1. I've always been good
at becoming other people.
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2. Yes, it's always been my dream.
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3. Well—
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4. If you find you can't
live In the shadows,
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5. then you should come with me
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6. into the spotlight.
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7. Actors, designers,
performers, filmers,
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8. the best stage, come on!
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9. No ticket needed for
the entrance of dreams!
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10. Legendary theaters
and poolside celebrities!
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11. Pushing through rivals and paparazzi
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12. until your name's on the Walk of Fame!
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13. A large-sized dream!
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14. But you should beware.
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15. If your restless feet
should trip and fall,
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16. there's no way back.
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17. You know,
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18. what look like diamonds from
afar are actually someone's tears.
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19. But if your dream is still alive,
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20. dance on fire!
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21. Make the floor red hot!
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22. Dance on fire!
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23. Just keep on dancing!
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24. If you're burned out but
your dream still isn't,
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25. then you're sure to smile!
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26. Ready?
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27. The Cinéphile
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28. Great!
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29. Cut!
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30. OK!
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31. Alright!
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32. That's it for the front shots.
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33. Prepare the scaff!
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34. That was great, Mystia!
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35. Thanks, Gene.
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36. It's more dramatic from the side.
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37. OK, I'll move the camera.
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38. Thanks!
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39. Gene, what are you writing?
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40. There are so many
things to learn on a film set,
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41. so I'm taking notes on everything.
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42. Wow! You're so keen on studying!
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43. No, I—
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44. Pompo is here!
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45. How's it going?
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46. - Great!
- Good morning!
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47. Hi, Pompo!
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48. You're looking sexy today, Mystia.
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49. Director, how's it going?
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50. Take a look.
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51. That's great!
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52. Just the right amount of sex appeal.
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53. Right? Have you
prepared for the meeting?
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54. As Pompo's assistant,
for about a year...
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55. I've been watching from the sidelines.
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56. Gene, go buy me some food.
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57. Yes, ma'am!
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58. - A tuna sandwich.
- Yes, ma'am!
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59. For some reason, she only
produces uncomplicated B-movies.
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60. Erm—
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61. You only like B-movies?
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62. No, I like all movies.
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63. - I'm not picky.
- Oh.
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64. But this is a summer
movie. The sea, swimsuits.
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65. I wanna show everyone
Mystia's beautiful body.
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66. As long as the lead actress
looks attractive, it's a good movie.
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67. Really?
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68. With a good lead, I can
make any movie into a hit.
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69. Making a tearjerker moving is easy,
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70. Making a silly one
moving takes genius.
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71. I guess you're right.
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72. What do we have tomorrow?
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73. The audition for the next
project directed by Corbett.
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74. Ooh! Deciding the
fate of young people!
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75. Gene, don't be late, OK?
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76. Good night.
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77. A great picture.
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78. Peterzen! Peterzen Film!
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79. You're late!
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80. What did I tell you?
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81. The audition's over!
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82. I'm sorry!
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83. Go buy me something
sweet. With chocolate!
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84. Yes, ma'am! I'm on my way!
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85. Was she the last one?
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86. Yes, but she can't even act.
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87. I'll be in the screening room.
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88. Time for a seafood barbecue!
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89. Amazing! Such a trashy
story, but a great movie!
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90. Pompo can take anything
and make it into a hit.
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91. She really is a genius.
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92. That angle was brilliant.
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93. Yeah, that bit was fantastic.
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94. Grandpa!
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95. - You came!
- Yeah.
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96. The screen filled with cute
asses. Very entertaining.
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97. Right? Right?
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98. It's a giant of film, legendary
producer J. D. Peterzen!
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99. I've watched so many of his movies.
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100. After he retired,
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101. young cineaste Pompo
inherited all of his connections.
Copy !req
102. But that's not all she inherited.
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103. His eye for scripts,
actors, directors.
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104. His charisma and decisiveness.
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105. All the talents needed to make
movies. A silver screen prodigy!
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106. Pompo, he's gonna take some PR photos.
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107. Alright!
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108. See you!
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109. Mr. Peterzen.
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110. You're Stan "The Unsinkable
Battleship" Hansen, aren't you?
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111. I'm Gene.
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112. Is there a secret to
making a great movie?
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113. There's no correct
way to make a movie.
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114. I guess not.
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115. However, a film set is a living thing.
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116. The actors' mood,
the changing scenery,
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117. You need sharp visual senses...
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118. so you never miss a
moment that sparkles.
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119. Sharp visual senses?
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120. I guess you're asking because
you wanna make a movie?
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121. Not in my wildest dreams!
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122. I could never—
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123. Get a grip, son.
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124. There's a reason Pompo chose you.
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125. She chose me?
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126. A producer's job is basically
all about spotting talent.
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127. Pompo keeps you around...
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128. because she sees something in you.
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129. In me? Really?
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130. I think you're right.
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131. Director, a word.
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132. And so, I've decided to have
you make the trailer for Marine!
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133. Whaaat!
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134. But the producer usually
has a specialist studio do that!
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135. Someone who aspires to be a creator
shouldn't use words like "usually"!
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136. I need a 15-second spot. You
can use editing software, right?
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137. Well, yes, but—
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138. Grab attention, put in a twist,
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139. show the best parts and
mislead them to create interest.
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140. And finally an explosion!
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141. Like that.
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142. All that in just 15 seconds?
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143. By the way, the 15-second
spot is the one most people see,
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144. so it directly affects revenue.
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145. The livelihoods of the
entire crew are in your hands.
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146. It's realistically
impossible to fit all that...
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147. into 15 seconds.
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148. It's too short,
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149. so I'll supplement it with
things outside the film!
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150. One technique of filmmaking...
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151. is to make them imagine the
next scene without showing it.
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152. I'll make the audience...
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153. fill in the gaps in their heads.
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154. Who cares about revenue
or the crew's livelihoods?
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155. It's so much fun!
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156. It was supposed to
be just another holiday.
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157. What do you think?
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158. Director?
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159. This is Pompo, isn't it?
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160. Yes, it is.
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161. Oh, when I called out to
Mystia after we wrapped.
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162. Why a backstage shot?
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163. Well, I...
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164. wanted a misleading
shot to create interest.
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165. I found it by chance.
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166. Is it no good?
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167. It's great.
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168. It's fantastic!
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169. So Gene can make the
30-second, and net versions, right?
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170. That's fine.
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171. Thank you so much!
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172. - Yesterday
- Huh?
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173. You talked with my
grandpa. That's rare for you.
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174. He said something I
wanted to ask you about.
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175. Why did you choose
me to be your assistant?
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176. Here there are so many
people better educated,
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177. and better at their jobs than me.
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178. So why me?
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179. That's simple.
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180. You had one advantage
over all the rest.
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181. Your eyes didn't sparkle.
