1. Singin' in the rain
Just singin' in the rain
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2. What a glorious feelin'
We're happy again
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3. We'll walk down the lane
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4. With a happy refrain
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5. And singin'
Just singin' in the rain
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6. This is
Dora Bailey, ladies and gentlemen...
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7. talking to you from the front
of the Chinese Theater in Hollywood.
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8. What a night, ladies and gentlemen.
What a night!
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9. Every star in Hollywood is here
to make Monumental Pictures' premiere...
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10. of The Royal Rascal,
the outstanding event of 1927.
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11. Everyone breathlessly awaits...
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12. the arrival of Lina Lamont
and Don Lockwood.
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13. Look who's arriving now.
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14. It's that famous "zip" girl
of the screen...
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15. the darling of the flapper set...
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16. Zelda Zanders!
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17. Zelda! Zelda!
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18. Her new red-hot pash,
J. Cumberland Spendrill III...
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19. that well-known eligible bachelor.
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20. Zelda's had so much unhappiness,
I hope this time it's really love.
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21. And here comes that
exotic star, Olga Mara!
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22. Ooh.
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23. And her new husband,
the Baron de la Bonnet de la Toulon.
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24. They've been married two months already,
but still as happy as newlyweds.
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25. Well, well, well.
It's Cosmo Brown!
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26. Cosmo is Don's best friend.
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27. He plays the piano on the set
for Don and Lina...
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28. to get them into
those romantic moods!
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29. Oh, folks, this is it.
This is it!
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30. The stars of tonight's picture,
those romantic lovers of the screen...
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31. Don Lockwood and Lina Lamont!
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32. Ladies and gentlemen, when you look
at this gorgeous couple...
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33. it's no wonder they're
a household name all over the world.
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34. Like "bacon and eggs."
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35. "Lockwood and Lamont."
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36. Don, tell me confidentially,
are these rumors true...
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37. that wedding bells are soon
to ring for you and Lina?
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38. Lina and I have no statement
to make at the present time.
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39. We're just good friends.
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40. You've come a long way together.
Won't you tell us how it happened?
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41. Lina and I have made
a number of pictures together—
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42. Oh, no, no, Don.
I want your story from the beginning.
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43. Dora, not in front of all these people!
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44. The story of your success
is an inspiration...
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45. to young people all over the world.
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46. Please!
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47. Well, to begin with,
any story of my career...
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48. would have to include
my lifelong friend, Cosmo Brown.
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49. We were kids together,
grew up together, worked together.
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50. Yes?
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51. Well, Dora, I've had one motto
which I've always lived by:
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52. "Dignity. Always dignity."
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53. This was instilled in me by Mum and Dad
from the very beginning.
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54. They sent me to the finest schools,
including dancing school.
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55. That's where I first met Cosmo.
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56. And with him, I used to perform
for Mum and Dad's society friends.
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57. They used to make such a fuss over me.
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58. If I was very good, I was allowed
to accompany Mum and Dad to the theater.
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59. They brought me up on Shaw...
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60. Molière, the finest of the classics.
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61. To this was added rigorous
musical training...
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62. at the Conservatory of Fine Arts.
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63. We rounded out our apprenticeship
at an exclusive dramatics academy.
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64. And at all times...
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65. the motto remained...
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66. "Dignity.
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67. Always dignity."
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68. In a few years, we were ready
to embark on a dance concert tour.
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69. We played the finest
symphonic halls in the country.
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70. Fit as a fiddle
And ready for love
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71. I can jump over
The moon up above
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72. Fit as a fiddle
And ready for love
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73. Haven't a worry
Haven't a care
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74. Feelin' like a feather
That's floatin' on air
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75. Fit as a fiddle
And ready for love
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76. Soon the church bells will be ringin'
And a march with Ma and Pa
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77. How the church bells will be ringin'
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78. With a hey-nonny-nonny
And a hot-cha-cha
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79. Hi diddle diddle
My baby's okay
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80. Ask me a riddle
I'm happy to say
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81. Fit as a fiddle
And ready for love
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82. Audiences everywhere adored us.
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83. Get out of here!
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84. Finally we decided to come
to sunny California.
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85. We were stranded—
We were staying here, resting up...
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86. when offers from the movie
studios started pouring in.
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87. We sorted them out and decided
to favor Monumental Pictures.
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88. Lina, you hate him.
Resist him. Keep that mood music going.
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89. Now, Phil, you come in.
Keep on grinding.
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90. Now you see her. Now here's the bit,
Bert, where you get it on the jaw.
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91. Cut!
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92. No, no! That wasn't right!
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93. You were supposed to go over the bar
and crash into the glasses! Try it again!
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94. Okay, Bert? Bert!
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95. Oh, that's swell, just swell.
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96. Take him away, fellas!
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97. You'll be all right. We've lost
more stuntmen on these pictures—
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98. It'll take hours to get
a new one from Central Casting.
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99. Mr. Dexter, I can do that.
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100. - You? You're a musician.
- That's a moot point.
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101. No kidding!
What's your name?
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102. Don Lockwood, but the fellas
call me "Donald."
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103. Wise guy, huh?
Okay, I'll try you.
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104. Get this guy into Bert's suit!
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105. And remember, Lockwood, you might be
trading that fiddle in for a harp.
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106. Camera!
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107. Phil, come in. Now you see him.
That's it.
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108. Now, here's where you get it
right on the jaw.
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109. Cut!
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110. That was wonderful!
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111. Got any more little chores
you want done?
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112. Plenty!
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113. Okay.
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114. My roles in these films were urbane...
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115. sophisticated...
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116. suave.
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117. And of course,
all through those pictures...
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118. Lina was, as always,
an inspiration to me.
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119. Warm and helpful.
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120. A real lady.
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121. Hello, Miss Lamont.
I'm Don Lockwood, the stuntman.
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122. It was a thrill working
with you, Miss Lamont.
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123. Hey, Don.
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124. Meet the producer
of the picture, R.F. Simpson.
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125. I just saw some rushes and asked
Dexter who the stuntmen were.
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126. He said they were all you. I'm putting
you and Lina together in a picture.
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127. Come to my office.
We'll discuss a contract.
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128. Thanks, Mr. Simpson!
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129. Are you doing anything tonight,
Miss Lamont?
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130. That's funny.
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131. I'm busy.
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132. Lina and I have had the same
wonderful relationship ever since.
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133. But most important of all,
I continue living up to my motto:
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134. "Dignity.
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135. Always dignity."
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136. Thank you, Don.
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137. And I'm sure you and Lina will continue
making movie history tonight...
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138. in your greatest picture,
The Royal Rascal.
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139. Get enough, boys?
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140. She's so refined...
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141. I think I'll kill myself.
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142. Thank you, ladies and gentlemen.
Thank you, thank you, thank you.
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143. We're thrilled at your response
to The Royal Rascal.
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144. We had fun making it, and we hope
you had fun seeing it tonight.
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145. We screen actors aren't much good
at speaking in public.
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146. So we'll just act out our thanks.
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147. Hot diggity! It's a smash!
R.F.: Don, Lina, you were gorgeous!
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148. Lina, you looked pretty good for a girl.
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149. What's the big idea?
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150. Can't a girl get a word in edgewise?
They're my public too!
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151. The publicity department...
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152. thought it'd be better if Don
made all the speeches for the team.
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153. Why?
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154. You're beautiful. Audiences think
you got a voice to match.
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155. We gotta keep our stars
from looking ridiculous at any cost.
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156. - No one's got that much money.
- What's wrong with the way I talk?
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157. Am I dumb or something?
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158. No, it's just that Don's
had so much more experience—
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159. Next time, write me out a speech.
I could memorize it.
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160. Sure. Why don't you recite
the Gettysburg Address?
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161. What do you know about it,
you piano player? Are you anybody?
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162. Donnie, how can you let him talk
to me like that, your fiancée?
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163. My fia—
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164. Lina, you've been reading
those fan magazines again.
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165. Look, you shouldn't believe
all that banana oil...
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166. that Dora Bailey dishes out.
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167. Now, try to get this straight:
There is nothing between us.
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168. There has never been
anything between us.
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169. - Just air.
- Oh, Donnie, you don't mean that.
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170. We'll be late for R.F.'s party.
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171. Better go in separate cars
to break up the mobs. Come on, honey.
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172. Ta-ta, Donnie! See you there!
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173. "Donnie."
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174. Can't that girl take a gentle hint?
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175. Haven't you heard? She's irresistible.
She told me so.
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176. I can't get her out of my hair.
This romance for publicity...
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177. The price of fame.
You've got the glory.
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178. The little heartaches go with it.
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179. Look at me. I got no glory.
I got no fame. I got no mansions.
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180. I got no money. But I've got—
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181. - What have I got?
- I don't know.
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182. I gotta get out of here.
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183. Don't tell me. It's a flat tire.
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184. This car hasn't given me trouble
in nearly six hours.
