1. Saturday, June 18th, 1983.
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2. Waihin, Gulf of Siam, Thailand.
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3. It was the first day off in a long time,
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4. and about 130 of us were trying
to get a little rest and relaxation
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5. out by this pool at this very modern hotel
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6. that looks something like a very modern prison.
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7. Something like the prisons
people or private prisons people
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8. are investing in here in the
United States instead of hotels.
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9. Something like a pleasure prison.
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10. A kind of place that, say,
if you were taking a trip to Bangkok
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11. and you took a side trip down to Waihin,
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12. you might come and stay at this hotel,
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13. but you probably wouldn't go off the grounds
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14. because of the high barbed
wire fence around the hotel
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15. to keep you in and the bandits out.
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16. You probably wouldn't even
go down to the Gulf of Siam
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17. because of the dogs, some of them rabid,
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18. that tend to intimidate you
and drive you up against a wall
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19. until you learn to pick up a piece of seaweed,
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20. shake it in their face,
and everything is hunky-dory.
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21. And it was the first day off in a long time,
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22. and the Thai waiters are running and smiling
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23. and bringing us more closter,
closter, closter beer.
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24. Everyone is ordering the closter.
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25. No one is drinking the local beer,
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26. which is exported to the United States,
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27. because they say it has formaldehyde in it.
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28. And the Thai waiters are
running and jumping and smiling,
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29. and they can't get to us fast enough,
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30. and there's a saying that says
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31. the Thais are the nicest people money can buy.
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32. And it's not a silly smile, it's a deep smile,
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33. because they have a philosophy, sanug.
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34. Sanug, loosely translated, means fun, pleasure.
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35. And they don't do anything if it isn't sanug.
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36. And they ask you first, and if it isn't sanug,
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37. they won't touch it with a 10-foot pole.
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38. Also, another idea that may have to do
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39. with the rather radical Thai Buddhism,
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40. after they have the sanug,
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41. they don't have to suffer for it afterwards.
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42. And it was the first day off in a long time,
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43. and some of the British crew
had the good sense or bad sense,
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44. depending on how you look at it, to buy women
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45. as soon as they arrived in Bangkok.
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46. I heard each man bought two,
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47. so he wouldn't risk falling in love
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48. when it came time to leave.
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49. And there the crew were like
these 250-pound beach whales
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50. out by the swimming pool desk,
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51. lying there with these skivvy little chickadees,
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52. 90-pound,
in from the country in two-piece bathing suits,
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53. walking up and down on them, giving them shiatsu.
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54. And it was the first day off in a long time,
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55. and the Thai waiter is running to jump over hedges
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56. to bring us more Closter beer.
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57. And all of a sudden, the waiter trips, falls,
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58. the Closter beer is full,
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59. and explodes on the cement by the pool.
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60. And the waiter looks up
with a great smile and says,
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61. Sorry, sir, we've just run out of Closter.
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62. And Ivan, devil in my ear,
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63. Ivan Strasberg, head of the second camera unit,
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64. a bit of a Mephistophelian figure,
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65. gray-beard, handsome man, South African,
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66. comes up to me and says,
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67. Spalding man, hey, there's a party tonight
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68. up at the Gulf of Siam.
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69. One of the workers' mother's
got a summer house up there.
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70. Hey, could I borrow your toenail clippers, man?
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71. Sure.
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72. Come on over.
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73. And do you want to smoke a Thai stick, hey?
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74. Should I bring some marijuana, man, hey?
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75. Sure.
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76. Why not?
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77. I mean, it's a party.
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78. After all,
I hadn't smoked any marijuana since I've been...
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79. Every time I am in a country
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80. where the marijuana is supposed to be so good,
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81. you know, India, Mexico, Northern California,
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82. now Thailand,
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83. I always feel that I should try it, you know?
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84. Maybe this time it would be different.
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85. Maybe this time I would
experience a sense of well-being
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86. like everyone says they do,
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87. you know, a sense of rest and relaxation,
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88. be able to sleep even.
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89. You see,
it tends to unlock my kundalini in the worst way.
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90. It gets stuck there in my
lower chakra there like a snake,
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91. like a fist, like a snake shaking its tail,
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92. like a studebaker stuck in sand.
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93. I thought, maybe I'll give it a try this time.
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94. I thought, no, no, no, no, no, no, wait a minute.
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95. I better speak with Renee first before I do it.
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96. Renee, my girlfriend,
was over there visiting me for 14 days,
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97. and I had made a promise, a commitment, you see,
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98. is to return, as soon as the film was over,
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99. to return to her because we had rented a cabin
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100. for the summer in upstate New York,
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101. in Krumville, New York, you know,
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102. K-R-U-M-V-I-L-L-E.
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103. And let me tell you, Krumville, New York,
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104. was looking less and less interesting to me
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105. the longer I was in Thailand, you see.
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106. The other thing was that I
hadn't had a perfect moment yet.
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107. And it's very important for
me to have perfect moments
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108. in exotic countries like that,
you know, I always like to have them
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109. because it gives you a good sense of closure,
you know,
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110. kind of lets you know when it's time to go home.
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111. And you never know when you're
going to have a perfect moment.
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112. I mean, the best had a long,
and you never know when you're going to have one.
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113. Look, I had a vision of myself by now
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114. as a kind of wandering, bachelor, mendicant poet,
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115. wandering all the way down
the beaches of Malaysia,
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116. eating magic mushrooms all the way as I went
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117. until I reached Bali,
evaporating in a state of ecstasy in the sunset.
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118. But I wasn't telling Renée that.
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119. But she could see that my will,
or what was left of it,
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120. was beginning to vacillate,
and we fell into a fight
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121. on the way to the party at the Gulf of Siam,
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122. and we were fighting all the way,
and we got there to the Gulf of Siam,
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123. and it was exquisite, you know,
unlike the Hamptons,
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124. where you have a boat and a bigger boat,
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125. and then a ship and a bigger ship,
and desire, and a carrot,
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126. and a carrot, and a carrot, and desire,
and desire, and desire, and desire.
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127. There was nothing to buy
out there in the Gulf of Siam.
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128. I mean, it was like one big piece of calendar art.
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129. I just said, look, look, look, Renée,
look at this beautiful sunset.
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130. Please stop with the arguing.
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131. I might be able to have a perfect moment right now
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132. when we could go home together.
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133. But she was very confrontational.
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134. She always wanted to talk about
what was going on in the moment,
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135. in the relationship, not about perfect moments,
what was going on,
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136. and we fell into a fight, and she began crying,
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137. and we were fighting,
and we went back to our separate corners.
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138. Renée went to Julian Sands, who was consoling her.
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139. She was crying on his shoulder.
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140. I went to Ivan in my corner, devil in my ear,
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141. Ivan Strasberg, who said, Spalding, man,
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142. don't let her get the upper hand in this argument.
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143. I mean, after all, what's she going to do, man?
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144. How many straight single men your age are
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145. that are left in New York City anyway?
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146. I said, Ivan, no.
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147. And boom, pow,
we went back at it again from our corners
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148. and began to clash, and Renée said,
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149. all right, I'll give you an ultimatum.
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150. Either you give me a date when you're coming home,
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151. or you marry me.
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152. I said, all right, July 8th.
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153. I'll be home by July 8th,
and now it was time to make up.
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154. Now it was time to have the pleasure,
because in our culture,
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155. first you suffer, then you have the Sanug.
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156. That's the order of it.
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157. So now it was time to have the pleasure,
and we went down by the Gulf of Siam,
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158. and now it was dark,
and the party sounds were in the distance,
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159. and the waves were lightly lapping,
and there we sat, Ivan, Renée, and I,
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160. and Ivan lit that tie stick and passed it down.
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161. I had no idea how strong it was.
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162. I took a few mild tokes.
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163. And closing my eyes,
this overwhelming wave of anxiety came over me.
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164. And with my eyes closed,
I could see this pile of black and brown shit
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165. steaming on the edge of a stainless steel counter,
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166. and I knew that shit represented
all the negative energy in my mind,
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167. and I could see a string going
from my third eye to that shit,
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168. and I knew all I had to do was simply
pull my head and have done with it,
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169. pull all that negative shit
off the edge of the counter,
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170. and as I was pulling,
I saw beside it a bubbling pile of pastel energy
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171. that was floating and connected from
tendrils that went from pastel to shit brown,
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172. and I realized the pastel energy
represented all the positive energy in my mind,
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173. and that if I pulled a negative off the counter,
I would pull the positive with it,
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174. and I'd be left with nothing
but a stainless steel counter.
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175. And all of a sudden,
the counter turned into a tunnel
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176. that I was going down at the
speed of the Santa Cruz roller coaster
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177. right toward the center of the Earth.
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178. Aaaaah!
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179. I knew I was getting healthier this time.
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180. The tunnel wasn't black. It was gold leaf,
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181. and the gold leaves were parting like an iris.
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182. Ei-yi-yi-yi-yi-yi-yi-yi-yi-yi-yi-yi!
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183. Until I couldn't stand the speed of it any longer,
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184. and I pulled back and grabbed
the beach and let out with a great,
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185. oh, oh, oh, huh,
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186. leaving that for Ivan to interpret.
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187. I had no idea where I was.
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188. Maybe in Southeast Asia.
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189. I didn't know ratty palm
trees in the different distance.
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190. I mean, it felt like I was in a
demented Wallace Stevens poem
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191. with food poisoning.
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192. Renee, I had no idea where Renee was.
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193. Maybe going back to Krumville, maybe for a walk.
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194. I saw in the distance what
looked like Thai Girl Scouts
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195. dancing around a bonfire.
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196. Gals holding hands, not an hallucination.
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197. I had the clear sense that if I got in that circle
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198. and held hands with them, I would be healed.
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199. I would be whole.
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200. I would be back in time again.
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201. And I got up and I began to
stagger like a Bowery bum,
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202. like a drunken teenager, like a fraternity brother
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203. I've never been before in my life.
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204. And all of a sudden I realized
I was gonna be very sick.
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205. And I pulled off into a far corner of the beach
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206. and up it came like a wretched Thai dog.
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207. Uh, uh, uh, uh, uh.
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208. And as the vomit came up,
I covered it over with sand.
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209. And the sand turned into a black gauze death mask
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210. that flew up and covered my face.
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211. So be vomit, cover sand, mask.
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212. Vomit, cover sand, mask.
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213. Vomit, cover sand, mask.
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214. Until I looked down and saw that I'd built
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215. my entire corpse out of sand.
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216. And my face was staring back at me.
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217. And my teeth were cutting
through the rotting lips.
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218. And my ribs were coming through
the decomposing flesh of my side.
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219. And Renee was standing over me going,
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220. what's wrong, hon?
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221. I said, I'm dying.
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222. That's what's wrong.
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223. She said, oh, gee.
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224. All this time I thought you
were having a good time
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225. building sand castles.
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226. She was at a distance.
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227. They carried me out in that
drunken classic Jesus sailor
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228. pose.
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229. One arm over one man,
one over the other, feet dragging.
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230. And I was mortified.
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231. Because the following day I was supposed to do
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232. my big scene in the movie.
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233. What pisses me off is that
this country has a lot of faults
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234. and a lot of strengths.
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235. And we have done nothing but play to the faults.
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236. I'm telling you, Sid,
I will be damn glad to get out of here.
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237. This thing is dragged on too long for it
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238. to end in all sweetness and light.
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239. And after what the Khmer Rouge have been through,
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240. I don't think they're going
to be exactly affectionate
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241. toward Westerners.
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242. In February of 1983,
I met this incredible British documentary
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243. filmmaker, Roland Joffe, very intense man,
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244. a combination of Zorro, Jesus, and Rasputin.
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245. Body of Zorro, heart of Jesus, eyes of Rasputin.
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246. And he'd been sent over by David Putnam,
who was producing
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247. a film called The Killing Fields.
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248. And he'd sent over two cast for actors.
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249. And he was seeing people, and he was burning.
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250. He was doing all the talking.
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251. I was listening for 45 minutes.
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252. He talked.
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253. He burned with his story.
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254. I listened.
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255. 45 minutes,
he told me about the story of the film.
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256. It was about a New York Times reporter,
Sidney Shanberg,
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257. who was covering the American
secret bombing of Cambodia
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258. for the New York Times,
and his sidekick, Dith Pran,
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259. a Cambodian photographer,
and how they were curious
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260. to see what would happen
when the Khmer Rouge marched
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261. into Phnom Penh,
and how after the American embassy
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262. was evacuated and Dith
Pran sent his wife and children
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263. out with the American evacuation, Sidney Shanberg
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264. and Dith Pran fled to the
French embassy to hide out.
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265. And the Khmer Rouge came
in and sent all Cambodians
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266. out of the French embassy, or everyone dies.
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267. And they sent Dith Pran out to his certain death.
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268. The only one that didn't
give up hope was searching
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269. with Sidney Shanberg, and he searched for years
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270. until he located Dith Pran in a Thai refugee camp.