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182. All their eyes looked like they had
a brilliantly sparkling adolescence.
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183. But a fulfilling life makes
your way of thinking shallow.
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184. Happiness destroys creativity.
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185. They aren't qualified to be creators.
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186. However, in your eyes, I saw...
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187. the typical signs of an
outcast with nowhere to go.
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188. I'm praising you.
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189. Thank you.
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190. People who run from reality
create their own world in their mind.
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191. The expanse and depth
of an outcast's inner world...
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192. equals their untapped
creative potential!
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193. That's why I believe in
a social misfit like you.
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194. In your eyes.
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195. Oh.
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196. Eyes, eyes, it's happening again.
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197. Like the other day?
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198. I feel I've forgotten something.
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199. About the screening?
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200. The audition yesterday?
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201. That's it! Now I remember!
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202. A little lightbulb moment.
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203. I didn't notice at the time. This one!
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204. - Bring this girl here.
- Yes, ma'am.
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205. This girl is—
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206. She has the eyes of a misfit too?
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207. An actress needs sparkling eyes!
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208. I don't know exactly what it is,
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209. but she has something.
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210. In any case, when it
comes to filmmaking,
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211. you just have to rely
on your instincts, right?
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212. May I use the screening room?
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213. Sure. What will you watch?
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214. Cinema Paradiso.
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215. I hate that movie.
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216. But it's a masterpiece.
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217. It's a good story,
but it's way too long.
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218. You don't like long movies?
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219. No, I hate them.
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220. The longer they are, the
longer you can enjoy them.
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221. No, you're wrong. Let me tell you.
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222. My parents were always really busy,
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223. so my grandpa raised me.
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224. But movies are all he knows,
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225. so he made me watch them.
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226. It's tough for a little kid to
sit still for two to three hours.
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227. He made me watch until the end,
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228. and then tell him my impressions.
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229. So a simple story
90 minutes or under...
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230. was like an oasis in the desert.
Copy !req
231. That's one reason
why I hate long movies.
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232. And why else?
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233. Making them concentrate
for two hours or more...
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234. is unkind to the modern audience.
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235. Filmmakers should choose wisely,
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236. and express their vision
as concisely as possible.
Copy !req
237. A bloated film isn't beautiful, is it?
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238. But I love watching movies,
so even three or four hours—
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239. That's what's wrong with film geeks?
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240. Being able to talk to a movie genius
about films from such a young age.
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241. How I envy her.
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242. Excuse me.
Copy !req
243. Pompo, you came to watch it?
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244. Halfway through?
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245. I don't wanna watch the whole thing.
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246. I came to get a taste
of a masterpiece.
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247. Huh?
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248. I have a sense of déjà vu.
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249. What is it?
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250. Good morning.
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251. Huh?
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252. She isn't here yet.
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253. Meister? This is what
Pompo's been writing?
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254. Pompo is back!
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255. I shouldn't have eaten
so much. I'm stuffed!
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256. I see.
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257. - How's the script?
- Well—
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258. Yes, yes, I know.
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259. Pompo could never
write a boring script.
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260. Give me your impression in detail.
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261. Alright, I will.
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262. An aged artist finds peace
encountering nature and a young girl.
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263. It's a hackneyed
cliché of a story, but...
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264. the characters are so fascinating.
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265. Dalbert, the arrogant but naive
extremely talented musician.
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266. Lily, at times like an inquisitive
boy, at others like a sensitive girl.
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267. Just two main characters.
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268. But they can carry the story.
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269. How can a B-movie producer like you...
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270. write such a script? It's incredible!
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271. I see, I see.
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272. So you think I'm a B-movie producer!
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273. Forgive me!
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274. And the visuals, too.
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275. The switch from the bustle of
the city to the grandeur of the Alps.
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276. It's so liberating.
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277. If I saw that on the big
screen, I'd be dazzled.
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278. By the way, Gene.
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279. Which scene did you like best?
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280. The one where Lily is singing
and looks over her shoulder.
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281. That was a quick answer.
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282. It's when Dalbert regains
his passion for music,
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283. and because I pictured
the scene when I read it.
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284. You've passed.
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285. But most of the scenes
only have two characters,
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286. so you'd need very good actors.
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287. It's already been cast.
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288. I've asked Martin
Braddock to play Dalbert.
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289. Martin Braddock!
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290. He's a legend! The
best actor in the world.
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291. But didn't he retire?
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292. He just found work tiresome,
and has been resting for 10 years.
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293. I got my grandpa to persuade him.
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294. Wow!
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295. Martin Braddock's
first film in 10 years.
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296. Great publicity, right?
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297. It's bound to be a smash hit!
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298. And Lily will be played by—
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299. Erm, excuse me?
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300. Right on cue.
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301. I had my hair cut, just like you said.
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302. It really suits you, Natalie.
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303. It's Lily! This person is Lily!
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304. Right?
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305. I wrote this script for her.
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306. That's why—
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307. The first time I saw her,
I caught a glimpse of it.
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308. A very beautiful scene full of light.
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309. I wrote the script to recapture
that brief moment of light.
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310. Scripts are sometimes
written for actors?
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311. Occasionally, a whole story unfolds
in your mind when you see someone,
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312. which means it's bound to
become a fantastic movie.
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313. I see.
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314. Erm, what were...
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315. you two talking about just now?
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316. I'll tell you.
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317. You've got your first lead role.
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318. So suddenly! I— I—
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319. Here you go.
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320. You're gonna shoot this movie, OK?
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321. Director Gene.
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322. Road repairs. Please
take a different route.
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323. Alright.
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324. Thank you. Sorry
for the inconvenience.
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325. Excuse me—
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326. No, no! I have to take a shower...
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327. and go to the audition.
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328. Oh no!
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329. I'm late! I'm late!
Copy !req
330. I'm number 15, Natalie Woodward.
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331. Too plain! Out!
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332. My 30th rejection.
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333. No wonder I'm depressed.
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334. You're late! The audition's over!
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335. I'm sorry!
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336. So expensive.
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337. My smile is my best asset!
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338. I'm never gonna give up!
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339. I can't abandon my dreams now.
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340. I came to this town to fulfill them!
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341. Yes?
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342. I'm here! Good evening!
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343. Sorry to rush you over here.
Copy !req
344. Natalie Woodward.
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345. Born in Sunroad. A
town famous for corn.
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346. No acting experience.
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347. Are you making a living?
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348. I have a day job.
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349. - How many days a week?
- All seven.
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350. And acting lessons?
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351. About once a fortnight.
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352. You'll never become a
movie star at that rate!
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353. You know Mystia?
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354. Yes! I wish I were
as beautiful as she is.
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355. - Alright, quit your day job.
- Huh?
Copy !req
356. Leave your apartment
and move in with Mystia.
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357. You'll be her apprentice,
with her all day, every day.
