1. Hey, hey, hey, rock and rollers.
Whoa! It's 3:00.
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2. What time is it?
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3. It's Danny the K time!
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4. - Kapow! Okay.
Kapow!
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5. What do you say we head off
to the hop with Fats Domino?
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6. There's the TV studio.
Hurry up, everybody.
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7. - You know we can't go in there.
- Yeah, coloreds aren't allowed.
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8. Well, I was just peeking.
I mean, I'm allowed to peek.
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9. - There are no laws against it.
- Are you kidding? Have you
ever heard of a "Peeking Tom"?
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10. That's "Peeping Tom."
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11. - Whatever.
- Well, we gotta get Danny the K
to notice us.
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12. I'm sure, just by standing here,
he will notice us.
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13. - Yeah!
- Oooh!
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14. - Tony!
- All right, all right, all right.
Let's hear it for the fat man...
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15. who was last week's guest and
still number ten on the charts!
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16. By the way, I'm still Dan the K
for you people out in TV-land
who don't know that.
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17. And I'm here to startle
your mind and get your body
movin' to the beat.
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18. - Am I right?
- Yes!
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19. - Are we rock and roll?
- Yes!
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20. - Kapow!
Kapow!
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21. I say we find one of
our June Taylor dancers. Huh?
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22. - Mmm. Bop!
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23. Hey. So, girls, are you
comfortable? Talk to the
Dan-man, little chickey-doodle.
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24. - What's your name?
- Susan Doyle.
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25. Well, you gotta be loud
enough so the people
at home can hear you.
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26. - Susan Doyle.
- And, Susan, what school
do you go to?
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27. I go to Lakeview High.
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28. - Go, Crocodiles!
Oooh!
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29. Crocodiles give the Dan-man
the heebie-jeebies.
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30. - Ha-ha-ha! Susan, you got
any special interests?
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31. Music. Music's my life.
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32. Ooh. That's what I love
to hear. And, Susan,
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33. - what's your friend's name?
- My name is—
- Tony Fazio.
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34. Tony, you remind me of somebody.
Anybody ever tell you that?
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35. - Kapow!
- An impression!
Don't tell me.
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36. The Three O'Clock Hop!
Kapow!
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37. - Oh! Ed Sullivan!
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38. Hey, don't feel bad!
That's just some
of the Dan-man's shenanigans.
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39. - Susan, you like Fats Domino?
- Yeah, but we like
Ruth Brown better.
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40. A-A-And Connie Francis!
Oh, we love Connie Francis!
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41. Well, what do you say I play
a little Connie Francis
later on in the show?
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42. Whoa! Okay, kids,
it's now the moment
we've all been waiting for.
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43. That's right. It's a word
from Wellneck's Pharmacy.
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44. Yes, if you have
an acne problem, Wellneck
will make it their problem.
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45. Take it away, zit city!
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46. Hey!
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47. You know, we ought to stick
together, 'cause, uh, they won't
let us in there neither.
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48. But you're trouble, buddy.
We're talent.
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49. Ooh! You're trouble, Lucky.
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50. I am.
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51. All right! You ready
for a special guest?
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52. Yeah!
- Eddie Cochran!
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53. Look at him! Oh, God.
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54. He owns the world, you know?
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55. I can't wait to get out of here
and graduate and, and,
and be somebody. You know?
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56. - Yeah.
- Come on, come on.
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57. Oh, yes. Have you been
reading those Campbell Soup
labels lately?
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58. - Those recipes.
- Oh, my goodness,
the cream of asparagus?
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59. - Yes!
- Ah, with those
little toasted almonds?
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60. - Scrumptious.
- I'll tell you, I found a lifesaver.
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61. - Chicken a la king in a can.
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62. - The whole thing?
- In a can?
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63. The chicken, the noodles,
the gravy.
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64. - Oh.
- All you have to add
is the potato chips.
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65. Well, life is certainly
getting easier for us girls.
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66. - Look, Margo.
There's your Susan!
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67. It can't be.
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68. Oh, it is. It's Susan.
My goodness, I've never
seen her move that way.
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69. I'm surprised you
let her dance on that show.
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70. They let Negroes sing
on that show. Live.
In front of the children.
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71. - You're kidding.
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72. I like the way they dance,
though. It's very expressive.
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73. Really, it's too wild
for my taste, though.
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74. You know Danny Klay, the host,
is an ex-con.
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75. - No!
- Yes.
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76. He spent time in juvenile hall.
I did my research.
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77. I like to know
what I'm talking about.
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78. - What is this country coming to?
- Mmm.
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79. Margo, it's your move.
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80. Margo?
- Margo?
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81. Okay, as you go off
into the night,
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82. and you park your car
along that ridge,
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83. watch the submarine races.
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84. - This is Danny the K reminding
you to be nice to your baby.
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85. And if you are,
maybe she'll be nice to you.
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86. - Yummy.
Ooh!
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87. - Eddie Cochran, get out here.
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88. Take a bow, pal.
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89. Sweet dreams.
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90. Man, what a waste of time,
dancin' on TV.
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91. On the Road.
Man, you been readin'
that book for months.
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92. - Let me see.
- Hey. So I'm a slow reader.
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93. Shoot me. Finally made it
to the last page.
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94. Check it out.
"So in America,
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95. "when the sun goes down,
and I sit on the old
broken-down river pier,
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96. "watchin' the long, long skies
over New Jersey, and sense
all that raw land...
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97. "that rolls in one
unbelievable huge bulge
over to the West Coast,
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98. "and nobody— nobody—
knows what's going to happen
to anybody...
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99. "besides the forlorn rags
of growin' old,
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100. "I think of Dean Moriarty.
I even think of old
Dean Moriarty,
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101. "the father we never found.
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102. I think of Dean Moriarty."
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103. Poetry.
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104. Let me see that.
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105. "Dean was very quiet
and preoccupied,
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106. "lookin' at the old bums
in the saloon...
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107. that reminded him
of his father."
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108. Man, I hate books.
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109. - Where's the band
practicin' tonight?
- Cookie's!
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110. Oh, right.
And after I make dinner,
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111. do the dishes
and put my brothers to bed,
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112. I'll have plenty of time
to practice.
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113. - Cookie, doesn't your
mother do anything?
- Yes, drink.
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114. - Well, what about
your garage, Tony?
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115. - Yeah, you got a big one.
Garage, that is.
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116. - Wouldn't you like to know,
nest-head?
- Ooh.
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117. My father won't let me within
three feet of that garage.
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118. He's got his prized '48 Hudson
in there, and the two of them
are gettin' very close.
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119. Hmm. Well, we gotta find
someplace to practice.
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120. All right!
- Okay.
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121. You asked for it.
I'm calling the cops. Ah.
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122. - Oh, hey, come on. You—
You don't have to call the cops.
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123. Mr. LaGrange, music is good
for your business.
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124. - People love to hear music.
- Not your music.
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125. - What the hell do you mean
by that?
- Calm down.
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126. You people stay out
of this neighborhood.
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127. - You don't belong here.