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271. And now Dith Pran is working
for the New York Times.
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272. I said, wow.
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273. That's an incredible story, you know.
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274. It's so hopeful,
it sounds like someone made it up.
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275. I'm going to tell you right now,
I would do anything
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276. to be in your film.
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277. I don't even know what roles you're looking for,
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278. but I want to be really straight with you.
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279. I'm not very political.
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280. I don't know anything about secret bombing,
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281. and in fact, I've never voted before in my life.
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282. And Roland says, perfect.
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283. We're looking for the American ambassador's aide.
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284. But I can't promise you anything.
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285. I have to go out to the coast to cast out there.
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286. We have to see how the
whole puzzle shapes together.
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287. I'll be back in the city in three months' time.
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288. We'll chat again then.
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289. And I went out and I thought, you know,
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290. I want to be involved in this project
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291. more than any other project
I've almost been involved in.
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292. But what can I do?
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293. I'm going to tell you, part of why I gave up
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294. professional acting was I got so tired of waiting
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295. for the big indifferent machine
to make up its so-called mind.
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296. I wanted to have some
influence over my own destiny,
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297. my own life, you know.
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298. But I wanted to be in this film.
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299. I thought, what can I do to influence?
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300. I mean,
the first thing that occurred to me was prayer.
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301. And I thought, mm, Spalding, it's been so long.
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302. You know?
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303. So the next thing that came to
me was that old rational voice
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304. that we all know so well, you know?
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305. Well, if I get it, I get it.
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306. If I don't, I'll do something else.
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307. You know, after all, I can still see and walk.
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308. And as my mother always said,
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309. think of the starving Koreans, right?
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310. So I was trying to think of the starving Koreans,
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311. but my pre-conscious irrational
voice was not behaving so well.
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312. It set up this kind of
ritualized magical thinking.
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313. I mean, it started innocently enough.
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314. I literally could not go out of my apartment
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315. until I turned my little KLH
radio off on a positive word.
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316. You know?
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317. I was there all morning some days.
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318. The stock market is rising.
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319. I could go out.
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320. Consider moving Marines to safer positions.
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321. I could go out.
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322. Or you may go to a doctor who belongs to the AMA,
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323. but it doesn't necessarily
mean you're going to the best.
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324. I could go out.
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325. And as I went out,
I found that I was turning the doorknob 3 times.
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326. 3s became a crucial,
very important, magical number.
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327. I was going 1, 2, 3, 1, 2, 3,
1, 2, 3, 1, 2, 3, 1, 2, 3, 1, 2,
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328. and knocking on wood when I could find wood.
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329. Bop, bop, find wood,
6 sets of 9, and 6 and 3 and 9,
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330. snapping on my way to the supermarket to buy soup.
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331. You know, 6 sets of 9,
9 times every third can was fine.
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332. The first 2 cans of soup had botulism,
you see, or cyanide.
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333. And I thought, you know, Spalding,
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334. you're going to end up in the insane asylum
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335. before you get the role in the film.
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336. And it was around about the
time that the little king took over.
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337. I don't know if you know him,
the super ego figure,
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338. not exactly my best friend.
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339. And the little king said, Spalding, if you will,
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340. something I also knew nothing about,
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341. if you can will this magical thinking to stop,
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342. this act of will will be the supremo,
supremo thing
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343. that will get you the role in the film.
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344. So around about the time I was developing A Will,
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345. I was asked to do my monologues out in Hollywood,
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346. and I was doing it in a small theater out there.
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347. I got good reviews.
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348. And Warner Brothers Television saw the reviews
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349. and asked me to come in and read for a sitcom.
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350. I said, well, please, you know,
come and see the monologue.
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351. You'll get a better sense of what it is I do.
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352. And they said, well, we'd love to,
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353. but we go to bed early out here.
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354. So can you please come in in the morning?
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355. So I came in and read for the sitcom,
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356. and the Lord works in strange ways.
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357. And as soon as I was going outside that office,
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358. then there, there was Roland Joffe,
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359. who was costing for the Killing Fields
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360. because Warner Brothers was putting money into it,
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361. and he was using their offices.
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362. And he said, let's chat again.
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363. So I went home and put on my tie and jacket,
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364. and I came in, and once again, once again,
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365. Roland burned.
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366. He did all the talking for 45 minutes.
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367. I listened.
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368. This time he was talking about Cambodia,
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369. what a fantastic land it was,
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370. why it was Shangri-La before it was colonized.
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371. He said it was incredible.
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372. He said Thailand was like a Nordic country
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373. compared to Cambodia.
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374. They're right next to each other.
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375. And he said that 90% of the land
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376. was owned by the people.
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377. It was earth, it was dirt,
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378. but it was theirs, and it was good.
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379. And they knew how to have a good time.
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380. They knew how to have a good time getting born,
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381. a good time growing up,
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382. a good time going through puberty,
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383. a good time falling in love,
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384. a good time staying in love,
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385. a good time getting married,
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386. a good time staying married,
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387. a good time having children,
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388. a good time raising children,
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389. a good time growing old,
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390. a good time dying.
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391. They even knew how to have a good time
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392. on New Year's Eve.
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393. I couldn't believe it.
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394. The only thing was that Rowland said
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395. because it was such a beautiful country
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396. that they had lost touch with evil.
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397. Something like the Indian tantric colonies
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398. on the east coast of India, B.C.,
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399. they got so open and tantric and loving
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400. that they were totally defenseless,
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401. and the Huns came down and ate them up
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402. like chocolate-covered cherries.
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403. Now, Rowland said that the Samoans,
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404. which also have a beautiful culture,
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405. did not risk this because they had
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406. ritualized tattooing,
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407. in which they initiated their children
Copy !req
408. to pain in a ritual.
Copy !req
409. I didn't know what he was talking about.
Copy !req
410. My eyes are rolling in my head.
Copy !req
411. I mean, I was trying to get a fix on Cambodia
Copy !req
412. all the time I was talking.
Copy !req
413. I thought I knew where it was,
Copy !req
414. and I didn't even have a map of it in my mind.
Copy !req
415. There it is.
Copy !req
416. About the size of the state of Missouri.
Copy !req
417. Rowland told me that in 1965,
Copy !req
418. it had about 7 million people
Copy !req
419. in the entire country,
Copy !req
420. 600,000 in the capital, Phnom Penh,
Copy !req
421. lovely freshwater lake right in the middle
Copy !req
422. of all sorts of recreational activity,
Copy !req
423. fishing,
more seaports along the Gulf of Siam here.
Copy !req
424. Then Rowland told me that in 1966,
Copy !req
425. that happy, sexy, sax-playing prince,
Copy !req
426. King Sihanouk,
maybe because of his Buddhist tolerance,
Copy !req
427. allowed the Viet Cong to put some few sanctuaries
Copy !req
428. along the border here.
Copy !req
429. Now,
the American Air Force was very upset about this.
Copy !req
430. They had a theory that the sanctuaries
Copy !req
431. were being controlled by a central headquarters
Copy !req
432. up here in the jungle.
Copy !req
433. A central headquarters
about the size of the Pentagon.
Copy !req
434. Maybe even a replica of the Pentagon.
Copy !req
435. And if they thought we could just send
Copy !req
436. some B-52s over from Bangkok here,
Copy !req
437. don't bother to tell the American public.
Copy !req
438. Just a few raids would take care
Copy !req
439. of the central headquarters,
Copy !req
440. and they had a secret meeting at breakfast time
Copy !req
441. at the Pentagon,
Copy !req
442. and they called it Operation Breakfast.
Copy !req
443. And at the secret meeting,
Copy !req
444. they came up with the menu.
Copy !req
445. And here is a map of the menu.
Copy !req
446. Now, it's a bit of an odd diet.
Copy !req
447. Remember these bombers,
Copy !req
448. the American bombers are coming over from Bangkok
Copy !req
449. six miles up like airborne holiday inns,
Copy !req
450. and they're dropping their bombs by computer,
Copy !req
451. and they come over, and the first stop
Copy !req
452. is this sanctuary for supper.
Copy !req
453. Then around the Parrot's Peak for breakfast,
Copy !req
454. this sanctuary.
Copy !req
455. Then up for dinner.
Copy !req
456. Then dessert, a snack,
Copy !req
457. and then shooting straight
up to where they thought
Copy !req
458. the central headquarters was for lunch.
Copy !req
459. Now, Roland told me this had a reverse effect
Copy !req
460. on the Viet Cong.
Copy !req
461. Instead of driving them back into Vietnam,
Copy !req
462. it drove them further into the Cambodian jungles
Copy !req
463. where they hitched up with
this weird bunch of rednecks
Copy !req
464. headed by Pol Pot, the Khmer Rouge,
Copy !req
465. and the Viet Cong began to teach the Khmer Rouge
Copy !req
466. how to fight.
Copy !req
467. Now, no one knows how they got so weird up there.
Copy !req
468. They were eating barks, bugs, lizards, and leaves
Copy !req
469. up there for about five years,
Copy !req
470. basically going wacko.
Copy !req
471. Now, there are some theories.
Copy !req
472. One is, Pol Pot was educated in Paris.
Copy !req
473. In his strict Maoist doctrine,
Copy !req
474. someone threw into the soup
a perverse bit of Rousseau,
Copy !req
475. which put him over the edge
Copy !req
476. and made him worse than Hitler even.
Copy !req
477. A back-to-the-land, pure
agrarian racist ideology
Copy !req
478. with no Jewish other to get, you see.
Copy !req
479. The only other they had was the urban other,
Copy !req
480. the city dweller here in Phnom Penh.
Copy !req
481. So you have to imagine,
Copy !req
482. it's something like 200,000 rednecks
Copy !req
483. rallying 90 miles upstate in New Paltz,
Copy !req
484. about to move in in New York,
Copy !req
485. eating barks, bugs, lizards, and leaves.
Copy !req
486. Also, I think Pol Pot was in
competition with Father Mao.
Copy !req
487. He wanted to have a pure cultural revolution,
Copy !req
488. alleviating all intellectuals except for one,
Pol Pot,
Copy !req
489. and not have any socialism in between,
Copy !req
490. a pure communist revolution.
Copy !req
491. Now, while all of this was going on
Copy !req
492. and they were rallying up there,
Copy !req
493. Sianuk, that happy, sexy, sax-playing prince,
Copy !req
494. was out of town for the day,
Copy !req
495. and there was possibly a CIA coup.
Copy !req
496. It was a coup.
Copy !req
497. No one's sure exactly who inspired it,
Copy !req
498. but I can imagine.
Copy !req
499. And suddenly, Lon Nol is in office.
Copy !req
500. All of a sudden, in a day.
Copy !req
501. Now,
no one in America knew anything about Lon Nol.
Copy !req
502. The press didn't know anything about Lon Nol,
Copy !req
503. except Lon Nol spell backwards, spell Lon Nol.
Copy !req
504. Now, while this was going on,
Copy !req
505. and again, leave it to a Brit to tell you
Copy !req
506. about your own history, I didn't remember this,
Copy !req
507. our President Nixon was
developing his madman theory
Copy !req
508. on the banks of Key Biscayne,
Copy !req
509. with Bob Haldeman saying,
Copy !req
510. Listen, Bob, just let the rumor get out
Copy !req
511. that I've gone mad.
Copy !req
512. And the Viet Cong will stop their bombing
Copy !req
513. because they'll be so sure
Copy !req
514. I'm going to press the green button.
Copy !req
515. And while he's developing his madman theory,
Copy !req
516. he was taking military advice
Copy !req
517. from B.B. Roboso and John Mitchell,
Copy !req
518. and watching reruns of Patton starring George C.
Scott
Copy !req
519. on his bedroom wall over and over again.
Copy !req
520. Now, while this was going on,
Copy !req
521. and again, leave it to a Brit to remind me
Copy !req
522. of my own history, Kent State occurred.
Copy !req
523. Certainly I remember Kent State to my dying day,
Copy !req
524. but I'd always lumped it in with the Vietnam War.
Copy !req
525. I forgot that it had to do with the Americans,
Copy !req
526. specifically American invasion of Cambodia,
Copy !req
527. and it was a lovely May day.
Copy !req
528. Granted, the kids were burning down
Copy !req
529. the ROTC training building,
Copy !req
530. and it was a lovely May day,
Copy !req
531. and Governor James Rhoades
just happened to call out
Copy !req
532. the Ohio National Guard,
Copy !req
533. who happened to have live ammunition in their gun,
Copy !req
534. and they opened fire on the students.
Copy !req
535. Fifteen were shot.
Copy !req
536. Four innocent bystanders killed.
Copy !req
537. This caused enormous dissension in America.
Copy !req
538. 100,000 protesters marched on the White House.
Copy !req
539. Hague had troops in the
basement of the White House
Copy !req
540. thinking there was going to be a siege.
