1. Moving onto the Hollywood Freeway,
we have a multiple vehicle...
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2. multiple injury accident.
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3. An absolute mess
from VineStreet to the valley.
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4. If you're in it,
expect a long commute.
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5. If you're not,
seek alternate routes.
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6. If Dan doesn't want to do a daily rate,
we can talk about a weekly rate.
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7. But I'm tellin' you right now,
I'm not goin' below a million.
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8. I mean, think about it.
I'm risking my reputation...
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9. as the host
of this country's number-one...
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10. nationally syndicated talk show to do
a cameo in some cheap slasher flick.
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11. I mean, why can't these guys write me
a fuckin' decent part?
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12. You know?
I lived through the fuckin' thing.
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13. By the way, did you talk to Cathy
about that Navy SEAL script?
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14. Hang on a sec.
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15. - Hello?
- Hello?
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16. - Who's this?
- Who's this?
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17. - Who are you calling?
- Oh. You know what?
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18. - I'm sorry. I have the wrong number.
- That's okay.
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19. Wait a minute. I know your voice.
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20. You sound a lot like that guy on TV.
Um, Cotton Weary.
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21. - I do, huh?
- Yeah.
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22. I think he's got
a really sexy voice.
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23. - Well, thank you.
- Wait a minute.
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24. You are Cotton, aren't you?
Oh, my God.
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25. I am talking to Cotton Weary.
I can't believe this.
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26. You got me. Look, I've—
I've got someone on the other line.
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27. Can you hold on one second?
I'll be right back, I promise.
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28. - Yeah.
- Okay.
- Yeah.
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29. Andrea, uh, I gotta call you back.
Someone's on the other line.
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30. So, uh, you a big 100% Cotton fan?
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31. - Yeah! One hundred and ten percent.
- That's very good.
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32. So, um, why don't you tell me
who you are?
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33. Ooh! You're a naughty boy, Cotton.
Now, what would your girlfriend say?
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34. What makes you think
I have a girlfriend?
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35. I know you do.
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36. - I'm right outside her bathroom door.
- Who is this?
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37. She's in the shower.
She's got a nice little voice.
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38. Let's come in for a closer look.
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39. She's very pretty, Cotton.
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40. A step up from
Maureen Prescott.
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41. Speaking of which,
let's play a little game.
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42. Answer right,
your girlfriend lives.
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43. Answer wrong, she dies.
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44. - Where's Maureen's daughter, Sidney?
- Who the fuck is this?
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45. Somebody who'd kill to know
where Sidney Prescott is!
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46. One chance, Cotton!
You've got connections. Where is she?
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47. You listen to me, you fuckin' psycho.
You lay a finger on Christine...
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48. - and I swear to God I'll kill you.
- Wrong answer!
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49. No! Wait!
Hello? Shit!
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50. - Hey!
- Get outta the way!
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51. - You just hit me!
- Move!
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52. Christine, if you're there,
pick up the phone!
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53. Christine, pick up the phone!
Oh, shit!
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54. You have reached 911.
Due to the volume of calls—
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55. Someone pick up the goddam phone!
Move outta the way!
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56. Shit! Shit!
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57. Cotton, is that you?
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58. Cotton?
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59. Honey?
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60. Okay, Cotton.
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61. You know I don't like
your Stab games.
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62. - Who is it? Who's there?
- Christine?
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63. Hon, you all right?
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64. - I'm home.
- Jesus! You scared the shit outta me.
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65. - You're not gonna believe
what just happened to me.
- What are you talking about?
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66. - Get the hell out of here!
- Okay. Okay, I'm sorry, babe.
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67. I didn't mean to scare you that bad.
It's me. Come on, open the door.
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68. - What are you doing?
- What?
- What the fuck are you doing?
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69. I was— I was just, you know, trying
to take the game to the next level.
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70. - I'm sorry. Come on,
open the door, Chris.
- The game?
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71. - Yeah, the game!
- What are you talking about?
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72. I'm talking about how much fun it's
gonna be to rip your insides out!
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73. Now, open the fuckin' door, Christine!
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74. - Oh, my God!
- Now you're fuckin' history, baby!
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75. Christine?
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76. Hon?
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77. The recent epidemic of roadrage
in Los Angeles.
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78. - Innocent commuters mercilessly
terrorized, even killed...
- Chris?
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79. - by these madmen of the freeway.
- Don't mess around, okay?
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80. We're gonna make them confront their
victims face-to-face, mano a mano...
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81. right here on 100% Cotton.
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82. There is carnage on our streets.
And remember, it could happen to you.
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83. Tomorrow on 100% Cotton!
Roadrage.
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84. L.A. drivers fight back.
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85. The news is next on channel six with our
exclusive entertainment report live...
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86. from tonight's celebrity
premiere in Hollywood...
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87. followed by—
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88. Oh, shit.
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89. Chris?
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90. Is that you, babe?
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91. Chris, if you're in there,
open the door. Okay, honey?
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92. Chris? Come on, baby.
Open the door.
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93. Chris! Whoa, whoa, whoa!
Jesus!
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94. - It's me, Chris. What are you doin'?
- Stay back.
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95. Stay back.
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96. - Chris, what's goin' on, babe?
- You've gone crazy. That's what!
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97. - Chris, was somebody in the house?
- No! Get back!
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98. Okay, okay, okay.
Just calm down, okay?
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99. - Why do you want to kill me?
- What are you talking about?
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100. - Why do you wanna kill me?
- Gimme the club. All right, honey?
Gimme the club.
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101. Gimme the club, please.
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102. Christine, get outta the way!
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103. Behind you!
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104. Shit!
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105. It was a simple game, Cotton.
You should've told me where Sidney was.
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106. Now, you lose.
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107. Come on.
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108. Come on, Cherokee.
Come on.
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109. Come on.
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110. Come on, Cherokee.
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111. California Women's Crisis Counseling.
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112. Hey, it's Laura from Monterrey reporting
to work. Can you patch me in?
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113. - Sure. Thanks, Laura.
- Thank you.
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114. California Women's Crisis Counseling.
How can I help you?
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115. Hi. Um, do I have to say my name?
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116. No, you don't have to say anything
you don't want to say.
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117. - How can I help?
- Um—
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118. I'm 18 years old,
and I have a boyfriend.
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119. - Sometimes he hits me.
- It's okay.
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120. - You can talk to me, all right?
- Thanks.
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121. So, in closing, as
the future journalists of America...
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122. there is one thing
that you need to remember.
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123. Being the best means being willing
to do what the others would not.
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124. Break the rules.
Stop at nothing.
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125. Be willing to have the world hate you,
because that is the only way...
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126. that you'll get the story,
the facts and the fame.
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127. Thank you.
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128. - Excuse me. Excuse me.
- Yes?
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129. So you're saying that we should
be ready to go out...
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130. and cut each other's throats
because that's what you did.
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131. - Metaphorically, yes.
- Well, tell me, Miss Weathers.
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132. - Was it worth it?
- I'm so sorry. We're out of time.
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133. Gale Weathers, anchor woman for
Total Entertainment.
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134. Thank you very much!
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135. There is a young man outside
who wants to see you.
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136. - He says he's with the police.
- The police?
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137. - Detective Mark Kincaid, L.A.P.D.
- Hello.
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138. - That's quite an impressive resume.
- Thank you.
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139. I assume you're not here
for an autograph.
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140. I'm here because
Cotton Weary's been murdered.
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141. - Someone killed Cotton?
- And his girlfriend.
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142. Someone who left something
he wanted us to see.
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143. I'll show you this because
you're the Woodsboro authority
and because you knew him.
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144. But I promise you,
if you share this with the world,
it's you I'll be arresting.
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145. I swear on my Pulitzer Prize, which
I plan to win one day, Detective.
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146. This was left on Cotton Weary's body.
You have any idea who the girl might be?
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147. Oh, my God.
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148. This is Maureen Prescott.
This is Sidney Prescott's mother.
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149. Hollywood is reeling today
from news...
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150. of the murder of controversial
talkshow host Cotton Weary.
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151. Weary had only recently finished
shooting a cameo as himself...
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152. in the film
Stab 3, Return to Woodsboro...
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153. the third and final part
of the famous horror series...
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154. based on the Woodsboro
and Windsor College murders.
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155. Before his rise to television fame,
Cotton had been imprisoned...
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156. and was later exonerated for the murder
of Maureen Prescott, his former lover—
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157. Just yesterday, Cotton Weary was
shooting here at Sunrise Studios...
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158. his first cameo
in a feature film, Stab 3.
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159. Security here is tight, but we'll see
if we can get a statement. Excuse me.
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160. Always a controversial man—
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161. Channel Eight news.
We gotta get in. We gotta get in.
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162. No press beyond this point.
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163. Alone at night
he crosses flames
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164. Ashe makes a fist
with his red right hand
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165. Look, you're worried about the movie,
then protect the movie, okay?
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166. Hire more security. Hire the National
Guard. Just don't kill the movie.
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167. Violence in cinema
is a big deal right now, Roman.
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168. This is not the kind of news
this studio is after.
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169. So if we stop making
scary movies, what?
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170. All the psychos in the world
will retire? Come on.
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171. I've been makin' horror movies for
30 years, never had a psycho problem.
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172. He was your goddamn idea, guys.
All right?
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173. An ex-con with a trashy talk show?
He must've pissed people off every day.
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174. Detectives, there's no reason
to presume that Cotton's death...
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175. had anything to do
with this movie, is there?
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176. He was making a movie called Stab.
He was stabbed.
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177. Probably some psycho fan pissed off
they killed Randy in Stab 2.
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178. Well, Tyson, that'd make you next,
wouldn't it?
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179. I am not a Randy substitute.
I'm my own character.
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180. Named Ricky,
who works at the video store.
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181. It's an homage.
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182. Hey! What if the killer's
Sidney Prescott?
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183. I mean, what the hell ever happened to
her? She's probably off in the woods...
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184. livin' like
the fuckin' Unabomber, man.
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185. I'm starting to see why
Tori Spelling and David Schwimmer
didn't want to come back.
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186. Guys, this was about Cotton.
We are not in any danger.
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187. "We are not in any danger,"
says Candy, page 15.
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188. I don't see you leavin'.
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189. You think serious black actors
my age can just throw away jobs?
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190. It's all a business now. They got
Usher doing Pinter off-Broadway.
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191. L.L. Cool J's
Shakespearin' in the park.
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192. - Yeah!
- Maybe it's not meant to be.
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193. Not meant to be? You win that
talent search for the new Sidney.
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194. 50,000 girls and they pick you. You
gotta be praying this movie keeps going.
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195. Of course I am, but not
at the expense of people's lives.
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196. Oh. Cue the violins, right?
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197. Jesus.
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198. Deja voodoo.
