1. The first time I saw a movie
at the Cinemathique Francaise...Copy !req
2. I thought, "Only the French...Copy !req
3. Only the French would house
a cinema inside a palace."Copy !req
4. The movie was
Sam Fuller's Shock Corridor.Copy !req
5. Its images were so powerful,
it was like being hypnotized.Copy !req
6. I was 20 years old.
It was the late '60s...Copy !req
7. and I'd come to Paris
for a year to study French.Copy !req
8. But it was here
that I got my real education.Copy !req
9. I became a member of what in those days
was kind of a free masonry.Copy !req
10. A free masonry of cinephiles...Copy !req
11. what we'd call "film buffs."Copy !req
12. I was one of the insatiables...Copy !req
13. the ones you'd always find
sitting closest to the screen.Copy !req
14. Why do we sit so close?Copy !req
15. Maybe it was because we wanted
to receive the images first...Copy !req
16. when they were still new,
still fresh...Copy !req
17. before they cleared the hurdles
of the rows behind us...Copy !req
18. before they'd been relayed back
from row to row, spectator to spectator...Copy !req
19. until worn-out, secondhand,
the size of a postage stamp...Copy !req
20. it returned to the
projectionist's cabin.Copy !req
21. Doctor, I'm not nuts!
I'm here from the paper! I'm a plant!Copy !req
22. Maybe, too, the screen
really was a screen.Copy !req
23. It screened us...
from the world.Copy !req
24. But there was one evening
in the spring of 1968...Copy !req
25. when the world finally
burst through the screen.Copy !req
26. The pawn of an obscure coalition...Copy !req
27. of dubious interests...Copy !req
28. the Minister Malraux
has driven...Copy !req
29. Henri Langlois out
of the French Cinematheque.Copy !req
30. If offered us all
a free and fair conception...Copy !req
31. of French film culture.Copy !req
32. Now, for bureaucratic reasons,
culture's arch-enemies...Copy !req
33. have seized this bastion
of liberty.Copy !req
34. Resist them!Copy !req
35. - Liberty isn't given!
- It's taken!Copy !req
36. All those who love film...Copy !req
37. - In France...
- And abroad.Copy !req
38. Are with you.Copy !req
39. And with Henry Langlois!Copy !req
40. It was Henri Langlois,
who created the Cinémathèque...Copy !req
41. and it was because
he liked to show movies...Copy !req
42. instead of letting them rot
in some underground vault...Copy !req
43. to show any movies...
good, bad, old, new...Copy !req
44. silents, Westerns, thrillers...Copy !req
45. that all the New Wave filmmakers
came here to learn their craft.Copy !req
46. This was where
modern cinema was born.Copy !req
47. What lies behind it?Copy !req
48. The police!Copy !req
49. Langlois had been sacked
by the government...Copy !req
50. and it seemed like every film buff
in Paris had turned out in protest.Copy !req
51. It was our very own
cultural revolution.Copy !req
52. It was our very own
cultural revolution.Copy !req
53. Excuse me.Copy !req
54. Can you remove this?Copy !req
55. It's stuck to my lips.Copy !req
56. Can you remove my cigarette?
It's stuck.Copy !req
57. Yes, yes... of course.Copy !req
58. Sorry.Copy !req
59. - What are you, English?
- No. I'm American.Copy !req
60. You can put it out now.Copy !req
61. - What's your name?
- Matthew.Copy !req
62. You're here a lot, aren't you?
But you never talk to anyone.Copy !req
63. We've been wondering
why you're always alone.Copy !req
64. I don't really know anybody.Copy !req
65. How come you're
chained to the gates?Copy !req
66. I'm not chained to the gates.Copy !req
67. - You're awfully clean.
- What?Copy !req
68. For someone who likes
the cinema so much.Copy !req
69. - Do you know Jacques?
- Jacques?Copy !req
70. "If shit could shit,
it would smell just like Jacques."Copy !req
71. My brother's
gone to talk to him.Copy !req
72. When he gets back, you'll be able
to smell Jacques on him.Copy !req
73. It's like being around pigs.Copy !req
74. - You speak English really well.
- What?Copy !req
75. - You speak English really well.
- My mother's English.Copy !req
76. - Here's Theo. When I introduce you,
just give him a sniff.
- Come on.Copy !req
77. Truffaut, Godard, Charbol, Rivette...Copy !req
78. and Renoir, Jean Roach,
Rohmer are here.Copy !req
79. Marcel Carne too.Copy !req
80. Why is Came here?Copy !req
81. What should we do?
Stay or leave?Copy !req
82. I don't know.Copy !req
83. Theo, this is Matthew.Copy !req
84. - You were right. He's American.
- Hi.Copy !req
85. I've seen you around. You've been coming
to all the Nicholas Rays.Copy !req
86. Yeah. I really like his movies.Copy !req
87. - What? They Live By Night?
- Mm-mm. More like...Copy !req
88. Johnny Guitar
and Rebel Without a Cause.Copy !req
89. - You know what Godard wrote about him?
- No. What?Copy !req
90. "Nicholas Ray is cinema."Copy !req
91. - What's up with you?
- Me?Copy !req
92. Come on, stick with me!Copy !req
93. Fascists!Copy !req
94. - Bastards!
- Assholes!Copy !req
95. And that was how I first met
Theo and Isabelle.Copy !req
96. I could hear my heart pounding.Copy !req
97. I don't know if it was because I'd
just been chased by the police...Copy !req
98. or because I was already
in love with my new friends.Copy !req
99. As we walked and talked
and talked and talked...Copy !req
100. about politics, about movies...Copy !req
101. and why the French could never come
close to producing a good rock band...Copy !req
102. - I'm starving.
- I forgot the sandwiches.Copy !req
103. I didn't want that night
ever to end.Copy !req
104. - Merci.
- Didn't you bring anything?Copy !req
105. No. I'm okay.
Please eat.Copy !req
106. Don't mind me.Copy !req
107. - No. I'm really not hungry.
- I've broken it now. Take it.Copy !req
108. - You're very kind, but I don't...
- For goodness sake,
take it when you're offered it.Copy !req
109. Thank you.Copy !req
110. Theo, don't you have
something for Matthew?Copy !req
111. This is fine.Copy !req
112. - I gave him a third of mine.
- Okay.Copy !req
113. - Really, I didn't come here
to eat your sandwiches.
- He doesn't want it.Copy !req
114. Yes, he does! He's just too polite
to say he does.Copy !req
115. - Aren't you, Matthew?
- You're very kind.Copy !req
116. - So where are you from exactly?
- San Diego.Copy !req
117. What about you two?
Were you both born in Paris?Copy !req
118. I entered this world on
the Champs Elysées, 1959.Copy !req
119. The pavement of the Champs-Elysees.Copy !req
120. And you know what my
very first words were?Copy !req
121. No. What?Copy !req
122. "New York Herald Tribune!"Copy !req
123. New York Herald Tribune!Copy !req
124. - New York Herald Tribune!
- New York Herald Tribune!Copy !req
125. Will you come to Rome with me?Copy !req
126. Here! Right here! Here!Copy !req
127. No, there!Copy !req
128. - Good night, Matthew!