Copy !req
358. I'll call and tell her.
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359. Do the same training as her.
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360. Learn from her performances on set.
Copy !req
361. - Understood?
- Yes.
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362. If you get it, then go!
Copy !req
363. You must be Natalie.
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364. - Nice to meet you.
- Yes!
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365. It's really her! She's so beautiful!
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366. Such a huge place!
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367. I'm going to the gym.
You're coming too, right?
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368. Yes!
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369. You have great abs!
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370. I put on a bit more flesh
for the camera, though.
Copy !req
371. Muscles turn boys off.
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372. It was my first time,
so my whole body hurts!
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373. Leave the cooking to me.
Copy !req
374. It's the least I can do in return.
Copy !req
375. I'll make you healthy food
to keep you in top condition.
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376. I heard you've...
Copy !req
377. wanted to be an actress
ever since you were little.
Copy !req
378. Yes, that's right.
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379. I hope you get a role soon.
Copy !req
380. Yes!
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381. "Even the smallest star in
the sky shines like an angel."
Copy !req
382. No, no! Don't just
read the script out loud.
Copy !req
383. I'm so sorry!
Copy !req
384. Here you are.
Copy !req
385. Thank you!
Copy !req
386. Pompo is here!
Copy !req
387. How's it going?
Copy !req
388. Natalie, your face.
Copy !req
389. What is this?
Copy !req
390. Good, she's almost ready.
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391. Yes?
Copy !req
392. Her hair?
Copy !req
393. Alright, I'll tell her.
Copy !req
394. Making a move at last, huh, Pompo?
Copy !req
395. Natalie, Pompo wants
you at the studio tomorrow.
Copy !req
396. And—
Copy !req
397. I had my hair cut.
Copy !req
398. Director Gene!
Copy !req
399. Director!
Copy !req
400. I'm a director.
Copy !req
401. I can't believe this either!
Copy !req
402. I'm so excited, I think I might faint!
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403. I can't stop being nauseous.
Copy !req
404. Hey!
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405. - Haargh!
- Mystia!
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406. You have no choice, so
you'd better be ready...
Copy !req
407. to fulfill your dreams!
Copy !req
408. Don't just stand
there. Meet and greet!
Copy !req
409. Here I go!
Copy !req
410. You too, Gene.
Copy !req
411. You're Gene, the director, right?
Copy !req
412. Martin!
Copy !req
413. Do your best.
Copy !req
414. Yes!
Copy !req
415. Thanks for doing this.
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416. Oh, hello.
Copy !req
417. Right before my eyes.
Copy !req
418. Two legends who have won
six Nyacademy Awards together!
Copy !req
419. Long time no see.
Copy !req
420. You're...
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421. Hawk and Animal of
The Road Warriors, aren't you?
Copy !req
422. I'm Gene, one person.
Copy !req
423. So you are. Gene.
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424. Congratulations.
Copy !req
425. Thank you.
Copy !req
426. Martin gets lonely
surprisingly easily,
Copy !req
427. so don't be too much in awe of him.
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428. Talk to him as much as you can.
Copy !req
429. Alright.
Copy !req
430. Gene, Gene.
Copy !req
431. Director Corbett.
Copy !req
432. Congratulations on your first gig.
Copy !req
433. Congratulations on
the success of Marine.
Copy !req
434. It's all thanks to the brilliant crew.
Copy !req
435. May I give you some
advice as a senior colleague?
Copy !req
436. Yes, please do.
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437. It's your first film,
and Martin's in it,
Copy !req
438. so you're bound to be tense.
Copy !req
439. If you try to please everyone,
it'll be a fuzzy mishmash.
Copy !req
440. Make it a movie...
Copy !req
441. for the one person you
want to show it to most.
Copy !req
442. Then you'll have sharp focus.
A movie with a clear outline.
Copy !req
443. You're right.
Copy !req
444. I was worried about
making a mess of it.
Copy !req
445. She's the female lead? Not you?
Copy !req
446. I'm not in it.
Copy !req
447. I'm the female lead.
Copy !req
448. Damn, I'm crestfallen.
Copy !req
449. Anyway, I'm Martin Braddock.
Copy !req
450. Best actor in the world.
Copy !req
451. Wanna network socially?
Copy !req
452. I don't have a smartphone.
Copy !req
453. Martin was so disappointed.
Copy !req
454. I guess I'm not good enough.
Copy !req
455. Oh, Director.
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456. I get heartburn when I hear that.
Copy !req
457. Director.
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458. Yes?
Copy !req
459. Is it weird having me as the lead?
Copy !req
460. Maybe I'm not attractive.
Copy !req
461. I'm full of nerves and
wanna run away too.
Copy !req
462. But when I think about it,
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463. running from reality,
Copy !req
464. I have no other place to go but here.
Copy !req
465. Only two choices:
Make a movie, or die.
Copy !req
466. So I'll stake my life on this.
Copy !req
467. I'm gonna direct it.
Copy !req
468. Me too.
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469. Blue skies,
Copy !req
470. cornfields as far as the eye can see.
Copy !req
471. That's all there is in my hometown.
Copy !req
472. So I fell in love with movies.
Copy !req
473. Films gave me the chance to dream.
Copy !req
474. I'm gonna be an actress!
Copy !req
475. You're pretty, so you'll be a
wonderful actress, Natalie.
Copy !req
476. Since then, I've worked hard,
Copy !req
477. saved some money, and
now I'm here in Nyallywood.
Copy !req
478. So I have to make my break.
Copy !req
479. You know—
Copy !req
480. Yes?
Copy !req
481. It's something Pompo said.
Copy !req
482. As long as the lead actress
looks attractive, it's a good movie.
Copy !req
483. Huh? Oh.
Copy !req
484. You've been chosen by Pompo,
Copy !req
485. which means you're
attractive as a lead actress.
Copy !req
486. And also, I can't see
anyone else in the role of Lily.
Copy !req
487. Don't worry. Let me shoot you.
Copy !req
488. Alright. Thanks.
Copy !req
489. You've given me confidence.
Copy !req
490. Let's do it, Director Gene!
Copy !req
491. Erm, yes!
Copy !req
492. Huh? You're still awake?
Copy !req
493. I'm going over the
location arrangements.
Copy !req
494. Get plenty of rest, OK?
Copy !req
495. That's also part of your job.
Copy !req
496. Sorry, I need the restroom.
Copy !req
497. Yet again, Alan?
Copy !req
498. This is a huge contract.
Don't mess it up!
Copy !req
499. Of course.
Copy !req
500. That kid—
Copy !req
501. I know that guy from somewhere.
Copy !req
502. Pompo is here in Switzerland!
Copy !req
503. This is great!
Copy !req
504. The despondent Dalbert
lands in Switzerland,
Copy !req
505. and is moved to tears by
the splendor of the Alps.
