1. ♪ A jolly good fellow ♪
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2. ♪ For he's a jolly good fellow ♪
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3. ♪ Which nobody can deny ♪
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4. ♪ For he's a jolly good fellow ♪
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5. ♪ Which nobody can deny ♪
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6. - Bottoms up, Chris.
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7. Bottoms up, old boy
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8. - Well boys, I hate to
break up a good party,
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9. but you can't keep a
woman waiting, can you?
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10. You know how it is, boys.
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11. - Yes we do, Mr. Hogarth.
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12. - That's right, JJ.
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13. - I'll say you can't, JJ.
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14. - I see you can all understand, all right.
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15. Well, believe you me, boys,
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16. I've had the time of my life tonight.
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17. And speaking of time,
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18. I have here a 14-karat 17-jewel timepiece.
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19. And that's only right
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20. because the man I'm giving it to
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21. is a 14-karat 17-jewel cashier.
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22. - Hear hear. Hear hear.
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23. - Pass it along to him, boys.
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24. - Oh, that's a beautiful watch, JJ.
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25. - It certainly is.
- Oh, it's wonderful.
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26. - He deserves this.
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27. - It's a dilly.
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28. Beautiful watch, Chris.
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29. - Chris.
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30. - Certainly deserves it too.
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31. - Read what's engraved inside, Chris.
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32. - "To my friend Christopher Cross,
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33. in token of 25 years of faithful service.
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34. From JJ Hogarth, 1909-1934."
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35. - Speech, speech.
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36. - Speak up, Chris, speak up.
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37. Come on, Chris, speech.
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38. - Well, I, I hardly know what to say, JJ.
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39. This, why, it's beautiful.
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40. I never expected to own a watch like this.
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41. No sir, I ...
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42. Well, all I can say is that
we've got the best boss
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43. in New York.
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44. ♪ For he's a jolly good fellow ♪
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45. ♪ Which nobody can deny ♪
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46. - Good boy, Chris.
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47. - Good luck, Chris.
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48. - Congratulations, old
boy, congratulations.
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49. - Good boy, Chris, good boy.
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50. - Uh, thank you, Chris.
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51. Thank you, my old friend.
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52. God bless you.
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53. - Thank you.
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54. - Have a smoke before I go.
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55. - Well, I, I, I don't usually, JJ.
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56. - Go ahead and try it.
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57. It's made special for me. A dollar apiece.
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58. Here, Charlie.
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59. - Oh, thanks.
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60. - Thank you.
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61. - You're not superstitious,
are you, Chris?
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62. - No, no, no sir. No, sir.
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63. - Now don't break up a good party
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64. just because I've got to go.
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65. Everything is charged to JJ.
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66. - Oh, that's
very nice of you, boss.
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67. - So you can drink all you want.
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68. Only don't come in late Monday
morning with a hangover.
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69. - Don't worry, we won't.
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70. We'll be right there on time.
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71. - Good night, boys.
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72. - Good night, boss.
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73. - Great, let's see that watch.
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74. - It certainly
is beautiful treasure.
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75. - Oh boy, aren't you a lucky dog?
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76. - I'll treasure this
for the rest of my life.
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77. - I'll bet you will.
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78. - Hey fellas, look.
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79. Look, come here. Hurry.
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80. Get a load of that dame.
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81. - That's JJ's wife?
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82. - The boss is stepping out.
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83. - See, if I
had his dough he's got,
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84. I'd step out too.
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85. - Might be
load of laundry tonight.
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86. - Nothing like the smell of spring.
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87. - Which way do you go, Chris?
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88. - Well, I guess, I'll
take the East Side subway.
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89. Gets me to Brooklyn a little quicker.
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90. Say, you haven't got an umbrella.
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91. Now, I'll take you to your bus.
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92. - Oh, no, that's out of your way.
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93. - Oh, I don't mind walking.
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94. You know, fresh air, spring.
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95. Hey, I'm a little drunk.
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96. - Well, never mind, I'll
catch the next one.
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97. You go on over to the subway.
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98. - Oh, I don't mind waiting.
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99. I, I feel kinda lonely tonight.
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100. Say, uh, Charlie.
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101. Uh, do you suppose JJ is running around
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102. with that young lady?
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103. - It looks that way.
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104. - I, I, I wonder what it's like.
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105. - What, Chris?
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106. - Well, to be loved by
a young girl like that.
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107. You know, nobody ever
looked at me like that,
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108. not even when I was young.
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109. - Yes, when we're young, we
have dreams that never pan out,
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110. but we go on dreaming.
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111. - When I was young, I
wanted to be an artist.
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112. You know, I dreamt I was gonna
be a great painter someday.
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113. So, I'm a cashier.
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114. - Do you still paint?
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115. - Yeah, every Sunday.
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116. - Well, that's one way to kill time.
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117. You know, Sunday's one day of
the week that I don't like.
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118. I never know what to do with myself.
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119. - Well, why don't you come
over tomorrow and see me?
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120. - Thanks, Chris, I'll do that.
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121. Goodnight, Chris.
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122. - Goodnight,
Charlie. See you tomorrow.
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123. - Yeah, goodnight.
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124. - Hmm, stopped raining.
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125. - Yeah, a half hour ago.
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126. - Oh, which way is it
to the East Side subway?
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127. - Around the corner,
past the El, four blocks.
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128. - Oh, thank you, Officer.
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129. I guess I got turned around.
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130. These streets are all mixed
up in Greenwich Village.
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131. - Yes.
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132. - Is he hurt?
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133. - I'll go call a policeman.
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134. - No, wait, wait!
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135. - Officer, Officer!
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136. - Where'd he go?
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137. - In that direction.
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138. - What does he look like?
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139. - I don't know.
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140. - I didn't see his face.
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141. - He took $ 15.
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142. He didn't believe it was all I had,
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143. so he began pushing me around.
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144. Then this gentleman ran
in and knocked him down.
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145. - That's right, Officer,
he was right there.
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146. - I couldn't hold him. He got up and ran.
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147. - Wait here.
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148. - Come on, let's get out of here.
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149. - But we, we have to wait for the officer.
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150. - I don't wanna get my name
in the newspaper, do you?
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151. - What, the newspaper?
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152. - Sure, we'll have to go
down to the station house
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153. and make a complaint.
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154. Then every time they make an arrest,
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155. they send detectives to
your house for weeks.
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156. Oh, it's a nuisance.
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157. - Hmm.
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158. - Won't you take me home?
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159. - Why, yes.
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160. Well, sure, that is...
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161. Well, if you think that.
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162. - Well, here's where I live.
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163. Oh, I'm sorry, I can't ask you to come up,
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164. but I share my apartment
with another girl, Millie.
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165. Goodnight, and thanks for everything.
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166. - Uh, don't you, don't
you want a cup of coffee?
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167. ♪ Come to me, my ♪
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168. - All right.
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169. ♪ Melancholy baby ♪
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170. ♪ Cuddle up and don't be blue ♪
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171. ♪ All your fears are foolish ♪
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172. - Hello, Kitty.
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173. - Hello, Tiny. Oh, this is Mister, uh-
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174. - Cross.
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175. - Glad to know you, Mr. Cross.
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176. - Oh, how do you do?
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177. - You seen Johnny?
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178. - No, not since he left here.
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179. - Two coffees, please.
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180. - Oh, I think I'll change my mind.
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181. I could stand a drink. A Rum Collins.
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182. - One Rum Collins?
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183. - Uh, yes, yes.
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184. - Oh, come on, keep me company.
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185. - Well, you see, I've already
had a good deal of champagne.
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186. - You want champagne?
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187. - Oh, no, no, no.
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188. Make mine the same.
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189. Ever since I first saw you,
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190. I, I was wondering what your name was.
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191. Kitty?
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192. - It's really Katherine.
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193. Katherine March.
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194. My friends call me Kitty.
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195. What do your friends call you?
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196. - Uh, Chris.
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197. - Chris Cross. Crisscross!
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198. - Yes, the boys tease me
about it, but I don't mind.
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199. - Why are you looking at me?
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200. Is my face dirty?
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201. - It's beautiful.
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202. - I'll bet it is.
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203. Gee, I'm a sight!
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204. - Oh, thank you, sir.
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205. - Cheers, Chris.
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206. - Oh, Miss March, uh.
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207. - Kitty.
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208. - Yes, Miss, I mean, Kitty.
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209. Well, look, Kitty, since I'm
old enough to be your father-
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210. - You're not so old.
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211. - You don't think so?
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212. - Well, you're not a boy.
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213. You're just, uh, mature.
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214. I like mature people.
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215. - Well, what I wanted to say
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216. was you shouldn't be alone in
the street so late at night.
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217. - I was coming home from work.
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218. - You work this late?
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219. - Mm-hmm.
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220. - What do you do?
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221. - Guess.
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222. - You're an actress.
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223. - Oh, you are clever.
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224. Now that you know all about
me, tell me about yourself.
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225. What do you do?
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226. - I? I, uh...
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227. Well, you see-
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228. - No, no, don't tell me.
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229. You work in a bank?
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230. - No.
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231. - Well, let's see.
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232. Greenwich Village is full of artists.
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233. I meet you in Greenwich Village.
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234. You must be an artist, right?
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235. - Well, I, yes, yes, I paint.
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236. - Of course, you're a
painter. I love paintings.
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237. To think I took you for a cashier.
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238. You know those art
galleries on 5th Avenue?
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239. The prices they charge.
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240. I saw one little picture
that cost $50,O00.
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241. They called it, uh, Cezanne.
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242. - Cezanne, oh, he was
a great French painter.
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243. I'd like to own that painting.
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244. - You would?
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245. - Mm-hmm.
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246. - For $50,00O?
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247. - Well, you can't put any price
on masterpieces like that.
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248. They're worth, uh,
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249. well, whatever you can
afford to pay for them.
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250. - You know what, Chris,
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251. I bet I saw some of your pictures
there and didn't know it.
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252. Next time, I'll look for your name.
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253. - Oh, no, no, no, no.
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254. I, I don't sell my pictures.
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255. - Well, not in New York, you mean?
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256. - No, I, uh-
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257. - I know.
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258. I bet you sell your
pictures in Europe, France,
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259. or someplace like that.
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260. You can tell I don't
know much about painting.
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261. I bet you get as much for
your pictures in France
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262. as those Frenchmen get
right here in New York.
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263. You're never appreciated
in your own country.
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264. - Well, that's, that's
one way of looking at it.
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265. But, you know, when I paint,
I don't think of money.
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266. I just paint for fun.
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267. - Fun?
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268. - Yes, I think, it's the
most fun I know, painting.
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269. I wish I had all the time to paint.
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270. - Well, don't you have time?
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271. - Oh, no. Well, yes, you see, I ...
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272. Well, you know, business
takes a lot of time.
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273. - No wonder, when you get all that money.
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274. - Well, what play are you acting in?
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275. - It closed tonight.
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276. - Which one?
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277. - The one I was in. What time is it?
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278. - Oh.
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279. It's only 10 past two.
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280. - Only?
