1. First, my contours.
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2. The outline.
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3. Not too fast.
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4. Take time to look at me.
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5. See how my arms are placed.
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6. My hands.
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7. Who brought that painting out?
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8. From the stock. I shouldn't have?
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9. No.
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10. Did you paint it?
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11. Yes.
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12. A long time ago.
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13. What's the title?
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14. Portrait of a Lady on Fire.
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15. Where do I go?
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16. Head straight up toward the trees.
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17. I'm Marianne.
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18. It was a reception room.
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19. I've never seen it used.
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20. - Have you been here long?
- Three years.
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21. Do you like it here?
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22. Yes.
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23. I'll let you get dry.
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24. Sorry, I helped myself.
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25. I was hungry.
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26. - Is there any wine?
- Yes.
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27. May I be curious?
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28. What is your young mistress like?
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29. I don't know her well.
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30. You've been here three years.
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31. She only arrived a few weeks ago.
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32. Where from?
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33. The Benedictines.
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34. Has she left holy orders?
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35. They brought her home.
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36. Because her sister died.
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37. She was the one due to marry?
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38. Did disease take her?
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39. No.
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40. Will you manage it?
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41. Manage what?
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42. To paint her.
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43. Why do you ask?
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44. Another painter was here.
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45. He wasn't able to.
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46. What happened?
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47. I don't know.
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48. I'm afraid it's the only one.
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49. She has no dresses yet
and wears her convent clothes.
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50. - She has blond hair?
- Yes.
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51. This will do.
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52. Do you recognize it?
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53. My father painted it.
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54. One of his first.
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55. It was in Milan, before my marriage.
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56. My daughter's suitor is Milanese.
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57. We'll go there if he likes the portrait.
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58. You'll leave.
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59. I have to tell you...
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60. she wore out one painter before you.
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61. In a very simple manner:
she refused to pose.
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62. - He never saw her face.
- Why won't she be painted?
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63. She refuses this marriage.
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64. You must paint her without her knowing.
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65. She thinks you're a companion for walks.
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66. She's delighted.
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67. Since she arrived, I don't let her out.
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68. Why not?
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69. I wasn't wary enough with her sister.
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70. She thinks I'll watch over her.
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71. And you, observe her.
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72. Is painting her that way feasible?
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73. More than being a companion.
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74. The portrait arrived here before me.
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75. When I first entered this room,
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76. I found myself facing my image
hanging on the wall.
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77. She was waiting for me.
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78. She's waiting to go out.
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79. Come in.
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80. Tell me, what happened to your mistress?
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81. How did she die?
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82. We were walking by the cliffs.
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83. She was behind me and vanished.
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84. I saw her broken body below.
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85. - Did you see her fall?
- No.
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86. I think she jumped.
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87. Why do you think that?
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88. She didn't cry out.
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89. I've dreamt of that for years.
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90. Dying?
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91. Running.
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92. One must show the ear
and study its cartilage closely,
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93. even if covered with hair.
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94. It must be of a warm and transparent hue,
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95. except for the hole,
which is always strong.
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96. Its tone, even in light,
must yield to the cheek...
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97. which is more prominent.
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98. Did you bring a book?
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99. Yes.
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100. May I borrow it?
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101. I'll fetch it.
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102. Thank you.
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103. It's odd you sleep here.
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104. Miss?
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105. Miss!
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106. She's waiting.
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107. - Is she downstairs?
- Yes.
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108. I must cover you up. It's windy.
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109. I'd like to bathe.
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110. On a calmer day.
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111. Yes.
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112. How long will you stay?
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113. Six more days.
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114. Do you swim?
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115. I don't know.
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116. It's too dangerous if you don't.
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117. I meant, I don't know if I can swim.
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118. How was your day?
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119. Difficult.
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120. She always stays ahead of me
and walks alone on the beach.
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121. Have you started painting?
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122. Not yet.
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123. I haven't even seen her smile.
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124. Have you tried to be funny?
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125. Is it unfinished?
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126. My sister was embroidering it.
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127. Do you think she wanted to die?
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128. You're the first person
unafraid to ask that.
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129. Apart from you?
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130. Not out loud. But yes.
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131. In her last letter, she apologized.
For no reason.
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132. What could she be apologizing for?
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133. For leaving me her fate.
