1. The first time I saw a movie
at the Cinemathique Francaise...
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2. I thought, "Only the French...
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3. Only the French would house
a cinema inside a palace."
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4. The movie was
Sam Fuller's Shock Corridor.
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5. Its images were so powerful,
it was like being hypnotized.
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6. I was 20 years old.
It was the late '60s...
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7. and I'd come to Paris
for a year to study French.
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8. But it was here
that I got my real education.
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9. I became a member of what in those days
was kind of a free masonry.
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10. A free masonry of cinephiles...
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11. what we'd call "film buffs."
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12. I was one of the insatiables...
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13. the ones you'd always find
sitting closest to the screen.
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14. Why do we sit so close?
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15. Maybe it was because we wanted
to receive the images first...
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16. when they were still new,
still fresh...
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17. before they cleared the hurdles
of the rows behind us...
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18. before they'd been relayed back
from row to row, spectator to spectator...
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19. until worn-out, secondhand,
the size of a postage stamp...
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20. it returned to the
projectionist's cabin.
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21. Doctor, I'm not nuts!
I'm here from the paper! I'm a plant!
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22. Maybe, too, the screen
really was a screen.
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23. It screened us...
from the world.
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24. But there was one evening
in the spring of 1968...
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25. when the world finally
burst through the screen.
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26. The pawn of an obscure coalition...
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27. of dubious interests...
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28. the Minister Malraux
has driven...
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29. Henri Langlois out
of the French Cinematheque.
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30. If offered us all
a free and fair conception...
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31. of French film culture.
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32. Now, for bureaucratic reasons,
culture's arch-enemies...
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33. have seized this bastion
of liberty.
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34. Resist them!
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35. - Liberty isn't given!
- It's taken!
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36. All those who love film...
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37. - In France...
- And abroad.
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38. Are with you.
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39. And with Henry Langlois!
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40. It was Henri Langlois,
who created the Cinémathèque...
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41. and it was because
he liked to show movies...
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42. instead of letting them rot
in some underground vault...
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43. to show any movies...
good, bad, old, new...
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44. silents, Westerns, thrillers...
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45. that all the New Wave filmmakers
came here to learn their craft.
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46. This was where
modern cinema was born.
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47. What lies behind it?
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48. The police!
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49. Langlois had been sacked
by the government...
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50. and it seemed like every film buff
in Paris had turned out in protest.
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51. It was our very own
cultural revolution.
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52. It was our very own
cultural revolution.
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53. Excuse me.
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54. Can you remove this?
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55. It's stuck to my lips.
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56. Can you remove my cigarette?
It's stuck.
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57. Yes, yes... of course.
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58. Sorry.
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59. - What are you, English?
- No. I'm American.
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60. You can put it out now.
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61. - What's your name?
- Matthew.
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62. You're here a lot, aren't you?
But you never talk to anyone.
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63. We've been wondering
why you're always alone.
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64. I don't really know anybody.
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65. How come you're
chained to the gates?
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66. I'm not chained to the gates.
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67. - You're awfully clean.
- What?
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68. For someone who likes
the cinema so much.
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69. - Do you know Jacques?
- Jacques?
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70. "If shit could shit,
it would smell just like Jacques."
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71. My brother's
gone to talk to him.
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72. When he gets back, you'll be able
to smell Jacques on him.
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73. It's like being around pigs.
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74. - You speak English really well.
- What?
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75. - You speak English really well.
- My mother's English.
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76. - Here's Theo. When I introduce you,
just give him a sniff.
- Come on.
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77. Truffaut, Godard, Charbol, Rivette...
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78. and Renoir, Jean Roach,
Rohmer are here.
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79. Marcel Carne too.
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80. Why is Came here?
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81. What should we do?
Stay or leave?
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82. I don't know.
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83. Theo, this is Matthew.
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84. - You were right. He's American.
- Hi.
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85. I've seen you around. You've been coming
to all the Nicholas Rays.
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86. Yeah. I really like his movies.
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87. - What? They Live By Night?
- Mm-mm. More like...
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88. Johnny Guitar
and Rebel Without a Cause.
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89. - You know what Godard wrote about him?
- No. What?
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90. "Nicholas Ray is cinema."
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91. - What's up with you?
- Me?
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92. Come on, stick with me!
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93. Fascists!
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94. - Bastards!
- Assholes!
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95. And that was how I first met
Theo and Isabelle.
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96. I could hear my heart pounding.
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97. I don't know if it was because I'd
just been chased by the police...
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98. or because I was already
in love with my new friends.
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99. As we walked and talked
and talked and talked...
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100. about politics, about movies...
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101. and why the French could never come
close to producing a good rock band...
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102. - I'm starving.
- I forgot the sandwiches.
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103. I didn't want that night
ever to end.
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104. - Merci.
- Didn't you bring anything?
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105. No. I'm okay.
Please eat.
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106. Don't mind me.
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107. - No. I'm really not hungry.
- I've broken it now. Take it.
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108. - You're very kind, but I don't...
- For goodness sake,
take it when you're offered it.
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109. Thank you.
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110. Theo, don't you have
something for Matthew?
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111. This is fine.
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112. - I gave him a third of mine.
- Okay.
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113. - Really, I didn't come here
to eat your sandwiches.
- He doesn't want it.
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114. Yes, he does! He's just too polite
to say he does.
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115. - Aren't you, Matthew?
- You're very kind.
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116. - So where are you from exactly?
- San Diego.
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117. What about you two?
Were you both born in Paris?
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118. I entered this world on
the Champs Elysées, 1959.
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119. The pavement of the Champs-Elysees.
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120. And you know what my
very first words were?
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121. No. What?
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122. "New York Herald Tribune!"
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123. New York Herald Tribune!
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124. - New York Herald Tribune!
- New York Herald Tribune!
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125. Will you come to Rome with me?
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126. Here! Right here! Here!
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127. No, there!
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128. - Good night, Matthew!
- Night.
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129. "Dear Mom...
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130. "I've got some real news this time.
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131. I just met
my first French friends."
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132. - Hello.
- Matthew?
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133. Who is this?
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134. - Don't be suspicious. It's me.
- Theo?
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135. - Don't tell me I woke you up.
- No, I...
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136. - I've been up for ages.
- You don't sound as if
you've been up for ages.
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137. I always sound like this
in the morning.
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138. Sorry. I had to call you early
because I go to class at 9:00.
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139. - Right.
- Listen, you want to have
dinner tomorrow night?
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140. Um, you mean like a real dinner
in a nice restaurant?
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141. No, not in a restaurant.
Here at home.
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142. Yeah, I'd...
Sure, that'd be great.
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143. Yes? Okay, why don't you...
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144. Theo, please get off the phone.
It's 9:00.
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145. Yes, yes. Why don't you meet us for
a drink first at Le Raspail, 6:00?
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146. You know where it is?
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147. - Boulevard Saint-Germain?