Copy !req
541. Nixon didn't get any sleep that night.
Copy !req
542. He was up, he made over 50 phone calls.
Copy !req
543. Eight to Kissinger, seven to Haldeman,
Copy !req
544. one to Norman Vincent Peale,
and one to Billy Graham.
Copy !req
545. And after one hour's sleep, he got up and put on
Copy !req
546. Rachmaninoff's Piano Concerto No.
1 on the record player,
Copy !req
547. and with his Cuban valet, Manolo Sanchez,
Copy !req
548. he went down to the Lincoln Monument
Copy !req
549. to talk to the protesters about surfing, football,
Copy !req
550. how travel broadens the mind.
Copy !req
551. In fact, one student said,
Copy !req
552. I hope it was because our president was tired,
Copy !req
553. but when he asked me what school I was from
Copy !req
554. and I told him, he said,
Copy !req
555. how's your team doing this year?
Copy !req
556. Now, the Cooper Church Amendment went through.
Copy !req
557. This was supposed to stop
any close ground support troops
Copy !req
558. in a country where there was an undeclared war,
Copy !req
559. I.e., Cambodia.
Copy !req
560. But I found out only two years ago
Copy !req
561. that we are not living in a democracy
Copy !req
562. and that the president is commander-in-chief
Copy !req
563. of the armed forces and could bypass the Senate
Copy !req
564. and Congress to give orders for war,
Copy !req
565. and he did, he said, continue the bombing.
Copy !req
566. The only thing he did do was say
Copy !req
567. no more American close ground support troops
Copy !req
568. more than 21 miles into Cambodia.
Copy !req
569. Now, how they were controlling this, I don't know,
Copy !req
570. whether the troops had
odometers on their legs or what,
Copy !req
571. but more than 21 miles, you turn into a pumpkin
Copy !req
572. or you had to head back.
Copy !req
573. Now, someone had to go over to Phnom Penh
Copy !req
574. and tell Lon Nol of this new ruling.
Copy !req
575. Haig went over, broke it to him.
Copy !req
576. Lan Nol saw the downfall of Cambodia,
Copy !req
577. the writing was on the wall.
Copy !req
578. He turned to the window and
wept openly in front of Haig.
Copy !req
579. Haig went back and reported this public weeping,
Copy !req
580. and they sent over a team of psychiatrists
Copy !req
581. to examine Lan Nol and came back with a report
Copy !req
582. that he was a vague, unstructured individual,
Copy !req
583. that he used astrological, folkloric,
Copy !req
584. and occult references in
his addresses to the nation.
Copy !req
585. If you can imagine such a thing, I can actually.
Copy !req
586. Something like, my fellow Americans,
Copy !req
587. I'm not going out for the next two weeks
Copy !req
588. because my moon is in Gemini type thing.
Copy !req
589. Now, the Cooper Church Amendment went through
Copy !req
590. and this bombing went on for 5 years.
Copy !req
591. The Supreme Court never passed any judgment on it,
Copy !req
592. and the military speaks with pride today
Copy !req
593. that 5 years of the bombing of Cambodia
Copy !req
594. killed 16,000 of the so-called enemy.
Copy !req
595. That's 25% killed, and there's
a military ruling
Copy !req
596. that says you cannot kill
more than 10% of the enemy
Copy !req
597. without causing irreversible
psychological damage.
Copy !req
598. So 5 years of bombing,
a diet of barks, bugs, lizards,
Copy !req
599. and leaves up in the Cambodian jungles,
Copy !req
600. an education in Paris and Varennes
Copy !req
601. of strict Maoist doctrine
with a touch of Rousseau,
Copy !req
602. and other things that we will probably
Copy !req
603. never know about in our lifetime,
Copy !req
604. including perhaps an invisible cloud of evil
Copy !req
605. that circles the Earth and lands at random
Copy !req
606. in places like Iran, Beirut,
Germany, Cambodia, America.
Copy !req
607. Set the Khmer Rouge up to carry out
Copy !req
608. the worst auto-homeo genocide in modern history.
Copy !req
609. Whenever I travel, if I can do it,
Copy !req
610. I'll travel by train,
Copy !req
611. because I like to hang out in the lounge car.
Copy !req
612. People tell me fantastic stories there.
Copy !req
613. I think it's because we figure
we'll never see each other again.
Copy !req
614. I mean, for me, the Amtrak lounge car
Copy !req
615. is like one big rolling confessional.
Copy !req
616. Last year,
I was on my way up from New York City to Chicago,
Copy !req
617. and this guy comes up to me and says,
Copy !req
618. Hi, I'm Jack Daniels, mind if I sit down?
Copy !req
619. I said, no, I'm Spalding Gray, have a seat.
Copy !req
620. What's up, Jack?
Oh, nothing much, I'm in the Navy.
Copy !req
621. Oh, really? Where are you stationed?
Guantanamo Bay.
Copy !req
622. Oh, where's that? Cuba.
Oh, I should have known that, shouldn't I?
Copy !req
623. What's Cuba like? I've never been down there.
Copy !req
624. We don't get into Cuba, man.
Copy !req
625. We get free flights down to the
Virgin Islands any time we want.
Copy !req
626. What do you do down there? I get laid.
Copy !req
627. Oh, really, you go to horse, too?
Copy !req
628. Are you kidding? I never paid for sex in my life.
Copy !req
629. I get picked up by couples.
I'm into that, you know, threesomes,
Copy !req
630. triangles, pyramids, there's power in that.
Copy !req
631. I could see what he was talking about.
Copy !req
632. He was cute enough,
I could see how someone would pick him up.
Copy !req
633. He was in his civvies, though,
he wasn't in his Navy outfit,
Copy !req
634. but he had a nice little bod.
Copy !req
635. The only kind of weird and
demented thing about him,
Copy !req
636. it was that his ears hadn't grown.
Copy !req
637. They were like these little pasta shells.
Copy !req
638. I mean, it was as though his body had grown,
Copy !req
639. his ears hadn't caught up yet.
Copy !req
640. So I say to him, so where are you off to, Jack?
Copy !req
641. Pittsburgh. Really? What's up there?
Copy !req
642. My wife. Oh, how long's it been? A year.
Copy !req
643. Oh, I'll bet she's been doing some swinging,
too, herself.
Copy !req
644. She's been waiting for you all this time?
Copy !req
645. Oh, no, I know her.
Copy !req
646. She's got fucking cobwebs
growing between her legs.
Copy !req
647. But I wouldn't mind watching
her get fucked by a guy
Copy !req
648. once I get up there, as long as I can watch.
Copy !req
649. I wouldn't mind that at all.
Copy !req
650. Really? You mean, you're going...
Copy !req
651. Now, let's go over this again.
Copy !req
652. You're coming all the way from Cuba to Pittsburgh?
Copy !req
653. No, man,
I'm not stationed in Guantanamo Bay anymore.
Copy !req
654. I'm stationed in Philly. Philadelphia? Really?
Copy !req
655. What's going on there? Can't tell. No way, man.
Copy !req
656. Top secret.
Copy !req
657. Oh, come on, Jack.
Copy !req
658. Top secret in Philadelphia? You can tell me.
Copy !req
659. Nope, no way.
Copy !req
660. And he proceeds to have five more rum cokes,
Copy !req
661. and he tells me that in Philadelphia
Copy !req
662. he is chained in a waterproof chamber,
Copy !req
663. down there with his right arm chained to the wall,
Copy !req
664. sitting next to a green button
Copy !req
665. that goes to a waterproof silo in this ship
Copy !req
666. with a nuclear missile in it
and a nuclear warhead on it.
Copy !req
667. And he's down there, high on blue flake cocaine,
Copy !req
668. a new breed up from Peru
that the Navy doesn't test for.
Copy !req
669. And he's down there,
high on lots of coffee and blue flake cocaine,
Copy !req
670. just waiting with those
earphones on his little ears,
Copy !req
671. waiting for a message to
fire his rocket at the Russians.
Copy !req
672. And I just turned to him and said,
Copy !req
673. Why waterproof?
Copy !req
674. I mean,
I just thought with the details and work out,
Copy !req
675. I could have started with, Why a green button?
Copy !req
676. And he goes,
Copy !req
677. Waterproof, man, waterproof.
Copy !req
678. You ask, Why waterproof?
I'll tell you why waterproof.
Copy !req
679. When my ship sinks in an ocean,
any ocean, anywhere,
Copy !req
680. I'm still chained down there
in that waterproof chamber.
Copy !req
681. I press that green button,
it activates that rocket,
Copy !req
682. it goes up out of its waterproof silo,
up, up, up, up, up.
Copy !req
683. I get a fucking erection, man,
Copy !req
684. every time I think of firing
a rocket at those Russians.
Copy !req
685. We're gonna win! We're gonna win!
Copy !req
686. We're gonna win this fucking war!
Copy !req
687. But I like the Navy, man.
I got to travel everywhere.
Copy !req
688. I've been to India, I've been to Africa,
I've been to Sweden.
Copy !req
689. I fucking didn't like Africa,
though, man, I don't know why.
Copy !req
690. Black women just don't turn me on.
Copy !req
691. It's not that I'm prejudiced or nothing like that,
man.
Copy !req
692. Now, here's a guy,
if the women in the country don't turn him on,
Copy !req
693. he misses the entire landscape, you see?
Copy !req
694. He just turns into a big fuzzball, a black hole,
Copy !req
695. that he steps through that comes
out the other side of the world.
Copy !req
696. In Sweden, I fucking love Sweden, man.
Copy !req
697. You get to see real Ruskies there.
Copy !req
698. They're moshed in at gunpoint,
they're allowed two beers,
Copy !req
699. we drink all the fucking beers we want.
Copy !req
700. We're drunk on our asses, man.
Copy !req
701. We're over there yelling,
Copy !req
702. Hey, Ruskies,
what's it like in Moscow this time of year?
Copy !req
703. We hire Swedish whores to go
over and put their heads in their laps.
Copy !req
704. You should see those fucking sweat, man.
Copy !req
705. They're stupid!
You know, they got liquid fuel in their rockets.
Copy !req
706. That rocket's a rusty,
they're gonna sputter, they're gonna pop,
Copy !req
707. they're gonna land in our cornfields.
Copy !req
708. I said, Jack, Jack,
wait a minute, wait, wait, wait.
Copy !req
709. Haven't you been reading the literature?
Copy !req
710. I mean, really, it's bad enough if
the rockets land in the cornfields
Copy !req
711. with the radiation and everything.
Copy !req
712. No, you don't understand anything, man.
Copy !req
713. The Russians are stupid people,
they are backwards.
Copy !req
714. Do you know that on their ships,
Copy !req
715. they don't even have electrical intercoms?
Copy !req
716. They still speak through tubes.
Copy !req
717. Suddenly I had this enormous
fondness for the Russian Navy,
Copy !req
718. for the whole of Mother Russia,
Copy !req
719. the thought of these men like innocent children
Copy !req
720. speaking through empty toilet paper rolls,
Copy !req
721. empty paper towel rolls,
Copy !req
722. where you could still hear doubt, confusion,
Copy !req
723. brotherly love, ambivalence,
Copy !req
724. all those human tones coming through the tube.
Copy !req
725. Jack was very patriotic.
Copy !req
726. Hey, I forgot it exists.
Copy !req
727. I thought it was on the cover
of Time and Newsweek only.
Copy !req
728. It's still there if you take the
train up from New York to Chicago.
Copy !req
729. Three Mile Island Nuclear Power Plant.
Copy !req
730. Jack stands up and salutes and sits back down.
Copy !req
731. Now I can tell you, I felt to some extent
Copy !req
732. like I was looking my death in the face.
Copy !req
733. I'm not making up any of these
stories I'm telling you tonight.
Copy !req
734. Except for one.
Copy !req
735. Except for the fact that the
banana sticks to the wall when it hits.
Copy !req
736. That's the only one. Everything else is true.
Copy !req
737. Now I figure if Jack is making
up this story to frighten me,
Copy !req
738. if he wasn't down there in
that waterproof chamber then,
Copy !req
739. he's probably down there now.
Copy !req
740. If he's white, he's in the Navy,
and he wants it enough, he can get it.
Copy !req
741. So I am trying to talk him out of it.
Copy !req
742. I'm making a small stand.
Copy !req
743. I'm saying, listen, listen, Jack,
you don't want to do it, right?
Copy !req
744. Look what happened to the guy
that dropped the bomb in Hiroshima.
Copy !req
745. He went crazy.
You don't want that to happen to you, do you?
Copy !req
746. He goes, that asshole?
Copy !req
747. He was not properly brainwashed.
Copy !req
748. I, he says with great pride,
have been properly brainwashed.
Copy !req
749. And also it's a nuclear destruct club, man.
Copy !req
750. It's a brotherhood of fear.
Copy !req
751. It's a whole bunch of people
pressing those buttons, not just one.
Copy !req
752. I said, I know, Jack,
but if a whole bunch of you press those buttons,
Copy !req
753. you're going to blow up the world.