You got your own place.
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128. - Mmm.
- Am I making myself clear?
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129. - Mm-hmm.
- Hmph. Yeah.
Perfectly clear.
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130. All right. Go home.
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131. - Leave us alone, huh?
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132. Mmm.
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133. - Pig!
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134. Why don't you go back to
Nazi Germany where you belong?
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135. Who said that?
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136. I did. What are
you gonna do about it?
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137. - Nazi Germany?
Yeah!
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138. Well, it was... the worst thing
I could think of.
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139. - Let's go, you guys.
- I'm gonna take the bus.
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140. Sue. I got homework. I'll see
you guys tomorrow. Bye, Cook.
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141. Hey, Red.
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142. Yeah, I—I liked the way
you did that.
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143. What, is there somethin' wrong
with just talkin' to me?
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144. I don't think we have
anything to talk about,
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145. Mr. Desperado.
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146. How 'bout I just give you
a little ride home, and, uh,
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147. we'll see
if we need conversation.
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148. 'Cause I don't want a ride.
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149. You could ask me tomorrow,
and I still wouldn't want a ride.
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150. Or you could ask me
the day after tomorrow
or a week from Tuesday,
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151. and I still
wouldn't want a ride.
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152. You're so desperate.
- Get used to it.
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153. - Come on, Cookie.
- Hey, what is it about me
that you don't like?
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154. I mean, is it my hair? Is it
my cycle? 'Cause, you know,
I'd change it all for you, Red.
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155. You want to know
what I don't like?
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156. I don't like your
shiny motorcycle...
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157. or your shiny hair...
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158. or your shiny, slippery...
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159. - personality.
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160. Can you understand that?
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161. No. Can you understand
that, Bubber?
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162. - What?
- She won't hitch a ride with me.
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163. She's a waste of time, Lucky.
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164. Hey, anytime you want to dance
for like, real, call me.
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165. 'Cause I'm a fine dancer.
I'm a real fine dancer.
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166. I think he's kinda cute.
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167. Yeah. Kinda.
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168. All right, all right, all right.
Let's go. We got five minutes
of cartoons left.
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169. Let's get the gourmet in here.
Oh, oh, Klay. Listen.
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170. You gotta stop the kids
from dancing so close.
I'm gettin' calls.
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171. - From who? The Marines?
- Ha-ha. It's not funny.
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172. From their parents!
They don't like to see their
kids dancing close like that.
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173. Huh? I keep getting the calls.
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174. Now, what if they stop
watching? Th-Th-The parents,
I'm talking about!
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175. Parents buy products, and if
parents stop buying products,
then sponsors cancel.
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176. And if sponsors cancel, then I,
among others, lose my job.
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177. You're out of breath, Lipsky.
You gotta watch your health.
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178. Take a deep breath. Relax!
It's good for ya.
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179. - Come on. Pull up a bleacher.
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180. Don't you remember
being a teenager?
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181. Don't you remember
being lonely?
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182. I mean, real lonely?
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183. So you head off to the U.S.O.
to chase some skirt.
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184. And when you get there, every
dame in the joint is gorgeous.
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185. And one always comes up to you
and asks you to dance.
You can't say no.
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186. Even if you don't
have the moves.
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187. And then, the moment
you've been waitin' for.
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188. You're holding her
in your arms...
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189. as close as you can.
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190. You feel her body...
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191. pressed right up
against yours.
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192. Think about it, Lipsky.
Has there ever been
a better moment?
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193. - Huh?
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194. B-B-But that's the U.S.O.
We—We don't do that here.
This is television.
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195. This is rock and roll,
and it goes directly to your libido.
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196. Oh, look! Spare me the smut.
We got a big responsibility here.
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197. There must be...
hundreds of people watching us.
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198. You gotta give them
good, clean, healthy teenagers!
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199. Watch your health, Lipsky.
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200. You're usin' an awful lot
of big strokes there, Susan.
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201. It's my interpretation
of you, Cookie.
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202. - It's an artist's prerogative.
- If you say so.
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203. - Well, it's how Salvador Dali
would paint you.
- Hmm? If you say so.
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204. It's part realistic,
part abstract.
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205. Like my life, in other words.
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206. Do you think
I should cut my hair?
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207. No, I don't know.
I kinda like it.
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208. I mean, it adds height.
I mean, I think that's
a good thing for me.
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209. - Right?
- Oh, yes. Very good.
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210. I mean, your eyes—
they go to my hair...
and not my body.
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211. But— But you've
got a great body, Cookie.
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212. - I do?
- Yeah.
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213. What do you think that biker
Lucky does all day?
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214. Mr. Desperado?
Nothin'.
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215. Absolutely nothin'.
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216. Well, how can a guy do nothin' all day?
Wh-What kind of guy does nothing?
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217. - A juvenile delinquent.
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218. Well, pretty soon I'll be moving
away from juvenile delinquents
and guys named Lucky.
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219. Maybe I'll meet some cute college guy.
Some guy named Walter.
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220. Yeah. You know, I could go
for a college guy named Walter.
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221. - Or— Or Herman.
No. Or Allen or Henry.
- Yeah. Mm-hmm.
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222. - Or Brian. Yeah!
- Cookie, put the sax up and pose.
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223. Oh. Oh, sorry.
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224. You know, I plan to go as far
away from here as possible.
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225. - Can I visit you, Susan?
Wherever you go?
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226. How many times
have I asked you to knock?
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227. I did knock.
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228. A-As Dali would do it.
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229. Why can't you
paint a pretty picture?
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230. Like a— Oh, a little, furry kitty
with big sad, droopy eyes,
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231. - whiskers and—
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232. One quick question, Susan.
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233. What were you doing
dancing on that show?
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234. What show?
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235. You know, I—
I better go home now.
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236. I gotta set the table.
I'll look exactly the same
tomorrow. Bye.
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237. Bye, Mrs. Doyle.
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238. You told me you were going
to the library.
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239. I'm going to have to talk
to your father about this.
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240. Dinner's in half an hour.
I'll need some help
with the table.
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241. - Sireena, where you been?
- Sorry, Mama.
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242. Now, you know I get worried.
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243. Do you think we got
enough potatoes here?
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244. How many people did the reverend
say we had to feed?
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245. About 30.
You know, Mama,
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246. I'm gonna be
a famous singer one day.
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247. I'm gonna sing on TV,
on the Danny Klay show.
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248. This ain't gonna
be enough potatoes.
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249. I'm gonna have to mix
some celery in here.
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250. Mama, didn't you just hear
what I said?
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251. I said I'm gonna sing
on the Danny Klay show.
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252. Sireena, you are gonna sing
in church.
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253. Now, church is where you
gonna be singin', okay?
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254. Mama, church ain't a career.
Church can't make you famous.
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255. Mahalia Jackson's famous.
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256. I don't wanna be Mahalia Jackson.
I wanna be like Fats Domino.
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257. Girl, you better keep your feet
on the ground. Hmph.
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258. You ain't gonna be Fats nobody.
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259. Mama, you were gonna
be a singer once.