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281. It's time for Kitty to be in bed.
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282. So you won't forget me.
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283. - Thank you.
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284. Can I see you again?
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285. - Oh, sure, sometime.
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286. - Well, if you'll give
me your telephone number.
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287. - Haven't got a phone.
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288. - Well, may I write you?
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289. - That's the address. Goodnight, Chris.
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290. - Kitty, who's Johnny?
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291. - Why do you ask that?
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292. - Well, I just heard
you ask the bartender.
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293. - Oh, sure, he's just a fellow I know.
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294. He's Millie's boyfriend.
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295. You know, the girl I live with.
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296. Goodnight, Chris.
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297. - Goodnight, Kitty.
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298. - Christopher!
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299. Christopher!
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300. - Yes, Adele.
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301. Well, well, this is a pleasure.
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302. I didn't expect to see you, Charlie.
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303. - But, Chris, you asked me.
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304. - My wife. Well, it's
good to see you anyway.
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305. Hey, that was a swell party
last night, wasn't it, Charlie?
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306. Uh, say, what time did we go home?
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307. After midnight, wasn't it?
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308. You know, I haven't been to bed yet.
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309. - You haven't?
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310. - I guess, I'm not as old as
I thought I was, eh, Charlie?
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311. - No, no.
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312. - Oh, I've got to do the dishes for Adele.
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313. You don't mind, Charlie, do you?
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314. - No, no, no, go right ahead.
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315. Say, did you paint this?
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316. - Great Scott, no.
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317. That isn't painting.
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318. That's mud, done by a photographer.
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319. - Who is it?
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320. - The late departed.
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321. - Oh, your wife's former husband.
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322. - Detective Sergeant Higgins.
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323. Homer Higgins.
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324. - Say, that's a real medal, isn't it?
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325. - Yeah. Adele got it.
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326. - Your wife?
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327. - Yeah, after he was
drowned in the East River,
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328. jumped in to save a woman.
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329. Neither body was found.
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330. - Oh, too bad.
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331. - Yeah, too bad.
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332. Oh, thank you, Charlie.
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333. - Not at all.
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334. How long have you been married, Chris?
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335. - Five years.
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336. Well, now,
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337. she didn't wanna spend
his insurance money,
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338. so she rented out the spare room.
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339. Only $4 a week.
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340. Well, I was trying to
save money to buy paints,
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341. and so I moved in.
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342. Oh, she was sweet.
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343. Butter wouldn't melt in her mouth.
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344. And ...
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345. Well, you know how these things go.
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346. - Smoke?
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347. - Oh, I guess I better not.
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348. - Where are your paintings, Chris?
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349. - Oh, they're out in the hall.
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350. Would you like to see what I did today?
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351. - Yes, I'd like to.
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352. Where did you find a flower like that?
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353. You mean you see this
when you look at that?
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354. - Well, yes.
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355. That is, I sort of feel it.
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356. You see, when I look at
that flower, I see someone-
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357. - Is anything private in this house?
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358. - I'm sorry, Adele.
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359. We better get out of here.
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360. All right, Adele.
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361. ♪ Cuddle up and don't be blue ♪
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362. ♪ All your fears are foolish fancy maybe ♪
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363. ♪ You know, dear, that I'm in love ♪
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364. ♪ In love, in love, in
love, in love, in love ♪
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365. ♪ In love, in love ♪
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366. - Can't you get those lazy
legs off that couch, baby?
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367. - Come here.
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368. Can't you do any better than that?
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369. - That's all you think
about, Lazy Legs, hmm?
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370. - What else is there to think about?
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371. - If you want more heat
in this apartment, miss,
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372. you'll have to call a janitor.
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373. - You idiot.
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374. - How come you're holding out on me, baby?
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375. - Oh, stop talking about Saturday night.
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376. - I'm not talking about Saturday night.
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377. I'm talking about this.
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378. Sounds like a schoolboy
trying to make a date.
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379. You must be robbing the cradle.
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380. What's so funny?
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381. - You are. He's old
enough to be my father.
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382. That's the old fellow who came
to my rescue Saturday night.
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383. My hero.
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384. - No kidding.
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385. - See? You were too tight
to remember anything.
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386. If I hadn't told the cop to
go in the wrong direction,
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387. he'd have picked you up.
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388. - This the old fellow who butted in?
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389. - Mm-hmm.
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390. - The painter?
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391. - He's rich and famous and
very sweet, too, Johnny.
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392. He doesn't pull any rough stuff like you.
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393. - Well, I had a chance to
clean up in a crap game.
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394. All I needed was 50 bucks.
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395. And what did you show up with?
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396. 15, for cat's sake.
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397. - That's all I had.
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398. Besides, you kept me waiting
two hours in the rain.
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399. - And then you gave me a dirty look.
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400. - I didn't give you a dirty look.
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401. - Listen, any girl that
waits two hours in the rain
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402. for a guy is gonna give him a dirty look.
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403. Trouble with you, baby, is
you have no imagination.
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404. - What do you expect me to do?
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405. - I expect you to use your brains.
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406. Now, for cat's sake, this
chump is crazy about you.
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407. This is a setup.
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408. He's in the big money, isn't he?
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409. You said $50,0O0 a picture, didn't you?
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410. - Mm-hmm.
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411. - Well, here I am, knocking my brains out
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412. trying to raise a little capital,
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413. and this is right in your lap.
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414. You don't have to call what's
his name and get a measly 50.
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415. This bird is goofy about you.
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416. Write him, date him up.
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417. - Oh, I can't take money
off an old man like that.
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418. - Look, for cat's sake, get
bighearted and smart, Lazy Legs.
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419. Why, I see fellas in the big
dough without half my brains,
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420. but ability isn't enough.
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421. You got to have money
to make money. Capital.
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422. But the boys at the Acme Garage
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423. would cut me in on a half-interest
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424. if I can put up the money.
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425. - How much do they want?
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426. - Oh, three or 4,000.
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427. - Yipe!
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428. - Well, for cat's sake, I'm
not talking about chicken feed.
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429. Use your imagination.
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430. You get an interest in
a business like that,
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431. and it's a cinch to
squeeze out your partners.
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432. Then you're on easy street.
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433. - Jeepers, the pipe dreams you have.
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434. - Now, what about the letter?
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435. - Oh, I can get $50 or $ 100, perhaps,
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436. but I can't get the kind of
money you're talking about.
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437. I wouldn't know how.
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438. Johnny!
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439. Johnny, where you going?
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440. - Where I won't be wasting my time.
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441. - Johnny, Johnny.
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442. Oh, I don't know why
I'm so crazy about you.
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443. - Oh, yes, you do.
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444. Now what about my proposition?
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445. You don't have to tap the old
chump for much, not at first.
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446. We'll get you a decent apartment,
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447. someplace where I'd like
to come and see you,
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448. not a dump like this.
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449. Well, Lazy Legs?
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450. - May I come in to my own apartment?
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451. - Hello, Funny Face.
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452. - Why don't you just move in, Johnny?
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453. Then I can move out.
Copy !req
454. - Now, Millie, stop picking on my fiance.
Copy !req
455. - How do you spell that word?
Copy !req
456. - With an F, like in Funny Face.
Copy !req
457. She pays half the rent, doesn't she?
Copy !req
458. - Well, that was the
general idea, big shot,
Copy !req
459. when we signed the lease.
Copy !req
460. - Well, I don't mind if you
want this place to yourself.
Copy !req
461. Do you, baby?
Copy !req
462. - What's he mean by that?
Copy !req
463. - Oh, nothing. You know, Johnny.
Copy !req
464. - Yeah, I know Johnny, all right.
Copy !req
465. Has he bought you that
engagement ring, yet?
Copy !req
466. - Ah, you seem to worry
more about it than I do.
Copy !req
467. - The new $45 model.
Copy !req
468. Old Rogers let me have it for 18.
Copy !req
469. Bet he made a profit at that.
Copy !req
470. - I thought you were modeling
girdles for the catalog.
Copy !req
471. - I have been.
Copy !req
472. Oh, I ache like a dog.
Copy !req
473. If corsets ever come back,
I swear I'll quit modeling.
Copy !req
474. Why don't you go back to work?
Copy !req
475. With that figure, if you
weren't so darn lazy.
Copy !req
476. - Who do you think you
are? My guardian angel?
Copy !req
477. - Not me, honey. I lost
those wings a long time ago.
Copy !req
478. - Yeah, that's what I thought.
Copy !req
479. - No wonder you got fired,
you're so darn snippy.
Copy !req
480. You never could get to work on time
Copy !req
481. after you met that Johnny.
Copy !req
482. Honey, what's happened to you?
Copy !req
483. - Don't you wish it could happen to you?
Copy !req
484. I'm in love, crazy in love!
Copy !req
485. - With a man that pushes you around
Copy !req
486. the way I wouldn't push a cat around.
Copy !req
487. - You leave Johnny out of this!
Copy !req
488. - With your looks and figure,
Copy !req
489. you could get any man you want!
Copy !req
490. - Sure, but there's only one I want.
Copy !req
491. - Yeah, and he's making
a tramp out of you.
Copy !req
492. - You wouldn't know love
if it hit you in the face!
Copy !req
493. - If that's where it hits
you, you ought to know!
Copy !req
494. - That robin sings just like I feel.
Copy !req
495. Say, look, there's a
pair of them up there.
Copy !req
496. They're building their nest.
Copy !req
497. - Say, where'd you learn that?
Copy !req
498. - Well, when I was a kid.
Copy !req
499. Yeah, I bet I haven't
done that in 40 years.
Copy !req
500. I feel like a kid myself today.
Copy !req
501. - Sold any pictures lately?
Copy !req
502. - Mm-hm.
Copy !req
503. - Why don't you paint my picture?
Copy !req
504. - I'd like to.
Copy !req
505. Could I bring my easel to your apartment?
Copy !req
506. - I'm afraid my girlfriend
wouldn't like that.
Copy !req
507. How long does it take
you to paint a picture?
Copy !req
508. - Well, sometimes a day, sometimes a year.
Copy !req
509. You can't tell. It has to grow.
Copy !req
510. - I never knew paint could grow.
Copy !req
511. - The feeling grows.
Copy !req
512. You know, that's the
important thing, feeling.
Copy !req
513. Well, now, you take me.
Copy !req
514. Well, nobody ever taught me how to draw,
Copy !req
515. so I just put a line around what I feel
Copy !req
516. when I look at things.
Copy !req
517. - Yeah, I see.
Copy !req
518. - It's like, uh, it's like
falling in love, I guess.
Copy !req
519. You know?
Copy !req
520. First you see someone,
and then it keeps growing
Copy !req
521. and, until you can't think of anyone else.
Copy !req
522. - That's interesting.
Copy !req
523. - Well, the way I look at
things, that's all art is.
Copy !req
524. Every painting, if it's
any good, is a love affair.
Copy !req
525. - I never heard anyone
talk like that before.
Copy !req
526. - Oh, well,
Copy !req
527. there aren't many people
you can talk to this way,
Copy !req
528. so you keep it to yourself.