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185. Hey, there's Don Lockwood!
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186. Hey, give me an autograph!
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187. Give me your autograph!
I want a souvenir!
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188. I want a souvenir too!
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189. Hey! You're playing rough here!
You're tearing my—!
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190. Hey, Cos, do something!
Call me a cab!
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191. You're a cab.
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192. Thanks a lot!
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193. - Lady, keep driving.
- Get out!
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194. - Everything's all right!
- I'll call a policeman!
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195. - Just a few blocks.
- Don't hurt me!
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196. - I'm not a criminal.
- I don't care—
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197. You are a criminal!
I've seen that face. You're a gangster!
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198. I've seen your picture in the paper
or in the post office.
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199. Officer!
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200. - This man jumped in my car and—
- Why, it's Don Lockwood!
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201. - Don Lockwood?
- How are you? Out for a joy ride?
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202. Just a lift. My car broke down.
I got surrounded by—
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203. - You're a lucky lady. Anything wrong?
- Why, no.
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204. No, I should think not.
Good night.
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205. Good night, officer.
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206. Well, thanks for saving my life.
I'll get out now.
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207. I'm driving to Beverly Hills.
Can I drop you someplace?
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208. I'd like to get out of this suit
if you're going by Camden and Sunset.
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209. Yes, I am.
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210. I'd like to know whose
hospitality I'm enjoying.
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211. Selden. Kathy Selden.
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212. Enchanted, Miss Selden.
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213. I'm sorry I frightened you.
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214. I was getting a little
too much love from my fans.
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215. Oh, that's what you were
running away from.
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216. They did that to you?
That's terrible!
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217. Yes. Yes, it is, isn't it?
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218. It is terrible.
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219. Well, we movie stars get the glory...
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220. I guess we have to take
the little heartaches that go with it.
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221. People think we lead lives
of glamour and romance...
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222. but we're really lonely.
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223. Terribly lonely.
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224. I really can't tell you how sorry
I am about taking you for a criminal.
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225. But it was understandable, under
the circumstances. I knew I'd seen you.
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226. Which of my pictures have you seen?
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227. I don't remember.
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228. I saw one once.
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229. - You saw one once?
- I think you were dueling.
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230. And there was a girl.
Lina Lamont.
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231. I don't go to the movies much.
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232. If you've seen one,
you've seen them all.
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233. Thank you.
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234. No offense.
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235. Movies are entertaining
for the masses...
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236. but the personalities
on the screen don't impress me.
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237. They don't talk or act.
They just make a lot of dumb show.
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238. Well, you know.
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239. Like that.
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240. You mean, like what I do.
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241. Well, yes.
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242. Here we are, Sunset and Camden.
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243. Wait, you mean I'm not an actor?
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244. - Pantomime isn't acting?
- Of course not.
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245. Acting means great parts,
wonderful lines, glorious words.
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246. Shakespeare. Ibsen.
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247. What's your lofty mission in life...
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248. that lets you sneer
at my humble profession?
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249. I'm an actress. On the stage.
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250. Oh, on the stage.
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251. I'd like to see you.
What're you in now?
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252. I could brush up on my English
or bring an interpreter.
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253. That's if they'd let in a movie actor.
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254. I'm not in a play now.
But I'm going to New York—
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255. You're going to New York, and someday
we'll all hear of you, won't we?
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256. Kathy Selden as Juliet,
as Lady Macbeth, as King Lear!
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257. You'll have to wear a beard!
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258. Laugh if you want, but the stage
is a dignified profession.
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259. Why are you so conceited?
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260. You're nothing but a shadow on film.
You're not flesh and blood.
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261. - Stop!
- What can I do? I'm only a shadow.
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262. Keep away from me! Just because
you're a big movie star...
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263. you expect every girl to faint
at your feet. Don't touch me!
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264. Fear not, sweet lady.
I will not molest you.
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265. I am but a humble jester. And you?
You are too far above me.
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266. Farewell, Ethel Barrymore.
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267. I must tear myself from your side.
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268. Is this R.F. Simpson's house?
I'm one of the Coconut Grove girls.
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269. - Yes, the floor show. Around the back.
- Oh, I see. Thank you.
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270. - Nice little party, R.F.
- Thanks, Roscoe.
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271. Do you really think
you can get me in the movies?
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272. - I should think so.
- Really?
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273. The picture's great.
There's Don. I loved the picture.
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274. Did you come by way of Australia?
Hello, Cos. Excuse me.
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275. Cos, tell me the truth.
Am I a good actor?
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276. As long as I work for Monumental,
you're the greatest.
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277. No kidding. You're my pal.
You can tell me.
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278. What's the matter?
Of course, you're good.
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279. Keep telling me from time to time.
I feel a little shaken.
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280. - The new Don Lockwood.
R.F.: Don!
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281. - Hi, R.F.
- It's colossal. Where have you been?
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282. There you are. Where were you?
I was lonely.
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283. Hello, Lina.
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284. Okay, fellas. Hold it.
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285. Together again, my two little stars,
Don and Lina.
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286. No kidding, folks, aren't they great?
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287. All right, open that screen.
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288. - A movie? We just saw one.
- Gotta show one at a party. It's a law.
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289. Everybody, I've got
a few surprises for you.
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290. All right, sit down, sit down.
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291. This'll make you laugh.
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292. There's a madman coming
into my office for months, and—
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293. - You got that gadget working?
All set.
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294. R.F.:
Okay, let her go.
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295. Hello.
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296. This is a demonstration
of a talking picture.
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297. Notice, it is a picture of me
and I am talking.
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298. Note how my lips
and the sound issuing from them...
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299. are synchronized together...
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300. in perfect unison.
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301. - Who's that?
- Somebody's talking behind that screen.
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302. Come out from behind
that screen, Mr. Simpson.
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303. Oh, no. I'm right here.
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304. My voice has been recorded on a record.
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305. A talking picture.
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306. Thank you.
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307. Goodbye.
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308. Well?
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309. - It's just a toy.
- It's a scream!
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310. - It's vulgar.
- You think they'll ever use it?
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311. I doubt it. Warners is making
a picture with it, The Jazz Singer.
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312. - They'll lose their shirts.
- It'll never amount to a thing.
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313. They said that about
the horseless carriage.
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314. Let's get on with the show.
Okay, boys.
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315. Come on, my little starlets.
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316. R.F.: I have a surprise.
A very special cake.
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317. I want you kiddies
to have the first piece.
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318. Well! If it isn't Ethel Barrymore!
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319. I do hope you'll favor us with something
special. Say, Hamlet's soliloquy...
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320. or a scene from Romeo and Juliet?
Don't be shy.
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321. You make about the prettiest Juliet
I've ever seen. Really.
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322. All I do is dream of you
The whole night through
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323. With the dawn I still go on
Dreaming of you
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324. You're every thought
You're everything
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325. You're every song I ever sing
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326. Summer, winter, autumn and spring
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327. And were there more than
Twenty-four hours a day
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328. They'd be spent in sweet content
Dreaming away
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329. When skies are gray
When skies are blue
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330. Morning, noon and nighttime too
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331. All I do the whole day through
Is dream of you
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332. It's the cat's meow!
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333. All I do the whole day through
Is dream of you
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334. - I had to tell you how good you were.
- Excuse me.
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335. Now that I know where you live,
I'd like to see you home.
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336. - Listen, Mr. Lockwood—
- Say, who is this dame anyway?
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337. Someone lofty and far above us all.
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338. She couldn't learn anything from
the movies. She's a stage actress.
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339. Here's one thing I've learned
from the movies!
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340. - I'll kill her!
- Lina, she was aiming at me!
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341. - You never looked lovelier.
- It was an accident.
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342. It happens to me
five or six times a day.
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343. Where is she?
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344. Donnie?
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345. Excuse me.
Where'd Miss Selden go?
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346. She grabbed her things and bolted.
Anything I can do?
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347. Sorry. I don't have time to find out.
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348. Kathy!
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349. Hey, Kathy!
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350. Hey!
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351. Keep that action going.
More steam in the kettle!
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352. More action, boys.
A little more rhythm.
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353. More steam and more water.
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354. - Hi, Maxie.
Hi, Don.
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355. - Good morning, fellas.
- Hiya, Don.
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356. Did you read Variety today?
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357. "First talking picture, The Jazz Singer.
All-time smash end of first week."
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358. - All-time flop end of the second.
- We start today.
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359. - Good luck.
- Thanks.
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360. I'm now Count Pierre de Bataille,
known as the Duelling Cavalier.
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361. - What's it about?
- It's a French Revolution story.
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362. You're a French aristocrat.
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363. She's a simple girl of the people
and won't even give you a tumble.
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364. Well, it's a living.
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365. Good morning.
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366. Keep the background moving.
Hit him.
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367. Come on. Knock him down!
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368. Get up there and hit him again.
Hurry up!
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369. Why bother to shoot this?
Release the old one under a new title.