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199. We need this area cleared, please.
Clear it.
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200. - Gale Weathers! Oh, my God!
- Shit.
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201. I— Listen,
I-I— I know we've never met...
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202. and I don't mind you never returning
my calls, but I have to tell you...
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203. after two films,
I feel like I am in your mind.
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204. Well, that would explain
my constant headaches.
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205. You know, I'm sorry things didn't
work out on 60 Minutes II.
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206. - But Total Entertainment,
that's a pretty good fallback.
- Thank you.
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207. I'm sorry that things didn't
work out with Brad Pitt...
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208. but being single,
that's a pretty good fallback.
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209. Gives me more time
for my work.
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210. After all, Gale Weathers,
you're such a complex character.
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211. Oh, and to be played by an actress
with such depth and range.
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212. Uh, Jennifer,
Nick said you wanted to—
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213. Gale.
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214. Dewey.
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215. Well, surprise, surprise.
Someone dies and Gale comes running.
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216. Gale, I think you'll really appreciate
my character work in this one.
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217. - Someone's helped me
understand the real you.
- Someone?
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218. Your ruthless ambition,
your private self-loathing...
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219. and that lost and lonely
little girl inside.
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220. Lost and lonely what?
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221. You heard me.
Thanks, Dewey, I'll return it.
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222. Lost and lonely what?
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223. - Little girl inside.
- I thought you were
supposed to be in Woodsboro.
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224. Well, I'm surprised
you thought about me at all.
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225. Listen, I gotta get back to work.
I really don't have time for this.
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226. - Wait a minute. You work here?
- Yeah.
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227. The movie needed
a technical advisor.
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228. Someone who went through the real
experience, knew the real people.
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229. - Hey, Dewey.
- Hey, Tom.
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230. Hey! It's the real Gale Weathers.
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231. Real from top to bottom.
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232. Tom Prinze.
Watch your show all the time.
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233. You're so right. Pop culture
is the politics of the 21 st century.
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234. - Thank you.
- And that story that you did...
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235. last month on me crashing my car?
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236. - Wow, was that ever powerful journalism.
- Right, uh—
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237. I especially liked the way
you implied that it was caused
by drinking and drugs.
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238. And that the tyre blowout was faked.
That was great.
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239. Tom, sometimes in journalism
you have to—
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240. Are you parked in the lot?
'Cause I should check to make sure...
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241. that nobody's messed
with your brake line.
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242. Who's he supposed to be?
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243. He's playing you? Him?
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244. What?
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245. I did not come here
to fight with you, Dewey.
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246. - Cotton's killer left a picture.
- Of Sid's mom.
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247. - The detectives told me.
- Well, does Sidney know about it?
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248. Listen, Sidney doesn't need
you and your camera in her life.
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249. Do you see a camera?
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250. Right. You bought me
this purse, didn't you?
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251. - Yeah.
- Look, it's-it's a habit.
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252. - I-I walk outta the house, I turn it on.
- What the hell is this?
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253. - It's like perfume.
- Gale Weathers?
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254. - Could I be more popular?
- No press.
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255. Mo press on set.
Get that woman outta here.
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256. - Yes, Mr Milton. Let's go.
- Wait a minute. Wait a minute.
Where is Detective Kincaid?
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257. - I am working with Kincaid, Dewey.
- Come on. Move along, miss. Let's go.
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258. Rules are rules, Gale.
But, really, it was great seeing you.
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259. Stab 3 is a closed set. But just up
ahead is the old Seinfeld stage.
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260. Now, does anybody
need a potty break?
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261. - Oh, I do.
- Yeah, me too.
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262. Okay, let go!
Thanks for your help, boys.
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263. Holy shit, Silent Bob. It's that
TV news chick, Connie-fuckin'-Chung!
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264. Hey, Connie, how's Maury?
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265. Dude, I think she likes me.
See how she's lookin' at me?
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266. It's happening again.
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267. Cotton had a lot
of enemies, Sid.
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268. The police aren't saying
it's related to us.
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269. Do you ever think about her?
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270. Your mom?
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271. None of this would've
ever happened if she hadn't—
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272. if she hadn't—
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273. Why'd she have
so many secrets, Dad?
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274. Listen, maybe it's time
you came home.
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275. I'm worried about you, kid. Out here
by yourself. You never see anyone.
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276. The only people you talk to
don't even know your real name.
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277. It's as if you don't exist.
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278. That's the idea. Psychos
can't kill what they can't find.
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279. Sid, come here.
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280. Mother needs to talk to you.
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281. Everything you touch, Sid, dies!
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282. You're poison.
You're just like me.
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283. You're just like me.
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284. Oh, my God!
What have they done to me?
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285. They'll do it to you.
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286. - They'll do it to you, baby.
- Mom?
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287. Roman?
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288. Stab 3.
Jesus, I gotta get a new agent.
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289. Roman?
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290. Someone here?
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291. Stan, my man.
He does good work, huh?
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292. - Thank you. Thank you very much.
- Fuck you very much.
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293. - Tyson, go to hell.
- Well, excuse us, Sarah. Makeup tests.
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294. Yeah, makeup. You can use it.
Damn it, have you seen Roman?
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295. Look, everyone in the office
has gone home already.
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296. - He said it was important.
- Everything's important to Roman.
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297. Oh, shit!
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298. - Director's office.
- Sarah, it's Roman.
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299. I'm sorry I'm running late. I'm still
on the 405. I'm about ten minutes away.
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300. Oh, it's no problem. I'm just
lookin' at your music video awards.
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301. Since I got you on thephone, let's—
let's talk about your character, okay?
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302. What character? I'm Candy,
the chick who gets killed second.
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303. - I'm only in two scenes.
- You're not happy with your part.
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304. I'm not happy that I am
35 playing a 21-year-old.
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305. I'm not happy
that I have to die naked.
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306. And I'm not happy that my character is
too stupid to have a gun in the house...
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307. after her boyfriend's
been cut into fish sticks.
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308. Great, okay.
So let's—let's run the lines.
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309. Fine.
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310. Page28.
Candy's big moment.
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311. Page 28.
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312. Ring-ring.
Hello?
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313. - Hello?
- Who's this?
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314. - Who's this?
- This is Candy.
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315. Hang on.
Let me get some clothes.
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316. See? I don't understand why I have
to start the scene in the shower.
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317. The whole shower thing's been done.
Vertigo. Hello?
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318. And I mean, my boyfriend just died.
Why am I showering?
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319. Why don't we just read the scene?
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320. Candy. Nice name. Is that like
Candy Cane or Candy Apple?
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321. Whatever.
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322. Come on.
Who is this?
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323. I think you have
the wrong number.
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324. - But you know my favourite name?
- I'm hanging up right now.
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325. It's Sarah.
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326. Roman, that's not the line.
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327. It is in my script.
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328. Has there been another goddam rewrite?
How the fuck...
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329. are we supposed to learn our lines when
there's a new script every 15 minutes?
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330. It's not just a new script.
It's a new movie.
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331. - What? What movie?
- My movie.
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332. And it's called Sarah Gets
Skewered Like a Fuckin' Pig!
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333. Still in character, Sarah?
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334. Shit.
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335. Thank you for calling
Sunrise Picture Studios.
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336. If you'd like today's
commissary menu, press one.
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337. Mr Bridger?
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338. If you'd like to hear previews of
upcoming Sunrise Pictures'releases...
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339. press four.
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340. If you'd like information about
Sunrise Pictures' merchandise...
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341. - Come on. Come on.
- press five.
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342. If you're trying to reach Lot Security
or you have an emergency, press six.
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343. Shit!
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344. Oh! Fuck!
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345. Look, I wanna get something straight.
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346. I only got into this because
the police asked for my help.
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347. - Why would the police come to you?
- Well, I did write..
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348. the definitive book
on the Woodsboro murders.
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349. I'm sure you just can't wait
to write another one.
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350. - What about you?
- What about me?
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351. You said you'd never leave Woodsboro.
"It's the only place that's real."
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352. But now you're here.
Not with me.
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353. Dewey, I took care of you.
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354. I waited until you were well,
but I couldn't stay there.
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355. It was like dog years. One year in
Woodsboro is like seven anywhere else.
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356. So it's off to Paris for a week?
New York for a month? L.A. forever?
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357. It was fucking 60 Minutes II.
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358. - I couldn't say no. I could've
been the next Diane Sawyer.
- Wait a minute.
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359. What's wrong with just being
Gale Weathers? I liked her.
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360. It didn't work, Dewey.
We tried. We're different.
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361. You used to say
that was our strength.
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362. - Well—
- Here you go.
- Thank you.
Copy !req
363. Dewey, you're not just here because
of that second-rate K-Mart...
Copy !req
364. straight-to-video
version of me, are you?
Copy !req
365. Brace yourself, Gale.
All of this is actually not about you.
Copy !req
366. All of what, Dewey?
You do know something, don't you?
Copy !req
367. - Off the record?
- Always.
Copy !req
368. Two months ago, the Woodsboro police
got a call from a woman...
Copy !req
369. who said she was with Stab 3.
Copy !req
370. She wanted to see the file
on Sid, "for research."
Copy !req
371. - And?
- The boys said no.
Copy !req
372. And she wouldn't give her name.
Copy !req
373. A month later,
the station gets broken into.
Copy !req
374. - The file room gets ransacked.
- And someone stole Sid's file?
Copy !req
375. I already removed it.
Copy !req
376. I think someone on the film
is tryin' to find Sid.
Copy !req
377. - I'm sorry, this is incredible.
- I said, "off the record."
Copy !req
378. Right.
Copy !req
379. It's Jennifer.
She needs me.
Copy !req
380. - Jennifer?
- Gotta run.
Copy !req
381. - Wait! Dewey, where are you going?
- I'm on duty.
Copy !req
382. Stop following me.
Copy !req
383. I happen to be working
for the police, damn it!
Copy !req
384. - You're not a detective, Gale.
- Neither are you, Mr Incognito.
Copy !req
385. - Uh, you left your motor running.
- Damn it.
Copy !req
386. Fans, I can handle. Fans, they want
a picture, they want a conversation.
Copy !req
387. I can handle fans!
You see this, Dewey?
Copy !req
388. I haven't had one of these in a year and
a half. Someone's gonna pay for this.
Copy !req
389. - Jennifer, settle down. What happened?
- I'm with him.
- You.
Copy !req
390. Like I'm ever going
to win an award playing you.
Copy !req
391. - There's been a second murder.
- Who?
Copy !req
392. - Sarah Darling.
- Where?
Copy !req
393. - At the studio.
- Where? Nancy Drew
wants to know where.
Copy !req
394. Cotton Weary. Sarah Darling.
Don't you get it?
Copy !req
395. Someone's killing them in the order
they die in the movie.