Copy !req
529. You walk around with
everything bottled up.
Copy !req
530. - Yeah, that's right.
Copy !req
531. That's the way it is with me too.
Copy !req
532. I'm sort of keeping things
bottled up too, Chris.
Copy !req
533. The truth is I'm in a jam.
Copy !req
534. - You, Kitty?
Copy !req
535. - Oh, you probably guessed it. I'm broke.
Copy !req
536. Even this dress belongs to Millie.
Copy !req
537. I can't pay my rent.
Copy !req
538. - Well, how much is it?
Copy !req
539. - Oh, forget it. I
shouldn't have told you.
Copy !req
540. It'll spoil your day.
Copy !req
541. - Oh, but Kitty.
Copy !req
542. - I'll get out of it somehow.
Copy !req
543. I couldn't take anything from you, Chris.
Copy !req
544. - No. Yes, I mean.
Copy !req
545. - No, no, I couldn't.
Copy !req
546. I've never taken money from a
man, and I'm not going to now.
Copy !req
547. And I'm not going to spoil our friendship.
Copy !req
548. - Oh, but Kitty.
Copy !req
549. - I couldn't pay you back.
Copy !req
550. - Oh.
Copy !req
551. - Chris, maybe I could pay you back.
Copy !req
552. If you put up the money
for a studio apartment,
Copy !req
553. then I'd have a place to live
and you could paint there.
Copy !req
554. Don't you see?
Copy !req
555. You could paint my portrait.
Copy !req
556. What's the matter?
Copy !req
557. Don't you wanna paint my picture?
Copy !req
558. - There's something I've
got to tell you, Kitty.
Copy !req
559. - What?
Copy !req
560. - I deceived you. I lied.
Copy !req
561. I'm a married man, Kitty.
Copy !req
562. - Why didn't you tell me, Chris?
Copy !req
563. You know I'm not the kind
of a girl to run around
Copy !req
564. with a married man, don't you?
Copy !req
565. You know what you said
about meeting someone,
Copy !req
566. and how you begin to like them,
Copy !req
567. and then you can't think
about anybody else?
Copy !req
568. You should have told me
you had a wife, Chris.
Copy !req
569. - Yes, but I'm not in
love with her, Kitty.
Copy !req
570. - Well, you married her.
Copy !req
571. - Well, I was lonely.
Copy !req
572. I, I couldn't stand my loneliness.
Copy !req
573. - Oh, poor Chris.
Copy !req
574. - Well, then you're not angry with me?
Copy !req
575. - I suppose I ought to be, but I'm not.
Copy !req
576. Not with you, Chris.
Copy !req
577. I'm gonna let you help me.
Copy !req
578. - Well, how much do you need?
Copy !req
579. - $500.
Copy !req
580. - Five? 500.
Copy !req
581. I need $500.
Copy !req
582. I could pay it back $10 a week.
Copy !req
583. - That's all right, Mr. Cross.
Copy !req
584. But you'll have to have a cosigner.
Copy !req
585. - Thank you, no.
Copy !req
586. - Property owner.
Copy !req
587. - Property owner?
Copy !req
588. - Just a formality.
Copy !req
589. - Thank you very much.
Copy !req
590. - Anytime.
Copy !req
591. - Well, why can't that
old skinflint Hogarth
Copy !req
592. give you a raise?
Copy !req
593. You don't even make enough
money to buy me a radio.
Copy !req
594. I have to run downstairs every
night to listen to the radio.
Copy !req
595. The way I have to scrimp and save
Copy !req
596. and you wasting money on paints.
Copy !req
597. I'd like to know what you'd do without me.
Copy !req
598. Poor dear Homer.
Copy !req
599. If only he had a grave where
I could put some flowers.
Copy !req
600. Why, you couldn't even
ask me to marry you.
Copy !req
601. I had to put the words into your mouth.
Copy !req
602. I'd have been better off a widow.
Copy !req
603. The only reason I put up with you
Copy !req
604. is because I'm married to you.
Copy !req
605. I'm stuck!
Copy !req
606. - Yes, and I'm stuck too.
Copy !req
607. - Have you been drinking?
Copy !req
608. - No, I haven't.
Copy !req
609. - Let me smell your breath.
Copy !req
610. No, then what's the matter with you?
Copy !req
611. Why are you sulking at me?
Copy !req
612. - Well, you keep blaming me
for not buying you a radio.
Copy !req
613. - Well, you think I like
running downstairs every night
Copy !req
614. to listen to the radio?
Copy !req
615. - Well, why don't you buy
a radio? You have money.
Copy !req
616. - His insurance money?
Copy !req
617. - Well, I don't want a radio. You want it.
Copy !req
618. - I'll never touch those
bonds. They're for my old age.
Copy !req
619. If Homer were alive, I'd have a radio.
Copy !req
620. He made a good salary.
He gave me a good home.
Copy !req
621. - Well, you're living in the
same apartment, aren't you?
Copy !req
622. - Yes, but it didn't smell of paint!
Copy !req
623. I can't sleep with the smell of paint
Copy !req
624. and all your silly pictures
cluttering up the hall.
Copy !req
625. If you don't get rid of that trash,
Copy !req
626. I swear I'll give it to the junk man!
Copy !req
627. - Adele.
Copy !req
628. - I will. I swear, I will.
Copy !req
629. And the things you paint.
Copy !req
630. It was bad enough when you
used to copy picture postcards.
Copy !req
631. - Well, Utrillo copies postcards,
Copy !req
632. and he's considered a great painter.
Copy !req
633. - And now I suppose you're copying Utrillo
Copy !req
634. or whatever his name is.
Copy !req
635. They're getting crazier all the time.
Copy !req
636. Oh, yes, I saw what you're doing.
Copy !req
637. Girls, snakes.
Copy !req
638. Next thing, you'll be painting
women without clothes.
Copy !req
639. - I never saw a woman without any clothes.
Copy !req
640. - I should hope not.
Copy !req
641. - "The Happy Household
Hours" just coming on, dear.
Copy !req
642. - I'll be right down, Dora.
Copy !req
643. Mr. Cross came home late.
Copy !req
644. Go ahead and eat.
Copy !req
645. And then do the dishes.
Copy !req
646. - This is "The
Happy Household Hour."
Copy !req
647. Brought to you at this time
by Happy Hour Bubble Suds.
Copy !req
648. No soap gives you more
happiness, more washings,
Copy !req
649. and more suds per package
than Happy Hour Bubble Suds.
Copy !req
650. Ask your nearest grocer
Copy !req
651. for the large economy-size package today.
Copy !req
652. And now for the next episode
Copy !req
653. of "Hilda's Hope For Happiness."
Copy !req
654. As you remember, we left
Hilda in the laundry.
Copy !req
655. Bubble suds, Hilda.
Copy !req
656. - Christopher.
Copy !req
657. Christopher.
Copy !req
658. What are you doing?
Copy !req
659. - I was, uh, I was looking for the paper.
Copy !req
660. - Are you blind?
Copy !req
661. - Oh, well, didn't you like the radio?
Copy !req
662. - It went off right in
the middle of a program.
Copy !req
663. I wouldn't have such a radio.
Copy !req
664. - Hey, did you read this?
Copy !req
665. - Read what?
Copy !req
666. - This murder in Queens.
Copy !req
667. A man killed his wife
with a window weight,
Copy !req
668. put her body in the trunk,
and shipped her to California.
Copy !req
669. It says here-
Copy !req
670. - I've read the paper. Thank you.
Copy !req
671. He didn't get away with it, did he?
Copy !req
672. He'll go to the chair, as he should.
Copy !req
673. - Yeah, a man hasn't got a chance
Copy !req
674. with these New York detectives.
Copy !req
675. - Can't you put that paper
down and do the dishes?
Copy !req
676. - Adele, you didn't mean what you said
Copy !req
677. about giving my paintings
away to the junk man?
Copy !req
678. - You'll find out.
Copy !req
679. - Well, you won't have to.
Copy !req
680. A friend of mine
Copy !req
681. is taking an apartment
in Greenwich Village.
Copy !req
682. I'll move everything there.
Copy !req
683. - Well, if he's fool enough
to let you do it, go ahead.
Copy !req
684. The sooner, the better.
Copy !req
685. - Yeah.
Copy !req
686. - Top floor. You'll get plenty
of light, lots of privacy.
Copy !req
687. You heard of Tony Rivera, the illustrator?
Copy !req
688. He had this apartment
on a three-year lease.
Copy !req
689. Couldn't work anywhere else.
Copy !req
690. Uh, this was his studio.
Copy !req
691. The sketches on the wall are Rivera's.
Copy !req
692. He'd do that with his models sometimes
Copy !req
693. when he was working on a magazine cover.
Copy !req
694. Some people would pay a
lot of money for those.
Copy !req
695. Are you an artist, Miss March?
Copy !req
696. - Uh-huh.
Copy !req
697. - Where's the bedroom?
Copy !req
698. - Oh, this way.
Copy !req
699. - What's the rent, Mr. Jones?
Copy !req
700. - 150.
Copy !req
701. Oh, there are some things
Copy !req
702. that Rivera left here
stored in the basement.
Copy !req
703. They go with the apartment
if you care to use them.
Copy !req
704. Here you are, the bedroom.
Copy !req
705. - I don't like the wallpaper.
Copy !req
706. - Will they change the paper?
Copy !req
707. - I guess so, on a year's lease.
Copy !req
708. - I'll pick it out myself.
Copy !req
709. Well, don't break the bank.
Copy !req
710. - Hello, Lazy Legs.
Copy !req
711. - I thought I'd heard
the doorbell.
Copy !req
712. - I didn't hear anything.
Copy !req
713. Say, is this all you've got?
Copy !req
714. - I'm lucky I have that left,
Copy !req
715. the way you were throwing
it around last night.
Copy !req
716. You even bought me a book, honey.
Copy !req
717. - You're supposed to be
an actress, aren't you?
Copy !req
718. - Shakespeare, for Pete's sake.
Copy !req
719. Say, that's all I have left.
Copy !req
720. - You know where to get
more, don't you, Lazy Legs?
Copy !req
721. - He told me he hadn't sold
any pictures for a long time.
Copy !req
722. And I'm in hock for all this.
Copy !req
723. - Look, Kitty.
Copy !req
724. I need at least $1,000.
Copy !req
725. - Ouch!
Copy !req
726. - Well, you got him softened up.
Copy !req
727. Now push him around a bit.
Copy !req
728. - He seems to get scared
when I talk about money.
Copy !req
729. - Listen, baby, you got him
right where you want him.
Copy !req
730. He's on the hook and can't get off.
Copy !req
731. - He can walk out, can't he?
Copy !req
732. - He's got a wife, hasn't he?
Copy !req
733. Just drop a hint that
his wife might find out
Copy !req
734. about this apartment,
and he'll shell out fast.
Copy !req
735. - That's blackmail.
Copy !req
736. - It's only blackmail, baby,
Copy !req
737. when you're dumb enough to get caught.