- Night.Copy !req
129. "Dear Mom...Copy !req
130. "I've got some real news this time.Copy !req
131. I just met
my first French friends."Copy !req
132. - Hello.
- Matthew?Copy !req
133. Who is this?Copy !req
134. - Don't be suspicious. It's me.
- Theo?Copy !req
135. - Don't tell me I woke you up.
- No, I...Copy !req
136. - I've been up for ages.
- You don't sound as if
you've been up for ages.Copy !req
137. I always sound like this
in the morning.Copy !req
138. Sorry. I had to call you early
because I go to class at 9:00.Copy !req
139. - Right.
- Listen, you want to have
dinner tomorrow night?Copy !req
140. Um, you mean like a real dinner
in a nice restaurant?Copy !req
141. No, not in a restaurant.
Here at home.Copy !req
142. Yeah, I'd...
Sure, that'd be great.Copy !req
143. Yes? Okay, why don't you...Copy !req
144. Theo, please get off the phone.
It's 9:00.Copy !req
145. Yes, yes. Why don't you meet us for
a drink first at Le Raspail, 6:00?Copy !req
146. You know where it is?Copy !req
147. - Boulevard Saint-Germain?
- Be there are 6:00.Copy !req
148. Hey!Copy !req
149. Third floor!Copy !req
150. You know, there's room
in here for all of us.Copy !req
151. - Theo and I are contagious!
- What?Copy !req
152. - We're very contagious!
- Contagious?Copy !req
153. You mustn't catch us.Copy !req
154. - It's beautiful.
- You think so?Copy !req
155. Good luck.Copy !req
156. Evening, Maman.Copy !req
157. What are you doing here?Copy !req
158. - We're here for dinner.
- What?Copy !req
159. With Matthew.Copy !req
160. - Didn't Isabelle say?
- Which Matthew?Copy !req
161. This Matthew.Copy !req
162. He's our new friend.
Matthew, this is my mother.Copy !req
163. - Hi.
- Very pleased to meet you, Matthew.Copy !req
164. - Likewise.
- Oh, you're American, are you?Copy !req
165. - Yeah. I'm from California.
- Oh.Copy !req
166. Matthew lives in that nasty student
Hotel Malebranche...Copy !req
167. - so we invited him to dinner.
- Oh.Copy !req
168. What's wrong?Copy !req
169. What can I say, Isabelle?
I'm cooking for two...Copy !req
170. and now there are five of us.Copy !req
171. Didn't Theo tell you?Copy !req
172. No, he didn't.
And neither did you.Copy !req
173. Have you got mashed potatoes
for brains or what?Copy !req
174. You were supposed to tell her!Copy !req
175. You're crazy!Copy !req
176. Bitch, cow, slut...Copy !req
177. Oh, for God's sake!
Put a sock in it, you two!Copy !req
178. I must apologize for
my children's behavior, Matthew.Copy !req
179. No. I'm the one
who should be apologizing.Copy !req
180. Please don't put yourself out
on account of me.Copy !req
181. That's very sweet of you,
seeing as you're completely blameless.Copy !req
182. Let me look at you.Copy !req
183. Okay. I want you to make
a good impression on Papa.Copy !req
184. Papa, it's me.Copy !req
185. We're eating in.Copy !req
186. And the cinematheque?Copy !req
187. Closed until further notice.Copy !req
188. Papa, can't you see we have a guest?Copy !req
189. - This is Matthew.
- Oh.Copy !req
190. - Sir.
- Matthew.Copy !req
191. Matthew's dining
with us tonight.Copy !req
192. My young Matthew,
inspiration is like a baby.Copy !req
193. It does not choose a nice,
seemly hour to enter the world.Copy !req
194. It has no consideration
for the poor poets. I know.Copy !req
195. But when it does come...Copy !req
196. when it deigns to come,
then you know it's...Copy !req
197. Young man, I was speaking to you.
I imagine you were listening.Copy !req
198. I was.
I'm... I'm sorry.Copy !req
199. What?Copy !req
200. Nothing.
I was just, um...Copy !req
201. You seemed to be mesmerized
by this tin lighter.Copy !req
202. I'd like to know why.Copy !req
203. - Well?
- George, please.Copy !req
204. - Matthew's our guest.
- No, no. I'm genuinely curious.Copy !req
205. I'd like to know why.Copy !req
206. I was just... I was fidgeting
with Isabelle's lighter...Copy !req
207. and... I wasn't
really realizing it...Copy !req
208. then I noticed,
and I thought it was rude...Copy !req
209. so I put it down on the table.Copy !req
210. But I put it diagonally across
one of these squares.Copy !req
211. Do you see?Copy !req
212. Look.Copy !req
213. That's when I noticed
that the lighter's length...Copy !req
214. is exactly the same length
as the diagonal itself.Copy !req
215. So I put it lengthwise,
along the outside edge.Copy !req
216. - Look. It fits there too.
- Yeah.Copy !req
217. But it fits there.Copy !req
218. And it fits like this
and like this...Copy !req
219. and this way too.Copy !req
220. And I bet you if
I just split it in half...Copy !req
221. you know, it's
got to fit somewhere.Copy !req
222. I mean, it really
fits anywhere. Look.Copy !req
223. See?Copy !req
224. I was noticing that the more
you look at everything...Copy !req
225. this table, the objects on it,
the refrigerator, this room...Copy !req
226. your nose, the world Suddenly...Copy !req
227. you realize that there's some
sort of cosmic harmony...Copy !req
228. of shapes and sizes.Copy !req
229. I was just wondering why.
I don't know why that is.Copy !req
230. I know that it is.Copy !req
231. You have an interesting
friend here.Copy !req
232. More interesting, I suspect,
than you know.Copy !req
233. I mean, when we look around us,
what is it we see?Copy !req
234. Complete chaos.Copy !req
235. Yet viewed from above...Copy !req
236. viewed, as it were, by God...Copy !req
237. everything suddenly
fits together.Copy !req
238. My children believe that
their demonstrations and sit-ins...Copy !req
239. and happenings...Copy !req
240. what, they believe that these possess
the capacity...Copy !req
241. not only to provoke society,
but also to transform it.Copy !req
242. What is it you're saying?
If Langlois is dismissed,
we shouldn't do anything?Copy !req
243. If immigrants are deported,
if students are beaten up,
we shouldn't do anything?Copy !req
244. What I'm saying is that
a little lucidity would not go amiss.Copy !req
245. So, uh,
everyone's wrong but you?Copy !req
246. In France, in Italy,
Germany, America?Copy !req
247. Listen to me, Theo.
Before you can change the world...Copy !req
248. you must realize
you yourself are part of it.Copy !req
249. You cannot stand outside
looking in.Copy !req
250. You're the one
who stands outside.Copy !req
251. You're the one who refused to sign
a petition against the Vietnam War.Copy !req
252. Poets don't sign petitions.
They sign poems.Copy !req
253. A petition is a poem.Copy !req
254. Yes! And a poem is a petition.
Thank you, but I'm not gaga yet.Copy !req
255. I don't need you to remind me
of my own work!Copy !req
256. - Hmm?
