1. In 6th grade, Nora was told to write
an essay as if she was an object.
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2. She knew at once she'd be their house.
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3. She described how its belly shook
as she and her sister ran downstairs
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4. and out the back door.
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5. That it saw them take the shortcut
through the fence and onto the road,
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6. where the house no longer could see them.
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7. She wondered if the house liked
to be empty and light,
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8. or full and heavy.
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9. If the floors liked being trod on.
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10. If the walls were ticklish.
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11. If it ever felt pain.
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12. And she thought that yes,
it probably liked to be full.
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13. Before them, other people and pets
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14. had lived their moments in time there.
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15. Her great-great-grandfather died in
the room where her grandmother was born,
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16. which now was her parents' bedroom.
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17. Their father said the house had a flaw,
discovered right after it was finished
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18. a century ago.
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19. She wrote that it was as if the house
was sinking, collapsing,
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20. only in very slow motion,
and that her family's time there
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21. was just a split second in mid-air.
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22. When she read it later, she saw that
she hadn't used the word "quarrel",
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23. but wrote of the "noise" her parents made.
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24. But what the house disliked
more than noise, was silence.
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25. When her father left for good,
the house grew lighter.
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26. The noise her parents made, went away.
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27. But the house missed
the other sounds he made.
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28. Her teacher gave her an A,
and her father loved it.
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29. Nora reread it when looking for
a monologue for her academy audition,
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30. but found it disappointingly detached.
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31. She chose Nina's monologue
from "The Seagull" instead.
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32. "I am a seagull. No. No.
I am an actress."
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33. "Yes, that is what I am."
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34. Nora?
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35. - Nora? Open the door.
- I can't do it.
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36. - Nora, open the door!
- Just a moment.
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37. Open the door, please.
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38. Are you okay?
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39. I'm just going over my lines.
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40. But you know your lines.
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41. - We've been here before.
- No, it's not like that.
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42. I can't do it.
I can't go on stage.
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43. Okay. Let's take a deep breath.
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44. Just look at me. Look at me. Breathe.
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45. Okay. Just breathe.
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46. - I can't breathe in this thing.
- We'll fix it downstairs.
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47. Just come with me.
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48. - I need water.
- There's water downstairs.
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49. - It won't work. We're five minutes late.
- It'll be fine.
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50. Just get her on, okay?
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51. Oh, it's out of place.
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52. No, it's okay.
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53. Hey... Could you help me out?
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54. - Right backstage.
- Now?
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55. Just... a bit stressed.
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56. I think I need some...
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57. Sort of need... something.
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58. - No, there's no time. Stop it.
- We have time.
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59. - You're just...
- Okay, then hit me.
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60. - Just slap me.
- No!
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61. Otherwise I can't go on stage.
I can't go on stage.
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62. - Are you okay? Dammit.
- Yeah. Okay.
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63. Hey!
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64. - No!
- I can't breathe!
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65. Don't!
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66. Help! Nora, don't.
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67. - Don't... Don't tear it!
- Wait, Nora!
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68. Yngvar? Twenty seconds.
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69. Ready?
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70. Are we ready?
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71. Yes.
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72. Hear!
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73. You said you were going to save me.
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74. Yet you chased me into the flames!
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75. I let your children into my home.
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76. Still you bore witness against me!
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77. I told you we should get catering.
This is just stressful.
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78. Hey... Hey...
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79. I'm okay. I'm okay.
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80. - Mom? Can I have more cake?
- Sure.
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81. I've asked him to stop.
He's had four pieces already.
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82. - Please, mom?
- No, eat something else first.
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83. What a lovely speech you held.
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84. It was from both of us.
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85. Your mom was so proud of you,
she talked about it all the time.
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86. - Yeah.
- Well, Sissel... Jesus.
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87. She took me to
the National Theatre many times.
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88. You know, that was grandma's
office before she got sick.
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89. She sat there talking with people,
trying to help them.
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90. Or they spoke to her about their secrets.
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91. When I was little, I used to listen to
them talk through this stove.
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92. - Were you allowed to?
- No. They never knew.
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93. It's been ages, but...
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94. I can see it's hard to know what to do,
offer your condolences or congratulate.
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95. Well, we spoke from time to time.
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96. - What is it?
- Nothing.
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97. Dad's here.
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98. - Did you know?
- No.
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99. But I did inform him.
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100. Hi, dad!
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101. There you are! Excuse me.
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102. Hi.
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103. Hi. My girls.
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104. - Have you met Erik yet?
- No, is he here?
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105. - I didn't see you in church.
- I wasn't up for it. And why in church?
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106. - Did she find religion?
- We thought it would be nice.