Copy !req
738. Is that him?
Copy !req
739. - Told you I heard the doorbell.
Copy !req
740. - For cat's sake. Get rid of him.
Copy !req
741. - Why!
Copy !req
742. - Don't you answer doorbells?
Copy !req
743. - Thought you were mad at me.
Copy !req
744. - Peace offering. Scotch.
Copy !req
745. - Thanks, honey.
Copy !req
746. - I didn't think you were out.
Copy !req
747. It's only 10 past 12.
Copy !req
748. I rang and rang downstairs,
Copy !req
749. and then I found the door was open.
Copy !req
750. Well, well, well.
Copy !req
751. You're doing all right for a working girl.
Copy !req
752. - Now, don't start that again.
Copy !req
753. - Don't tell me he's under the sofa too.
Copy !req
754. - No, bright eyes.
Copy !req
755. - You can come out, Johnny.
Copy !req
756. - All you have to do is
call, Funny Face. Oh.
Copy !req
757. - You must have made a killing
in Wall Street, Mr. Prince.
Copy !req
758. - Could be.
Copy !req
759. - Last time I saw Johnny,
Copy !req
760. he was talking about going to Hollywood.
Copy !req
761. - I might try it yet.
Copy !req
762. Why, I read in a movie
magazine about a fella
Copy !req
763. who landed in Hollywood stone broke
Copy !req
764. and cleaned up a million.
Copy !req
765. No experience either.
Copy !req
766. All he had was looks.
Copy !req
767. And he worked in a drugstore.
Copy !req
768. - If he worked, Johnny,
he didn't look like you.
Copy !req
769. - Oh, you two stop fighting.
Copy !req
770. - I'm not fighting, baby.
Copy !req
771. She just doesn't know my speed.
Copy !req
772. Why, I hear of movie actors
getting five, 10,000 a week.
Copy !req
773. For what?
Copy !req
774. For acting tough, for
pushing girls in the face.
Copy !req
775. What do they do I can't do?
Copy !req
776. - If you're so clever,
why don't you do it?
Copy !req
777. - I might, Funny Face, I might.
Copy !req
778. - Chris!
Copy !req
779. - I've brought over some
of my things, Kitty.
Copy !req
780. I'll bring some more tomorrow.
Copy !req
781. The rest on Saturday.
Copy !req
782. Oh, you have company.
Copy !req
783. - Oh, just Millie and Johnny.
Copy !req
784. - Johnny?
Copy !req
785. - You know, Millie's boyfriend.
Copy !req
786. Come on, I want you to meet them.
Copy !req
787. Millie, this is a friend
of mine, Mr. Cross.
Copy !req
788. Miss Ray.
Copy !req
789. - How do you do, Miss Ray?
Copy !req
790. - Pleased to meet you, Mr. Cross.
Copy !req
791. - And Johnny Prince.
Copy !req
792. - Glad to know you, Mr. Cross.
Copy !req
793. - How do you do?
Copy !req
794. Seems to me I've seen
you before somewhere.
Copy !req
795. - Could be. Could be, Mr. Cross.
Copy !req
796. - Yes, I, I just don't seem to remember.
Copy !req
797. Maybe I'm mistaken.
Copy !req
798. - Could be.
Copy !req
799. - Well, I have to run along, kid.
Copy !req
800. - I'll go with you, sweetheart.
Copy !req
801. - Oh, don't bother, Johnny.
Copy !req
802. - I wouldn't think of letting
you go alone, darling.
Copy !req
803. You might get run over by a streetcar.
Copy !req
804. Goodbye, Mr. Cross.
Copy !req
805. - Bye.
Copy !req
806. - Nice to see you.
Copy !req
807. - Thanks for the Scotch, Millie.
Copy !req
808. - That's okay, bye.
Copy !req
809. - So long, Kitty.
Copy !req
810. - So long, Johnny.
Copy !req
811. Now, what's the matter, Chris?
Copy !req
812. - I don't think I like that
young man she's in love with.
Copy !req
813. - Oh, Johnny's all right.
Copy !req
814. - Oh, I know he is, or he
wouldn't be your friend,
Copy !req
815. but there's something about him that-
Copy !req
816. - She's crazy about him.
Copy !req
817. - Well, would you, uh, would
you like to see my pictures?
Copy !req
818. - Not yet. Come sit down, Chris.
Copy !req
819. You happy?
Copy !req
820. - For the first time in my life.
Copy !req
821. - Very happy?
Copy !req
822. - I think of you all the time.
Copy !req
823. All I want is to see you, be near you.
Copy !req
824. I know I haven't any
right to ask you this,
Copy !req
825. but have you ever?
Copy !req
826. Well, there must have been other men who-
Copy !req
827. - Just one, Chris.
Copy !req
828. - Do you still see him?
Copy !req
829. - I've forgotten him.
Copy !req
830. - Look, Kitty.
Copy !req
831. If I were single, if I had no wife.
Copy !req
832. - But you have a wife.
Copy !req
833. - Yes, I know, but if she'd...
Copy !req
834. Well, if something would
happen that would make me free,
Copy !req
835. would you marry me?
Copy !req
836. - Oh, let's not talk about it now, dear.
Copy !req
837. What I'm worried about is getting a job.
Copy !req
838. Living like this, it's expensive.
Copy !req
839. I don't like to ask you for anything more
Copy !req
840. because, well, you say you
haven't sold any pictures lately.
Copy !req
841. - Yes, but don't you have enough money?
Copy !req
842. - You have no idea what a problem money is
Copy !req
843. for an actress, Chris.
Copy !req
844. Talent doesn't count in the theater.
Copy !req
845. Everything is pull, contacts,
knowing the right people.
Copy !req
846. You have to get an agent,
they charge plenty,
Copy !req
847. wear smart clothes, be attractive.
Copy !req
848. - Oh, but Kitty, you're beautiful.
Copy !req
849. - Aw, Chris, your face
doesn't mean a thing.
Copy !req
850. It's clothes, perfumes,
making the right impression.
Copy !req
851. Why, an actress needs $ 1,0O0
just to get a decent wardrobe.
Copy !req
852. - $1,000?
Copy !req
853. - At least.
Copy !req
854. Maybe I can borrow it from
Millie, or her boyfriend, Johnny.
Copy !req
855. He's got plenty of money.
Copy !req
856. - Oh, no, no.
Copy !req
857. No, Kitty, not from Johnny.
Copy !req
858. - Why not?
Copy !req
859. - Well, I'll get you the money some way.
Copy !req
860. - Chris, you're a darling.
Copy !req
861. I really believe you're in love with me.
Copy !req
862. - I am, Kitty, I am.
Copy !req
863. - Oh, Chris, you're, you're a caveman.
Copy !req
864. I like you to like me,
but, well, there's a limit.
Copy !req
865. - Yes, I know.
Copy !req
866. Oh, I've got to go.
Copy !req
867. I'm supposed to be back.
Copy !req
868. I'll come here tomorrow noon, Kitty.
Copy !req
869. - I'll be waiting for you.
Copy !req
870. I'm sorry you have to go.
Copy !req
871. Bye, bye, dear.
Copy !req
872. Oh, don't forget the money.
Copy !req
873. - I'll get it.
Copy !req
874. - Bye, bye, Chris.
Copy !req
875. - Goodbye.
Copy !req
876. - Life is much too short.
That's what they tell me.
Copy !req
877. - I don't get it.
Copy !req
878. The poor sap must be a hop head
seeing snakes on the El.
Copy !req
879. Imagine anyone paying
money for this stuff?
Copy !req
880. Say, are you sure he's not a phony?
Copy !req
881. - He's too dumb to be a phony.
Copy !req
882. - You're right there.
Copy !req
883. - And how would he get all the money?
Copy !req
884. Why, if he had to work for a living,
Copy !req
885. he couldn't make $50 a week.
Copy !req
886. You just don't know art.
Copy !req
887. - Maybe not, but I'm
gonna find out about it.
Copy !req
888. - I kinda like this one.
Copy !req
889. But where would you
find flowers like that?
Copy !req
890. - I wonder if I couldn't sell these.
Copy !req
891. - And what do I do when
he asks where they are?
Copy !req
892. - Say you put them in storage.
Copy !req
893. You know, you got to protect them.
Copy !req
894. You can't leave valuable
paintings lying around
Copy !req
895. where somebody can pick them up.
Copy !req
896. - You'd get in trouble. Any
gallery would know his work.
Copy !req
897. He tried to kiss me today.
Copy !req
898. And don't think I liked it.
Copy !req
899. - Ah, you've been kissed before.
Copy !req
900. Say, they're not even signed.
Copy !req
901. - Oh, that doesn't
matter, they'd know him.
Copy !req
902. - Not where I'd take them, baby.
Copy !req
903. - Johnny, I can't stand to
have anybody touch me but you.
Copy !req
904. And I hate him when he
looks at me like that.
Copy !req
905. If he were mean, or vicious,
Copy !req
906. or if he'd bawl me out or
something, I'd like him better.
Copy !req
907. Aw, you don't love me, or
you'd understand what I mean.
Copy !req
908. - No?
Copy !req
909. - No.
Copy !req
910. - No?
Copy !req
911. - Well, maybe.
Copy !req
912. - Working late tonight, Mr. Cross?
Copy !req
913. - Oh, I'm about through, Ben.
Copy !req
914. You can let me out in a minute.
Copy !req
915. - Yes, sir.
Copy !req
916. - I just caught you in time.
Copy !req
917. Cash this for me, will you, Chris?
Copy !req
918. It's personal.
Copy !req
919. - Yes, yes.
Copy !req
920. Yes, of course, JJ.
Copy !req
921. Here you are, JJ.
Copy !req
922. - Thank you, Chris, goodnight.
Copy !req
923. - Goodnight, JJ.
Copy !req
924. - Hello, Nick.
Copy !req
925. - Hi.
Copy !req
926. What do you got?
Copy !req
927. - The fella that painted
those gets 50 grand
Copy !req
928. for a single picture.
Copy !req
929. Hey, what's the matter with you, Nick?
Copy !req
930. - Where'd you pick them up,
over in Washington Square?
Copy !req
931. The village longhairs are
peddling junk like that
Copy !req
932. for the price of the canvas.
Copy !req
933. - These weren't painted
by any village longhair.
Copy !req
934. - That's my pawnshop, isn't it?
Copy !req
935. And that snake is strictly from The Bronx.
Copy !req
936. - This fella lives in
Brooklyn. He's famous.
Copy !req
937. - Yeah, what's his name?
Copy !req
938. - Well, I ...
Copy !req
939. Look, Nick, I brought you stuff before,
Copy !req
940. and you never asked for any name on it.
Copy !req
941. - That was jewelry.
Copy !req
942. Bring me some more of that,
and we can do business, Johnny.
Copy !req
943. Take this junk back to Washington
Square where you got it.
Copy !req
944. - I can see you've got an eye for art.
Copy !req
945. That's one of my best.
Copy !req
946. - Take a look at these.
Copy !req
947. - Oh, I didn't know you were a painter.
Copy !req
948. - I'm not.