Copy !req
754. You don't want that.
Copy !req
755. I mean, think of all you have to live for.
Copy !req
756. Here I was hard pressed.
Copy !req
757. The blue flag cocaine.
Copy !req
758. Getting picked up by the couples.
Copy !req
759. Blowing away the cobwebs between your wife's legs.
Copy !req
760. The Swedish whores.
Copy !req
761. Any of that.
Copy !req
762. He said, I'm not going to die.
Copy !req
763. I said, how do you know?
Copy !req
764. We got pubs.
Copy !req
765. Everything was abbreviated.
Copy !req
766. What are pubs?
Copy !req
767. Pubs are Navy publications that tell
them where to go to avoid the radiation
Copy !req
768. after all of us have been vaporized.
Copy !req
769. And at that moment,
I pictured him actually down under in Tasmania
Copy !req
770. starting a new, small-eared,
red-faced, pea-brained humanoid race
Copy !req
771. after all of us have gone.
Copy !req
772. And I thought, you know, the mother needs a rest.
Copy !req
773. Mother Earth deserves a long,
long rest with no people on her.
Copy !req
774. Maybe if we're lucky,
after all of us have been vaporized,
Copy !req
775. Jack will end up in Africa.
Copy !req
776. He could see I wasn't exactly on his side.
Copy !req
777. It was subtle, but he could see it.
Copy !req
778. And he turned to me,
and he was starting to get a little pissed,
Copy !req
779. and he said, listen, Mr. Spalding.
Copy !req
780. I think by now he's calling me Gary Spalding.
Copy !req
781. You would not be doing your,
what is it you do again for a living?
Copy !req
782. Your talking cure.
Copy !req
783. If it was not for me and the United States Navy
Copy !req
784. protecting you from the
Russians taking over the world.
Copy !req
785. I thought, wait a minute.
Copy !req
786. Wait a minute. Maybe he's right.
Copy !req
787. Maybe the Russians are
trying to take over the world.
Copy !req
788. Maybe I'm the one that's brainwashed.
Copy !req
789. Maybe I've been hanging
out with liberals too long.
Copy !req
790. Maybe I'm deluded.
Copy !req
791. Maybe all this time I thought
I was a conscientious pacifist.
Copy !req
792. I was really just a passive-aggressive,
unconscious coward.
Copy !req
793. I mean, and like any good liberal,
Copy !req
794. I should question everything, right?
Copy !req
795. So I should question this.
Copy !req
796. For instance, when did I last make a stand?
Copy !req
797. Just stand up, for instance,
Copy !req
798. let alone for the United States of America.
Copy !req
799. Every time I try to think of
the United States of America,
Copy !req
800. I get the cold sweats.
Copy !req
801. I can't even look at a weather map anymore.
Copy !req
802. It's too big.
Copy !req
803. That's part of why I moved to Manhattan.
Copy !req
804. I wanted to move to an
island off the coast of America,
Copy !req
805. somewhere between Europe and America
Copy !req
806. with only 17 million people and clear boundaries,
Copy !req
807. outlines, something you can get a grasp of.
Copy !req
808. My girlfriend, Renee,
Copy !req
809. her upstairs neighbor is
a member of the art mafia.
Copy !req
810. She first got involved with it
Copy !req
811. when she was working for the man
Copy !req
812. that defaced the Guernica and became famous for it
Copy !req
813. and now has galleries all over Soho.
Copy !req
814. Now she has her own gallery.
Copy !req
815. She plays her quadraphonic
torture box full blast above us.
Copy !req
816. Every night, it's Bob Dylan's Sarah.
Copy !req
817. Something must have happened to her way back then,
Copy !req
818. and she really, I know it could be worse,
Copy !req
819. but every night, it's unbelievable.
Copy !req
820. It's like you're in the room with it.
Copy !req
821. I mean, if it was just 1.30 in the morning, fine.
Copy !req
822. It would be like feeding time.
Copy !req
823. You could get through it, but it's diabolical.
Copy !req
824. It's 1.36 in the morning.
Copy !req
825. It's 2.10 in the morning.
Copy !req
826. It's 3.15 in the morning.
Copy !req
827. It's 4.11 in the morning.
Copy !req
828. What do you do?
Copy !req
829. You call the police.
Copy !req
830. They come, she turns it down.
Copy !req
831. They leave, she turns it up.
Copy !req
832. They come, she turns it down.
Copy !req
833. They leave, she turns it up.
Copy !req
834. I mean, she's up there.
Copy !req
835. She gets these guys in from the Midwest
Copy !req
836. that want to become rich and famous in a year,
Copy !req
837. make five-figure number here in Soho.
Copy !req
838. They come in,
they're sleeping in sleeping bags on her floor.
Copy !req
839. Whenever we complain, she sends them down,
Copy !req
840. and they go, hey, look,
man, New York is party city.
Copy !req
841. That's why we moved here, you see.
Copy !req
842. You can have parties on weeknights.
Copy !req
843. Now, if you don't dig it,
you should move to the country,
Copy !req
844. old man.
Copy !req
845. I go back.
Copy !req
846. I'm trying to practice my Buddhist tolerance,
Copy !req
847. which in New York City could be translated
Copy !req
848. to one big escapist rationalization, right?
Copy !req
849. I mean, I'm turning all my
cheeks to the wall at this point.
Copy !req
850. Renee is not practicing Buddhist tolerance.
Copy !req
851. She's walking up and down.
Copy !req
852. She's got steam screaming out of her navel.
Copy !req
853. And there are people that
say we should start a collection
Copy !req
854. to hire a vigilante to off this woman,
to kill her.
Copy !req
855. And I find I'm not saying no.
Copy !req
856. That's how New York has changed me.
Copy !req
857. I'm willing to put money into the pot.
Copy !req
858. I mean, listen, listen, listen.
Copy !req
859. When I was back in Boston in 1964 with my people,
right,
Copy !req
860. white bread, homogeneous brick wall Boston,
Copy !req
861. back in 1964 when they had the,
what would you call it then?
Copy !req
862. It was a hi-fi.
Copy !req
863. If a hi-fi was on too loud above me,
Copy !req
864. I would simply make a phone call.
Copy !req
865. I would just call up, pick up the phone and go,
Copy !req
866. Hi, hi, Puffy, hi.
Copy !req
867. Hi, it's Buddy Gray down here.
Copy !req
868. Hi, guys.
Copy !req
869. Yeah, just a few notches.
Copy !req
870. I wouldn't ask you to do it,
Copy !req
871. but I got an early dance class in the morning.
Copy !req
872. Right.
Copy !req
873. Yep, thanks a lot, Puff.
Copy !req
874. Mm-hmm.
Copy !req
875. Merry Christmas to you too, guys.
Copy !req
876. Bye.
Copy !req
877. Write down.
Copy !req
878. We had the common language.
Copy !req
879. You know, Renee,
Renee's father was in the Jewish mafia.
Copy !req
880. She knows the language.
Copy !req
881. She grew up in the streets of New York.
Copy !req
882. She calls up and goes,
Copy !req
883. Bet you wanna die, right, bitch, cunt?
Copy !req
884. I'll beat your fucking
face in with a baseball bat.
Copy !req
885. Bitch, cunt, die, die, die.
Copy !req
886. Goes louder.
Copy !req
887. Renee's convinced the woman's a masochist
Copy !req
888. and is getting off on the language.
Copy !req
889. So the other day, I am walking out of her loft.
Copy !req
890. I have an empty Molson Gold bottle in my hand.
Copy !req
891. I don't know,
I guess I was going to get my nickel back.
Copy !req
892. And I am seized with these party sounds upstairs.
Copy !req
893. I'm taking, I'm not out of control.
Copy !req
894. It's a classic Greek rage.
Copy !req
895. My head and gut are completely balanced.
Copy !req
896. My gut is wrenching with butterflies.
Copy !req
897. My head has that old adage,
Copy !req
898. that old ticker tape going across the fur,
you know,
Copy !req
899. that old adage, all weakness tends to corrupt,
Copy !req
900. impotence corrupts absolutely.
Copy !req
901. And I just took that bottle and, zoom, hurled it.
Copy !req
902. It went up two flights of stairs,
it exploded, boom,
Copy !req
903. glass everywhere like a glass hand grenade.
Copy !req
904. They charged out with their bats and guns.
Copy !req
905. I ran.
Copy !req
906. Because it was an act of passion,
Copy !req
907. I forgot to tell Renee I was going to do it.
Copy !req
908. And she was way behind me
picking up plastic garbage bags.
Copy !req
909. So by the time she got to the door,
they caught her.
Copy !req
910. But they didn't do anything
because she was innocent.
Copy !req
911. She had no idea what they were talking about.
Copy !req
912. And they recognized this innocence,
Copy !req
913. so they didn't kill her.
Copy !req
914. So there's hope.
Copy !req
915. But I say, how does a country like America,
Copy !req
916. or rather, how does America,
Copy !req
917. because certainly there's no country like it,
Copy !req
918. begin to find the language to negotiate or talk
Copy !req
919. with a country like Russia or Libya?
Copy !req
920. If I can't even begin to get it with my people
Copy !req
921. on the corner of Broadway and John Street.
Copy !req
922. So I got the role.
Copy !req
923. And I went to Bangkok.
Copy !req
924. And I arrived, a 200-year-old city in a swamp,
Copy !req
925. and sinking 110 degrees,
I get a letter under the door
Copy !req
926. that says, welcome, Spalding Gray Esquire,
Copy !req
927. the British spoil you rotten.
Copy !req
928. They refer to all the actors as artists.
Copy !req
929. The AD goes,
would the artist please get on the helicopters?
Copy !req
930. Would the artist please jump off the cliff?
Copy !req
931. Would the artist please?
Copy !req
932. I mean, they will get you to do anything that way.
Copy !req
933. Now, the first big scene of the film,
Copy !req
934. or rather my first big scene,
Copy !req
935. which felt like the first big scene,
Copy !req
936. was here in Bangkok, outside of Bangkok.
Copy !req
937. Remember, we are reenacting
the events of April of 75
Copy !req
938. that happened in Phnom Penh,
but we are doing it in Bangkok.
Copy !req
939. And the first big scene for me is the reenacting
Copy !req
940. of the evacuation of the
American Embassy in April of 75.
Copy !req
941. And I am there with the man that's
playing the American ambassador,
Copy !req
942. Ira Wheeler, interesting man.
Copy !req
943. He was vice president of Celanese Chemical,
Copy !req
944. and someone saw him singing
in the Glee Club here in New York
Copy !req
945. after he retired,
and they put him in the Killing Fields
Copy !req
946. thinking he'd look like the American ambassador,
Copy !req
947. so he's beginning his film career at 64 years old.
Copy !req
948. He's playing the American ambassador,
John Gunther Dean,
Copy !req
949. who was the last American
ambassador in Phnom Penh,
Copy !req
950. was flown out,
now is American ambassador of Thailand in Bangkok.
Copy !req
951. John Gunther Dean.
Copy !req
952. I've met politicians before,
but I've never met statesmen.
Copy !req
953. This man was a noble, noble man,
Copy !req
954. a combination of a ship's captain,
we'll say the QE2,
Copy !req
955. and a boarding school principal,
let's say Phillips Andover Academy, right?
Copy !req
956. He said, We saw Cambodia as
a ship floundering in heavy seas.
Copy !req
957. We wanted nothing more than
to bring that ship safely into port.
Copy !req
958. When we saw we weren't
going to be able to do that,
Copy !req
959. we wanted to go off her with dignity.
Copy !req
960. I cut down the American
flag you see here behind me
Copy !req
961. and wrapped it in plastic over my arm,
Copy !req
962. and sure enough, there was Ira
Wheeler playing the American ambassador
Copy !req
963. running with the American flag
wrapped in plastic over his arm,
Copy !req
964. me, the American ambassador's aide,
running beside him,
Copy !req
965. headed for the Cadillac limousine.
Copy !req
966. The first thing that happens when you
get there is that the air conditioner breaks.
Copy !req
967. Then the electric windows break,
the radiator boils over,
Copy !req
968. and the entire exhaust system is
dragging on the ground by the end of the day.
Copy !req
969. I am laughing, I find this very funny.
Copy !req
970. Ira is not laughing, he is sweating.
Copy !req
971. This man sweats like-a, like-a, like-an Ira,
I would have to say.
Copy !req
972. They are changing his shirt.
Copy !req
973. He is back there in a slough of despond,
Copy !req
974. because for the first time in his life
he's studying Stanislavski in acting,
Copy !req
975. and he's brought the textbook An
Actor Prepares and Building a Character,
Copy !req
976. and he's trying to do an emotional memory
Copy !req
977. because the director, Roland Joffe, has
told him to look like he's on the verge of tears,
Copy !req
978. and he's trying to be on
the verge of tears all day,
Copy !req
979. just in case they turn the camera on.