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107. This is... This is so sad.
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108. She was a great mother for you, right?
She was so beautiful and...
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109. - Beautiful?
- Like you two.
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110. Sharp as hell.
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111. She was always right.
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112. - Hi! Look, grandpa's here.
- Well, hello!
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113. Huh? Good morning.
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114. - Yeah. Hi, hi.
- Hi. Been a while.
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115. - That's Even.
- Of course I know Evan.
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116. We go way back.
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117. My, how you've grown!
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118. - Are you the tallest boy in class?
- I don't know. Don't think so.
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119. Are you the class monster?
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120. No?
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121. Hi.
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122. Here.
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123. I was just thinking about you.
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124. - What's this?
- They're mine.
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125. Are you okay?
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126. Well, why do you ask?
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127. - We have to talk while I'm in town.
- Okay?
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128. There's something I need to tell you.
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129. - Can't you just tell me now?
- No, not here.
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130. I think it's time you and I sat down
and had a proper talk.
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131. Fredrik can take them in his Toyota.
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132. - Sorry.
- Oops.
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133. I'm good, thanks.
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134. I just hope he doesn't feel like he...
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135. Suddenly has to be a dad and...
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136. - Comfort me or something.
- No.
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137. But at least he's trying.
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138. It might not be easy for him either.
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139. Ask him what he plans to do
with the house.
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140. - What do you mean?
- He owns it.
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141. - Oh?
- Mom got it after the divorce.
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142. But they never filed the paperwork.
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143. Okay?
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144. It's unfortunate.
We were hoping for some money.
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145. Why don't you ask him?
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146. You never dare confront him
about anything.
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147. - I don't? I see.
- You don't.
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148. - Sure I do.
- No.
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149. - Hi.
- Hi.
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150. You look great.
What would you like?
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151. Uh, just a coffee.
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152. - Nothing else?
- No.
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153. - A coffee for the lovely young lady.
- Yes please.
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154. - And you? Did you enjoy your meal?
- I enjoy everything you serve.
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155. She thinks we're a couple.
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156. I've thought about you a lot.
I've been worried.
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157. Okay. How have you been?
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158. Well, fine. Got my hands full.
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159. You may have heard about the retrospective
of my films in France.
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160. - No, where should I have heard?
- The film I'm making is more important.
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161. You're hanging in there.
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162. It might be my best script yet.
Michael agrees.
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163. - So Michael is still producing?
- He says things are going my way.
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164. My documentary is being screened
in many countries. I'm on a roll.
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165. You had something you wanted
to discuss with me?
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166. Yes.
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167. The film is about a...
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168. A young woman, a mother who...
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169. Well, I want you in the lead role.
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170. I wrote it for you.
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171. You're the only one who can play it.
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172. Thank you.
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173. But you've never seen me act.
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174. Sure. Several times.
I saw you in "Medea".
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175. - You left during the intermission.
- I don't like theatre.
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176. The scenography was horrible.
But you were great.
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177. I can tell if an actor is any good
in two minutes.
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178. This part would be good for you
in many ways.
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179. You deserve something more personal
than centuries-old plays
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180. for a bunch of senior citizens.
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181. This is a real role in a film.
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182. Yes, you might get some financing too.
My series has done very well.
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183. Yeah, it helps somewhat.
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184. I've talked to Michael.
He's sure he can get financing.
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185. We'll film it in our house.
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186. - Our house?
- Yes.
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187. It's perfect.
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188. I'm not having any part in this.
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189. - You could take time off from the series.
- It was finished ages ago.
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190. You're way better than that.
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191. - You've seen it?
- Of course.
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192. Well, what do you think?
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193. What I think isn't important.
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194. I'd love to hear what you think.
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195. But that stuff isn't for me.
No visuals.
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196. We never really see your face.
We don't see your eyes.
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197. But what do I know?
People like it.
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198. It's not about what people think.
What do you think?
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199. You're not the problem with it.
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200. This part
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201. could be your big break.
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202. We're not going to work together, dad.
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203. - We can't even communicate.
- Just read it, and I'll call you.
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204. - Stop calling me. You're always drunk.
- But I worry about you.
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205. You don't have any right
to worry about me.
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206. - Just read the damn thing!
- Why?
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207. It'll never come to anything.
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208. Sit still!
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209. You mustn't move.
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210. I'm here with film director Gustav Borg.
He's joining Rachel Kemp's table.
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211. - Weren't you about to leave?
- You want me to leave? Okay.
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212. No, but this is getting very...
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213. Close and cuddly.
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214. - You don't like cuddly?
- Sure I like cuddly. I do.
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215. Why are you so afraid of intimacy?