- Be there are 6:00.
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148. Hey!
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149. Third floor!
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150. You know, there's room
in here for all of us.
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151. - Theo and I are contagious!
- What?
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152. - We're very contagious!
- Contagious?
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153. You mustn't catch us.
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154. - It's beautiful.
- You think so?
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155. Good luck.
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156. Evening, Maman.
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157. What are you doing here?
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158. - We're here for dinner.
- What?
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159. With Matthew.
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160. - Didn't Isabelle say?
- Which Matthew?
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161. This Matthew.
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162. He's our new friend.
Matthew, this is my mother.
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163. - Hi.
- Very pleased to meet you, Matthew.
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164. - Likewise.
- Oh, you're American, are you?
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165. - Yeah. I'm from California.
- Oh.
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166. Matthew lives in that nasty student
Hotel Malebranche...
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167. - so we invited him to dinner.
- Oh.
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168. What's wrong?
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169. What can I say, Isabelle?
I'm cooking for two...
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170. and now there are five of us.
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171. Didn't Theo tell you?
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172. No, he didn't.
And neither did you.
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173. Have you got mashed potatoes
for brains or what?
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174. You were supposed to tell her!
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175. You're crazy!
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176. Bitch, cow, slut...
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177. Oh, for God's sake!
Put a sock in it, you two!
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178. I must apologize for
my children's behavior, Matthew.
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179. No. I'm the one
who should be apologizing.
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180. Please don't put yourself out
on account of me.
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181. That's very sweet of you,
seeing as you're completely blameless.
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182. Let me look at you.
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183. Okay. I want you to make
a good impression on Papa.
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184. Papa, it's me.
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185. We're eating in.
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186. And the cinematheque?
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187. Closed until further notice.
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188. Papa, can't you see we have a guest?
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189. - This is Matthew.
- Oh.
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190. - Sir.
- Matthew.
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191. Matthew's dining
with us tonight.
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192. My young Matthew,
inspiration is like a baby.
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193. It does not choose a nice,
seemly hour to enter the world.
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194. It has no consideration
for the poor poets. I know.
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195. But when it does come...
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196. when it deigns to come,
then you know it's...
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197. Young man, I was speaking to you.
I imagine you were listening.
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198. I was.
I'm... I'm sorry.
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199. What?
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200. Nothing.
I was just, um...
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201. You seemed to be mesmerized
by this tin lighter.
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202. I'd like to know why.
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203. - Well?
- George, please.
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204. - Matthew's our guest.
- No, no. I'm genuinely curious.
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205. I'd like to know why.
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206. I was just... I was fidgeting
with Isabelle's lighter...
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207. and... I wasn't
really realizing it...
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208. then I noticed,
and I thought it was rude...
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209. so I put it down on the table.
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210. But I put it diagonally across
one of these squares.
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211. Do you see?
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212. Look.
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213. That's when I noticed
that the lighter's length...
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214. is exactly the same length
as the diagonal itself.
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215. So I put it lengthwise,
along the outside edge.
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216. - Look. It fits there too.
- Yeah.
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217. But it fits there.
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218. And it fits like this
and like this...
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219. and this way too.
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220. And I bet you if
I just split it in half...
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221. you know, it's
got to fit somewhere.
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222. I mean, it really
fits anywhere. Look.
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223. See?
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224. I was noticing that the more
you look at everything...
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225. this table, the objects on it,
the refrigerator, this room...
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226. your nose, the world Suddenly...
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227. you realize that there's some
sort of cosmic harmony...
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228. of shapes and sizes.
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229. I was just wondering why.
I don't know why that is.
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230. I know that it is.
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231. You have an interesting
friend here.
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232. More interesting, I suspect,
than you know.
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233. I mean, when we look around us,
what is it we see?
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234. Complete chaos.
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235. Yet viewed from above...
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236. viewed, as it were, by God...
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237. everything suddenly
fits together.
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238. My children believe that
their demonstrations and sit-ins...
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239. and happenings...
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240. what, they believe that these possess
the capacity...
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241. not only to provoke society,
but also to transform it.
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242. What is it you're saying?
If Langlois is dismissed,
we shouldn't do anything?
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243. If immigrants are deported,
if students are beaten up,
we shouldn't do anything?
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244. What I'm saying is that
a little lucidity would not go amiss.
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245. So, uh,
everyone's wrong but you?
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246. In France, in Italy,
Germany, America?
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247. Listen to me, Theo.
Before you can change the world...
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248. you must realize
you yourself are part of it.
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249. You cannot stand outside
looking in.
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250. You're the one
who stands outside.
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251. You're the one who refused to sign
a petition against the Vietnam War.
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252. Poets don't sign petitions.
They sign poems.
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253. A petition is a poem.
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254. Yes! And a poem is a petition.
Thank you, but I'm not gaga yet.
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255. I don't need you to remind me
of my own work!
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256. - Hmm?
- That's right.
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257. A petition is a poem,
a poem is a petition.
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258. Yes.
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259. Those are the most famous
lines you ever wrote.
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260. And now look at you.
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261. I hope I'll never be like him.
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262. Theo.
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263. We should say good night, darling.
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264. We got a long day
ahead of us tomorrow.
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265. George.
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266. Yes, sorry. You were saying?
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267. We should go to bed.
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268. You had something
to tell the children, didn't you?
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269. Yes, of course.
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270. I'm sorry.
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271. The cheques
are on the mantelpiece.
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272. Don't cash them
until you need them, all right?
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273. Good night, everybody.
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274. Good night, Papa. Have a safe journey.
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275. Good night, dear.
Theo.
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276. A very good night to you, Matthew.
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277. It was a pleasure meeting you, sir.
A pleasure.
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278. - Very nice meeting you, Matthew.
- You too.
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279. - Thank you so much for dinner.
- It's my pleasure.
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280. Why don't you invite Matthew
to spend the night?
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281. I'm not sure I like the sound
of Hotel Malebranche.
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282. Good night.
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283. Why haven't you dazzled us with these
philosophical speculations of yours?
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284. - I didn't know I was being philosophical.
- Papa was awfully impressed.
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285. - Papa's full of shit.
- I think you're lucky.
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286. I... I wish my parents
were that nice.
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287. Other people's parents
are always nicer than our own.
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288. And yet for some reason,
our own grandparents...
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289. are always nicer
than other people's.
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290. You know, that's true.
That's... That's absolutely true.
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291. I never thought about it before,
but it's... it's true.
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292. Matthew, you sweet...
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293. This... is double
the length of...
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294. Well, I'm for bed.
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295. Are you staying?
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296. - Are you okay?
- Yeah, I'm okay.
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297. Good night, Matthew.
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298. Everybody's got a father.
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299. Yes.
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300. But the fact that
God doesn't exist...
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301. doesn't mean
he can take his place.
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302. Okay?
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303. That's fine.
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304. - Good night.