Copy !req
980. He is in a slough of despond in the backseat
Copy !req
981. thinking about something awful from his past.
Copy !req
982. Up until then we've been friends,
now he's not talking to me.
Copy !req
983. I'm bored, so I'm talking to the driver.
Copy !req
984. He's an extra,
an American expatriate from San Francisco
Copy !req
985. who says America has gone to the dogs,
gone to the wow-wows, he called it.
Copy !req
986. He's gone to Thailand, the pure land,
to become an elephant expert.
Copy !req
987. He is working for the Thai Agricultural
Committee counting elephants.
Copy !req
988. That's what he does for a living.
Copy !req
989. He sleeps at night with
the elephants on the ground.
Copy !req
990. The elephants sleep standing up.
Copy !req
991. In the day he gets up with
his little elephant counter
Copy !req
992. and goes out counting the elephants.
Copy !req
993. The only problem is, he said,
he has a bum leg now,
Copy !req
994. a game leg, and he can't outrun
an elephant if it charges.
Copy !req
995. And it will charge in his
sleep if you wake it.
Copy !req
996. And he said he may be killed within
the next month or so by an elephant.
Copy !req
997. In the middle of all this,
Ira Wheeler looks up and says,
Copy !req
998. Will you stop it, please?
Copy !req
999. Will you stop whatever it is
you're talking about up there?
Copy !req
1000. I am trying to have an emotional memory.
Copy !req
1001. I said, Ira, here is a man that's
actually about to be killed by an elephant.
Copy !req
1002. Try working with that one.
Copy !req
1003. And here we are, driving through black smoke,
Copy !req
1004. pouring off of burning rubber tires
that they're making look like a real war,
Copy !req
1005. headed for the non-existent Sikorsky
helicopter we're supposed to get on.
Copy !req
1006. It's not there, I assume,
because the American Air Force
Copy !req
1007. has not given the Thai Air
Force Sikorsky helicopters yet.
Copy !req
1008. Just these little choppers
driving through Marine Guards,
Copy !req
1009. Americans dressed as Marines.
Copy !req
1010. Who are these guys?
Copy !req
1011. I suppose some of them
didn't get enough of the war,
Copy !req
1012. so they're over there joining Bo Gritz,
Copy !req
1013. who's starting his own foreign legion,
to go in to look for MIAs and LAOs.
Copy !req
1014. Others are Americans that are
there dealing drugs,
Copy !req
1015. which is extremely lucrative
but very dangerous,
Copy !req
1016. and others are Americans
that are there for sex and drugs.
Copy !req
1017. Capital S, small d.
Copy !req
1018. Because on one lower chakra level,
Bangkok is one big whorehouse.
Copy !req
1019. Now,
it's not all our fault for the R&R and the war,
Copy !req
1020. the Australian tourists or the Japanese
sex tours that come through in busloads.
Copy !req
1021. Certainly the tradition of concubines
existed for thousands of years in Thailand,
Copy !req
1022. but we kind of blew it out of
hand with the Vietnam War.
Copy !req
1023. We had Quonset huts filled with Thai prostitutes
Copy !req
1024. that were drinking a kind of Chinese
herbal medicine for birth control,
Copy !req
1025. so there were a lot of Amerasian
children born out of this experience.
Copy !req
1026. Now, after the war,
they knocked down those Quonset huts
Copy !req
1027. and moved all the prostitutes
back to the red light district, Patpong.
Copy !req
1028. If you've been in Bangkok,
I'm sure you've seen it.
Copy !req
1029. There's not that much to see.
Copy !req
1030. You can see the gold Buddha
in the day and Patpong at night.
Copy !req
1031. If you saw The Deer Hunter recently,
Copy !req
1032. those shots in Saigon were shot in
the Mississippi Queen Bar in Patpong.
Copy !req
1033. You go into the Mississippi Queen Bar,
Copy !req
1034. it's like they're still shooting the Deer Hunter.
Copy !req
1035. There is no sense of seduction
as in across a crowded room.
Copy !req
1036. They fly to you and stick, and their body
is big enough and they are small enough
Copy !req
1037. you feel like a Christmas tree.
Copy !req
1038. You can hold six of them, two in your elbow,
two in your lap, two in your shoulders,
Copy !req
1039. and they are laughing and giggling,
and they are so apparently happy,
Copy !req
1040. and they are grabbing at your
tinkler and grabbing at your wallet,
Copy !req
1041. and they are so cute, and if you can
make up your mind which one you like,
Copy !req
1042. you can go back to your hotel and spend
the entire night for $26 a 500 Thai baht.
Copy !req
1043. Now, if you don't want to do that,
because you don't want to be kept awake
Copy !req
1044. by a laughing, giggling Thai prostitute,
and you want to be in control,
Copy !req
1045. you can instead go to a massage parlor.
Copy !req
1046. And the massage parlors are
very much like department stores.
Copy !req
1047. Every floor has about 35 women
fully dressed with numbers on,
Copy !req
1048. sitting on tiers under fluorescent lights,
all looking at one point.
Copy !req
1049. It's not the Buddha, it's the TV set.
Copy !req
1050. Now, the men walk back and forth
by this one-way mirror like little sultans
Copy !req
1051. until they see, if not the perfect woman,
at least the perfect body,
Copy !req
1052. and then they say,
Would you call number eight for me, please?
Copy !req
1053. And the man goes, Number eight?
Copy !req
1054. And number eight stands up, and you can
tell immediately by the expression on her face
Copy !req
1055. it's not going to be as great as you fantasized,
Copy !req
1056. because among other things,
you've interrupted her TV show.
Copy !req
1057. And for a little bit of money,
you go down to a small room.
Copy !req
1058. She stays fully dressed, you get completely naked,
Copy !req
1059. and she gives you a mild tweak,
tweak, tweak, massage,
Copy !req
1060. just surface, nothing right keen about it.
Copy !req
1061. A little bit more money, she gets naked,
and now you're both naked,
Copy !req
1062. and the mama-san is poking her head all the
time in to see that it's progressing financially.
Copy !req
1063. She closes the door and goes out,
and now you're both naked,
Copy !req
1064. and she gives you another mild tweak,
tweak, tweak, massage,
Copy !req
1065. nothing deep about it, only occasionally you
feel her warm flesh brush up against your flesh.
Copy !req
1066. And a little bit more money,
and you get a handjob.
Copy !req
1067. And a little bit more money,
and you get to fuck her.
Copy !req
1068. And a little bit more money, and you get the
supremo, supremo, the body, body massage.
Copy !req
1069. She takes you and puts you in a bathtub and
soaps you up into your slipperiest bar of soap,
Copy !req
1070. and she doesn't rinse you.
Copy !req
1071. Then she puts you on a water
bed and she gets in that same tub
Copy !req
1072. and soaps herself up until
she's as slippery as a bar of soap,
Copy !req
1073. and she doesn't rinse.
Copy !req
1074. And she gets on one side of the room
and takes this running gallop and goes,
Copy !req
1075. boop, boom, and lands on top of you,
Copy !req
1076. and it's body, body, squiggle, squiggle,
Copy !req
1077. bubbles coming out between you,
you sound like two huge sewer plungers,
Copy !req
1078. there's nothing erotic about it,
it's downright hilarious,
Copy !req
1079. and when she finishes with
you, for the finale,
Copy !req
1080. and I only heard about this,
I never saw it or had it.
Copy !req
1081. It's called Boobly Oobly,
it's the final facial massage.
Copy !req
1082. The GIs loved it.
Copy !req
1083. If she had large breasts, she'd part them,
Copy !req
1084. they'd stick their faces in and she'd cry out,
Copy !req
1085. Boobly Oobly and let go.
Copy !req
1086. Now, after you've been fuck,
sucked, had your tubes cleaned,
Copy !req
1087. nose cleaned,
toes cleaned and you're ready for more,
Copy !req
1088. for rest and relaxation, you can at last go
Copy !req
1089. to Unwinded,
a live show in which women do everything
Copy !req
1090. with their vaginas except having babies.
Copy !req
1091. It starts with ping pong
balls and she's fully loaded
Copy !req
1092. so they fire an automatic
into a soda fountain glass.
Copy !req
1093. So it's pooh, pooh, pooh,
pooh, pooh, pow, pow, pow.
Copy !req
1094. Then out comes the Coke bottle
and it's a king size Coke bottle,
Copy !req
1095. a glass one I haven't seen in years.
Copy !req
1096. And she shakes that bottle and she shakes it
Copy !req
1097. and she shakes it and she shakes it.
Copy !req
1098. She shakes it for so long you
begin to think that's the whole
Copy !req
1099. act, just that shaking of that bottle.
Copy !req
1100. And just to prove that that cap is on tight
Copy !req
1101. and at last she opens it.
Copy !req
1102. And I don't know how she does it.
Copy !req
1103. I don't know if there is a
bottle opener in there or teeth,
Copy !req
1104. but it sprays all over the audience brown,
warm Coca-Cola.
Copy !req
1105. And what's left of it she
pours back into her vagina,
Copy !req
1106. squirts over the bottle and refills it
Copy !req
1107. like a Coca-Cola bottling machine.
Copy !req
1108. Then out comes the banana.
Copy !req
1109. And she takes a few lame
shots like the Russian rockets,
Copy !req
1110. they're going to sputter and
pop and land in our cornfields.
Copy !req
1111. And for the finale,
she aims her vagina down the main aisle
Copy !req
1112. like a great cannon,
loads it with a very ripe banana
Copy !req
1113. and fires it, almost hits me in the eye,
Copy !req
1114. almost hits an Australian housewife in the head,
Copy !req
1115. hits the back wall and sticks.
Copy !req
1116. And slowly it inches its way down until it lands
Copy !req
1117. and is devoured instantly
by an army of giant roaches.
Copy !req
1118. April 12th,
1975 was the actual evacuation of Phnom Penh.
Copy !req
1119. Lan Nol had long since fled to Hawaii.
Copy !req
1120. Two million people in the
city now instead of 600,000.
Copy !req
1121. Khmer Rouge rockets coming
in at random and landing
Copy !req
1122. in hospitals, kids in the streets,
schools, whatever.
Copy !req
1123. American Ambassador John Gunther Dean says,
Copy !req
1124. we have two and a half hours,
all Cambodian officials
Copy !req
1125. and Americans,
two and a half hours to evacuate the country.
Copy !req
1126. Cambodians say, two and a half hours,
Copy !req
1127. two and a half hours, we're ruined.
Copy !req
1128. How are we going to convince the Russians in two
Copy !req
1129. and a half hours that we're socialists?
Copy !req
1130. So this leaves behind the Cambodian officials,
Long Bure,
Copy !req
1131. Lan Nan and Prince Sirik Matak.
Copy !req
1132. Lan Nol had two brothers,
Lan Nan and Lan Nil.
Copy !req
1133. Long Bure, Lan Nan and
Prince Sirik Matak decide
Copy !req
1134. to stay behind.
Copy !req
1135. Prince Sirik Matak sends a letter
Copy !req
1136. to the American Ambassador telling him
Copy !req
1137. that they've decided not to
go out with the evacuation.
Copy !req
1138. He reads, dear Excellency and friend,
Copy !req
1139. I thank you very sincerely
for your letter and for your offer
Copy !req
1140. to transport me toward freedom.
Copy !req
1141. I cannot alas leave in such a cowardly fashion.
Copy !req
1142. As for you and in particular
for your great country,
Copy !req
1143. I never believed for a moment
that you would have the sentiment
Copy !req
1144. of abandoning a people which has chosen liberty.
Copy !req
1145. You have refused us your protection
Copy !req
1146. and we can do nothing about it.
Copy !req
1147. You leave and it is my wish that you
Copy !req
1148. and your country will find
happiness under the sky.
Copy !req
1149. But mark it well that if I
shall die here on the spot
Copy !req
1150. and in the country that I love, it is too bad
Copy !req
1151. because we are all born and must one day die.
Copy !req
1152. I have only committed this mistake of believing
Copy !req
1153. in you, the Americans.
Copy !req
1154. Please accept, Excellency,
my dear friend, my faithful
Copy !req
1155. and friendly sentiments, Sirik Matak.
Copy !req
1156. In five days later,
all three of their livers were carried
Copy !req
1157. through the streets on sticks.
Copy !req
1158. The Americans took off in their helicopters.
Copy !req
1159. We took off.
Copy !req
1160. We thought it was going to be like Da Nang
Copy !req
1161. with the Vietnamese riding and holding
Copy !req
1162. on to the helicopter wheels,
but the Cambodians didn't.
Copy !req
1163. They just waved and went,
okay, bye-bye, okay, bye-bye,
Copy !req
1164. okay, bye-bye, okay, bye-bye.
Copy !req
1165. And as the last helicopter took off,
a Khmer Rouge rocket came
Copy !req
1166. in and killed one of the innocent bystanders.
Copy !req
1167. Five days later, April 17th,
1975, Cambodia year zero.