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216. - I can tell that it isn't easy for you.
- No, it's not.
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217. It's perfect that you're married
so I don't have to confront
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218. how fucked-up I really am.
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219. Jeez, what a brutal thing to say
about yourself. How fucked-up are you?
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220. In percent?
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221. Eighty.
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222. - Eighty.
- So you're twenty percent...
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223. That's the percentage you see now.
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224. Did you talk to the theatre manager?
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225. He thinks I should
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226. see a therapist.
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227. Yes.
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228. - Well, why not?
- Don't say yes!
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229. No, but it's some sort of phobia.
Therapy might help.
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230. But it's not that bad, it was just that...
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231. - I had to hit you.
- Yeah. Yeah.
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232. Sorry about that.
It was pretty intense, but...
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233. - You could change your mind and report me.
- I won't.
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234. I swear.
I already know too much about myself.
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235. - I don't need therapy.
- I'd say the exact opposite.
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236. - Why not?
- Mom was a...
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237. - I mean, she was a therapist.
- You're not going to see your mom.
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238. - I just want one last kiss.
- Sure, but...
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239. - No, not like that.
- But we're done!
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240. - See you tomorrow.
- See you.
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241. I mean, when you go on stage,
it's so counterintuitive.
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242. Your body, your whole body screams
as you step out to face the audience.
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243. - There's nowhere to hide.
- But it's not all anxiety?
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244. No, I love it! I love it!
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245. And that...
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246. This frustration, anger,
the sense of injustice,
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247. the burden of responsibility.
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248. When she says he avoids conflicts,
she reveals what she hates about herself.
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249. What I like the most about it,
is probably...
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250. Building a character.
Diving into that perspective, or into
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251. their feelings by assuming
the role of someone else.
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252. It maybe provides me the security
to connect to my own feelings.
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253. So you don't want to be yourself?
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254. That's what it sounds like.
What would mom say about that?
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255. No, you're cheating. Step back. No.
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256. No, you can go closer.
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257. No, no. Here, here!
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258. Do you have a boyfriend?
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259. No, not really.
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260. Don't you want one?
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261. Sure.
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262. But it's not always that easy.
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263. - But I love you.
- Yes.
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264. I love you too.
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265. I wanna marry you when I grow up.
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266. It's nice of you to say so.
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267. - But it's impossible.
- I know.
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268. - Did you fall asleep?
- No.
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269. He's just so cute!
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270. I think... He proposed to me down there.
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271. - Congrats.
- That doesn't happen every day.
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272. When he returned from
the playground today, he came to me,
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273. looked straight at me and said:
"I see you."
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274. Where's that from?
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275. - Do you say that?
- Maybe he's picked it up at school.
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276. Saying "I see you" at school?
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277. Are you okay?
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278. - Sorry.
- Hey?
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279. - What is it?
- I'm okay.
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280. I think I should head home.
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281. No, wait.
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282. - I'm okay.
- Are you sure?
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283. - Really? Nothing's happened?
- No. It's okay. Sorry.
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284. Okay.
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285. - Is she alright?
- Yeah.
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286. - You don't think... She's not there again?
- I don't think so.
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287. I think she's just lonely.
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288. - Does that make you sad?
- A bit.
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289. - Hi.
- Hi.
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290. It's weird.
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291. When mom fell ill,
I considered whether to
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292. take over the house,
live here with Even and Erik.
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293. - Would you want to live here?
- No.
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294. We can't afford to buy out anyone.
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295. I've been through all that,
it's just old documents.
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296. Well, thanks for everything you've done.
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297. It's amazing.
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298. - Keep what you want and dump the rest.
- But there are many nice things here.
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299. Things with sentimental value.
Have a look.
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300. I'd like that vase, for example.
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301. - Yeah, it's kinda nice.
- Oh?
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302. - Because I want it?
- No. You can have it.
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303. No, the point is to go through it together
and sort it out.
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304. Yeah.
Well, then I'll take it.
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305. My god.
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306. Remember to turn off the stove
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307. - How long is he going to stay here?
- He didn't say.
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308. But he's here to arrange the sale, right?
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309. I don't really know if...
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310. He'll be here around 2 p.m.
You can ask him.
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311. - I don't think so.
- You can't pretend he's not here.
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312. I can try.
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313. He isn't selling the house,
like I thought, but...
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314. Well, he has this project.
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315. Come again?
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316. It's a good thing.
He's making a new movie.
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317. What project?
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318. - The one you discussed.
- The film he wrote for me?
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319. Yeah, the part you didn't want.
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320. - Did he get financing?
- He must have.
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321. He didn't say much.
But he asked if you'd be here.