- Good night.
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305. - See you in the morning.
- See you.
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306. Thank... Thank you.
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307. No!
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308. Good morning.
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309. What was that all about?
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310. I was removing the sleep
from your eyes.
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311. Theo lets me do his
every morning.
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312. That's the strangest thing
to want to do.
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313. Didn't you enjoy it?
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314. - Was I supposed to?
- Naturally.
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315. Up, up, up, up, up!
What are you waiting for?
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316. Isabelle, I'm not dressed.
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317. - What are you doing?
- What are you doing?
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318. I've been memorizing this room.
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319. In the future, in my memory...
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320. I shall live a great deal in this room.
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321. Queen Christina...
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322. where Greta Garbo
bids farewell to the room...
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323. where she spent the night
with John Gilbert.
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324. Bravo!
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325. Alors.
We have a private wing to ourselves.
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326. The bathroom's
at the end of the corridor.
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327. If you aren't there in one minute,
we're coming back to get you!
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328. Come in.
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329. Good morning.
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330. Are you going to church?
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331. Oh, sorry. You want to use
my toothbrush?
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332. - Uh, no.
- Sure?
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333. I'll use my finger.
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334. - Sleep well?
- Yeah.
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335. - I mean, fine.
- Good.
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336. - You know, Matthew?
- Hmm.
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337. You really do have the most
beautiful pair of lips.
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338. Can I touch them?
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339. - You... You wanna touch my lips?
- Uh-huh.
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340. Okay.
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341. So red... and ripe
and luscious.
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342. So sullen, brutal.
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343. Let's see what you
look like with lipstick.
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344. - I really should be going.
- You'd make such a pretty girl.
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345. Ignore her, Matthew.
She sucks in all the air around her.
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346. No, I... I really have to, um,
be getting back to my hotel.
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347. No. Why? You have been
invited to stay.
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348. - Really?
- Sure.
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349. You know our parents have left.
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350. They're going to be
introuvés for a month.
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351. We thought you might like
to move your things here.
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352. - R-Really?
- Sure.
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353. But you just met me two days ago.
You barely even know me.
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354. This way we get to know you. You
don't have to stay in a hotel, do you?
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355. No.
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356. Then we'll go and pick
up what you need...
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357. with my Mobilette, okay?
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358. - Come on.
- But... what about you?
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359. It was my idea.
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360. Whoa! You're scaring me right now!
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361. Jesus.
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362. I'm going to check out
the Cinémathèque, just in case.
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363. - Okay.
- Don't take too long.
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364. Don't worry, I won't.
I don't have much stuff.
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365. With us, you're not
going to need much.
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366. Okay.
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367. Oh, just don't forget
your toothbrush!
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368. Okay.
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369. "Dear Mom, I guess you're surprised
to be hearing from me...
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370. "so soon after my last letter.
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371. "But I've just moved out of my hotel
and into an apartment...
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372. "belonging to a famous
French author...
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373. "whose children are the same age as me
and have the same interests.
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374. "I know how pleased you? be to hear I'm
getting in with the right kind of people.
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375. Say hello to Father.
I hope he's not still mad at me."
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376. Listen to this, Matthew.
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377. Listen to this, Matthew.
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378. "The difference between
Keaton and Chaplin...
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379. "is the difference
between prose and poetry...
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380. "between the aristocrat
and the tramp...
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381. "between eccentricity
and mysticism...
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382. between man as a machine
and man as animal."
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383. Not bad, huh?
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384. That's good. Except for me,
there's no comparison.
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385. Why? 'Cause Chaplin's
incomparable?
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386. No. Because Keaton
is incomparable.
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387. Keaton? You think Keaton's
greater than Chaplin?
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388. - Absolutely I do.
- Oh, you're not serious.
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389. - Of course I am.
- You're crazy.
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390. Come on. In the first place, you can't
deny that Keaton's funnier than Chaplin.
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391. - Yes, I can.
- You don't think that Keaton
is funnier than Chaplin?
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392. I don't think anyone's
funnier than Chaplin.
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393. Keaton is!
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394. Even when he's not doing anything,
he's funny And he looks like Godard.
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395. Keaton is a real filmmaker.
Chaplin, all he cares about
is his own performance...
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396. - his own ego.
- That's bullshit.
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397. - It's not bullshit.
- Yes, it is.
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398. You Americans understand fuck-all
about your own culture.
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399. - No wonder you never got
the point of Jerry Lewis.
- Don't even get me started!
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400. Listen, when Chaplin wanted
to have a beautiful shot, he knew how.
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401. Better than Keaton,
better than anybody.
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402. You remember the last shot
of City Lights?
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403. He looks at the flower girl,
she looks at him...
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404. and don't forget,
she'd been blind...
Copy !req
405. so she was seeing him
for the very first time.
Copy !req
406. It's as if, through her eyes,
we also see him for the very first time.
Copy !req
407. Charlie Chaplin, Chariot,
the most famous man in the world...
Copy !req
408. and it's as if we've never
really seen him before.
Copy !req
409. Isa, if you play that fucking record again,
I'll break it in two, okay?
Copy !req
410. But you like Janis Joplin.
Copy !req
411. Stop it!
Copy !req
412. I said stop it, Isabelle!
Copy !req
413. Stop!
Copy !req
414. - Tell me, what film?
- Wha-What?
Copy !req
415. Name a film...
Let go!
Copy !req
416. Name a film where someone
tap dancing drives someone else crazy!
Copy !req
417. - Oh, I know this!
- Come on! Quick! Quick!
Copy !req
418. Top Hat! Top Hat!
Fred Astaire's dancing over
Ginger Rogers's room.
Copy !req
419. And she's mad because he wakes her up.
Copy !req
420. I'm right.
Copy !req
421. He's good.
Copy !req
422. You know what I'm thinking?
Copy !req
423. What?
Copy !req
424. "Bande à part."
Copy !req
425. You're right.
Copy !req
426. Why are you two
looking at me like that?
Copy !req
427. Well, you see,
my little Matthew...
Copy !req
428. there's something Theo and I have
been meaning to do for a long time...
Copy !req
429. but we've been waiting
for the right person to do it with.
Copy !req
430. - And I think you're finally it!
- To do what?
Copy !req
431. Try to be the record
of Bande à part.
Copy !req
432. - What record?
- You've seen Bande à part, haven't you?
Copy !req
433. - Yeah.
- Remember the scene where
the three race through the Louvre?
Copy !req
434. - Uh, vaguely Remind me.
- They try to beat the world record...
Copy !req
435. - of 9 minutes and 45 seconds.
- Oh, yeah! Of course.
Copy !req
436. We're going to beat
their record.
Copy !req
437. Uh, oh.
Copy !req
438. - What?
- What's the matter?
Copy !req
439. - Nothing, really, I'm...
- Not afraid, are you?
Copy !req
440. - No. I'm not afraid.
- What, then?
