1. Produced by JINGO MINOURA
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2. Developed by SOJIRO MOTOKI
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3. Based on "In a Grove" by
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4. Screenplay by AKIRA KUROSAWA
and SHINOBU HASHIMOTO
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5. Cinematography by KAZUO MIYAGAWA
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6. Sound by IWAO OTANI
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7. Production Design by
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8. Music by FUMIO HAYASAKA
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9. Starring
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10. Directed by AKIRA KUROSAWA
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11. I don't understand.
I just don't understand.
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12. I don't understand it at all.
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13. I just don't understand.
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14. What's wrong?
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15. What don't you understand?
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16. I've never heard
such a strange story.
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17. Why don't you tell me about it?
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18. We happen to have
a wise priest in our midst.
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19. No, not even the renowned,
wise priest from Kiyomizu Temple
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20. has heard a story
as strange as this.
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21. So you know something
about this strange story?
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22. This man and I have just seen it
and heard it ourselves.
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23. Where?
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24. In the courthouse garden.
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25. The courthouse?
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26. A man was murdered.
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27. Just one? So what?
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28. On top of this gate,
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29. you'll find at least
five or six unclaimed bodies.
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30. You're right.
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31. War, earthquake, winds,
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32. fire, famine, the plague...
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33. Year after year,
it's been nothing but disasters.
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34. And bandits descend upon us
every night.
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35. I've seen so many men
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36. getting killed like insects,
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37. but even I have never heard
a story as horrible as this.
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38. Yes. So horrible.
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39. This time,
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40. I may finally lose
my faith in the human soul.
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41. It's worse than bandits,
the plague,
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42. famine, fire, or war.
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43. Look here, priest.
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44. Enough with the sermon.
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45. It sounded interesting,
at least while I kept out of the rain.
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46. But if it's a sermon,
I'd sooner listen to the rain.
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47. Hear me out.
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48. Maybe you can tell me
what it means.
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49. I don't understand
any of those three.
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50. - Which three?
- Well –
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51. I'll tell you about them.
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52. Calm down and tell me slowly.
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53. The rain's not going to stop
any time soon.
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54. It was three days ago.
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55. I went into the mountains
to get wood.
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56. I ran as fast as I could
to tell the police.
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57. Then, three days later, today,
I was called to testify.
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58. Yes, that's right.
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59. I was the one
who first found the body.
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60. What?
Did I see a sword or something?
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61. No, nothing at all.
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62. Just a woman's hat
caught on a branch,
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63. and the cap of a samurai
that had been trampled on.
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64. There was a cut-up piece of rope
near the body,
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65. and further along in the leaves,
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66. a shiny amulet case
with red lining.
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67. Yes.
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68. That was all I found, yes.
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69. Yes.
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70. I met the murdered man
before his death.
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71. It was three days ago,
in the afternoon.
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72. On the road from Sekiyama
to Yamashina.
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73. The woman had a veil,
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74. so I couldn't see her face.
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75. The man was armed with a sword,
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76. as well as a bow and arrows.
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77. Little did I expect
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78. that he would meet such a fate.
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79. A human life is truly as frail
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80. and fleeting as the morning dew.
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81. What a shame
that his should end this way.
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82. I'm sorry.
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83. This man I caught is Tajomaru.
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84. Yes, the notorious bandit
everyone speaks of.
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85. The last time I almost caught him,
he looked the same
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86. and he carried that same sword.
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87. It was two days ago at dusk,
by the banks of the Katsura...
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88. What's wrong?
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89. There were 17 arrows
with eagle feathers,
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90. a leather bow, and a horse.
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91. All these belonged
to the dead man, yes.
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92. The irony of Tajomaru being
thrown off his stolen horse,
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93. this had to be fateful retribution.
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94. I fell off the horse?
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95. You fool!
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96. On that day...
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97. I was riding that horse
and I was suddenly very thirsty.
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98. So around Osaka,
I drank from a spring.
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99. There must have been
a dead poisonous snake upstream.
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100. After a while, I got
an incredible stomach-ache.
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101. By the time I came to the river,
I couldn't hold it any longer.
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102. So I got off the horse
and crouched in the field.
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103. I fell off?
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104. Obviously, a fool can think
only foolish thoughts.
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105. I know sooner or later
you'll have my neck,
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106. so I'm not going to
hide anything.