Copy !req
1168. The Khmer Rouge marched in in
their black pajamas.
Copy !req
1169. Lon Nol's army threw down their
guns and raced
Copy !req
1170. to embrace them thinking
Copy !req
1171. that the country would be reunited again.
Copy !req
1172. But the Khmer Rouge did not smile back.
Copy !req
1173. They took strategic positions in the town.
Copy !req
1174. Some of the kids who grew up in the jungle
Copy !req
1175. and never saw cars before
jumped in and started ramming them
Copy !req
1176. into first gear and getting stuck in first gear,
Copy !req
1177. driving into walls and trees.
Copy !req
1178. And then the Khmer Rouge systematically began
Copy !req
1179. to empty the city of Phnom Penh.
Copy !req
1180. Out, they said, everyone, out, out, out,
Copy !req
1181. into the fields, they say.
Copy !req
1182. The Americans are going to bomb, they say.
Copy !req
1183. There's no more food left.
Copy !req
1184. When the people ask who will provide for them,
they say,
Copy !req
1185. Angkor, Angkor will provide.
Copy !req
1186. Angkor, like some perverse Wizard of Oz,
Copy !req
1187. Kafkaesque thundercloud meant
to rain down mana on the people
Copy !req
1188. in the fields and take nothing with you.
Copy !req
1189. You had to go into the fields with no possessions.
Copy !req
1190. And then if you couldn't walk or in the hospital,
Copy !req
1191. they'd chuck you out the window.
Copy !req
1192. Seven-story,
10-story kind of weird survival of the fittest.
Copy !req
1193. And then the killing began.
Copy !req
1194. Eyewitnesses said anyone
that was educated was killed.
Copy !req
1195. Any civil servant was killed.
Copy !req
1196. Anyone carrying their own cooking pot was killed.
Copy !req
1197. People wearing glasses would be killed.
Copy !req
1198. The motto was better to kill an innocent person
Copy !req
1199. than to leave an enemy alive.
Copy !req
1200. Dead, dead.
Copy !req
1201. Kids were doing the killing.
Copy !req
1202. 10, 11, 12 years old.
Copy !req
1203. They were too weak from
their diet from barks and bugs
Copy !req
1204. and lizards and no more ammunition left.
Copy !req
1205. So they were trying to knock
in skulls with these axe handles
Copy !req
1206. and hoe handles,
but they were too weak to knock them in.
Copy !req
1207. So eyewitnesses said the kids were taking bets
Copy !req
1208. on how many whacks it
would take to knock in a skull.
Copy !req
1209. And they were laughing,
a lot of laughter going on,
Copy !req
1210. a lot of laughter.
Copy !req
1211. And eyewitnesses said if
you pleaded for your life,
Copy !req
1212. they would laugh harder.
Copy !req
1213. If it was a woman pleading for her life,
Copy !req
1214. the kids would laugh even harder.
Copy !req
1215. And then they would take the
half-dead bodies and drag them
Copy !req
1216. into American bomb craters, which acted as a kind
Copy !req
1217. of perfect shallow grave.
Copy !req
1218. And it was a kind of visitation of hell on earth.
Copy !req
1219. Who needs metaphors for hell or poetry about hell?
Copy !req
1220. This actually happened here on this earth.
Copy !req
1221. Pregnant mothers disemboweled,
eyes gouged out, kids,
Copy !req
1222. children torn apart like fresh
bread in front of their mothers.
Copy !req
1223. And this went on for years
until 2 million people were either
Copy !req
1224. systematically killed or starved
to death by the same people.
Copy !req
1225. And no one can really figure out how something
Copy !req
1226. like that could have happened.
Copy !req
1227. Certainly,
it could research that other holocaust in Germany
Copy !req
1228. because people speak a lot of German and read
Copy !req
1229. and write German and Hitler's either dead
Copy !req
1230. or living in Argentina.
Copy !req
1231. But Cambodia is far,
far away and no one speaks enough Khmer
Copy !req
1232. and Pol Pot is still alive and waiting up here
Copy !req
1233. on the Thai-Cambodian border
with 35,000 troops supported
Copy !req
1234. by the Red Cross, by the United Nations,
and by the United States
Copy !req
1235. of America because so many
people would rather see him back
Copy !req
1236. in Cambodia with his nationalist coalition rather
Copy !req
1237. than the Vietnamese who were in there.
Copy !req
1238. And they came in in 1979, some people,
Copy !req
1239. the British particularly
saying that it was a liberation,
Copy !req
1240. others saying it was a xenophobic piece
Copy !req
1241. of cake just biting off
Cambodia to protect themselves
Copy !req
1242. from China, and I get very confused.
Copy !req
1243. And Roland Joffe came to me and said, Spalding,
Copy !req
1244. I hope this film has taught you
Copy !req
1245. that morality is not a movable feast.
Copy !req
1246. And I get dizzy because I keep
seeing it moving all the time.
Copy !req
1247. Now, the last big scene in the film,
or rather my last big scene
Copy !req
1248. which felt like the last big scene was here.
Copy !req
1249. Remember,
we're in Waihin near Bangkok on the Gulf of Siam.
Copy !req
1250. We are staying in the pleasure prison in Waihin.
Copy !req
1251. We're not shooting there,
but it's in that same town.
Copy !req
1252. Right in town in Waihin is this
old hotel that looks very much
Copy !req
1253. like the Hotel Phnom Penh, a Victorian hotel.
Copy !req
1254. I'm told it looked exactly
like it except it didn't have a
Copy !req
1255. swimming pool and a tennis court.
Copy !req
1256. So the film built a swimming
pool and a tennis court
Copy !req
1257. to make the hotel authentic.
Copy !req
1258. Now, I'm playing the American Ambassador's aide,
Copy !req
1259. and for my last scene all I have to do is simple,
Copy !req
1260. is walk down the steps.
Copy !req
1261. I'm leaking information to Sam Waterston
Copy !req
1262. who's playing Sidney Shanberg,
and I just have to say,
Copy !req
1263. a computer malfunction put
out the wrong set of coordinates.
Copy !req
1264. Seems a single B-52 opened up over Nick Long.
Copy !req
1265. There's a homing beacon
right in the middle of town.
Copy !req
1266. Check it out, Sid.
Copy !req
1267. Easy enough for some actors, but for this,
Copy !req
1268. I cannot do stuff like this.
Copy !req
1269. This technical language is
like doing algebra or geometry.
Copy !req
1270. I have to make an internal film,
internal, to memorize this.
Copy !req
1271. Right? My own particular images.
Copy !req
1272. So I'm starting to go through it.
Copy !req
1273. A computer malfunction.
Copy !req
1274. I see a Macintosh with spaghetti coming out of it.
Copy !req
1275. That works for me.
Copy !req
1276. Put out a wrong set of coordinates.
Copy !req
1277. I see an oscillator from
7th grade science project.
Copy !req
1278. I don't know whose it was, but I remember a grid
Copy !req
1279. work oscillator.
Copy !req
1280. Seems a single B-52.
Copy !req
1281. Well, God, I remember many B-52s
from many a drunken dinner
Copy !req
1282. in front of the TV watching
that war on television.
Copy !req
1283. Open up over Nick Long.
Copy !req
1284. Long, Nick, Nick, Nick, Nick Long.
Copy !req
1285. Nick Long.
Copy !req
1286. I was having trouble with that one.
Copy !req
1287. It was a night shoot,
and I was all grisk and bobbled.
Copy !req
1288. Nick Long was a strategic ferry town in Cambodia
Copy !req
1289. that had a homing beacon in it.
Copy !req
1290. Homing beacons aren't supposed to be dangerous.
Copy !req
1291. They're just beacons that the
planes take their coordinates
Copy !req
1292. off of, then the navigator,
six miles up on that airborne
Copy !req
1293. holiday inn, throws a switch,
and the bombs are dropped
Copy !req
1294. over the jungle by computer.
Copy !req
1295. No one really drops the bombs.
Copy !req
1296. But this particular day, the navigator
Copy !req
1297. threw the wrong switch and
dropped his entire load of bombs
Copy !req
1298. up the main street of Nick Long,
killing over 250 people.
Copy !req
1299. The navigator was fined $700 for his mistake.
Copy !req
1300. And Sidney Shanberg told me
that he heard about the mistake
Copy !req
1301. and went in to cover it for the New York Times,
Copy !req
1302. but the American embassy
put a press lock on Nick Long
Copy !req
1303. and didn't allow him in, so he snuck in.
Copy !req
1304. He bribed his way in with Dithbran.
Copy !req
1305. He got in there.
Copy !req
1306. He said he saw blood and hair all over the bushes
Copy !req
1307. and realized a lot of people had been killed.
Copy !req
1308. Was about to get his story
out to the New York Times
Copy !req
1309. when he was put under arrest by the Cambodians
Copy !req
1310. and held at gunpoint.
Copy !req
1311. Now, while he was under arrest, house arrest,
Copy !req
1312. in flies the American embassy in a helicopter
Copy !req
1313. to give out $100 bills to people who
Copy !req
1314. lost members of their
family and $50 bills to people
Copy !req
1315. who had lost legs and arms in the bombing,
Copy !req
1316. and the Cambodians were grateful.
Copy !req
1317. Now, Sidney told me that he thought
Copy !req
1318. he could probably safely
walk out in front of the American
Copy !req
1319. embassy and not be shot.
Copy !req
1320. He wasn't sure.
Copy !req
1321. He started to walk and he said the Cambodians
Copy !req
1322. started screaming and clicking
the safeties on their guns,
Copy !req
1323. and he said never before
had he felt more alive in his life.
Copy !req
1324. Absolutely all the adrenaline going right
Copy !req
1325. on the edge of death, absolutely, totally, utterly
Copy !req
1326. alive.
Copy !req
1327. Let's go, boys and girls.
Copy !req
1328. Take 64.
Copy !req
1329. It's a night shoot and we're up to take 64.
Copy !req
1330. Roland is really covering his ass on this one.
Copy !req
1331. All right?
Copy !req
1332. A computer malfunction put
out the wrong set of coordinates.
Copy !req
1333. By the way, I played one of those American embassy
Copy !req
1334. officials that come in in the helicopters.
Copy !req
1335. There was no way I was going
to get on a helicopter, right?
Copy !req
1336. But they promised me that
it would just go up 10 feet
Copy !req
1337. and land.
Copy !req
1338. They just wanted a shot of it landing.
Copy !req
1339. So the AD said,
would the artist please get on the choppers?
Copy !req
1340. Artists on the helicopters, please.
Copy !req
1341. Boom.
Copy !req
1342. Right on like Pavlov's dog.
Copy !req
1343. You know, call me an artist.
Copy !req
1344. I am on.
Copy !req
1345. And ready to go up.
Copy !req
1346. Up it goes, straight up.
Copy !req
1347. The helicopter goes up 1,000 feet, straight up.
Copy !req
1348. I'm looking down out the door.
Copy !req
1349. There is no safety belt. The door is wide open.
Copy !req
1350. I felt like I was in a movie.
Copy !req
1351. Then I thought I was in Apocalypse Now.
Copy !req
1352. I had nothing else to relate it to.
Copy !req
1353. And then I realized I was in a movie.
Copy !req
1354. They were shooting one.
Copy !req
1355. I had no fear because the camera eroticizes
Copy !req
1356. the space it aims at.
Copy !req
1357. You know, it's like Colgate, Gardall.
Copy !req
1358. Somehow you know you're larger than life.
Copy !req
1359. You'll be protected.
Copy !req
1360. Even if the helicopter crashes, I
Copy !req
1361. knew there'd be rushes my
friends could show at New
Copy !req
1362. Year's Eve in the performing garage.
Copy !req
1363. Something would come of this.
Copy !req
1364. And about the sixth time up,
I looked down and see, my God,
Copy !req
1365. look how much of the jungle this movie controls.
Copy !req
1366. All the way up the Chao Phraya River,
Copy !req
1367. you could see Thai peasants
paid to put burning rubber
Copy !req
1368. tires on a fire to make it look like a real war.
Copy !req
1369. And I thought, of course, war therapy.
Copy !req
1370. Every country must and
should make a major motion war
Copy !req
1371. film every year.
Copy !req
1372. Put people to work,
get the economy up, get your rocks off.
Copy !req
1373. Do an invasion, a movie of invading Libya.
Copy !req
1374. Skip the invasion.
Copy !req
1375. You land,
you don't have to method act when those blades
Copy !req
1376. are going over your head.
Copy !req
1377. Ba, ba, ba, ba, ba, ba, ba,
ba, ba, you're shouting.
Copy !req
1378. You don't have to method act
when you look down and see Thai
Copy !req
1379. peasants lying there for
12 hours with chicken giblets
Copy !req
1380. and fake blood all over them.
Copy !req
1381. They're getting paid $5 for a 12 hour day,
smiling back at you.
Copy !req
1382. And if they're real amputees,
they get $7.50 for the day.