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370. You've seen one, you've seen them all.
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371. - Why'd you say that?
- What's the matter?
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372. That's what that Kathy Selden
said to me that night.
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373. That's three weeks ago.
You still thinking about that?
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374. - I can't get her out of my mind.
- How could you?
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375. She's the first dame who hasn't
fallen for you since you were 4.
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376. She's on my conscience.
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377. It's not your fault she lost her job.
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378. - I've got to find her.
- You've been trying to.
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379. Short of sending out
bloodhounds and a posse.
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380. Come on, now.
Snap out of it.
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381. You can't let this get you down.
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382. You're Donald Lockwood.
Donald Lockwood's an actor, isn't he?
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383. What's the first thing
an actor learns?
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384. "The show must go on, come rain,
come shine, come snow, come sleet!"
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385. Yeah.
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386. The world's so full
Of a number of things
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387. I'm sure we should all
Be as happy as—
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388. But are we? N o
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389. Definitely, no
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390. Positively, no
Decidedly, no
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391. Short people have long faces
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392. Long people have short faces
Copy !req
393. Big people have little humor
Little people have no humor at all
Copy !req
394. In the words of that immortal bard
Samuel J. Snodgrass
Copy !req
395. As he was being led
To the guillotine
Copy !req
396. Make 'em laugh
Make 'em laugh
Copy !req
397. Don't you know everyone wants to laugh
Ha, ha
Copy !req
398. My dad said, "Be an actor, my son
Copy !req
399. But be a comical one"
Copy !req
400. They'll be standin' in lines
Copy !req
401. For those old honky-tonk monkeyshines
Copy !req
402. Now you could study Shakespeare
And be quite elite
Copy !req
403. And you could charm the critics
And have nothing to eat
Copy !req
404. Just slip on a banana peel
The world's at your feet
Copy !req
405. Make 'em laugh
Make 'em laugh
Copy !req
406. Make 'em laugh
Copy !req
407. Make—?
Copy !req
408. Make 'em laugh
Copy !req
409. Don't you know everyone wants to laugh?
Copy !req
410. My Grandpa said,
"Go out and tell 'em a joke
Copy !req
411. but give it plenty of hoke"
Copy !req
412. Make 'em roar
Make 'em scream
Copy !req
413. Take a fall, butt a wall
Split a seam
Copy !req
414. You start off by pretending
You're a dancer with grace
Copy !req
415. You wiggle till they're giggling
All over the place
Copy !req
416. And then you get
A great big custard pie in the face
Copy !req
417. Make 'em laugh
Make 'em laugh
Copy !req
418. Make 'em laugh
Copy !req
419. Make 'em laugh
Copy !req
420. Don't ya—
All the—
Copy !req
421. What—?
Copy !req
422. My Dad—
Copy !req
423. They'll be standing in lines
Copy !req
424. For those old honky-tonk monkeyshines
Copy !req
425. Make 'em laugh
Make 'em laugh
Copy !req
426. Don't you know everyone—
Copy !req
427. Make 'em laugh
Copy !req
428. Make 'em laugh
Copy !req
429. Make 'em laugh
Copy !req
430. Make 'em laugh
Make 'em laugh
Copy !req
431. Make 'em laugh
Copy !req
432. Ready, Don?
Copy !req
433. - All set.
- Here we go again.
Copy !req
434. - We have another smash on our hands.
- I hope so.
Copy !req
435. You're darn tooting we have.
Copy !req
436. - Where's Lina?
- Here she is, Mr. Dexter.
Copy !req
437. Well! Here comes our
lovely leading lady now.
Copy !req
438. This wig weighs a ton.
What dope'd wear a thing like this?
Copy !req
439. Everybody wore them.
Copy !req
440. Then everybody was a dope.
Copy !req
441. - You look beautiful.
- You look great.
Copy !req
442. Let's get into the set.
Copy !req
443. Thanks, Joe.
Copy !req
444. I looked for you at Wally Ray's party.
Where were you?
Copy !req
445. I've been busy.
Copy !req
446. And I know what you've been busy at.
Looking for that girl.
Copy !req
447. - As a matter of fact, yes.
Why?
Copy !req
448. I've been worried about her.
Copy !req
449. You should've been worried about me.
Copy !req
450. I'm the one who got
the whipped cream in the kisser.
Copy !req
451. Yes, but you didn't
lose your job, and she did.
Copy !req
452. Darn tooting she did.
I arranged it.
Copy !req
453. What?
Copy !req
454. They weren't gonna fire her,
so I told them they better.
Copy !req
455. - Why—
- Don, now remember.
Copy !req
456. You're madly in love with her
and you have to overcome her shyness.
Copy !req
457. Cosmo, mood music.
Copy !req
458. Roll 'em!
Copy !req
459. Okay, Don.
Copy !req
460. Now enter.
Copy !req
461. You see her.
Copy !req
462. Run to her!
Copy !req
463. Why, you rattlesnake, you.
You got that poor kid fired.
Copy !req
464. That's not all I'm gonna do
if I ever get my hands on her.
Copy !req
465. I never heard of anything so low.
Copy !req
466. Fine. Fine. Looks great.
Copy !req
467. What did you do it for?
Copy !req
468. Because you liked her. I could tell.
Copy !req
469. So that's it.
Copy !req
470. Believe me, I don't like her
half as much as I hate you.
Copy !req
471. You reptile.
Copy !req
472. Sticks and stones may break my bones.
Copy !req
473. I'd like to break every bone
in your body.
Copy !req
474. You and who else, you big lummox?
Copy !req
475. Now kiss her, Don.
Copy !req
476. That's it. More.
Copy !req
477. Great! Cut!
Copy !req
478. You couldn't kiss me like that and
not mean it just a teensy-weensy bit.
Copy !req
479. Meet the world's greatest actor.
I'd rather kiss a tarantula!
Copy !req
480. - You don't mean that!
- I don't—?
Copy !req
481. Joe, bring me a tarantula.
Now listen—
Copy !req
482. Stop that chitchat, you lovebirds.
Let's get another take.
Copy !req
483. R.F.:
Hold it.
Copy !req
484. - Hold it, Dexter!
Hello, Mr. Simpson.
Copy !req
485. We're really rolling.
Copy !req
486. Well, you can stop rolling at once.
Copy !req
487. All right, everybody! Save it!
Copy !req
488. Save it? Tell them to go home.
We're shutting down.
Copy !req
489. Don't stand there.
Tell them!
Copy !req
490. Go home until further notice!
What is this?
Copy !req
491. What's the matter?
Copy !req
492. The Jazz Singer,
that's what's the matter.
Copy !req
493. Oh, my darling little mammy
Down in Alabamy
Copy !req
494. This is no joke. It's a sensation.
The public's screaming for more.
Copy !req
495. - More what?
- Talking pictures.
Copy !req
496. - It's just a freak.
- We should have such a freak.
Copy !req
497. I said talking pictures were a menace,
but no one would listen.
Copy !req
498. We're going to make
The Duelling Cavalier into a talking picture.
Copy !req
499. That means I'm out of a job.
Copy !req
500. I can start suffering
and write that symphony.
Copy !req
501. We'll put you in as head
of the music department.
Copy !req
502. Thanks. I can stop suffering
and write that symphony.
Copy !req
503. Wait a second. Talking pictures!
You should wait—
Copy !req
504. Every studio's jumping
on the bandwagon.
Copy !req
505. All the theaters are putting in
sound equipment.
Copy !req
506. We know nothing about it.
Copy !req
507. What do you have to know?
Copy !req
508. You do what you always did.
You just add talking to it.
Copy !req
509. Believe me, it'll be a sensation.
Copy !req
510. "Lamont and Lockwood. They talk!"
Copy !req
511. Well, of course we talk.
Don't everybody?
Copy !req
512. I got a feeling
You're fooling
Copy !req
513. I got a feeling
You're havin' fun
Copy !req
514. I get the go-by
When you are done foolin' with me
Copy !req
515. It's a holiday
Today's The Wedding of the Painted Doll
Copy !req
516. It's a jolly day
The news is spreading
Copy !req
517. Should I reveal exactly how I feel
Copy !req
518. Should I confess
Copy !req
519. I got a feeling you're fooling
I got a feeling you're
Copy !req
520. It's a holiday
Today's The Wedding
Copy !req
521. Should I reveal
Copy !req
522. Exactly how I feel
Copy !req
523. Should I reveal
Copy !req
524. Beautiful girl
You're a lovely picture
Copy !req
525. Beautiful girl
You're a gorgeous mixture
Copy !req
526. Of all that lies
Under the big blue sky
Copy !req
527. My heart cries
Copy !req
528. Who's that? She looks familiar.
Copy !req
529. You're a dazzling eyeful
Copy !req
530. I featured her before,
in lots of nightclub shows.
Copy !req
531. I've seen her there.
Copy !req
532. She'd be good as Zelda's sister.
Copy !req
533. - That's a good idea.