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260. Don't you remember
how that feels?
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261. No, I don't.
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262. Okay, let's just forget
this whole conversation.
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263. I won't have any dreams.
Mmm. What's the point?
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264. I'll just do what I'm supposed to do:
Stay in the house
and have a dozen kids...
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265. and peel potatoes
for the rest of my life.
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266. Sireena, will you use your head?
But now, listen.
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267. You see any Negro singin'
on that Danny Klay show?
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268. Yes, ma'am.
Fats Domino.
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269. Fats Domino!
One fat Negro.
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270. And he just got lucky.
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271. Ah, no. You stick with your
schoolbooks, and you'll be fine.
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272. Mama, you just tryin'
to get me to stop dreamin'.
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273. Well, baby. Sometimes
it's better that way.
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274. More creamed onions, anyone?
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275. No, thanks, hon. I'm fine.
Oh, maybe just a little.
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276. - That's— That's perfect, dear.
- Frank, we've got a problem.
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277. - Susan lied to me about
going to the library.
- I didn't lie.
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278. She told me she was going to the
library, and she went dancing
on that Danny Klay show instead.
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279. - Now, what do you
think of that?
- I-I-Is that a trick question?
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280. - I don't think this is
the first time she's lied.
- Oh, come on.
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281. It's not so horrible. I knew
you wouldn't let me go dancing.
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282. I didn't want to hurt your
feelings, so I didn't tell you.
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283. They have Negroes
on that show, Frank.
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284. They let Negroes sing in front
of all those white children.
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285. Hey, you have
Ella Fitzgerald records.
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286. But I would never
go see her in person.
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287. - Agh!
- I mean, you should
see this, Frank.
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288. They really dance wild
on that show.
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289. Dad, it's rock and roll.
It's got drums! It's got a beat.
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290. Yeah. It's—
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291. - African.
- What?
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292. Is Elvis Presley African?
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293. I mean, the way they dance
is pretty wild.
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294. It's like some kind
of foreplay!
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295. I can't believe you said that!
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296. - Mom, you're perverted!
- Susan Doyle,
you go to your room.
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297. Foreplay? Dad!
Is that out of line,
or am I crazy? Huh?
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298. You know, one question
at a time, all right?
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299. What was your—
You had a first question.
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300. Don't ever call me perverted.
I am your mother.
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301. You just don't get it.
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302. Susan. I have had a life.
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303. Your father was a Navy man.
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304. I was only in the Reserves,
honey. It wasn't—
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305. - I know when something isn't
right, and this dancing thing...
- I'm sorry.
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306. - is not right.
Fine, fine!
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307. I'll just go dance
in my room...
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308. and have foreplay
with my pillow.
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309. Dancing African foreplay.
Agh!
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310. I'm frightened, Frank.
She's out of control.
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311. Oh, honey. It—
It's just a phase.
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312. That's all it is.
It—It's just a phase.
That's all. Mmm.
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313. Yea, Crocodiles!
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314. Do, do, do, do, do, do!
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315. Pamela Jordan.
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316. - Do you really think she's a slut?
- Let us define slut.
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317. Well, maybe she's just
really beautiful...
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318. - and has a wonderful personality.
And I look just like Sandra Dee.
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319. - The girl is a tease, Susan.
A major tease.
- Cookie!
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320. - Hi.
- Hi!
Hi!
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321. - Okay. Maybe she doesn't
have intercourse,
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322. but getting felt up
is a definite possibility.
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323. - You think so?
- I mean, look at that sweater.
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324. Who cannot touch those things
when they're right in your face?
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325. - Hi!
- Hi.
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326. - Hi.
- Hi.
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327. - Uh, Susan Doyle.
- Sireena Cooper. Yeah.
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328. You know what?
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329. - You guys have great voices.
We all thought so.
- Yeah.
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330. I don't get it.
Why you bein' so friendly?
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331. I don't know.
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332. I guess it's
just my nature.
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333. - Sorry we bothered you.
Come on. Let's go.
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334. Look what you did.
Hey! Hey, wait a minute!
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335. Um. Thanks for calling
that butcher a pig.
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336. Yeah, my pleasure.
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337. Do I sense
a little tension here?
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338. - I'm not tense.
- I'm not tense.
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339. - I'm not tense.
- Well, I'm not tense.
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340. - Okay. I—
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341. - I'm tense.
- Susan! Cookie!
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342. - Whoa! I'm sorry.
God!
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343. - In half an hour
be at Tenth and Maple.
- What?
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344. - That's Tenth and Maple.
You got it?
- I can't!
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345. - I gotta pick up
my brothers in half an hour.
- You have to be there!
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346. - What's at Tenth and Maple?
- Just do as I say. Girls?
You be there too.
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347. - Us? Why?
- Hey, what's at
Tenth and Maple?
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348. For me to know
and you to find out!
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349. - Watch it!
- That's Tony.
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350. He's crazy.
He's in our band.
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351. - You got a band?
- Yeah. See, we have
somethin' in common.
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352. Yeah.
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353. - Hi.
Hello.
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354. - Okay. So what is this place?
- It's my Uncle Paul's now.
It used to be Woo's Chow Fun.
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355. But he bought it from Mr. Woo.
He's turning it into
an Italian restaurant.
Copy !req
356. - Oh.
- Until then, he said we can use it.
Copy !req
357. - For— For anything.
- For practice!
Copy !req
358. - Well, yeah, for that. For—
For hangin' out.
- All right!
Copy !req
359. For performin'.
For everything!
Copy !req
360. - You brought our stuff.
- Well, yeah. I thought
you might want to jam a little.
Copy !req
361. - And I got you this mike. There.
- Oh, thanks.
Copy !req
362. - God, I can't wait for Cookie to
get here. I want to practice.
Copy !req
363. Yeah, well, how about
we mess around a little till
she gets here, all right?
Copy !req
364. - Okay.
- One, two, three.
Copy !req
365. Hey, Tony. Um.
Copy !req
366. We need to wait, though,
until we're ready to play a gig.
Copy !req
367. You know, we need to get
a couple of routines goin',
Copy !req
368. and then we need to practice
until we get 'em down cold.
Copy !req
369. Like the pros do it.
Copy !req
370. Like Eddie Cochran.
They use their heads.
Copy !req
371. - That's what we need to do.
Copy !req
372. Ready. One, two—
- Whoo!
Copy !req
373. Nothin' like the smell
of old egg foo young.
Copy !req
374. Danny the K?
Copy !req
375. Mmm! Are you sure
you're in the right place?
Copy !req
376. Hey. I pride myself on that.
Copy !req
377. We're old pals.
Danny? Uh,
Mr. Klay? Uh, Tony Fazio here.
Copy !req
378. - I'm the guy who called you.
Remember me?
- Vaguely, yeah.
Copy !req
379. - I used to eat here!
Woo's Chow Fun, right?
- Yeah.
Copy !req
380. - Kapow!
- Mmm?
- Uh, only now it's...
Copy !req
381. Tony Fazio's Palace
of Rock and Roll.