Copy !req
396. - Dewey, who gets killed third?
- Who gets killed third?
Copy !req
397. You do.
Copy !req
398. I get killed in Stab 3?
I get killed?
Copy !req
399. - Yeah.
- Dewey, where are you going?
Copy !req
400. I have to get something
from my trailer.
Copy !req
401. Your—
You live here with her?
Copy !req
402. - Yeah.
- Oh, my God!
Copy !req
403. I needed a place to stay,
and she said she liked having me around.
Copy !req
404. - Why?
- She says I make her feel safe.
Copy !req
405. - She says I'm her rock.
- Her rock?
Copy !req
406. Yeah. If you weren't so concerned
with pretensions and appearances...
Copy !req
407. you'd be able to appreciate the
positivity and emotional centeredness...
Copy !req
408. I provide a woman.
Copy !req
409. Stone, I'm headed
to the crime scene.
Copy !req
410. You stay by Jennifer's side.
I suggest a search of the grounds.
Copy !req
411. Hey, Dewdrop.
Can I have a word?
Copy !req
412. Just so it can be straight. I'm
the professional celebrity guard here.
Copy !req
413. My resume lists Julia Roberts,
Salmon Rushdie, Posh Spice.
Copy !req
414. You are the Hollywood hanger-oner.
Copy !req
415. 'Cause you're just no good
as a cop any more.
Copy !req
416. Your resume reads
like the obituaries.
Copy !req
417. So how about you take suggestions
from me? All right?
Copy !req
418. Whatever you say.
Copy !req
419. Hmm. Same deal?
Found with the body?
Copy !req
420. - Yeah, Maureen Prescott again.
- This is great.
Copy !req
421. Ten more murders
and we can publish a calendar.
Copy !req
422. The old "killer playing
with the cops" routine.
Copy !req
423. Very Hannibal Lecter.
Very Seven.
Copy !req
424. Doesn't the killer come after
the cops in those movies?
Copy !req
425. Usually one cop makes it.
Copy !req
426. - And?
- One cop doesn't.
Copy !req
427. - Usually.
- Detective Kincaid.
Copy !req
428. - What do we know? Same killer?
- Hey, hey.
Copy !req
429. Terminal Entertainment,
this is a crime scene, okay?
Copy !req
430. Wallace, Miss Weathers
is working with me now.
Copy !req
431. - Thank you, Detective.
- You're welcome.
Copy !req
432. Well, in that case, I'm gonna go dust
for fingerprints with Jane Pauley.
Copy !req
433. Uh, photos, Wallace, please?
Thank you.
Copy !req
434. New pictures, same person.
Anything turn up on your research yet?
Copy !req
435. - Nothing that will help with these.
- What about an increased
police presence around Jennifer?
Copy !req
436. - She's the next one
to get killed in the script.
- She has a bodyguard.
Copy !req
437. And besides, the producers told us
that there were three different
versions of the script.
Copy !req
438. Something about trying to keep
the ending off the Internet.
You should know that.
Copy !req
439. You're the technical advisor, right?
Copy !req
440. Three versions.
Three different characters die next.
Copy !req
441. And we don't know which one
the killer read.
Copy !req
442. Hey, hold up.
Copy !req
443. All I ever wanted to do
was make a real classic lovestory.
Copy !req
444. And the studio said they'd let me.
I just had to do
a scary movie for them first.
Copy !req
445. And now we're shut down,
and I am fucked!
Copy !req
446. God, it's not the end
of the world, Roman.
Copy !req
447. That is so easy for you to say. You can
always go back to, to MustSee TV.
Copy !req
448. You know, I have no movie,
I'm about to turn 30, and it
looks like I'm now the next target.
Copy !req
449. - What?
- You? Why you?
Copy !req
450. Do you think this wasn't a message?
Copy !req
451. - Roman Bridger?
- What?
Copy !req
452. Mr Bridger,
you didn't tell us...
Copy !req
453. you spoke with Sarah Darling
before she was murdered.
Copy !req
454. Uh, spoke with her, uh, when?
Copy !req
455. The guard said she was here
for a meeting with you.
Copy !req
456. - What meeting? I don't—
- We talked with her roommate too.
Copy !req
457. Says you called Sarah,
told her to come down to the studio.
Copy !req
458. - Roommate answered the phone.
Says it was you.
- Wait a minute. No, no.
Copy !req
459. I-I never called her.
I never told her to go anywhere.
Copy !req
460. Roommate says she knows
your voice, Mr Bridger.
Copy !req
461. Well, she wasn't speaking with me! God!
Look, I did not call Sarah Darling.
Copy !req
462. - Sarah Darling said you did.
- Someone's trying to ruin my movie.
Copy !req
463. Someone wants to kill
my movie!
Copy !req
464. All right, we'll talk about
your movie down at the station.
Copy !req
465. - All right.
- This is the scene
where you come with us.
Copy !req
466. Dewey, Jennifer—
Wait a minute.
Copy !req
467. She wasn't talking with me
on the phone. I'm coming!
Copy !req
468. I'll call him in. Battery. Mr Riley,
do you have a cell phone I can borrow?
Copy !req
469. Yeah.
Copy !req
470. - Thank you.
- God. Roman.
Copy !req
471. Remind me not
to sleep with him again.
Copy !req
472. Come here, Cherokee.
Copy !req
473. California Women's Crisis Counseling.
My name is Laura. How can I help you?
Copy !req
474. Oh, Laura.
I do have a crisis.
Copy !req
475. Okay, well, whatever it is,
you can tell me.
Copy !req
476. Oh, my God.
I've killed someone, Laura.
Copy !req
477. - Are you sure?
- Uh-huh, I'm sure.
Copy !req
478. I killed someone, I know it!
Oh, my God.
Copy !req
479. - Well, then, um—
- I did.
Copy !req
480. Then the people you need to call
are the police.
Copy !req
481. No, I need to call you!
Just you.
Copy !req
482. I'm sorry, your-your voice—
Copy !req
483. Don't you wanna know
how you can help, Laura?
Copy !req
484. Are you listening to me?
Huh?
Copy !req
485. - Who is this?
- It's Mother, Laura.
Copy !req
486. Now, be a good girl
and turn on the news.
Copy !req
487. Do as Mother tells you!
Copy !req
488. You're not my mother. How did you
get this number? Who is this?
Copy !req
489. You know your mother's voice
when you hear it!
Copy !req
490. Now, turn on the news!
Copy !req
491. And with a second cast member
murdered, Stab 3...
Copy !req
492. has been officially shut down,
prompting those involved...
Copy !req
493. to hope and pray that
these killings maybe over.
Copy !req
494. Just one question.
Copy !req
495. Do you think it's over, Sidney?
Do you?
Copy !req
496. The sky was dark this morning
Copy !req
497. Not a bird in a tree
Copy !req
498. Is this a wrap party
or is this a wrap party?
Copy !req
499. Scene 34.
"Maureen's Murder Flashback."
Copy !req
500. - I never liked that scene.
- That's 'cause you weren't in it.
Copy !req
501. Scenes 40 through 47.
Copy !req
502. - "The Prescott House Flashbacks."
- Tom, stop it.
Copy !req
503. You're scaring me.
Two people are dead.
Copy !req
504. Scaring you?
Copy !req
505. Give the sweet,
young ingenue act a rest.
Copy !req
506. - You're drunk.
- I'm coping.
Copy !req
507. I bet she fought and clawed
for that Sidney part.
Copy !req
508. I bet she stepped on any poor girl
that got in her way.
Copy !req
509. - So you asked her out and she said no?
- That has nothing to do with it.
Copy !req
510. Right.
Come on, Dewey.
Copy !req
511. Scene 50.
Copy !req
512. "Dewey Saves the Day."
Copy !req
513. She's so focused on success
that she never thinks...
Copy !req
514. about who she's hurting
to get it.
Copy !req
515. And you saved her life, like,
how many times?
Copy !req
516. Gale wants the whole world
to love her.
Copy !req
517. One person's never enough.
She's a dreamer.
Copy !req
518. - No, she's a narcissistic, psycho bitch.
- No, she's not.
Copy !req
519. She's got a good heart.
She does.
Copy !req
520. She just hides it away because
she thinks people see that as weak.
Copy !req
521. This is a good picture of you.
You look just like her.
Copy !req
522. God, Dewey.
Copy !req
523. You make it sound like
you're still in love with her.
Copy !req
524. And I left out the part
that she's cruel...
Copy !req
525. and selfish,
obsessive and annoying.
Copy !req
526. We have one Gale Weathers here.
We don't need two.
Copy !req
527. Hey, Dewdrop,
got your girlfriend out here.
Copy !req
528. Look who I found slinkin'
around the yard. The nightly news.
Copy !req
529. I wasn't slinking.
I was walking.
Copy !req
530. You were eaves dropping
at the bedroom window.
Copy !req
531. Yeah, a bedroom that
you seemed awfully at home in.
Copy !req
532. All right, let's talk.
Copy !req
533. Come on.
Copy !req
534. - What's this about, Gale?
- Did you know they released Roman?
Copy !req
535. Sarah's call didn't come
from his cell phone.
Copy !req
536. - Where did it come from then?
- A cloned cell phone. It's untraceable.
Copy !req
537. Well, thanks for the update, Gale.
Why don't you just go back home?
Copy !req
538. Dewey, wait a minute.
Just wait one second.
Copy !req
539. How old do you think
Maureen Prescott is in this picture?
Copy !req
540. - Nineteen, twenty.
- That's what I thought,
so I checked it out.
Copy !req
541. I cannot find any information about
her at this age. I mean, nothing.
Copy !req
542. She lived in Woodsboro her whole life.
Someone there must know something.
Copy !req
543. Almost her whole life.
Two years before...
Copy !req
544. she met Sidney's father,
she left Woodsboro.
Copy !req
545. No one has any idea
where she went or what she did.
Copy !req
546. I mean, it's-it's like she fell into
a black hole, Dewey! She vanished!
Copy !req
547. - So?
- So?
Copy !req
548. Why is the killer
leaving pictures of-of Maureen?
Copy !req
549. And why these pictures at-at—
at that point in her life?
Copy !req
550. I don't know! If I thought
like a homicidal maniac...
Copy !req
551. then I'd know how
a homicidal maniac thinks.
Copy !req
552. What?
Copy !req
553. - Jennifer.
- Jennifer?
Copy !req
554. Look at the buildings.
The second story. There and there.
Copy !req
555. It's the same!
It's the same street 28 years ago.
Copy !req
556. Oh, my God. Maureen Prescott was
at the back lot at Sunrise Studios!
Copy !req
557. - Oh, my God.
- I gotta make some calls.
Copy !req
558. Steven Stone
Protection Services.