- Excuse me.
Copy !req
534. There may be blondes and brunettes
That are hard to resist
Copy !req
535. You surpass them like a queen
Copy !req
536. You've got those lips
That were meant to be kissed
Copy !req
537. And you're over sweet 16
Copy !req
538. Beautiful girl
What a gorgeous creature
Copy !req
539. Beautiful girl
Let me call a preacher
Copy !req
540. What can I do
Copy !req
541. But give my heart to you?
Copy !req
542. A beautiful girl
Is like a great work of art
Copy !req
543. She's stylish
She's chic
Copy !req
544. And she also is smart
Copy !req
545. For lounging in her boudoir
Copy !req
546. This simple plain pajama
Copy !req
547. Her cloak is trimmed with monkey fur
Copy !req
548. To lend a dash of drama
Copy !req
549. Anyone for tennis?
Copy !req
550. Well, this will make them cringe
Copy !req
551. And you'll knock 'em dead at dinner
Copy !req
552. If your gown just drips with fringe
Copy !req
553. You simply can't be too modest
At the beach or by the pool
Copy !req
554. And in summertime, it's organdy
Copy !req
555. That'll keep you fresh and cool
Copy !req
556. You'd never guess what loud applause
Copy !req
557. This cunning hat receives
Copy !req
558. And you'd never dream the things
That you could hide
Copy !req
559. Within these sleeves
Copy !req
560. A string of pearls with a suit of tweed
Copy !req
561. It's started quite a riot
Copy !req
562. And if you must wear fox to the opera
Copy !req
563. Dame Fashion says, "Dye it"
Copy !req
564. Black is best when you're in court
Copy !req
565. The judge will be impressed
Copy !req
566. But white is right when you're a bride
Copy !req
567. And you want to be well-dressed
Copy !req
568. Beautiful girl
Copy !req
569. For you I've got a passion
Copy !req
570. Beautiful girl
Copy !req
571. You're my queen of fashion
Copy !req
572. I'm in a whirl
Copy !req
573. Over
Copy !req
574. My beautiful girl
Copy !req
575. - That's stupendous!
- Thanks.
Copy !req
576. Kathy, come here.
Copy !req
577. This will start a trend
in musical pictures.
Copy !req
578. Mr. Simpson's thinking about
casting you as Zelda's sister.
Copy !req
579. That's wonderful!
Copy !req
580. Hey, Kathy!
Copy !req
581. That's Kathy Selden.
Copy !req
582. Thanks anyway.
It was nice of you.
Copy !req
583. R.F.: Wait a minute.
- That's all right.
Copy !req
584. Before Mr. Lockwood refreshes
your memory, you may as well know...
Copy !req
585. I'm the girl who hit Miss Lamont with
a cake. It was meant for Mr. Lockwood.
Copy !req
586. Goodbye. I'm sorry.
I should've told you.
Copy !req
587. Wait a minute.
What's this all about?
Copy !req
588. We were gonna use her, but if
it'd make you and Lina unhappy—
Copy !req
589. Unhappy? It's wonderful.
Copy !req
590. He's been looking for her!
Copy !req
591. Are you speaking for Lina also?
Copy !req
592. The owner of the Coconut Grove
may do what Lina tells him...
Copy !req
593. - ... but you're the head of this studio.
- Yes, I am.
Copy !req
594. She's hired.
Don't let Lina know she's on the lot.
Copy !req
595. Take care of that.
Copy !req
596. Thank you, Mr. Simpson!
Copy !req
597. I'm glad you turned up.
We've been looking inside every cake in town.
Copy !req
598. Is it all right for you
to be seen with me?
Copy !req
599. You mean, lofty star with humble player?
Copy !req
600. Not exactly. But for lunch, don't you
tear a pheasant with Miss Lamont?
Copy !req
601. Look, Kathy. All that stuff
about Lina and me is sheer publicity.
Copy !req
602. Oh? Certainly seems more than that...
Copy !req
603. from what I've read in all
those articles in the fan magazines.
Copy !req
604. Ohh, you read the fan magazines?
Copy !req
605. I pick them up in the beauty
parlor or the dentist's office...
Copy !req
606. just like anybody.
Copy !req
607. Honest?
Copy !req
608. I buy four or five a month.
Copy !req
609. You buy four or five...?
Copy !req
610. To get back to the main point...
Copy !req
611. you achieve a kind of intimacy
in all your pictures—
Copy !req
612. Did you say all my pictures?
Copy !req
613. Now that I think of it,
I've seen eight or nine of them.
Copy !req
614. Eight or nine.
Copy !req
615. It seems to me
I remember someone saying:
Copy !req
616. "If you've seen one,
you've seen them all."
Copy !req
617. I did say some awful things
that night, didn't I?
Copy !req
618. No, I deserved them.
Copy !req
619. Of course, I must admit
I was pretty much upset by them.
Copy !req
620. So upset that I haven't been able
to think of anything but you ever since.
Copy !req
621. Honest?
Copy !req
622. Honest.
Copy !req
623. Well, I've been pretty upset too.
Copy !req
624. Kathy...
Copy !req
625. Kathy, look, I...
Copy !req
626. Kathy, seeing you again now that I...
Copy !req
627. I'm trying to say
something to you, but I...
Copy !req
628. I'm such a ham.
Copy !req
629. I guess I'm not able to
without the proper setting.
Copy !req
630. What do you mean?
Copy !req
631. Well...
Copy !req
632. Come here.
Copy !req
633. This is the proper setting.
Copy !req
634. Why, it's just an empty stage.
Copy !req
635. At first glance, yes.
Copy !req
636. But wait a second.
Copy !req
637. A beautiful sunset.
Copy !req
638. Mist from the distant mountains.
Copy !req
639. Colored lights in a garden.
Copy !req
640. Milady is standing on her balcony,
in a rose-trellised bower...
Copy !req
641. flooded with moonlight.
Copy !req
642. We add 500,000 kilowatts of stardust.
Copy !req
643. A soft summer breeze.
Copy !req
644. And...
Copy !req
645. You sure look lovely in the moonlight.
Copy !req
646. Now that you have the proper setting,
can you say it?
Copy !req
647. I'll try.
Copy !req
648. Life was a song
Copy !req
649. You came along
Copy !req
650. I've laid awake
the whole night through
Copy !req
651. If I but dared
Copy !req
652. To think you cared
Copy !req
653. This is what
Copy !req
654. I'd say to you
Copy !req
655. You were meant for me
Copy !req
656. And I was meant for you
Copy !req
657. Nature patterned you
Copy !req
658. And when she was done
Copy !req
659. You were all the sweet things
Copy !req
660. Rolled up in one
Copy !req
661. You're like
Copy !req
662. A plaintive melody
Copy !req
663. That never lets me free
Copy !req
664. But I'm content
Copy !req
665. The angels must have sent you
Copy !req
666. And they meant you
Copy !req
667. Just for me
Copy !req
668. But I'm content
Copy !req
669. The angels must have sent you
Copy !req
670. And they meant you
Copy !req
671. Just for me
Copy !req
672. Now...
Copy !req
673. Ta, te, ti, toe, too.
Copy !req
674. Ta, te, ti, toe, too.
Copy !req
675. No, no, Miss Lamont...
Copy !req
676. round tones, round tones.
Copy !req
677. Now let me hear you read your line.
Copy !req
678. "And I can't stan' 'im."
Copy !req
679. And I can't stand him.
Copy !req
680. "And I can't stan' 'im."
Copy !req
681. "Can't."
Copy !req
682. Can't.
Copy !req
683. "Can't."
Copy !req
684. Can't!
Copy !req
685. Can't. Can't.
Copy !req
686. Very good.
Copy !req
687. "Around the rocks
the rugged rascal ran."
Copy !req
688. "Around the rocks the rugged—"
Copy !req
689. No, no. "Rocks."Rocks."
Copy !req
690. "Around the rocks
the rugged rascal ran."
Copy !req
691. Very good.
Copy !req
692. Hi, Don.
Copy !req
693. - Shall I continue?
- Don't mind me.
Copy !req
694. Now.
"Sinful Caesar sipped his snifter...
Copy !req
695. seized his knees and sneezed."
Copy !req
696. "Sinful Caesar snipped his sifter—"
Copy !req
697. Sipped his snifter.
Copy !req
698. "Sipped his snifter."
Copy !req
699. Oh, thank you.
Copy !req
700. "Sinful Caesar sipped his snifter,
seized his knees and sneezed."
Copy !req
701. - Marvelous.
- Wonderful.
Copy !req
702. Here is a good one.
Copy !req
703. "Chester chooses chestnuts,
cheddar cheese with chewy chives.
Copy !req
704. He chews them and he chooses them.
Copy !req
705. He chooses them and he chews them...
Copy !req
706. those chestnuts,
cheddar cheese and chives...
Copy !req
707. in cheery, charming chunks."
Copy !req
708. - Wonderful! Do another one.