Copy !req
382. Well, I'd get rid of that
egg foo stink first.
Copy !req
383. - Well, so what brings you out
here, anyway, Mr. the K?
Copy !req
384. Oh. Tony here gives me
a little ring. Tells me there's
a band he wants me to see.
Copy !req
385. I like new music.
Puh! I'm here.
Copy !req
386. Two of you. That's unique.
You got a name?
Copy !req
387. - Um, yeah.
- Yeah, we got a name.
We're the, uh—
Copy !req
388. - "The Eggrolls"!
- The what?
Copy !req
389. Yeah, "The Eggrolls."
It's a fitting name,
don't you think, Danny?
Copy !req
390. Yeah. The—The Eggrolls.
So let's hear what you got.
Copy !req
391. - Right. One—
- Uh, well, actually, you know,
uh, we're not really all here.
Copy !req
392. - There's really more of us.
Susan! Hey, Susan.
Copy !req
393. Well, listen.
You call me again...
Copy !req
394. when you've got a whole band.
Copy !req
395. Hey, Danny. How about
a drum solo until the rest
of the band gets here?
Copy !req
396. - Hey, give it up, Tony, huh?
- Hey, hey, hey.
You little chickadee, you.
Copy !req
397. - Never, ever give up, because
Dan the Man will help anybody...
Copy !req
398. if I think they're ready, okay?
Copy !req
399. Okay. One, two, three.
Copy !req
400. - Well, what do you know?
- What's she doin' on TV?
Copy !req
401. Well, maybe she's talented.
Copy !req
402. You talkin' about talented.
Yesterday she was sittin' here
peelin' potatoes!
Copy !req
403. - She's singin', Amanda!
- I know that, Ella.
How'd it happen?
Copy !req
404. How do I know?
Maybe she auditioned.
Copy !req
405. - Sure like that dress.
- I made that dress.
Copy !req
406. - It's really nice.
- I made it for church,
thank you.
Copy !req
407. Amanda, singin' for God
is one thing.
Copy !req
408. - But singin' for money!
- Ella, you gonna
go straight to hell.
Copy !req
409. Amanda, I am your oldest sister,
and I refuse to believe...
Copy !req
410. that God is gonna punish me
for thinkin' practical.
Copy !req
411. You know, we both should
have thought practical.
We were good singers.
Copy !req
412. We could have been famous.
We could've had a career.
Copy !req
413. Sireena and the Sirens!
All right! You saw it here...
Copy !req
414. You must be real proud, Amanda.
- at the Three O'Clock Hop!
Copy !req
415. - Let's hear it for them!
Sireena and the Sirens.
- It was wonderful!
Copy !req
416. Whoa! You don't get
anything like that...
Copy !req
417. anyplace else but right here!
Copy !req
418. Keep it goin'!
Copy !req
419. The girls are great.
Huh?
Copy !req
420. - Aren't they great?
- I don't know.
Is she that good?
Copy !req
421. - I think so.
We'll be back right after this.
Copy !req
422. Oh, Ella. I don't know.
You gotta be careful how
you talk in front of Sireena.
Copy !req
423. You know, you gotta
talk reality to her.
She'll get ideas.
Copy !req
424. Don't talk pipe dreams to her.
Copy !req
425. If it wasn't for my pipe dreams,
I don't know what I would do.
Copy !req
426. Well, we both know
what her life's gonna be.
Copy !req
427. Hey, Tom? Roll camera one
over here and leave it.
Copy !req
428. - Hey, Danny. Wait up.
- Hey, those girls were good.
I think we got a find, buddy.
Copy !req
429. Look. Don't "buddy" me, Klay.
Okay? What were they doing
on the show?
Copy !req
430. Hey! You should be happy
you didn't have to pay 'em.
Copy !req
431. - Weren't they great?
- We got calls.
Copy !req
432. - You always get calls.
- No. Not like these.
Copy !req
433. We can't have everyone
on the show. You understand?
Copy !req
434. No.
Copy !req
435. I'm talking about Negroes
fraternizing with our people.
Copy !req
436. - Our people?
Are you serious?
- Yeah. Yeah.
Copy !req
437. Yeah. And it's not just me.
I got calls. A lot of 'em.
Copy !req
438. People think that you're
rocking the boat. Now, we never
had a Negro problem here before.
Copy !req
439. - You're an asshole, you know that?
- You watch your mouth, Klay!
Copy !req
440. - I'm just doin' my job!
- Right. Your job.
Copy !req
441. They're part of our
community, man.
Copy !req
442. They all live in this town
with us. Or do you just
drive your shiny Cadillac...
Copy !req
443. through their neighborhoods
with blinders on?
Copy !req
444. I hate guys like you!
Copy !req
445. You get your hands off of me.
Copy !req
446. You know, when I hired you,
people told me you were trouble,
Copy !req
447. but you were good at what you did,
so I didn't listen. I gave you a shot.
Copy !req
448. But you know what?
You failed.
Copy !req
449. You're fired, you weirdo.
Get outta here.
Copy !req
450. You know something, Lipsky?
Copy !req
451. I was hopin' you'd say that.
See you around.
Copy !req
452. Susan, dinner's almost ready.
Copy !req
453. Yes? May I help you?
Copy !req
454. - I'm a friend of Susan's.
- Really?
Copy !req
455. - No, you're not.
- Did you dance
on that show again?
Copy !req
456. He's not from the show, Mom.
Copy !req
457. They call me Lucky.
Lucky Mullins, Mrs. Doyle.
Copy !req
458. God, you have
unbelievable nerve.
Copy !req
459. And you have
an unbelievable figure.
Copy !req
460. You oughtta wear threads
like that more often.
You know, it suits you.
Copy !req
461. Oh, I do. Just not around
guys like you.
Copy !req
462. Susan.
I think we have to talk.
Copy !req
463. It looks like you have
a very comfortable home here.
Yes, sirree. Very comfortable.
Copy !req
464. Don't worry.
I can handle him.
Copy !req
465. What, were you born in a barn?
Copy !req
466. You know, you're right.
Copy !req
467. I do have to work
on my manners.
Copy !req
468. How's this? Uh, you
have a very comfortable
couch, Miss Doyle.
Copy !req
469. Is that better?
Or would you rather
I call you "Little Red"?
Copy !req
470. You're a lucky girl, you know that?
You got it all.
Copy !req
471. - Oh, yeah.
And you've got nothing.
- Well,
Copy !req
472. maybe not right now.
Copy !req
473. But, uh,
when I want somethin',
Copy !req
474. there's no stopping me.
Copy !req
475. You can't always
get what you want.
Copy !req
476. But sometimes you can
get what you need.
Copy !req
477. Susan!
- Looks like you...
Copy !req
478. need your mama.
Copy !req
479. Sorry if I've disturbed you,
Mrs. Doyle.
Copy !req
480. It was sweet, Susan.
Copy !req
481. I think I saw a knife
in his pocket.
Copy !req
482. You hang out with people
who carry knives?
Copy !req
483. - What, may I ask, is so funny?