Copy !req
559. Stone, where are you?
Copy !req
560. I'm just checking
your tin can, Dewdrop.
Copy !req
561. Well, come back inside
and stay with Jennifer.
Copy !req
562. Something's happened.
I have to go to the police.
Copy !req
563. Is that an order, Dewdrop? 'Cause
Steven Stone doesn't work for you.
Copy !req
564. Get back in the house, Stone.
Would I call you if it wasn't important?
Copy !req
565. - What are you doing in there anyway?
- Me?
Copy !req
566. I'm just checking to make sure
there's no killer in here...
Copy !req
567. waitin' to off you
like he did your little sister.
Copy !req
568. What did you say?
I can't believe you said that.
Copy !req
569. That makes me...
Copy !req
570. angry!
Copy !req
571. Fucker!
Copy !req
572. Gotta call Kincaid.
Copy !req
573. Dewey, where is everybody?
Copy !req
574. - Oh, God.
- Jennifer?
Copy !req
575. Angelina?
Tom?
Copy !req
576. Oh, my God!
What happened?
Copy !req
577. Don't do that.
I'm overreacting.
Copy !req
578. Dewdrop?
Copy !req
579. - Stone?
- Oh, my God!
Copy !req
580. Oh, God, Stone!
Copy !req
581. Oh, God!
Copy !req
582. - Dewey, is he dead?
- Yeah.
Copy !req
583. Everyone back inside!
Copy !req
584. It's all right.
Don't panic.
Copy !req
585. Okay, outside. Everyone,
stay together and try to remain calm.
Copy !req
586. A phone!
Copy !req
587. - It's not mine.
- It's not mine.
Copy !req
588. Shit!
It's the fax.
Copy !req
589. "Interior, Jennifer's house. Living
room, night." It's a script page.
Copy !req
590. - W-W-What's it say?
- "With the bodyguard stabbed to death,
the five stand trapped.
Copy !req
591. - He's rewriting the movie.
- As the killer waits outside...
Copy !req
592. suddenly the fax machine
sends news of their fates."
Copy !req
593. It's a trick!
Everybody, outside!
Copy !req
594. - Outside where he can
pick us off one by one?
- Shut up!
Copy !req
595. "The killer prepares to grant
mercy to only one of them."
Copy !req
596. Don't you get it? The killer says he's
outside because he wants us here inside.
Copy !req
597. - Which one is it?
- Come on!
Copy !req
598. "Who will survive? Is it Jennifer?
Tom? Angelina? Dewey? Gale?
Copy !req
599. - The killer will give mercy to—"
- Everyone outside!
Copy !req
600. He grants mercy to who?
I wanna know what happens!
Copy !req
601. - I wanna know what happens!
- Wait for the fucking movie!
Copy !req
602. - I've gotta know! I'm goin' back in!
- No.
Copy !req
603. All right, everyone, back.
Stay together.
Copy !req
604. - What's it say?
- "And the...
Copy !req
605. killer will give mercy to...
Copy !req
606. - whoever—"
- Whoever?
Copy !req
607. Whoever?
Copy !req
608. Piece of shit.
Copy !req
609. "Whoever—
Whoever smells the—"
Copy !req
610. I can't stop
rolling down the hill!
Copy !req
611. Gale! Jennifer!
Copy !req
612. - Dewey!
- Dewey!
Copy !req
613. Dewey, where are you?
Copy !req
614. Over here, Dewey!
Copy !req
615. - Dewey!
- Gale!
Copy !req
616. Gale, behind you!
Copy !req
617. Dewey!
Are you all right?
Copy !req
618. Yeah, never been better.
Copy !req
619. Yeah, I'm all right.
Where'd he go?
Copy !req
620. - He must've rolled under the car.
- All right, stay close.
Copy !req
621. Is he back there?
Copy !req
622. - No.
- No?
Copy !req
623. He's fast.
Could've sworn I hit him.
Copy !req
624. - Are you all right?
- Yeah.
Copy !req
625. Thanks for saving me.
Copy !req
626. Ah, it's habit.
Copy !req
627. Oh, God.
Copy !req
628. What the fuck happened to you?
Copy !req
629. - Jennifer, wait a minute.
- Who gave you a place to stay?
Copy !req
630. - Who are you supposed to be protecting?
- Jennifer!
Copy !req
631. Hey!
Copy !req
632. My lawyer liked that.
Copy !req
633. Not as much as I did.
Copy !req
634. - Angelina?
- Tom was in the house.
Copy !req
635. - How'd you end up way over there?
- Oh, my God! Tom was in the house!
Copy !req
636. - Are we safe?
- Safe from who?
Copy !req
637. Wait a second!
Copy !req
638. Another picture.
Copy !req
639. Whoever it is is now taking credit
for Maureen Prescott's murder.
Copy !req
640. But we know who killed Maureen
Prescott. Billy Loomis and Stu Macher.
Copy !req
641. - I mean, they even told Sidney
how they did it.
- Yeah, but if I'm not mistaken...
Copy !req
642. you said in your book that
Sidney got it wrong once before.
Copy !req
643. She accused Cotton Weary
of murdering her mother.
Copy !req
644. And he was sent away for it.
Maybe there is a third killer.
Copy !req
645. Sidney might know something.
Copy !req
646. I told you.
I don't know where Sidney is.
Copy !req
647. And even if there was a third killer,
Sidney doesn't know about it.
Copy !req
648. That is for me to decide.
I need to talk to her, Mr. Riley.
She is a key element in this case.
Copy !req
649. I have a press conference in an hour.
I need to explain...
Copy !req
650. why there are three dead celebrities
and a bodyguard.
Copy !req
651. And a very angry mayor.
Copy !req
652. Okay, look, we all know this has
something to do with Stab 3.
Copy !req
653. But what we do not know is why
the killer keeps leaving pictures...
Copy !req
654. of Maureen Prescott
taken over 25 years ago.
Copy !req
655. And the photographs taken at the same
studio Stab 3 is shooting out of.
Copy !req
656. What does this
have to do with Sid?
Copy !req
657. Who knows more about Maureen
Prescott than her own daughter?
Copy !req
658. Well, Sid's dad couldn't help you,
and he was married to Maureen.
Copy !req
659. What's your problem?
Copy !req
660. Last night you were almost charcoal.
You gonna help us or what?
Copy !req
661. Do you wanna have this
conversation with a polygraph?
Copy !req
662. - Is that a threat, Detective?
- When it's a threat, you'll know it.
Copy !req
663. - Was that a threat?
- Boys, boys.
Copy !req
664. Why don't we compare
our gun calibres later?
Copy !req
665. - The issue is Maureen Prescott.
- Wrong. The issue is Sidney Prescott.
Copy !req
666. And either Mr Riley is going
to obstructjustice or he's going
to put me in touch with her.
Copy !req
667. So, where is she?
Copy !req
668. Hi, you've reached the machine.
You can leave a message.
Talk as long as you want.
Copy !req
669. Sid, it's me.
This is the fifth time I've called.
Copy !req
670. Please pick up.
I wanna make sure you're...
Copy !req
671. okay.
Copy !req
672. - Sid!
- Dewey!
Copy !req
673. What are you doing down here?
Copy !req
674. Actually, what was I doing up there?
Copy !req
675. - Jesus, Dewey. Are you okay?
- Oh, yeah, I'm all right.
Copy !req
676. - Is she all right?
- Hey, you know Gale.
Copy !req
677. It'd take a direct hit.
Copy !req
678. So the news said this was the precinct.
Who's this guy Kincaid?
Copy !req
679. Come here.
I told you to stay hidden.
Copy !req
680. - It's not safe for you to be here.
- The killer called me.
Copy !req
681. - What?
- Yeah, he found me.
Copy !req
682. I'm no more safe there than I am here,
and at least here I'm not alone.
Copy !req
683. Okay, come on.
Copy !req
684. - Detective Kincaid?
- Yeah.
Copy !req
685. There's someone here
who wants to help.
Copy !req
686. Oh, my God.
Sidney.
Copy !req
687. Is the man fast or what?
Copy !req
688. - Hi.
- Hi, Gale.
Copy !req
689. - I'm glad you're all right.
- Thank you.
Copy !req
690. - Sid, this is Detective Kincaid.
- Nice to finally meet you, Sidney.
Copy !req
691. - The killer called her.
- What? When?
Copy !req
692. - What did he say?
- Oh, you know, the usual small talk.
Copy !req
693. What's new? How you been?
How do you wanna die?
Copy !req
694. Sidney, do you have any idea
how he could've gotten your number?
Copy !req
695. He could have monitored her calls on a
scanner. Did you call her from the set?
Copy !req
696. - No.
- Do you have her number
stored in your memory?
Copy !req
697. - Phone memory!
- Oh. Yeah, guess I do.
Copy !req
698. - Has anyone else ever used your phone?
- Just Jennifer.
Copy !req
699. And you.
Copy !req
700. Hey, I'm the cop here.
You're in my office, Riley.
Copy !req
701. The killer leaves a photograph
after each murder, Sidney.
Copy !req
702. They were taken in Hollywood at the same
studio that they're shooting Stab 3.
Copy !req
703. Why didn't you tell me?
This is my mother, Dewey.
Copy !req
704. - Why didn't you say something?
- I was afraid they were bait.
Copy !req
705. Something to, you know,
trick you out of hiding.
Copy !req
706. Sidney, was she an actress or a model?
Because they look a lot
like publicity stills.
Copy !req
707. I, uh, don't know.
Copy !req
708. Detective, I wanna see
this place in the pictures.
Copy !req
709. - Are you sure?
- Absolutely.
Copy !req
710. - Slow it down.
- Sorry.
Copy !req
711. Watch the fuckin' aliens.
Copy !req
712. I'm gonna go talk to
the studio brass about those photos.
Copy !req
713. Yeah, right.
I know where you're goin'.
Copy !req
714. - Yeah, keep an eye on Sidney.
- I know where you're goin'.
Copy !req
715. You're gonna get her some flowers
and candy, huh? Huh?
Copy !req
716. - Gimme a break.
- Yeah, gimme a call.
Copy !req
717. Just keep your eye on her.
Copy !req
718. That stairwell over there, that's
where one of the pictures was taken.
Copy !req
719. God. I can't believe
she never mentioned any of this.
Copy !req
720. - She probably just—
- Dewey!
Copy !req
721. - Sorry.
- Martha!
Copy !req
722. - Oh, my God, Sid.
- Hey, hold it right there! Hey!
- Don't shoot!
Copy !req
723. - I'm only 17.
- It's okay. We know her.
Copy !req
724. We do?
Copy !req
725. Tell me that's his ex-girlfriend,
I'll shoot myself.
Copy !req
726. - It's Martha Meeks, Randy's sister.