Copy !req
949. Are they any good?
Copy !req
950. - Well, they've got something.
Copy !req
951. A certain peculiar something,
Copy !req
952. but no perspective.
Copy !req
953. - Is that important?
Copy !req
954. - I should say it is.
Copy !req
955. Look at my paintings.
Copy !req
956. Where did you buy them?
Copy !req
957. - I didn't buy 'em, I wanna sell 'em.
Copy !req
958. - Oh, you want me to
sell them on commission.
Copy !req
959. - How much do you think they're worth?
Copy !req
960. - I always start everything at $25.
Copy !req
961. Then, you know, it's a hard
business selling pictures.
Copy !req
962. Ah, people don't buy art nowadays.
Copy !req
963. No appreciation, no taste, no perception.
Copy !req
964. - And no perspective, huh?
Copy !req
965. - Yeah.
Copy !req
966. Let me have your name and address.
Copy !req
967. - I'll come back later. So long.
Copy !req
968. - Hello, Johnny.
Copy !req
969. - Hiya, Tiny.
Copy !req
970. - Oh, where'd you get that?
Copy !req
971. - Off Nick.
Copy !req
972. - Well, what about my ring?
Copy !req
973. - You know how much a good diamond costs?
Copy !req
974. - Well, I gave you $900.
Copy !req
975. - Would you pipe down?
Copy !req
976. You've been telling me
what a dope the old guy is.
Copy !req
977. Maybe you're the dope.
Copy !req
978. He told you his paintings
are worth a lot of money.
Copy !req
979. Did you check up on his story?
Copy !req
980. - What's wrong with it?
Copy !req
981. - They're worth just 25 bucks apiece.
Copy !req
982. That's what's wrong with it.
Copy !req
983. - You're crazy.
Copy !req
984. - If I weren't a gentleman.
Copy !req
985. - Well, don't get sore.
Copy !req
986. - Well, then don't tell me I'm crazy.
Copy !req
987. I tell you, the old boy's a phony.
Copy !req
988. - His money isn't phony, is it?
Copy !req
989. - He could borrow dough,
or have it stashed away,
Copy !req
990. or even steal it.
Copy !req
991. - Chris steal?
Copy !req
992. Jeepers, Johnny, he's not the type.
Copy !req
993. He wouldn't have nerve enough to steal.
Copy !req
994. - Well, he didn't get
it from his pictures.
Copy !req
995. - He may be dumb, but not about art.
Copy !req
996. The day he took me to the museum,
Copy !req
997. he explained how everything was done.
Copy !req
998. You should have heard him.
People stood around and listened.
Copy !req
999. - What museum?
Copy !req
1000. - The Metropolitan.
Copy !req
1001. Yipe, they've got pictures
there worth a million bucks.
Copy !req
1002. Where you going?
Copy !req
1003. - I'm gonna make a monkey
out of you, Lazy Legs.
Copy !req
1004. - You can't take his
pictures to the museum.
Copy !req
1005. - Who says I can't?
Copy !req
1006. - You know who bought them?
Copy !req
1007. Janeway. Damon Janeway!
Copy !req
1008. Don't you know who Mr. Janeway is?
Copy !req
1009. - Uh-uh.
Copy !req
1010. - He's an art critic.
Copy !req
1011. The best authority in
New York on modern art.
Copy !req
1012. He took one look and bought them both.
Copy !req
1013. I couldn't even give him my
pictures, not for nothing.
Copy !req
1014. He wants to get hold of you.
Copy !req
1015. Told me to telephone him.
Copy !req
1016. You wait here, huh?
Copy !req
1017. - No, no.
Copy !req
1018. - Oh, man.
- I'm sorry.
Copy !req
1019. - For cat's sake, what's so funny?
Copy !req
1020. - You are, smarty-pants.
Copy !req
1021. You're the Mr. Fix-it who
was gonna make a monkey
Copy !req
1022. out of poor, dopey, little Kitty.
Copy !req
1023. So you gave away two pictures
for a couple of dimes,
Copy !req
1024. and now you can't collect the dimes.
Copy !req
1025. - Aw, dry up.
Copy !req
1026. - Jeepers!
Copy !req
1027. - Now what?
Copy !req
1028. - What am I gonna tell Chris?
Copy !req
1029. - He won't find out.
Copy !req
1030. - The heck he won't.
Copy !req
1031. That Janeway's a critic. He
writes for the newspaper.
Copy !req
1032. - Ah!
Copy !req
1033. - Golly, you got us in a
spot. I told you not to do it.
Copy !req
1034. - You're just nervous.
Copy !req
1035. The old guy that sold them
doesn't know me from Adam.
Copy !req
1036. - All right, give me
that drink. I can use it.
Copy !req
1037. - Chris?
Copy !req
1038. - Uh-uh, he's got a key.
Copy !req
1039. - Well, go ahead, see who it is. Hurry up.
Copy !req
1040. - Oh, I, I beg your pardon,
but we're looking for a man,
Copy !req
1041. and I'm afraid I don't know his name.
Copy !req
1042. - Oh, then I'm afraid I can't help you.
Copy !req
1043. - I'm sorry.
Copy !req
1044. - Oh, look!
Copy !req
1045. There!
Copy !req
1046. These are his.
Copy !req
1047. Oh, there he is.
Copy !req
1048. Why did you run away
from me like that, huh?
Copy !req
1049. Here, $50, less 20%.
Copy !req
1050. - I don't know what you're talking about.
Copy !req
1051. - But the pictures you brought me.
Copy !req
1052. - Perhaps we'd better introduce ourselves.
Copy !req
1053. My name is Janeway. This is Mr. Dellarowe.
Copy !req
1054. - How do you do?
Copy !req
1055. - What is it you want?
Copy !req
1056. - We'd like to find out
who painted the pictures.
Copy !req
1057. - You don't know?
Copy !req
1058. - Of course, they don't know.
Copy !req
1059. That's what we're here for.
Copy !req
1060. - Look, if you're a friend of the painter,
Copy !req
1061. you will put Mr. Dellarowe
in touch with him.
Copy !req
1062. - Why'd you buy those pictures
Copy !req
1063. if you don't know who painted them?
Copy !req
1064. - Because they're good.
Copy !req
1065. - Who painted them?
Copy !req
1066. - No, Johnny, no!
Copy !req
1067. - Oh, don't be so modest, Miss March.
Copy !req
1068. Now, you see, you got me in bad.
Copy !req
1069. She made me promise not to tell.
Copy !req
1070. That's why I made out like I didn't know.
Copy !req
1071. She is funny about her painting.
Copy !req
1072. Never lets anyone see it.
Copy !req
1073. Doesn't even put her name on her pictures.
Copy !req
1074. - So, I observed.
Copy !req
1075. You're an extraordinary
artist, Miss March.
Copy !req
1076. - Oh, no.
Copy !req
1077. - See, she can't stand for
anybody to talk about her.
Copy !req
1078. She got the idea her
pictures weren't any good.
Copy !req
1079. That's why I took those two to
you, to give her confidence.
Copy !req
1080. I knew they were good.
Copy !req
1081. Now I'll take that money.
Copy !req
1082. - I never would have
guessed it was a woman.
Copy !req
1083. - Nor I. Your work is
very strong, Miss March.
Copy !req
1084. - May we see some more of it?
Copy !req
1085. - Sure, go ahead. Look in her studio.
Copy !req
1086. - Thank you.
Copy !req
1087. - You're crazy to try a thing like this.
Copy !req
1088. - For cat's sake, I
thought they were cops.
Copy !req
1089. I know what I'm doing. They
don't know from nothing.
Copy !req
1090. - I can't fool that critic.
Copy !req
1091. - You always wanted to be an
actress. Now's your chance.
Copy !req
1092. You've been around the old boy long enough
Copy !req
1093. to pick up his lingo.
Copy !req
1094. Feed Janeway some of that.
Copy !req
1095. I'll get him in here alone with you.
Copy !req
1096. - No, no, wait.
Copy !req
1097. - How long has she been painting?
Copy !req
1098. - Ever since she was a kid, Mr. Janeway.
Copy !req
1099. - Never went to art school, did she?
Copy !req
1100. - No, she just picked it up.
Copy !req
1101. I guess I'm the only one
who's been encouraging her,
Copy !req
1102. kind of helping her along,
Copy !req
1103. as a friend, you know, just a friend.
Copy !req
1104. - Oh, I didn't get your name.
Copy !req
1105. - Prince.
Copy !req
1106. Say, Mr. Janeway, she's kind of upset.
Copy !req
1107. Maybe you'd go in and talk to her, hmm?
Copy !req
1108. - Be glad to.
Copy !req
1109. - Well, Mr. Dellarowe?
Copy !req
1110. - I wonder if Miss March would
let me have all of these.
Copy !req
1111. - Well, that depends.
Copy !req
1112. What's in it for her?
Copy !req
1113. - Well, prices will have to
be built up, Mr. Prince, but...
Copy !req
1114. - I can usually tell whether
a canvas has been painted
Copy !req
1115. by a man or woman, but you
fooled me completely, Miss March.
Copy !req
1116. Your work is not only original,
it has a masculine force.
Copy !req
1117. How long does it take
you to paint a picture?
Copy !req
1118. - Sometimes a day, sometimes a year.
Copy !req
1119. You can't tell. It has to grow.
Copy !req
1120. - Of course.
Copy !req
1121. - It's a matter of feeling.
Copy !req
1122. You know how, how a feeling grows?
Copy !req
1123. It's like, like falling in love, I guess.
Copy !req
1124. - That's a very good description.
Copy !req
1125. - The way I look at it,
Copy !req
1126. every painting, if it's
any good, is a love affair.
Copy !req
1127. - May I quote that?
Copy !req
1128. - Oh, no, no, no, please,
don't write about me.
Copy !req
1129. - I can see you're going
to be a very hard case.
Copy !req
1130. Why don't you have
confidence in your work?
Copy !req
1131. - Because I can't draw.
Copy !req
1132. - You do all right.
Copy !req
1133. - I just put a line around what I feel
Copy !req
1134. when I look at things.
Copy !req
1135. - You're a very stimulating
person to talk to.
Copy !req
1136. - How you two getting along?
Copy !req
1137. - I think I'm breaking the ice.
Copy !req
1138. - Kitty, Mr. Dellarowe wants
Copy !req
1139. to handle all your work exclusively.
Copy !req
1140. Is it all right?
Copy !req
1141. As a friend, I'd advise it.
Copy !req
1142. - Could you come to
the galleries tomorrow?
Copy !req
1143. - What time?
Copy !req
1144. - Anytime that's convenient.
Copy !req
1145. - How about 12 o'clock, and
then lunch afterward with me?
Copy !req
1146. - Well, I-
Copy !req
1147. - She'll be there.
Copy !req
1148. - I'm glad you're around, Mr. Prince,
Copy !req
1149. to make up her mind for her.
Copy !req
1150. I can see you're tired, Miss March.
Copy !req
1151. This has been enough for one evening.
Copy !req
1152. We'd better go. Until tomorrow?
Copy !req
1153. - Thanks, Mr. Janeway, so long.