Copy !req
484. Wh-What, did you think
he was gonna kill me?
Copy !req
485. Chop me up
into little bitty pieces?
Copy !req
486. Okay. You listen to me,
young lady.
Copy !req
487. If I don't see an immediate
change in your behavior,
Copy !req
488. I am going to tear up every
college and university
application you have,
Copy !req
489. and you are going
to spend next year
at City Junior College,
Copy !req
490. living right in this house
where I can keep an eye on you.
Copy !req
491. - Do you hear me?
- You can't do that.
Copy !req
492. I can do anything I want.
I am your mother.
Copy !req
493. I hate you.
Copy !req
494. Susan! Susan!
Copy !req
495. Susan Doyle,
you come back here!
Copy !req
496. - Hi.
- Hi.
Copy !req
497. - Did you run away from home
or something?
- Yes.
Copy !req
498. No. I'm just kidding.
I wish.
Copy !req
499. - Well, you're not m-mad
at me, are ya?
- Uh-uh.
Copy !req
500. I'm mad at the mother
from the ocean floor.
Copy !req
501. Yeah, well,
you can join the club.
Copy !req
502. Here, let me cheer you up.
Copy !req
503. I'm gonna make us famous, Susan.
Just like Eddie Cochran.
What do you think?
Copy !req
504. Hey, with us and Sireena,
we got a hot double bill.
Copy !req
505. Where did you
get that picture?
Copy !req
506. You don't remember,
but we were takin' it.
Last year, we took it.
Copy !req
507. - We were horsin' around?
You know?
- Oh, yeah, yeah, yeah, yeah.
Copy !req
508. - This concert is Saturday night.
- Yeah.
Copy !req
509. - That's the day after tomorrow, Tony.
- Yeah, so? We're ready, Susan.
Copy !req
510. - We've always been ready.
- I don't know.
Copy !req
511. - I don't know. Th-That's goin'
a little too fast. I'm—
- Susan.
Copy !req
512. I'm just a little confused.
You know, that's all.
Copy !req
513. I'm just—
I'm confused.
Copy !req
514. I know the feeling.
Copy !req
515. Oh, Susan.
Copy !req
516. Good night.
Copy !req
517. It's me. Dad.
Can I come in?
Copy !req
518. Sue, are you there?
Copy !req
519. Hi, Susan.
Copy !req
520. Listen, um,
Copy !req
521. your mother and I
are really worried about you.
Copy !req
522. You know, honey.
Your mother loves you
very, very much.
Copy !req
523. Dad, she doesn't trust me.
How could she love me?
Copy !req
524. Oh, honey, she trusts you.
It's—It's—It's
the music, you know.
Copy !req
525. Tell me about this music.
Copy !req
526. The music?
Come in!
Copy !req
527. All right.
Copy !req
528. Um, the music.
Copy !req
529. Rock-and-roll music.
Copy !req
530. Oh, I don't know, Dad.
Copy !req
531. Haven't you ever listened
to something that sets
your body on fire?
Copy !req
532. You know,
Copy !req
533. it touches you in places
that you didn't even know existed?
Copy !req
534. Well, that's
rock and roll, Dad.
Copy !req
535. You know, it's got this
ba-ti-ti-ba, ti-ba,
this beat, you know.
Copy !req
536. Ba-na-na, da-da-da,
and I feel it from
my head to my toes.
Copy !req
537. And it gives me—
Copy !req
538. It gives me power.
Copy !req
539. You know,
now that you remind me,
Copy !req
540. I-I-I think
I had that feeling once.
Copy !req
541. Yes. It was great.
I loved it!
Copy !req
542. It was—
It was wonderful. Yeah.
Copy !req
543. - Now that you remind me, that's it.
- See, that's it!
Copy !req
544. That's my life!
I can't live without that, Dad.
Copy !req
545. Wow! That is interesting.
Copy !req
546. I-I'm gonna pass that information
along to your mother.
Copy !req
547. I mean, it's really
good to have a, you know,
Copy !req
548. a-a-a passion
about things, you know.
Copy !req
549. Well,
Copy !req
550. anyway, these are, uh,
these are yours.
Copy !req
551. - And, uh—
- Thank you.
Copy !req
552. Lucky!
Copy !req
553. You can't do this.
You gotta leave me alone.
Copy !req
554. You don't belong in this
nowhere town, Susan,
any more than I do.
Copy !req
555. - You're better than this.
- You shouldn't be here, Lucky.
Copy !req
556. Didn't you listen to what
you just said to your father?
What you said about the music?
Copy !req
557. 'Cause I did!
I get that same feelin'.
Copy !req
558. I know what
you're talkin' about.
See, I understand.
Copy !req
559. No. Look, Lucky.
I have plans,
Copy !req
560. and you're not in them.
Copy !req
561. Susan, look at me.
Copy !req
562. See, I think
we're a lot alike.
Copy !req
563. I may be bad, but,
um, I'm not evil.
Copy !req
564. - Come with me.
No.
Copy !req
565. You just remember.
Copy !req
566. I understand,
and they don't.
Copy !req
567. I understand, Susan.
Copy !req
568. Catcher in the Rye.
Gone.
Copy !req
569. The Invisible Man
by Ralph Ellison. Gone.
Copy !req
570. - Hi, Joyce.
- Hi, Margo.
Copy !req
571. Norman Mailer,
The Naked and the Dead.
And he's Jewish. Gone.
Copy !req
572. What are you doing?
Copy !req
573. Books are a big influence
on our children.
Copy !req
574. It's up to us to channel
that influence properly.
Copy !req
575. Are you sure you want
to read Fitzgerald?
Copy !req
576. - He was a terrible alcoholic.
- I had no idea.
Copy !req
577. - Gone.
- [Book Thudding
In Wastebasket]
Copy !req
578. Margo, I didn't know
Susan could sing.
Copy !req
579. Sing?
Copy !req
580. This is Susan, isn't it?
Copy !req
581. And she's singing
in a club.
Copy !req
582. Is this really
a good idea, Margo?
Copy !req
583. Well, it's only one night.
What harm could it do?
Copy !req
584. What harm?
- Shh!
Copy !req
585. Do you know how many unwed
teenage mothers there are?
Copy !req
586. - Oh, you don't think—
- Of course!
Copy !req
587. With that jungle music
that they play, that's
what the beat is all about.
Copy !req
588. If they dance to Pat Boone,
a good clean boy,
that would be one thing.
Copy !req
589. But they're playing with fire,
Margo. Jungle fire.
Copy !req
590. But, that's just my opinion.
Copy !req
591. Are you going
to hear her sing?
Copy !req
592. I don't know.
Copy !req
593. I certainly would.
Copy !req
594. This club has
to be checked out.
Copy !req
595. We have to know what
our children are doing.
Copy !req
596. Don't we, Margo?
Copy !req
597. - Go ahead in, girls.
Have a great show.
- Thanks.
Copy !req
598. - Cookie, where's Sireena?
- I don't know.
Copy !req
599. Where did all these guys
come from, Susan?