- Thank you.
Copy !req
709. "Moses supposes his toeses are roses...
Copy !req
710. but Moses supposes erroneously.
Copy !req
711. Moses, he knowses
his toeses aren't roses...
Copy !req
712. as Moses supposes his toeses to be."
Copy !req
713. "Moses supposes his toeses are roses...
Copy !req
714. but Moses supposes erroneously."
Copy !req
715. "But Moses, he knowses
his toes aren't roses...
Copy !req
716. as Moses supposes his toeses to be."
Copy !req
717. Moses supposes his toeses are roses...
Copy !req
718. but Moses supposes erroneously.
Copy !req
719. A mose is a mose.
Copy !req
720. A rose is a rose.
Copy !req
721. A toes is a toes.
Copy !req
722. Moses supposes his toeses are roses
Copy !req
723. But Moses supposes erroneously
Copy !req
724. Moses, he knowses
His toeses aren't roses
Copy !req
725. As Moses supposes his toeses to be
Copy !req
726. Moses supposes his toeses are roses
Copy !req
727. But Moses supposes erroneously
Copy !req
728. For Moses knowses
His toeses aren't roses
Copy !req
729. As Moses supposes his toeses to be
Copy !req
730. A rose is a rose
Is a rose is a rose is
Copy !req
731. A rose is what Moses
Supposes his toes is
Copy !req
732. Couldn't be a lily
Or a taffy daffy dilly
Copy !req
733. It's gotta be a rose
'Cause it rhymes with "mose"
Copy !req
734. Moses
Copy !req
735. Moses
Copy !req
736. Moses
Copy !req
737. "A"
Copy !req
738. All right, here we go.
Copy !req
739. - Quiet!
Quiet.
Copy !req
740. Roll 'em!
Copy !req
741. Oh, Pierre. You shouldn't have come.
Copy !req
742. She's gotta talk into the mike.
I can't pick it up.
Copy !req
743. Cut!
Copy !req
744. What's the matter?
Copy !req
745. It's Lina.
Copy !req
746. Look, Lina, don't you remember?
I told you.
Copy !req
747. There's a microphone right there...
Copy !req
748. - ... in the bush.
- Yeah.
Copy !req
749. You have to talk into it.
Copy !req
750. I was talking.
Wasn't I, Miss Dinsmore?
Copy !req
751. Yes, my dear. But please remember,
round tones.
Copy !req
752. "Pierre, you shouldn't have come."
Copy !req
753. Pierre, you shouldn't have come.
Copy !req
754. That's much better—
Copy !req
755. Hold it a second.
Copy !req
756. Now, Lina, look.
Copy !req
757. Here's the mike.
Copy !req
758. Right here in the bush.
Copy !req
759. Yeah.
Copy !req
760. Now, you talk towards it.
Copy !req
761. The sound goes through the cable
to the box.
Copy !req
762. A man records it
on a big record in wax...
Copy !req
763. but you have to talk
into the mike first.
Copy !req
764. In the bush!
Copy !req
765. Now try it again.
Copy !req
766. Gee, this is dumb.
Copy !req
767. She'll get it, Dexter.
Don't worry.
Copy !req
768. We're all nervous the first day.
Everything will be okay.
Copy !req
769. By the way. You know the scene
coming up where I say:
Copy !req
770. "Imperious princess of the night"?
Copy !req
771. I don't like those lines.
Is it all right if I say what I always do?
Copy !req
772. "I love you. I love you. I love you."
Copy !req
773. Sure. Any way it's comfortable.
Copy !req
774. But into the bush!
Copy !req
775. Okay.
Copy !req
776. Again!
Copy !req
777. Quiet!
Copy !req
778. Roll 'em!
Copy !req
779. Cut!
Copy !req
780. We're missing every other word.
Copy !req
781. You've got to talk into the mike!
Copy !req
782. Well, I can't make love to a bush!
Copy !req
783. All right, all right.
Copy !req
784. We'll have to think of something else.
Copy !req
785. What are you doing?
Copy !req
786. - You're being wired for sound.
- What?
Copy !req
787. Watch out for those dentalized D's
and T's and those flat A's.
Copy !req
788. Everybody's picking on me.
Copy !req
789. Okay, Lina.
Copy !req
790. Now look at this flower, see?
Copy !req
791. The mike is in there.
Copy !req
792. That's it.
Copy !req
793. The sound will run from it...
Copy !req
794. through this wire, onto the record.
Copy !req
795. It'll catch whatever you say.
Copy !req
796. Now let's hear how it sounds, Lina.
Copy !req
797. Okay, quiet!
Copy !req
798. Roll 'em!
Copy !req
799. Oh, Pierre, you shouldn't have come.
Copy !req
800. You're flirting with danger.
Copy !req
801. What's that noise?
Copy !req
802. It's picking up her heartbeat.
Copy !req
803. Swell.
Copy !req
804. Cut!
Copy !req
805. That's right. That should do it.
Copy !req
806. Now, don't forget.
Copy !req
807. The mike is on your shoulder.
Copy !req
808. And whatever you say goes
through the wire onto the record.
Copy !req
809. Now, please, Lina, talk into the mike.
Copy !req
810. Don't make any quick movements
or you might disconnect it.
Copy !req
811. Okay, let's go.
Copy !req
812. - Quiet.
Quiet.
Copy !req
813. Roll 'em.
Copy !req
814. Oh, Pierre, you shouldn't have come.
You're flirting with danger.
Copy !req
815. What's this wire doing here?
It's dangerous.
Copy !req
816. You'd better not go in together.
Copy !req
817. Lina's probably waiting
right inside the door.
Copy !req
818. - Oh, how I wish—
- Don't worry.
Copy !req
819. I'll lead the cheering section
in the balcony. Good luck.
Copy !req
820. - Mr. Lockwood.
Hello.
Copy !req
821. What's that?
The storm outside?
Copy !req
822. It's those pearls, Mr. Simpson.
Copy !req
823. I am the noblest lady of the court,
second only to the queen.
Copy !req
824. Yet I am the saddest
of mortals in France.
Copy !req
825. What is the matter, milady?
Copy !req
826. I'm so downhearted, Theresa.
Copy !req
827. My father has me betrothed
to the Baron de Landsfield...
Copy !req
828. and I can't stand him.
Copy !req
829. Oh, but he's such a catch.
Copy !req
830. All the ladies of the court
wish they were in your shoes.
Copy !req
831. My heart belongs to another...
Copy !req
832. Pierre de Bataille.
Copy !req
833. Ever since I met him,
I can't get him out of my mind.
Copy !req
834. Sounds good and loud, huh?
Copy !req
835. Oh, Pierre!
Copy !req
836. You shouldn't have come.
You're flirting with danger.
Copy !req
837. They will surely find you out.
Copy !req
838. Your head is much too valuable.
Copy !req
839. She never could remember
where the microphone was.
Copy !req
840. 'Tis Cupid himself
that called me here...
Copy !req
841. and I...
Copy !req
842. smitten by his arrow,
must fly to your side...
Copy !req
843. despite the threats
of Madame Guillotine.
Copy !req
844. But the night is full of our enemies.
Copy !req
845. What you hitting him with,
a blackjack?
Copy !req
846. Imperious princess of the night...
Copy !req
847. I love you.
Copy !req
848. Oh, Pierre.
Copy !req
849. I love you.
Copy !req
850. I love you, I love you, I love you,
I love you, I love you.
Copy !req
851. I love you, I love you, I love you,
I love you!
Copy !req
852. Did somebody get paid
for writing that?
Copy !req
853. Sounds like a comedy.
Copy !req
854. - It's a Lockwood-Lamont talkie.
- What?
Copy !req
855. This is terrible.
Copy !req
856. What's that?
Copy !req
857. The sound.
It's out of synchronization!
Copy !req
858. Tell them to fix it.
Copy !req
859. Yes, sir.
Copy !req
860. What's this? Yvonne?
Copy !req
861. Captured by Rouge Noir
of the Purple Terror?
Copy !req
862. Ohh. Oh, my sword!
Copy !req
863. I must fly to her side!
Copy !req
864. Yvonne, Yvonne...
Copy !req
865. my own.
Copy !req
866. Pierre will save me. Pierre!
Copy !req
867. Pierre is miles away, you witch.
Copy !req
868. No, no, no.
Copy !req
869. Yes, yes, yes.
Copy !req
870. No, no, no.
Copy !req
871. Yes, yes, yes.
Copy !req
872. This is a scream.
Copy !req
873. Give me The Jazz Singer.
Copy !req
874. "I love you, I love you, I love you"...
Copy !req
875. - We're all ruined.
- You can't release this.
Copy !req
876. We're booked to open
in six weeks all over the country.
Copy !req
877. But you're such big stars,
we might get by.
Copy !req
878. I never wanna see
Lockwood and Lamont again.