Copy !req
1154. - Good evening.
Copy !req
1155. - Night, Mr. Dellarowe.
Copy !req
1156. - Goodnight.
Copy !req
1157. - Goodnight.
Copy !req
1158. - Night.
Copy !req
1159. - Lazy Legs.
Copy !req
1160. I don't know what you told Janeway,
Copy !req
1161. but you got him eating
right out of your hand.
Copy !req
1162. - It won't stop with lunch.
Copy !req
1163. - Well, what's the difference?
Copy !req
1164. - If you mean-
Copy !req
1165. - Oh, stop acting like a green kid.
Copy !req
1166. Let him talk about what
he wants to talk about,
Copy !req
1167. and he won't talk about art.
Copy !req
1168. - If I had any sense, I'd walk out on you.
Copy !req
1169. - You haven't got any sense.
Copy !req
1170. Right here, just like you'd sign a letter.
Copy !req
1171. Come on!
Copy !req
1172. Katherine March.
Copy !req
1173. - Kitty.
Copy !req
1174. - For cat's sake. Put that one back.
Copy !req
1175. - Kitty?
Copy !req
1176. - Chris.
Copy !req
1177. - Oh, Kitty. I happened to be in the-
Copy !req
1178. - Oh, hello, Mr. Cross.
Copy !req
1179. I just dropped in. I
thought Millie was here.
Copy !req
1180. Say, I hope you don't mind
my looking at your picture.
Copy !req
1181. - Oh, no, not at all, Mr. Prince.
Copy !req
1182. - Fine work, that's remarkable painting.
Copy !req
1183. You have a little trouble
with perspective, don't you?
Copy !req
1184. - Yes, that's one thing I never
could master. Perspective.
Copy !req
1185. - Well, I, I guess,
I'll have to run along.
Copy !req
1186. So long, Mr. Cross.
Copy !req
1187. If Millie drops in, tell
her I'll be at Tiny's place.
Copy !req
1188. Don't bother, I'll let myself out.
Copy !req
1189. - Has he been here long?
Copy !req
1190. - No, why?
Copy !req
1191. - I don't like him.
Copy !req
1192. - Oh, Johnny's all right.
Copy !req
1193. He's a nice fellow, Chris, really, he is.
Copy !req
1194. I don't know why you don't like him.
Copy !req
1195. - Well, was he the one?
Copy !req
1196. - One what?
Copy !req
1197. - Well, you said there was one man.
Copy !req
1198. - Oh, for heaven's sake,
won't you ever forget that?
Copy !req
1199. - Well, was he?
Copy !req
1200. - No!
- Kitty.
Copy !req
1201. - Go ahead and paint if you want to.
Copy !req
1202. I'm not gonna stick around
if you're gonna torment me!
Copy !req
1203. - Kitty?
Copy !req
1204. Oh, Kitty.
Copy !req
1205. - Oh, leave me alone.
I'm going out for dinner!
Copy !req
1206. - Kitty, don't be angry.
Copy !req
1207. - Why do you come here if you want to cry?
Copy !req
1208. I didn't ask you to come here.
Copy !req
1209. - Oh, please, Kitty.
Copy !req
1210. - Oh, for Pete's sake.
Copy !req
1211. Go and paint.
Copy !req
1212. - Well, I can't.
Copy !req
1213. I can't do a thing when
you're angry with me.
Copy !req
1214. Do you want me to go?
Copy !req
1215. - I want you to stay here and paint.
Copy !req
1216. Chris, I'm sorry, Chris,
Copy !req
1217. but why do you torment me about something
Copy !req
1218. that's over and done with?
Copy !req
1219. - Well, because I ...
Copy !req
1220. Would you marry me?
Copy !req
1221. - You can't.
Copy !req
1222. - Well, something might happen.
Copy !req
1223. - What, you better not
let your wife hear you
Copy !req
1224. talking like that.
Copy !req
1225. Of course, I'd marry you if you were free,
Copy !req
1226. but you're not, so
let's not talk about it.
Copy !req
1227. Now, you go on and paint.
Copy !req
1228. - Well, could I paint you?
Copy !req
1229. - Well, I was going to do this myself,
Copy !req
1230. but, uh, paint me, Chris.
Copy !req
1231. They'll be masterpieces.
Copy !req
1232. - Hello, Adele.
Copy !req
1233. I dropped over to the butcher
shop like you told me to.
Copy !req
1234. I got a nice piece of liver.
Copy !req
1235. - How long have you known Katherine March?
Copy !req
1236. Answer me.
Copy !req
1237. - I don't know what you're talking about.
Copy !req
1238. - How long have you known her?
Copy !req
1239. - Well, now, don't get excited.
Copy !req
1240. Let me help you off with your coat.
Copy !req
1241. - Well, you're the one that's excited.
Copy !req
1242. Look at you and get away with that knife.
Copy !req
1243. Do you want to cut my throat?
Copy !req
1244. How long have you known her?
Copy !req
1245. - I don't know what you're talking about.
Copy !req
1246. - Don't lie to me.
Copy !req
1247. You've been copying her work for years,
Copy !req
1248. pretending you painted those
pictures out of your own head,
Copy !req
1249. and all the time you were
just copying the work
Copy !req
1250. of a real artist.
Copy !req
1251. I'll bet you're at Dellarowe's
every day making notes.
Copy !req
1252. - Where?
Copy !req
1253. - You know where.
Copy !req
1254. Dellarowe's Art Gallery on 57th Street.
Copy !req
1255. They've got a window full of
paintings by Katherine March.
Copy !req
1256. - You're talking crazy.
Copy !req
1257. - She gets $500 for a single picture.
Copy !req
1258. She's a genius.
Copy !req
1259. No wonder I used to think
sometimes there was something
Copy !req
1260. in your work.
Copy !req
1261. Now I know why.
Copy !req
1262. If you ever do any more
painting around here,
Copy !req
1263. I swear I'll write that
woman a letter telling her
Copy !req
1264. you're stealing her ideas.
Copy !req
1265. You're a thief!
Copy !req
1266. Hogarth had better watch out,
Copy !req
1267. or next thing you'll
be stealing his money.
Copy !req
1268. - Not that one, honey.
Copy !req
1269. - Dellarowe is asking for more pictures.
Copy !req
1270. - Chris just
finished it. He'll miss it.
Copy !req
1271. - Janeway says the new pictures
Copy !req
1272. are the best things you've done.
Copy !req
1273. Wasn't I right about Janeway, Lazy Legs?
Copy !req
1274. - Yeah, but he gets on my nerves.
Copy !req
1275. I've been out to dinner with
him three times this week,
Copy !req
1276. and now he's talking about breakfast.
Copy !req
1277. He's getting that look in his eye.
Copy !req
1278. - All you got to do is keep it there.
Copy !req
1279. - Well, it's all very well for you to say,
Copy !req
1280. but what about the wear
and tear on my nerves?
Copy !req
1281. - Papa will take care of Kitty.
Copy !req
1282. Baby's gonna have a big diamond ring,
Copy !req
1283. and a shiny limousine, and a penthouse.
Copy !req
1284. - And Johnny?
Copy !req
1285. - He goes with the penthouse.
Copy !req
1286. - Chris.
Copy !req
1287. - How did my pictures get
into Dellarowe's window?
Copy !req
1288. - Oh, Chris.
Copy !req
1289. Don't be angry with me.
Copy !req
1290. - No, I'm not angry. I
just can't understand.
Copy !req
1291. It's not possible.
Copy !req
1292. - Forgive me, darling.
Copy !req
1293. I needed money.
Copy !req
1294. They were gonna take the furniture back.
Copy !req
1295. It was humiliating.
Copy !req
1296. I couldn't ask you for more.
You've been so generous.
Copy !req
1297. I just couldn't, so I sold some pictures.
Copy !req
1298. - To Dellarowe?
Copy !req
1299. - Uh-huh.
Copy !req
1300. - You actually sold those pictures?
Copy !req
1301. - Uh-huh.
Copy !req
1302. Oh, I know I shouldn't
have put my name on them,
Copy !req
1303. but Mr. Dellarowe wanted
to know who painted them,
Copy !req
1304. and I, I just couldn't give him your name.
Copy !req
1305. Now I can't tell him different, can I?
Copy !req
1306. - No.
Copy !req
1307. - The funny part is it didn't
seem to make any difference.
Copy !req
1308. - Yes, well, the funny part
Copy !req
1309. is it made a great deal of difference.
Copy !req
1310. If I'd brought those pictures
to a man like Dellarowe,
Copy !req
1311. he wouldn't have taken them.
Copy !req
1312. I'm a failure, Kitty.
Copy !req
1313. - Oh, you're a great painter, Chris.
Copy !req
1314. Mr. Dellarowe said so,
and so did Mr. Janeway.
Copy !req
1315. That is they say I am.
Copy !req
1316. - Well, they're gonna keep on saying it.
Copy !req
1317. - Oh, Chris!
Copy !req
1318. - Oh, now, don't.
Copy !req
1319. Don't, Kitty. Now, don't cry.
Copy !req
1320. I'm happy. Why, you're just like a dream.
Copy !req
1321. - Oh, Chris, you're so good, so kind.
Copy !req
1322. - Well, what difference
does it make whose name is
Copy !req
1323. on those pictures, yours or mine.
Copy !req
1324. Why, it's just like we were married.
Copy !req
1325. Only I'd take your name.
Copy !req
1326. Well, that gives me a little
authority around here.
Copy !req
1327. I want to paint your picture, Kitty.
Copy !req
1328. How about it?
Copy !req
1329. - Uh-huh.
Copy !req
1330. - Come with me.
Copy !req
1331. Know what we're gonna
call this? Self-portrait.
Copy !req
1332. - Why, hello, Damon.
Copy !req
1333. - Hello, there.
Copy !req
1334. - Hello.
- Well.
Copy !req
1335. - This is the first time I've
ever agreed with you, Janeway.
Copy !req
1336. - Thank you.
Copy !req
1337. - I find the painter even more fascinating
Copy !req
1338. than her paintings.
Copy !req
1339. - What's she like?
Copy !req
1340. - Mona Lisa without the
smile. Something hidden.
Copy !req
1341. Sometimes it seems as
if she were two people.
Copy !req
1342. I mention that in my notice.
Copy !req
1343. Would you care to see it?
Copy !req
1344. - Mr. Cross, there's a man
outside says he wants to see you.
Copy !req
1345. - Who?
Copy !req
1346. - I didn't get no name, sir,
but he said he was a detective.
Copy !req
1347. - You the detective?
Copy !req
1348. - Well, I used to be, Mr. Cross.
Copy !req
1349. Don't you recognize me?
Copy !req
1350. - No.
Copy !req
1351. - Oh, my.
Copy !req
1352. - Quite a shock, huh?
Copy !req
1353. Now, don't faint, Mr.
Cross. Keep your head.
Copy !req
1354. I'll explain everything.
Copy !req
1355. Well, I was in trouble at the time.
Copy !req
1356. I'd been collecting a little extra money
Copy !req
1357. from the speakeasies along the waterfront.