Copy !req
600. Are—Are they as gorgeous
as I think they are,
Copy !req
601. - or am I just lonely?
- Cookie!
Copy !req
602. - Hi, girls.
- Hi.
- Hi!
Copy !req
603. Do you think my dress
looks too tight?
Copy !req
604. Oh, tell me the truth now
'cause I'll go home and change.
Copy !req
605. Hey, girls.
- Hi, Tony.
Copy !req
606. Regina, great dress.
Uh, where's the rest of it?
Copy !req
607. Oh, no, no, no, no.
Copy !req
608. - Guy, Tony.
You are so rude!
Copy !req
609. Now, you just can't sing, honey.
You got to dip.
Copy !req
610. And scoop. That's right.
Copy !req
611. You gotta scoop
when you come up.
That right, Ella?
Copy !req
612. That's right.
Sireena, your mama and I
could have been famous.
Copy !req
613. The Baldwin sisters.
We weren't too bad,
were we, Amanda?
Copy !req
614. - No, we weren't, Ella.
- But your mama
had a higher callin'.
Copy !req
615. Course, all I wanted to do was
become rich and famous. That's
what I call a higher callin'.
Copy !req
616. Will you come on?
Let's show her the step.
Come on. Count it off.
Copy !req
617. - "Blue Moon."
You got the top note.
- Yeah, but wait a minute.
Copy !req
618. - On the count of four. Okay?
- All right. All right.
Copy !req
619. One. Two.
One, two, three—
Copy !req
620. - You couldn't hit that.
Bring back the Baldwin sisters.
Copy !req
621. Okay. Thank you.
You got that, baby?
Copy !req
622. Yes, ma'am.
Dippin' and—and a scoop.
Copy !req
623. Yeah, but, honey, you got to dip
a little better than that.
Copy !req
624. I tell you what.
Shake your hip a little bit.
They like that.
Copy !req
625. Uh-uh. Uh-uh. There will be
no shakin' of hips, Ella.
Copy !req
626. Okay. Forget the hips.
Just smile a lot.
Copy !req
627. Okay. Well,
how do I look?
Copy !req
628. Oh, baby, look at you.
Copy !req
629. You look all grown up.
Come here.
Copy !req
630. - Thank you, Mama.
- All right now.
You sing pretty now, okay?
Copy !req
631. Are you sure you can't
come tonight, Mama?
Copy !req
632. Now, I told you I couldn't
make it tonight.
Copy !req
633. - I gotta work.
- Okay.
Copy !req
634. But I'm gonna come
the next time. I promise.
Copy !req
635. All right, I'm proud of you.
I gotta go to work now, Sireena.
Copy !req
636. - All right.
Bring it on. Bring it on.
Copy !req
637. Shake your hips.
Copy !req
638. I've never been
to this neighborhood before.
Copy !req
639. It's so Chinese.
Copy !req
640. I hear they have great food.
Copy !req
641. Oh, and I love those
little slippers they make.
Those little silk ones.
Copy !req
642. Mrs. Doyle.
Copy !req
643. Good to see you again
so soon.
Copy !req
644. You must be here
to cheer Susan on.
Copy !req
645. - Such a good mom.
Copy !req
646. Do you know that boy?
Copy !req
647. Don't even ask.
Copy !req
648. Come on, Margo.
Copy !req
649. - Go do it, daddy-o.
- Come on.
Copy !req
650. Hey, hey, all you "tops of the pops"
lovers out there.
Copy !req
651. Welcome to what used to be
Woo's Chow Fun's.
Copy !req
652. - And like they say,
no woos is good woos.
Copy !req
653. Hi, I'm Tony Fazio.
Copy !req
654. - Susan, it's your turn.
- Oh, no. Give it another shot.
Copy !req
655. - Maybe I can help.
- Danny, you came!
Copy !req
656. Hey, you called me 100 times.
You're a very persuasive man.
Copy !req
657. Now this better be good.
Copy !req
658. - Danny's here.
Hey, hey, hey!
Copy !req
659. - Danny Klay here.
Copy !req
660. Now I know what you're thinking.
This is kookie.
Copy !req
661. What's a famous cat like this...
Copy !req
662. doing in an old Chinese restaurant
on a hot Saturday night?
Copy !req
663. Well, I'm here to listen
to some hot rock and roll.
Copy !req
664. - Kapow!
- Kapow!
Copy !req
665. You got me.
Copy !req
666. Now you know The Chantels,
The Shirelles, The Chiffons,
The Orlons,
Copy !req
667. Reparata and The Delrons.
Copy !req
668. Well, I got from my own
Three O'Clock at the Hop Show,
Copy !req
669. Sireena and the Sirens
right here.
Copy !req
670. And— And— Still want
to be called The Eggrolls?
Copy !req
671. - I hate that name!
- Yeah.
Copy !req
672. Some other surprises.
Copy !req
673. Hold it.
Copy !req
674. What, Officer Paisley?
You aren't going to let us
into the sock hop?
Copy !req
675. No, Lucky. I don't
want any trouble in there.
Copy !req
676. - You're saying that I'm trouble?
- That's what I'm saying.
Copy !req
677. You dig that, Bubber?
He— He's sayin' that we're trouble.
Copy !req
678. Paisley thinks anyone
who isn't a cop is trouble.
Copy !req
679. Excuse me.
Excuse me, please.
Copy !req
680. You gotta let me in.
I'm singing tonight. I'm Sireena.
Copy !req
681. Oh, sure.
Go on in.
Copy !req
682. And you go home,
if you can find one.
Copy !req
683. You know, Paisley,
if it wasn't for punks like me,
Copy !req
684. you wouldn't
have a job, dig?
Copy !req
685. Hey. Take that attitude
someplace else, Mullins.
Copy !req
686. It is my privilege to introduce
to you for the first time...
Copy !req
687. in front of more than
one human being, The Eggrolls.
Copy !req
688. Take it, Cookie!
Copy !req
689. Go! Go! Go! Go!
Copy !req
690. Go! Go! Go! Go!
Copy !req
691. Go! Go! Go! Go!
Go! Go! Go! Go!
Copy !req
692. I'm shocked!
I'm absolutely shocked.
Copy !req
693. Officer Paisley, you've
got to put a stop to this.
Copy !req
694. Now what is it you want stopped?
It's just music.
Copy !req
695. We would like to make a complaint.
A noise complaint.
Copy !req
696. You have to be prepared
for things like this.
And I am prepared.
Copy !req
697. This looks like
a real complaint, girls.
Copy !req
698. Oh, yes.
That is a real complaint.
Copy !req
699. - What do you want me to do?
Close the place down?
- Yes, we do.
Copy !req
700. Go! Go! Go! Go!
Copy !req
701. Go! Go! Go! Go!
Go! Go! Go! Go!
Copy !req
702. This is Lieutenant Paisley.
I'm gonna need some backup.
Copy !req
703. I'm at Woo's Chow Fun.
Copy !req
704. All right, I told you there's hot
rock and roll right here in this city.