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107. It was this Tajomaru
who killed that man.
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108. I saw that couple three days ago.
It was a hot afternoon.
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109. Suddenly a cool breeze
rustled the leaves.
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110. If it hadn't been for that wind,
I wouldn't have killed him.
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111. I caught a glimpse
and then she was gone.
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112. Maybe that's why.
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113. I thought I saw a goddess.
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114. At that moment
I decided to capture her,
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115. even if I had to kill her man.
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116. But if I could have her
without killing, all the better.
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117. My intention then was to take her
without killing the man.
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118. But I couldn't do it
on that road to Yamashina.
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119. What do you want?
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120. What do you want?
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121. What is it?
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122. Don't be suspicious.
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123. See? Isn't this nice?
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124. Take a good look at it.
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125. There are some ruins over there.
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126. When I dug up the mound,
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127. I found a heap of
swords and mirrors.
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128. I buried them in a grove
behind the mountain
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129. so no one else would find them.
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130. If you're interested,
I'll sell them to you cheap.
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131. It's over there.
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132. Walk ahead of me.
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133. It's here.
Beyond those pines.
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134. Your husband has taken sick.
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135. Her face turned pale.
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136. She stared at me
with frozen eyes,
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137. her expression
intense like a child's.
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138. When I saw that,
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139. I envied the man
and I suddenly hated him.
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140. I wanted to show her how pathetic
he looked tied to that pine tree.
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141. These thoughts that weren't there
before filled my head.
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142. I had never seen
such fierceness in a woman.
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143. And so I had succeeded in having her
without killing her husband.
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144. I still had no intention
of killing him.
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145. But then...
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146. Wait!
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147. Stop!
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148. Either you die
or my husband dies.
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149. One of you must die.
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150. To have my shame known
to two men is worse than dying.
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151. I will go
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152. with the survivor.
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153. So I had to kill him,
but I wanted to do it honorably.
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154. He fought very well.
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155. We crossed swords 23 times.
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156. I remember this
because I'm still impressed.
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157. No one had ever crossed swords
with me more than 20 times.
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158. What? The woman?
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159. I don't know.
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160. When the man died,
I turned to her.
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161. She was gone.
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162. The fighting must have scared her
and she ran away.
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163. I ran out to the mountain road.
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164. All I found was her horse
grazing calmly.
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165. I was attracted
to her fierce spirit,
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166. but, after all,
she was just like other women.
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167. I didn't even look for her.
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168. What? His sword?
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169. I exchanged it in town for liquor.
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170. What? Her dagger?
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171. It had pearl inlay.
Looked very valuable.
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172. I totally forgot about it.
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173. That was foolish.
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174. The biggest mistake I ever made!
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175. Even amongst the bandits,
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176. Tajomaru is famous
for being a womanizer.
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177. Why, last fall,
a young wife went to the temple
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178. and she and her maid were
found dead in the mountains.
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179. That must have been him too.
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180. Who knows what really happened
to that woman who left her horse?
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181. Well,
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182. that woman showed up
at the courthouse.
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183. She was hiding in the temple
when the police found her.
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184. It's a lie.
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185. It's all a lie.
Tajomaru's story and the woman's.
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186. It's human to lie.
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187. Most of the time we can't even
be honest with ourselves.
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188. That may be.
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189. But it's because men are weak
that they lie,
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190. even to themselves.
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191. Not another sermon.
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192. I don't care if it's a lie,
as long as it's entertaining.
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193. What story did the woman
come up with?
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194. Well, it's completely different
from Tajomaru's story.
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195. So different
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196. that her face didn't even
show the fierceness he spoke of.
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197. She was so docile,
she was almost pitiful.
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198. That man in the blue kimono,
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199. after forcing me to yield to him,
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200. proudly announced that
he was the infamous Tajomaru,
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201. and laughed mockingly
at my husband who was tied up.
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202. How horrified
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203. my husband must have been.
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204. The more he struggled,
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205. the tighter the ropes dug in.
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206. I ran to his side.
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207. Or rather, I tried to.
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208. Even now,
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209. when I think of his eyes,
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210. my blood turns cold in my veins.
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211. What I saw in them was
neither anger,
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212. nor sorrow,
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213. but a cold light,
a look of loathing.
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214. Don't.
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215. Don't look at me like that.