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134. You make it sound terrible.
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135. What do you know of my marriage?
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136. You're to wed a Milanese gentleman,
that's all.
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137. That's all I know too.
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138. You see why it worries me.
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139. Put that way, yes.
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140. I put it the way it is.
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141. You'd rather have stayed in the convent?
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142. It's a life that has advantages.
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143. There's a library.
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144. You can sing or hear music.
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145. And equality is a pleasant feeling.
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146. I found the convent unjust.
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147. I left after my first communion.
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148. They punished me
for drawing in my notebooks' margins.
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149. You draw?
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150. Yes. A little.
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151. What about you? When will you marry?
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152. I don't know if I will.
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153. - You don't have to?
- No.
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154. I'll take over my father's business.
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155. You can choose.
That's why you don't understand me.
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156. I understand you.
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157. How are your days?
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158. We return late
and I have little light to work.
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159. I'll keep her here tomorrow afternoon.
You'll be free to make progress.
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160. Perhaps you could allow her
to go out alone.
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161. Fear not. She isn't sad, but angry.
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162. You think I don't know her anger?
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163. I know it well.
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164. Yes, I know it too.
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165. Where did you learn Italian?
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166. In Milan.
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167. You know Milan?
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168. I can't wait to go back.
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169. It's 20 years since I was there.
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170. Tell her Milan is beautiful.
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171. And that life will be sweeter.
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172. She doesn't talk much to me.
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173. I'm not marrying her to the local gentry.
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174. I'm trying... to take her elsewhere.
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175. She'll be less bored there.
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176. And you too.
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177. Indeed. Why not?
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178. I'll leave for the coast
at the same time as you.
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179. If you don't have to return to Paris,
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180. I have a friend
who'd like her portrait done.
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181. Thank you.
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182. It won't be easy.
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183. My friend is particularly ugly.
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184. She's very ugly!
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185. You've made me laugh.
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186. It's ages since that happened.
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187. I didn't do anything.
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188. You're here.
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189. It takes two to be funny.
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190. Marianne?
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191. Do you have tobacco?
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192. Yes.
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193. Your mother will let you
go out alone tomorrow.
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194. You'll be free.
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195. Being free is being alone?
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196. You don't think so?
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197. I'll tell you tomorrow.
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198. I'll go to mass.
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199. To receive Communion?
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200. I want to hear music.
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201. Organ music is pretty but bleak.
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202. It's all I know.
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203. - You've never heard an orchestra?
- No.
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204. Have you?
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205. Tell me about it.
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206. It's not easy to relate music.
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207. What is it?
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208. A piece that I love.
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209. Is it merry?
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210. Not merry, but it's lively.
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211. It's about a coming storm.
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212. The insects sense it.
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213. They become agitated.
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214. Then the storm breaks.
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215. With lightning and the wind.
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216. I can't remember it.
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217. You'll hear the rest.
Milan is a city of music.
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218. Then I can't wait for Milan.
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219. I'm saying there will be good things.
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220. You're saying that, now and then...
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221. I'll be consoled.
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222. How was mass?
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223. - You look cheerful.
- I sang a lot.
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224. - Are you leaving me already?
- Yes.
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225. Will you come out tomorrow?
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226. Yes.
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227. In solitude,
I felt the liberty you spoke of.
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228. But I also felt I missed you.
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229. The portrait is finished.
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230. Are you happy with it?
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231. I think so.
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232. Let's go to see it.
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233. May I ask a favor?
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234. Go on.
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235. I'd like to show her first.
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236. And tell her the truth myself.
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237. I understand.
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238. She's very fond of you.
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239. How do you know?
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240. She talks about you.
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241. Héloïse...
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242. I must tell you something.
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243. I'm a painter.
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244. I came here to paint you.
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245. I've finished your portrait.
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246. I see now why you praised
the charms of exile.
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247. You felt guilty.
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248. Are you leaving?
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249. Later today. With your mother.
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250. Then I shall bathe today.
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251. Well, can you swim?
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252. I still don't know if I can.
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253. Did you see me?
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254. You can float.
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255. Let's go back.
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256. It explains all your looks.
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257. You're saying nothing?
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258. Is that me?
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259. Yes.
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260. Is that how you see me?
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261. It's not only me.
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262. What do you mean, not only you?
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263. There are rules, conventions, ideas.
