was another presence in the house...
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357. The sensation was so strong
that I woke up
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358. I remember having put out
the lights before going to bed
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359. However, the light
in the library was still on
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360. I was afraid, but I entered the room
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361. There was no one there.
But I noticed something curious: ...
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362. an open book on the table
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363. I was sure I had left it closed
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364. What was the book? What was it called?
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365. An old book, on ancient theatre
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366. Which topic, aunt?
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367. Medea
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368. Ana, are you there?
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369. Ana, answer me!
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370. Ana...
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371. Who's there?
Is that you, Alfredo?
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372. Ana, is that you?
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373. What a surprise!
Come onto the stage
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374. Come
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375. What's going on, Ana?
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376. Why are you dressed like that?
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377. What have you got there?
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378. - The newspaper, miss?
- No, thank you
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379. Wait! Give me one
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380. "Death of young director Miguel Ferrara...
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381. "... He was preparing a new adaptation
of Medea...
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382. "... His corpse was found on the stage...
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383. "... pierced by a blade"
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384. Ana
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385. You may enter
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386. How do you feel?
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387. A little daft
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388. Soon you'll feel better.
Promise me one thing
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389. Don't do that again.
It's not worth it
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390. Don't worry
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391. We've arrived
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392. Here is our palace
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393. Thank you, Carla
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394. Thank you for bringing me
to this perfect place to rest
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395. Come, let's go in
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396. Rest. Sleep...
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397. That's all I needed
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398. Life is stupid!
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399. I'm at the perfect place to rest
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400. The earthly paradise.
The Garden of Eden
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401. Where, one morning, my father hanged himself
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402. While the bells rang for me
and I tried on my wedding dress
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403. Tell me. Did you never come to this
this island before?
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404. Yes, I even lived on Madère
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405. Yes, I know my island
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406. Who will show me the flowers here
that have the purest colours?
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407. And as the night slowly falls?
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408. That time seems to freeze
when the sun goes down?
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409. I would like to go on this boat.
Don't you wish to?
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410. - Tomatoes!
- What did you say?
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411. I forgot the tomatoes!
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412. - Shall I come with you?
- No, stay here
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413. I am both happy and sad
to be back here again
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414. My poor old home
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415. Like a silent and eternal lover
awaiting your return
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416. But I do not want to go back to my house
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417. Or see the ghosts of the past
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418. I want to rediscover you, Madère.
As a mere tourist
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419. And pray that the secret of
our old friendship is kept
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420. You want to say something to Rachel?
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421. Send him my regards
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422. It's silly with postcards.
I never know what to say
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423. One always writes the same thing
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424. - How may I help?
- A Maracuja juice
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425. - Very well, miss
- Thanks
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426. This is my house, here
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427. Voilà, it is done
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428. And that image, what is it?
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429. "Fonchal, by Night"
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430. What else but "Fonchal, by Night"?
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431. Your drink, miss?
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432. Thank you
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433. What are you doing, right under my nose?
You could be more discreet
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434. - Finish writing.
- Yes, that's it
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435. Finally, you're here.
You were supposed to wait for me there
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436. Pardon. It is so beautiful
that I wandered
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437. - Pipo! Tina!
- Carla!
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438. What a surprise!
But what are you doing here?
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439. - You're beautiful!
- I'm glad to see you
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440. - You are radiant.
- Ana, come here
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441. You look so lovely. What
have you changed about yourself?
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442. Ah, you've dyed your hair.
It suits you very well
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443. - Hello.
- Delighted. Sit down
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444. You remember the old
barber in Carita
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445. The other day, I was on the Champs-Elysées,
and I heard it calling me...
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446. - Do you like it on the island?
- Yes
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447. - A cigarette?
- No, thank you
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448. We're here on holiday
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449. But I'm taking this opportunity
to have another drink
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450. It is excellent.
I'll make tea
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451. - Waiter! Four Brissas.
- For pity's sake, Pipo...
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452. - I've had enough Brissas.
