1. Come in close.
Copy !req
2. Closer.
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3. Because the more you think you see,
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4. the easier it'll be to fool you.
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5. Because what is seeing?
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6. You're looking, but what you're really
doing is filtering, interpreting,
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7. searching for meaning.
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8. My job?
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9. To take that most precious of gifts
you give me, your attention,
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10. and use it against you.
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11. I'm going to flip through this deck.
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12. And I want you to see one card.
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13. Not this one. That's too obvious.
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14. Pay close attention.
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15. That was too fast. I'll do it again.
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16. - Are you ready?
- Mm-hmm.
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17. Okay.
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18. - Now did you see one?
- Yes.
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19. - Do you have one in mind?
- Yes.
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20. Now, do you see your card here?
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21. No.
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22. That's because you're looking too closely.
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23. And what have I been telling you all night?
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24. The closer you look...
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25. The less you see.
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26. - (CARDS FLUTTERING)
- (CROWD GASPING)
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27. Now look into my eyes.
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28. And sleep. Okay.
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29. And...
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30. If you can get this bill from me,
you can have it.
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31. Go ahead. Take it. Get it.
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32. If you can say your name, you can have it.
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33. All right, just hang out there, wriggle a sec.
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34. I'm gonna take a little peek under the hood
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35. - of your hubby's brain.
- Oh, no, no, no.
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36. I'm picturing...
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37. Don't tell me. Um...
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38. Of course.
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39. Beach. Cocktails.
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40. (SNAPS FINGERS) Florida?
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41. Look, it was a business trip.
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42. I mean, it is a kind of business.
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43. Maybe the oldest business.
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44. You know what, Honey Bee, let's...
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45. She can't move, Mack.
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46. You're thinking of a woman's name.
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47. A, B, C,
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48. D, E, F, G,
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49. H, I, J...
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50. J? Jean. Jane. Janet.
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51. Who's Janet?
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52. You know Janet?
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53. It's not your best friend, is it?
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54. - Your sister?
- No, please.
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55. Her sister? Oh, my God.
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56. You weren't away on business.
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57. - You were away on Janet.
- No.
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58. Your wife's sister!
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59. Okay, we need to move over here,
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60. because it seems like
she's a little bit upset right now.
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61. You want this to go away?
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62. - Yes.
- Okay, pull out your wallet.
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63. Come on, get it out.
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64. Do you shake down everybody like this?
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65. No, only the special few.
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66. What is this? Two hundred seem fair?
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67. You know what?
This is a big deal. Let's go $250.
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68. You're a stick-up artist.
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69. Yeah. Of course.
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70. Okay, and sleep!
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71. Now, when I snap my fingers,
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72. you won't remember any of this.
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73. And you, Warren Beatty,
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74. every time you see or even think of Janet,
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75. you're gonna picture me naked.
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76. And that's not a pretty sight.
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77. Yeah.
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78. And... You're wide awake!
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79. Well, we did the best we could,
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80. but some people just aren't to be hypnotized.
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81. - Oh. I did it wrong?
- Come on, Honey Bee.
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82. - Oh, no, you did it fine.
- Let me buy you dinner.
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83. Look after her.
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84. Just have to hit an ATM first.
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85. Ladies and gentlemen,
I am the next great magician,
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86. and I will give $100
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87. to anyone who can tell me
how this trick is done.
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88. I have an ordinary spoon from Mel's Deli,
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89. right here in Brooklyn.
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90. Check it out.
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91. Now, everyone
please pay very, very close attention.
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92. Because I'm about to
bend this spoon with my mind.
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93. Thank you. Thank you. Pass that around.
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94. What's this?
- What are you doing, man?
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95. Look at this!
Looks like we got a spoon and a stem.
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96. - (ALL GROANING)
I've got other tricks.
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97. Or you could give me my 100 bucks.
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98. You said you would.
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99. Nice wallet.
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100. You have a very good eye, sir.
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101. Thanks.
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102. Wallet.
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103. My wallet. My watch!
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104. Stop that guy!
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105. Stop that guy in the leatherjacket!
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106. He's got my wallet!
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107. Whoo! Okay, Los Angeles,
are we ready to end this thing?
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108. Yeah!
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109. When that timer hits zero,
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110. a tank full of flesh-eating piranhas
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111. will fall from above.
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112. A lady has to have handcuffs. Right, girls?
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113. One, two, three!
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114. Yeah!
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115. Help! Stop it!
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116. She's serious! She can't get out!
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117. - (SCREAMS)
- Go get some help!
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118. Help, dude!
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119. Get out of the way! Move! Move!
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120. Come on! This is bullshit!
Whoever thought of this is a sick sadist!
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121. Yes!
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122. I am your biggest fan.
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123. I could tell by the way
you're attacking my face right now.
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124. Close the door. Bad apartment building.
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125. - Magician, come here.
- Okay.
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126. Whoa!
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127. - Wait, wait.
- What? What?
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128. How did you do that...
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129. The seven of diamonds
on the side of the tower?
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130. - Yes.
- That's a trade secret.
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131. - Uh-uh.
- (SIGHS)
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132. I'll give you a hint.
It involved, uh, bribing the tower electrician.
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133. - How much?
- Uh, 50 bucks.
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134. - But it's so hard.
- Oh, thank you.
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135. Is it always a seven?
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136. I could do that trick 52 different ways.
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137. Can you do 52 different tricks on me?
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138. I'll see what I can do.
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139. Ooh! Magic man!
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140. Ah! I love your shampoo.
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141. - Whoa! Hold up.
- What?
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142. You need to leave.
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143. Are you kidding me?
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144. Oh, my God, this is so embarrassing.
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145. Is this what you do?
Some kind of sick trick you do to women?
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146. "45 East Evan Street."
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147. Don't worry about it. I'll call you.
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148. You don't have my number.
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149. I'm magic. I'll find it. Have a good night.
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150. Oh, you are such an asshole.
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151. Hey!
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152. Henley.
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153. Danny? Hey.
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154. - Ah. You got a card, huh?
- Mm-hmm.
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155. No, no, no, it's good for you. Congratulations.
All right, so here's what I'm gonna do,
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156. I'm gonna go inside.
I'm gonna scope the place out.
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157. You wait out here. I will come back
and get you, okay? Do not come in.
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158. Hey, Danny! I'm not your assistant anymore.
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159. Nice hair.
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160. So, um, actually,
what have you been up to?
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161. I think you know exactly
what I've been up to, Danny.
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162. I saw all your anonymous
posting on my website.
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163. You have a website. That's good.
Good for you. Get the word out.
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164. - Oh.
- Uh...
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165. Okay.
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166. So apparently none of us
was the only one chosen.
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167. Let me be the first one
to kick my ego to the curb.
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168. Yeah. Excuse me.
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169. - Door's locked.
- Is it? I'll check.
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170. You. Now, hold it, don't tell me. Uh...
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171. Helen? No, no.
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172. Henley.
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173. It's on your coffee cup.
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174. Thanks for keeping me honest.
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175. That wasn't mentalism, by the way.
It was just an observation.
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176. Second observation, you are beautiful.
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177. Thank you.
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178. That's good.
That's very nice. Very well-polished. Nice bit.
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179. J. Daniel Atlas. Nice to meet you.
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180. Very nice.
I know who you are and I just want to say that
Copy !req
181. I'm not interested in you doing
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182. your mentalism thing on us.
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183. Especially when we don't know
who brought us here or even if it's real.
Copy !req
184. Shh! Hold on, I'm sensing... I'm sensing you
Copy !req
185. are a control freak.
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186. I'm sorry, have we met before?
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187. It doesn't take a mentalist to figure that out.
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188. You are a control freak.
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189. Well, I take that as a compliment.
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190. Only he would take it as a compliment.
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191. Okay, great. Good. Another compliment.
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192. Okay. So that's why
you're no longer a couple.
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193. A couple? No, no.
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194. We were never a couple.
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195. He used to saw me in half.
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196. She was a very good assistant.
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197. But I was too fat for Danny.
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198. No. I said that one time
because of the trap door.
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199. - There were specs.
- You built it this size.
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200. No one could fit through there. No one.
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201. - Rebecca fit through.
- Ah...
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202. Rebecca fit for years.
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203. Do you know how hard it is to stay
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204. in those tiny little costumes?
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205. No. I'm the main attraction.
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206. Okay. So he never made you feel special.
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207. And, trust me, you deserve
to be made to feel special.
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208. That's a really nice story.
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209. Hope you guys enjoy each other's company.
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210. No way.
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211. J. Daniel Atlas?
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212. Dude, I've seen everything
that you have ever done.
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213. You're like...
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214. I idolize you. Seriously.
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215. From a true fan. It's so nice to meet you.
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216. I'm Jack, by the way.
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217. Question. Did you get one of these?
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218. Yeah. Death.
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219. The High Priestess.
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220. I'm the Lover.
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221. (COUGHS) Three minutes.
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222. Hermit.
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223. So, what are we...
Are we waiting for someone?
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224. - Why are we just...
The door's locked.
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225. Oh, no, nothing's ever locked.
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226. Hmm.
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227. What is this place?
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228. - Ugh!
Oh!
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229. Wow. Thought my apartment was nasty.
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230. Man, it's freezing in here.
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231. What's that?
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232. I don't know.
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233. What's it say?
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234. "Now you don't."
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235. "A rose by any other name..."
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236. Guys, what's happening?
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237. Whoa.
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238. Look at that.
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239. Whoa.
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240. It's gas!
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241. Relax. Just dry ice.
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242. Cool.
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243. Wait. What do you think this is all about?
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244. Hang on. Hang on.
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245. I got nothin'.
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246. Okay. Thank you. Thank you for the delay.
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247. I'm just trying to create the space for wisdom.
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248. Okay, so you're like Buddha,
if he wasn't so enlightened.
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249. And you're like Jesus,
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250. if he was arrogant
and all of his miracles were fake.
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251. Okay, lovebirds, get a room.
Danny, be honest. Did you do this?
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252. No. Wait, did you?
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253. I wish.