Copy !req
506. What a wonderful idea!
Copy !req
507. Right?
Copy !req
508. No, it's no good.
Copy !req
509. When he arrives here, his heart
is closed to the outside world.
Copy !req
510. He doesn't see the scenery.
Copy !req
511. Sorry! I have no right to
be giving you my opinion!
Copy !req
512. No problem. You're the director.
Copy !req
513. Yes.
Copy !req
514. But movies are made by a team.
Copy !req
515. I won't hesitate to
give you my opinion.
Copy !req
516. You decide whether to use it.
Copy !req
517. Yes.
Copy !req
518. Every one of us should
share our thoughts.
Copy !req
519. Yes!
Copy !req
520. Having a veteran on
board makes things so easy!
Copy !req
521. Grandma, look how far I've come!
Copy !req
522. Mystia, I'll do my best.
Copy !req
523. Scene 32, shot 1, take 1.
Copy !req
524. In an Alpen meadow,
the heartbroken Dalbert—
Copy !req
525. Get ready!
Copy !req
526. meets Lily for the first time.
Copy !req
527. OK.
Copy !req
528. Speed.
Copy !req
529. Action!
Copy !req
530. This is the power of the
best actor in the world!
Copy !req
531. He's usually so lively,
Copy !req
532. but as soon as we began,
he embodied despondency.
Copy !req
533. But more surprising...
Copy !req
534. was Lily's raw presence.
Copy !req
535. I wrote this script for her.
Copy !req
536. This is what a story written
for an actor looks like.
Copy !req
537. Martin is...
Copy !req
538. going back to Nyallywood for
the orchestra scene after this?
Copy !req
539. That's right.
Copy !req
540. Don't you have to
practice being a conductor?
Copy !req
541. Well—
Copy !req
542. Martin has played a conductor
twice in previous films.
Copy !req
543. In the climax scene of Welter,
Copy !req
544. the genius conductor he
plays conducts an orchestra...
Copy !req
545. in a single take of 6
minutes 40 seconds.
Copy !req
546. It made cinematic history.
Copy !req
547. Even pro musicians say
his performance was perfect,
Copy !req
548. so I'm sure he'll remember
how with a little coaching.
Copy !req
549. Is something wrong?
Copy !req
550. What can I say?
Copy !req
551. That's what he's like.
Copy !req
552. Director, you're amazing.
Copy !req
553. You know everything about film.
Copy !req
554. It's all I have.
Copy !req
555. I'm so happy that you've
watched such an old movie of mine.
Copy !req
556. I've seen all your movies, Martin.
Copy !req
557. Each one's a masterpiece.
Copy !req
558. I like you! No filming today.
We'll drink until dawn!
Copy !req
559. No you won't.
Copy !req
560. The light is in the upper right.
Copy !req
561. We'll shoot with a little backlight.
Copy !req
562. The director's very
particular about light.
Copy !req
563. He's done so many tests.
Copy !req
564. It's where you take Dalbert
for a walk among the goats.
Copy !req
565. I guess he wants to do it in one take.
Copy !req
566. Oh.
Copy !req
567. Huh?
Copy !req
568. I'm so sorry. The roof
fell in and scared them.
Copy !req
569. We've patched it up, but—
Copy !req
570. It was very rickety.
Copy !req
571. But aren't there too few goats?
Copy !req
572. The thing is—
Copy !req
573. They were eaten by wolves!
Copy !req
574. Poor things!
Copy !req
575. What shall we do? There
aren't enough for the scene.
Copy !req
576. Have you asked the goatherd?
Copy !req
577. Impossible today, he says.
Copy !req
578. Shoot it tomorrow?
Copy !req
579. We don't have many location days,
Copy !req
580. and the weather's shifting.
Copy !req
581. There's fog.
Copy !req
582. Fog.
Copy !req
583. Do we have smoke?
Copy !req
584. Smoke?
Copy !req
585. No need to be scared.
Copy !req
586. This way.
Copy !req
587. The smoke was a great idea.
Copy !req
588. The goats are just scary enough.
Copy !req
589. And with the cutouts we
made, there are enough of them.
Copy !req
590. In the script, they
just went on a walk.
Copy !req
591. Nice one, Gene!
Copy !req
592. Today's a washout.
Copy !req
593. Just shoot the interior scenes?
Copy !req
594. Gene. Gene!
Copy !req
595. Wake up.
Copy !req
596. Can I shoot a scene not in the script?
Copy !req
597. You're funny.
Copy !req
598. Don't ask me. You're the boss.
Copy !req
599. Why do I have to do this?
Copy !req
600. I'm royalty!
Copy !req
601. Move your hands, not your lips.
Copy !req
602. Hurry, before the goats catch a cold.
Copy !req
603. Alright! Yes, ma'am!
Copy !req
604. That's good.
Copy !req
605. A great scene.
Copy !req
606. I'll shoot the sky as the rain lifts.
Copy !req
607. Hope we get a rainbow!
Copy !req
608. - Director.
- Yes?
Copy !req
609. How about if I fall off the roof?
Copy !req
610. I want to have Dalbert
be more humiliated.
Copy !req
611. So let's have Lily laugh at him.
Copy !req
612. Then Dalbert gets really
angry, and throws mud at Lily!
Copy !req
613. Huh?
Copy !req
614. Sorry for speaking out of turn.
Copy !req
615. No, I was just surprised.
It's a great idea.
Copy !req
616. I think he should land
in front of the door.
Copy !req
617. Then a goat can come out and lick him.
Copy !req
618. We'll make more mud
and get it really slippy.
Copy !req
619. In that case—
Copy !req
620. You little brat!
Copy !req
621. You stuck-up twerp!
Copy !req
622. Gene!
Copy !req
623. Quick, shoot it!
Copy !req
624. And cut!
Copy !req
625. Fantastic!
Copy !req
626. The weather was on our side.
Copy !req
627. You shot a great scene!
Copy !req
628. Thank you.
Copy !req
629. Scene 42.
Copy !req
630. A montage of Dalbert and Lily.
Copy !req
631. Scene 44. Dalbert learns how to fish.
Copy !req
632. That melody.
Copy !req
633. Pompo!
Copy !req
634. Stupendous!
Copy !req
635. That's the scene
we're making this for.
Copy !req
636. I'm completely satisfied.
See you back in Nyallywood.
Copy !req
637. You won't watch over us until the end?
Copy !req
638. I need to prepare the orchestra.
Copy !req
639. So many people. A
scheduling nightmare.
Copy !req
640. - Gene, Gene.
- Yes?
Copy !req
641. This picture's a surefire
Nyacademy Award-winner.