- That's right.Copy !req
257. A petition is a poem,
a poem is a petition.Copy !req
258. Yes.Copy !req
259. Those are the most famous
lines you ever wrote.Copy !req
260. And now look at you.Copy !req
261. I hope I'll never be like him.Copy !req
262. Theo.Copy !req
263. We should say good night, darling.Copy !req
264. We got a long day
ahead of us tomorrow.Copy !req
265. George.Copy !req
266. Yes, sorry. You were saying?Copy !req
267. We should go to bed.Copy !req
268. You had something
to tell the children, didn't you?Copy !req
269. Yes, of course.Copy !req
270. I'm sorry.Copy !req
271. The cheques
are on the mantelpiece.Copy !req
272. Don't cash them
until you need them, all right?Copy !req
273. Good night, everybody.Copy !req
274. Good night, Papa. Have a safe journey.Copy !req
275. Good night, dear.
Theo.Copy !req
276. A very good night to you, Matthew.Copy !req
277. It was a pleasure meeting you, sir.
A pleasure.Copy !req
278. - Very nice meeting you, Matthew.
- You too.Copy !req
279. - Thank you so much for dinner.
- It's my pleasure.Copy !req
280. Why don't you invite Matthew
to spend the night?Copy !req
281. I'm not sure I like the sound
of Hotel Malebranche.Copy !req
282. Good night.Copy !req
283. Why haven't you dazzled us with these
philosophical speculations of yours?Copy !req
284. - I didn't know I was being philosophical.
- Papa was awfully impressed.Copy !req
285. - Papa's full of shit.
- I think you're lucky.Copy !req
286. I... I wish my parents
were that nice.Copy !req
287. Other people's parents
are always nicer than our own.Copy !req
288. And yet for some reason,
our own grandparents...Copy !req
289. are always nicer
than other people's.Copy !req
290. You know, that's true.
That's... That's absolutely true.Copy !req
291. I never thought about it before,
but it's... it's true.Copy !req
292. Matthew, you sweet...Copy !req
293. This... is double
the length of...Copy !req
294. Well, I'm for bed.Copy !req
295. Are you staying?Copy !req
296. - Are you okay?
- Yeah, I'm okay.Copy !req
297. Good night, Matthew.Copy !req
298. Everybody's got a father.Copy !req
299. Yes.Copy !req
300. But the fact that
God doesn't exist...Copy !req
301. doesn't mean
he can take his place.Copy !req
302. Okay?Copy !req
303. That's fine.Copy !req
304. - Good night.
- Good night.Copy !req
305. - See you in the morning.
- See you.Copy !req
306. Thank... Thank you.Copy !req
307. No!Copy !req
308. Good morning.Copy !req
309. What was that all about?Copy !req
310. I was removing the sleep
from your eyes.Copy !req
311. Theo lets me do his
every morning.Copy !req
312. That's the strangest thing
to want to do.Copy !req
313. Didn't you enjoy it?Copy !req
314. - Was I supposed to?
- Naturally.Copy !req
315. Up, up, up, up, up!
What are you waiting for?Copy !req
316. Isabelle, I'm not dressed.Copy !req
317. - What are you doing?
- What are you doing?Copy !req
318. I've been memorizing this room.Copy !req
319. In the future, in my memory...Copy !req
320. I shall live a great deal in this room.Copy !req
321. Queen Christina...Copy !req
322. where Greta Garbo
bids farewell to the room...Copy !req
323. where she spent the night
with John Gilbert.Copy !req
324. Bravo!Copy !req
325. Alors.
We have a private wing to ourselves.Copy !req
326. The bathroom's
at the end of the corridor.Copy !req
327. If you aren't there in one minute,
we're coming back to get you!Copy !req
328. Come in.Copy !req
329. Good morning.Copy !req
330. Are you going to church?Copy !req
331. Oh, sorry. You want to use
my toothbrush?Copy !req
332. - Uh, no.
- Sure?Copy !req
333. I'll use my finger.Copy !req
334. - Sleep well?
- Yeah.Copy !req
335. - I mean, fine.
- Good.Copy !req
336. - You know, Matthew?
- Hmm.Copy !req
337. You really do have the most
beautiful pair of lips.Copy !req
338. Can I touch them?Copy !req
339. - You... You wanna touch my lips?
- Uh-huh.Copy !req
340. Okay.Copy !req
341. So red... and ripe
and luscious.Copy !req
342. So sullen, brutal.Copy !req
343. Let's see what you
look like with lipstick.Copy !req
344. - I really should be going.
- You'd make such a pretty girl.Copy !req
345. Ignore her, Matthew.
She sucks in all the air around her.Copy !req
346. No, I... I really have to, um,
be getting back to my hotel.Copy !req
347. No. Why? You have been
invited to stay.Copy !req
348. - Really?
- Sure.Copy !req
349. You know our parents have left.Copy !req
350. They're going to be
introuvés for a month.Copy !req
351. We thought you might like
to move your things here.Copy !req
352. - R-Really?
- Sure.Copy !req
353. But you just met me two days ago.
You barely even know me.Copy !req
354. This way we get to know you. You
don't have to stay in a hotel, do you?Copy !req
355. No.Copy !req
356. Then we'll go and pick
up what you need...Copy !req
357. with my Mobilette, okay?Copy !req
358. - Come on.
- But... what about you?Copy !req
359. It was my idea.Copy !req
360. Whoa! You're scaring me right now!Copy !req
361. Jesus.Copy !req
362. I'm going to check out
the Cinémathèque, just in case.Copy !req
363. - Okay.
- Don't take too long.Copy !req
364. Don't worry, I won't.
I don't have much stuff.Copy !req
365. With us, you're not
going to need much.Copy !req
366. Okay.Copy !req
367. Oh, just don't forget
your toothbrush!Copy !req
368. Okay.Copy !req
369. "Dear Mom, I guess you're surprised
to be hearing from me...Copy !req
370. "so soon after my last letter.Copy !req
371. "But I've just moved out of my hotel
and into an apartment...Copy !req
372. "belonging to a famous
French author...Copy !req
373. "whose children are the same age as me
and have the same interests.Copy !req
374. "I know how pleased you? be to hear I'm
getting in with the right kind of people.Copy !req
375. Say hello to Father.
I hope he's not still mad at me."Copy !req
376. Listen to this, Matthew.Copy !req
377. Listen to this, Matthew.Copy !req
378. "The difference between
Keaton and Chaplin...Copy !req
379. "is the difference
between prose and poetry...Copy !req
380. "between the aristocrat
and the tramp...Copy !req
381. "between eccentricity
and mysticism...Copy !req
382. between man as a machine
and man as animal."Copy !req
383. Not bad, huh?Copy !req
384. That's good. Except for me,
there's no comparison.Copy !req
385. Why? 'Cause Chaplin's
incomparable?Copy !req
386. No. Because Keaton
is incomparable.Copy !req
387. Keaton? You think Keaton's
greater than Chaplin?Copy !req
388. - Absolutely I do.
- Oh, you're not serious.Copy !req
389. - Of course I am.
- You're crazy.Copy !req
390. Come on. In the first place, you can't
deny that Keaton's funnier than Chaplin.Copy !req
391. - Yes, I can.