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254. Why didn't anyone ask me if I did it?
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255. Oh, great.
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256. Electricity is out.
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257. Well, let's check.
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258. Whoa.
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259. Blueprints.
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260. They're incredible.
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261. Who do you think did this?
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262. I don't know, but I really want to meet them.
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263. It's a show.
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264. Wow.
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265. Merritt McKinney,
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266. Daniel Atlas,
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267. Henley Reeves,
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268. Jack Wilder.
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269. Arthur Tressler and the MGM Grand
proudly presents
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270. The Four Horsemen.
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271. Thank you.
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272. Tonight we would like to try something
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273. that will, well, set us a bit apart.
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274. For our final trick,
we're gonna do something never before
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275. seen on a Las Vegas stage.
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276. Or any stage for that matter.
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277. Ladies and gentlemen,
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278. tonight
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279. we are going to rob a bank.
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280. That's a lot of excitement for a crime.
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281. I'm getting excited.
What about you, people?
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282. One, two, three!
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283. Sorry, sir. There's absolutely no recording
allowed during the performance.
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284. Oh, yeah, yeah, sure, of course.
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285. - (BEEPS)
- Let me just put this away.
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286. Actually, I need to take that.
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287. After the show, I can come
and give it back to you.
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288. Okay.
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289. Okay, okay.
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290. Now, please, please, settle down.
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291. Now who here has a bank
they would like us to rob?
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292. That's a lot of people with a vendetta.
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293. So we'll choose one at random then.
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294. My associates will make sure
it's random. Right?
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295. - Elvis, help me out, bud.
- Thank you very much.
Copy !req
296. In Jack's bowl
are ping pong balls with section numbers.
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297. Jack, could you hand me a section number?
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298. Thank you. We are looking at Section B.
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299. - Where is Section B?
- (CHEERING)
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300. Okay. There.
It's gonna be one of you guys. Get ready.
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301. I don't know why everybody's happy.
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302. It's only them.
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303. Merritt, can I get a row, please?
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304. Thank you, Merritt.
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305. We are looking at row number 5.
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306. Where is that?
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307. And Henley, could I please
have a random seat number?
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308. Oh. Lucky number 13.
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309. - B-5-13. Where are you?
- (AUDIENCE APPLAUDING)
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310. Sir, please, stand up. Ah, there you are. Hi.
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311. Could you just confirm for me that this
is, in fact, your seat? B-5-13.
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312. Yes.
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313. Okay. Wonderful.
Now, could you please tell us
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314. your name and the name of your bank?
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315. Well, my name is Etienne Forcier.
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316. And my bank, it's Credit Republicain de Paris.
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317. French. Okay. Uh...
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318. We were hoping for something
a little more local,
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319. a kind of mom-and-pop
credit union with no security.
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320. But that's fine. A promise is a promise.
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321. Could you please come up to the stage
Copy !req
322. - and we'll rob your bank.
- (CHEERING)
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323. And while he does that...
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324. There is someone here tonight
without whom we would just be
Copy !req
325. four magicians working the circuit,
trying to get...
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326. Well, actually, trying to get here.
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327. You probably know this man,
if not from one of the many, many
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328. companies he puts his name on.
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329. He is our friend. He is our benefactor.
Mr. Arthur Tressler.
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330. Please, stand up, Art. Please, stand up.
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331. The only man here with
the Queen's cell phone number.
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332. Actually, please, stay standing, Art.
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333. I want to say that when we came
to Mr. Tressler,
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334. we promised that, as a unit, we could become
the biggest name in magic.
Copy !req
335. So we wanted to say, "Thank you."
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336. And by the way, Art,
you notice on the sign out front,
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337. we made sure we put your name on top.
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338. If you turn out to be as good
as you think you are, dear girl,
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339. that won't be necessary much longer.
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340. We haven't done our closer yet.
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341. - (GRUNTS)
- Why don't you watch it
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342. and then you can decide for yourself.
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343. Ladies and gentlemen, Arthur Tressler!
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344. Thank you.
And, of course, once again,
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345. the Cardinal of Clairvoyance,
Merritt McKinney.
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346. Etienne, what Jack
is bringing to the stage now,
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347. is what we in the magic world
call a teleportation helmet.
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348. You will need to wear this, as it will allow you
to literally fold through space and time
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349. to your bank in the...
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350. 8th?
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351. - 9th arrondissement.
- Yeah.
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352. Now, once you are there, we will be able
to speak with you through this helmet.
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353. - Now if... Ah!
- Ow.
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354. - Oh, my God, that's beautiful.
- (AUDIENCE CHUCKLING)
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355. It has the added attraction of being
very stylish.
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356. It's about time the French learned
from America on that subject.
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357. Is that a beautiful piece of headgear?
Copy !req
358. - Thank you. Thank you...
- It is.
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359. Thank you. Thank you very much.
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360. Mais oui. Mais oui.
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361. But before you go anywhere,
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362. could you please, pick a card, any card.
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363. Not that card. Oh!
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364. No, that's an old American joke.
You can take that one.
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365. Okay. This one?
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366. Show it to your friends in Section B.
But not to us.
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367. Okay, great.
Now if you could just sign your name there.
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368. - Yes.
- In English, if possible.
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369. That's good.
- Thanks.
Copy !req
370. Put it in your pocket.
Copy !req
371. And now for one tiny detail.
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372. Now, Etienne, let's step into
this cockamamie contraption.
Copy !req
373. And I'll step off of it. Bonne chance.
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374. It's 11:50 p.m. Here in Vegas.
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375. That's 8:50 a.m. In Paris.
Your bank opens in less than 10 minutes.
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376. One,
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377. two...
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378. Three.
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379. What the fuck?
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380. - Wow! Etienne?
- Whoa. Etienne?
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381. It wasn't supposed to happen
like that, was it?
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382. Etienne?
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383. I liked that little French guy.
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384. Where did he go?
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385. Wait, there he is.
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386. No, no, no, no, please, please, please.
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387. This is Daniel Atlas. Can you hear me?
Copy !req
388. - Etienne? Are you okay?
- Yes.
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389. Perfect. What do you see in there?
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390. Money.
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391. Is this real?
Copy !req
392. Yes. Looks like three million or so
Euros' worth.
Copy !req
393. Okay, now, here's what
we're gonna need you to do.
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394. I want you to take the card that you signed
out of your pocket.
Copy !req
395. And I want you to take the ticket stub
from tonight's show
Copy !req
396. and I want you to put it right there
in the middle of the money.
Copy !req
397. Now drop it.
Copy !req
398. Now, on the side of your helmet
you should feel a button.
Copy !req
399. Don't press it just yet.
Copy !req
400. That button activates an air duct
that connects Paris to Las Vegas.
Copy !req
401. Okay, good. Now you can press it.
Copy !req
402. All right, now, Etienne, hold on tight.
You might feel a bit of a vacuum.
Copy !req
403. Whoo! (LAUGHING)
Copy !req
404. Oh. Wait a second.
Copy !req
405. - Huh.
- (RUMBLING)
Copy !req
406. Oh, merde.
Copy !req
407. Thank you, Etienne. Thank you, everyone!
Copy !req
408. We are The Four Horsemen.
Copy !req
409. - And good night!
- Good night!
Copy !req
410. Hold up here.
Copy !req
411. Dylan Rhodes.
Copy !req
412. What? I don't think I heard you correctly.
Copy !req
413. Did you say magicians?
Copy !req
414. Yeah, Dylan, magicians.
Copy !req
415. Where are you now?
Copy !req
416. I'm at Aria.
I'm heading up there to grab 'em now.
Copy !req
417. FBI! Hands where I can see them.
Copy !req
418. Let's go. Get 'em up. Come on.
Copy !req
419. Uno minuto.
Copy !req
420. Let's go. Get 'em up.
Copy !req
421. Put the book down.
Copy !req
422. Okay. You got me.
Copy !req
423. - Freeze! Hands in the air!
(GASPS) Oh, my!
Copy !req
424. Do one of you guys
mind giving us a hand with our bags?
Copy !req
425. Let's go.
Copy !req
426. Boss, please tell me this is a joke.
Copy !req
427. I just got Willy Mears
to finger Paulie Attanasio.
Copy !req
428. I'm a month, two tops,
away from blowing this whole thing open.
Copy !req
429. - Get Turkelson.
- He's in Atlantic City.
Copy !req
430. What about Cowan? Look at him.
He's just sitting there on his ass.
Copy !req
431. Hilarious, Rhodes.
Copy !req
432. I love you.
Copy !req
433. Asshole.
Copy !req
434. I don't have time for this magic crap.
Copy !req
435. This crap just pulled
three million Euro out of a Parisian bank.
Copy !req
436. - That's how much they got?
- Yeah.
Copy !req
437. Actually, 3.2.
Copy !req
438. - Who is she?
- (MUMBLES)
Copy !req
439. Who are you?
Copy !req
440. Alma Dray from Interpol.
I'll be working the investigation with you.
Copy !req
441. You gotta be kidding me.
Copy !req
442. It's bad enough they got me chasing down
David Copperfield and Friends.
Copy !req
443. Now I'm being saddled with,
no offense, with Interpol?
Copy !req
444. I look forward to working
with you, too, Agent Rhodes.
Copy !req
445. I'm sorry. I don't think I'm gonna
need your help on this. Okay?
Copy !req
446. - Where's the French guy?
- I already spoke to him.
Copy !req
447. Oh, you did?
You spoke to my witness before me?
Copy !req
448. Your witness?
I thought you didn't want the case.
Copy !req
449. Besides, he's useless.
Copy !req
450. Oh, really? Why is that?
Copy !req
451. Because he believes their magic was real.
Copy !req
452. Oh, he believes the magic was real?
You're right, he probably is useless.
Copy !req
453. Is it okay with Interpol if we talk to him, too?
Copy !req
454. - Mm-hmm.
- Thank you.
Copy !req
455. I have never stolen a thing in my life, okay?
Copy !req
456. I tried to give the money back,
but they won't take it.