Copy !req
705. The Eggrolls!
Copy !req
706. Okay, just wait around a minute.
I got another group that will
knock your socks off.
Copy !req
707. Sorry, folks. Sorry.
We've been ordered to put
an end to the festivities.
Copy !req
708. - Everybody go home!
- Why?
Copy !req
709. - What's going on?
- We had a noise complaint,
Mr. Klay.
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710. You gotta stop the music.
Come on, kids. File out.
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711. Hey, hey, hey. Wa-wa-wait.
There's nothing around here
but empty buildings.
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712. - Who would complain?
Who kicked us outta here?
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713. - That's confidential, Mr. Klay.
- Why we gotta leave?
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714. You—You—You can't send
these kids out onto the streets.
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715. - We gotta be allowed
to play our own music.
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716. So I say,
let's contest this complaint.
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717. Rock and roll.
We won't go.
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718. Rock and roll.
We won't go.
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719. Rock and roll. We won't go.
Rock and roll. We won't go.
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720. Rock and roll! We won't go!
Rock and roll! We won't go!
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721. Move 'em out!
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722. Move it outside!
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723. I said move it!
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724. Rock and roll.
We won't go.
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725. - They're busting up
the cop car, man!
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726. Riot outside!
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727. - You come home with me now!
- No!
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728. Hey, man. Stop!
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729. - You're coming home now!
- Let go of me!
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730. You've got to arrest Danny Klay.
He's over 21. He's responsible.
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731. If you won't do it,
my friends and I will
make a citizen's arrest.
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732. - Mm-hmm.
- Mm-hmm.
- Mm-hmm.
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733. Stay where you are!
Stay where you are!
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734. See ya, Susan.
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735. No, I understand.
You're just doin' your job.
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736. - Those people are wrong.
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737. Put him in here.
Where you guys takin' him?
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738. Back to the station.
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739. I am here today
to tell you...
Copy !req
740. that rock and roll is evil.
Copy !req
741. It's dangerous.
It works on the libido.
Copy !req
742. It's a nasty temptation,
and furthermore, it's too loud.
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743. We are asking this television
station to be a pioneer,
Copy !req
744. to be the first on the air
to vow to never again...
Copy !req
745. allow rock and roll
to be broadcast on the airways.
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746. Who is it?
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747. - Your best pal.
- Oh, yeah.
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748. I see you know how to keep
yourself on the front page.
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749. - Me?
- Yeah.
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750. Oh, yeah.
Whenever I need attention,
I just get myself arrested.
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751. You got chocolate
on your mouth, Eddie.
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752. - Yeah?
- Mm-hmm.
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753. - You got it.
- What do you want?
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754. I got a way to get everybody
in this city to watch your show.
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755. - And as a bonus, make myself
very rich and famous.
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756. Oh, I don't know
if I want to know your way.
Don't I recall firing you?
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757. Now, just hear me out.
You know those screwballs you
got on the channel right now?
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758. - Already I don't like your way.
- No, you're gonna love this.
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759. Now, you and I both know that
rock and roll is no more sexual
than a Frank Sinatra song,
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760. and we both made it through
puberty unharmed, right?
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761. Well, maybe you didn't, but—
That's a joke, Lipsky.
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762. Now, I'd like to use
the American justice system...
Copy !req
763. to show what people
think of rock and roll.
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764. Let's put on a trial.
Right here at the station.
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765. We get a prosecutor,
we get a defender,
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766. and we let the American people
vote by phone.
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767. I can see all the publicity,
can't you? Court television.
Copy !req
768. - Court television?
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769. I, Judge Patrick Eugene Boone,
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770. officially declare this court
now in session.
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771. Thanks, Judge.
Hey, hey, hey!
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772. Is everybody
ready to plead the fifth?
And that's not Beethoven's.
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773. Ready!
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774. Boy, have we got an exciting
hour for you this afternoon.
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775. Yes! We got conflict,
we have love, we have hate,
we have suspense,
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776. - but best of all, we got music.
- Yeah!
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777. Kapow! Now listen up
while we get ready to embark
on a highly irregular procedure.
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778. We're going to put a form
of music, specifically
rock and roll, on trial.
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779. - Now is this a free country?
- Yeah!
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780. So why should music be left up
to one man or one kid's opinion?
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781. Or should parents be allowed
to censor this music
in their own homes...
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782. - and remove it from the airways?
- Boo!
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783. Now with this trial,
the jury is you people at home.
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784. You see these jurors in the juror box?
They represent you. That's right.
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785. So at the end of this so-called trial,
you call in your decisions,
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786. we tally the results
and then, voila, rock and roll,
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787. guilty or innocent.
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788. You be the judge!
All right. Is everybody ready?
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789. Yeah!
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790. But first, if you wanna be the proud
owner of a brand-new Cadillac...
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791. - with just ten dollars down,
listen to this.
- And we're clear.
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792. I feel like
Della Street.
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793. Her hair
is always so perfect.
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794. Yeah, well, I don't
feel so good about this.
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795. Me neither.
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796. Three, two, one. Air.
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797. - Take it away, Judgey-doodle.
- Thank you.
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798. The prosecution may now call
his, uh, her first witness.
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799. Thank you, Judge Boone. I'd like
to call Danny Klay to the stand.
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800. Kapow! I swear to tell
the whole truth and nothing but.
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801. Mr. Klay, where were you
at 8:00 p.m. on Saturday night?
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802. Well, I was at Woo Chow Fun's,
like everybody else.
Any more questions?
Copy !req
803. Yes. What was
your function there?
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804. My function was to let people
know about the music
these kids are playing...
Copy !req
805. and help them raise money so
they had a place to play it in.
Copy !req
806. - Yea!
- Thanks, Danny.
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807. Did it ever occur to you that
the parents of these children...
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808. might not be in support
of this music?
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809. Objection!
Can I do that? Can I object?
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810. I'm a witness
and a defender.
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811. Yeah, you can do that,
but your objection is overruled.
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812. Oh-h-h-h!
Copy !req
813. Uh, can I get a cup of coffee
and some of that
famous peach cobbler?
Copy !req
814. Shh! Can't you see
we're watching TV?
Copy !req
815. Excuse me, but does the sign
outside say restaurant?
Copy !req
816. We're a restaurant
after the show.
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817. - Who was
the leader of this destruction?
- Leader?
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818. I think it was you.
Copy !req
819. - What are you watching?
- My daughter.
Copy !req
820. And my niece.
Here, have a seat.
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821. Isn't it true
that you spent three years
in the detention center,
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822. and the other night you were
arrested for inciting a riot?
Copy !req
823. Hey, uh, I'm not on trial here.
I would like to object again,
Your Honor.
Copy !req
824. It is a little out of line, Mrs. Togar.
How is this relevant?
Copy !req
825. I want to show the character
of the man who is supposed to be
a role model for our children,
Copy !req
826. yet he leads them somewhere
other than church and home.
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827. But what does this
have to do with the music?
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828. Hey, that's a good point.
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829. Let me show you,
Your Honor.
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830. Ladies.