Copy !req
879. Wasn't it awful?
Copy !req
880. This is the worst picture ever made.
Copy !req
881. I liked it.
Copy !req
882. Well, take a last look at it.
Copy !req
883. It'll be up for auction
in the morning.
Copy !req
884. You're out of your mind.
Copy !req
885. It's Saturday.
No bank will foreclose until Monday.
Copy !req
886. - It wasn't so bad.
- That's what I told him.
Copy !req
887. There's no use kidding myself.
Copy !req
888. Once they release The Duelling Cavalier,
Lockwood and Lamont are through.
Copy !req
889. The picture's a museum piece.
Copy !req
890. I'm a museum piece.
Copy !req
891. Things went wrong with the sound.
Get the technical—
Copy !req
892. No, it wasn't that.
Copy !req
893. This is sweet of both of you, but I—
Copy !req
894. Something happened to me tonight.
Copy !req
895. Everything you said
about me is true.
Copy !req
896. I'm no actor.
Copy !req
897. I never was.
Just a lot of dumb show.
Copy !req
898. I know that now.
Copy !req
899. Well, at least you're
taking it lying down.
Copy !req
900. No kidding, Cosmo.
Copy !req
901. Did you ever see anything
as idiotic as me on that screen?
Copy !req
902. Yeah. How about Lina?
Copy !req
903. Heh. I ran her a close second.
Copy !req
904. Maybe it was a photo finish.
I'm through.
Copy !req
905. You're not through.
Copy !req
906. Why, of course not.
Copy !req
907. With your looks,
you could drive an ice wagon.
Copy !req
908. - Or shine shoes.
- Block hats.
Copy !req
909. - Sell pencils.
- Dig ditches.
Copy !req
910. Or go back into vaudeville.
Copy !req
911. Fit as a fiddle and ready for love
I could jump over the moon up above
Copy !req
912. Fit as a fiddle and ready for love
Copy !req
913. Too bad I didn't do that in Duelling Cavalier.
They might have liked it.
Copy !req
914. - Why don't you?
- What?
Copy !req
915. - Make a musical.
- A musical?
Copy !req
916. Sure. Make a musical.
Copy !req
917. The new Don Lockwood.
He yodels, he jumps about to music.
Copy !req
918. The only trouble is
that after Duelling Cavalier...
Copy !req
919. nobody'd come to see me jump off
the Woolworth Building into a damp rag.
Copy !req
920. Turn The Duelling Cavalier
into a musical.
Copy !req
921. - Duelling Cavalier?
- Sure.
Copy !req
922. They've got six weeks before
it's released.
Copy !req
923. Add songs and dances,
trim bad scenes, add new ones.
Copy !req
924. And you got it.
Copy !req
925. Hey, I think it'll work.
Copy !req
926. - Of course!
- It's a cinch.
Copy !req
927. It may be crazy, but we'll do it.
Copy !req
928. The Duelling Cavalier
is now a musical.
Copy !req
929. - Hot dog!
- Hallelujah!
Copy !req
930. Whoopee! Fellas, I feel this is
my lucky day, March 23rd.
Copy !req
931. - Your lucky day's the 24th.
- What?
Copy !req
932. It's 1:30 already.
It's morning!
Copy !req
933. Yes. And what a lovely morning!
Copy !req
934. Good mornin'
Copy !req
935. Good mornin'
Copy !req
936. We've talked the whole night through
Copy !req
937. Good mornin'
Copy !req
938. Good mornin' to you
Copy !req
939. Good mornin'
Good mornin'
Copy !req
940. It's great to stay up late
Copy !req
941. Good mornin'
Good mornin' to you
Copy !req
942. When the band began to play
The stars were shining bright
Copy !req
943. Now the milkman's on his way
It's too late to say good night
Copy !req
944. So good mornin'
Good mornin'
Copy !req
945. Sunbeams will soon smile through
Copy !req
946. Good mornin'
Good mornin' to you
Copy !req
947. And you and you and you
Copy !req
948. Good mornin'
Good mornin'
Copy !req
949. We've gabbed the whole night through
Copy !req
950. Good mornin'
Good mornin' to you
Copy !req
951. Nothing could be grander
Than to be in Louisiana
Copy !req
952. In the mornin'
In the mornin'
Copy !req
953. It's great to stay up late
Copy !req
954. Good mornin'
Good mornin' to you
Copy !req
955. Might be just as zippy
If we was in Mississippi
Copy !req
956. When we left the movie show
The future wasn't bright
Copy !req
957. But came the dawn, the show goes on
And I don't wanna say good night
Copy !req
958. So say good mornin'
Copy !req
959. Good mornin'
Copy !req
960. Rainbows are shinin' through
Copy !req
961. - Good mornin'
- Good mornin'
Copy !req
962. - Bonjour!
- Monsieur!
Copy !req
963. - Buenos días!
- Muchas frías!
Copy !req
964. - Buon giorno!
- A ritorno!
Copy !req
965. - Guten morgen!
- Guten morgen!
Copy !req
966. Good mornin' to you
Copy !req
967. Olé!
Copy !req
968. - Toro!
- Toro!
Copy !req
969. Hey, we can't make this a musical.
Copy !req
970. What do you mean?
Copy !req
971. Lina.
Copy !req
972. - Lina.
- Lina.
Copy !req
973. She can't act, she can't sing
and she can't dance.
Copy !req
974. - A triple threat.
- Yeah.
Copy !req
975. What's so funny?
Copy !req
976. I'm sorry, I was just thinking.
Copy !req
977. I liked her best when
the sound went off and she said:
Copy !req
978. "Yes, yes, yes."
Copy !req
979. "No, no, no."
Copy !req
980. "Yes, yes, yes."
Copy !req
981. "No, no—"
Copy !req
982. Wait a minute.
Copy !req
983. I am just about to be brilliant.
Copy !req
984. Come here, Kathy.
Come here. Now, sing.
Copy !req
985. Huh?
- I said sing.
Copy !req
986. Good mornin'
Good mornin'
Copy !req
987. Don, keep your eyes
riveted on my face.
Copy !req
988. Good mornin'
Good mornin' to you
Copy !req
989. Watch my mouth.
Copy !req
990. Good mornin'
Good mornin'
Copy !req
991. It's great to stay up late
Copy !req
992. Good mornin'
Good mornin' to you
Copy !req
993. Well, convincing?
Copy !req
994. Enchanting. What?
Copy !req
995. Don't you get it?
Copy !req
996. Use Kathy's voice.
Copy !req
997. Lina moves her mouth
and Kathy sings and talks for her.
Copy !req
998. That's wonderful!
Copy !req
999. - I couldn't let you do it, Kathy.
- Why not?
Copy !req
1000. You wouldn't be seen.
You'd throw away your career.
Copy !req
1001. It has nothing to do with my career.
It's only for this picture.
Copy !req
1002. The important thing is to save
The Duelling Cavalier...
Copy !req
1003. - ... save Lockwood and Lamont.
- Yeah.
Copy !req
1004. Well, all right, if it's only
for this one picture, but...
Copy !req
1005. - You think it'll get by?
- Of course.
Copy !req
1006. It's simple to work the numbers.
Copy !req
1007. Just dance around Lina
and teach her how to take a bow.
Copy !req
1008. We'll spring it on R.F.
in the morning.
Copy !req
1009. Don, you're a genius.
Copy !req
1010. I'm glad you thought of it.
Copy !req
1011. Oh, Cosmo.
Copy !req
1012. Good night, Kathy. See you tomorrow.
Copy !req
1013. Good night, Don.
Take care of that throat.
Copy !req
1014. You're a big singing star now, remember?
Copy !req
1015. This California dew
is just a little heavier than usual.
Copy !req
1016. Really?
Copy !req
1017. From where I stand,
the sun is shining all over the place.
Copy !req
1018. I'm singin' in the rain
Copy !req
1019. Just singin' in the rain
Copy !req
1020. What a glorious feelin'
Copy !req
1021. I'm happy again
Copy !req
1022. I'm laughin' at clouds
Copy !req
1023. So dark up above
Copy !req
1024. The sun's in my heart
Copy !req
1025. And I'm ready for love
Copy !req
1026. Let the stormy clouds chase
Copy !req
1027. Everyone from the place
Copy !req
1028. Come on with the rain
Copy !req
1029. I've a smile on my face
Copy !req
1030. I'll walk down the lane
Copy !req
1031. With a happy refrain
Copy !req
1032. Just singin'
Copy !req
1033. Singin' in the rain
Copy !req
1034. Dancin' in the rain
Copy !req
1035. I'm happy again
Copy !req
1036. I'm singin'
Copy !req
1037. And dancin' in the rain
Copy !req
1038. I'm dancin'
Copy !req
1039. And singin'
Copy !req
1040. In the rain
Copy !req
1041. Why, that's wonderful!
Copy !req
1042. We'll keep it secret
until we're ready to release...
Copy !req
1043. just in case it doesn't come off.
I'm worried about Lina.
Copy !req
1044. She doesn't like Miss Selden.
There might be fireworks.