- You don't think that Keaton
is funnier than Chaplin?Copy !req
392. I don't think anyone's
funnier than Chaplin.Copy !req
393. Keaton is!Copy !req
394. Even when he's not doing anything,
he's funny And he looks like Godard.Copy !req
395. Keaton is a real filmmaker.
Chaplin, all he cares about
is his own performance...Copy !req
396. - his own ego.
- That's bullshit.Copy !req
397. - It's not bullshit.
- Yes, it is.Copy !req
398. You Americans understand fuck-all
about your own culture.Copy !req
399. - No wonder you never got
the point of Jerry Lewis.
- Don't even get me started!Copy !req
400. Listen, when Chaplin wanted
to have a beautiful shot, he knew how.Copy !req
401. Better than Keaton,
better than anybody.Copy !req
402. You remember the last shot
of City Lights?Copy !req
403. He looks at the flower girl,
she looks at him...Copy !req
404. and don't forget,
she'd been blind...Copy !req
405. so she was seeing him
for the very first time.Copy !req
406. It's as if, through her eyes,
we also see him for the very first time.Copy !req
407. Charlie Chaplin, Chariot,
the most famous man in the world...Copy !req
408. and it's as if we've never
really seen him before.Copy !req
409. Isa, if you play that fucking record again,
I'll break it in two, okay?Copy !req
410. But you like Janis Joplin.Copy !req
411. Stop it!Copy !req
412. I said stop it, Isabelle!Copy !req
413. Stop!Copy !req
414. - Tell me, what film?
- Wha-What?Copy !req
415. Name a film...
Let go!Copy !req
416. Name a film where someone
tap dancing drives someone else crazy!Copy !req
417. - Oh, I know this!
- Come on! Quick! Quick!Copy !req
418. Top Hat! Top Hat!
Fred Astaire's dancing over
Ginger Rogers's room.Copy !req
419. And she's mad because he wakes her up.Copy !req
420. I'm right.Copy !req
421. He's good.Copy !req
422. You know what I'm thinking?Copy !req
423. What?Copy !req
424. "Bande à part."Copy !req
425. You're right.Copy !req
426. Why are you two
looking at me like that?Copy !req
427. Well, you see,
my little Matthew...Copy !req
428. there's something Theo and I have
been meaning to do for a long time...Copy !req
429. but we've been waiting
for the right person to do it with.Copy !req
430. - And I think you're finally it!
- To do what?Copy !req
431. Try to be the record
of Bande à part.Copy !req
432. - What record?
- You've seen Bande à part, haven't you?Copy !req
433. - Yeah.
- Remember the scene where
the three race through the Louvre?Copy !req
434. - Uh, vaguely Remind me.
- They try to beat the world record...Copy !req
435. - of 9 minutes and 45 seconds.
- Oh, yeah! Of course.Copy !req
436. We're going to beat
their record.Copy !req
437. Uh, oh.Copy !req
438. - What?
- What's the matter?Copy !req
439. - Nothing, really, I'm...
- Not afraid, are you?Copy !req
440. - No. I'm not afraid.
- What, then?Copy !req
441. It's easy for you two. I'm an American,
what you French call an alien.Copy !req
442. - So?
- So if I get caught, I get deported.Copy !req
443. Well, don't worry, little man,
we're not going to get caught.Copy !req
444. - Yeah you don? know that.
- They weren't caught in Bande à part.Copy !req
445. - And if we beat their record...
- It's a movie!Copy !req
446. - Go get Papa's stopwatch.
- It's a great idea, but...Copy !req
447. Matthew, this is a test.Copy !req
448. Are you going to pass it
or fail it?Copy !req
449. Be careful. A lot depends
on how you answer.Copy !req
450. Hé! Non! Arrêtez!Copy !req
451. Nine minutes and 28 seconds.Copy !req
452. We beat the record
by 17 seconds!Copy !req
453. Matthew!
My little Matthew!Copy !req
454. You were wonderful!Copy !req
455. - We accept him. One of us!
- One of us!Copy !req
456. We accept him, one of us!Copy !req
457. We accept him, one of us!Copy !req
458. We accept her, we accept her.Copy !req
459. Gooble, gobble.
Gooble, gobble.Copy !req
460. - We accept him, one of us!
- One of us!Copy !req
461. Hey!Copy !req
462. Theo. Isabelle.Copy !req
463. Theo.Copy !req
464. Hey!Copy !req
465. - We accept you, one of us!
- One of us! One of us!-Copy !req
466. One of us! One of us!Copy !req
467. That's Mama.Copy !req
468. I'm too wet to answer.Copy !req
469. Isa's smart, but she doesn't
know how to deal with parents.Copy !req
470. - What do you mean?
- I mean, it's not enough to ignore them.Copy !req
471. They should all be arrested...Copy !req
472. put on trial,
confess their crimes...Copy !req
473. sent to the country
for self-criticism...Copy !req
474. and reeducation!Copy !req
475. - They're already in the country.
- They are at the seaside.Copy !req
476. That's different.Copy !req
477. Allô. Allô?Copy !req
478. Too bad.Copy !req
479. My parents never go anywhere.Copy !req
480. At least you have
the house to yourselves.Copy !req
481. Where are you going?Copy !req
482. Uh, I gotta get
out of these clothes.Copy !req
483. It'll be cold in your room.
Come into mine.Copy !req
484. Okay.Copy !req
485. You can wear this.Copy !req
486. Thanks.Copy !req
487. I'm going to get a Coca.
You want one?Copy !req
488. Okay.Copy !req
489. - Matthew!
- Yeah!Copy !req
490. - Just open the door. My hands are full.
- Just a second.Copy !req
491. - Why didn't you open the door?
- I was...Copy !req
492. I was dressing.Copy !req
493. What film?Copy !req
494. In what film does a chorus line
dance like this...Copy !req
495. with a singer in a fur coat?Copy !req
496. - I've seen this film?
- We saw it together.Copy !req
497. - We did? Give me a clue.
- Certainly not.Copy !req
498. - Come on. Be a sport. Director's name.
- No.Copy !req
499. Number of words in the title.Copy !req
500. - I said no. Non!
- Isabelle!Copy !req
501. - The first letter of the first word.
- God! You're patheticCopy !req
502. Isn't he pathetic, Matthew?
Don't you think he's pathetic?Copy !req
503. - Matthew, I bet you know.
- Don't you dare help him.Copy !req
504. Did the Sphinx
give Oedipus a clue?Copy !req
505. Fuck you.Copy !req
506. Give up?Copy !req
507. Yeah.Copy !req
508. - Blonde Venus. Marlene Dietrich. 1932.
- Shit.Copy !req
509. I knew that.Copy !req
510. - Forfeit.
- If you insist.Copy !req
511. I dare you to do now...
in front of us...Copy !req
512. what I've watched you do...
in front of her.Copy !req
513. Who?Copy !req
514. I don't know
what you're talking about.Copy !req
515. Oh, yes, you do, my pet.Copy !req
516. Forfeit.Copy !req
517. What a bitch you are.Copy !req
518. A bitch and a sadist.Copy !req
519. Are you going to pay
the forfeit or not?Copy !req
520. Very well.Copy !req
521. SharePirate.Com SubsCopy !req
522. Mm-mm-mm. I want you to do it
the way you did it...Copy !req
523. when you thought
no one was watching.Copy !req
524. Let's have a drink.
I'll meet you downstairs.Copy !req
525. - Matthew.