Copy !req
1383. You don't have to act.
Copy !req
1384. It's very much like the real event.
Copy !req
1385. Let's go, boys and girls.
Copy !req
1386. Take 65.
Copy !req
1387. A computer malfunction put
out the wrong set of coordinates.
Copy !req
1388. Seems a single B-52 opened up over Niklong.
Copy !req
1389. There's a, I didn't get the image.
Copy !req
1390. I didn't get the image for homing beacon.
Copy !req
1391. And I just blanked and I went, there's a,
Copy !req
1392. there's a housing device
right in the middle of town.
Copy !req
1393. Cut.
Copy !req
1394. I know, listen, please.
Copy !req
1395. I knew I should have never drank that booze
Copy !req
1396. and had the marijuana the night before.
Copy !req
1397. How unprofessional.
Copy !req
1398. My concentration was, but Roland Joffe told me
Copy !req
1399. my character would be drinking a lot,
you understand?
Copy !req
1400. So I thought I was in character.
Copy !req
1401. You would be amazed what people did in this film
Copy !req
1402. to get in character.
Copy !req
1403. Let's go, boys and girls.
Copy !req
1404. Take 66.
Copy !req
1405. At last, I got the image for it.
Copy !req
1406. For the homing beacon,
I saw a pigeon, a homing pigeon,
Copy !req
1407. flying toward a beacon in a children's storybook,
Copy !req
1408. a little lighthouse.
Copy !req
1409. All right, I've got it.
Copy !req
1410. Let's go.
Copy !req
1411. Take 66.
Copy !req
1412. A computer malfunction put
out the wrong set of coordinates.
Copy !req
1413. Seems a single B-52 opened up over Neek Long.
Copy !req
1414. There's a.
Copy !req
1415. I knew it didn't matter what I was thinking,
Copy !req
1416. because the audience had
just projected on the screen what
Copy !req
1417. they were thinking.
Copy !req
1418. It's all about projection.
Copy !req
1419. As long as I had an idea, there's a homing beacon
Copy !req
1420. right in the middle of town.
Copy !req
1421. Check it out, Sid.
Copy !req
1422. All right, you've heard of pilot error,
computer malfunction.
Copy !req
1423. They screwed up on the coordinates.
Copy !req
1424. A single B-52 dropped its
entire load on Neek Long.
Copy !req
1425. There's a homing beacon in the middle of the town.
Copy !req
1426. Check it out, Sid.
Copy !req
1427. The entire crew burst into applause.
Copy !req
1428. 66 takes later, and five hours into the night,
Copy !req
1429. we have finished with my first scene,
Copy !req
1430. and my last scene of the movie, their first scene
Copy !req
1431. of the evening.
Copy !req
1432. They're going till dawn.
Copy !req
1433. I am told that all of what I did that night,
Copy !req
1434. if it was processed and the crew was paid,
Copy !req
1435. it would cost $30,000.
Copy !req
1436. When I get back to New York City,
Copy !req
1437. I am called in to re-dub the entire scene because
Copy !req
1438. of the sound of crickets.
Copy !req
1439. But the film is over for me.
Copy !req
1440. I am finished.
Copy !req
1441. And Renee flies back to America
to give her man some space,
Copy !req
1442. to give her man some room
to have his perfect moment.
Copy !req
1443. And I hear that the film is relocating
Copy !req
1444. to this magical island, Phuket,
here in the Indian Ocean,
Copy !req
1445. off the southern coast of Thailand.
Copy !req
1446. And I hear everyone's going down there,
Copy !req
1447. and they serve you magic mushrooms
Copy !req
1448. for breakfast and an omelet,
whether you order them or not.
Copy !req
1449. I thought, if I don't have an organic,
perfect moment,
Copy !req
1450. I will induce one.
Copy !req
1451. So it's off to Phuket,
and I ask if I can come along.
Copy !req
1452. They tell me, no, I can't.
Copy !req
1453. I don't have a private driver anymore
Copy !req
1454. because I'm not with the film.
Copy !req
1455. But if I'd like to come along, it's
Copy !req
1456. all right to ride on the artist's bus.
Copy !req
1457. Fine.
Copy !req
1458. I hear I have to get up at 5 in the morning.
Copy !req
1459. It's a 15-hour trip on a dirt road.
Copy !req
1460. I get up.
Copy !req
1461. I get on this old converted Greyhound.
Copy !req
1462. There's no artist I've ever seen on that before.
Copy !req
1463. I don't recognize any artists.
Copy !req
1464. It's mainly crew.
Copy !req
1465. In the front row, Umberto Pasolini
Copy !req
1466. of the Pasolini banking and film family.
Copy !req
1467. He's dropped out of banking at 28 years old
Copy !req
1468. to carry orange aid for the Killing Fields
Copy !req
1469. to work his way up as a producer.
Copy !req
1470. He is sitting in the very front row of the bus,
Copy !req
1471. pretending his head is a 35-millimeter camera.
Copy !req
1472. And he's practicing pans
of that meaningless jungle
Copy !req
1473. for the entire 15 hours.
Copy !req
1474. He's happy.
Copy !req
1475. Next to him are the Cambodian refugees
Copy !req
1476. from Long Beach, social workers,
because Pol Pot killed
Copy !req
1477. all the Cambodian actors.
Copy !req
1478. And they had to hire social
workers from Long Beach
Copy !req
1479. to play small roles.
Copy !req
1480. Next to me on my left is a British cook
Copy !req
1481. who's saying, Spalding, what's going on here?
Copy !req
1482. Where's your private driver?
Copy !req
1483. I would complain to British Equity if I were you.
Copy !req
1484. I said, well,
I'm not really with the film anymore.
Copy !req
1485. Oh, on for a freebie, are you?
Copy !req
1486. Well, that's good if you can get it.
Copy !req
1487. Oh, 15 hours later,
which is a whole other monologue
Copy !req
1488. unto itself, we arrive at Phuket.
Copy !req
1489. And we're staying in the
raddiest old hotel so far,
Copy !req
1490. the Phuket Merlin.
Copy !req
1491. And we have two days off in a row,
because we work so hard.
Copy !req
1492. And we hear that Shangri-La exists,
the most beautiful beach
Copy !req
1493. in the world.
Copy !req
1494. And a bunch of us rent a tuk-tuk and go down there
Copy !req
1495. through those winding down 20-minute drive
Copy !req
1496. through rice paddies and water buffalo.
Copy !req
1497. And we come out on this exquisite beach.
Copy !req
1498. I was unprepared for it.
Copy !req
1499. I mean, there was no flotsam.
Copy !req
1500. There was no jetsam.
Copy !req
1501. There were no tourists.
Copy !req
1502. There were no beer cans,
no trash bags, just beach.
Copy !req
1503. And huge Indian Ocean pounding
on under black monsoon skies,
Copy !req
1504. white seabirds blowing sideways,
Copy !req
1505. ratty palm trees ripping in the wind,
rainbows arching.
Copy !req
1506. It was a number nine on a scale of one to 10
Copy !req
1507. for perfect moments.
Copy !req
1508. It was fantastic.
Copy !req
1509. Down the far end of the beach,
water buffalo posing
Copy !req
1510. like they were stuffed in the mist.
Copy !req
1511. And Ivan, Ivan Strasberg, devil in my ear,
Copy !req
1512. the two of us, like the two kids,
Copy !req
1513. charged right into that water.
Copy !req
1514. The others go down to have brunch.
Copy !req
1515. It is fantastic.
Copy !req
1516. Body temperature, I am going,
Copy !req
1517. oh shit, my money.
Copy !req
1518. Oh fuck, Ivan, I've got $600 worth of Thai baht
Copy !req
1519. and my ocean briefs.
Copy !req
1520. I forgot to put it in the hotel.
Copy !req
1521. What do I do with it?
Copy !req
1522. I was saving up my per diem just in case
Copy !req
1523. I didn't have a perfect moment,
Copy !req
1524. I would buy one to get out of there.
Copy !req
1525. What do I do with it, Ivan?
Copy !req
1526. He says, oh Spalding,
just put it up on the beach there
Copy !req
1527. with my cameras, man,
on the high part of the beach.
Copy !req
1528. And we start into the water again,
Copy !req
1529. and he turns to me and he says,
Copy !req
1530. in Africa, I put my cameras up there on the beach
Copy !req
1531. and the natives would run right out of the jungle
Copy !req
1532. and steal them.
Copy !req
1533. What are you gonna do?
Copy !req
1534. Chase the natives back into the jungle?
Copy !req
1535. So I was a little bit back
and forth with my money,
Copy !req
1536. you know, a little nervous, not sure about Ivan.
Copy !req
1537. And we started a little further and he goes,
Copy !req
1538. Spalding, man, stay, stay.
Copy !req
1539. On the next day off,
I'm gonna take you scuba diving.
Copy !req
1540. You'll have rapture of the deep, man.
Copy !req
1541. You'll see fish the color
you've never seen before.
Copy !req
1542. It is fantastic.
Copy !req
1543. And I've never been scuba diving.
Copy !req
1544. In all my life, I've wanted to do,
Copy !req
1545. I thought, this is it, this is a mission.
Copy !req
1546. It's not just a film that I was here for.
Copy !req
1547. It's all coming together now.
Copy !req
1548. Look, I'm basically a very fearful person.
Copy !req
1549. I call it phobic.
Copy !req
1550. I'm a phobic person and sharks and bears
Copy !req
1551. are at the top of the list.
Copy !req
1552. I mean, I swim like this.
Copy !req
1553. Oh, oh, oh, oh, oh, oh, oh,
oh, oh, oh, oh, oh, oh, oh,
Copy !req
1554. so they can't get a grip, you know?
Copy !req
1555. I swim really fast.
Copy !req
1556. I check out swimming pools before I go in them.
Copy !req
1557. So what I need is a man that I trust
Copy !req
1558. that can guide me through these phobias
Copy !req
1559. so I can get in touch with rapture of the deep.
Copy !req
1560. I need a guru, a scuba guru.
Copy !req
1561. Ivan is going to be my scuba guru.
Copy !req
1562. And then Ivan turns to me and says,
Copy !req
1563. but Spalding Man, beware,
Copy !req
1564. because there are these stoned fish, eh?
Copy !req
1565. And if you step on one,
you're dead in seven seconds.
Copy !req
1566. No remedy, man, eh?
Copy !req
1567. So wear your sneakers.
Copy !req
1568. Ah,
he is a bit of a sadist playing into my masochism.
Copy !req
1569. I'm not saying I'm not inviting it,
Copy !req
1570. but by now he's out in the
high surf calling into me,
Copy !req
1571. Spalding Man,
I see you like the little waves, man.
Copy !req
1572. Come out in the highways, man.
Copy !req
1573. And I am so terrified.
Copy !req
1574. The water, my heart is in my throat,
Copy !req
1575. this rolling, roaring surf.
Copy !req
1576. Also,
I don't feel as though I deserve to be there.
Copy !req
1577. This is, I'm like, instead of pinching myself
Copy !req
1578. to prove that I'm there,
Copy !req
1579. I'm running down the beach to look back,
to see myself.
Copy !req
1580. And I run down the beach and look back
Copy !req
1581. and miss myself every time.
Copy !req
1582. And down the beach and back,
and down the beach and back,
Copy !req
1583. and down the beach and back.
Copy !req
1584. And the third time back, Ivan is gone.
Copy !req
1585. And I go, oh no, oh shit,
oh fuck, oh, he's drowned.
Copy !req
1586. I can't believe this is happening to me.
Copy !req
1587. I don't believe it.
Copy !req
1588. People do drown, I've read about it.
Copy !req
1589. We get a notice under our door saying,
Copy !req
1590. be careful when you swim at Phuket
Copy !req
1591. because of the riptides.
Copy !req
1592. Oh no,
and the first thing that went through my head,
Copy !req
1593. and I'm telling you, it went so fast,
Copy !req
1594. I can't even speak as fast as the images went.
Copy !req
1595. The first rationalization that
went through my head was,
Copy !req
1596. of course, making a film about this much death,
Copy !req
1597. some real person actually has to go.
Copy !req
1598. The next thing that went through my head was,
Copy !req
1599. it's not my fault, not mine,
nope, he was suicidal.
Copy !req
1600. The next thing that went
through my head was quickly,
Copy !req
1601. find the most responsible man you can.
Copy !req
1602. There was no way I was
going out in that high surf.
Copy !req
1603. And the man that occurred to me was John Swain,
Copy !req
1604. the Paris correspondent of the London Times,
Copy !req
1605. who had been in Phnom Penh
Copy !req
1606. when the Khmer Rouge marched in.
Copy !req
1607. And perhaps the most
narcissistic of the reporters,
Copy !req
1608. he'd come to watch himself be played
Copy !req
1609. by Julian Sands in the movie.