Copy !req
457. Okay, okay, okay,
let's just say you robbed a bank.
Copy !req
458. I did.
Copy !req
459. Fine. Fantastic. You did.
Copy !req
460. But since I'm new to this,
can you explain to me how you went
Copy !req
461. from Las Vegas to Paris in three seconds?
Copy !req
462. With the teleportation helmet.
Copy !req
463. Okay, what the hell is going on here?
Copy !req
464. He was hypnotized during the show.
Copy !req
465. I told you, he's useless.
Copy !req
466. Okay, I'll deal with you when I'm done
with this other bullshit.
Copy !req
467. Hey!
Copy !req
468. During the show,
half the audience was hypnotized
Copy !req
469. to believe they were in the Philharmonic.
Copy !req
470. I guess that "bullshit" was the trigger word.
Copy !req
471. Okay. Hey, hey. Écoutez.
Etienne, come on down from there.
Copy !req
472. You're not in the Philharmonic.
Copy !req
473. - How do you say "stop" in French?
- Stop.
Copy !req
474. Tell him to stop.
Copy !req
475. No, I can't.
You just have to let him finish his movement.
Copy !req
476. Okay, I need a time-out.
Copy !req
477. Too many French people in one room.
Copy !req
478. - Agent Rhodes!
- Huh?
Copy !req
479. I'm ordered by my bosses to provide a report.
Copy !req
480. And until we have one, I'm here, like it or not.
Copy !req
481. So we can work together,
Copy !req
482. or you can continue to follow behind
asking the same exact questions I'm asking.
Copy !req
483. It's up to you.
Copy !req
484. Hmm.
Copy !req
485. I'm not finished.
Copy !req
486. I just flew 12 hours,
after what was already a long day.
Copy !req
487. And I do not handle jet lag well.
Copy !req
488. So if you want to see who can be grumpier,
Copy !req
489. - I promise you, you will lose.
- Hmm.
Copy !req
490. Mm-hmm. Fine. So which one of these idiots
do you want to talk to first?
Copy !req
491. Him?
Copy !req
492. Dylan, for the record,
Copy !req
493. mentalism has never actually
been proven to be accurate.
Copy !req
494. Okay.
Copy !req
495. That is to say, that it's not a science.
It's more for entertainment.
Copy !req
496. All right.
Copy !req
497. Just don't believe everything the guy says.
That's all.
Copy !req
498. Please convey my deepest apologies
to your colleague out there.
Copy !req
499. I'm really sorry about this
whole Tranny Tuesday thing.
Copy !req
500. I was out of line.
Copy !req
501. Tranny Tuesday?
Copy !req
502. Well, it's an arrangement
he and his wife have.
Copy !req
503. Or might not have, if you believe
Copy !req
504. everything Agent Fuller
is saying to be correct.
Copy !req
505. But isn't there a proud tradition in the FBI
of men wearing dresses?
Copy !req
506. No shame, Agent Fuller. No shame.
Copy !req
507. (LAUGHS) I'm just having fun.
Copy !req
508. Was this your card? No.
Copy !req
509. See, I knew you weren't
a queen of hearts lady,
Copy !req
510. and I respect that.
Copy !req
511. The trick usually works better
when I'm not strapped in here,
Copy !req
512. but I understand protocol.
Copy !req
513. Okay, okay.
Copy !req
514. So, if you had nothing to do with it,
Copy !req
515. then how did
the playing card get into the vault?
Copy !req
516. Oh, yes. That would be...
Copy !req
517. What do the kids call it these days?
Copy !req
518. Oh, yes, that's right. Magic.
Copy !req
519. Just answer the question, okay, smartass.
Copy !req
520. All right. Sorry, sorry, sorry.
Copy !req
521. You can keep that. Don't share it with him.
Copy !req
522. It says here you are a mentalist.
Copy !req
523. - Hmm.
- What exactly is mentalism?
Copy !req
524. Tricks, mostly. Um, some science.
Copy !req
525. Targeted guessing
might be a most apt description.
Copy !req
526. Along with some intuition
and the occasional...
Copy !req
527. Voices in my head.
Copy !req
528. Says here you were fairly famous at one point.
Copy !req
529. Mm-hmm.
Copy !req
530. You can
even hypnotize people over the phone.
Copy !req
531. Some big tours
around the U.S. For a few years,
Copy !req
532. - two TV specials.
- Glory days.
Copy !req
533. Then your brother/manager disappeared
with all your hard-earned money.
Copy !req
534. (CLEARS THROAT)
Did your research, did you?
Copy !req
535. IRS audit. Back taxes.
Copy !req
536. You've had a long hard slog back
into the limelight, haven't you, Mr. McKinney?
Copy !req
537. Yes, indeed, it has. And I do appreciate
that trip down Memory Lane.
Copy !req
538. As far as I understand it,
when the man from Paris
Copy !req
539. put on the magical helmet...
Copy !req
540. Listen to me.
Copy !req
541. If you didn't rob that bank,
then you knew about it.
Copy !req
542. Which makes you an accomplice.
Copy !req
543. So if you wanna walk out of here today,
I'd suggest you start...
Copy !req
544. Now you listen to me, unless you think
there's a D.A. In the state of Nevada
Copy !req
545. who'd be willing
to make sense of this to a jury,
Copy !req
546. then we have a show to perform.
Copy !req
547. And you, Agent Rhodes,
have a drawing board to get back to.
Copy !req
548. Is this your first date?
Copy !req
549. What?
Copy !req
550. No, I mean, obviously, you guys don't
know each other well, if at all.
Copy !req
551. But, like,
there is a palpable tension in this room.
Copy !req
552. And before you get involved,
Copy !req
553. you should consider the fact
that she has a lot of big secrets.
Copy !req
554. And I know the first one is that
this is your first time off the desk. Isn't it?
Copy !req
555. You should have said something to him.
Copy !req
556. This is a weird way for you to find out.
Copy !req
557. You are literally begging to be arrested.
You know that?
Copy !req
558. If it means you would actually do it,
then, yeah. But you won't.
Copy !req
559. Because if you did, it means that you,
and the FBI, and your friends at Interpol,
Copy !req
560. actually believe,
at an institutional level, in magic.
Copy !req
561. The press would have a field day.
Copy !req
562. And we'd be even more famous
than we already are.
Copy !req
563. And you guys would look like idiots
even more then you already are.
Copy !req
564. Well, no, not you. But him. Right?
Copy !req
565. You have,
what we in the business, like to call,
Copy !req
566. "nothing up your sleeve."
Copy !req
567. And you know it.
Copy !req
568. Don't draw him in and then dump him
because abandonment is a big "area" for him.
Copy !req
569. Mommy?
Copy !req
570. Daddy.
Copy !req
571. Ah! You have big daddy issues.
Copy !req
572. - Okay, that's enough.
- I'll tell you what.
Copy !req
573. Your average therapist is gonna charge you
$200-$300 for this sesh.
Copy !req
574. Me? I'll take a tenner.
Copy !req
575. Okay, later, if you're feeling magnanimous...
Copy !req
576. I'll still take a tenner.
Copy !req
577. You wanna know who sat
in that chair before you?
Copy !req
578. Mob bosses, murderers, and thieves.
Copy !req
579. And you know who put them there?
Copy !req
580. The guy who's sitting in this chair.
Copy !req
581. So I warn you,
I can maintain my resolve much longer
Copy !req
582. than you can maintain that phony arrogance.
Copy !req
583. And the instant that you even show
the slightest crack in that smug facade,
Copy !req
584. I'll be there.
Copy !req
585. I will be all over you like...
Copy !req
586. Like white on rice?
Copy !req
587. Sorry. That's unfair.
Copy !req
588. Let me warn you. I want you to follow.
Copy !req
589. Because no matter
what you think you might know,
Copy !req
590. we will always be one step, three steps,
seven steps ahead of you.
Copy !req
591. And just when you think you're catching up,
Copy !req
592. that's when we'll be right behind you.
Copy !req
593. And at no time will you be
anywhere other than
Copy !req
594. exactly where I want you to be.
Copy !req
595. So come close. Get all over me
because the closer you think you are,
Copy !req
596. the less you'll actually see.
Copy !req
597. - I'm gonna nail you...
- (GRUNTS)
Copy !req
598. Something wrong with that soda, Miss?
Copy !req
599. Oh! Shit!
Copy !req
600. First rule of magic.
Copy !req
601. Always be the smartest guy in the room.
Copy !req
602. Boss, what are we doing?
We're letting them go?
Copy !req
603. They all but admitted
they're gonna do it again.
Copy !req
604. About a half an hour ago,
you didn't give a damn about them.
Copy !req
605. - What changed?
- I met them.
Copy !req
606. Hey. Guys.
Copy !req
607. Hey, I ran a check on the audience.
Copy !req
608. Most of it was just filler.
Copy !req
609. People that Tressler
dragged in to pack the room.
Copy !req
610. But guess who was sitting there in the back,
filming the whole damn thing?
Copy !req
611. I don't know.
Copy !req
612. Thaddeus Bradley.
Copy !req
613. Thaddeus Bradley,
the guy from TV with the DVDs and shows?
Copy !req
614. No.
Copy !req
615. Okay, well, he debunks magicians.
Copy !req
616. He exposes them.
He shows you how to do their tricks.
Copy !req
617. Get him on the phone.
Copy !req
618. - I did. You're having lunch with him in 45.
- Good.
Copy !req
619. Mr. Bradley started as a magician.
Copy !req
620. - He was actually quite good.
- Really?
Copy !req
621. - One of the best.
- You don't say.
Copy !req
622. "The greatest genius
is in seeing through the illusion."
Copy !req
623. That's a man who loves his work.
Copy !req
624. You sure I can't interest you
in a glass of wine?
Copy !req
625. No, no, no. No, thank you, sir. We're working.
Copy !req
626. I will take one.
Copy !req
627. That's incredible. That's amazing.
Copy !req
628. Red dye, palmed.
Copy !req
629. Is that how Jesus did it? That's incredible.
Copy !req
630. I'm sorry. Can I just take a minute here?
Copy !req
631. You were one of the great magicians.
Why did you stop?