- Yes?Copy !req
526. Yes.Copy !req
527. Why don't you admit
you were thrilled?Copy !req
528. Come on.
You can tell me.Copy !req
529. What?Copy !req
530. Weren't you just
a tiny bit excited?Copy !req
531. - What is it exactly
you're trying to get me to say?
- I asked you a question.Copy !req
532. Well, I suppose you know
who you sound like.Copy !req
533. - Who?
- Isabelle.Copy !req
534. Why not?
She's my twin sister.Copy !req
535. - You two are twins?
- Yes.Copy !req
536. She'd be me if she were a man.Copy !req
537. - That's crap. You're not identical.
- Yes, we are.Copy !req
538. We're Siamese twins,
joined here.Copy !req
539. You're a strange one, Theo.Copy !req
540. Half an hour ago, I saw you look at her
as though you wanted to strangle her.Copy !req
541. I did.Copy !req
542. I don't understand you.Copy !req
543. - Don't you have any brothers or sisters?
- I have two older sisters.Copy !req
544. Didn't you ever
want to strangle them?Copy !req
545. Of course I did! But I never masturbated
in front of them, and I never...Copy !req
546. They never forced me to do
anything I never wanted to do.Copy !req
547. You think Isabelle
forced me, do you?Copy !req
548. Deep down I knew things
couldn't go on as before.Copy !req
549. Now the stakes had been raised.Copy !req
550. But for a while, at
least, there did seem toCopy !req
551. be a kind of truce between
Theo and Isabelle.Copy !req
552. And then one evening... Theo!Copy !req
553. - What film?
- "What film?â€Copy !req
554. Name a film where a cross
marks the spot of a murder,
or pay the forfeit.Copy !req
555. - You too, Matthew.
- Me?Copy !req
556. What... What have I done?Copy !req
557. Name a film or pay the forfeit.Copy !req
558. - Uh, um...
- Time's up.Copy !req
559. - Time's up? You didn't
even give me a chance.
- The film?Copy !req
560. Scarface.
Howard Hawks, 1932.Copy !req
561. And the forfeit?Copy !req
562. Well, now...Copy !req
563. as you know, Isabelle,
I'm not a sadist.Copy !req
564. I just want to see everyone happy,
no one left out.Copy !req
565. So I'd like you...Copy !req
566. and Matthew... to make
love in front of me.Copy !req
567. But not in here.Copy !req
568. I don't fancy sleeping in someone
else's revolting sweat.Copy !req
569. - No offense, Matthew.
- Where?Copy !req
570. In the spare room...Copy !req
571. in front of the Delacroix.Copy !req
572. Maybe one reproduction
will inspire another.Copy !req
573. - Um, um...
- I won't do it.Copy !req
574. - Won't do it?
- You wouldn't.Copy !req
575. Matthew isn't my type.Copy !req
576. Okay.Copy !req
577. I gotta go to the bathroom.Copy !req
578. Matthew! Matthew.Copy !req
579. Matthew.Copy !req
580. Matthew.Copy !req
581. Yes?Copy !req
582. This is silly.
Come out of there.Copy !req
583. Okay.Copy !req
584. Okay. All right.Copy !req
585. Look. Wait. Look.
You're hurting me!Copy !req
586. I'm not violent. I'm...
I'm against violence.Copy !req
587. - I'm not gonna resist. Look.
- So shut up. Okay?Copy !req
588. - Okay.
- Now, Matthew, you aren't
being very gallant.Copy !req
589. Is the prospect of making love to me
so hateful?Copy !req
590. I've seen you.
I saw you in bed together.Copy !req
591. Oh. Our guest
has been spying on us.Copy !req
592. Hmm. Now, that wasn't
a friendly thing to do, Matthew.Copy !req
593. Especially when we've
been so hospitable.Copy !req
594. Okay, okay. Look...Copy !req
595. - Shh, shh.
- I'm not resisting! I'm not resisting!Copy !req
596. Oh, how sweet
of you, Matthew...Copy !req
597. to keep my image
next to your heart.Copy !req
598. I didn't mean... Good.Copy !req
599. Oh, Matthew. Oh, come on.
Oh, wake up. Oh.Copy !req
600. Come on, wake up.Copy !req
601. Isabelle?Copy !req
602. No. I'm Theo.Copy !req
603. Where is Isabelle?Copy !req
604. You have to help me.Copy !req
605. Sorry.Copy !req
606. Oh, that was the best one.Copy !req
607. What about yesterday?Copy !req
608. - Where?
- In Papa's study.Copy !req
609. You thought that was better?Copy !req
610. Mm-hmm. Please, please,
please, please.Copy !req
611. - What?
- Stay inside.Copy !req
612. Matthew.Copy !req
613. My love.Copy !req
614. My first love.Copy !req
615. My great love.
My great lover.Copy !req
616. My Valentino.Copy !req
617. You know, I thought
you had many lovers.Copy !req
618. When I first saw you
at the Cinémathèque-Copy !req
619. you and Theo...
you looked so cool.Copy !req
620. So sophisticated.Copy !req
621. - Like a movie star.
- I was.Copy !req
622. I was acting, Matthew.Copy !req
623. How did you and... How
did you and Theo...Copy !req
624. come together
the way that you are?Copy !req
625. Theo and me?Copy !req
626. It was love at first sight.Copy !req
627. But he's never been inside you?Copy !req
628. He's always inside me.Copy !req
629. What would you do...Copy !req
630. What would you do
if your parents found out?Copy !req
631. It must never happen.Copy !req
632. Yeah, I know.
But, uh, what if it did?Copy !req
633. It must never, never happen.Copy !req
634. I understand that.
But let's say that it did.Copy !req
635. What would you...
What would you do?Copy !req
636. I would kill myself.Copy !req
637. Where are you going?Copy !req
638. Kitchen. I have to get
something to eat.Copy !req
639. Good luck.Copy !req
640. Theo?Copy !req
641. - Theo?
- Hmm?Copy !req
642. - Want some honey?
- No, thank you.Copy !req
643. - Oh, it's good.
- No.Copy !req
644. - It's really good. Try some.
- No.Copy !req
645. - Just try a little bit.
- No. Thank you.Copy !req
646. I want you to know
that I'm grateful.Copy !req
647. Grateful?Copy !req
648. Remember what you told me in that cafe
about you and Isabelle?Copy !req
649. - Hmm.
- You were right.Copy !req
650. I mean, for me, you two are...Copy !req
651. you're like two halves
of the same person.Copy !req
652. Now you've made me feel
like I'm a part of you.Copy !req
653. Both of you.Copy !req
654. Let's get something
straight, okay?Copy !req
655. You're a nice boy
and I like you a lot...Copy !req
656. but no...Copy !req
657. it wasn't always meant
to be the three of us.Copy !req
658. I told you something else,
remember?Copy !req
659. That Isa and I
are Siamese twins.Copy !req
660. Yeah.Copy !req
661. I wasn't joking.Copy !req
662. What's this?Copy !req
663. That, my dear brother,
is a cheese fondue...Copy !req
664. accompanied by a compote
of broccoli and prunes.Copy !req
665. - And this?