- Randy's sister?
Copy !req
727. - Yeah, can't you tell?
- We miss you in Woodsboro, guys.
Copy !req
728. - Martha, what are you doing here?
- There's something you guys should see.
Copy !req
729. Told ya I'd make
a movie someday. Huh?
Copy !req
730. - Oh, my God.
- Well, if you're watching this tape...
Copy !req
731. it means, as I feared, I did not
survive these killings...
Copy !req
732. here at Windsor College,
and that giving up my virginity...
Copy !req
733. to Karen Kolchakat the video store
was probably not a good idea.
Copy !req
734. - Karen Kolchak?
- Yes, Karen Kolchak.
Copy !req
735. - "Creepy Karen"?
- Shut up! She's a sweet person, okay?
Copy !req
736. We were workin'late. We were puttin'
away some videos in the porno section...
Copy !req
737. and, you know, shit happens.
Copy !req
738. - Open the door, Randy!
- Fifteen minutes.
Copy !req
739. - It's my room too!
- Paul,15 minutes.
Copy !req
740. I'm leaving my legacy.
Copy !req
741. Fifteen minutes, Paul!
Damn! Anyway...
Copy !req
742. the reason I'm here is to help you so
that my death will not be in vain.
Copy !req
743. That my life's work will help save some
other poor soul from getting mutilated.
Copy !req
744. If this killer does come back
and he's for real...
Copy !req
745. there are a few things
that you gotta remember.
Copy !req
746. Is this simply another sequel?
Well, if it is, same rules apply.
Copy !req
747. But here's the critical thing.
If you find yourself dealing...
Copy !req
748. with an unexpected back-story
and ap reponderance...
Copy !req
749. of exposition,
then the sequel rules do not apply.
Copy !req
750. Because you're not dealing with
the sequel. You are dealing with...
Copy !req
751. the concluding chapter
of a trilogy.
Copy !req
752. - Trilogy.
- That's right. It's
a rarity in the horror field...
Copy !req
753. but it does exist, and it is
a force to be reckoned with.
Copy !req
754. Because true trilogies are all about
going back to the beginning...
Copy !req
755. and discovering something
that wasn't true from the get-go.
Copy !req
756. Godfather, Jedi,
all revealed something...
Copy !req
757. that we thought was true
that wasn't true.
Copy !req
758. So if it is a trilogy
you are dealing with...
Copy !req
759. here are some super
trilogy rules.
Copy !req
760. You've got a killer
who's gonna be superhuman.
Copy !req
761. Stabbing him won't work.
Shooting him won't work.
Copy !req
762. Basically, in the third one, you've
gotta cryogenically freeze his head...
Copy !req
763. decapitate him or blowhim up.
Copy !req
764. Number two: Anyone, including
the main character, can die.
Copy !req
765. This means you, Sid.
I'm sorry. It's the final chapter.
Copy !req
766. It could be fuckin' Reservoir Dogs
by the time this thing is through.
Copy !req
767. Number three: The past will
come back to bite you in the ass.
Copy !req
768. Whatever you think you know
about the past, forget it.
Copy !req
769. The past is not at rest!
Any sins you think...
Copy !req
770. were committed in the past are about
to break out and destroy you.
Copy !req
771. So in closing,
let me say...
Copy !req
772. goodluck, Godspeed...
Copy !req
773. and for some of you,
I'll see you soon.
Copy !req
774. 'Cause the rules say some of you
ain't gonna make it. I didn't.
Copy !req
775. Not if you're watching this tape.
Copy !req
776. Thank you. And you be careful.
Say hi to your folks for me.
Copy !req
777. You be careful too, Sid.
Copy !req
778. - Bye, Dewey. Come visit us soon.
- I will, Martha.
Copy !req
779. - Thank you.
- Bye.
Copy !req
780. I've got an idea.
I'll hook up with you guys later.
Copy !req
781. - Do you want us to come with you?
- I work better alone.
Copy !req
782. Why don't you try to figure out where
those other pictures were taken.
Copy !req
783. - I can see nothing's changed.
- No.
Copy !req
784. Oh, shit.
Copy !req
785. Hello!
Copy !req
786. - Jeez.
- What the hell are you doing?
Copy !req
787. Being Gale Weathers.
What the hell are you doing?
Copy !req
788. - I am Gale Weathers.
- Here's how I see it.
Copy !req
789. I've got no house, no bodyguard,
no movie, and I'm being stalked.
Copy !req
790. Because someone wants to kill me?
No, because someone wants to kill you.
Copy !req
791. So now, starting now,
I go where you go.
Copy !req
792. That way, if someone wants
to kill me, I'll be with you.
Copy !req
793. And since they really want to kill you,
they won't kill me, they'll kill you.
Copy !req
794. - Make sense?
- None.
Copy !req
795. You know, in the movies,
I play you as being much smarter.
Copy !req
796. And as a sane person.
Foryou, that must be quite a stretch.
Copy !req
797. - That's funny.
- Ha!
Copy !req
798. - Need to get in that building?
- Yeah.
Copy !req
799. - Is there a story in that building?
- Maybe.
Copy !req
800. Gale Weathers would find a way.
Copy !req
801. Bitch. All right, wait. Just—
Copy !req
802. Don't tell me what to do.
Copy !req
803. Basements, wow.
Copy !req
804. Basements creep me out.
Copy !req
805. You'd make
a fascinating interview.
Copy !req
806. Hello?
Copy !req
807. Hi. Excuse me.
I am Gale Weathers...
Copy !req
808. and I'm here researching
with the police this photo.
Copy !req
809. It was taken at the studio.
Her name is Maureen Prescott.
Copy !req
810. Back then it was probably Roberts.
Copy !req
811. - Hey, are you—
- No.
Copy !req
812. - But you look just—
- Like her?
Copy !req
813. - I've been hearing it all my life.
- It's uncanny.
Copy !req
814. I was up for Princess Leia.
I was this close.
Copy !req
815. So, who gets it?
The one who sleeps with George Lucas.
Copy !req
816. I'm sorry. I didn't mean to bring up
a-a sore subject for you.
Copy !req
817. Sure, you didn't.
None of them did.
Copy !req
818. So, how can I help you? Or do you want
me to tell you who you look like?
Copy !req
819. How about some information
on Maureen Roberts?
Copy !req
820. I don't work for the cops, sweetie.
I work for the studio.
Copy !req
821. Really? Well,
would you work for...
Copy !req
822. the president?
Copy !req
823. The president of the studio.
Copy !req
824. Fifty dollars? Who are you?
A reporter for Woodsboro High?
Copy !req
825. It's worth two grand.
Copy !req
826. Are you gonna help
Gale Weathers or not?
Copy !req
827. I know every face in here.
Copy !req
828. I got a respect
for the unknown actor.
Copy !req
829. If they're looking for Maureen Roberts,
they're never gonna find her.
Copy !req
830. Rina Reynolds they will.
Copy !req
831. Rina Reynolds.
Stage name.
Copy !req
832. You should talk, Judy Jurgenstern.
Copy !req
833. What are these movies?
Amazombies, Space Psycho...
Copy !req
834. Creatures from the San Andreas Fault.
Copy !req
835. Horror pictures
back in Milton's heyday.
Copy !req
836. - Back in what?
- Back in what?
- John Milton.
Copy !req
837. The horror producer?
Those were his movies.
Copy !req
838. Come on, Sid.
Copy !req
839. Oh, my God!
Sidney Prescott!
Copy !req
840. Oh, my God! I'm Angelina Tyler.
I'm you! I mean, I'm not.
Copy !req
841. I mean, I was.
Copy !req
842. I-I thought— Well,
if there's no movie...
Copy !req
843. then no one would care
if I took some souvenirs.
Copy !req
844. Souvenirs?
Copy !req
845. I may never win another role,
so these may be...
Copy !req
846. my only memories,
you know, of Hollywood.
Copy !req
847. I-I know it's weird 'cause
it's your life and all, but...
Copy !req
848. I wanted to make you proud, Sidney.
Copy !req
849. Oh. Well,
I'm sure I would've been.
Copy !req
850. The real Sidney.
The real person.
Copy !req
851. I wish—
Copy !req
852. I wish it would've worked out.
Copy !req
853. Hey—
Copy !req
854. Angelina?
Copy !req
855. Hello?
Copy !req
856. Close call.
Copy !req
857. What are you doing here?
Copy !req
858. It occurred to me that I've never
snuck through your bedroom window.
Copy !req
859. See what you do to me?
Copy !req
860. What have I done to you?
Copy !req
861. About the, uh, sex stuff?
Copy !req
862. You know, I'm not trying
to rush you at all.
Copy !req
863. Would you settle for
a PG-13 relationship?
Copy !req
864. Dewey!
Copy !req
865. Dewey!
Copy !req
866. Sidney, I'm in here.
Copy !req
867. Over here.
Copy !req
868. Yes. Mother will protect you
from the bogeyman.
Copy !req
869. Come into the bedroom.
Copy !req
870. Hide in Mommy's bed.
Copy !req
871. I lied, Sidney.
Copy !req
872. I can't protect you at all.
Copy !req
873. You don't deserve to be protected!
You didn't protect me!
Copy !req
874. We did your mom a favour, Sid.
That woman was a slutbag whore...
Copy !req
875. who flashed her shit all over town
like she was Sharon Stone.
Copy !req
876. 'Cause let's face it, Sidney,
your mother was no Sharon Stone.
Copy !req
877. - Sidney's mother was fucking my father.
- Sid, where are you?
Copy !req
878. Dewey!
Dewey, help me!
Copy !req
879. Sidney? Give Mommy a kiss
and we'll make up.
Copy !req
880. - No!
- Sidney!
Copy !req
881. Sid!
Copy !req
882. Sid, are you okay?
What happened?
Copy !req
883. The killer's in the house, Dewey.
He's upstairs.
Copy !req
884. - And my mother—
- Let's go, let's go.
Copy !req
885. I heard her voice.
I saw her, Dewey.
Copy !req
886. - Upstairs. Come on, let's go.
- It's okay, Sid.
Copy !req
887. You weren't supposed
to go in that house.
Copy !req
888. It's all set up for the murder scene.
Copy !req
889. - I'm sorry you had to see that.
- He was in there, Dewey.
Copy !req
890. - He was in there, I swear, I swear.
- You know I believe you.
Copy !req
891. - What happened?
- Kincaid, hey.
Copy !req
892. There's nobody up here.
Copy !req
893. Come on.
Copy !req
894. - Come on.
- Okay, so I stole the mask.
Copy !req
895. Whatever. I didn't know you got
the gas chamber for that.
Copy !req
896. - You stole the mask?
- I took it.
Copy !req
897. - You took the mask
or you stole the mask?
- I-I took it as like a souvenir.