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322. Okay.
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323. - Is that him?
- Yeah.
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324. Shit, that's Rachel Kemp.
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325. Oh, shit.
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326. - Shit!
- Hey? Nora?
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327. Hey, now...
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328. Hi. Is Nora here?
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329. No, she had to leave.
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330. I can't even speak properly.
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331. This'll be great.
She's motivated.
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332. I told her that that footstool
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333. was the one my mom used to hang herself.
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334. The one from IKEA?
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335. "Is this me?"
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336. "Is this me?" What I think,
the way I feel, how I sleep or not...
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337. I just can't understand how this...
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338. - Can be me.
- We've been here before.
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339. - So you don't recognise yourself?
- No.
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340. Many years earlier, the therapist's office
was called "The Library".
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341. It was often empty.
Karin, the oldest daughter,
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342. hung out with friends
and listened to music there.
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343. When the war broke out,
Karin joined the resistance.
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344. One autumn evening in 1943,
the State Police came to fetch her.
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345. She was imprisoned for two years.
She never talked about the prison camp.
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346. There. Listen to this.
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347. After the war, Karin got married
and took over the family house.
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348. She gave birth to Gustav in 1951.
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349. Many years later, when he had become
a filmmaker, Gustav liked to say:
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350. "Nothing is more beautiful than shadows."
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351. He would imagine his childhood home.
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352. Karin's little sister, Edith, took over
the house with her friend Lillian.
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353. Edith was happily childless,
but Gustav often visited them in summer.
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354. If anyone complained, Edith turned up
the volume. She was sure
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355. one of the neighbours
had ratted on her sister during the war.
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356. When Edith died,
Gustav was her sole heir.
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357. In 1986, he moved back to the house
with all its memories.
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358. There are two versions of
how Gustav met his wife, Sissel.
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359. She said he came to her as
a patient with insomnia.
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360. It was obvious to her that moving back
proved more complicated
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361. than he liked to admit.
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362. Gustav's take was grander.
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363. She was absolutely stunning.
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364. I found out she was a therapist,
so I got some mental problems.
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365. Six months later, Sissel was pregnant.
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366. They were married three weeks before
Nora was born in December 1987.
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367. With her little sister Agnes,
they became a family of four.
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368. - So it sucks? Being with us sucks?
- That's not what I'm saying!
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369. Why do you have to dredge up
that old crap again?
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370. After the divorce,
Gustav returned to Sweden.
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371. The house grew lighter and lighter.
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372. Have you talked to Peter?
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373. Peter is an old man.
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374. - He hasn't shot a film in ten years.
- Neither have I.
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375. - No, but he's retired.
- He'll do it for me. I'll talk to him.
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376. - I won't let anyone else film it.
- Okay, but...
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377. - You have to go and speak to him yourself.
- Sure thing.
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378. "Sure thing"? Just do it.
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379. - He's no older than you are.
- Blah, blah, blah.
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380. This is a Netflix production.
Will it be shown in cinemas?
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381. Sure, where else?
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382. It's still being negotiated,
but that's definitely the plan.
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383. What sort of a stupid question is that?
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384. What a goddamn idiot.
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385. Shouldn't the questions
be clarified in advance?
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386. - That's not possible.
- The TikTok troll.
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387. Surely not ASMR again?
It makes you fall asleep.
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388. - He taught it to me.
- I also did it with him.
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389. I won't hold a speech, but I feel
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390. this gratitude welling up in me.
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391. I just want to say how awesome it is
to work with every one of you.
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392. - Of course there's still some way to go...
- We talked about it earlier.
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393. We've also talked a great deal.
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394. We'll sort it out before the premiere.
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395. And Jakob, I know things
are difficult on the home front.
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396. But... Uh, but...
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397. Thank you for doing the work you do,
and if there's anything, tell me.
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398. - Always.
- Thank you. I will.
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399. But... Okay.
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400. But I think this is gonna be awesome.
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401. - I think so too.
- Cheers!
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402. - Cheers!
- Cheers!
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403. But you haven't told me
you're getting a divorce.
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404. No, it's been so busy with
the rehearsals, and... Well.
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405. Yeah.
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406. - It's been hard to find the right moment.
- Of course.
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407. It's not like...
Copy !req
408. - Not because of us?
- No, that's not it.
Copy !req
409. I'm here for you, if...
Copy !req
410. If you need to talk.
Copy !req
411. - Is nobody else taking a dip?
- Get in!
Copy !req
412. - One, two...
- Okay.
Copy !req
413. - Three!
- Whoo!
Copy !req
414. We don't need to hide now.
Copy !req
415. Listen, I... I don't know.
Copy !req
416. - Hello!