- We need to entertain our friends
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453. - You are alone here?
- No
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454. - With your fiance?
- No
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455. - With a friend?
- No
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456. - Well then, your husband?
- No, I'm not married
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457. Here are the Brissas
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458. You'll see, it's wonderful:
the best summer refreshment there is
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459. Brissas, cooler than ice!
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460. Nobody believes it, but it's delicious
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461. - Look at the mouse
- Where?
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462. - You do not know?
- No - In the hole
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463. It left for the
fifth Brissas of the morning
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464. You're afraid of little mice?
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465. They disgust me a little,
but they are friendly
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466. Try this, it's extraordinary
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467. Brissas, cooler than ice!
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468. - Four Brissas, please.
- No, I'm tired of your Brissas
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469. How can you tire of the aperitif
that's more refreshing than ice?
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470. A Brissas with rum: the "aperitif maximum"!
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471. - Why don't we play a game?
- I propose we play strip poker!
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472. - I have nothing against that idea.
- We will play the Good King Dagobert
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473. - What's that?
- You'll find out
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474. You must take your glass and raise it...
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475. then do this...
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476. and drink it up
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477. It's a doddle
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478. Come on, all together. One, two...
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479. At the first mistake,
you must take a drink
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480. At the second, the other players may
impose a punishment of their choice
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481. Whether you play this game or another,
one always ends up naked!
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482. Waiter! Four Brissas, please
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483. To the health of the 43rd Dagobert!
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484. Mabelle!
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485. No, not you!
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486. Cheeky young thing!
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487. - And who's she?
- Ana.
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488. What are you doing?
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489. We're playing Good King Dagobert!
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490. Wait, how do we play?
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491. If you lose, you down all the glasses
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492. Ah, a Charleston. Nice!
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493. Ana, come and dance!
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494. Ana, are you coming or what?
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495. I'm coming
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496. At your command!
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497. People are too wishy-washy
about their ideals
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498. It's easy to demand freedom,
then perpetuate tyranny
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499. We're not built for democracy
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500. We believe in God, kings and tyrants
at the same time
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501. We need a firm, but reasonable,
system of government...
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502. to guide us
and prevent us from transgressing
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503. Tina, that's terrible
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504. It's been three months
since I had news of Sandro
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505. He goes about it the wrong way
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506. I think that when one loves a woman,
one owes her respect
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507. Him, he left. Very quickly.
Like a coward. Without saying anything
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508. Without justification
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509. One morning, I woke up
and he was gone
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510. For example, after his death Mussolini became
known as a tyrant and a dictator...
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511. but he was, in his early career,
a great benefactor for Italy
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512. I waited...
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513. Then, I became afraid.
I called the police, the hospital...
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514. He was like a madman:
He drove at breakneck speed
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515. Basically, when I was looking for him,
despite my apprehension,
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516. I was hoping that something had
happened to him
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517. Who said that France
and England were free countries?
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518. Every day, the pressure of the bourgeoisie
converts these into police states
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519. In Paris, there are more policemen
than there are priests in the Vatican
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520. If you'd like to, we can swim
and then eat here
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521. Yes, there is a terrace.
This is a very nice place
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522. The best meal is their
filleted flounder with chips
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523. That sounds appetising.
But first, a bath!
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524. What a dolt! I forgot my swimming costume
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525. Smashing! You can bathe naked
and I'm sure we'll be ready to eat
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526. You always find a solution to everything!
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527. Are you bored?
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528. I'm bored, you're bored, he's bored,
we're all bored, you all...
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529. I bore myself, you bore yourself...
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530. Even the flowers are bored
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531. The trees are bored, the birds are bored...
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532. A curious concept of life...
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533. No, a curious concept of boredom
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534. What are you doing here?
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535. You should find yourself a boy
and go with him. You'd be less bored
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536. - That depends.
- On what, exactly?