Copy !req
898. - Don't look at me. I didn't take shit.
- I know he was there.
Copy !req
899. I am not dreaming,
I am not crazy.
Copy !req
900. - He was there in Woodsboro.
- That's not Woodsboro, Sidney.
Copy !req
901. You know what I mean. But he was there.
He or she, or whoever this is.
Copy !req
902. We're gonna take you back
to the station, keep you under watch.
Copy !req
903. Put you in a safe house.
Whatever it takes.
Copy !req
904. Come on.
Copy !req
905. It's all right, Sid.
We all believe you.
Copy !req
906. - He's watching.
- And he wants you.
Copy !req
907. - Hey, Dew.
- Dew.
- Come on.
Copy !req
908. - We have to go catch up with Sid.
- Take a look at this first.
Copy !req
909. - Someone we know?
- Where'd you get this?
Copy !req
910. - We got it. Archives.
- Sidney's mother was an actress.
Three movies.
Copy !req
911. - Horror movies.
- Wanna know who produced all three?
- Who?
Copy !req
912. - There'll be other movies, Roman.
- Not only did they—
Copy !req
913. did they kill the film,
but they killed my cast.
Copy !req
914. Now, nobody's gonna wanna work
with me. Variety called me a pariah.
Copy !req
915. I don't even know what a pariah is.
Why-Why couldn't someone
have killed the cast from Stab 1?
Copy !req
916. Huh? Or Stab 2? Why me?
What—John, what did we do wrong?
Copy !req
917. Hollywood is full of criminals
whose careers are flourishing.
Copy !req
918. I'm not a criminal!
I was questioned.
Copy !req
919. Yeah, but that's all.
I was questioned. That's it.
Copy !req
920. - That's good for your mystique.
- You think it will help me get work?
Copy !req
921. Roman. John.
Copy !req
922. Jennifer, and guests.
To what do I owe the honour?
Copy !req
923. - Rina Reynolds.
- Rina Reynolds? Who's Rina Reynolds?
Copy !req
924. Why don't you head to the house?
Tell everybody not to cut
the cake without me.
Copy !req
925. - Oh, God, I forgot. Your birthday.
- Yeah.
Copy !req
926. - Happy birthday, Roman.
- Yeah, as if life isn't tragic enough.
Copy !req
927. Shut the doors behind you, please.
Copy !req
928. So, you knew
Sidney Prescott's mother.
Copy !req
929. - Who?
- Rina Reynolds?
Copy !req
930. Do you know how many actors have
worked for me? Hundreds. Thousands.
Copy !req
931. - He didn't say she was an actor.
- Good catch.
Copy !req
932. - So what's the point?
- Uh, no point.
Copy !req
933. I'm just gonna give, uh,
Detective Kincaid a call.
Copy !req
934. I remember. She was a bit player
in a couple of my movies.
Copy !req
935. - A nobody. So what does it matter?
- Oh, come on.
Copy !req
936. You have made millions
off the story of her murder.
Copy !req
937. You're obsessed with her,
and you're obsessed with her daughter!
Copy !req
938. All right, easy, Geraldo.
Why don't you tell us the truth?
Copy !req
939. What the hell are you guys getting at?
I make horror films, that's what I do.
Copy !req
940. The studio came to me with Stab.
Copy !req
941. They came to me.
Check it out.
Copy !req
942. - But you knew who she was.
- When we did the first Stab...
Copy !req
943. I realized I had known
Maureen Prescott before.
Copy !req
944. I mean, as Rina.
Copy !req
945. I couldn't tell anyone.
Can you imagine the press?
Copy !req
946. And now?
I mean, murders on your set.
Copy !req
947. - And-And still you say nothing?
- Get real.
Copy !req
948. - That would make me a suspect.
- Just because you knew her?
Copy !req
949. - Yeah.
- I don't think so.
Copy !req
950. Just what did happen to Maureen
when she was in Hollywood?
Copy !req
951. Now, you listen to me, Lois Lane.
Let it go. It's dead and buried.
Copy !req
952. How would you like to see it
dug up on national TV?
Copy !req
953. Why don't you tell me
what happened?
Copy !req
954. It was in the '70s.
Everything was different.
Copy !req
955. I was well-known for my parties.
Rina knew what they were.
Copy !req
956. It was for girls like her to meet men.
Men who could get them parts...
Copy !req
957. if they made
the right impression.
Copy !req
958. Nothing happened to her
that she didn't invite...
Copy !req
959. in one way or another
no matter what she said afterwards.
Copy !req
960. - Are you saying she—
- I'm saying things got out of hand.
Copy !req
961. Maybe they did take advantage of her.
You know, Maybe the sad truth is...
Copy !req
962. this is not the city
for innocents.
Copy !req
963. No charges were brought.
And the bottom line is...
Copy !req
964. Rina Reynolds
wouldn't play by the rules.
Copy !req
965. You wanna get ahead in Hollywood?
Copy !req
966. You gotta play the game, or go home.
Copy !req
967. What do you know
about trilogies?
Copy !req
968. - You mean, like movie trilogies?
- You seem to like movies, Detective.
Copy !req
969. Call me Mark, would you? 'Cause
I'm gonna keep calling you Sidney.
Copy !req
970. I'll call you Mark when
you catch the killer, Detective.
Copy !req
971. All I know about movie trilogies
is that in the third one...
Copy !req
972. all bets are off.
Copy !req
973. - Did you request this case?
- No. They tend to put me...
Copy !req
974. on the ones that deal
with the business.
Copy !req
975. I grew up here,
and I know my way around the studios.
Copy !req
976. Huh.
Copy !req
977. Must be exciting.
Beautiful place, beautiful people.
Copy !req
978. To me, Hollywood is about death.
Copy !req
979. Excuse me?
Copy !req
980. I'm a homicide detective, remember?
Copy !req
981. And when you see what I see
day in and day out...
Copy !req
982. the violence
that people do to each other...
Copy !req
983. you get haunted.
Copy !req
984. I think you know about that.
Copy !req
985. What do you mean?
Copy !req
986. I know what it's like
to see ghosts that don't go away.
Copy !req
987. To be watching a scary movie in
your head, whether you want to or not.
Copy !req
988. Watching it alone.
Copy !req
989. Ghosts are tough.
You can't shoot ghosts.
Copy !req
990. Can't arrest ghosts.
Copy !req
991. But the best way to stop being
haunted is to be with people.
Copy !req
992. You're here, you're not hiding.
Copy !req
993. You've done the right thing,
Miss Prescott.
Copy !req
994. What did you know about your mother?
Copy !req
995. I always thought
I had the perfect mom.
Copy !req
996. Perfect family.
Copy !req
997. Till I found out I was wrong.
She, um—
Copy !req
998. She had a secret life, and I tried
to understand that, and, um...
Copy !req
999. soon as I thought that I had,
more secrets.
Copy !req
1000. I don't know who my mom was.
Copy !req
1001. You know who she was to you.
Copy !req
1002. Here's the deal.
I'm off to search the set.
Copy !req
1003. I think what you saw is real.
That's the good news.
Copy !req
1004. - How is that good news?
- Because that means...
Copy !req
1005. that we're dealing with
an ordinary flesh-and-blood killer.
Copy !req
1006. - And I know how
to handle guys like that.
- Oh, yeah? How?
Copy !req
1007. Catch him or kill him.
Copy !req
1008. Hey, Detective.
Copy !req
1009. What's your favourite
scary movie?
Copy !req
1010. My life.
Copy !req
1011. Mine too.
Copy !req
1012. We have to think.
Strategize.
Copy !req
1013. - Milton's the key to everything.
- He's a pervert, he's not a killer.
Copy !req
1014. He's gotta be involved somehow.
We should follow him.
Copy !req
1015. We're gonna go back to the precinct and
we're gonna tell Kincaid and Sidney...
Copy !req
1016. what we found out.
Copy !req
1017. My Gale would be much more aggressive.
My Gale would suspect everybody.
Copy !req
1018. - My Gale would—
- Shut up!
- Shut up!
Copy !req
1019. - Riley here.
- Dewey, it's Sidney.
- Hey, Sid.
Copy !req
1020. - I'm with Gale.
We're on our way to see you.
- No.
Copy !req
1021. Listen, I'm not at the station.
John Milton called me and said
he had something to tell me.
Copy !req
1022. Something about my mom.
I'm going to meet him at his house.
Copy !req
1023. Wait, Sid, I'm not so sure
that's a good idea.
Copy !req
1024. It's okay. Kincaid's with me.
I've got official big-time...
Copy !req
1025. L.A.P.D. protection, but
I'd feel better if you were there.
Copy !req
1026. - We're on our way, but still, Sid—
- Thanks.
Copy !req
1027. - What?
- Looks like we're going
to that party after all.
Copy !req
1028. Hey, guys. Come on in.
Join the party.
Copy !req
1029. Yeah, well, actually,
we're here to see Sidney.
Copy !req
1030. - Really? Sidney's here.
- Where?
Copy !req
1031. - Where's Sidney?
- She's right there!
Copy !req
1032. Jesus!
Not "Sidney," Sidney.
Copy !req
1033. - Like I'm "Gale" and she's Gale.
- Sidney Prescott?
Copy !req
1034. - Yeah.
- No, I'd never invite her here.
Copy !req
1035. - She's on her way.
- Well, the more the merrier.
Copy !req
1036. God, this house is incredible.
Copy !req
1037. - It's old Hollywood.
- Yeah. Could the dude have more money?
Copy !req
1038. Supposedly, Milton has
a secret screening room...
Copy !req
1039. that was like the scene
back in the '70s, you know.
Copy !req
1040. It was, like, drinks and drugs
and girls and movies and shit.
Copy !req
1041. Wow! Wish I could've seen it.
Copy !req
1042. Big old screening room
shouldn't be too hard to find.
Copy !req
1043. I'm gonna go—
I'm gonna go check this place out.
Copy !req
1044. Whoa, whoa, whoa!
Just one damn minute.
There's a psycho killer on the loose.
Copy !req
1045. And you want to go traipsing around
this gigantic mansion?
Copy !req
1046. Have you ever actually seen
the Stab movies? Every time...
Copy !req
1047. this dude enters a room,
he ends up a goddam shish kebab.
Copy !req
1048. - I'll go with you, Roman.
- There you go. You guys wanna come?
Copy !req
1049. It'll be okay.
We're gonna stick together.
Copy !req
1050. - You're not stickin'. Wait up.
- We're gonna stay here and wait for Sid.
Copy !req
1051. We'll be right back!
Copy !req
1052. If-If you were a screening room...
Copy !req
1053. where would you be?
Copy !req
1054. I bet in the basement.
Copy !req
1055. I don't like basements.
Copy !req
1056. Ooh, it's spooky.
Copy !req
1057. - Ooh, Weredad.