- Hi!
Copy !req
417. - Is dad here?
- Not yet.
Copy !req
418. - There you are! Congratulations!
- Thanks.
Copy !req
419. Oh, wow! You look nice with a bowtie!
Copy !req
420. Hello! Are we having pizza?
Copy !req
421. Hello. I'll just do like this.
Copy !req
422. That record's still mine.
Copy !req
423. Nah.
Copy !req
424. Start there.
Copy !req
425. Hi! Welcome.
Copy !req
426. - Good to see you.
- Likewise.
Copy !req
427. Well, congratulations. Happy birthday!
Copy !req
428. The nine year old man. Big boy now.
Copy !req
429. - Guess you haven't met since our wedding.
- I can never forget a woman like Therese.
Copy !req
430. - Hi. Wow! How nice. Where did you get it?
- Just get some glasses.
Copy !req
431. Hi, dad.
Copy !req
432. Hi.
Copy !req
433. Yeah, you hit it.
Copy !req
434. How's the film coming along?
Copy !req
435. - Good.
- I heard of it. How exciting!
Copy !req
436. - What's it like to work with Rachel Kemp?
- Hey...
Copy !req
437. I'm just asking what it's like
to work with her.
Copy !req
438. Well, she's not there yet. But almost.
Copy !req
439. I heard you fooled her with
a footstool from IKEA.
Copy !req
440. Is he gonna spend all day
watching that thing?
Copy !req
441. He's got 20 minutes screen time left.
Copy !req
442. Who? Even?
Copy !req
443. I just wanna know how much screen time
you've left. Aren't you over now?
Copy !req
444. - How much screen time I've left?
- Does he have any?
Copy !req
445. - Put it away.
- The pizza's ready.
Copy !req
446. - I just...
- Right now.
Copy !req
447. - Right. What do you say?
- Thank you.
Copy !req
448. Look here. Monica Bellucci, dammit.
Copy !req
449. And this film will make you understand
women and maternal relationships.
Copy !req
450. How nice.
Copy !req
451. - Thanks, but we don't have a DVD player.
- Thank god.
Copy !req
452. - We'll find a way to see them.
- I rarely watch films anymore.
Copy !req
453. You should start writing.
Copy !req
454. Yeah, so you say.
Copy !req
455. Why wait for some old fart
to let you play Ophelia?
Copy !req
456. - I'm playing Hamlet.
- I talked to Rachel about it.
Copy !req
457. She's started developing her own projects.
Has a production company now.
Copy !req
458. It's hard to be an actress.
Copy !req
459. You decide nothing yourself.
Just wait for people to want you.
Copy !req
460. - It's not healthy in the long run.
- I...
Copy !req
461. It erodes your self-confidence, and your
need for attention becomes insufferable.
Copy !req
462. I could never have married an actress.
Copy !req
463. But fucking them was okay?
Copy !req
464. Artists today are so petite bourgeoisie.
You'll never write "Ulysses"
Copy !req
465. driving to soccer practice
and comparing car insurance.
Copy !req
466. What happened to artistic freedom?
Artists need liberty.
Copy !req
467. And not have kids then, dad?
Copy !req
468. Don't say that, Nora.
Copy !req
469. How old are you now?
Copy !req
470. When Sissel was your age,
she had two children.
Copy !req
471. Times have changed.
Copy !req
472. You two are the best thing
that's happened to me.
Copy !req
473. The best that's happened to you?
Copy !req
474. Then why weren't you there?
Copy !req
475. Everyone's mad at dad, huh?
Copy !req
476. You two turned out fine, didn't you?
Copy !req
477. How can you tell?
You don't even know us.
Copy !req
478. - Stop exaggerating.
- Exaggerating?
Copy !req
479. I know it's been hard for you.
I recognize myself in you.
Copy !req
480. But you're so goddamn angry.
Copy !req
481. It's hard to love someone
who's so full of rage.
Copy !req
482. Right?
You don't want to be alone forever.
Copy !req
483. It's not good for the art either.
Copy !req
484. You need someone to care about.
Children or something.
Copy !req
485. You never regret having children.
Copy !req
486. Peter?
Copy !req
487. Good to see you. Hi.
Copy !req
488. Some place you have here.
Copy !req
489. Yeah, thanks to Lasse Hallström, not you.
Copy !req
490. He only booked you after seeing
"River of Time".
Copy !req
491. Must be great for your grandkids.
Copy !req
492. Well, it's still difficult with Daniel.
The worst part is that his kids suffer.
Copy !req
493. They never get to come here
to see their grandpa.
Copy !req
494. But hey...
Copy !req
495. - This script...