Copy !req
441. It's easy for you two. I'm an American,
what you French call an alien.
Copy !req
442. - So?
- So if I get caught, I get deported.
Copy !req
443. Well, don't worry, little man,
we're not going to get caught.
Copy !req
444. - Yeah you don? know that.
- They weren't caught in Bande à part.
Copy !req
445. - And if we beat their record...
- It's a movie!
Copy !req
446. - Go get Papa's stopwatch.
- It's a great idea, but...
Copy !req
447. Matthew, this is a test.
Copy !req
448. Are you going to pass it
or fail it?
Copy !req
449. Be careful. A lot depends
on how you answer.
Copy !req
450. Hé! Non! Arrêtez!
Copy !req
451. Nine minutes and 28 seconds.
Copy !req
452. We beat the record
by 17 seconds!
Copy !req
453. Matthew!
My little Matthew!
Copy !req
454. You were wonderful!
Copy !req
455. - We accept him. One of us!
- One of us!
Copy !req
456. We accept him, one of us!
Copy !req
457. We accept him, one of us!
Copy !req
458. We accept her, we accept her.
Copy !req
459. Gooble, gobble.
Gooble, gobble.
Copy !req
460. - We accept him, one of us!
- One of us!
Copy !req
461. Hey!
Copy !req
462. Theo. Isabelle.
Copy !req
463. Theo.
Copy !req
464. Hey!
Copy !req
465. - We accept you, one of us!
- One of us! One of us!-
Copy !req
466. One of us! One of us!
Copy !req
467. That's Mama.
Copy !req
468. I'm too wet to answer.
Copy !req
469. Isa's smart, but she doesn't
know how to deal with parents.
Copy !req
470. - What do you mean?
- I mean, it's not enough to ignore them.
Copy !req
471. They should all be arrested...
Copy !req
472. put on trial,
confess their crimes...
Copy !req
473. sent to the country
for self-criticism...
Copy !req
474. and reeducation!
Copy !req
475. - They're already in the country.
- They are at the seaside.
Copy !req
476. That's different.
Copy !req
477. Allô. Allô?
Copy !req
478. Too bad.
Copy !req
479. My parents never go anywhere.
Copy !req
480. At least you have
the house to yourselves.
Copy !req
481. Where are you going?
Copy !req
482. Uh, I gotta get
out of these clothes.
Copy !req
483. It'll be cold in your room.
Come into mine.
Copy !req
484. Okay.
Copy !req
485. You can wear this.
Copy !req
486. Thanks.
Copy !req
487. I'm going to get a Coca.
You want one?
Copy !req
488. Okay.
Copy !req
489. - Matthew!
- Yeah!
Copy !req
490. - Just open the door. My hands are full.
- Just a second.
Copy !req
491. - Why didn't you open the door?
- I was...
Copy !req
492. I was dressing.
Copy !req
493. What film?
Copy !req
494. In what film does a chorus line
dance like this...
Copy !req
495. with a singer in a fur coat?
Copy !req
496. - I've seen this film?
- We saw it together.
Copy !req
497. - We did? Give me a clue.
- Certainly not.
Copy !req
498. - Come on. Be a sport. Director's name.
- No.
Copy !req
499. Number of words in the title.
Copy !req
500. - I said no. Non!
- Isabelle!
Copy !req
501. - The first letter of the first word.
- God! You're pathetic
Copy !req
502. Isn't he pathetic, Matthew?
Don't you think he's pathetic?
Copy !req
503. - Matthew, I bet you know.
- Don't you dare help him.
Copy !req
504. Did the Sphinx
give Oedipus a clue?
Copy !req
505. Fuck you.
Copy !req
506. Give up?
Copy !req
507. Yeah.
Copy !req
508. - Blonde Venus. Marlene Dietrich. 1932.
- Shit.
Copy !req
509. I knew that.
Copy !req
510. - Forfeit.
- If you insist.
Copy !req
511. I dare you to do now...
in front of us...
Copy !req
512. what I've watched you do...
in front of her.
Copy !req
513. Who?
Copy !req
514. I don't know
what you're talking about.
Copy !req
515. Oh, yes, you do, my pet.
Copy !req
516. Forfeit.
Copy !req
517. What a bitch you are.
Copy !req
518. A bitch and a sadist.
Copy !req
519. Are you going to pay
the forfeit or not?
Copy !req
520. Very well.
Copy !req
521. SharePirate.Com Subs
Copy !req
522. Mm-mm-mm. I want you to do it
the way you did it...
Copy !req
523. when you thought
no one was watching.
Copy !req
524. Let's have a drink.
I'll meet you downstairs.
Copy !req
525. - Matthew.
- Yes?
Copy !req
526. Yes.
Copy !req
527. Why don't you admit
you were thrilled?
Copy !req
528. Come on.
You can tell me.
Copy !req
529. What?
Copy !req
530. Weren't you just
a tiny bit excited?
Copy !req
531. - What is it exactly
you're trying to get me to say?
- I asked you a question.
Copy !req
532. Well, I suppose you know
who you sound like.
Copy !req
533. - Who?
- Isabelle.
Copy !req
534. Why not?
She's my twin sister.
Copy !req
535. - You two are twins?
- Yes.
Copy !req
536. She'd be me if she were a man.
Copy !req
537. - That's crap. You're not identical.
- Yes, we are.
Copy !req
538. We're Siamese twins,
joined here.
Copy !req
539. You're a strange one, Theo.
Copy !req
540. Half an hour ago, I saw you look at her
as though you wanted to strangle her.
Copy !req
541. I did.
Copy !req
542. I don't understand you.
Copy !req
543. - Don't you have any brothers or sisters?
- I have two older sisters.
Copy !req
544. Didn't you ever
want to strangle them?
Copy !req
545. Of course I did! But I never masturbated
in front of them, and I never...
Copy !req
546. They never forced me to do
anything I never wanted to do.
Copy !req
547. You think Isabelle
forced me, do you?
Copy !req
548. Deep down I knew things
couldn't go on as before.
Copy !req
549. Now the stakes had been raised.
Copy !req
550. But for a while, at
least, there did seem to
Copy !req
551. be a kind of truce between
Theo and Isabelle.
Copy !req
552. And then one evening... Theo!
Copy !req
553. - What film?
- "What film?â€
Copy !req
554. Name a film where a cross
marks the spot of a murder,
or pay the forfeit.
Copy !req
555. - You too, Matthew.
- Me?
Copy !req
556. What... What have I done?
Copy !req
557. Name a film or pay the forfeit.
Copy !req
558. - Uh, um...
- Time's up.
Copy !req
559. - Time's up? You didn't
even give me a chance.
- The film?
Copy !req
560. Scarface.
Howard Hawks, 1932.
Copy !req
561. And the forfeit?
Copy !req
562. Well, now...
Copy !req
563. as you know, Isabelle,
I'm not a sadist.