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216. It's too cruel.
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217. Beat me,
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218. kill me,
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219. but don't look at me like that.
Please, stop.
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220. Now kill me.
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221. Kill me at once.
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222. Stop.
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223. Don't.
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224. Please don't.
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225. I must have fainted after that.
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226. When I came to
and looked around...
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227. Imagine my shock.
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228. I saw my dagger
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229. in my dead husband's chest.
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230. I was in shock
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231. and I don't remember
how I left the woods.
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232. But when I came to,
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233. I was standing by the pond
at the foot of the hill.
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234. I threw myself into the pond.
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235. I tried many different things.
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236. But I failed to kill myself.
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237. What should a poor,
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238. helpless woman like me do?
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239. I see. The more I hear,
the more confused I get.
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240. But women use their tears
to fool everyone.
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241. They even fool themselves.
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242. So you have to beware
of the woman's story.
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243. When you hear
the dead man's story –
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244. He's dead.
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245. How can he tell his story?
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246. He spoke through a medium.
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247. Lies.
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248. His story was also lies.
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249. But dead men don't lie.
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250. Why is that?
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251. I refuse to believe
that man would be so sinful.
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252. Suit yourself.
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253. But is there anyone who's
really good?
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254. Maybe goodness is
just make-believe.
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255. What a frightening –
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256. Man just wants to forget
the bad stuff
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257. and believe in the
made-up good stuff.
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258. It's easier that way.
- Ridiculous.
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259. Nevermind.
Let's hear the dead man's story.
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260. I am in darkness now.
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261. I am suffering in the dark.
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262. Cursed be those who cast me
into this dark hell.
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263. After the bandit
attacked my wife,
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264. he tried to console her.
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265. She sat on the leaves,
staring down at her knees.
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266. The bandit was cunning.
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267. Now that her virtue was stained,
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268. she could no longer be
with her husband.
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269. Leave the husband
and why not marry him instead?
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270. He said he only attacked her
out of his love for her.
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271. When she heard that,
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272. my wife raised her face
as if in a trance.
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273. She had never looked so beautiful.
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274. And what was my beautiful wife's
response to the bandit
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275. in front of her helpless husband?
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276. Wherever.
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277. Take me wherever you want.
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278. That's what she said.
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279. But that wasn't her only sin
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280. or I wouldn't be suffering
in the dark like this.
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281. Please kill him.
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282. While he's alive,
I cannot go with you.
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283. Kill him!
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284. Those words were
like a wind that
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285. threatened to blow me
into the depths of darkness.
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286. Has such a hateful thing
ever been uttered by a human before?
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287. Even the bandit turned pale
at those words.
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288. Please kill him.
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289. What do you want me
to do with her?
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290. Kill her or save her?
You only have to nod.
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291. For these words alone,
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292. I was ready to pardon his crime.
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293. Kill her or let her go?
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294. I don't know
how many hours passed.
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295. She got away.
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296. Now I'll have to worry about
my own fate.
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297. Everything was silent.
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298. I heard someone crying.
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299. Someone is crying.
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300. Who is that?
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301. Everything was silent.
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302. How quiet it was.
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303. Suddenly the sun went away.
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304. I was enveloped in deep silence.
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305. I lay there in the stillness.
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306. Then someone
quietly approached me.
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307. That someone
gently withdrew the dagger
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308. from my heart.
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309. It's not true!
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310. There was no dagger.
He was killed by a sword.
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311. Now it's getting interesting.
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312. It seems you saw the whole thing.
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313. So why didn't you tell the court?
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314. I didn't want to get involved.
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315. You can talk about it here, right?
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316. Tell me, then.
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317. Your story seems to be
the most interesting.
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318. I don't want to hear it.
No more horror stories.
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319. They are common stories
these days.
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320. I even heard that
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321. the demon living here in Rashomon
fled in fear of the ferocity of man.
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322. Come on.
How much do you know?
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323. I found the woman's hat
in the mountains.
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324. You already said that.
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325. About 20 yards further,
I heard a woman crying.
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326. From behind a bush,
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327. I saw a man tied up,
a woman crying and Tajomaru.
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328. So you lied when you said
you found the body.
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329. I didn't want to get involved.
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330. All right, then. Go on.
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331. What was Tajomaru doing?
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332. He was down on his knees,
begging the woman for forgiveness.