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264. You mean there's no life?
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265. No presence?
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266. Your presence is made up
of fleeting moments that may lack truth.
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267. Not everything is fleeting.
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268. Some feelings are deep.
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269. The fact it isn't close to me,
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270. that I can understand.
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271. But I find it sad it isn't close to you.
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272. How do you know it isn't close to me?
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273. I didn't know you were an art critic.
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274. I didn't know you were a painter.
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275. I'll fetch my mother.
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276. It wasn't good enough. I'll start again.
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277. You're joking.
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278. I'm sorry. It wasn't satisfactory.
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279. You're incompetent then. You can leave.
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280. She's staying.
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281. I'll pose for her.
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282. Really?
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283. Yes.
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284. Why?
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285. What does it change for you?
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286. Nothing.
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287. I'll be away five days.
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288. When I return, it will be finished.
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289. And I decide, not you.
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290. Understood?
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291. Say good-bye like when you were little.
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292. Sit down.
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293. Turn your chest towards me.
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294. A little more.
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295. Turn your head slightly.
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296. Rest your arm here.
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297. - Not like that. May I?
- Yes.
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298. Take your hand.
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299. The other way.
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300. Like this.
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301. - Are you comfortable?
- Yes.
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302. - Can you hold this position?
- Yes.
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303. Look at me.
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304. The heat will do you good.
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305. The cherrystones hold it in.
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306. Thank you.
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307. I usually have one ready,
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308. but I haven't had my monthlies.
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309. More than once?
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310. Three times.
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311. - Is this the first time?
- Yes.
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312. - Do you want a child?
- No.
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313. I was waiting for Madam to leave
to see to it.
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314. - I can't.
- A little more.
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315. I can't go on.
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316. No.
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317. It mustn't be in flower.
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318. It's ready.
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319. - Will it be enough?
- We'll see.
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320. Has it happened to you?
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321. Yes.
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322. You've known love.
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323. Yes.
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324. What is it like?
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325. It's hard to say.
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326. I mean, how does it feel?
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327. I can't make you smile.
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328. I feel I do it and then it vanishes.
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329. Anger always comes to the fore.
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330. Definitely with you.
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331. I didn't mean to hurt you.
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332. - You haven't hurt me.
- I have, I can tell.
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333. When you're moved,
you do this with your hand.
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334. - Really?
- Yes.
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335. And when you're embarrassed...
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336. you bite your lips.
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337. And when you're annoyed...
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338. you don't blink.
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339. You know it all.
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340. Forgive me, I'd hate to be in your place.
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341. We're in the same place.
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342. Exactly the same place.
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343. Come here.
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344. Come.
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345. Step closer.
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346. Look.
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347. If you look at me,
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348. who do I look at?
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349. When you don't know what to say,
you touch your forehead.
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350. When you lose control,
you raise your eyebrows.
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351. And when you're troubled...
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352. you breathe through your mouth.
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353. - I didn't touch!
- I win.
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354. I win.
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355. You touched it.
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356. Try to concentrate.
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357. Your turn.
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358. - You're cheating.
- I'm not cheating, I play fast.
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359. - Go on.
- Two.
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360. - Two cards.
- Two.
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361. Two sixes.
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362. - I win.
- You win, yes.
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363. Your turn.
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364. No, go on.
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365. Go on!
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366. Uncover your throat.
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367. More.
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368. You have my future husband in mind.
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369. Do you paint nude models too?
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370. Women, yes.
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371. Why not men?
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372. I'm not allowed to.
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373. Why not?
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374. Because I'm a woman.
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375. Is it a matter of modesty?
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376. It's mostly to prevent us
from doing great art.
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377. Without any notion of male anatomy,
the major subjects escape us.
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378. - How do you manage?
- I do it in secret.
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379. It's tolerated.
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380. What do you tell your models...
to amuse them?
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381. - Are you bored?
- No.
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382. I'm interested in you.
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383. Your complexion is remarkable today.
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384. You're very elegant.
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385. You pose beautifully.
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386. You're pretty.
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387. That's what I tell them.
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388. "Then, striking the lyre
to accompany his words, he sang:
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389. 'Oh, Gods of the Underworld
to which all mortals descend,
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390. I am here to seek my wife.
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391. A viper that she trod on
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392. poisoned her and robbed her of her youth.