Copy !req
564. I just want to see everyone happy,
no one left out.
Copy !req
565. So I'd like you...
Copy !req
566. and Matthew... to make
love in front of me.
Copy !req
567. But not in here.
Copy !req
568. I don't fancy sleeping in someone
else's revolting sweat.
Copy !req
569. - No offense, Matthew.
- Where?
Copy !req
570. In the spare room...
Copy !req
571. in front of the Delacroix.
Copy !req
572. Maybe one reproduction
will inspire another.
Copy !req
573. - Um, um...
- I won't do it.
Copy !req
574. - Won't do it?
- You wouldn't.
Copy !req
575. Matthew isn't my type.
Copy !req
576. Okay.
Copy !req
577. I gotta go to the bathroom.
Copy !req
578. Matthew! Matthew.
Copy !req
579. Matthew.
Copy !req
580. Matthew.
Copy !req
581. Yes?
Copy !req
582. This is silly.
Come out of there.
Copy !req
583. Okay.
Copy !req
584. Okay. All right.
Copy !req
585. Look. Wait. Look.
You're hurting me!
Copy !req
586. I'm not violent. I'm...
I'm against violence.
Copy !req
587. - I'm not gonna resist. Look.
- So shut up. Okay?
Copy !req
588. - Okay.
- Now, Matthew, you aren't
being very gallant.
Copy !req
589. Is the prospect of making love to me
so hateful?
Copy !req
590. I've seen you.
I saw you in bed together.
Copy !req
591. Oh. Our guest
has been spying on us.
Copy !req
592. Hmm. Now, that wasn't
a friendly thing to do, Matthew.
Copy !req
593. Especially when we've
been so hospitable.
Copy !req
594. Okay, okay. Look...
Copy !req
595. - Shh, shh.
- I'm not resisting! I'm not resisting!
Copy !req
596. Oh, how sweet
of you, Matthew...
Copy !req
597. to keep my image
next to your heart.
Copy !req
598. I didn't mean... Good.
Copy !req
599. Oh, Matthew. Oh, come on.
Oh, wake up. Oh.
Copy !req
600. Come on, wake up.
Copy !req
601. Isabelle?
Copy !req
602. No. I'm Theo.
Copy !req
603. Where is Isabelle?
Copy !req
604. You have to help me.
Copy !req
605. Sorry.
Copy !req
606. Oh, that was the best one.
Copy !req
607. What about yesterday?
Copy !req
608. - Where?
- In Papa's study.
Copy !req
609. You thought that was better?
Copy !req
610. Mm-hmm. Please, please,
please, please.
Copy !req
611. - What?
- Stay inside.
Copy !req
612. Matthew.
Copy !req
613. My love.
Copy !req
614. My first love.
Copy !req
615. My great love.
My great lover.
Copy !req
616. My Valentino.
Copy !req
617. You know, I thought
you had many lovers.
Copy !req
618. When I first saw you
at the Cinémathèque-
Copy !req
619. you and Theo...
you looked so cool.
Copy !req
620. So sophisticated.
Copy !req
621. - Like a movie star.
- I was.
Copy !req
622. I was acting, Matthew.
Copy !req
623. How did you and... How
did you and Theo...
Copy !req
624. come together
the way that you are?
Copy !req
625. Theo and me?
Copy !req
626. It was love at first sight.
Copy !req
627. But he's never been inside you?
Copy !req
628. He's always inside me.
Copy !req
629. What would you do...
Copy !req
630. What would you do
if your parents found out?
Copy !req
631. It must never happen.
Copy !req
632. Yeah, I know.
But, uh, what if it did?
Copy !req
633. It must never, never happen.
Copy !req
634. I understand that.
But let's say that it did.
Copy !req
635. What would you...
What would you do?
Copy !req
636. I would kill myself.
Copy !req
637. Where are you going?
Copy !req
638. Kitchen. I have to get
something to eat.
Copy !req
639. Good luck.
Copy !req
640. Theo?
Copy !req
641. - Theo?
- Hmm?
Copy !req
642. - Want some honey?
- No, thank you.
Copy !req
643. - Oh, it's good.
- No.
Copy !req
644. - It's really good. Try some.
- No.
Copy !req
645. - Just try a little bit.
- No. Thank you.
Copy !req
646. I want you to know
that I'm grateful.
Copy !req
647. Grateful?
Copy !req
648. Remember what you told me in that cafe
about you and Isabelle?
Copy !req
649. - Hmm.
- You were right.
Copy !req
650. I mean, for me, you two are...
Copy !req
651. you're like two halves
of the same person.
Copy !req
652. Now you've made me feel
like I'm a part of you.
Copy !req
653. Both of you.
Copy !req
654. Let's get something
straight, okay?
Copy !req
655. You're a nice boy
and I like you a lot...
Copy !req
656. but no...
Copy !req
657. it wasn't always meant
to be the three of us.
Copy !req
658. I told you something else,
remember?
Copy !req
659. That Isa and I
are Siamese twins.
Copy !req
660. Yeah.
Copy !req
661. I wasn't joking.
Copy !req
662. What's this?
Copy !req
663. That, my dear brother,
is a cheese fondue...
Copy !req
664. accompanied by a compote
of broccoli and prunes.
Copy !req
665. - And this?
- That's ratatouille.
Copy !req
666. And you expect me
to eat this muck?
Copy !req
667. - You expected me to cook it.
- I prefer to starve.
Copy !req
668. You will. There's
nothing else in the house.
Copy !req
669. Matthew, can I serve you?
Copy !req
670. The fondue or the ratatouille?
Copy !req
671. Which is which?
Copy !req
672. This is fondue,
and this is ratatouille.
Copy !req
673. No. This is the fondue,
and this is the ratatouille.
Copy !req
674. - The... ratatouille.
- Ratatouille.
Copy !req
675. Uh, that-that? fine.
Copy !req
676. Mm-hmm. Okay.
Copy !req
677. Just eat it as if you were
in some exotic country...
Copy !req
678. you've never visited before
and this is the national dish.
Copy !req
679. It looks like
he's vomiting in reverse.
Copy !req
680. It's horrible, isn't it?
Copy !req
681. I'm sorry, Isabelle.
I know you tried.
Copy !req
682. Thank you, Matthew. I'm glad
somebody appreciates my efforts.
Copy !req
683. - You say there's no food in the house?
- Nothing you'd want to eat.
Copy !req
684. - And we cashed all the cheques?
- Yes.
Copy !req
685. - So what do we do now?
- I'm going to call Papa.
Copy !req
686. The phone is dead!
Copy !req
687. What's all this?
Copy !req
688. It's lunch.
Copy !req
689. So, Isabelle, a filet mignon.
Copy !req
690. - No.
- No?
Copy !req
691. Oh, Matthew, would you
like a rump steak?
Copy !req
692. Stop it. It's disgusting.
Copy !req
693. Oh, look. What about
this banana?