Copy !req
1358. Word got around to headquarters.
Copy !req
1359. I was up for investigation.
Copy !req
1360. One night, I'm down by Brooklyn Bridge
Copy !req
1361. trying to fix things up.
Copy !req
1362. A man runs in the speakeasy
Copy !req
1363. and says, "A woman just
jumped off the bridge."
Copy !req
1364. So I run out and tear
off my coat and jump in.
Copy !req
1365. The way I felt, I'm hoping
I don't come up again.
Copy !req
1366. You mind?
Copy !req
1367. - Hm, no, no.
Copy !req
1368. - Well, there I am swimming
around in the dark.
Copy !req
1369. I had a hold of her hat once.
Copy !req
1370. Next thing you know, I'm all tired out.
Copy !req
1371. I heard a tugboat whistle,
Copy !req
1372. and right down on top of me,
Copy !req
1373. Comes a coal barge.
Copy !req
1374. So I grab a hold and climb aboard.
Copy !req
1375. I look down at my hand.
Copy !req
1376. What do you think I got? Her pocketbook.
Copy !req
1377. That's what I grabbed a hold
Copy !req
1378. of when I thought it was her hat.
Copy !req
1379. And inside is $2700 in folded money.
Copy !req
1380. Imagine anybody committing
suicide with that much money.
Copy !req
1381. Well, the coal barge unloaded
on a banana boat bound
Copy !req
1382. for Honduras.
Copy !req
1383. Well, I went with it.
Copy !req
1384. - Yes, but if you're not dead,
Copy !req
1385. then I'm not really
married to Adele, am I?
Copy !req
1386. - What's it worth to you
for me to keep my mouth shut
Copy !req
1387. and just fade away?
Copy !req
1388. - Yes, but if you're Adele's husband-
Copy !req
1389. - Wait a minute. I can see you need Adele.
Copy !req
1390. I need money.
Copy !req
1391. You're a cashier.
Copy !req
1392. It ought to be easy for
you to put your hands
Copy !req
1393. on a couple of thousand.
Copy !req
1394. - Oh, I, I, I, I couldn't
do a thing like that.
Copy !req
1395. Wait, are you going back to her?
Copy !req
1396. - No! But not to do you a favor, mister.
Copy !req
1397. I'm clearing out for Adele's sake.
Copy !req
1398. And don't think you're gonna
get any peace of mind either.
Copy !req
1399. I might turn up again someday.
Copy !req
1400. She'd kick you out in a
minute for a man like me.
Copy !req
1401. - I'll get you some money.
Copy !req
1402. - Now you're using your head.
Copy !req
1403. - Yeah, but you'll have to wait here.
Copy !req
1404. I can't get it till after
we close at six o'clock.
Copy !req
1405. - I'll wait, Cross.
Copy !req
1406. - Hello, Johnny. Hello, Kitty.
Copy !req
1407. - Hiya, Marchetti.
Copy !req
1408. - Hi.
Copy !req
1409. - Don't forget
the champagne, baby.
Copy !req
1410. - Nice car you have, Johnny.
Copy !req
1411. She go fast, huh?
Copy !req
1412. - I'd like to see any cop try to catch me.
Copy !req
1413. Say, I'll give you four bits
for a bucketful of that ice.
Copy !req
1414. - Okay, Johnny.
Copy !req
1415. - Can I borrow the ice pick?
Copy !req
1416. - You give it back, huh?
Copy !req
1417. - Sure, sure.
Copy !req
1418. - Thank you.
Copy !req
1419. - Only 200?
Copy !req
1420. - Well, that's all I could get.
Copy !req
1421. - Don't you think your
wife's worth more than that?
Copy !req
1422. - Well, look, I want you
Copy !req
1423. to get all that's coming
to you, Mr. Higgins.
Copy !req
1424. Now, what about the insurance money?
Copy !req
1425. - Insurance?
Copy !req
1426. - Yeah, $2,000.
Copy !req
1427. On your life, Adele collected it.
Copy !req
1428. It's really yours, isn't it?
Copy !req
1429. She keeps it right in her bedroom.
Copy !req
1430. Now, I wouldn't touch a
penny of it, Mr. Higgins,
Copy !req
1431. but if you took it, it
would be perfectly legal.
Copy !req
1432. - Well, just how would I get it?
Copy !req
1433. - That's easy.
Copy !req
1434. This is the night that she
always goes out to the movies.
Copy !req
1435. I let you in.
Copy !req
1436. You take the money, I let you out.
Copy !req
1437. - But why don't you get it?
Copy !req
1438. - Oh, I've got to be able to
say that I didn't touch it.
Copy !req
1439. You know Adele.
Copy !req
1440. - What if she don't go out and I show up?
Copy !req
1441. Your goose is cooked, isn't it?
Copy !req
1442. - Yes, but I can play it safe.
Copy !req
1443. - How?
Copy !req
1444. - Well, you come along the
street at 11 o'clock tonight.
Copy !req
1445. - Okay?
Copy !req
1446. - Shh.
Copy !req
1447. - Why you whispering?
Copy !req
1448. How come the lights are out?
Copy !req
1449. - Mrs. Michaels.
Copy !req
1450. You remember Mrs. Michaels, don't you?
Copy !req
1451. - Oh, yeah.
Copy !req
1452. - And the neighbors.
Copy !req
1453. - Where's the money?
Copy !req
1454. - In there in the bottom
drawer of the chest.
Copy !req
1455. - Okay, give me the flash.
Copy !req
1456. - Help, thief, murderer!
Copy !req
1457. Christopher, Christopher,
get on the lights!
Copy !req
1458. Christopher!
Copy !req
1459. ♪ All your fears are foolish fancy maybe ♪
Copy !req
1460. ♪ You know, dear, that I'm in love ♪
Copy !req
1461. ♪ In love, in love, in
love, in love, in love ♪
Copy !req
1462. - Johnny. Oh, Johnny.
Copy !req
1463. - Lazy Legs.
Copy !req
1464. - Jeepers, I love you.
Copy !req
1465. What's that?
Copy !req
1466. Chris?
Copy !req
1467. Johnny, is it Chris?
Copy !req
1468. - Call him, quick.
Copy !req
1469. - Chris, Chris!
Copy !req
1470. - I ought to push you over on your head.
Copy !req
1471. - How'd I know he was coming here tonight?
Copy !req
1472. I don't understand it.
Copy !req
1473. - You don't understand anything.
Copy !req
1474. - Well, why get sore at me?
Copy !req
1475. - Well, what use are my brains
Copy !req
1476. if I'm tied up with a dumb cluck like you?
Copy !req
1477. I told you to watch your step, didn't I?
Copy !req
1478. - That's right, blame it on me.
Copy !req
1479. - Why'd you keep me here tonight?
Copy !req
1480. I didn't wanna stay!
Copy !req
1481. - Johnny, don't talk like that.
Copy !req
1482. - Well, it's the truth,
I'm fed up with you!
Copy !req
1483. - Johnny.
Copy !req
1484. - That's the only thing
you ever understood.
Copy !req
1485. I'm through with you!
Copy !req
1486. - Jeepers, I love you, Johnny.
Copy !req
1487. Jeepers, I love you, Johnny.
Copy !req
1488. - Oh, Lord, have mercy upon us sinners.
Copy !req
1489. The way of a sinner is
made plain with stones.
Copy !req
1490. But at the end, thereof,
is the pit of hell.
Copy !req
1491. Oh, Lord, be merciful to me, a sinner.
Copy !req
1492. - Amen.
Copy !req
1493. Hallelujah!
Copy !req
1494. - Amen.
Copy !req
1495. - Millie? Yeah, Kitty.
Copy !req
1496. You seen Johnny?
Copy !req
1497. Ah, I thought he'd go to Tiny's.
Copy !req
1498. Was he getting tight?
Copy !req
1499. Oh, just a fight.
Copy !req
1500. Listen, he can't live without me any more
Copy !req
1501. than I can live without him.
Copy !req
1502. Said he was coming back here?
Copy !req
1503. To beat me up?
Copy !req
1504. Jeepers, the way that
guy shoots off his mouth.
Copy !req
1505. Oh, you don't have to warn me.
Copy !req
1506. That's just the way he talks.
Copy !req
1507. If you were in love, you'd understand.
Copy !req
1508. Oh, stop it. Johnny wouldn't kill a fly.
Copy !req
1509. That's love, honey.
Copy !req
1510. Here he is now and has he got a bun on.
Copy !req
1511. Goodbye, hon.
Copy !req
1512. Hello, Johnny.
Copy !req
1513. Come on, Johnny, I heard you.
Copy !req
1514. - You lied to me, Kitty.
Copy !req
1515. It was him, wasn't it?
Copy !req
1516. - Can I help it if I'm in love?
Copy !req
1517. - No, just an infatuation.
Copy !req
1518. Kitty, you couldn't love
a man like that, Kitty.
Copy !req
1519. He's evil.
Copy !req
1520. He wouldn't let you
alone, isn't that right?
Copy !req
1521. I wanted to kill him.
Copy !req
1522. But it's wrong.
Copy !req
1523. - Why'd you come here?
Copy !req
1524. - To ask you to marry me.
Copy !req
1525. - What about your wife?
Copy !req
1526. - I haven't any wife, that's finished.
Copy !req
1527. - For cat's sake, you-
Copy !req
1528. - Her husband turned up. I'm free.
Copy !req
1529. Oh, now, don't cry, Kitty.
Copy !req
1530. I know how you feel,
but that's all over now.
Copy !req
1531. We all make mistakes.
Copy !req
1532. I don't care what's happened.
Copy !req
1533. I, I can marry you now.
Copy !req
1534. I, I want you to be my wife.
Copy !req
1535. We'll go away together,
Copy !req
1536. way far off so you can
forget this other man.
Copy !req
1537. Don't cry, Kitty. Please, don't cry.
Copy !req
1538. - I'm not crying, you fool, I'm laughing!
Copy !req
1539. - Kitty.
Copy !req
1540. - Oh, you idiot. How can a man be so dumb?
Copy !req
1541. - Kitty.
Copy !req
1542. - I've wanted to laugh in your face
Copy !req
1543. ever since I first met you.
Copy !req
1544. You're old, and ugly, and I'm sick of you!
Copy !req
1545. Sick, sick, sick!
Copy !req
1546. - Kitty, for heaven's sake!
Copy !req
1547. - You kill Johnny? I'd
like to see you try.
Copy !req
1548. Why, he'd break every bone in your body!
Copy !req
1549. He's a man!
Copy !req
1550. You wanna marry me?
Copy !req
1551. You! Get out of here!
Copy !req
1552. Get out! Get away from me!
Copy !req
1553. Chris, Chris, get away from me!
Copy !req
1554. Chris, Chris!
Copy !req
1555. - Hey!
Copy !req
1556. Oh, you look out, Johnny.
Copy !req
1557. You'll kill somebody.
Copy !req
1558. - Chris.