- That's ratatouille.Copy !req
666. And you expect me
to eat this muck?Copy !req
667. - You expected me to cook it.
- I prefer to starve.Copy !req
668. You will. There's
nothing else in the house.Copy !req
669. Matthew, can I serve you?Copy !req
670. The fondue or the ratatouille?Copy !req
671. Which is which?Copy !req
672. This is fondue,
and this is ratatouille.Copy !req
673. No. This is the fondue,
and this is the ratatouille.Copy !req
674. - The... ratatouille.
- Ratatouille.Copy !req
675. Uh, that-that? fine.Copy !req
676. Mm-hmm. Okay.Copy !req
677. Just eat it as if you were
in some exotic country...Copy !req
678. you've never visited before
and this is the national dish.Copy !req
679. It looks like
he's vomiting in reverse.Copy !req
680. It's horrible, isn't it?Copy !req
681. I'm sorry, Isabelle.
I know you tried.Copy !req
682. Thank you, Matthew. I'm glad
somebody appreciates my efforts.Copy !req
683. - You say there's no food in the house?
- Nothing you'd want to eat.Copy !req
684. - And we cashed all the cheques?
- Yes.Copy !req
685. - So what do we do now?
- I'm going to call Papa.Copy !req
686. The phone is dead!Copy !req
687. What's all this?Copy !req
688. It's lunch.Copy !req
689. So, Isabelle, a filet mignon.Copy !req
690. - No.
- No?Copy !req
691. Oh, Matthew, would you
like a rump steak?Copy !req
692. Stop it. It's disgusting.Copy !req
693. Oh, look. What about
this banana?Copy !req
694. One banana for three of us?Copy !req
695. - Uh, yes.
- I'm starving.Copy !req
696. Let me see it.Copy !req
697. - Why?
- Just let me see it.Copy !req
698. - What are you doing?
- Just watch.Copy !req
699. Et voilà.Copy !req
700. Oh, Matthew, you never
cease to surprise.Copy !req
701. - Mmm.
- Mmm.Copy !req
702. - Hey Theo.
- Salut.Copy !req
703. - Okay?
- Fine.Copy !req
704. - Where were you the other night?
- I couldn't make it. Sorry.Copy !req
705. What's up? We hardly
see you now.Copy !req
706. - We can't count on you.
- Stop pissing me off!Copy !req
707. You're not with us anymore.Copy !req
708. I am, but it's complicated.Copy !req
709. Why?Copy !req
710. Because! Get off my back.
I can't explain now.Copy !req
711. Loser!Copy !req
712. Theo, wait for me.Copy !req
713. A little souvenir from Nepal.Copy !req
714. Thanks, that's sweet.Copy !req
715. - Call me.
- Okay, with pleasure.Copy !req
716. See you.Copy !req
717. We hardly left the apartment anymore.Copy !req
718. - We didn't know or care
if it was day or night.
- Come on. Come on.Copy !req
719. What?Copy !req
720. It felt as if we were
drifting out to sea...Copy !req
721. leaving the world
far behind us.Copy !req
722. - Too strong for you?
- That was really good.Copy !req
723. - Good? Again?
- Yeah.Copy !req
724. No.Copy !req
725. Clapton's God, Matthew.Copy !req
726. I don't believe in God.
But if I did...Copy !req
727. he would be a black,
left-handed guitarist.Copy !req
728. This is not Chaplin and Keaton.Copy !req
729. This is Clapton and Hendrix.Copy !req
730. Matthew, Clapton reinvented
the electric guitar.Copy !req
731. Matthew, believe me.Copy !req
732. - Clapton plugs in a guitar...
- Okay, Jimi Hendrix...Copy !req
733. He plugs in an electric guitar,
and he plays it like an acoustic guitar.Copy !req
734. Hendrix plugs in an electric guitar,
he plays with his teeth.Copy !req
735. There are soldiers in
the Vietnam War right now.Copy !req
736. Who are they
listening to? Clapton?Copy !req
737. No. They're listening to Hendrix,
the guy who tells the truth.Copy !req
738. It's fucked up! It's all fucked up!Copy !req
739. You're talking
about soldiers in Vietnam?Copy !req
740. - Yes.
- Okay, what are they doing in Vietnam?Copy !req
741. - They're at war.
- What are they doing? Please tell me.Copy !req
742. - They're fighting.
- They're killing farmers!Copy !req
743. They're dying too.Copy !req
744. They're killing children,
they're burning fields!Copy !req
745. They wanna be there. They wanna die,
and they wanna kill people.Copy !req
746. Shouldn't you be...
Shouldn't you be in Vietnam?Copy !req
747. - Right now, shouldn't you be in Vietnam?
- I don't believe in violence.Copy !req
748. - Where are you, Matthew?
Shouldn't you be there right now?
- I'm lucky.Copy !req
749. I'm in a university. I have friends
who aren't in university.Copy !req
750. And they're expendable.
They're expendable.Copy !req
751. I'm am fucking lucky.Copy !req
752. Youngsters that don't want the war.Copy !req
753. Do you think you can
say it to the government?Copy !req
754. "No. I'm against violence.
I don't agree with your war."Copy !req
755. - Maybe in France.
- Okay, anybody...Copy !req
756. In America, you have to go.
If you don't go, you go to jail.Copy !req
757. Okay, I prefer to go in jail.
I prefer to go in jail.Copy !req
758. - Instead of killing people,
Matthew, I prefer to go in jail.
- You don't understand.Copy !req
759. I read it in Cahiers du Cinéma.Copy !req
760. "A filmmaker
is like a Peeping Tom."Copy !req
761. A voyeur.Copy !req
762. It's as if the camera is a...Copy !req
763. The keyhole
to your parents' bedroom.Copy !req
764. And you spy on them,
and you're disgusted.Copy !req
765. You feel guilty...Copy !req
766. but you can't...
you can't look away.Copy !req
767. It makes films like crimes...Copy !req
768. and directors like criminals.Copy !req
769. It should be illegal.Copy !req
770. There goes my chance
to be a filmmaker.Copy !req
771. - Why?
- My parents always left
the bedroom door open.Copy !req
772. You'll have to direct theater,
not cinema.Copy !req
773. Oh, maybe.Copy !req
774. Uh.Copy !req
775. Whoop.Copy !req
776. Oop.Copy !req
777. My parents only fucked
once in their life.Copy !req
778. That's why we're twins. They
didn't want to make it twice.Copy !req
779. Don't be alarmed, Matthew.Copy !req
780. It's good news.Copy !req
781. It only happens once a month.Copy !req
782. Oh.Copy !req
783. I love you, Isabelle.Copy !req
784. I love you too, Matthew.Copy !req
785. Yeah, but I really love you.Copy !req
786. I really, really love you too.
We both do. Don't we, Theo?Copy !req
787. Oh, yeah.Copy !req
788. That's not what I wanted you to say.Copy !req
789. What do you want us to say?Copy !req
790. I wanted you to say
you love me.Copy !req
791. We just did, Matthew.Copy !req
792. No, you said you love me too.Copy !req
793. I don't want you
to say you love me too.Copy !req
794. I want you to say
that you... love me.Copy !req
795. Oh, we love you,
we love you, we love you.Copy !req
796. That's not right, either.
You have to say it first.Copy !req
797. My God, Matthew.
You already said it first.Copy !req
798. Why is that? Why am I always
the first to say it?Copy !req
799. Oh, poor Matthew. Oh!Copy !req
800. We do love you very much.Copy !req
801. I don't want to be loved very much.
I want to be loved.Copy !req
802. You know what
someone once said?Copy !req
803. "There's no such thing as love.