Copy !req
694. One banana for three of us?
Copy !req
695. - Uh, yes.
- I'm starving.
Copy !req
696. Let me see it.
Copy !req
697. - Why?
- Just let me see it.
Copy !req
698. - What are you doing?
- Just watch.
Copy !req
699. Et voilà.
Copy !req
700. Oh, Matthew, you never
cease to surprise.
Copy !req
701. - Mmm.
- Mmm.
Copy !req
702. - Hey Theo.
- Salut.
Copy !req
703. - Okay?
- Fine.
Copy !req
704. - Where were you the other night?
- I couldn't make it. Sorry.
Copy !req
705. What's up? We hardly
see you now.
Copy !req
706. - We can't count on you.
- Stop pissing me off!
Copy !req
707. You're not with us anymore.
Copy !req
708. I am, but it's complicated.
Copy !req
709. Why?
Copy !req
710. Because! Get off my back.
I can't explain now.
Copy !req
711. Loser!
Copy !req
712. Theo, wait for me.
Copy !req
713. A little souvenir from Nepal.
Copy !req
714. Thanks, that's sweet.
Copy !req
715. - Call me.
- Okay, with pleasure.
Copy !req
716. See you.
Copy !req
717. We hardly left the apartment anymore.
Copy !req
718. - We didn't know or care
if it was day or night.
- Come on. Come on.
Copy !req
719. What?
Copy !req
720. It felt as if we were
drifting out to sea...
Copy !req
721. leaving the world
far behind us.
Copy !req
722. - Too strong for you?
- That was really good.
Copy !req
723. - Good? Again?
- Yeah.
Copy !req
724. No.
Copy !req
725. Clapton's God, Matthew.
Copy !req
726. I don't believe in God.
But if I did...
Copy !req
727. he would be a black,
left-handed guitarist.
Copy !req
728. This is not Chaplin and Keaton.
Copy !req
729. This is Clapton and Hendrix.
Copy !req
730. Matthew, Clapton reinvented
the electric guitar.
Copy !req
731. Matthew, believe me.
Copy !req
732. - Clapton plugs in a guitar...
- Okay, Jimi Hendrix...
Copy !req
733. He plugs in an electric guitar,
and he plays it like an acoustic guitar.
Copy !req
734. Hendrix plugs in an electric guitar,
he plays with his teeth.
Copy !req
735. There are soldiers in
the Vietnam War right now.
Copy !req
736. Who are they
listening to? Clapton?
Copy !req
737. No. They're listening to Hendrix,
the guy who tells the truth.
Copy !req
738. It's fucked up! It's all fucked up!
Copy !req
739. You're talking
about soldiers in Vietnam?
Copy !req
740. - Yes.
- Okay, what are they doing in Vietnam?
Copy !req
741. - They're at war.
- What are they doing? Please tell me.
Copy !req
742. - They're fighting.
- They're killing farmers!
Copy !req
743. They're dying too.
Copy !req
744. They're killing children,
they're burning fields!
Copy !req
745. They wanna be there. They wanna die,
and they wanna kill people.
Copy !req
746. Shouldn't you be...
Shouldn't you be in Vietnam?
Copy !req
747. - Right now, shouldn't you be in Vietnam?
- I don't believe in violence.
Copy !req
748. - Where are you, Matthew?
Shouldn't you be there right now?
- I'm lucky.
Copy !req
749. I'm in a university. I have friends
who aren't in university.
Copy !req
750. And they're expendable.
They're expendable.
Copy !req
751. I'm am fucking lucky.
Copy !req
752. Youngsters that don't want the war.
Copy !req
753. Do you think you can
say it to the government?
Copy !req
754. "No. I'm against violence.
I don't agree with your war."
Copy !req
755. - Maybe in France.
- Okay, anybody...
Copy !req
756. In America, you have to go.
If you don't go, you go to jail.
Copy !req
757. Okay, I prefer to go in jail.
I prefer to go in jail.
Copy !req
758. - Instead of killing people,
Matthew, I prefer to go in jail.
- You don't understand.
Copy !req
759. I read it in Cahiers du Cinéma.
Copy !req
760. "A filmmaker
is like a Peeping Tom."
Copy !req
761. A voyeur.
Copy !req
762. It's as if the camera is a...
Copy !req
763. The keyhole
to your parents' bedroom.
Copy !req
764. And you spy on them,
and you're disgusted.
Copy !req
765. You feel guilty...
Copy !req
766. but you can't...
you can't look away.
Copy !req
767. It makes films like crimes...
Copy !req
768. and directors like criminals.
Copy !req
769. It should be illegal.
Copy !req
770. There goes my chance
to be a filmmaker.
Copy !req
771. - Why?
- My parents always left
the bedroom door open.
Copy !req
772. You'll have to direct theater,
not cinema.
Copy !req
773. Oh, maybe.
Copy !req
774. Uh.
Copy !req
775. Whoop.
Copy !req
776. Oop.
Copy !req
777. My parents only fucked
once in their life.
Copy !req
778. That's why we're twins. They
didn't want to make it twice.
Copy !req
779. Don't be alarmed, Matthew.
Copy !req
780. It's good news.
Copy !req
781. It only happens once a month.
Copy !req
782. Oh.
Copy !req
783. I love you, Isabelle.
Copy !req
784. I love you too, Matthew.
Copy !req
785. Yeah, but I really love you.
Copy !req
786. I really, really love you too.
We both do. Don't we, Theo?
Copy !req
787. Oh, yeah.
Copy !req
788. That's not what I wanted you to say.
Copy !req
789. What do you want us to say?
Copy !req
790. I wanted you to say
you love me.
Copy !req
791. We just did, Matthew.
Copy !req
792. No, you said you love me too.
Copy !req
793. I don't want you
to say you love me too.
Copy !req
794. I want you to say
that you... love me.
Copy !req
795. Oh, we love you,
we love you, we love you.
Copy !req
796. That's not right, either.
You have to say it first.
Copy !req
797. My God, Matthew.
You already said it first.
Copy !req
798. Why is that? Why am I always
the first to say it?
Copy !req
799. Oh, poor Matthew. Oh!
Copy !req
800. We do love you very much.
Copy !req
801. I don't want to be loved very much.
I want to be loved.
Copy !req
802. You know what
someone once said?
Copy !req
803. "There's no such thing as love.
There are only proofs of love."
Copy !req
804. Are you ready to give us
proof of your love?
Copy !req
805. You want proof of my love?
Copy !req
806. Mm-hmm.
Copy !req
807. Okay.
Copy !req
808. Get out of the bath.
Copy !req
809. Shaving cream.
Copy !req
810. - Razor.
- Thanks.
Copy !req
811. - What are you doing?
- What do you think I'm doing?
Copy !req
812. - You're not serious.
- Yes, I am.
Copy !req
813. It's nothing
you need to worry about.