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537. Basically, you're right. When you meet an amazing man,
he always eventually reveals himself to be a moron
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538. And if he is smart,
that is always a deception
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539. But hey, it may be that there is always
an exception to the rule
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540. - I met two.
- Why did you leave them?
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541. I didn't. They left me...
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542. They are dead
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543. What a beautiful couple!
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544. Men are all the same
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545. On the last evening, we walked
together under the palm trees
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546. It was very solemn
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547. I can't live without him, Tina
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548. I need him
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549. Are you bored?
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550. At the moment, no
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551. - What a response!
- Yes, it's great
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552. The air is clear
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553. Here, everything is conducive to love.
Can you not sense it?
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554. No
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555. What a chance to enjoy this
warm and sensual atmosphere
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556. If I could, I would change places with you.
Do you understand me?
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557. In this world, nobody is free
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558. What do you say...
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559. You are free.
You could meet a man who pleases you...
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560. and lose yourself with him on a deserted beach
during a strange, romantic evening
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561. You call that being free?
It's just another trap
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562. You could make love like
just any stray mutt?
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563. You are very pessimistic
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564. If you were not so beautiful...
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565. I would think you were an old woman
talking down her nose at me
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566. I do not know who said:
"How can we talk of human freedom?
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567. "... I have asked no one to come into the world,
and no one to leave"
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568. A bitter truth
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569. Was it Dante who said that?
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570. No, Boris Vian.
Just before he died
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571. A Frenchman, eh?
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572. You could say that
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573. You're jealous?
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574. You're not mad?
Why should I care?
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575. Because of Ana
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576. I would be jealous if you told me
you had found the love of your life
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577. - But that is not the case.
- You can't be sure
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578. So what difference does it make
if you sleep with her or another woman?
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579. At least, she's a good girl.
And unhappy
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580. Wait a little. Don't second-guess
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581. I have not slept with her
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582. Anyway, you are very generous.
Perhaps too much
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583. With you, always
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584. Give me that
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585. - What hour is it?
- Almost 05h00
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586. Here, it is still early days.
I had forgotten
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587. You want to go?
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588. I don't mind.
I already slept for two hours
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589. You are so entertaining!
Hey, Roger!
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590. Play me something jolly
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591. - I'll escort you.
- It's not worth it. I live nearby
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592. But I am a gentleman
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593. As you wish
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594. After you
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595. Are you going to invite me in for a drink?
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596. Why?
You'll let me down like that?
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597. Yes, I'll let you down like that
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598. Are you sure you want to go with her?
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599. Yes, though I haven't asked.
Do you mind?
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600. Until now,
your adventures have been more discrete
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601. That's no longer enough for you?
Perhaps you're in love?
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602. Perhaps
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603. I'll tell you when we return to Porto Santo
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604. Don't stop, I beg you. Continue
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605. I love you, Ana
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606. I love you
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607. This isn't just a simple holiday fling
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608. And no more just a game of seduction
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609. I know I'm old enough to be your father
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610. But that does not stop me from loving you
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611. I want you with all my soul
and I cannot live without you
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612. You are crazy
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613. Yes, crazy. And terribly confused
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614. I thought I knew all the tricks
for seducing girls like you
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615. But this is not a game.
This is serious, and I don't know what to say
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616. These words must seem ridiculous to you
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617. If you love me... If you want me...
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618. Don't try to conquer me.
You don't need to talk
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619. I prefer to know nothing about you...
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620. except the taste of your lips
and the touch of your flesh
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621. Ana...
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622. Pipo
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623. - Ana, it's you!
- I'm Carla, a friend of Ana's.
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624. Your niece murdered a man.
It was very bad
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625. She fled in my car.
I'm warning you
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626. What did you say?
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627. Ana is a criminal.
There is no doubt about it
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628. Ana, come to me...
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629. I'll wait
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630. You need me
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631. Take my hand, Ana
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632. Like when you were a child
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633. We'll be together, forever
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634. Ana, come. I'll wait
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635. Come
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636. @Subtitles: Paul A J Lewis, 2014
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