Copy !req
642. The rest is up to you, Director.
Copy !req
643. Stand by, please!
Copy !req
644. The guy from the plane.
Copy !req
645. Thank you.
Copy !req
646. You're Gene, right?
Copy !req
647. Always writing something.
Copy !req
648. But what?
Copy !req
649. My impressions of movies.
Copy !req
650. Oh.
Copy !req
651. Here. Don't just look
down, look ahead,
Copy !req
652. or you'll lose something important.
Copy !req
653. - What were you doing?
- Sorry!
Copy !req
654. Gene!
Copy !req
655. Gene Fini!
Copy !req
656. I thought it was you.
Copy !req
657. It's me. Alan, from high school.
Copy !req
658. Oh.
Copy !req
659. A director? Wow.
Copy !req
660. I can't believe it either.
Copy !req
661. Sorry for ruining your notebook.
Copy !req
662. It's fine.
Copy !req
663. I'd memorized it all, so
I wrote it in a new one.
Copy !req
664. Huh?
Copy !req
665. What do you do now?
Copy !req
666. Nyallywood Bank?
Copy !req
667. A major bank.
Copy !req
668. It's shit.
Copy !req
669. I'm so sorry.
Copy !req
670. I didn't know he hated golf.
Copy !req
671. Enough already.
Copy !req
672. If you were on
the ball, you'd have
Copy !req
673. researched the
client. It's basic stuff.
Copy !req
674. I don't care if you were
a hotshot as a youth.
Copy !req
675. You think you can
succeed without any effort?
Copy !req
676. Sorry.
Copy !req
677. I'm thinking of quitting.
Copy !req
678. Why?
Copy !req
679. I've never had ambitions,
Copy !req
680. and did well at everything.
Copy !req
681. But reality is harsh.
Copy !req
682. Everything slips away.
Copy !req
683. Sorry.
Copy !req
684. Yes?
Copy !req
685. I see.
Copy !req
686. I have to go.
Copy !req
687. Alright. Let me know
when the film's finished.
Copy !req
688. I'll go watch it.
Copy !req
689. Yeah, thanks.
Copy !req
690. I take back what I said.
Copy !req
691. Huh?
Copy !req
692. You were always looking ahead.
Copy !req
693. Your eyes sparkle now.
Copy !req
694. My eyes sparkle?
Copy !req
695. Cut!
Copy !req
696. That's a wrap!
Copy !req
697. Let's drink!
Copy !req
698. Grandma, I did it!
Copy !req
699. Director, thank you so much!
Copy !req
700. Director?
Copy !req
701. The actors' work is done,
Copy !req
702. but for him, it begins now.
Copy !req
703. Right, editing.
Copy !req
704. Editing is the most vital stage.
Copy !req
705. Everything's on Gene now.
Copy !req
706. Editing his own movie? That's unusual.
Copy !req
707. I always have directors
do it if they can.
Copy !req
708. But—
Copy !req
709. But?
Copy !req
710. It's bound to be a masterpiece,
Copy !req
711. but the editor is the first audience.
Copy !req
712. Directing is subjective,
but editing is objective.
Copy !req
713. I wonder if Gene...
Copy !req
714. can bridge that gap,
and find the perfect cut.
Copy !req
715. Huh?
Copy !req
716. Time to edit. It's
gonna be so much fun!
Copy !req
717. I must be the happiest
person in the world right now.
Copy !req
718. We shot about 72 hours of film.
Copy !req
719. What should I do with it?
Copy !req
720. It's a movie starring Martin Braddock.
Copy !req
721. To make it impressive,
Copy !req
722. I need lots of depth at
the start, lots of splendor.
Copy !req
723. Not the whole concert.
Copy !req
724. I'll jump-cut to the next
scene before it gets boring.
Copy !req
725. Dalbert, you conducted masterfully.
Copy !req
726. Scene 12. Conversation
in the green room.
Copy !req
727. We shot it in 8 cuts.
Copy !req
728. I'll join them normally first.
Copy !req
729. Dalbert, you conducted masterfully.
Copy !req
730. Next time, find me a
better flautist, Coltman.
Copy !req
731. How much do you think she cost?
Copy !req
732. Tell me who I am.
Copy !req
733. You're the king!
Copy !req
734. If the next concert is a success,
Copy !req
735. you'll become legendary worldwide.
Copy !req
736. The next piece is St. Matthew Passion.
Copy !req
737. An aria?
Copy !req
738. You object?
Copy !req
739. With you conducting, it'll be perfect.
Copy !req
740. Technically, at least.
Copy !req
741. But an aria needs feeling.
Copy !req
742. Which I can't provide?
Copy !req
743. Tell me again.
Copy !req
744. Who am I?
Copy !req
745. There's nothing but exposition.
Copy !req
746. So—
Copy !req
747. Next time, find me a
better flautist, Coltman.
Copy !req
748. How much do you think she cost?
Copy !req
749. Tell me who I am.
Copy !req
750. I'll use long shots at first to
make them curious about Dalbert.
Copy !req
751. By emphasizing Martin's
emotionless delivery,
Copy !req
752. I'll crank up the tension.
Copy !req
753. Ordinarily, a medium shot
would provide a cushion,
Copy !req
754. but I'll jump straight
to the close-up.
Copy !req
755. Tell me again.
Copy !req
756. Who am I?
Copy !req
757. That's it! Dalbert's prickly
personality comes across!
Copy !req
758. I'll keep using this style.
Copy !req
759. Scene 24. Page 20 of the script.
Copy !req
760. Leaving for Switzerland at last.
Copy !req
761. It's taken 90 minutes
of story to get here.
Copy !req
762. He won't meet Lily
for another 30 minutes.
Copy !req
763. What can I do?
Copy !req
764. Pompo's in Australia?
Copy !req
765. Yes, location hunting with Corbett.
Copy !req
766. When is she back?
Copy !req
767. In two weeks.
Copy !req
768. I see.
Copy !req
769. Pompo has a message for you.
Copy !req
770. Yes?
Copy !req
771. I wanna see the final
cut when I get back!
Copy !req
772. Don't let me down!
Copy !req
773. That's what she said.
Copy !req
774. I have no choice.
Copy !req
775. Again, from the top.
Copy !req
776. Dalbert, you conducted masterfully.
Copy !req
777. Are you reading the score?
Copy !req
778. Again, from the top!
Copy !req
779. That orchestra is no good!
Copy !req
780. Are you crazy?
Copy !req
781. The concert is in two weeks.
Copy !req
782. We can't get another one!
Copy !req
783. What does an aria mean to you?
Copy !req
784. Dalbert, I quit.
Copy !req
785. I hope you're ashamed.
Copy !req
786. You're too careless, Dalbert.
Copy !req
787. You should lock the door.
Copy !req
788. We've worked together
for years. I feel responsible.
Copy !req
789. How long has it been...
Copy !req
790. since your wife and kid left you?