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333. Until now, whenever I wanted
to do something bad, I did it.
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334. That way I suffered less.
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335. But today, it's different.
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336. I already had you,
but I only want you more.
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337. It's very hard.
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338. I beg you to be my wife.
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339. The notorious bandit Tajomaru
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340. is begging you
on his hands and knees.
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341. If you wish,
I'll even stop being a bandit.
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342. I have enough stashed away
to give you a lavish life.
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343. And if you don't want my dirty money,
I'll even work.
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344. I'll stoop to selling odds and ends
on the street to support you.
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345. I'll do anything
if you come with me.
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346. Marry me, please.
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347. If you say no,
I have no choice but to kill you.
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348. Please, say yes.
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349. Stop crying and answer me.
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350. Tell me you'll be my wife!
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351. Say it!
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352. It's impossible.
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353. How could I, a woman,
say anything?
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354. I get it. You mean
it's up to us men to decide.
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355. Hold it!
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356. I refuse to risk my life
for such a woman.
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357. You've been with two men.
Why don't you kill yourself?
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358. Hopeless.
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359. I don't want this shameless whore.
You can have her.
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360. At this stage, I'd rather lose her
instead of the horse.
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361. Wait!
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362. Don't follow me!
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363. Stop crying.
It's not going to work anymore.
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364. Stop it. Don't bully her.
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365. Women are weak by nature.
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366. It's you who are weak.
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367. If you are my husband,
why don't you kill this man?
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368. Then you can tell me to kill myself.
That's a real man.
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369. You're not a real man either.
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370. When I heard you were Tajomaru,
I stopped crying.
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371. I was sick of this
tiresome daily farce.
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372. I thought, "Tajomaru might
get me out of this."
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373. "If he'd only save me,
I'd do anything for him."
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374. I thought to myself.
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375. But you were just as petty
as my husband.
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376. Just remember:
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377. A woman loves a man
who loves passionately.
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378. A man has to make a woman his
by his sword.
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379. I don't want to die!
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380. So that's the real story.
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381. I don't tell lies.
I saw it with my own eyes.
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382. I doubt it.
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383. It's true. I don't lie.
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384. No one lies after he says
he's going to do so.
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385. It's horrifying.
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386. If men don't trust each other,
this earth might as well be hell.
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387. That's right.
This world is hell.
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388. No, I believe in men.
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389. I don't want this place to be hell.
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390. Shouting doesn't help.
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391. Think about it. Out of these three,
whose story is believable?
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392. No idea.
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393. In the end, you cannot
understand the things men do.
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394. What are you doing?
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395. What's it to you?
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396. - That's terrible!
- Terrible?
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397. Someone else would have
taken the kimono.
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398. Why shouldn't I?
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399. - It's evil.
- Evil?
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400. What about this kid's parents?
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401. They had their fun
and then they throw out the kid?
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402. They're evil.
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403. No, you're wrong.
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404. Look at the amulet
on the kimono.
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405. It was left to protect the baby.
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406. Think about what they went through
to abandon this baby.
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407. I don't have time to mind
everyone's feelings.
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408. - You selfish –
- What's wrong with that?
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409. Dogs are better off in this world.
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410. If you're not selfish,
you can't survive.
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411. Damn it.
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412. Everyone is selfish
and dishonest.
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413. Making excuses.
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414. The bandit, the woman, the man
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415. and you!
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416. And you aren't?
That's funny.
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417. You may have fooled the court,
but not me.
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418. So what did you do
with the dagger?
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419. The valuable one
with the pearl inlay
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420. that Tajomaru was talking about?
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421. What happened to it?
Did it disappear in the grass?
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422. If you didn't, who stole it?
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423. It seems I'm right.
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424. A bandit calling another a bandit.
Now that's selfish.
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425. Do you have
anything else to say?
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426. If not, I'll be going.
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427. What are you doing?
Taking what little it has left?
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428. I have six kids of my own.
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429. Another one
wouldn't make a difference.
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430. I am ashamed of what I said.
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431. It's inevitable
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432. to be suspicious of others
on a day like this.
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433. I'm the one
who should be ashamed.
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434. I don't understand my own soul.
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435. No, I'm grateful to you.
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436. Thanks to you,
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437. I think I can keep
my faith in man.
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438. Don't mention it.
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439. THE END
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