Copy !req
632. Do you know how many people
went to see magic performed live
Copy !req
633. in the last half decade?
Copy !req
634. About 1.6 million.
Copy !req
635. You know how many DVDs I sold
in the same period?
Copy !req
636. Five million.
Copy !req
637. Right, so it's about the money.
Copy !req
638. Well, the money is only there
Copy !req
639. because the need to know
is greater than the desire to be fooled.
Copy !req
640. Like you, I detest those
who prey upon the gullibility of the masses.
Copy !req
641. With all due respect,
isn't there a cost, though, to this game?
Copy !req
642. Cost?
Copy !req
643. I don't know. Careers.
Copy !req
644. Lives.
Copy !req
645. I assume you're referring to Lionel Shrike.
Copy !req
646. I'm sorry, who?
Copy !req
647. Lionel Shrike.
Copy !req
648. A middling magician who drowned
in the Hudson River 30 years ago.
Copy !req
649. On Mr. Bradley's first special,
he revealed all of Shrike's tricks.
Copy !req
650. The next year,
Shrike tried to stage a comeback.
Copy !req
651. He was shackled inside a safe,
and dropped into the river.
Copy !req
652. But he never resurfaced.
Copy !req
653. You mean he died?
Copy !req
654. I didn't kill him.
Copy !req
655. He killed himself trying to do something
he wasn't prepared to handle.
Copy !req
656. You do realize this is a game?
Copy !req
657. Believe me, it's not a game.
Copy !req
658. It is a game.
Copy !req
659. You're the game. You're being played.
Copy !req
660. And your pathetic attempts
at fawning to gain my trust...
Copy !req
661. I mean, come on.
Copy !req
662. You got me.
Copy !req
663. If you really want to know
Copy !req
664. how a bank in Paris was robbed
from a stage in Las Vegas,
Copy !req
665. my special comes out next month.
Copy !req
666. Or I could just bring you in
Copy !req
667. on obstruction charges
and force you to tell me.
Copy !req
668. Unless, of course,
what you're trying to say to me is that
Copy !req
669. you actually don't know how they did it.
Copy !req
670. Showmanship and theatrics.
Copy !req
671. When a magician waves his hand and says,
Copy !req
672. "This is where the magic is happening."
Copy !req
673. The real trick is happening somewhere else.
Copy !req
674. Misdirection. A basic concept of magic.
Copy !req
675. Not interested in the concepts of magic.
Copy !req
676. I wanna know how they robbed a bank.
Copy !req
677. You're an idiot if you think
they robbed a bank.
Copy !req
678. But don't take my word for it.
Copy !req
679. How about a trip to Paris?
Copy !req
680. Hermia, the teleportation helmet,
please, darling?
Copy !req
681. You're joking, right?
Copy !req
682. You wanna know how they did it or not?
Copy !req
683. I'm just gonna put this on your head.
Copy !req
684. Step right up.
Copy !req
685. There you go.
Copy !req
686. Now we just pull this down all safe and snug.
Copy !req
687. Make yourself comfortable. There we go.
Copy !req
688. And when you're ready to go to Paris,
just say the magic word.
Copy !req
689. Blow me?
Copy !req
690. - That'll suffice.
- Bon voyage.
Copy !req
691. Bonjour.
Copy !req
692. I personally prefer to take the stairs to Paris.
Copy !req
693. Welcome to the City of Light, Agent Rhodes.
Copy !req
694. Hardy har har. What was with the helmet?
Copy !req
695. My fun.
Copy !req
696. - (LAUGHS)
- What?
Copy !req
697. - Nothing.
- Oh!
Copy !req
698. - So they got a vault set.
- Yes.
Copy !req
699. And it's the exact replica
of the little French guy's bank.
Copy !req
700. - So he's a plant.
- He was a dupe, not a plant.
Copy !req
701. They chose him.
They knew which seat he was in.
Copy !req
702. No, no, no, the audience picked the seat.
Copy !req
703. Unless, of course,
the audience didn't pick the seat.
Copy !req
704. They let them think they picked the seat.
Copy !req
705. We'll choose one at random then.
Copy !req
706. Actually, they were
just palming the ball
Copy !req
707. with the seat number they wanted.
Copy !req
708. We are looking at row number 5.
Copy !req
709. Henley, could I please have a seat number?
Copy !req
710. Lucky number 13.
Copy !req
711. Could you just confirm that
this is, in fact, your seat?
Copy !req
712. He was selected.
Copy !req
713. They programmed his mind
Copy !req
714. - to make him go to Las Vegas.
Viva Las Vegas.
Copy !req
715. And then
they kept reinforcing it, until he did.
Copy !req
716. They trailed him.
Copy !req
717. They studied him.
Copy !req
718. - Nothing was left to chance.
- Oh!
Copy !req
719. I got his measurements.
Copy !req
720. He had no idea
he was their target.
Copy !req
721. And they simply activated him in Vegas.
Copy !req
722. When I snap my fingers...
Copy !req
723. And once again, Merritt McKinney.
Copy !req
724. But how did they know
what bank was his?
Copy !req
725. - You're kidding.
- Really?
Copy !req
726. Can you be any more
of a condescending ass?
Copy !req
727. - Yes.
- (LAUGHS)
Copy !req
728. Like this.
Copy !req
729. There's a very rare, very mysterious way
Copy !req
730. in which a magician divines
an audience member's bank.
Copy !req
731. You ready?
Copy !req
732. Yes.
Copy !req
733. Credit card.
Copy !req
734. And that's how they got
the signature for the card
Copy !req
735. they left in the vault in Paris.
Copy !req
736. Very good.
Copy !req
737. You're being one-upped, Agent Rhodes.
Copy !req
738. Okay, but they had to get
the signature card in the vault.
Copy !req
739. You said they didn't steal the money.
Copy !req
740. No, I didn't say they didn't steal the money.
I said they didn't rob the bank.
Copy !req
741. My guess is that they targeted
a shipment of freshly minted money
Copy !req
742. headed to the Frenchman's bank
on-board an armored truck.
Copy !req
743. Which, of course, is just as hard to break into.
Copy !req
744. Unless you're already inside.
Copy !req
745. And despite what the banks
would have you believe,
Copy !req
746. the men who drive these trucks
are not exactly mental giants.
Copy !req
747. For our Horsemen...
Copy !req
748. - Oh!
it was almost too easy.
Copy !req
749. Hey, boys.
Copy !req
750. So, how did they make the fake money
disappear from the vault? What is that?
Copy !req
751. Flash paper.
Copy !req
752. Magicians use it all the time.
Copy !req
753. Creates no smoke, leaves no residue.
Copy !req
754. Oh, merde.
Copy !req
755. Two days ago,
no one heard of these guys,
Copy !req
756. but tonight's show sold out in 35 seconds.
Copy !req
757. I think these guys have cracked
the secret to show business.
Copy !req
758. Give your audience $3 million.
Copy !req
759. Puts 'em in a good mood, doesn't it?
Copy !req
760. Best finale ever.
Copy !req
761. They're gonna be
the first magicians in history
Copy !req
762. to get laid.
Copy !req
763. Remember, if the oxygen mask comes down,
Copy !req
764. - put it on the lawyer first. Remember.
- Oh, yes.
Copy !req
765. I always do. It's lawyer first,
Copy !req
766. - then myself and then the children.
- Then yourself.
Copy !req
767. Yes. Then the children.
Copy !req
768. Um... Allow me to make plain
what we've both been thinking.
Copy !req
769. And what's that?
Copy !req
770. Well, obviously, you have feelings
of affection for Daniel.
Copy !req
771. Unrequited and misguided,
owing to his lack of emotional availability.
Copy !req
772. Consequently, you're very tightly...
Copy !req
773. How should I put it? Um...
Copy !req
774. Corked.
Copy !req
775. Oh, I am?
Copy !req
776. Now, recognizing that
you have physical needs not being met,
Copy !req
777. and strictly in the vein of helping a sister out,
Copy !req
778. I invite you to think of me
as your own personal corkscrew.
Copy !req
779. Wow. Thanks.
Copy !req
780. Let me mull over
that offer of cheap and meaningless sex.
Copy !req
781. Cheap and meaningless, maybe, but, uh,
Copy !req
782. not time-consuming.
Copy !req
783. (OVER PA) We should be getting there
a few minutes early.
Copy !req
784. So, sit back, relax.
Copy !req
785. We should be in the Big Easy soon.
Appreciate you flying with us today.
Copy !req
786. So, what's in it for Tressler,
besides the money?
Copy !req
787. Ego.
Copy !req
788. Okay, pick your card.
Copy !req
789. Look at it, put it in the deck, and tell me.
Copy !req
790. No, don't tell me.
Copy !req
791. - Okay.
- Okay.
Copy !req
792. Thaddeus was there that night.
Copy !req
793. He knows exactly how they pulled it off.
What about him?
Copy !req
794. What are you saying?
Copy !req
795. You think they could be working together.
Copy !req
796. I don't know. All I know is that these guys
Copy !req
797. were a bunch of street magicians
a year ago with no resources.
Copy !req
798. So, how do they go from doing that to this
without some kind of outside help?
Copy !req
799. Is this your card?
Copy !req
800. No, my card is sitting
over there in that guy's lap.
Copy !req
801. Nice shuffle.
Copy !req
802. You know, this is hard.
According to this book,
Copy !req
803. some of those guys practice one simple
move eight hours a day for years.
Copy !req
804. Really? Some of those guys
seriously need to get a life.
Copy !req
805. Is it magicians, in general,
you have a problem with?
Copy !req
806. Or specifically those guys?
Copy !req
807. I could care less about magicians in general.
Copy !req
808. What I hate is people
who exploit other people.
Copy !req
809. Exploit them how?
Copy !req
810. - Try again.
- Um...
Copy !req
811. By taking advantage of their weaknesses.
Copy !req
812. Their need to believe in something
that's unexplainable
Copy !req
813. in order to make their lives more bearable.