Copy !req
1045. Lina won't even know she's on the lot.
Copy !req
1046. Boys, this is great.
Copy !req
1047. The Duelling Cavalier can be saved.
Copy !req
1048. Now, let's see.
Copy !req
1049. The Duelling Cavalier with music.
Copy !req
1050. The title.
Copy !req
1051. The title's not right.
We need a musical title. Cosmo?
Copy !req
1052. Hey! The Duelling Mammy.
Copy !req
1053. No.
Copy !req
1054. I've got it.
Copy !req
1055. No.
Copy !req
1056. The Dancing Cavalier!
Copy !req
1057. That's it.
The Dancing Cavalier.
Copy !req
1058. - Remind me to make you a scriptwriter.
- Thanks. Have a cigar.
Copy !req
1059. Thanks.
Copy !req
1060. Now, what about the story?
Copy !req
1061. We need modern musical numbers.
Copy !req
1062. We throw a modern section into it.
Copy !req
1063. The hero's a hoofer on Broadway.
Copy !req
1064. He sings and he dances.
Copy !req
1065. One night, backstage, he's reading
The Tale of Two Cities.
Copy !req
1066. A sandbag hits his head.
Copy !req
1067. He dreams he's back
during the French Revolution.
Copy !req
1068. This way, we get in
the modern dancing numbers.
Copy !req
1069. But in the dream,
we can still use the costumes.
Copy !req
1070. Sensational! Cosmo,
remind me to give you a raise.
Copy !req
1071. - Oh, R.F.
- Yes?
Copy !req
1072. Give me a raise.
Copy !req
1073. He holds her in his arms
Copy !req
1074. Would you?
Copy !req
1075. Would you?
Copy !req
1076. He tells her of her charms
Copy !req
1077. Would you?
Copy !req
1078. Would you?
Copy !req
1079. They met as you and I
Copy !req
1080. And they were only friends
Copy !req
1081. But before...
Copy !req
1082. the story ends
Copy !req
1083. He'll kiss her with a sigh
Copy !req
1084. Would you?
Copy !req
1085. Would you?
Copy !req
1086. And if the girl were I
Copy !req
1087. Would you?
Copy !req
1088. And would you dare to say
Copy !req
1089. Let's do the same
Copy !req
1090. As they
Copy !req
1091. I would
Copy !req
1092. Would you?
Copy !req
1093. And would you dare to say
Copy !req
1094. Let's do the same
Copy !req
1095. As they
Copy !req
1096. I would
Copy !req
1097. Would you?
Copy !req
1098. Perfect! That Selden girl is great.
Copy !req
1099. I'm gonna give her a big buildup.
Copy !req
1100. - Swell!
- How much is there left to do?
Copy !req
1101. - One scene and a number.
- What number?
Copy !req
1102. It's a new one.
It's for the modern part.
Copy !req
1103. It's called "Broadway Melody."
Copy !req
1104. It's the story of a young hoofer
who comes to New York.
Copy !req
1105. First, we set the stage with a song.
Copy !req
1106. It goes like this.
Copy !req
1107. Don't bring a frown to old Broadway
Copy !req
1108. You gotta clown on Broadway
Copy !req
1109. Your troubles there
Copy !req
1110. They're out of style
Copy !req
1111. For Broadway always wears a smile
Copy !req
1112. A million lights
Copy !req
1113. They flicker there
Copy !req
1114. A million hearts beat quicker there
Copy !req
1115. No skies of gray
On that Great White Way
Copy !req
1116. That's the Broadway
Copy !req
1117. Melody
Copy !req
1118. Gotta dance
Copy !req
1119. Gotta dance
Copy !req
1120. Gotta dance
Copy !req
1121. Shh.
Copy !req
1122. Gotta dance
Copy !req
1123. Gotta dance
Copy !req
1124. Gotta dance, gotta dance
Copy !req
1125. Broadway rhythm
It's got me
Copy !req
1126. Everybody dance
Copy !req
1127. Broadway rhythm
It's got me
Copy !req
1128. Everybody dance
Copy !req
1129. Out on that Gay White Way
And each merry café
Copy !req
1130. Orchestras play
Taking your breath away
Copy !req
1131. Broadway rhythm
It's got me
Copy !req
1132. Everybody sing and dance
Copy !req
1133. Oh, that Broadway rhythm
Copy !req
1134. Oh, that Broadway rhythm
Copy !req
1135. When I hear that happy beat
Copy !req
1136. Feel like dancin' down the street
Copy !req
1137. To that Broadway rhythm
Copy !req
1138. Writhing, beating
Copy !req
1139. Rhythm
Copy !req
1140. Gotta dance
Copy !req
1141. Gotta dance
Copy !req
1142. Gotta dance
Copy !req
1143. Gotta dance
Copy !req
1144. When I hear that happy beat
Copy !req
1145. Feel like dancin' down the street
Copy !req
1146. When I hear that happy beat
Copy !req
1147. Feel like dancin' down the street
Copy !req
1148. Gotta dance
Copy !req
1149. Gotta dance
Copy !req
1150. Gotta dance
Copy !req
1151. Gotta dance
Gotta dance
Copy !req
1152. That's the Broadway
Copy !req
1153. Melody
Copy !req
1154. That's the idea.
What do you think of it?
Copy !req
1155. I can't visualize it.
I'll have to see it on film first.
Copy !req
1156. - On film, it'll be better yet.
- Don't forget.
Copy !req
1157. Have Selden re-record
all of Lina's dialogue.
Copy !req
1158. - It's all set up.
- And remember...
Copy !req
1159. don't let Lina know about it.
Copy !req
1160. All set in there?
Copy !req
1161. Right.
Copy !req
1162. Nothing can keep us apart.
Copy !req
1163. Our love will last
till the stars turn cold.
Copy !req
1164. All right, Kathy. Go ahead.
Copy !req
1165. Nothing can keep us apart.
Copy !req
1166. Our love will last
till the stars turn cold.
Copy !req
1167. That's great! Perfect. Cut.
Copy !req
1168. Till the stars turn cold.
Copy !req
1169. Oh, Kathy, I love you.
Copy !req
1170. I can't wait till
this picture's finished.
Copy !req
1171. No more secrecy.
I'm gonna let Lina and everyone know.
Copy !req
1172. Your fans will be
bitterly disappointed.
Copy !req
1173. From now on, there's only
one fan I'm worried about.
Copy !req
1174. There!
Copy !req
1175. - What did I tell you?
- Thanks, Zelda. You're a real pal.
Copy !req
1176. I want that girl off the lot at once!
She ain't gonna be my voice.
Copy !req
1177. Zelda told me everything.
Copy !req
1178. - Thanks, Zelda. You're a real pal.
- Anytime, Don.
Copy !req
1179. Look, Don and I—
Copy !req
1180. Don! Don't you dare call him Don!
Copy !req
1181. I was calling him Don
before you were born.
Copy !req
1182. I mean—
You were kissing him!
Copy !req
1183. I was kissing her.
I happen to be in love with her.
Copy !req
1184. That's ridiculous! Everybody knows
you're in love with me.
Copy !req
1185. Ha, ha. Now look, Lina.
Try and understand this.
Copy !req
1186. I'm going to marry her.
Copy !req
1187. Silly boy.
She ain't the marrying kind.
Copy !req
1188. She's a flirt
trying to get ahead by using you.
Copy !req
1189. Well, I'll put a stop to that!
I'm gonna go up and see R.F. right now!
Copy !req
1190. A little late.
The picture's finished.
Copy !req
1191. If she weren't in it,
you'd be finished too.
Copy !req
1192. As far as I can see,
she's the only one who's finished.
Copy !req
1193. Who'll hear of her?
Copy !req
1194. Everybody. Why do you think
Zelda's in such a sweat?
Copy !req
1195. Kathy nearly stole
the picture from her.
Copy !req
1196. She's only doing you a favor
in The Dancing Cavalier.
Copy !req
1197. And she's getting
full screen credit for it too.
Copy !req
1198. It'll say on the screen
that I don't talk and sing for myself?
Copy !req
1199. Of course. What do you think?
Copy !req
1200. - They can't do that.
- It's already done.
Copy !req
1201. There's a whole
publicity campaign planned.
Copy !req
1202. Publicity?
Copy !req
1203. They can't make a fool out of me.
Copy !req
1204. They can't make a laughingstock
out of Lina Lamont.
Copy !req
1205. What do they think I am,
dumb or something?
Copy !req
1206. Why, I make more money...
Copy !req
1207. than Calvin Coolidge...
Copy !req
1208. put together!
Copy !req
1209. "Monumental Pictures enthusiastic
over Lina's singing and dancing."
Copy !req
1210. I never said that.
Copy !req
1211. "Premiere tomorrow night to reveal
Lina Lamont, big musical talent."
Copy !req
1212. You can't pull a switch like this
on the publicity department.