Copy !req
814. - It's an operation I've performed before.
- Relax. It grows back.
Copy !req
815. - You're both fucking crazy!
- What's the matter?
Copy !req
816. This is what you call proof of love?
Turning me into a freak?
Copy !req
817. One of us, one of us,
one of us, one of us.
Copy !req
818. It's just a game.
Copy !req
819. It's just a game!
Copy !req
820. A game, Isabelle?
A game? Think about it.
Copy !req
821. Think about it. Is this something
you do to each other?
Copy !req
822. You want to shave my pubic hair?
You want me to be a little boy for you?
Copy !req
823. A little prepubescent Theo at six,
who you can play games with?
Copy !req
824. - You can touch peepee.
- Matthew, just...
Copy !req
825. I'll show you mine. You show me yours.
Come on! Come on!
Copy !req
826. Just calm down.
We hear you.
Copy !req
827. Theo, think about it.
Think.
Copy !req
828. You sleep in the same bed
together, every night.
Copy !req
829. You bathe together. You pee
in the john together.
Copy !req
830. You play these little games.
Copy !req
831. I wish you could step
out of yourselves and just look.
Copy !req
832. - Why? Why are you so cruel?
- Because I love you.
Copy !req
833. You have a strange way
of showing it.
Copy !req
834. No, I love... I really
love you. Both of you.
Copy !req
835. And I admire you.
Copy !req
836. And I look at you,
and I listen to you and I think...
Copy !req
837. you're never gonna grow.
Copy !req
838. You won't grow
like this. You won't.
Copy !req
839. Not as long as you keep clinging
to each other the way that you do.
Copy !req
840. Isabelle, have you ever
been out on a date?
Copy !req
841. - A date?
- Yeah, a date.
Copy !req
842. - What kind of date?
- You ever been out with a boy?
Copy !req
843. - I've been out with Theo.
- Not Theo.
Copy !req
844. Have you ever been
out with a boy...
Copy !req
845. that you met at school
that you liked?
Copy !req
846. I was never taken to school prom,
if that's what you mean.
Copy !req
847. I'm afraid we don't have
proms in France.
Copy !req
848. You have dates
in France, Isabelle.
Copy !req
849. Come on. Have you ever
been out with a boy?
Copy !req
850. Why do you keep asking me that?
You know I haven't.
Copy !req
851. Would you like to?
Copy !req
852. - Is this an invitation?
- It's an invitation.
Copy !req
853. Would you like to go
out on a date with me?
Copy !req
854. Just the two of us.
Don't look at Theo.
Copy !req
855. Isabelle, you don't
need his permission.
Copy !req
856. Oh, no, no, no. We can't sit in the front.
We have to sit in the back.
Copy !req
857. The front is for people
who don't have dates.
Copy !req
858. Ooh. Sorry. Excuse me.
Copy !req
859. - Chocolats glacés, cacahuètes, bonbons.
- So we sit in the back.
Copy !req
860. Ladies and gentlemen...
Copy !req
861. the motion picture
you are about to see...
Copy !req
862. is a story of music.
Copy !req
863. I play the role
of Tom Miller, an agent...
Copy !req
864. a small-time theatrical agent
who had been a...
Copy !req
865. Well, you'll see.
Copy !req
866. This motion picture was photographed
in the grandeur of CinemaScope, and...
Copy !req
867. Pardon me.
Copy !req
868. Sorry I can't stay,
but I have a train on tap.
Copy !req
869. All the best, Jerri.
Copy !req
870. Can't stand to hear me
sing again, huh?
Copy !req
871. You know it isn't that.
Copy !req
872. When I looked at the TV screen...
Copy !req
873. I remembered the battle
of the Cinémathèque.
Copy !req
874. Except this time the demonstrators
weren't film buffs.
Copy !req
875. They weren't even
just students any longer.
Copy !req
876. It was hard to figure out
what was happening...
Copy !req
877. but it looked like shops had closed
their doors, factories had gone on strike.
Copy !req
878. And it was beginning
to spread all over Paris.
Copy !req
879. We're willing to consider...
Copy !req
880. all legitimate demands.
Copy !req
881. Theo and I never watch
television. We're purists.
Copy !req
882. The purest of the pure.
Copy !req
883. - Well, let's go.
- Yeah, but...
Copy !req
884. Jesus.
Copy !req
885. - What's wrong?
- They're not mine.
Copy !req
886. No, no, no. Your room.
Copy !req
887. - No.
- I don't know how long I've
been here, but in all that time...
Copy !req
888. I haven't...
I haven't seen your room.
Copy !req
889. - You do have a room, right?
- Yeah, yeah. Of course I have.
Copy !req
890. Don't think I've always
lived in Theo's pigsty.
Copy !req
891. - How come you never go in there?
How come we never...
- No, no, no.
Copy !req
892. No, no one's making
love on my bed.
Copy !req
893. - Oh, please? Come on.
It's your room. It's part of you.
- No. No. No. No.
Copy !req
894. - I want to see it just tonight.
- No. No.
Copy !req
895. Non, non, et non.
Copy !req
896. I discovered a side of Isabelle
I'd never seen before...
Copy !req
897. a secret side
she hadn't wanted me to see.
Copy !req
898. I suddenly thought of my sisters'
bedrooms in San Diego.
Copy !req
899. I thought of our house,
and our neighbors' houses...
Copy !req
900. all alike,
and their green lawns...
Copy !req
901. and their sprinklers
and their station wagons
parked outside the garage door.
Copy !req
902. What sculpture?
Copy !req
903. I always wanted to make love
to the Venus de Milo.
Copy !req
904. I can't stop you.
Copy !req
905. I've got no arms.
Copy !req
906. I can't stop you!
Copy !req
907. What's wrong?
Copy !req
908. What's wrong?
Copy !req
909. Don't. Don't.
Copy !req
910. Don't.
Don't listen to it.
Copy !req
911. Don't listen to it.
Don't cry.
Copy !req
912. Shh!
Copy !req
913. - Don't.
- Please. Leave me alone.
Copy !req
914. Leave me alone.
Please. Please.
Copy !req
915. Please!
Copy !req
916. - Go away!
- Isabelle! Isabelle!
Copy !req
917. - Theo! Open up! Theo!
- Isabelle!
Copy !req
918. - Theo!
- You're gonna hurt yourself!
You're gonna hurt yourself!
Copy !req
919. - Who are you?
- What? What are you talking about?
Copy !req
920. - What are you doing in my room!
- What do you mean, what...
Copy !req
921. Get out! Get out!
Copy !req
922. Theo! Theo! Theo!
Copy !req
923. Theo! Theo!
Copy !req
924. Theo!
Copy !req
925. Theo!
Copy !req
926. A revolution isn't a gala dinner.
Copy !req
927. It cannot be created like a book,
a drawing or a tapestry
Copy !req
928. It cannot unfold with such elegance,
tranquillity and delicacy...