Copy !req
814. I see it as a strength.
Copy !req
815. My life is happier when I believe that.
Copy !req
816. Is this your card?
Copy !req
817. Yeah.
Copy !req
818. Yeah?
Copy !req
819. - Yeah.
- Cool.
Copy !req
820. (LAUGHS) That smile on your face. Is it real?
Copy !req
821. Maybe.
Copy !req
822. So let me ask you, Mr. Detective Man.
Copy !req
823. Do you feel exploited?
Copy !req
824. Or did you have maybe a tiny, tiny bit of fun?
Copy !req
825. Guy goes to the doctor.
Copy !req
826. Doctor says, "Sir, you're gonna
have to stop masturbating."
Copy !req
827. He says, "Why?"
Copy !req
828. He says, "So I can finish the examination."
Copy !req
829. Oh, Danny, can I talk to you about
Copy !req
830. - my role in the show real quick?
- Yeah, yeah, yeah. Sure.
Copy !req
831. - Hey, guys.
- (LAUGHING)
Copy !req
832. We got a show to prepare for.
Copy !req
833. - Oh.
- Oh! Do we now?
Copy !req
834. No, no, no, don't do that.
Copy !req
835. You're not doing that thing to me. No.
Copy !req
836. What thing? I'm just looking at you.
Copy !req
837. No, you're not.
I've been watching you for a year.
Copy !req
838. I know all of your little tricks.
Copy !req
839. That what they are to you? Tricks?
Copy !req
840. Yes, it's gimmicks. It's Barnum statements.
Copy !req
841. It's reading the eyes. Body language. I get it.
Copy !req
842. If it's such an easy thing,
why don't you do Henley?
Copy !req
843. Yeah, Danny. Why don't you do me?
Copy !req
844. No, you're too easy. I'll do Jasmine.
Copy !req
845. No.
Copy !req
846. - Do me.
- Oh, yeah. Yeah. Do Art.
Copy !req
847. Okay.
Copy !req
848. Even better.
Copy !req
849. Art.
- Yeah.
Copy !req
850. But I warn you, I can be difficult to read,
when I want to be.
Copy !req
851. Just stay with me, okay?
Copy !req
852. So, Art, you were a tough kid.
Copy !req
853. You know, kind of a real rapscallion.
Copy !req
854. You had a dog. A real tough dog.
A brutish breed. Like a real...
Copy !req
855. I want to say, Ben the bulldog.
Copy !req
856. Actually, I was a prissy little tot.
Copy !req
857. I had a fluffy white cat called Snuffles.
Copy !req
858. - (LAUGHING)
- Wow.
Copy !req
859. Ah. Sorry.
Copy !req
860. Wait, let me try one.
Copy !req
861. - I can do way better than that.
- Let him do it.
Copy !req
862. Come on, give me one more time.
One more time.
Copy !req
863. He can do way better than that.
Copy !req
864. Let's do family.
Copy !req
865. You had an uncle on your mother's side.
Copy !req
866. He had a real, kind of...
A real masculine name.
Copy !req
867. A real, kind of, salt-of-the-earth...
You know, a real stick-it-to-you...
Copy !req
868. Like it was some kind of Paul.
Thompson? Was it a Paul...
Copy !req
869. (SIGHING) Okay.
You know what? I got nothin'.
Copy !req
870. - Nearly though.
- Was I?
Copy !req
871. Yeah. My uncle's name
was Cushman Armitage. (LAUGHS)
Copy !req
872. Really? Snuffles and Cushman Armitage?
That was your childhood?
Copy !req
873. I certainly hope tonight's show
is gonna be better than this.
Copy !req
874. Don't worry. Just you wait.
Copy !req
875. Hey. Come on, give me some good news
on a hotel room, please.
Copy !req
876. What, are you kidding me?
Copy !req
877. No, it's Mardi Gras, Dylan.
Copy !req
878. There's nothing within sight of the theater.
Copy !req
879. Hold on a second. Hold on.
Where is this woman?
Copy !req
880. Hey, hey! There you are.
Copy !req
881. What, the French girl doing a little
sightseeing while she's in New Orleans?
Copy !req
882. No. In fact, here, speaking French
Copy !req
883. - is actually an asset.
- Huh?
Copy !req
884. Do you see that woman up there?
Copy !req
885. That's Marie Claire.
Copy !req
886. And she has a lovely apartment for us.
Copy !req
887. You're welcome.
Copy !req
888. Yeah.
Copy !req
889. We got a place.
Copy !req
890. I want two each inside of here.
The other 30 around here.
Copy !req
891. Roofs, alleys, balconies.
Copy !req
892. - Eyes on The Horsemen at all times.
- Yes, sir.
Copy !req
893. Wow, 100 years ago, William Robinson
took the name Chung Ling Soo
Copy !req
894. and spent his entire life
never speaking English in public.
Copy !req
895. This other guy, Maximillian...
Copy !req
896. I am not interested
in a history lesson on magic at this moment.
Copy !req
897. If you want to keep playing
into their hands, go for it.
Copy !req
898. I'm just trying to understand how they think.
Copy !req
899. You think I'm playing in their hands, do you?
Copy !req
900. I don't know how any of that
is gonna go against this.
Copy !req
901. This what? This magic?
Copy !req
902. Lionel Shrike.
Copy !req
903. In Central Park,
he has a guy pick a card and sign it.
Copy !req
904. Then he goes to a tree
that has been there 20 years.
Copy !req
905. They saw the tree in half.
Copy !req
906. Inside the tree, encased in glass,
Copy !req
907. is the card with the signature.
Copy !req
908. How did he do that?
Copy !req
909. I have no idea.
But I'm sure there's a logical explanation.
Copy !req
910. Excusez-moi.
Copy !req
911. You guys got a guy in that lobby yet?
Copy !req
912. No, but I do have some good news.
Copy !req
913. Remember how Atlas is such a control freak,
Copy !req
914. he's got his whole crew
on those tracking bracelets?
Copy !req
915. What tracking bracelets?
Copy !req
916. He has every member of his crew
wearing a tracking bracelet.
Copy !req
917. Those bracelets are on a sub-8 flat-band.
Copy !req
918. - So as long as Atlas is tracking them...
- Next.
Copy !req
919. our boys can track Atlas
from right here in the mobile command unit.
Copy !req
920. Okay, call me
if you get any movement.
Copy !req
921. Copy that.
Copy !req
922. You are missing the big picture here, Dylan.
Copy !req
923. There is a place in Paris, Pont des Arts.
Copy !req
924. Sometimes in the mornings
I sit on a bench there.
Copy !req
925. And I watch the people make a wish
and lock it in a lock on the bridge.
Copy !req
926. Then throw the key into the Seine.
Copy !req
927. All day they do this. Mothers, lovers, old men.
Copy !req
928. Watching the key sink into the water
and their secret is locked away forever.
Copy !req
929. Real and, at the same time, magical.
Copy !req
930. So,
Copy !req
931. do you really think it's possible
there's a fifth Horseman?
Copy !req
932. Yeah.
Copy !req
933. There is a legend
of a secret order
Copy !req
934. born in ancient Egypt called
Copy !req
935. "The Eye."
Copy !req
936. It is said they perfected sleight of hand
to steal food from the Pharaohs
Copy !req
937. and give it to the slaves.
Copy !req
938. Their purpose?
Copy !req
939. Using magic and illusion
to even the scales ofjustice.
Copy !req
940. Are The Horsemen next in a long line
of fools to believe this myth?
Copy !req
941. Will they evade the rules of law and logic
like they did in Las Vegas?
Copy !req
942. Or will the dark mysticism
of this Southern swampland
Copy !req
943. get the better of them?
Copy !req
944. Bravo, Mr. Bradley.
Copy !req
945. Either you have a cease-and-desist,
which you don't, or you should leave.
Copy !req
946. If I want something to cease or desist,
Copy !req
947. it does.
Copy !req
948. Take five.
Copy !req
949. According to your potential backers,
Copy !req
950. you stand to make 2.5 million tops
Copy !req
951. from your best special.
Copy !req
952. I have here a check
Copy !req
953. for 3.5 million.
Copy !req
954. To walk away?
Copy !req
955. To fly away. My jet is at your disposal.
Copy !req
956. Let's not kid ourselves, Mr. Tressler.
Copy !req
957. You're in this to ride them up.
Copy !req
958. I'm in it to ride them down.
Copy !req
959. I take it that we do not have a deal.
Copy !req
960. And therein lies our conflict.
Copy !req
961. Let me be blunt.
Copy !req
962. My bank account is much,
much bigger than yours.
Copy !req
963. And my lawyers are much stronger.
Copy !req
964. And they will manacle you
Copy !req
965. with so many injunctions.
Copy !req
966. Until you stand by, hopelessly watching
everything that you own drain away
Copy !req
967. in front of your greedy little eyes.
Copy !req
968. This isn't the first time I've been threatened.
Copy !req
969. And I'm still here.
Copy !req
970. It is, however,
the first time you've been threatened by me.
Copy !req
971. And if you do anything
to sully my investment,
Copy !req
972. the ride down, which you mentioned,
Copy !req
973. will be sudden, precipitous,
and measurable on the Richter scale.
Copy !req
974. Oops. You shouldn't have done that.
Copy !req
975. According to superstition,
Copy !req
976. one who uses a doll to enact one's own wrath,
Copy !req
977. is likely to bring that very wrath unto himself.
Copy !req
978. Isn't that funny?
Copy !req
979. And I thought you didn't believe in magic.
Copy !req
980. Do me a favor.
Copy !req
981. Visualize your most adventurous
sexual experience.
Copy !req
982. Stay out of my head, you perv.
Copy !req
983. Well, no, if I stay out of your head,
I'm never gonna get into your pants.
Copy !req
984. - Right.
- So let's stick with this exercise.
Copy !req
985. - And it helps...
Pardon the intrusion.
Copy !req
986. I just wanted to wish you good luck tonight.
Copy !req
987. What, so you can try to expose us later
on your little website?