- Not that bad, huh?
Copy !req
496. - It's stunning.
- So you're in?
Copy !req
497. Yeah, I have to do this.
Copy !req
498. Come on, let's grab a drink.
Copy !req
499. No. Oh.
Copy !req
500. I don't think there's much
hand-held camera in this.
Copy !req
501. I'm thinking dolly and tripod.
Copy !req
502. Sorry for not staying in touch.
I'm bad at that between films.
Copy !req
503. Same here, you know. Same here.
Copy !req
504. I have to... I'll let you know
if this works out.
Copy !req
505. Netflix also wants a say.
Copy !req
506. They want us to talk to others as well.
Copy !req
507. Right, so that's how it is?
Copy !req
508. Yeah.
Copy !req
509. That's how it is.
Copy !req
510. Cheers.
Copy !req
511. Good to see you.
Copy !req
512. Hi, Nora.
I just wanted to call you to say that...
Copy !req
513. We have to talk to each other.
Copy !req
514. It can't be the case that...
Copy !req
515. I don't like going to the theatre,
for example.
Copy !req
516. And it's not that I don't like theatre.
Copy !req
517. It's just that...
I can't stand watching it.
Copy !req
518. But Chekhov is...
Copy !req
519. I can read Chekhov.
Copy !req
520. It's really...
Copy !req
521. Not the plays, but...
Copy !req
522. I'm sensitive. So are you.
Copy !req
523. We're... alike in that sense.
Copy !req
524. What the fuck.
Copy !req
525. Oh, thanks.
Copy !req
526. If you want to, you can touch her.
Feel that you're her mother.
Copy !req
527. This is her State Police registry card
and her prison camp file.
Copy !req
528. Karin Irgens' witness statement is here.
You applied for access to the whole file.
Copy !req
529. And the file contains photographs from
reconstructions of the torture methods.
Copy !req
530. Well, the images are unsettling.
I thought you should know.
Copy !req
531. But I've marked the most relevant
information with tags.
Copy !req
532. Well, thank you.
Copy !req
533. IRGENS, Karin
Copy !req
534. Sentenced for: Anti-nazi propaganda
Copy !req
535. Treason trial
Copy !req
536. Document list
- regarding instances of torture
Copy !req
537. Re: Defendant's crimes of treason -
the torture of Karin Irgens
Copy !req
538. They tightened the leg clamps
until I screamed.
Copy !req
539. The interrogator tied me to a stove.
It was very hot.
Copy !req
540. They beat me with a rod.
Copy !req
541. It was most painful.
The pain endured for months.
Copy !req
542. When she told Even about it later,
it didn't feel as if she had much to add.
Copy !req
543. They already knew most of it.
Copy !req
544. It was hard to say why it had made
such a strong impression.
Copy !req
545. Was it her grandmother's
witness statement, the dry,
Copy !req
546. unsentimental way she described it?
Copy !req
547. Or was it because she was just one of many
victims who testified in the same file?
Copy !req
548. The police report on her suicide
15 years later was thin.
Copy !req
549. There were no photographs.
But her father's name was there.
Copy !req
550. He hadn't been questioned.
Copy !req
551. He was just seven years old at the time.
Copy !req
552. Then you pan quickly as hell.
Copy !req
553. No, wait.
Copy !req
554. Pay attention now.
Copy !req
555. Cut.
Copy !req
556. Show me.
Copy !req
557. Good, huh?
Copy !req
558. May I see?
Copy !req
559. Great!
Copy !req
560. Why don't we go to Nora's premiere
together?
Copy !req
561. We could grab some dinner here first.
Copy !req
562. I think I have to take a cab
straight from the office.
Copy !req
563. - But you're coming?
- Of course.
Copy !req
564. I want Erik to be in my film.
Copy !req
565. - He's perfect.
- Okay?
Copy !req
566. It's not that many lines,
but it's a key part, Rachel's son.
Copy !req
567. That's nice, but...
Copy !req
568. I don't know, he's not exactly
the actor type.
Copy !req
569. I don't want an actor type.
Copy !req
570. There's nothing worse than children
with jazz hands in a film.
Copy !req
571. Like they're in a musical or something.
Copy !req
572. There's something about Erik.
Copy !req
573. He has secrets.
Copy !req
574. You were also a bit shy, right?
Copy !req
575. But great on screen.
Copy !req
576. You should have kept at it.
Copy !req
577. I'm not used to this.
I'm used to being in control.
Copy !req
578. And if I wasn't in control,
I would enjoy it.
Copy !req
579. Get it?
Copy !req
580. Now I'm too old.
Copy !req
581. There's barbed wire on the prairie.
The last damn Mohican.