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393. I beseech you,
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394. unravel the thread
of Eurydice's early demise.
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395. All will be yours.
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396. We all end up here.
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397. This is our final abode.
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398. You reign over the human race.
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399. After living out her fair span of years,
she will be yours.
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400. If the fates refuse my wife this favor,
I am determined not to return.
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401. You may delight in both our deaths."'
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402. - He's convincing.
- Very.
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403. I hope they say yes.
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404. "Then, for the first time,
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405. tears wet the cheeks of the Eumenides,
won over by his words.
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406. Neither the king's bride,
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407. nor the ruler of Hades
could resist his prayer.
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408. They sent for Eurydice.
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409. She was there, among the recent spirits,
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410. and approached, limping from her wound.
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411. She was returned to Orpheus on condition
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412. that he would not look back until outside
or the favor would be void.
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413. In deep silence, they took a sloping path,
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414. steep and dark, shrouded in thick mist.
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415. They were nearing the surface,
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416. approaching the threshold, when,
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417. fearing losing Eurydice
and impatient to see her,
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418. her loving spouse turned
and she was instantly drawn back.
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419. She reached out for his embrace
and wished to hold him.
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420. Her poor hands
clutched only the empty air.
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421. Dying a second time, she did not complain.
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422. His sole fault was loving her."
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423. That's horrible.
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424. Poor woman. Why did he turn?
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425. He was told not to but did, for no reason.
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426. - There are reasons.
- You think so?
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427. Read it again.
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428. "They were nearing the surface,
approaching the threshold,
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429. when, fearing losing Eurydice
and impatient to see her,
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430. her loving spouse turned."
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431. No, he can't look at her
for fear of losing her.
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432. That's no reason.
He was told not to do that.
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433. He's madly in love. He can't resist.
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434. I think Sophie has a point.
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435. He could resist.
His reasons aren't serious.
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436. - Perhaps he makes a choice.
- What choice?
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437. He chooses the memory of her.
That's why he turns.
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438. He doesn't make the lover's choice,
but the poet's.
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439. "She spoke a last farewell
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440. that scarcely reached his ears
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441. and fell back into the abyss."
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442. Perhaps she was the one who said...
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443. "Turn around."
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444. She says I'm still pregnant
and to come back in two days.
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445. I'll come with you.
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446. What about Héloïse?
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447. She isn't well. She doesn't want dinner.
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448. I thought you had been scared off.
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449. You were right.
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450. I am scared.
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451. Do all lovers feel
they're inventing something?
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452. I know the gestures.
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453. I imagined it all, waiting for you.
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454. You dreamt of me?
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455. No.
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456. I thought of you.
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457. You don't want to come anymore?
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458. I'm coming.
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459. Get up.
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460. Wait.
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461. That's good.
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462. Lie down.
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463. Lift your legs.
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464. There.
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465. Thank you.
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466. Deep breaths.
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467. Look.
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468. There, it's over.
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469. Go to bed.
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470. I'll watch over her.
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471. I don't want to go to bed.
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472. Sophie?
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473. Are you asleep?
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474. No.
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475. Can you get up?
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476. Help her.
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477. Get your things.
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478. We're going to paint.
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479. Sophie.
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480. Come here.
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481. Sit down.
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482. Come closer.
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483. Lie down.
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484. Look at her.
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485. Arch your back a little.
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486. Sophie, straighten your head.
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487. Yes.
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488. Stop that.
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489. What?
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490. What you're doing.
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491. Be serious.
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492. Keep still.
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493. I bought it from a woman at the feast.
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494. It's a plant.
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495. She said it makes you fly.
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496. Have you ever tried it?
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497. Never.
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498. - Do you want to?
- Now?
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499. She said it makes time last longer.
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500. Your eyes.
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501. You have to drink.
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502. This time, I like it.
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503. Perhaps because I know you better.
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504. - Perhaps I've changed.
- Perhaps.
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505. You didn't destroy the last one for me.
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506. You did it for you.
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507. I'd like to destroy this one too.
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508. Why?
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509. Through it, I give you to another.
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510. It's terrible.
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511. Now you possess me a little,
you bear me a grudge.
Copy !req
512. - I don't.
- You do.