Copy !req
988. And on demand.
Copy !req
989. That's not gonna happen.
Copy !req
990. Oh, no?
Copy !req
991. Operating on a special plane
because of The Eye?
Copy !req
992. I heard it's a lovely place.
Lots of starshine and moonbeams.
Copy !req
993. Make any magician's wish come true.
Copy !req
994. You've come a long way,
Copy !req
995. much further
than anyone would have expected
Copy !req
996. of a bunch of wanna-bes and has-beens.
Copy !req
997. If by "has-been" you're referring to me,
I just wanna say I'm flattered,
Copy !req
998. because I always considered myself
a never-was.
Copy !req
999. Do you mind if I do a quick read on you?
Copy !req
1000. By all means.
Copy !req
1001. Okay, I'm picturing a little boy.
Copy !req
1002. He wants to be a great magician someday.
Copy !req
1003. And though he's good,
he's not quite good enough.
Copy !req
1004. So he ends up at the bottom
of the entertainment food chain,
Copy !req
1005. feeding off of those
who have the talent that he never did.
Copy !req
1006. Tell me. Am I getting close?
Copy !req
1007. Wait. Before you go. I'm working
on something new. Do you have a second?
Copy !req
1008. Okay. Name a card.
Copy !req
1009. - King of hearts.
- Knew it.
Copy !req
1010. Okay.
Copy !req
1011. It's up your left sleeve.
Copy !req
1012. Is it?
Copy !req
1013. No. No, I don't see it up there.
Copy !req
1014. You know, why don't you check
your unnecessary velveteen pocket there?
Copy !req
1015. Yeah.
Copy !req
1016. Anyway, thank you so much for coming by,
but this is kind of a talent only area, so...
Copy !req
1017. Break a leg.
Copy !req
1018. Hey, you break something, too.
Copy !req
1019. Ladies and gentlemen,
the Savoy management welcomes you
Copy !req
1020. to tonight's special performance,
The Four Horsemen, Act Two.
Copy !req
1021. Unlike traditional performances,
Copy !req
1022. The Four Horsemen encourage you to film,
call your friends,
Copy !req
1023. upload, stream, and tweet the show freely.
Copy !req
1024. Thank you.
The show will begin in a few minutes.
Copy !req
1025. Nice watch.
Copy !req
1026. It's a family heirloom.
Copy !req
1027. Oh. By the way, I know how he did that trick.
Copy !req
1028. - Who?
- Shrike.
Copy !req
1029. So, when he was 14,
Copy !req
1030. he saw a hole in a tree in Central Park.
Copy !req
1031. He had a guy who worked at the carousel
Copy !req
1032. sign a card for what looked
like a routine little trick.
Copy !req
1033. And?
Copy !req
1034. At the guy's retirement, 18 years later,
Copy !req
1035. Shrike performs, has the guy sign a card,
and presto!
Copy !req
1036. The card is in the tree.
Copy !req
1037. It was in the tree for 18 years.
Copy !req
1038. The card was in the tree.
Copy !req
1039. The tree grew around the card in 18 years.
I mean, that isn't magic. It's not magic.
Copy !req
1040. The point is, the trick was not to look closely.
Copy !req
1041. It was to look so far
that you see 20 years into the past.
Copy !req
1042. After Shrike drowned,
they never found the body.
Copy !req
1043. What are you suggesting?
Copy !req
1044. Arthur Tresslerpresents
Copy !req
1045. Jack Wilder,
Copy !req
1046. Henley Reeves,
Copy !req
1047. Merritt McKinney,
Copy !req
1048. and Daniel Atlas.
Copy !req
1049. The Four Horsemen.
Copy !req
1050. Thank you. Before we begin,
Copy !req
1051. we'd like to single out
two people in particular.
Copy !req
1052. A man and a woman to whom
we'd like to dedicate tonight's performance.
Copy !req
1053. FBI Agent Dylan Rhodes
Copy !req
1054. and the lovely, if somewhat inexperienced,
Interpol Agent Alma Dray, everyone.
Copy !req
1055. Yeah, Agent Rhodes
has personally vowed to "nail us."
Copy !req
1056. And we encourage him to do so
if he has the brains and the fur.
Copy !req
1057. What is magic?
Copy !req
1058. Our argument,
nothing but targeted deception.
Copy !req
1059. So I want you to look.
Copy !req
1060. Look as closely as possible.
Copy !req
1061. Because the tricks you are about to see
may not seem connected.
Copy !req
1062. But we assure you, they are.
Copy !req
1063. Is what follows 100 different tricks?
Copy !req
1064. Or is it one giant illusion?
Copy !req
1065. And now for one
of the oldest tricks in the book.
Copy !req
1066. Danny, if you wouldn't mind
opening up the box,
Copy !req
1067. and showing everybody
that it's completely empty.
Copy !req
1068. Now, we're gonna need
12 courageous volunteers.
Copy !req
1069. I'm gonna take sweet little Fluffy here,
Copy !req
1070. and put her inside this mystery box.
Copy !req
1071. There are two pencils out there.
Hold 'em up high. Let me see 'em.
Copy !req
1072. - Here!
Yeah!
Copy !req
1073. And now, you will say the magic word.
Copy !req
1074. Abracadabra.
Copy !req
1075. Yes, and I will wave this magic wand
for no reason. And then...
Copy !req
1076. Fluffy has magically vanished
before your very eyes.
Copy !req
1077. If you haven't experienced mass hypnosis,
you're about to.
Copy !req
1078. And sleep.
Copy !req
1079. Down, down. Sleep, sleep. Completely sleep.
Copy !req
1080. Good, good. Sleep, sleep.
Copy !req
1081. And now we are gonna debunk
a few magic myths this evening.
Copy !req
1082. We all know that Fluffy is,
in fact, alive and well.
Copy !req
1083. And Fluffy has miraculously appeared.
Copy !req
1084. As has the mirror
Copy !req
1085. which makes the box only
appear as though it's empty.
Copy !req
1086. When you hear the word "freeze"
Copy !req
1087. you are all football players.
Copy !req
1088. And your job is to tackle,
Copy !req
1089. dismantle,
Copy !req
1090. crush,
Copy !req
1091. tear limb from limb,
Copy !req
1092. the quarterback.
Copy !req
1093. Now, we've all heard
of pulling the rabbit out of the hat.
Copy !req
1094. But has anyone heard
of pulling a hat out of a rabbit?
Copy !req
1095. You will know who the quarterback is.
Copy !req
1096. He will be the one saying that word.
Copy !req
1097. Freeze.
Copy !req
1098. Three, two, one...
Copy !req
1099. Put your hands in the middle.
One, two, three...
Copy !req
1100. Kill the quarterback!
Copy !req
1101. Get on back to your seats.
Copy !req
1102. I got a feeling I'm gonna be seeing you soon.
Copy !req
1103. I guess you have lost some weight.
Copy !req
1104. At the intermission,
Copy !req
1105. we asked you to write down
your current bank balance,
Copy !req
1106. and seal it in an envelope.
Copy !req
1107. Now it's time to take those envelopes out.
Everyone take 'em out.
Copy !req
1108. Now, everybody, shout out your name.
All at once. Go.
Copy !req
1109. Shout 'em out.
Copy !req
1110. Clement? Frannick?
Copy !req
1111. - Yeah! Up here!
- Oh. Way up there.
Copy !req
1112. Okay. Dina? Robertson?
Copy !req
1113. That's me!
Copy !req
1114. Okay. Names. Names. Let's go.
Copy !req
1115. Josepha Hickey?
Copy !req
1116. That's me!
Copy !req
1117. Josepha, I want you to focus on your balance,
Copy !req
1118. and count from one to 10 out loud.
Copy !req
1119. One, two, three, four, five...
Copy !req
1120. Stop.
Copy !req
1121. Is the first digit 5?
Copy !req
1122. Yes.
Copy !req
1123. Do it again. This time, faster.
Copy !req
1124. One, two, three, four, five, six...
Copy !req
1125. Stop.
Copy !req
1126. Six. Again.
Copy !req
1127. One, two...
Copy !req
1128. Josepha, is your
bank balance $562 as of today?
Copy !req
1129. Yeah. That's what I got.
Copy !req
1130. Unfortunately, you're wrong.
Copy !req
1131. Okay, Dina,
Copy !req
1132. 1,
Copy !req
1133. 4,
Copy !req
1134. 7,
Copy !req
1135. - 7.
- Yeah.
Copy !req
1136. You think it is.
But in fact, you, too, are wrong.
Copy !req
1137. Uh, Clement...
Copy !req
1138. You do not have $6,500 in your account.
Copy !req
1139. In fact, everybody stand up. Everybody.
Copy !req
1140. Yeah. Put your envelopes to your forehead.
Copy !req
1141. Focus on your number.
Copy !req
1142. Ooh! Oh.
Copy !req
1143. This is... Oh, dear. Just as I feared.
Copy !req
1144. Oh, this is strange.
Copy !req
1145. You know, I hate to say this,
but you're all wrong.
Copy !req
1146. Every last one of you is dead wrong
Copy !req
1147. about what you think is in your account.
Copy !req
1148. - Okay, you can sit down now.
- (INAUDIBLE)
Copy !req
1149. Oh! Oh, yeah. I almost forgot.
Copy !req
1150. This evening would not be possible
Copy !req
1151. if it weren't for our great benefactor
Arthur Tressler.
Copy !req
1152. Big applause! Big applause!
Copy !req
1153. Art, actually, why don't you come up on stage
for the finale?
Copy !req
1154. Come on down, Art!
Come on down, Art!
Copy !req
1155. There he goes. Okay, good.
Copy !req
1156. Are we on red?
Copy !req
1157. Bright red. We're all standing by.
Copy !req
1158. All right, no one leaves the theater. No one.
Copy !req
1159. There he goes.
Copy !req
1160. Now, Art, did you fill out your envelope?
Copy !req
1161. Well, no need. We've done it for you.
Copy !req
1162. Now, Art, I took a guess.
North of 140. Am I right?