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831. I am going to prove
that this music is a drug,
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832. a very addictive drug that
controls your mind and your body...
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833. and puts you in a state
of unrelenting ecstasy.
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834. - Where can I get some?
Copy !req
835. Notice these children:
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836. healthy, normal,
all-American.
Copy !req
837. Now. Observe.
Copy !req
838. - By stopping the music,
Copy !req
839. we can carefully
examine what happens
during a rock-and-roll song.
Copy !req
840. Some of you may
want to turn your sets off...
Copy !req
841. because what I am
about to show you is shocking.
Copy !req
842. This is grinding.
Copy !req
843. - Grinding.
Copy !req
844. Think about it.
Copy !req
845. If I have offended anyone,
I am sorry.
Copy !req
846. Judge, I would
like to call to the stand
a victim of rock and roll:
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847. Margo Doyle.
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848. Do you love your daughter,
Mrs. Doyle?
Copy !req
849. More than anything.
Copy !req
850. How has the music
changed your life?
Copy !req
851. It changed everything.
Copy !req
852. All my life I wanted a little girl
that I could dress up and show off.
Copy !req
853. And for years I had that.
Copy !req
854. She was a wonderful little girl.
Copy !req
855. She loved school and playtime
and putting on my makeup.
Copy !req
856. And now I can't
talk to her anymore.
Copy !req
857. All she wants to do
is listen to that music...
Copy !req
858. and express herself.
Copy !req
859. She's 17. What could she
possibly have to express?
Copy !req
860. She has a wonderful house
and great clothes.
Copy !req
861. Why can't she
just be content?
Copy !req
862. It's that music.
Copy !req
863. - I rest my case, Your Honor.
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864. The public defender
may call his first witness.
Copy !req
865. Thank you,
Your Honor-doodle-you.
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866. Okay, this trial is being done
in a show business style, right?
Copy !req
867. - Right!
- So my clients would like
to plead their case...
Copy !req
868. in that show business style.
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869. Okay, are we ready
to break a leg, clients?
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870. - Yeah!
- Kapow! Come on down, okay?
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871. - Yeah.
- I hope that means
that the show is over.
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872. No, no, no.
That means my daughter
is about to sing now.
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873. Would you just watch the show?
You don't need any coffee anyway.
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874. - It'll stunt your growth.
- I'm full grown!
Copy !req
875. - And I want some coffee and some pie!
- No, no. Wa-wa-wait a minute.
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876. Come on now. Come on.
As soon as this is over,
I'm gonna make you some food.
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877. I promise.
Sit down, baby. Come on.
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878. All right. Ready?
Let's rock and roll.
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879. Yeah! Yeah!
Whoo!
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880. Yeah! Yeah!
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881. Whoo-hoo!
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882. Go, Cookie!
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883. Go, Cookie!
Copy !req
884. All right.
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885. - Yeah!
- Yeah!
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886. Whoo!
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887. Yeah!
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888. - Order! Order!
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889. I rest my case.
So now the outcome of this trial...
Copy !req
890. - is up to you, the jury.
Copy !req
891. So just call Harrison 7-555.
Copy !req
892. Pamela Jordan.
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893. Thank you, Pamela.
Pamela Jordan.
Copy !req
894. All right, it's in your hands.
Cast that vote. Rock and roll.
Innocent or guilty?
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895. Hello!
Copy !req
896. My vote is innocent.
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897. Innocent!
Copy !req
898. Here.
Now you better vote.
Copy !req
899. That Sireena.
That's your niece, right?
Copy !req
900. And my daughter.
She's good, ain't she?
Copy !req
901. Yeah. She's real good.
Copy !req
902. She's very talented.
In fact, I'd like to meet her.
Copy !req
903. Thomas Taylor,
Vice President, Scepter Records.
Copy !req
904. Here. Let me see that.
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905. Are you really
from Scepter Records?
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906. - The home of
the Shirelles Scepter?
- Yeah.
Copy !req
907. One cup of coffee
coming up!
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908. And how would you
like some ice cream to go
with that peach cobbler?
Copy !req
909. Ladies and gentlemen,
the verdict has been reached.
Copy !req
910. You, the jury, have found
rock and roll to be...
Copy !req
911. not guilty.
Copy !req
912. Uh, may we
have it quiet, please.
Copy !req
913. Quiet, please.
Ladies and gentlemen.
Copy !req
914. I'm afraid there's
a discrepancy in the voting.
Copy !req
915. - What do you mean?
The vote's the vote.
Copy !req
916. Whoa!
Whoa there, Mr. Klay.
Copy !req
917. You're just the announcer.
I'm the judge.
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918. It seems that since we were unable
to see the faces of the jurors,
Copy !req
919. according to the tabulators,
some people may have voted
more than once.
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920. It is therefore
the decision of the court
to overturn the vote.
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921. - You can't do this!
This is my show.
Copy !req
922. - They can't do that!
- Oh, yes, they can.
They've done it before.
Copy !req
923. - This court finds rock and roll guilty.
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924. - No!
- No!
- That's not fair!
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925. - No. That's wrong.
Boo! That's wrong.
- Boo!
Copy !req
926. And we find Danny Klay
guilty of incitement to riot,
Copy !req
927. perverting the morals
of a minor, etc., etc., etc.
Copy !req
928. This is not justice.
This is a joke.
Copy !req
929. This is a joke. In America,
everybody has to have a voice:
children and adults alike.
Copy !req
930. Let them know how you feel!
Keep the phones ringing.
Copy !req
931. We can't keep this happening.
We can't!
Copy !req
932. - Cut to commercial.
- You can't arrest me!
This is not a real trial!
Copy !req
933. It's not reality!
It's just a television show!
Copy !req
934. - If you want it to end,
turn off the television.
Copy !req
935. Turn off the television!
It's not real!
Copy !req
936. You know what time it is?
Copy !req
937. Midnight.
Copy !req
938. So you leaving now?
Copy !req
939. - I'm gonna miss you, Susan.
Copy !req
940. I'm gonna miss you too.
Copy !req
941. See ya.
Copy !req
942. So you gonna
write to me?
Copy !req
943. Of course, I'm gonna
write to you.
Copy !req
944. Do you think I'm ever
gonna meet anyone?
Copy !req
945. Ever?
Copy !req
946. So where ya gonna go?
Copy !req
947. I don't know.
Copy !req
948. Cookie, we're desperate.
Get used to it.
Copy !req
949. Mr. Taylor.
Just as soon as you finish,
if you don't mind.
Copy !req
950. Uh, Amanda. Amanda,
don't let them sign anything.
Copy !req
951. There too many
blank spaces here.
Copy !req
952. We need a better understanding.
We're not gonna make
any mistakes this time.
Copy !req
953. Mr. Taylor, I wanna
ask you a few questions.
Copy !req
954. Who has publishing rights
on here to the songs
that the girls have written?
Copy !req
955. Oh, Mr. Taylor. Those greens
can wait until we straighten out
this green, all right?
Copy !req
956. - Now, another question.
I'd like to know—
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