Copy !req
1610. So he happened to be there at brunch,
Copy !req
1611. and I just went, John, John Swain, come quickly,
Copy !req
1612. I can't see Ivan.
Copy !req
1613. And everyone slowly put down their chopsticks
Copy !req
1614. at that brunch and charged.
Copy !req
1615. Some came through the swamp,
Copy !req
1616. some came over the bridge over the swamp.
Copy !req
1617. Judy Arthur, the publicist,
Copy !req
1618. was the first to reach the beach.
Copy !req
1619. I found out later that she was a lifeguard
Copy !req
1620. in a past incarnation,
Copy !req
1621. and had the good sense to
run on the high part of the beach.
Copy !req
1622. I was down by the dip of the lip of the water,
Copy !req
1623. and couldn't see out.
Copy !req
1624. I was down there with my
knees shaking about to vomit,
Copy !req
1625. and people were around me going,
Copy !req
1626. don't worry, Spalding, don't worry,
he won't have drowned.
Copy !req
1627. He'll be all right, he can't have drowned.
Copy !req
1628. He's from South Africa.
Copy !req
1629. And meanwhile, I'm trying to interpret this.
Copy !req
1630. Meanwhile,
Judy Arthur spots him bobbing out there.
Copy !req
1631. He's rode a rip.
Copy !req
1632. This guy knows how to ride a riptide for fun
Copy !req
1633. and circle back in.
Copy !req
1634. And he comes in, she calls him in,
Copy !req
1635. and I go, Ivan, no,
I'm never going swimming with you again.
Copy !req
1636. How could you ever do anything like this?
Copy !req
1637. And he says, I'm sorry, man, I'm sorry.
Copy !req
1638. You mustn't worry, Spalding.
Copy !req
1639. I had no idea that you were looking for me,
Copy !req
1640. but don't worry, I would never have drowned, man.
Copy !req
1641. I'm from South Africa.
Copy !req
1642. So everyone goes back to the brunch,
Copy !req
1643. and they leave Ivan and I
standing there by the ocean.
Copy !req
1644. And he looks up at me and he says,
Copy !req
1645. by the way, Spalding,
when you called, how many came?
Copy !req
1646. Did Judy Freeman come, man?
Copy !req
1647. Yes.
Copy !req
1648. Judy Freeman came.
Copy !req
1649. Judy Arthur came.
Copy !req
1650. All the Judys came.
Copy !req
1651. Let's go get something to eat.
Copy !req
1652. The next day off,
there was no doubting where we were going.
Copy !req
1653. Down to Keron Beach, it was fantastic.
Copy !req
1654. Ivan passed me a tie stick.
Copy !req
1655. I took a few tokes.
Copy !req
1656. I didn't care if my kundalini
got loose on the beach
Copy !req
1657. and went wild, even ran away.
Copy !req
1658. I never wanted to see it again.
Copy !req
1659. A little mild paranoia came over me.
Copy !req
1660. Where to hide my money this time?
Copy !req
1661. I began to dig holes in the sand.
Copy !req
1662. Then I thought, no,
under the rubber mat in the truck.
Copy !req
1663. And I thought, you know, Spalding,
Copy !req
1664. thinking this much about hiding your money
Copy !req
1665. is putting out waves the ties can read.
Copy !req
1666. Let them have it.
Copy !req
1667. Leave it on the beach where anyone can take it.
Copy !req
1668. By now, Ivan is out in the highways going,
Copy !req
1669. Spalding, man,
you don't know what it is to be a man yet,
Copy !req
1670. man, until you get out in the big waves, man.
Copy !req
1671. And I thought,
I'm gonna be a man today if it kills me.
Copy !req
1672. And I'm starting out a little
further and a little further,
Copy !req
1673. and I'm seeing hallucinations
of gray sharks all around me.
Copy !req
1674. And every time I think of a shark biting me,
Copy !req
1675. I feel all the anxiety come together in my stomach
Copy !req
1676. and go out the top of my head
Copy !req
1677. in a great gray arrow that lands on my money.
Copy !req
1678. And every time I think of being bitten by a shark,
Copy !req
1679. I think of my money being stolen.
Copy !req
1680. And suddenly I have no fear.
Copy !req
1681. And I'm getting further
and further out in that ocean
Copy !req
1682. and further and further out
Copy !req
1683. until I'm further out in that ocean
Copy !req
1684. than I've ever been in any ocean in my life.
Copy !req
1685. I am beyond Ivan even.
Copy !req
1686. I can tell I'm further out
because of the view of the shore.
Copy !req
1687. I've never had a view like that before.
Copy !req
1688. And suddenly there is no fear
Copy !req
1689. because there is no body to bite.
Copy !req
1690. There are no more outlines.
Copy !req
1691. There's no means.
Copy !req
1692. There's this great body temperature Indian Ocean,
Copy !req
1693. this great warm Indian Ocean
Copy !req
1694. with this smiling bopkin head perceiver on top.
Copy !req
1695. And up the ocean goes and up the perceiver goes
Copy !req
1696. and down the ocean goes
and down the perceiver goes.
Copy !req
1697. And wall of water comes up around the perceiver
Copy !req
1698. and the perceiver looks both ways.
Copy !req
1699. It could be in the middle of the Indian Ocean,
Copy !req
1700. no land in sight.
Copy !req
1701. And wall of water goes
down and lifts the perceiver
Copy !req
1702. and the perceiver looks down a great bank of water
Copy !req
1703. far below John Swain and Judy Arthur
Copy !req
1704. body surfing like an Hawaiian travel poster.
Copy !req
1705. And wall of water lifts the perceiver
Copy !req
1706. and suddenly a human voice wakes it
Copy !req
1707. and brings it back in time.
Copy !req
1708. It's Ivan calling,
Copy !req
1709. Spalding Man, come back, come back.
Copy !req
1710. I haven't tested those waters yet.
Copy !req
1711. And boom, ah, I'm back in time.
Copy !req
1712. I'm back in fear.
Copy !req
1713. And I'm swimming into Ivan
water pouring through my nose
Copy !req
1714. saying it was fantastic, Ivan.
Copy !req
1715. I mean, it was a perfect moment.
Copy !req
1716. It was fantastic.
Copy !req
1717. And he says, Spalding, I have to go out
Copy !req
1718. and test those waters.
Copy !req
1719. Now he swims out to where I was
Copy !req
1720. and he comes back with
water pouring through his nose
Copy !req
1721. going, Spalding, Spalding.
Copy !req
1722. I almost drowned, man.
Copy !req
1723. I came this close to drowning.
Copy !req
1724. Now I know the experience of drowning, man.
Copy !req
1725. And I thought, oh shit.
Copy !req
1726. Now I'm gonna have to go out and almost drown.
Copy !req
1727. I'll be damned if I'll be caught
Copy !req
1728. in this male competitive trap.
Copy !req
1729. I know what Ivan's idea of a perfect moment is.
Copy !req
1730. It's death.
Copy !req
1731. So having had my perfect moment, I swam in.
Copy !req
1732. Now elated from having had it, depressed,
Copy !req
1733. knowing that I had to go home,
Copy !req
1734. I went in search for my audience
Copy !req
1735. to tell the perfect moment to,
Copy !req
1736. which is almost as important as having it.
Copy !req
1737. Athel Fugard, my new father confessor,
Copy !req
1738. the most fantastic audience back at the hotel.
Copy !req
1739. Athel, who had just given up drinking
Copy !req
1740. and I think to some extent was living vicariously
Copy !req
1741. through me, at the end of every day would say,
Copy !req
1742. Spalding, come, come to the bar.
Copy !req
1743. I'll buy you a beer, I'll have an orange.
Copy !req
1744. Tell me about your day.
Copy !req
1745. And at first I wanted to tell
him about my new theory
Copy !req
1746. of displacement of anxiety.
Copy !req
1747. And I said, Athel, Athel, Athel, Athel,
Copy !req
1748. if ever you lack the courage to do something
Copy !req
1749. and you need that courage,
just take a big pile of money
Copy !req
1750. and leave it somewhere where it can be stolen
Copy !req
1751. and go do that thing.
Copy !req
1752. Then I told him about my perfect
moment in the Indian Ocean
Copy !req
1753. and he listened, raising an eyebrow
Copy !req
1754. and putting his pipe down,
he turned to me and said,
Copy !req
1755. Spalding,
the sea's a lovely lady when you play in her,
Copy !req
1756. but if you play with her, she is a bitch.
Copy !req
1757. Play in the sea, yes, but never play with her.
Copy !req
1758. You're lucky to be here.
Copy !req
1759. You're lucky to be alive.
Copy !req
1760. I believed him and I went to
bed and slept like a kid again
Copy !req
1761. in Jerusalem, Rhode Island,
the entire bed rocking,
Copy !req
1762. sand in the bottom of the bed,
Copy !req
1763. wrapped in the arms of the sea, fantastic sleep.
Copy !req
1764. And the following day I got up
Copy !req
1765. and a little kid was raging inside of me
Copy !req
1766. and the adult was there too,
saying I should go home.
Copy !req
1767. And the little kid is going more and more
Copy !req
1768. and kept more where that came from,
Copy !req
1769. stay, stay, stay, and the adult is going,
Copy !req
1770. I've had my perfect moment, it's time to go.
Copy !req
1771. And I thought, how will I get out of here?
Copy !req
1772. How will I be decisive?
Copy !req
1773. And I thought, you know, maybe I'll try acting
Copy !req
1774. like a decisive man.
Copy !req
1775. If I can't be one, I'll act like one.
Copy !req
1776. And I went out of the hotel and
said goodbye to all my mates.
Copy !req
1777. As though I were going.
Copy !req
1778. Goodbye, mate.
Copy !req
1779. We'll work together again one day.
Copy !req
1780. Hey, you better believe I believe in this film.
Copy !req
1781. Fuckin' A.
Copy !req
1782. Hey, big guy, look out for those whores
Copy !req
1783. and don't you drink too much, we'll meet again.
Copy !req
1784. All right.
Copy !req
1785. I got to Athelfugad and
he looked right through me.
Copy !req
1786. So, Spalding, you're leaving paradise after all.
Copy !req
1787. I said, Athel, you know, I woke up this morning,
Copy !req
1788. I was thinking about a magic mushroom.
Copy !req
1789. Spalding, go back to Renee.
Copy !req
1790. She's a lovely lady.
Copy !req
1791. Take what you've learned here
in Thailand back to Krumville.
Copy !req
1792. There is no difference
between Thailand and Krumville.
Copy !req
1793. I wanted to believe him.
Copy !req
1794. I also wondered who he'd been studying with.
Copy !req
1795. So I did it.
Copy !req
1796. I got in the car for the
final ride to the airport.
Copy !req
1797. And as I was riding,
I felt like I was going to the gallows.
Copy !req
1798. I couldn't believe it.
Copy !req
1799. Why was I doing this?
Copy !req
1800. Why did I feel, mainly,
why did I feel so inflated?
Copy !req
1801. I'd been there eight weeks
and I'd worked eight days.
Copy !req
1802. Was waiting that difficult?
Copy !req
1803. I felt all puffed up, but on the way I thought,
Copy !req
1804. my God, I will never see a little piece of heaven
Copy !req
1805. like this again.
Copy !req
1806. This is the end.
Copy !req
1807. And as I was riding, I said a silent benediction,
Copy !req
1808. a silent farewell to all that
I had had and would miss.
Copy !req
1809. Farewell to the fantastic breakfast,
Copy !req
1810. free every morning.
Copy !req
1811. You walk down and there they are waiting on you
Copy !req
1812. with the papaya, mango, and pineapple
Copy !req
1813. like I'd never tasted before.
Copy !req
1814. Farewell to the Thai maids
with the king-sized cotton sheets
Copy !req
1815. and the big king-sized bed.
Copy !req
1816. Farewell to the lunches, fresh meat flown in
Copy !req
1817. from America daily.
Copy !req
1818. Roast potatoes, green beans, and roast lamb
Copy !req
1819. at 110 degrees under a circus tent,
Copy !req
1820. according to British equity.
Copy !req
1821. Farewell to the drivers with the tinted glasses
Copy !req
1822. and the Mercedes with the tinted windows.
Copy !req
1823. Farewell to the cakes and teas and ices every day,
Copy !req
1824. exactly at four o'clock.
Copy !req
1825. Farewell to those beautiful, smiling people.
Copy !req
1826. Farewell to that single, fresh rose in a vase
Copy !req
1827. on my bureau in the hotel every day.
Copy !req
1828. And just as I was climbing
into that first-class seat
Copy !req
1829. and wrapping myself in a blanket,
Copy !req
1830. just as I was adjusting the
pillow from behind my head
Copy !req
1831. and having a sip of that champagne,
Copy !req
1832. just as I was adjusting and bringing down
Copy !req
1833. my Thai purple sleep mask,
Copy !req
1834. I had an inkling.
Copy !req
1835. I had a flash.
Copy !req
1836. I suddenly thought I knew what it was
Copy !req
1837. that had killed Marilyn Monroe.
Copy !req