Copy !req
1213. We were prepared
for the Selden campaign.
Copy !req
1214. Now you do this.
At least keep us informed.
Copy !req
1215. Wait a minute.
I don't know anything about this.
Copy !req
1216. What are we gonna do?
Copy !req
1217. Nothing.
Copy !req
1218. Absolutely nothing.
Copy !req
1219. You wouldn't wanna call the papers
and say Lina Lamont...
Copy !req
1220. is a big fat liar.
Copy !req
1221. Did you send this stuff out?
Copy !req
1222. I gave an exclusive story
to every paper in town.
Copy !req
1223. You'll never get away with it.
Call the papers.
Copy !req
1224. I wouldn't do that if I were you.
Copy !req
1225. Don't tell me what to do, Lina.
Copy !req
1226. What do you think I am,
dumb or something?
Copy !req
1227. I had my lawyer go over my contract.
Copy !req
1228. Contract?
Copy !req
1229. And I control my publicity, not you.
Copy !req
1230. - Yeah?
- Yeah.
Copy !req
1231. The studio is responsible
for every word printed about me.
Copy !req
1232. If I don't like it, I can sue.
Copy !req
1233. What?
Copy !req
1234. I can sue.
Copy !req
1235. If you tell the papers
about Kathy Selden...
Copy !req
1236. it would be "detrimental
and deleterious" to my career.
Copy !req
1237. I could sue you for the whole studio.
Copy !req
1238. - That's a lot of nonsense.
- Says so.
Copy !req
1239. Right here.
Copy !req
1240. Contract dated June 8, 1925,
paragraph 34, subdivision letter A.
Copy !req
1241. "The party of the first part—"
Copy !req
1242. - That's me.
- You win, Lina.
Copy !req
1243. We better take Kathy's
credit card off the screen.
Copy !req
1244. All right, go ahead.
Copy !req
1245. Let's just get
this premiere over with.
Copy !req
1246. Satisfied?
Copy !req
1247. There's just one little thing more.
Copy !req
1248. You want me to change the name of
the studio to Lamont Pictures, Inc.?
Copy !req
1249. R.F., you're cute.
Copy !req
1250. Now, I was just thinking.
Copy !req
1251. You've given her
a part in Zelda's picture...
Copy !req
1252. and you'll give her
a bigger one in the next.
Copy !req
1253. So, what?
Copy !req
1254. If she's done such a grand job
doubling for my voice...
Copy !req
1255. don't you think she ought to
go on doing just that?
Copy !req
1256. - And nothing else.
- You're out of your mind.
Copy !req
1257. I'm still more important
to the studio than she is.
Copy !req
1258. I wouldn't do that to her
in a million years.
Copy !req
1259. You'd take her career away.
People don't do things like that.
Copy !req
1260. People?
Copy !req
1261. I ain't people.
Copy !req
1262. I am a...
Copy !req
1263. "A shimmering, glowing star
in the cinema firmament."
Copy !req
1264. It says so...
Copy !req
1265. right there.
Copy !req
1266. Oh, Pierre, Pierre, my darling.
At last, I've found you.
Copy !req
1267. Oh, Pierre.
Copy !req
1268. Pierre, you're hurt.
Speak to me, speak to me.
Copy !req
1269. I'll kiss her with a sigh
Copy !req
1270. Would you?
Copy !req
1271. Would you?
Copy !req
1272. And if the girl were I
Copy !req
1273. Would you?
Copy !req
1274. Would you?
Copy !req
1275. Oh, Pierre, hold me
in your arms always.
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1276. Lockwood's a sensation.
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1277. Yes, but Lamont! What a voice!
Isn't she marvelous?
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1278. - It's going over wonderfully, isn't it?
- Yeah.
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1279. Our love will last
till the stars turn cold.
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1280. And would you dare to say
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1281. Let's do the same as they
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1282. I would
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1283. Would you?
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1284. R.F., it's a real smash.
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1285. - Congratulations. We owe you a lot.
- Thank you.
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1286. - Kathy, we made it!
- It's a miracle!
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1287. It's great, Don. Just great.
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1288. You were fabulous.
You sang as well as Kathy Selden.
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1289. And I'm gonna for a long time.
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1290. What do you mean?
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1291. I mean she's gonna go
right on singing for me.
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1292. Listen, Lina.
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1293. I thought something was cooking
beneath those bleached curls.
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1294. Kathy has her own career.
She only did this for this picture.
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1295. That's what you think.
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1296. Come on, come on.
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1297. - Lina's getting carried away.
- Yeah, she is.
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1298. Listen, you boa constrictor.
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1299. Don't get any fancy ideas
about the future. Tell her!
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1300. Never mind, R.F.!
Listen to that applause.
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1301. Wait till the money rolls in.
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1302. You won't give all that up because
a nobody don't wanna be my voice.
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1303. She's got something.
It's a gold mine.
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1304. Part of that choice is mine.
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1305. And I just won't do it.
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1306. You've got a five-year contract.
You'll do what R.F. says.
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1307. What's the matter?
Why don't you tell her off?
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1308. I'm confused.
This thing is so big—
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1309. - They're tearing the house apart.
- Take a curtain call.
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1310. I once gave you a cigar.
Can I have it back?
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1311. Listen! I'm an avalanche!
Selden, you're stuck.
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1312. If this happens, get a new boy.
I won't stand for it.
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1313. Who needs you? They'd come to see me
if I played opposite a monkey!
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1314. Don's a smash too.
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1315. I'll say a few words.
I'm still running the studio.
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1316. I'm not so sure!
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1317. You're Mr. Producer,
always running things, running me.
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1318. From now on, as far as I'm concerned,
I'm running things.
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1319. - Lina Lamont Pictures, Inc., huh?
- Yeah.
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1320. You've gone a little too far.
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1321. - They're yelling for a speech.
- A speech?
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1322. Yeah, everybody's always making
speeches for me.
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1323. Tonight, I'm gonna do my own talking.
I'm gonna make the speech!
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1324. No, please!
Wait a minute. Wait a minute.
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1325. This is Lina's big night
and she's entitled to do the talking.
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1326. - Right?
- Right.
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1327. Ladies and gentlemen.
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1328. I can't tell you...
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1329. how thrilled we are
at your reception...
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1330. for The Dancing Cavalier,
our first musical picture together.
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1331. If we bring a little joy
into your humdrum lives...
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1332. it makes us feel
as though our hard work...
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1333. ain't been in vain for nothing.
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1334. Bless you all.
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1335. She didn't sound that way
in the picture.
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1336. Cut the talk, Lina. Sing!
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1337. Sing us a song, Lina.
Sing to us.
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1338. Please.
Come on, Lina, sing.
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1339. I got an idea. Come here.
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1340. Now, listen.
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1341. What am I gonna do?
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1342. We've got it.
Get a mike set up back of that curtain.
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1343. Kathy, come here.
Kathy will stand back of there and sing.
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1344. She'll be back of the curtain singing,
and I'll be in front...
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1345. - Like in the picture?
- Right.
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1346. You've gotta do it. This is too big.
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1347. She's got a five-year contract with me.
Get over to that mike.
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1348. You heard him, Kathy. Now do it!
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1349. I'll do it, Don.
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1350. But I never want to see you again...
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1351. on or off the screen.
Copy !req
1352. Now, come on, Lina.
Copy !req
1353. What are you gonna sing?
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1354. "Singin' in the Rain."
Copy !req
1355. "Singin' in the Rain."
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1356. "Singin' in the Rain."
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1357. In what key?
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1358. A-flat.
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1359. A-flat.
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1360. In A-flat.
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1361. I'm singin' in the rain
Just singin' in the rain
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1362. What a glorious feelin'
I'm happy again
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1363. I'm laughin' at clouds
So dark up above
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1364. The sun's in my heart
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1365. And I'm ready for love
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1366. Let the stormy clouds chase
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1367. Everyone from the place
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1368. Come on with the rain
I've a smile on my face
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1369. I'll walk down the lane
With a happy refrain
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1370. And singin'
Just singin' in the rain
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1371. I'm singin' in the rain
Just singin' in the rain
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1372. What a glorious feelin'
I'm happy again
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1373. I'm laughin' at clouds
So dark up above
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1374. The sun's in my heart
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1375. And I'm ready for love
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1376. Let the stormy clouds chase
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1377. Stop that girl!
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1378. That girl running up the aisle!
Stop her!
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1379. That's the girl whose voice
you heard and loved.
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1380. She's the real star of the picture,
Kathy Selden!
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1381. Kathy.
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1382. You are
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1383. My lucky star
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1384. I saw you
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1385. From afar
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1386. Two lovely eyes
At me they were gleaming
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1387. Beaming
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1388. I was starstruck
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1389. You're all
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1390. My lucky charms
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1391. I'm lucky
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1392. In your arms
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1393. You've opened heaven's portal
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1394. Here on earth for this poor mortal
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1395. You
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1396. Are my
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1397. Lucky star
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