Copy !req
1163. That's 140 million, by the way.
Copy !req
1164. I'm sorry, Merritt.
Copy !req
1165. How can he be right about his balance
and everyone else be wrong?
Copy !req
1166. I think possibly because he, too, is wrong.
Copy !req
1167. Everybody, take out your paper.
Copy !req
1168. And using the flashlight under your seat,
start to warm up that paper.
Copy !req
1169. I think your correct balance begins to appear.
Copy !req
1170. Now, Art, don't worry,
we have a flashlight for you.
Copy !req
1171. Yes.
Copy !req
1172. - Whoa!
- (HENLEY LAUGHS)
Copy !req
1173. Look.
Huh? Wow.
Copy !req
1174. What's going on there, Daniel?
Copy !req
1175. Wait. This is weird.
A second ago, it said $144,579,651.
Copy !req
1176. But now...
Copy !req
1177. Now it says $70,000 less.
Copy !req
1178. - Josepha, can you stand up?
- Yes.
Copy !req
1179. Now, what is your new number?
Copy !req
1180. $70,562 now in my account.
Copy !req
1181. Is it possible that Josepha's balance went up
the exact amount that Art's went down?
Copy !req
1182. Hey. Check it out. It's happening again.
Copy !req
1183. Is it?
Copy !req
1184. Wow. It is.
Copy !req
1185. Art's balance has gone down another 280K.
Copy !req
1186. Dina Robertson? What did yours say?
Copy !req
1187. $281,477.
Copy !req
1188. We have a confession to make.
Copy !req
1189. She's right. We lied about something.
Copy !req
1190. Yes. None of you were chosen at random.
Copy !req
1191. All of you have one thing in common.
Copy !req
1192. Everyone in this room was a victim
Copy !req
1193. of the hard times that hit one of
America's most treasured cities.
Copy !req
1194. Some of you lost your houses, your cars.
Copy !req
1195. - Your businesses.
- Your loved ones.
Copy !req
1196. But all of you were insured
by the same company.
Copy !req
1197. Tressler Insurance.
Copy !req
1198. You were abandoned.
Copy !req
1199. You were loopholed...
Copy !req
1200. out of your settlements.
Copy !req
1201. This is all for show. Correct?
Copy !req
1202. "All" meaning we're doing it onstage
Copy !req
1203. in front of a paying audience?
Copy !req
1204. - Then, yes, it's for show.
Whoa! Whoa!
Copy !req
1205. I've got $82,000 in my bank account!
Copy !req
1206. It says it right here on my cell phone!
Copy !req
1207. Everybody, look at your cell phones
right now! Everybody!
Copy !req
1208. Whoo!
Copy !req
1209. Is this for real?
Copy !req
1210. I don't know.
Copy !req
1211. Is this happening?
Copy !req
1212. I don't know! I can't tell!
Copy !req
1213. Hey! Did you do this?
Copy !req
1214. How could we, Art?
Copy !req
1215. We don't have your password.
Copy !req
1216. We'd need access to information
we could never get our hands on.
Copy !req
1217. Ah, yes, security questions, for instance, like,
I don't know, your mother's maiden name
Copy !req
1218. or the name of your first pet.
Copy !req
1219. Where would we get that information, Art?
Copy !req
1220. You certainly would never tell us.
Copy !req
1221. We got confirmation.
It's really happening. They robbed him.
Copy !req
1222. Do not let them get away.
Copy !req
1223. Hey, we left you the jet and the Rolls.
Copy !req
1224. You got hell to pay!
Copy !req
1225. Stop!
Copy !req
1226. Stop! Nobody move!
Copy !req
1227. Freeze!
Copy !req
1228. Quarterback!
Copy !req
1229. We are The Four Horsemen.
Copy !req
1230. Good night.
Copy !req
1231. Get 'em off me!
Copy !req
1232. Get off! Get off me!
Copy !req
1233. Get off me!
Copy !req
1234. All right. I want everyone
on the street! Everyone!
Copy !req
1235. Quarterback!
Copy !req
1236. Fuller, meet me in front of the theater
and bring the tracker.
Copy !req
1237. Let's go! Let's go! Now! Come on! Let's go!
Copy !req
1238. Give me the tracker.
Copy !req
1239. Let's go.
Copy !req
1240. FBI! Clear!
Copy !req
1241. - Dylan!
Damn.
Copy !req
1242. What have you got?
Copy !req
1243. That's him right there. Follow the red dot.
Copy !req
1244. All right, I'll take this.
Go. Box 'em. Cut 'em off that way.
Copy !req
1245. He's turning left on Burgundy.
Copy !req
1246. Oh!
- (CRASHING)
Copy !req
1247. Hey! Move!
Copy !req
1248. - Move! Move!
- Oh!
Copy !req
1249. I got him heading north on Bourbon.
Copy !req
1250. - Sorry. Move, move!
- Hey!
Copy !req
1251. Hey, excuse me. Move, move! Excuse me.
Copy !req
1252. Ow!
Copy !req
1253. I've lost him at Bourbon.
Copy !req
1254. Damn! Where are you?
Copy !req
1255. Excuse me.
Copy !req
1256. He's heading south on Exchange Place.
Copy !req
1257. Stop!
Copy !req
1258. What are you doing?
Copy !req
1259. He's going in Napoleon House.
Copy !req
1260. - Move! Move!
- (WOMAN SCREAMS)
Copy !req
1261. Move out of the way!
Copy !req
1262. Hey!
Copy !req
1263. Move!
Copy !req
1264. He's in the bathroom.
I have him in the bathroom.
Copy !req
1265. (GRUNTS) No! No! No!
Copy !req
1266. Freeze!
Copy !req
1267. Lower your weapons!
- (DEVICES BEEPING)
Copy !req
1268. What? I'm tracking myself!
Copy !req
1269. The Horsemen
left egg on the face of what they call
Copy !req
1270. the alphabet agencies, calling into question
the efficacy of the FBI's task force
Copy !req
1271. as well as the man in charge
of the investigation,
Copy !req
1272. Special Agent Dylan Rhodes,
who was publicly ridiculed,
Copy !req
1273. and even tackled at tonight's performance.
Copy !req
1274. Talk about a fumble.
Copy !req
1275. This is quickly becoming a national story,
Copy !req
1276. as The Horsemen have now seemingly
pulled off the impossible
Copy !req
1277. for the second time in as many days.
Copy !req
1278. Two nights ago in Vegas, The Horsemen
seemingly robbed a bank in Paris...
Copy !req
1279. Hey.
Copy !req
1280. - What are you doing?
- I'm having a drink.
Copy !req
1281. I came to get you.
Copy !req
1282. I'm worried about you.
Copy !req
1283. You're worried about me.
Well, I'm worried about you.
Copy !req
1284. - Atlas. You had him.
- He didn't have a weapon.
Copy !req
1285. I couldn't shoot him and you know that.
Copy !req
1286. Yeah, but you... You let him go.
Copy !req
1287. Didn't you?
Copy !req
1288. A pretty French girl shows up out of the blue,
acts like she's my partner
Copy !req
1289. - and then she lets the bad guy go?
- Let go of my arm.
Copy !req
1290. Who exactly are you anyway?
Copy !req
1291. I thought you said you were a desk agent.
Copy !req
1292. Not bad.
Copy !req
1293. What is this?
Copy !req
1294. What's the Eye of Horus?
Copy !req
1295. Oh, certainly nothing
I want to get into tonight.
Copy !req
1296. You're dismissive enough
about me when you're sober.
Copy !req
1297. Find your way back yourself.
Copy !req
1298. Mr. Bradley? Mr. Tressler would like you
to join him for a drink.
Copy !req
1299. Sir.
Copy !req
1300. Thank you.
Copy !req
1301. What is your role with them?
Copy !req
1302. Role?
Copy !req
1303. Yes. You seem to know
everything about them.
Copy !req
1304. What they're gonna do.
Where they're gonna be.
Copy !req
1305. If it makes you feel any better,
this wasn't about you.
Copy !req
1306. Please tell me why this was not about me.
Copy !req
1307. This is a magic trick, Mr. Tressler.
Copy !req
1308. Played out on a global scale.
Copy !req
1309. You, sir, are the abracadabra.
Copy !req
1310. The distraction,
while they set up the real trick.
Copy !req
1311. I was a $140-million distraction?
Copy !req
1312. Yes.
Copy !req
1313. And that very ego that got you involved
with them in the first place
Copy !req
1314. is what keeps you from seeing that.
Copy !req
1315. - You know...
- "I can destroy you."
Copy !req
1316. Yes, I do know.
Copy !req
1317. Well, you won't.
Copy !req
1318. And you won't destroy them.
Copy !req
1319. Whatever this grand trick is,
it was designed a long time ago.
Copy !req
1320. And I believe that what's about to follow
is really going to amaze.
Copy !req
1321. So I suggest you sit back
and enjoy your front row seat.
Copy !req
1322. You paid quite a lot of good money for it.
Copy !req
1323. Whatever you stand to make...
Copy !req
1324. I'll double it, if you expose them now.
Copy !req
1325. And destroy them.
Copy !req
1326. I stand to make five million.
Copy !req
1327. Am I flinching?
Copy !req
1328. No, you're not.
Copy !req
1329. Hey.
Copy !req
1330. I'm sorry for your arm.
Copy !req
1331. No. I'm sorry.
Copy !req
1332. I was an asshole. I was drunk.
Copy !req
1333. I'm at a loss.
Copy !req
1334. You know, when Merritt said I hardly spent
any time away from the desk, he was right.
Copy !req
1335. I'm a researcher. That's what I do best.
Copy !req
1336. So what's this all about?
Copy !req
1337. Supposedly, if you buy into it,
Copy !req
1338. The Eye are the keepers of real magic
Copy !req
1339. and the protectors of those who practice it.
Copy !req
1340. "Candidates for initiations
Copy !req
1341. "must follow a series of commands
with blind obedience."
Copy !req
1342. - This isn't real.
- But there are some who think it is.
Copy !req
1343. May I?
Copy !req
1344. According to this,
they only take new people twice a century.