There are only proofs of love."Copy !req
804. Are you ready to give us
proof of your love?Copy !req
805. You want proof of my love?Copy !req
806. Mm-hmm.Copy !req
807. Okay.Copy !req
808. Get out of the bath.Copy !req
809. Shaving cream.Copy !req
810. - Razor.
- Thanks.Copy !req
811. - What are you doing?
- What do you think I'm doing?Copy !req
812. - You're not serious.
- Yes, I am.Copy !req
813. It's nothing
you need to worry about.Copy !req
814. - It's an operation I've performed before.
- Relax. It grows back.Copy !req
815. - You're both fucking crazy!
- What's the matter?Copy !req
816. This is what you call proof of love?
Turning me into a freak?Copy !req
817. One of us, one of us,
one of us, one of us.Copy !req
818. It's just a game.Copy !req
819. It's just a game!Copy !req
820. A game, Isabelle?
A game? Think about it.Copy !req
821. Think about it. Is this something
you do to each other?Copy !req
822. You want to shave my pubic hair?
You want me to be a little boy for you?Copy !req
823. A little prepubescent Theo at six,
who you can play games with?Copy !req
824. - You can touch peepee.
- Matthew, just...Copy !req
825. I'll show you mine. You show me yours.
Come on! Come on!Copy !req
826. Just calm down.
We hear you.Copy !req
827. Theo, think about it.
Think.Copy !req
828. You sleep in the same bed
together, every night.Copy !req
829. You bathe together. You pee
in the john together.Copy !req
830. You play these little games.Copy !req
831. I wish you could step
out of yourselves and just look.Copy !req
832. - Why? Why are you so cruel?
- Because I love you.Copy !req
833. You have a strange way
of showing it.Copy !req
834. No, I love... I really
love you. Both of you.Copy !req
835. And I admire you.Copy !req
836. And I look at you,
and I listen to you and I think...Copy !req
837. you're never gonna grow.Copy !req
838. You won't grow
like this. You won't.Copy !req
839. Not as long as you keep clinging
to each other the way that you do.Copy !req
840. Isabelle, have you ever
been out on a date?Copy !req
841. - A date?
- Yeah, a date.Copy !req
842. - What kind of date?
- You ever been out with a boy?Copy !req
843. - I've been out with Theo.
- Not Theo.Copy !req
844. Have you ever been
out with a boy...Copy !req
845. that you met at school
that you liked?Copy !req
846. I was never taken to school prom,
if that's what you mean.Copy !req
847. I'm afraid we don't have
proms in France.Copy !req
848. You have dates
in France, Isabelle.Copy !req
849. Come on. Have you ever
been out with a boy?Copy !req
850. Why do you keep asking me that?
You know I haven't.Copy !req
851. Would you like to?Copy !req
852. - Is this an invitation?
- It's an invitation.Copy !req
853. Would you like to go
out on a date with me?Copy !req
854. Just the two of us.
Don't look at Theo.Copy !req
855. Isabelle, you don't
need his permission.Copy !req
856. Oh, no, no, no. We can't sit in the front.
We have to sit in the back.Copy !req
857. The front is for people
who don't have dates.Copy !req
858. Ooh. Sorry. Excuse me.Copy !req
859. - Chocolats glacés, cacahuètes, bonbons.
- So we sit in the back.Copy !req
860. Ladies and gentlemen...Copy !req
861. the motion picture
you are about to see...Copy !req
862. is a story of music.Copy !req
863. I play the role
of Tom Miller, an agent...Copy !req
864. a small-time theatrical agent
who had been a...Copy !req
865. Well, you'll see.Copy !req
866. This motion picture was photographed
in the grandeur of CinemaScope, and...Copy !req
867. Pardon me.Copy !req
868. Sorry I can't stay,
but I have a train on tap.Copy !req
869. All the best, Jerri.Copy !req
870. Can't stand to hear me
sing again, huh?Copy !req
871. You know it isn't that.Copy !req
872. When I looked at the TV screen...Copy !req
873. I remembered the battle
of the Cinémathèque.Copy !req
874. Except this time the demonstrators
weren't film buffs.Copy !req
875. They weren't even
just students any longer.Copy !req
876. It was hard to figure out
what was happening...Copy !req
877. but it looked like shops had closed
their doors, factories had gone on strike.Copy !req
878. And it was beginning
to spread all over Paris.Copy !req
879. We're willing to consider...Copy !req
880. all legitimate demands.Copy !req
881. Theo and I never watch
television. We're purists.Copy !req
882. The purest of the pure.Copy !req
883. - Well, let's go.
- Yeah, but...Copy !req
884. Jesus.Copy !req
885. - What's wrong?
- They're not mine.Copy !req
886. No, no, no. Your room.Copy !req
887. - No.
- I don't know how long I've
been here, but in all that time...Copy !req
888. I haven't...
I haven't seen your room.Copy !req
889. - You do have a room, right?
- Yeah, yeah. Of course I have.Copy !req
890. Don't think I've always
lived in Theo's pigsty.Copy !req
891. - How come you never go in there?
How come we never...
- No, no, no.Copy !req
892. No, no one's making
love on my bed.Copy !req
893. - Oh, please? Come on.
It's your room. It's part of you.
- No. No. No. No.Copy !req
894. - I want to see it just tonight.
- No. No.Copy !req
895. Non, non, et non.Copy !req
896. I discovered a side of Isabelle
I'd never seen before...Copy !req
897. a secret side
she hadn't wanted me to see.Copy !req
898. I suddenly thought of my sisters'
bedrooms in San Diego.Copy !req
899. I thought of our house,
and our neighbors' houses...Copy !req
900. all alike,
and their green lawns...Copy !req
901. and their sprinklers
and their station wagons
parked outside the garage door.Copy !req
902. What sculpture?Copy !req
903. I always wanted to make love
to the Venus de Milo.Copy !req
904. I can't stop you.Copy !req
905. I've got no arms.Copy !req
906. I can't stop you!Copy !req
907. What's wrong?Copy !req
908. What's wrong?Copy !req
909. Don't. Don't.Copy !req
910. Don't.
Don't listen to it.Copy !req
911. Don't listen to it.
Don't cry.Copy !req
912. Shh!Copy !req
913. - Don't.
- Please. Leave me alone.Copy !req
914. Leave me alone.
Please. Please.Copy !req
915. Please!Copy !req
916. - Go away!
- Isabelle! Isabelle!Copy !req
917. - Theo! Open up! Theo!