Copy !req
791. Why do you ask that now?
Copy !req
792. You need to take a break.
Copy !req
793. Some time for self-reflection.
Copy !req
794. Without music, I'm nothing.
Copy !req
795. Mr. Peterzen.
Copy !req
796. Excuse me.
Copy !req
797. Wow.
Copy !req
798. Oh, you're—
Copy !req
799. I'm Gene.
Copy !req
800. Sorry to disturb you.
Copy !req
801. What are you doing?
Copy !req
802. Sorting out old film.
Copy !req
803. Wow, it's a film splicer.
Copy !req
804. An old man's hobby.
Copy !req
805. Trying to create a story
from discarded film.
Copy !req
806. Just joining it together.
Copy !req
807. The thing is—
Copy !req
808. All the scenes seem important.
Copy !req
809. Wonderful performances.
Copy !req
810. But I have to cut more
to make it short enough.
Copy !req
811. Why ask me and not Pompo?
Copy !req
812. Right, she wrote it, didn't she?
Copy !req
813. What's the point of you being here...
Copy !req
814. if you just do what she says?
Copy !req
815. Yes.
Copy !req
816. Gene.
Copy !req
817. For who are movies made?
Copy !req
818. For the audience, I guess.
Copy !req
819. And why do you love movies?
Copy !req
820. You found yourself
in them, didn't you?
Copy !req
821. Through the stories, you found
empathy, dreams, yearning.
Copy !req
822. You saw reality.
Copy !req
823. So, Gene,
Copy !req
824. have you found yourself in your movie?
Copy !req
825. Once you have,
Copy !req
826. you should put your
aria into the film.
Copy !req
827. My aria?
Copy !req
828. You've never walked in the mountains?
Copy !req
829. How will that help my music?
Copy !req
830. An aria is a solo piece
for expressing emotion.
Copy !req
831. People call me a king!
Copy !req
832. I devoted everything to music!
Copy !req
833. Who for?
Copy !req
834. So, what emotion...
Copy !req
835. are you trying to express, and to who?
Copy !req
836. It's all written here!
Copy !req
837. Again, from the top!
Copy !req
838. What?
Copy !req
839. You think the score's
wrong, are you're right?
Copy !req
840. I just wanted to ask something.
Copy !req
841. What does an aria mean to you?
Copy !req
842. This is—
Copy !req
843. This is—
Copy !req
844. Lily, that melody—
Copy !req
845. This is me!
Copy !req
846. Wait.
Copy !req
847. In that case—
Copy !req
848. Pompo is back!
Copy !req
849. Welcome back.
Copy !req
850. Gene, show me the movie!
Copy !req
851. It isn't finished.
Copy !req
852. It isn't finished.
Copy !req
853. Just a little—
Copy !req
854. It isn't finished.
Copy !req
855. - How long is it?
- I've begun again.
Copy !req
856. There's still 72 hours of film.
Copy !req
857. And the reason?
Copy !req
858. We have a screening in two weeks.
The sponsors will be there.
Copy !req
859. If it isn't ready,
they might pull out.
Copy !req
860. So if it's just for some
trivial reason, then—
Copy !req
861. I need more.
Copy !req
862. Another scene.
Copy !req
863. You wanna do additional shooting?
Copy !req
864. Yes.
Copy !req
865. As I'm sure you know,
Copy !req
866. additional shooting means...
Copy !req
867. reassembling the whole crew.
Copy !req
868. You know how hard that is?
Copy !req
869. Kind of.
Copy !req
870. Movies are made by a team.
Copy !req
871. They're all on different projects now.
Copy !req
872. We'll have to beg
everyone to reschedule.
Copy !req
873. And who has to pay for it?
Copy !req
874. You do.
Copy !req
875. And reassembling
the cast is even harder.
Copy !req
876. Who has to negotiate?
Copy !req
877. You do.
Copy !req
878. Who wrote the script
that you say isn't enough?
Copy !req
879. You did.
Copy !req
880. And you still say...
Copy !req
881. you need additional shooting?
Copy !req
882. What's this all of a
sudden? Dalbert, are you crazy?
Copy !req
883. You want to do the aria again?
Copy !req
884. Dalbert, give me a break!
Copy !req
885. I never knew it.
Copy !req
886. No, I'd forgotten it.
Copy !req
887. The smell of fish, the
pain of slipping in the rain.
Copy !req
888. The bleating of goats!
Copy !req
889. Huh?
Copy !req
890. Emotions, memories are important.
Copy !req
891. She made me remember that.
Copy !req
892. Now I feel I can do it!
Copy !req
893. You're washed up.
Why don't you give up?
Copy !req
894. Even so—
Copy !req
895. All I have is film!
Copy !req
896. So—
Copy !req
897. Please—
Copy !req
898. My music needs—
Copy !req
899. My movie needs—
Copy !req
900. - The aria of that day!
- Another scene!
Copy !req
901. I need it!
Copy !req
902. Pompo.
Copy !req
903. I'll see what I can do.
Copy !req
904. Damn! I never thought he'd defy me.
Copy !req
905. He's so stubborn!
Copy !req
906. But—
Copy !req
907. You look so happy.
Copy !req
908. What is it?
Copy !req
909. The thing is,
Copy !req
910. I want to quit—
Copy !req
911. What's this?
Copy !req
912. Don't just take it.
Copy !req
913. A movie investment proposal.
Copy !req
914. I was just about to call
and turn them down.
Copy !req
915. Why?
Copy !req
916. They canceled a screening
because of the director,
Copy !req
917. so their sponsors pulled out.
Copy !req
918. Investing in movies is very high-risk.
Copy !req
919. Who knows if it'll ever be completed?
Copy !req
920. Please let me handle it.
Copy !req
921. Well?
Copy !req
922. It's perfect.
Copy !req
923. I never thought I'd have
to write an additional scene.
Copy !req
924. I'm sorry.
Copy !req
925. I asked you to do it
to keep it consistent.
Copy !req
926. I guess directors have to be
as arrogant and selfish as you.
Copy !req
927. And what about this role?
Copy !req
928. There's no time for auditions.
Copy !req
929. Actually, I have someone in mind.
Copy !req
930. The Meister script?
Copy !req
931. It's the complete version,
with the additional scene.
Copy !req
932. But without additional funding,
Copy !req
933. we can't shoot the scene.
Copy !req
934. Actors can't do anything
in these situations.
Copy !req
935. Mystia?
Copy !req
936. Sorry! It's a great script, isn't it?
Copy !req
937. This is awful.
Copy !req
938. How to market it?
Copy !req
939. This is Peterzen Film.
Copy !req
940. Alan from Nyallywood Bank?
Copy !req
941. Your bank didn't get back to us, so...
Copy !req
942. I thought you'd rejected it.
Copy !req
943. The bank itself has.
Copy !req
944. However—
Copy !req
945. You're serious?
Copy !req
946. Great.
Copy !req
947. Prepared to lose everything?
Copy !req
948. Welcome to the world
of dreams and madness!