Copy !req
513. You know you do.
Copy !req
514. You're not on my side now.
Copy !req
515. You blame me for what comes next.
My marriage.
Copy !req
516. You don't support me.
Copy !req
517. You're right.
Copy !req
518. Go on.
Copy !req
519. Say what burdens your heart.
Copy !req
520. I believed you braver.
Copy !req
521. I believed you braver too.
Copy !req
522. That's it then.
Copy !req
523. You find me docile.
Copy !req
524. Worse.
Copy !req
525. You imagine I'm collusive.
Copy !req
526. You imagine my pleasure.
Copy !req
527. It's a way of avoiding hope.
Copy !req
528. Imagine me happy or unhappy
if that reassures you.
Copy !req
529. But do not imagine me guilty.
Copy !req
530. You'd prefer me to resist.
Copy !req
531. Yes.
Copy !req
532. Are you asking me to?
Copy !req
533. Answer me.
Copy !req
534. No.
Copy !req
535. Have you seen Héloïse?
Copy !req
536. No. She isn't in her room.
Copy !req
537. We've had news.
Copy !req
538. Madam returns tomorrow.
Copy !req
539. Very well.
Copy !req
540. Will you be ready?
Copy !req
541. Yes.
Copy !req
542. Forgive me.
Copy !req
543. Forgive me.
Copy !req
544. Your mother returns tomorrow.
Copy !req
545. Come here.
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546. With me.
Copy !req
547. When do we know it's finished?
Copy !req
548. At one point, we stop.
Copy !req
549. Finished.
Copy !req
550. Who is that for?
Copy !req
551. For me.
Copy !req
552. You can reproduce that image to infinity.
Copy !req
553. Yes.
Copy !req
554. After a while...
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555. you'll see her
Copy !req
556. when you think of me.
Copy !req
557. I'll have no image of you.
Copy !req
558. Do you want an image of me?
Copy !req
559. Yes.
Copy !req
560. Which one?
Copy !req
561. That one.
Copy !req
562. Give me your book.
Copy !req
563. Give me a figure.
Copy !req
564. 28.
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565. Your eyes are closing.
Copy !req
566. Don't go to sleep.
Copy !req
567. I feel something new.
Copy !req
568. What?
Copy !req
569. Regret.
Copy !req
570. Don't regret.
Copy !req
571. Remember.
Copy !req
572. I'll remember when you fell asleep
in the kitchen.
Copy !req
573. I'll remember...
Copy !req
574. your dark stare when I beat you at cards.
Copy !req
575. I'll remember the first time you laughed.
Copy !req
576. You took your time being funny.
Copy !req
577. That's true.
Copy !req
578. I wasted time.
Copy !req
579. I wasted time too.
Copy !req
580. I'll remember
the first time I wanted to kiss you.
Copy !req
581. When was that?
Copy !req
582. You didn't notice?
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583. At the gathering around the bonfire.
Copy !req
584. I wanted to, yes.
Copy !req
585. But that wasn't the first time.
Copy !req
586. Tell me.
Copy !req
587. No, you tell me.
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588. When you asked if I had known love.
Copy !req
589. I could tell the answer was yes.
Copy !req
590. And that it was now.
Copy !req
591. I remember.
Copy !req
592. - Good morning.
- Good morning.
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593. They're here.
Copy !req
594. Very good.
Copy !req
595. For you.
Copy !req
596. Thank you.
Copy !req
597. Héloïse. Come with me.
Copy !req
598. - In a minute.
- No, now.
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599. I have a gift for you.
Copy !req
600. I'll say good-bye here.
Copy !req
601. Good-bye.
Copy !req
602. Have a safe journey.
Copy !req
603. Turn around.
Copy !req
604. You've made me look so sad.
Copy !req
605. You were.
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606. I'm not anymore.
Copy !req
607. I saw her again a first time.
Copy !req
608. Are you standing guard?
Copy !req
609. I'm observing reactions.
Copy !req
610. Do you want mine?
Copy !req
611. This Orpheus is excellent.
Copy !req
612. Your father is in shape.
Copy !req
613. It's my painting.
I submitted it in his name.
Copy !req
614. Usually, he's portrayed before he turns
or after, as Eurydice dies.
Copy !req
615. Here, they seem to be saying good-bye.
Copy !req
616. I saw her one last time.
Copy !req
617. She didn't see me.
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