- Damn, it's dark in here.
Copy !req
1058. - I loved that movie.
- Forget the movie!
What if Milton's crazy...
Copy !req
1059. and he's gonna jump outta his screening
room with a sling blade or something?
Copy !req
1060. - He won't.
- You sure about that?
Copy !req
1061. - What's down there?
- Zombies and aliens.
Copy !req
1062. You know, what you look like
without make-up, Jennifer.
Copy !req
1063. Jesus. Stop pretending
I wasn't the best you've ever had.
Copy !req
1064. - Oh, stop pretending I even remember.
- Stop pretending!
Copy !req
1065. Roman?
Copy !req
1066. Roman?
Copy !req
1067. - Any sign of her?
- No.
Copy !req
1068. This is so strange.
Copy !req
1069. It sure is.
Copy !req
1070. Dewey, do you have caller I.D.
on your cell phone?
Copy !req
1071. - Yeah.
- All right, use it and-and press "send."
Copy !req
1072. What the hell?
Copy !req
1073. What is this thing?
Copy !req
1074. Is this what he—
What the hell?
Copy !req
1075. Dewey, he's got our voices.
Copy !req
1076. He's got Sid.
Copy !req
1077. He's got us all.
Copy !req
1078. - Oh, my God. We gotta find her.
- Come on.
Copy !req
1079. All right, take the gun.
Copy !req
1080. Go find Roman and Jennifer.
I'm gonna get the others.
Copy !req
1081. - Be careful.
- You too.
Copy !req
1082. Tyson! Angelina!
You up there?
Copy !req
1083. - Roman!
- Tyson!
Copy !req
1084. Angelina!
Copy !req
1085. Damn it!
Copy !req
1086. Okay, come on.
We gotta get out of here.
Copy !req
1087. - Where's Angelina?
- I don't know. She went in here.
Copy !req
1088. - I came in after her. Now she's gone.
- Great.
Copy !req
1089. - What's wrong?
- Looks like Stab 3
is back in production.
Copy !req
1090. Roman!
Copy !req
1091. Jennifer!
Copy !req
1092. Jennifer!
Copy !req
1093. Roman!
Copy !req
1094. Jennifer!
Copy !req
1095. Roman?
Copy !req
1096. - Is he dead?
- Yeah, very.
Copy !req
1097. Dewey! Dewey!
Copy !req
1098. Dewey?
Copy !req
1099. Dewey!
Copy !req
1100. God, I'm sorry.
Jennifer, Gale, look.
Copy !req
1101. - I found a secret passage.
- Roman's dead.
Copy !req
1102. - What?
- The killer's here.
- What?
Copy !req
1103. - Let go of me! I'm getting out of here!
- You're not safe alone!
Copy !req
1104. Listen to me!
Copy !req
1105. I did not fuck that pig Milton
to get a leading role...
Copy !req
1106. just to die here with second-rate
celebrities like you two!
Copy !req
1107. - Gale! I'm up here.
- Come on.
Copy !req
1108. - Dewey!
- You guys should get out too.
Copy !req
1109. It's crazy to still be here.
Copy !req
1110. - Wait!
- Come on!
Copy !req
1111. - Dewey!
- Gale, Jennifer, up here!
Copy !req
1112. Dewey, here.
He got Roman and Angelina too.
Copy !req
1113. - We'll be safer if we
stick together, won't we?
- Of course. Why—
Copy !req
1114. What's goin' on?
Oh, shit!
Copy !req
1115. - Hey!
- Dewey!
Copy !req
1116. Dewey!
Copy !req
1117. No!
Copy !req
1118. Help! Police!
Help! Help!
Copy !req
1119. Police! Help!
Copy !req
1120. Oh, you motherfucker!
Copy !req
1121. Damn!
Copy !req
1122. Dewey! Dewey!
Copy !req
1123. Behind the mirror, Dewey!
Copy !req
1124. Gale! Get away! Dewey!
Copy !req
1125. - Do you hear something?
- Get away from me, you asshole.
Copy !req
1126. - Get away from me! You don't scare me!
- Look, Gale. The mirror's moving.
Copy !req
1127. - Gale! Gale!
- Stand back, Gale.
Copy !req
1128. You can't kill me. I'm the killer
in Stab 3. I'm the killer!
Copy !req
1129. Gale, cover!
Copy !req
1130. Dewey!
Copy !req
1131. - Tyson!
- Tyson!
Copy !req
1132. I'm gonna check down here.
You call for help.
Copy !req
1133. Okay.
Copy !req
1134. Tyson!
Copy !req
1135. - Tyson?
- Any sign of him?
Copy !req
1136. - No.
- All right. I'm gonna check out front.
Copy !req
1137. Dew—
Copy !req
1138. Gale!
Copy !req
1139. Gale!
Copy !req
1140. Gale!
Copy !req
1141. - Dewey?
- Gale!
Copy !req
1142. Gale!
Copy !req
1143. - Who is this?
- Dewey, it's me.
Copy !req
1144. Gale, where are you?
Copy !req
1145. I'm in the basement.
I'm trapped.
Copy !req
1146. - Where?
- There's a door in the kitchen.
Copy !req
1147. Hurry.
Copy !req
1148. Wait. How do I know this is
you, Gale, and not the killer?
Copy !req
1149. Dewey, open the fucking door.
It's me.
Copy !req
1150. Well, don't you think that's
what the killer would say?
Copy !req
1151. Come on. He's out cold
at the bottom of the stairs.
Copy !req
1152. Hey!
Copy !req
1153. Dewey. Dewey.
Copy !req
1154. All right, all right.
It's pizza, not a party.
Copy !req
1155. Everybody get back to work.
Anybody seen my fuckin' partner?
Copy !req
1156. Hey, Morgan,
what did you pay?
Copy !req
1157. - Hello?
- Hello?
Copy !req
1158. - Who is this?
- Who is this?
Copy !req
1159. - Um, w-who's calling?
- Um, w-who's calling?
Copy !req
1160. Gale, Dewey, whoever, um, call me back.
I can only hear myself.
Copy !req
1161. I only hear you too, Sidney.
Copy !req
1162. - Who is this?
- The question isn't who I am.
Copy !req
1163. The question is:
Who's with me?
Copy !req
1164. - Sidney, stay away!
- Sidney!
Copy !req
1165. Don't do it. If you do one thing
to attract attention to yourself...
Copy !req
1166. one thing,
I'll kill them both.
Copy !req
1167. Now, do you have somewhere
we can be alone?
Copy !req
1168. - Yes.
- Yeah. Go there.
Copy !req
1169. Oh, it's hard being friends
with you, Sidney.
Copy !req
1170. When you're friends with Sidney,
you die.
Copy !req
1171. Well, these friends don't have to,
Sidney. It's up to you.
Copy !req
1172. - How do I know their voices are—
- Are real?
Copy !req
1173. How do you know
you're not hearing things?
Copy !req
1174. How do you know I'm not someone
in your head? Somewhere you know.
Copy !req
1175. - Don't come here, Sidney!
- Dewey!
Copy !req
1176. - Or do you?
- You're dead.
Copy !req
1177. I don't want them.
I want you.
Copy !req
1178. It's simple.
You show yourself, they survive.
Copy !req
1179. - You run, they die.
- Oh, God!
Copy !req
1180. Don't you wanna know, Sidney,
who killed her?
Copy !req
1181. Don't you wanna know
who killed your mother?
Copy !req
1182. - Have you seen Kincaid?
- Yeah, I saw him go out.
Copy !req
1183. - Wallace is still lookin' for him.
- Where?
Copy !req
1184. She'd have been so happy, Sidney,
to know we'd be together.
Copy !req
1185. - Where?
- I'll call you when you're on your way.
Copy !req
1186. Shit. Shit. Shit.
Copy !req
1187. Holy shit.
Copy !req
1188. - What?
- You follow directions well, Sidney.
Copy !req
1189. Now, welcome to the final act.
Copy !req
1190. See that metal detector?
Copy !req
1191. Use it.
Copy !req
1192. All over, Sidney.
Everywhere.
Copy !req
1193. Everywhere.
The other leg too.
Copy !req
1194. Show it to me.
Copy !req
1195. Throw it in the pool.
Copy !req
1196. Now, come inside, Sidney.
Copy !req
1197. No fucking way. How do I know
they're not dead already?
Copy !req
1198. They're right inside,
waiting for you.
Copy !req
1199. Look for yourself.
Copy !req
1200. Now that we're all here,
the party can begin.
Copy !req
1201. - Dewey.
- Sid.
Copy !req
1202. - Where is he?
- I don't know.
Copy !req
1203. He's right there!
Copy !req
1204. Oh, shit.
Copy !req
1205. Think again.
Copy !req
1206. It's your turn to scream, asshole.
Copy !req
1207. Yeah!
Copy !req
1208. - It's okay. Just give me a second.
- Okay.
Copy !req
1209. - Hurry, Sid.
- Sidney? Sidney?
Copy !req
1210. Where is he?
Copy !req
1211. Be careful!
Copy !req
1212. I heard shots. Tyson's dead.
What's goin' on?
Copy !req
1213. - What're you doin' here, Kincaid?
- Lookin' for you.
Copy !req
1214. Tyson said there was a party here
tonight, and I thought, uh-oh.
Copy !req
1215. Third act celebration.
Thought I better check it out.
Copy !req
1216. Alone?
Where's your partner?
Copy !req
1217. Hey, Miss Prescott.
Copy !req
1218. I'm here to help.
Put the gun down.
Copy !req
1219. Put the gun down.
Copy !req
1220. No!
Copy !req
1221. Sid! Wake up, Sid!
Sid, come on!
Copy !req
1222. - Wake up!
- Sidney!
Copy !req
1223. Sid, shoot him! Sid!
Copy !req
1224. Shoot the fucker!
Copy !req
1225. Shoot him!
Copy !req
1226. You want me, motherfucker?
Come and get me.
Copy !req
1227. Run!
Copy !req
1228. Sid.
Copy !req
1229. Sid.
Copy !req
1230. Come in here, please.
Copy !req
1231. It's just me, Sid.
Copy !req
1232. Oh, I was so pretty.
Copy !req
1233. Everybody loved me.
Copy !req
1234. Have you missed me, Sidney?
Copy !req
1235. Would you like to hold me
one last time?
Copy !req
1236. What's the matter?
What are you staring at?
Copy !req
1237. Don't you remember your mother?
Copy !req
1238. You're not going anywhere, Sidney.
Copy !req
1239. It's time you came to terms
with me and with Mother.
Copy !req
1240. Maybe you never
knew her at all, Sidney.
Copy !req
1241. Maybe you just can't get past
the surface of things.