Copy !req
929. or with such sweetness,
affability, courtesy...
Copy !req
930. restraint and generosity.
Copy !req
931. A revolution is an uprising...
Copy !req
932. a violent act...
Copy !req
933. by which one class
overthrows another.
Copy !req
934. Chateau Lafite, 1955.
Copy !req
935. Chateau Chasse Spleen, 1959.
Copy !req
936. Grand vin, 1937.
Happy Birthday, Papa!
Copy !req
937. Uh, good.
Copy !req
938. - Listen, Matthew.
- Yes?
Copy !req
939. - You're a big movie buff, right?
- Oui.
Copy !req
940. Then why don't you think of Mao
as a great director...
Copy !req
941. making a movie with
a cast of millions.
Copy !req
942. All those millions
of Red Guards...
Copy !req
943. marching together
into the future...
Copy !req
944. with the Little Red Book
in their hands.
Copy !req
945. Books, not guns.
Copy !req
946. Culture, not violence.
Copy !req
947. Can't you see what a beautiful,
epic movie that would make?
Copy !req
948. I guess, but...
Copy !req
949. it's easy to say,
"Books, not guns."
Copy !req
950. But it's not true.
It's not books.
Copy !req
951. It's "book." A book.
Just one book.
Copy !req
952. - Shut up. You sound just like my father.
- No, no.
Copy !req
953. No, listen to me.
The Red Guards...
Copy !req
954. that you admire...
Copy !req
955. they all carry the same book...
Copy !req
956. they all sing the same songs...
Copy !req
957. they all parrot
the same slogans.
Copy !req
958. So in this big, epic movie...
Copy !req
959. everybody...
is an extra.
Copy !req
960. That's scary to me.
That gives me the creeps.
Copy !req
961. I'm sorry to say it,
but for me there is...
Copy !req
962. a distinct contradiction.
Copy !req
963. Why?
Copy !req
964. Because... if you really
believed what you were saying...
Copy !req
965. you'd be out there.
Copy !req
966. - Where?
- Out there, on the street.
Copy !req
967. - I don't know what you mean.
- Yes, you do. There's something
going on out there.
Copy !req
968. Something that feels like
it could be really important.
Copy !req
969. Something that feels like
things could change.
Copy !req
970. Even I get that.
But you're not out there.
Copy !req
971. You're inside, with me,
drinking expensive wine,
talking about film.
Copy !req
972. - Talking about Maoism. Why?
- Okay That's enough.
Copy !req
973. - No, tell me why. Ask yourself why.
- That's enough.
Copy !req
974. Because I don't think
you really believe it.
Copy !req
975. I think you buy the lamp, and you put
up the posters, but I don't...
Copy !req
976. I don't think you
Copy !req
977. - You speak... too much.
- Okay.
Copy !req
978. Theo! Just listen to me.
Listen.
Copy !req
979. I think...
I think you prefer...
Copy !req
980. I think you prefer
when... when...
Copy !req
981. when the word "together"
means not "a million," but just two.
Copy !req
982. - Oh-oh-oh, boys, boys!
- Or three?
Copy !req
983. - Isa. Come and join us.
- No, thank you, my sweet.
Copy !req
984. It smells like a whorehouse.
Copy !req
985. Thanks a lot.
Copy !req
986. I've got a surprise for you.
In the salon.
Copy !req
987. - It's beautiful.
- Hey, come on! Get in!
Copy !req
988. We used to do this
when we were little.
Copy !req
989. Ow!
Copy !req
990. More wine.
Copy !req
991. Thank you.
Copy !req
992. Isabelle.
Copy !req
993. Oh! God,
your breath is foul!
Copy !req
994. Yeah. Oh, I'm sorry.
Copy !req
995. You're drunk!
Copy !req
996. Yes, I'm drunk.
Copy !req
997. And you're beautiful.
Copy !req
998. And tomorrow morning,
I'll be sober...
Copy !req
999. but you'll still be beautiful.
Copy !req
1000. - Eh, bien.
- Go to sleep, Matthew.
Copy !req
1001. Yes.
Copy !req
1002. Idiot...
Copy !req
1003. you can hardly keep
your eyes open.
Copy !req
1004. Night-night.
Copy !req
1005. Theo? Theo?
Copy !req
1006. Wake up.
Copy !req
1007. What is it?
Copy !req
1008. I want you to listen.
Copy !req
1009. - Why?
- Because.
Copy !req
1010. - Theo...
- Mm?
Copy !req
1011. I love you.
You know that?
Copy !req
1012. I love you too.
Copy !req
1013. You love me too?
That's funny.
Copy !req
1014. Are you listening?
Copy !req
1015. It's forever, right?
Copy !req
1016. - What's forever?
- The two of us.
Copy !req
1017. - Right?
- Yes.
Copy !req
1018. Why did Matthew say that?
Copy !req
1019. What did Matthew say?
Copy !req
1020. That we're monsters, freaks.
Copy !req
1021. I just want you to tell me
that it's forever.
Copy !req
1022. It's forever.
Copy !req
1023. - Isa!
- You don't understand.
Copy !req
1024. We'll talk about it
in the morning.
Copy !req
1025. I promise.
Copy !req
1026. Oh!
Copy !req
1027. Good. We must
leave now, darling.
Copy !req
1028. - Already?
- What would you like?
To have dinner with them?
Copy !req
1029. Let's leave on tiptoe.
Copy !req
1030. Isa? What's happening?
Copy !req
1031. - The street came flying into the room!
- What?
Copy !req
1032. The street came flying
into the room!
Copy !req
1033. - What's that smell?
- It's tear gas.
Copy !req
1034. - Hit the streets!
- Go! Go on!
Copy !req
1035. Hit the streets!
Copy !req
1036. Matthew!
Copy !req
1037. Isabelle!
Copy !req
1038. Isabelle!
Copy !req
1039. - Hi!
- Hi!
Copy !req
1040. Dans la rue! Dans la rue!
Dans la rue! Dans la rue!
Copy !req
1041. This is just the start.
The fight goes on!
Copy !req
1042. - Theo, this is wrong. This is wrong.
- No, this is wonderful!
Copy !req
1043. This is violence!
This is violence.
Copy !req
1044. It's not violence. It's wonderful.
Come with me!
Copy !req
1045. This is fucking fascism
in a fucking bottle!
Copy !req
1046. I'm no fascist!
The cops are fascists!
Copy !req
1047. - Yeah, and then police hit people!
- Shut up!
Copy !req
1048. You can't understand.
Leave me be!
Copy !req
1049. Listen to me for a second, okay?
This is what they do.
Copy !req
1050. This is not what we do.
We use this.
Copy !req
1051. - We do this. We use this. We use this!
- Stop it!
Copy !req
1052. Isabelle. Come on.
Copy !req
1053. Isa...
Copy !req
1054. Encore les poulets!
Copy !req