Copy !req
949. You could get fired.
Copy !req
950. Success requires effort.
Copy !req
951. Right?
Copy !req
952. Even so—
Copy !req
953. Send me the data.
Copy !req
954. You won't be ready at that rate.
Copy !req
955. And so, I'd like us
to invest in Meister.
Copy !req
956. Martin may be the star, but...
Copy !req
957. it's a first-time director.
Copy !req
958. Movies with bad
publicity usually fail.
Copy !req
959. The risk is too high for us to invest.
Copy !req
960. That's all for today.
Copy !req
961. I haven't finished yet!
Copy !req
962. Huh?
Copy !req
963. I've always been good
at becoming other people.
Copy !req
964. Yes, it's always been my dream.
Copy !req
965. My grandpa showed me lots of movies,
Copy !req
966. but no film has ever truly moved me.
Copy !req
967. So you want to make one that does?
Copy !req
968. But if I made it,
Copy !req
969. it wouldn't move me, would it?
Copy !req
970. So you're getting Gene to make it?
Copy !req
971. That's your dream.
Copy !req
972. Since when?
Copy !req
973. Well—
Copy !req
974. I've always loved watching movies.
Copy !req
975. I had no friends, but I didn't care.
Copy !req
976. I mean, there were so
many films I hadn't seen yet.
Copy !req
977. There was a girl.
Copy !req
978. In every theater I went to.
Copy !req
979. But she always left when
the end credits began.
Copy !req
980. I don't remember her face,
Copy !req
981. But I always wondered...
Copy !req
982. why she came to watch the movies.
Copy !req
983. Has she never been so engrossed...
Copy !req
984. that she's watched
until the credits end?
Copy !req
985. That's why I wanted
to make a movie myself.
Copy !req
986. As movies saved me,
Copy !req
987. someone might be saved by mine.
Copy !req
988. Then I saw it.
Copy !req
989. Myself in the film.
Copy !req
990. This movie is for myself
all those years ago.
Copy !req
991. No, not just for me.
Copy !req
992. It needs a character that
everyone who watches it...
Copy !req
993. can believe in and identify with.
Copy !req
994. That's when I realized
it lacks a certain scene.
Copy !req
995. A crucial scene that
will make it complete.
Copy !req
996. To show what was discarded
in the pursuit of dreams.
Copy !req
997. So please let me make this movie.
Copy !req
998. I've always thought I'd
succeeded in everything.
Copy !req
999. But looking back,
what have I achieved?
Copy !req
1000. I was just getting on with it.
Copy !req
1001. When I realized that, I
wondered what I could do.
Copy !req
1002. A banker's job is to...
Copy !req
1003. help people fulfill their dreams.
Copy !req
1004. Please! We want to make a movie...
Copy !req
1005. that can give dreams to
people that have nothing!
Copy !req
1006. I agree with what you say.
Copy !req
1007. That's exactly what bankers should do.
Copy !req
1008. But your argument's lacking.
Copy !req
1009. You need to convince us with figures.
Copy !req
1010. Figures.
Copy !req
1011. - I have figures.
- What?
Copy !req
1012. - Huh?
- You've been filming this!
Copy !req
1013. Sorry, but this whole meeting...
Copy !req
1014. has been streaming worldwide!
Copy !req
1015. What!
Copy !req
1016. This documentary is
also being streamed.
Copy !req
1017. And also—
Copy !req
1018. Crowdfunding?
Copy !req
1019. We launched this website a
few days ago to raise funds.
Copy !req
1020. This was the first day,
and this is the figure now.
Copy !req
1021. And please note the viewing figures.
Copy !req
1022. You see the potential?
Copy !req
1023. That concludes my presentation.
Copy !req
1024. Stop streaming this.
Copy !req
1025. I'm afraid your gamble has failed.
Copy !req
1026. Take your belongings and go.
Copy !req
1027. There's no profit in dreams.
Copy !req
1028. Don't be so glum.
Copy !req
1029. It was a wonderful show.
You should be proud.
Copy !req
1030. President!
Copy !req
1031. Stop streaming!
Copy !req
1032. One of my staff told me about it.
Copy !req
1033. I've been watching.
Copy !req
1034. The best presentation
I've seen for a while.
Copy !req
1035. It needed firm resolution
and courage to pull off.
Copy !req
1036. And it has more than enough potential.
Copy !req
1037. We'll invest 10 times
the crowdfunding figure.
Copy !req
1038. President!
Copy !req
1039. You guys assess potential
only looking at past figures,
Copy !req
1040. so you can't see the essence.
Copy !req
1041. What do you mean?
Copy !req
1042. Look at when the crowdfunding
suddenly increased.
Copy !req
1043. You know what was
happening at that moment?
Copy !req
1044. Gene Fini and Alan were
pouring their hearts out.
Copy !req
1045. Assessing potential
means looking to the future.
Copy !req
1046. They were evaluating
their dreams, their future.
Copy !req
1047. But, President—
Copy !req
1048. Nyallywood Bank invests in
people pursuing their dreams.
Copy !req
1049. That's our motto.
Copy !req
1050. I've never heard that motto before.
Copy !req
1051. I just thought of it.
Copy !req
1052. Alan, I have high hopes
for your future, too.
Copy !req
1053. Yeah!
Copy !req
1054. Well done.
Copy !req
1055. Thank you!
Copy !req
1056. It's been a long time since
we had such a crazy meeting!
Copy !req
1057. It reminds me of when the
president was a junior executive.
Copy !req
1058. Alright, you win!
Copy !req
1059. We'll invest!
Copy !req
1060. Thank you all for
coming back to do this.
Copy !req
1061. Don't worry.
Copy !req
1062. We're all here to shoot
a crucial scene, right?
Copy !req
1063. Everyone.
Copy !req
1064. Thank you so much!
Copy !req
1065. It's a flashback to when
Dalbert lost his family.
Copy !req
1066. Who's playing his wife?
Copy !req
1067. I am.
Copy !req
1068. I'm Martin Braddock.
Best actor in the world.
Copy !req
1069. Wanna network socially?
Copy !req
1070. I don't have a smartphone.
Copy !req
1071. Have we met before?
Copy !req
1072. What are you talking about?
Copy !req
1073. Wow. Mystia looks
nothing like her usual self.
Copy !req
1074. Of course not.
Copy !req
1075. Thanks to Nyallywood's
Copy !req
1076. top prosthetic makeup artist.
Copy !req
1077. Don't tell anyone Mystia's in this.
Her credit will be a pseudonym.
Copy !req
1078. She doesn't like the role?
Copy !req
1079. Well—
Copy !req
1080. Alright, but it has
to be a secret, OK?