Copy !req
582. And the new guy keeps
sending me moodboards.
Copy !req
583. Jeez, I really miss Peter.
Copy !req
584. When did he become so goddamn frail?
Copy !req
585. I'm too tired, Michael.
Copy !req
586. What the hell happened?
15 years ago, I was 55.
Copy !req
587. Maybe you're right.
Copy !req
588. Maybe we are too old.
Copy !req
589. This might be our last film together.
Copy !req
590. Just don't tell me you need to
keep up with the times or anything.
Copy !req
591. Promise me that.
Copy !req
592. This theme...
Copy !req
593. We know you've touched on it earlier.
Copy !req
594. But you've never confronted it
in this way before.
Copy !req
595. So purely. So personally.
Copy !req
596. Okay, so it took all those years
Copy !req
597. to get here.
Copy !req
598. But you're gonna make this film, dammit.
Copy !req
599. And do it your way.
Copy !req
600. Got it?
Copy !req
601. - Yeah.
- We'll just...
Copy !req
602. Okay.
Copy !req
603. Wait.
Copy !req
604. Could you loosen it a bit?
Copy !req
605. There.
Copy !req
606. - Hi!
- Hi! Congratulations. You were fantastic.
Copy !req
607. - Really great.
- Thanks.
Copy !req
608. Everyone thinks it's so exciting.
Copy !req
609. We got through it, I guess.
Copy !req
610. Well, it was fun. Yeah.
Copy !req
611. - Are you okay?
- Yeah, I'm fine.
Copy !req
612. - You haven't answered my calls lately.
- I know.
Copy !req
613. - Did you come with dad?
- No, he couldn't make it.
Copy !req
614. We've got a babysitter, so we're going for
a drink at Tekehtopa. Wanna join us?
Copy !req
615. Excuse me?
I really must congratulate you.
Copy !req
616. - It was simply a fantastic performance.
- Thank you so much.
Copy !req
617. Yes, I'm heading there now.
I'll let you know.
Copy !req
618. But I can't this evening.
Copy !req
619. I've often gone on stage sick.
Copy !req
620. I've never cancelled a performance before,
but it's simply not possible.
Copy !req
621. I'm so sorry.
Copy !req
622. Yeah, thank you. Thanks.
Copy !req
623. Okay. Bye.
Copy !req
624. - Where's Erik?
- He'll be here soon.
Copy !req
625. Why didn't you come to Nora's premiere?
Copy !req
626. She didn't want me there.
Copy !req
627. Let's see... This is the original.
Copy !req
628. And here's the translation,
Copy !req
629. so Erik can practice his English lines.
Don't worry about his accent.
Copy !req
630. Have you talked to Michael?
Copy !req
631. He has to take leave from school.
Copy !req
632. I'm not sure it's a good idea.
Copy !req
633. It's a great idea! It'll be awesome.
Copy !req
634. - No, I'm not sure he wants to.
- Sure he does.
Copy !req
635. - How do you know?
- I've talked to him.
Copy !req
636. - Have you talked to him?
- I mentioned it.
Copy !req
637. - He was ecstatic.
- You can't talk to him without me there!
Copy !req
638. When you played in my film...
Copy !req
639. It's the most beautiful memory I've got.
Copy !req
640. This will be good.
Let's just look at the scenes.
Copy !req
641. I think Rachel will enjoy
filming them with him.
Copy !req
642. There's happiness in them.
She needs to see other aspects of...
Copy !req
643. Stop talking. Just stop.
Copy !req
644. - I don't want Erik to be in the film.
- But Agnes...
Copy !req
645. And yes, it was nice, dad.
Copy !req
646. It was fantastic. The time of my life.
I got to be with you.
Copy !req
647. I was the centre of the universe.
Copy !req
648. - Then you left. I didn't see you for ages.
- But it was fantastic!
Copy !req
649. Yes.
Copy !req
650. But I don't understand.
Copy !req
651. I don't see how you can switch from being
so close and real to just vanishing.
Copy !req
652. Suddenly someone else is
the centre of the universe.
Copy !req
653. - Just read it!
- Jesus Christ!
Copy !req
654. I don't care!
I don't care whether it's good or not.
Copy !req
655. I care about Erik.
Copy !req
656. Hi!
Copy !req
657. Hi!
Copy !req
658. - Grandpa was just leaving.
- Oh.
Copy !req
659. Hi. How have you been?
Copy !req
660. - Okay.
- Good to see you. I've missed you today.
Copy !req
661. - Me too.
- You have?
Copy !req
662. - So it's a good thing I came now.
- Right?