- Isabelle!Copy !req
918. - Theo!
- You're gonna hurt yourself!
You're gonna hurt yourself!Copy !req
919. - Who are you?
- What? What are you talking about?Copy !req
920. - What are you doing in my room!
- What do you mean, what...Copy !req
921. Get out! Get out!Copy !req
922. Theo! Theo! Theo!Copy !req
923. Theo! Theo!Copy !req
924. Theo!Copy !req
925. Theo!Copy !req
926. A revolution isn't a gala dinner.Copy !req
927. It cannot be created like a book,
a drawing or a tapestryCopy !req
928. It cannot unfold with such elegance,
tranquillity and delicacy...Copy !req
929. or with such sweetness,
affability, courtesy...Copy !req
930. restraint and generosity.Copy !req
931. A revolution is an uprising...Copy !req
932. a violent act...Copy !req
933. by which one class
overthrows another.Copy !req
934. Chateau Lafite, 1955.Copy !req
935. Chateau Chasse Spleen, 1959.Copy !req
936. Grand vin, 1937.
Happy Birthday, Papa!Copy !req
937. Uh, good.Copy !req
938. - Listen, Matthew.
- Yes?Copy !req
939. - You're a big movie buff, right?
- Oui.Copy !req
940. Then why don't you think of Mao
as a great director...Copy !req
941. making a movie with
a cast of millions.Copy !req
942. All those millions
of Red Guards...Copy !req
943. marching together
into the future...Copy !req
944. with the Little Red Book
in their hands.Copy !req
945. Books, not guns.Copy !req
946. Culture, not violence.Copy !req
947. Can't you see what a beautiful,
epic movie that would make?Copy !req
948. I guess, but...Copy !req
949. it's easy to say,
"Books, not guns."Copy !req
950. But it's not true.
It's not books.Copy !req
951. It's "book." A book.
Just one book.Copy !req
952. - Shut up. You sound just like my father.
- No, no.Copy !req
953. No, listen to me.
The Red Guards...Copy !req
954. that you admire...Copy !req
955. they all carry the same book...Copy !req
956. they all sing the same songs...Copy !req
957. they all parrot
the same slogans.Copy !req
958. So in this big, epic movie...Copy !req
959. everybody...
is an extra.Copy !req
960. That's scary to me.
That gives me the creeps.Copy !req
961. I'm sorry to say it,
but for me there is...Copy !req
962. a distinct contradiction.Copy !req
963. Why?Copy !req
964. Because... if you really
believed what you were saying...Copy !req
965. you'd be out there.Copy !req
966. - Where?
- Out there, on the street.Copy !req
967. - I don't know what you mean.
- Yes, you do. There's something
going on out there.Copy !req
968. Something that feels like
it could be really important.Copy !req
969. Something that feels like
things could change.Copy !req
970. Even I get that.
But you're not out there.Copy !req
971. You're inside, with me,
drinking expensive wine,
talking about film.Copy !req
972. - Talking about Maoism. Why?
- Okay That's enough.Copy !req
973. - No, tell me why. Ask yourself why.
- That's enough.Copy !req
974. Because I don't think
you really believe it.Copy !req
975. I think you buy the lamp, and you put
up the posters, but I don't...Copy !req
976. I don't think youCopy !req
977. - You speak... too much.
- Okay.Copy !req
978. Theo! Just listen to me.
Listen.Copy !req
979. I think...
I think you prefer...Copy !req
980. I think you prefer
when... when...Copy !req
981. when the word "together"
means not "a million," but just two.Copy !req
982. - Oh-oh-oh, boys, boys!
- Or three?Copy !req
983. - Isa. Come and join us.
- No, thank you, my sweet.Copy !req
984. It smells like a whorehouse.Copy !req
985. Thanks a lot.Copy !req
986. I've got a surprise for you.
In the salon.Copy !req
987. - It's beautiful.
- Hey, come on! Get in!Copy !req
988. We used to do this
when we were little.Copy !req
989. Ow!Copy !req
990. More wine.Copy !req
991. Thank you.Copy !req
992. Isabelle.Copy !req
993. Oh! God,
your breath is foul!Copy !req
994. Yeah. Oh, I'm sorry.Copy !req
995. You're drunk!Copy !req
996. Yes, I'm drunk.Copy !req
997. And you're beautiful.Copy !req
998. And tomorrow morning,
I'll be sober...Copy !req
999. but you'll still be beautiful.Copy !req
1000. - Eh, bien.
- Go to sleep, Matthew.Copy !req
1001. Yes.Copy !req
1002. Idiot...Copy !req
1003. you can hardly keep
your eyes open.Copy !req
1004. Night-night.Copy !req
1005. Theo? Theo?Copy !req
1006. Wake up.Copy !req
1007. What is it?Copy !req
1008. I want you to listen.Copy !req
1009. - Why?
- Because.Copy !req
1010. - Theo...
- Mm?Copy !req
1011. I love you.
You know that?Copy !req
1012. I love you too.Copy !req
1013. You love me too?
That's funny.Copy !req
1014. Are you listening?Copy !req
1015. It's forever, right?Copy !req
1016. - What's forever?
- The two of us.Copy !req
1017. - Right?
- Yes.Copy !req
1018. Why did Matthew say that?Copy !req
1019. What did Matthew say?Copy !req
1020. That we're monsters, freaks.Copy !req
1021. I just want you to tell me
that it's forever.Copy !req
1022. It's forever.Copy !req
1023. - Isa!
- You don't understand.Copy !req
1024. We'll talk about it
in the morning.Copy !req
1025. I promise.Copy !req
1026. Oh!Copy !req
1027. Good. We must
leave now, darling.Copy !req
1028. - Already?
- What would you like?
To have dinner with them?Copy !req
1029. Let's leave on tiptoe.Copy !req
1030. Isa? What's happening?Copy !req
1031. - The street came flying into the room!
- What?Copy !req
1032. The street came flying
into the room!Copy !req
1033. - What's that smell?
- It's tear gas.Copy !req
1034. - Hit the streets!
- Go! Go on!Copy !req
1035. Hit the streets!Copy !req
1036. Matthew!Copy !req
1037. Isabelle!Copy !req
1038. Isabelle!Copy !req
1039. - Hi!
- Hi!Copy !req
1040. Dans la rue! Dans la rue!
Dans la rue! Dans la rue!Copy !req
1041. This is just the start.
The fight goes on!Copy !req
1042. - Theo, this is wrong. This is wrong.
- No, this is wonderful!Copy !req
1043. This is violence!
This is violence.Copy !req
1044. It's not violence. It's wonderful.
Come with me!Copy !req
1045. This is fucking fascism
in a fucking bottle!Copy !req
1046. I'm no fascist!
The cops are fascists!Copy !req
1047. - Yeah, and then police hit people!
- Shut up!Copy !req
1048. You can't understand.
Leave me be!Copy !req
1049. Listen to me for a second, okay?
This is what they do.Copy !req
1050. This is not what we do.
We use this.Copy !req
1051. - We do this. We use this. We use this!
- Stop it!Copy !req
1052. Isabelle. Come on.Copy !req
1053. Isa...Copy !req
1054. Encore les poulets!Copy !req