Copy !req
1081. You're ashamed to be in it?
Copy !req
1082. No, it's just that one day,
Copy !req
1083. I'll make a movie
with Gene and Natalie.
Copy !req
1084. I'm sure I will.
Copy !req
1085. But...
Copy !req
1086. I'll have to have the lead role.
Copy !req
1087. Until then, I don't want to
appear in Gene's movies.
Copy !req
1088. That sounds great.
Copy !req
1089. We'll make you a different person.
Copy !req
1090. Alright!
Copy !req
1091. Pompo?
Copy !req
1092. Shoot it already!
Copy !req
1093. And action!
Copy !req
1094. And so, thanks to Pompo's
amazing skill as a producer,
Copy !req
1095. and the crew's effort, we made it.
Copy !req
1096. Excuse me.
Copy !req
1097. Director Gene—
Copy !req
1098. What a mess!
Copy !req
1099. What's up, Natalie?
Copy !req
1100. Mystia said you were busy
editing, so I brought some food.
Copy !req
1101. You have huge bags under your eyes!
Copy !req
1102. I haven't slept much.
Copy !req
1103. How much lack of sleep
produces those bags?
Copy !req
1104. I don't remember much
of the last three days.
Copy !req
1105. You'll die!
Copy !req
1106. Thanks to the investment,
we can make the movie,
Copy !req
1107. but we have to show it in a week.
Copy !req
1108. How much do you still have to cut?
Copy !req
1109. About 3 hours.
Copy !req
1110. That much! Do you have enough time?
Copy !req
1111. I have a week, so probably.
Copy !req
1112. Pompo!
Copy !req
1113. How's Gene?
Copy !req
1114. He's sleeping.
Copy !req
1115. He isn't injured.
They think it's anemia.
Copy !req
1116. You mean—
Copy !req
1117. Overwork.
Copy !req
1118. The doctor says he
needs a week of bedrest.
Copy !req
1119. A whole week?
Copy !req
1120. If Gene can't edit it, we'll
have to ask someone else.
Copy !req
1121. You look so peaceful asleep.
Copy !req
1122. I was so looking forward
to seeing your movie.
Copy !req
1123. I wanted to see it.
Copy !req
1124. Gene.
Copy !req
1125. Huh?
Copy !req
1126. I thought you'd be here.
Copy !req
1127. Let's go back to hospital.
Copy !req
1128. I can't.
Copy !req
1129. Gene!
Copy !req
1130. If someone else edits it, it
won't be my movie anymore.
Copy !req
1131. Huh?
Copy !req
1132. I was reminded of something
during the additional shooting.
Copy !req
1133. How old is Lyla now?
Copy !req
1134. I won't let you see her.
Copy !req
1135. But this is crazy.
Copy !req
1136. So choose, right now.
Copy !req
1137. Us, or your music.
Copy !req
1138. That's your answer.
Copy !req
1139. I should give up music?
Copy !req
1140. You never saw us.
Copy !req
1141. You can't have both, Dalbert.
Copy !req
1142. Let me just say this.
Copy !req
1143. Your music is wonderful.
Copy !req
1144. But...
Copy !req
1145. the aria you played me once...
Copy !req
1146. was absolutely awful.
Copy !req
1147. To create something great,
Copy !req
1148. you have to sacrifice everything else.
Copy !req
1149. Not just your own life,
Copy !req
1150. but everyone's, and their money too.
Copy !req
1151. And so...
Copy !req
1152. there's no way I can give up now.
Copy !req
1153. In that case, I'll be by your side.
Copy !req
1154. Huh?
Copy !req
1155. It's my movie too, you know?
Copy !req
1156. You're absolutely unbelievable!
Copy !req
1157. My first cut!
Copy !req
1158. Sorry.
Copy !req
1159. It's unnecessary.
Copy !req
1160. My first shot with Martin!
Copy !req
1161. I—
Copy !req
1162. I trust you!
Copy !req
1163. Life is a series of choices.
Copy !req
1164. Choosing one path means
cutting out all the others.
Copy !req
1165. So...
Copy !req
1166. cut out conversation.
Copy !req
1167. Cut out friendship.
Copy !req
1168. Cut out family.
Copy !req
1169. Cut out daily life.
Copy !req
1170. Cut.
Copy !req
1171. Cut, cut.
Copy !req
1172. Cut!
Copy !req
1173. In order to...
Copy !req
1174. keep what's left over.
Copy !req
1175. In order not to give up.
Copy !req
1176. Cut!
Copy !req
1177. This is my—
Copy !req
1178. My—
Copy !req
1179. My aria!
Copy !req
1180. Have you finished?
Copy !req
1181. Maybe. Even I don't know.
Copy !req
1182. Huh?
Copy !req
1183. Who knows what's correct?
Copy !req
1184. Oh, but how long is it?
Copy !req
1185. How long?
Copy !req
1186. This is your aria.
Copy !req
1187. Dalbert, you're amazing.
Copy !req
1188. Because you've
devoted yourself to music.
Copy !req
1189. Is the conductor smiling?
Copy !req
1190. You found your aria.
Copy !req
1191. Mom?
Copy !req
1192. Dreams and memories
lying dormant in music.
Copy !req
1193. You've invoked them all into sound.
Copy !req
1194. In exchange for loneliness.
Copy !req
1195. Heard no more, clumsy, the worst.
Copy !req
1196. An aria just for us.
Copy !req
1197. It's strange.
Copy !req
1198. I feel this brings back memories.
Copy !req
1199. Pompo, I—
Copy !req
1200. You're a real director.
Copy !req
1201. Your film.
Copy !req
1202. I love it.
Copy !req
1203. Sure enough, just as Pompo predicted,
Copy !req
1204. our movie was a massive hit.
Copy !req
1205. Hello?
Copy !req
1206. Yes, I really hope you consider it.
Copy !req
1207. Yes, I'll be right there!
Copy !req
1208. And then—
Copy !req
1209. Meister has won three awards already.
Copy !req
1210. Best Actor: Martin Braddock
Copy !req
1211. Will it win the remaining
Best Director and Best Picture?
Copy !req
1212. Best Actress: Natalie Woodward
Copy !req
1213. Best Screenplay:
J. D. Peterzen
Copy !req
1214. Then the anteater grown
huge by gamma rays...
Copy !req
1215. starts licking her with its tongue!
Copy !req
1216. That's my kind of movie!
Copy !req
1217. The Nyacademy Award
for Best Director goes to...
Copy !req
1218. Gene Fini! Best
Picture goes to Meister!
Copy !req
1219. Best Director: Gene Fini
Copy !req
1220. Director, tell us what you
like most about this film.
Copy !req
1221. What I like most?
Copy !req
1222. The thing I like most...
Copy !req
1223. is that it's 90 minutes long.
Copy !req