Copy !req
1559. Hold on, Chris, wait a minute.
Copy !req
1560. What made you do it, Chris?
Copy !req
1561. When these officers called
me, I wouldn't believe it.
Copy !req
1562. - We were tipped off on the telephone.
Copy !req
1563. - By a man named Higgins.
Copy !req
1564. - I checked the cash before you came in.
Copy !req
1565. Do you know how much is missing?
Copy !req
1566. Over $1200.
Copy !req
1567. - We'll take him along.
Copy !req
1568. You can make the complaint, Mr. Hogarth.
Copy !req
1569. - Hold on, boys. I just can't do it.
Copy !req
1570. - But Mr. Hogarth.
Copy !req
1571. - No, you've done your duty,
and I'm obliged to you.
Copy !req
1572. There's a box of cigars on the table.
Copy !req
1573. Take them along with you.
Copy !req
1574. - Okay, Mr. Hogarth. It's up to you.
Copy !req
1575. - Chris, it was a woman, wasn't it?
Copy !req
1576. I thought so.
Copy !req
1577. I'm not gonna put you in jail, Chris.
Copy !req
1578. Only, of course, you're through.
Copy !req
1579. - Mm.
Copy !req
1580. - Well, I didn't do anything!
Copy !req
1581. I want a, I want a lawyer!
Copy !req
1582. - Where was he picked up?
Copy !req
1583. - Riverside Drive.
Copy !req
1584. He tried to get away in
the murdered girl's car.
Copy !req
1585. - That was my car.
Copy !req
1586. - This is yours too. It's
got your initials on it.
Copy !req
1587. But it's her blood.
Copy !req
1588. Here's $140. It was taken
out of her pocketbook.
Copy !req
1589. - It was mine.
Copy !req
1590. - It's her diamond ring
worth $500 or $600.
Copy !req
1591. - You guys know a lot, don't you?
Copy !req
1592. It cost 1,200.
Copy !req
1593. - Here's her personal jewelry.
Copy !req
1594. Not much value, but he cleaned her out.
Copy !req
1595. - Well, why wouldn't I?
Copy !req
1596. She didn't have anymore
use for it, did she?
Copy !req
1597. Listen, you guys, I want a lawyer!
Copy !req
1598. I'm a citizen, I got my rights!
Copy !req
1599. - This belongs to you too, huh?
Copy !req
1600. It's got your fingerprints on it.
Copy !req
1601. - Well, naturally, I picked it up.
Copy !req
1602. How did I know she was dead?
Copy !req
1603. I thought she was asleep at first.
Copy !req
1604. - Uh-huh.
Copy !req
1605. - She didn't paint those pictures.
Copy !req
1606. Old Cross isn't as dumb as
he looks. He painted them.
Copy !req
1607. - The accused brought me two pictures.
Copy !req
1608. He told me Miss March painted them.
Copy !req
1609. - In my expert opinion,
there's no doubt about it.
Copy !req
1610. She was a very great artist.
Copy !req
1611. - She told me she was an artist
when she rented the studio.
Copy !req
1612. He was with her.
Copy !req
1613. I didn't like him then,
and I don't like him now.
Copy !req
1614. - Yeah, he was mean when he was drunk.
Copy !req
1615. He said he was gonna fix her
Copy !req
1616. when he left my place around 2:00 a.m.
Copy !req
1617. - That's when I tell him,
you look out, Johnny.
Copy !req
1618. You'll kill somebody.
Copy !req
1619. So he killed her with my ice pick.
Copy !req
1620. - And then I heard her
say, "Hello, Johnny"
Copy !req
1621. before she hung up.
Copy !req
1622. He was there, all right.
Copy !req
1623. What I don't understand
Copy !req
1624. is this talk about her being an artist.
Copy !req
1625. I never saw her paint.
Copy !req
1626. - That was one of her peculiar traits.
Copy !req
1627. She never let anyone see her paint.
Copy !req
1628. I've compared her handwriting
with her signature.
Copy !req
1629. There's no question.
Copy !req
1630. - Mr. Cross paint?
Copy !req
1631. He only copied her work. He's a thief.
Copy !req
1632. He stole from me, from his
employer, from Katherine March!
Copy !req
1633. - My wife, I mean, my
former wife, is correct.
Copy !req
1634. I really can't paint.
Copy !req
1635. My copies were so bad,
I had to destroy them.
Copy !req
1636. - For cat's sake, he's lying!
Copy !req
1637. - Hello, Mr. Cross.
Copy !req
1638. - Hello.
Copy !req
1639. - Tom Crocker, "Evening Globe."
Copy !req
1640. - Oh, yes, Tom Crocker.
Copy !req
1641. - Joe Williams, "Morning World ."
Copy !req
1642. - Hey.
Copy !req
1643. - Conway's with "The Ledger".
Copy !req
1644. - Hi.
Copy !req
1645. - Cigarette?
Copy !req
1646. - No, thanks.
Copy !req
1647. Going to Sing Sing?
Copy !req
1648. - Yeah.
Copy !req
1649. - I don't like to cover executions,
Copy !req
1650. but I must say, this is one I don't mind.
Copy !req
1651. - You sure cooked
Johnny's goose, Mr. Cross,
Copy !req
1652. when you testified you couldn't paint.
Copy !req
1653. - Nobody cooked Johnny's
goose except Johnny,
Copy !req
1654. the way he shot off his mouth.
Copy !req
1655. - He was a dead pigeon
Copy !req
1656. when he dragged the girl's
name through the mud.
Copy !req
1657. I watched the jury.
Copy !req
1658. - If he'd have kept his trap shut,
Copy !req
1659. he might have got off with life.
Copy !req
1660. - Sure, the evidence
was only circumstantial.
Copy !req
1661. - What do you mean?
Copy !req
1662. He got a fair trial, didn't he?
Copy !req
1663. - Yeah, but there's always a doubt.
Copy !req
1664. - I suppose you fellas
Copy !req
1665. are gonna say it was a
miscarriage of justice.
Copy !req
1666. That someone is getting away with murder.
Copy !req
1667. - Not me, there's no such thing.
Copy !req
1668. Mr. Cross, nobody gets away with murder.
Copy !req
1669. - How's that?
Copy !req
1670. - Oh, don't get him started.
Copy !req
1671. He'll talk your ear off.
Copy !req
1672. That's his pet theory.
Copy !req
1673. - All right, go ahead
and laugh all you like,
Copy !req
1674. but no one escapes punishment.
Copy !req
1675. I figure we have a little
courtroom right in here,
Copy !req
1676. judge, jury, and executioner.
Copy !req
1677. - I don't get it.
Copy !req
1678. - Well, murder never solved anything.
Copy !req
1679. How about it, fellas, you've
covered lots of trials.
Copy !req
1680. - I'm sorry, but I have
to admit you're right.
Copy !req
1681. - The problem just moves in
here where it can never get out.
Copy !req
1682. Right here in solitary.
Copy !req
1683. So, what? So, you go right
on punishing yourself.
Copy !req
1684. You can't get away with it. Never.
Copy !req
1685. - Now, that doesn't make any sense.
Copy !req
1686. - Well, you haven't seen as much of murder
Copy !req
1687. as I have, Mr. Cross.
Copy !req
1688. I'd rather have the
judge give me the works
Copy !req
1689. than have to do it to myself.
Copy !req
1690. - What time they throw the switch?
Copy !req
1691. - 11 o'clock.
Copy !req
1692. - I didn't do it.
Copy !req
1693. I tell you, I didn't do it.
Copy !req
1694. Won't anybody believe me?
Copy !req
1695. Give me a break, somebody!
Copy !req
1696. I never had a square deal in my life!
Copy !req
1697. Oh, somebody, somebody give me a break!
Copy !req
1698. - Johnny, Johnny.
Copy !req
1699. Oh, Johnny, oh, Johnny.
Copy !req
1700. - Lazy Legs.
Copy !req
1701. - Johnny darling.
Copy !req
1702. - I'm here, baby.
Copy !req
1703. - Jeepers, I love you, Johnny.
Copy !req
1704. Johnny, Johnny.
Copy !req
1705. - Lazy Legs. Lazy Legs.
Copy !req
1706. - Jeepers, I love you, Johnny.
Copy !req
1707. - Oh, Johnny, now we're together.
Copy !req
1708. - Yes.
Copy !req
1709. He killed me too, Kitty.
Copy !req
1710. - He brought us
together, Johnny, forever.
Copy !req
1711. - Kitty.
Copy !req
1712. - Oh, you idiot.
How can a man be so dumb?
Copy !req
1713. - No, Kitty, no.
Copy !req
1714. - You wanted to
marry me? You?
Copy !req
1715. - She's mine, Chris.
Copy !req
1716. - Leave her alone!
Copy !req
1717. - Mine forever.
Copy !req
1718. - You killed me, Chris.
Copy !req
1719. You're old, and ugly, and you killed me.
Copy !req
1720. You killed me.
Copy !req
1721. - No, no, Kitty. It's him.
Copy !req
1722. You were innocent, you were pure.
Copy !req
1723. That's what he killed in
you. He's the murderer.
Copy !req
1724. - No, he's not, not Johnny.
Copy !req
1725. - See, Chris, she loves me.
Copy !req
1726. - That's why you had to die.
Copy !req
1727. You're the one I killed.
Copy !req
1728. - Now she's mine, Chris.
Copy !req
1729. - You kill Johnny?
Copy !req
1730. I'd like to see you try.
Copy !req
1731. - Kitty.
Copy !req
1732. - Why, he'd break every bone
Copy !req
1733. in your body.
- Kitty.
Copy !req
1734. - He's a man.
- Kitty!
Copy !req
1735. - Johnny, Johnny.
Copy !req
1736. Oh, Johnny, oh, Johnny.
Copy !req
1737. - Lazy Legs.
Copy !req
1738. - Jeepers, I love you, Johnny.
Copy !req
1739. - There's something wrong in there.
Copy !req
1740. It's all right, old man.
Copy !req
1741. It's all right.
Copy !req
1742. - Johnny, oh, Johnny.
Copy !req
1743. - Lazy Legs.
Copy !req
1744. - Jeepers, I love you, Johnny.
Copy !req
1745. - Get up.
Copy !req
1746. Come on, come on, get up, get up!
Copy !req
1747. Oh, it's you.
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1748. Haven't I told you to
keep out of this park?
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1749. You know the Mayor's orders.
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1750. Get on down to the
Bowery where you belong.
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1751. Come on, come on.
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1752. - Who's that, Rick?
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1753. - Oh, he's got a crazy idea
he killed a couple of people
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1754. five or six years ago.
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1755. Can't get it off his mind.
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1756. Always trying to give himself up.
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1757. Wants to be tried and executed.
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1758. You know these nuts.
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1759. - Well, there goes her masterpiece.
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1760. I really hate to part with it.
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1761. - For $10,000, I shouldn't
think you'd mind, Mr. Dellarowe.
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1762. - Johnny.
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1763. Oh, Johnny.
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1764. - Lazy Legs.
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1765. - Jeepers, I love you, Johnny.
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