Copy !req
663. Very good.
What shall we do while we wait for dad?
Copy !req
664. - Hi.
- Hi.
Copy !req
665. Sorry for showing up like this,
but why don't you answer my calls?
Copy !req
666. I'm sorry.
Copy !req
667. - Are you okay?
- Mm.
Copy !req
668. You have to answer the phone.
Copy !req
669. You know how anxious I get when you don't.
Copy !req
670. What's going on? Are you sick?
Copy !req
671. No.
Copy !req
672. I had a row with dad yesterday.
Copy !req
673. I was furious.
He wants to put Erik in the film.
Copy !req
674. I don't want that.
Copy !req
675. But then I read the script.
Copy !req
676. And it was so great.
Not at all what I imagined.
Copy !req
677. Right. I know you don't want
anything to do with it.
Copy !req
678. But I still want you to read it.
Copy !req
679. Because I sense it's about you.
Copy !req
680. Or...
Copy !req
681. I think he wrote it for you.
It's not about his mother.
Copy !req
682. Well.
Copy !req
683. Could you read this bit for me?
Copy !req
684. Don't mind that it's like...
Copy !req
685. Well, a bit overwritten.
Copy !req
686. Just read it.
Copy !req
687. "You know, I don't believe in God at all."
Copy !req
688. "We came from a home
where all that was irrelevant."
Copy !req
689. "We weren't baptised. My sister and I had
a civil confirmation just for the money."
Copy !req
690. "Then I had this kind of crisis."
Copy !req
691. "I was alone in the house again,
lying in bed, crying."
Copy !req
692. "I know everyone lies in bed crying
at some point, but..."
Copy !req
693. "Someone said praying
isn't really talking to God."
Copy !req
694. "It's acknowledging despair."
Copy !req
695. "To throw yourself on the ground
because that's all you can do."
Copy !req
696. "Not unlike heartbreak:"
Copy !req
697. "'Call me. Please change your mind.'"
Copy !req
698. "'Take me back.'"
Copy !req
699. "There I was. I'd ruined everything."
Copy !req
700. "I was alone, lying there, crying."
Copy !req
701. "And then, for the first time,"
Copy !req
702. "I sat down and prayed."
Copy !req
703. "It's hard to explain."
Copy !req
704. "I don't know who I prayed to,
but I said it out loud."
Copy !req
705. "'Help me.'"
Copy !req
706. "'I can't do this.'"
Copy !req
707. "'I can't do it alone.'"
Copy !req
708. "'I want a home.'"
Copy !req
709. "'I want a home.'"
Copy !req
710. Did you tell dad about...
Copy !req
711. - My suicide attempt?
- No, of course not.
Copy !req
712. I thought the same thing.
"How does he know?"
Copy !req
713. It's mixed up with a lot of things
about his mother.
Copy !req
714. But in some scenes it's as if he was there
when you went through it.
Copy !req
715. Well, he wasn't.
Copy !req
716. You were.
Copy !req
717. How did it happen?
Copy !req
718. You turned out fine,
and I became fucked up.
Copy !req
719. That's not true.
Copy !req
720. Why didn't our childhood ruin you?
Copy !req
721. It hasn't always been easy for me.
Copy !req
722. But you've managed to make a family.
Copy !req
723. - A home.
- Yeah.
Copy !req
724. There's one major difference
in the way we grew up.
Copy !req
725. I had you.
Copy !req
726. I know you think you're incapable
of caring, but you were there for me.
Copy !req
727. When mom was down.
Copy !req
728. You washed my hair.
Copy !req
729. Combed it.
Copy !req
730. Got me to school.
Copy !req
731. I felt safe.
Copy !req
732. I love you.
Copy !req
733. You too.
Copy !req
734. I mean, I love you too.
Copy !req
735. Does it feel okay?
Copy !req
736. How wonderful to wake up to such beauty.
Copy !req
737. You have a wonderful smile.
Does your boyfriend say so? He should.
Copy !req
738. Well, he does, actually.
I've heard it before.
Copy !req
739. Jeez! Do you have anything else?
Like champagne?
Copy !req
740. Champagne?
Copy !req
741. Can I have some cookies too?
Copy !req
742. - You know...
- Omar and the others always get cookies.
Copy !req
743. - With chocolate.
- Just finish your sandwiches first.
Copy !req
744. Okay.
Copy !req
745. - Bye then.
- Bye.
Copy !req
746. - Hi. What's the matter?
- I forgot my mobile.
Copy !req
747. - Bye.
- Goodbye.
Copy !req
748. Okay.
Copy !req
749. Cut.
Copy !req
750. - Perfect.
- We've cut. Moving on.
Copy !req