Copy !req
1242. - Who the hell are you?
- The other half of you.
Copy !req
1243. I searched for a mother too,
an actress named Rina Reynolds.
Copy !req
1244. Tried to find her my whole life.
Copy !req
1245. And four years ago,
I actually tracked her down.
Copy !req
1246. Knocked at her door, thinking
she'd welcome me with open arms.
Copy !req
1247. But she had a new life
and a new name: Maureen Prescott.
Copy !req
1248. You were the only child
she claimed, Sidney.
Copy !req
1249. She shut me out
in the cold forever.
Copy !req
1250. Her own son.
Copy !req
1251. Roman Bridger, director.
And brother.
Copy !req
1252. She slammed the door in my face, Sid.
She said I was Rina's child...
Copy !req
1253. and Rina was dead.
Copy !req
1254. And it struck me.
Copy !req
1255. What a good idea!
So I watched her.
Copy !req
1256. I made a little home movie.
A little-little family film.
Copy !req
1257. It seems Maureen—
Mom—
Copy !req
1258. She really got around.
I mean, Cotton was one thing.
Copy !req
1259. Everybody knew about that.
Copy !req
1260. But Billy's father?
That was the key.
Copy !req
1261. Your boyfriend didn't like seeing
his daddy in my film too much.
Copy !req
1262. He didn't like it at all.
Copy !req
1263. But once I supplied the motivation,
all the kid needed was a few pointers.
Copy !req
1264. Have a partner to sell out in case
you get caught, find someone to frame.
Copy !req
1265. It was like
he was making a movie.
Copy !req
1266. You. This is all because of you.
Copy !req
1267. I'm a director, Sid.
Copy !req
1268. - I direct.
- Oh.
Copy !req
1269. I had no idea that they were
gonna make a film of their own.
Copy !req
1270. - Oh, shit.
- What a film it turned out to be, huh?
Copy !req
1271. I mean, introducing Sidney,
the victim.
Copy !req
1272. Sidney, the survivor.
Sidney, the star!
Copy !req
1273. All right. You're gonna be all right.
Just apply pressure.
Copy !req
1274. Here, take this.
Get the son of a bitch.
Copy !req
1275. Let's go.
Copy !req
1276. Fine, you got what you wanted,
hero and villain face-to-face.
Copy !req
1277. - Well, you know what happens now?
The villain dies!
- Exactly!
Copy !req
1278. But I'm not the villain, Sid.
You are.
Copy !req
1279. Here he is, the man who gave away
your mother's innocence.
Copy !req
1280. Huh? What he did
to her made her a slut.
Copy !req
1281. Didn't it? Huh? She never recovered from
that night, right here in this room.
Copy !req
1282. They fucked her three ways from Sunday.
Ruined her life.
Copy !req
1283. Ruined yours too,
didn't it, Sid?
Copy !req
1284. You hate him, Sid?
Copy !req
1285. Come on, I know you do.
I'm sure you do.
Copy !req
1286. I know who you are.
I know what happened to my mother.
Copy !req
1287. And I want you to understand,
I'm gonna make you pay!
Copy !req
1288. That's what the police are gonna
find on Milton's answering machine...
Copy !req
1289. right next to his lifeless,
mutilated corpse.
Copy !req
1290. - What? Can't hear ya.
- You don't have to do this, Roman.
Copy !req
1291. Just tell me what you want.
I can make it happen.
Copy !req
1292. Any picture.
Name your budget. Script approval.
Copy !req
1293. - Final cut!
- I already have it.
Copy !req
1294. No!
Copy !req
1295. God! You spineless bastard!
Copy !req
1296. No, Sid, that would be you.
You did it all.
Copy !req
1297. You did it, you called them all.
Even your closest friends.
Copy !req
1298. Living in total isolation, the pressure
ofanother movie about you...
Copy !req
1299. the discovery that Milton
destroyed Mommy dearest...
Copy !req
1300. you finally just snapped!
Copy !req
1301. One, two, three!
Copy !req
1302. And who's our hero, huh?
The sole survivor. Who's the one...
Copy !req
1303. who bravely faced down the psychopath
and killed her with her own knife?
Copy !req
1304. You're gonna pay for the life
you stole from me, Sid.
Copy !req
1305. For the mother, and for the family,
and for the stardom and—
Copy !req
1306. Goddam it! Everything you have
that should've been mine!
Copy !req
1307. God! Why don't you stop your whining
and get on with it?
I've heard this shit before!
Copy !req
1308. - Stop!
- You know why you kill people,
Roman? Do you?
Copy !req
1309. - I don't wanna hear it!
- Because you choose to!
There is no one else to blame!
Copy !req
1310. - Stop it! Fucking damn it!
- Why don't you take
some fucking responsibility?
Copy !req
1311. - Fuck you!
- Fuck you!
Copy !req
1312. Sid? Sidney?
Copy !req
1313. Sidney?
Copy !req
1314. Sidney!
Copy !req
1315. Sidney!
Copy !req
1316. Leave her alone!
Copy !req
1317. Dewey, do something!
Copy !req
1318. - Stand back!
- Dewey!
Copy !req
1319. Sid! Sid.
Copy !req
1320. Sid?
Copy !req
1321. Where is he?
Copy !req
1322. Hey. Lose something?
Copy !req
1323. Found something.
Copy !req
1324. There's gotta be another way in there!
Come on!
Copy !req
1325. You hurt her,
I swear I'll kill you!
Copy !req
1326. - Dewey!
- Down this way. There's another hallway.
Copy !req
1327. There's another door down here.
Copy !req
1328. - This thing's not budging.
- Look around for something heavy.
Copy !req
1329. - Go that way.
- Okay!
Copy !req
1330. I shot you.
Copy !req
1331. I guess we think alike.
Copy !req
1332. Mother's dead.
Copy !req
1333. And there is nothing
you can do about that.
Copy !req
1334. I still got
to make my movie.
Copy !req
1335. Stab 3, right?
Copy !req
1336. Kincaid, hang in there.
Copy !req
1337. Roman? It was Roman?
Copy !req
1338. Be careful, Sid. Randy said
the killer's always superhuman.
Copy !req
1339. Yeah, well,
he wasn't superhuman, Dewey.
Copy !req
1340. He wasn't superhuman at all.
Copy !req
1341. - You can't fuckin' kill me!
- Head!
Copy !req
1342. - Head! Head, Dewey!
- What?
Copy !req
1343. Head!
Shoot him in the head.
Copy !req
1344. Thanks.
Copy !req
1345. No problem.
Copy !req
1346. Look.
Copy !req
1347. Come on, Cherokee.
Come on.
Copy !req
1348. - Yeah, she's doin' great.
- Yeah.
Copy !req
1349. Look.
Copy !req
1350. What are you doing with that?
Copy !req
1351. Um, will you sign it
for me, Gale?
Copy !req
1352. You hate that book.
Copy !req
1353. Besides, I'm-I'm done
with that kind of reporting.
Copy !req
1354. For me.
Will you sign it for me?
Copy !req
1355. You're a nut.
Copy !req
1356. Okay.
Copy !req
1357. - Will you?
- Dewey.
Copy !req
1358. I know it'll never work,
and you know it'll never work.
Copy !req
1359. But what I'm asking is
just to see if we're wrong.
Copy !req
1360. We don't know everything, Gale.
Copy !req
1361. I mean, you think you do, but—
Copy !req
1362. You're a brave man,
Dewey Riley.
Copy !req
1363. I'm really scared right now.
Copy !req
1364. Inside.
Copy !req
1365. Sid, we've been waiting for you.
We're gonna start a movie.
Copy !req
1366. - What kind of movie?
- You have to come and see.
Copy !req
1367. Take a little walk
to the edge of town
Copy !req
1368. Now, spread your wings and fly
Copy !req
1369. Don't the lights of the city
look so damn pretty
Copy !req
1370. When you're flyin' so high
Copy !req
1371. It's hard to know
about there down below
Copy !req
1372. The streets fade
They're swimmin'deep in blood
Copy !req
1373. It seems to make me
groan and cry
Copy !req
1374. You really wanna know
what's wrong with this land
Copy !req
1375. Just scratch your head
with your red right hand
Copy !req
1376. I'm talkin'about blood, babe
Copy !req
1377. It's in your veins
Copy !req
1378. Your mommy and daddy
Copy !req
1379. They've got the same
Copy !req
1380. You're under the mirror
day after day
Copy !req
1381. You see a pretty face
crumblin' away
Copy !req
1382. As you become
your mom and daddy
Copy !req
1383. Scream once, scream twice
Now scream again
Copy !req
1384. Cover that face
with your red right hand
Copy !req
1385. So, is this the end
Copy !req
1386. Forus, my friend
Copy !req
1387. So, is this the end
Copy !req
1388. Forus, my friend
Copy !req
1389. So, is this the end
Copy !req
1390. Forus, my friend
Copy !req
1391. Well as though we rise
Copy !req
1392. As the day breaks the dawn
Copy !req
1393. And as the moon hides the sun
Copy !req
1394. Oh, the sun
Copy !req
1395. No more sorrow
Copy !req
1396. All those crying days are gone
Copy !req
1397. No more sorrow
Copy !req
1398. Now it'sgone
Copy !req
1399. Now it'sgone
Copy !req
1400. Now it'sgone
Copy !req
1401. So, is this the end
Copy !req
1402. Forus, my friend
Copy !req
1403. Spoke to my god today
Asked him why he'd gone away
Copy !req
1404. Hitched on a rocket ride
into the sun
Copy !req
1405. Said, son I got one for ya
Down there in California
Copy !req
1406. Just take a look around
at all you've done
Copy !req
1407. You're automatic
like a burnin' gun
Copy !req
1408. You're a star like everyone
Copy !req
1409. Talked to my soul today
Couldn't keep my brain away
Copy !req
1410. So I found a holiday
behind the sun
Copy !req
1411. Took all the friends I could
Spun out in Hollywood
Copy !req
1412. Hit up on a climate everyone
Copy !req
1413. You're automatic
like a burnin' gun
Copy !req
1414. You're a star like everyone
Copy !req
1415. You could save the world
Copy !req
1416. Could be shining on my pearl
Copy !req
1417. You could save the world
Copy !req
1418. Just might find your way
mypearl
Copy !req
1419. Shine
Copy !req
1420. Shine
Copy !req
1421. You're automatic
like a burnin' gun
Copy !req
1422. You're a star like everyone
Copy !req
1423. You could save the world
Copy !req
1424. Could be shinin' on my pearl
Copy !req
1425. You could save the world
Copy !req
1426. Could be shinin' on my pearl
Copy !req
1427. You could save the world
Copy !req
1428. Just might find your way
my pearl
Copy !req
1429. Shine
Copy !req
1430. Shine
Copy !req