Copy !req
1345. So what? The Horsemen are doing
these shows in order to get into this thing?
Copy !req
1346. - I don't know.
- I don't know.
Copy !req
1347. I mean, I guess these guys
could just rob banks to rob banks.
Copy !req
1348. They don't have to put on a show for that.
Copy !req
1349. It's probably just a myth.
Copy !req
1350. But it doesn't make any sense,
and I don't think logic will solve this for us.
Copy !req
1351. - You don't say?
- No.
Copy !req
1352. I believe that some things are only discovered
Copy !req
1353. if you take certain leaps.
Copy !req
1354. Well, I gotta get to...
Copy !req
1355. Yeah. Yeah.
Copy !req
1356. - Thanks. Good night.
- Yeah. Good night.
Copy !req
1357. - Sorry.
- It's all right.
Copy !req
1358. If The Eye did exist, we'd have to assume
they were watching us, right?
Copy !req
1359. Shit.
Copy !req
1360. I think someone is watching us,
but it isn't magic.
Copy !req
1361. Your fears are correct.
This is not and has never been your phone.
Copy !req
1362. It's a clone in every way, except for this.
Copy !req
1363. A bug.
Copy !req
1364. Someone has heard every call, read every text.
Copy !req
1365. That's how they were able to stay ahead of us.
Copy !req
1366. God damn it!
Copy !req
1367. Get me Atlas' interrogation tape.
Copy !req
1368. Yes, sir. I have it on the hard drive.
Copy !req
1369. Picture's up.
Copy !req
1370. Okay, fast forward.
Copy !req
1371. Go on, go on. Freeze!
Copy !req
1372. Okay. Frame by frame. Go on.
Copy !req
1373. Play it through.
Copy !req
1374. Ah! Stop. Zoom in tighter. Tighter.
Copy !req
1375. There. That's where he took my phone.
Copy !req
1376. Is that thing transmitting?
Copy !req
1377. Only when you're making a call
or sending a text.
Copy !req
1378. Plus I removed the bug.
Copy !req
1379. All right. Put it back in and turn on the phone.
Copy !req
1380. They don't know that we know about the bug.
Copy !req
1381. As of this instant, we are ahead of them.
Copy !req
1382. We need to keep it that way. Understand?
Copy !req
1383. Find my real phone and track it.
Copy !req
1384. Already did. As of about 20 minutes ago,
it's in New York City.
Copy !req
1385. Good.
Copy !req
1386. I wanna cut 'em off at the knees.
They got power? Cut it.
Copy !req
1387. They got phones, electricity, water? Cut it.
Copy !req
1388. Squeeze 'em out.
I want 'em to feel our presence.
Copy !req
1389. And get me an airplane!
Copy !req
1390. The firewall's down.
Copy !req
1391. - Do they know about this?
They who?
Copy !req
1392. "They,"them," whoever we're working for.
Copy !req
1393. Who are we working for?
And are we prepared to go to jail for them?
Copy !req
1394. Stop being paranoid.
- It really does happen.
Copy !req
1395. It happened to you.
Doesn't mean it's gonna happen to us.
Copy !req
1396. Guys, I don't know if can do this, all right.
Copy !req
1397. I don't want to go to jail, you know?
Copy !req
1398. Then don't screw up.
You're always talking about wanting
Copy !req
1399. to be treated like an adult.
Copy !req
1400. Now might be a good time
to start acting like one.
Copy !req
1401. Stick to the plan. Stay here and burn it all.
Copy !req
1402. I don't know what I'm doing here.
Copy !req
1403. I don't know what you would do
anywhere else.
Copy !req
1404. I'm here for the pot of gold
at the end of the rainbow.
Copy !req
1405. That's it. Then I'm gone.
Copy !req
1406. You can do whatever you want
when this is over, Merritt.
Copy !req
1407. But until then, you stick to the plan.
Copy !req
1408. Hey, guys. Uh... They're here.
Copy !req
1409. - My guys are ready to go.
- Let's do this quickly...
Copy !req
1410. - Uh. No.
- What?
Copy !req
1411. She doesn't have jurisdiction here.
Copy !req
1412. She's Interpol. She's with me.
Copy !req
1413. - She stays.
- What? What?
Copy !req
1414. Stay in the car.
Copy !req
1415. Let's go.
Copy !req
1416. Okay. Let's do it.
Copy !req
1417. FBI!
Copy !req
1418. Ladies first.
Copy !req
1419. - Don't move!
- (SCREAMING)
Copy !req
1420. - (CELL PHONE RINGING)
- Tell me.
Copy !req
1421. Is my money being well-spent?
Copy !req
1422. - Exceedingly well.
- (CAMERA CLICKING)
Copy !req
1423. Now you tell me,
Copy !req
1424. how do you like your Horsemen?
Copy !req
1425. Fricasseed or fried?
Copy !req
1426. Shredded.
Copy !req
1427. I'll tell the chef.
Copy !req
1428. Freeze!
Copy !req
1429. - Dylan!
- (WHIRRING)
Copy !req
1430. Hold on!
Copy !req
1431. Oh, you little...
Copy !req
1432. Come here!
Copy !req
1433. Five is clear. Standing by for six.
Copy !req
1434. - You little shit!
- (IMITATING) You little shit!
Copy !req
1435. - What game are you playing?
- What game are you playing?
Copy !req
1436. We're all good at six. Move to seven.
Copy !req
1437. Copy that. Going to seven. Go, go, go!
Copy !req
1438. No, no, no, no, no. Go back!
Copy !req
1439. Hey!
Copy !req
1440. Come here!
Copy !req
1441. Ah!
Copy !req
1442. Come here!
Copy !req
1443. All right, whoa, hold on, hold on!
Copy !req
1444. - Really?
- Yup.
Copy !req
1445. Ow!
Copy !req
1446. Oh, you...
Copy !req
1447. Ow!
Copy !req
1448. You little... (YELLING)
Copy !req
1449. Shit!
Copy !req
1450. Shit!
Copy !req
1451. Give me that!
Copy !req
1452. All units, cover the north exit now!
Copy !req
1453. Clear on Evan.
Copy !req
1454. Block every possible exit.
Copy !req
1455. Hey! Get back... Shit.
Copy !req
1456. - FBI. Sort of. I need your car. Thanks.
- What?
Copy !req
1457. What?
Copy !req
1458. Stop! Stop!
Copy !req
1459. Hey!
Copy !req
1460. - (GROANING)
- (HANDCUFFS CLICKING)
Copy !req
1461. Good. Follow him!
Copy !req
1462. Don't ever tell me to stay in the car. Ever.
Copy !req
1463. I didn't have tactical command.
Copy !req
1464. If you don't trust me, just tell me.
Copy !req
1465. Promise me, next time, you will back me up.
Copy !req
1466. Could we have
this conversation later, please?
Copy !req
1467. No!
Copy !req
1468. Okay, fine, I promise. Now, go!
Copy !req
1469. - Whoa! Where'd they go?
- Where are they?
Copy !req
1470. I don't know. She just took some guy's car.
Copy !req
1471. - Where are they?
- That way. That way.
Copy !req
1472. - Is that your car?
- Yeah.
Copy !req
1473. Let's go.
Copy !req
1474. - (BRAKES SQUEAL)
- Whoa!
Copy !req
1475. There he is!
Copy !req
1476. Move!
Copy !req
1477. Left!
Copy !req
1478. We're heading east on the FDR Drive.
Copy !req
1479. - This is not east.
- North! North!
Copy !req
1480. - We're heading north on the FDR Drive.
- What?
Copy !req
1481. We're coming
to you live above the FDR,
Copy !req
1482. where NYPD and federal agents,
as you now see,
Copy !req
1483. are engaged in a high-speed pursuit,
following a black sedan.
Copy !req
1484. Fuller, where are you?
Copy !req
1485. Right here. Trying to catch up to you now.
Copy !req
1486. We're now trying
to get you a better shot.
Copy !req
1487. Come on!
Copy !req
1488. Whoa!
Copy !req
1489. Sorry.
Copy !req
1490. Whoa!
Copy !req
1491. It looks like they're turning
onto the 59th Street Bridge.
Copy !req
1492. As soon as we have them within range,
we will bring you those pictures live.
Copy !req
1493. Good. Just stay with him.
Copy !req
1494. Go, go, go!
Copy !req
1495. Behind... You're behind the bus!
Copy !req
1496. Get over!
Copy !req
1497. Ha-ha!
Copy !req
1498. Oh, shit!
Copy !req
1499. Uh-oh!
Copy !req
1500. Come here!
Copy !req
1501. Get back! Get back!
Copy !req
1502. Dylan, let's go, man!
Copy !req
1503. Come on, you...
Copy !req
1504. Come on, man! Get out!
He's gonna die in here.
Copy !req
1505. Leave him! There's nothing you can do!
Let's go! Leave him!
Copy !req
1506. The paper!
Dylan!
Copy !req
1507. Let's go! Let's go! Come on!
Copy !req
1508. Today,
the unfolding story of a popular
Copy !req
1509. and controversial group of magicians,
Copy !req
1510. who have been fast capturing
the public's imagination,
Copy !req
1511. took a dark turn
when a police action that began in Chinatown
Copy !req
1512. developed into a dramatic, high-speed chase
across the 59th Street Bridge,
Copy !req
1513. which caused a fatal collision
that took the life of Jack Wilder,
Copy !req
1514. one of the so-called Four Horsemen.
Copy !req
1515. The whereabouts of the other three
Horsemen remain unknown at this time.
Copy !req
1516. Dylan, they just
figured out what the paper was in Jack's car.
Copy !req
1517. So they know what it is?
Copy !req
1518. And why the kid died trying to protect it.
Copy !req
1519. Evans is on his way to brief us right now.
Copy !req
1520. Let's go.
Copy !req
1521. You're gonna wanna take this first, though.
Copy !req
1522. What's that?
Copy !req
1523. Your friend Thaddeus Bradley.
Copy !req
1524. Rhodes.
Copy !req
1525. You do understand the function
Copy !req
1526. of the magician's assistant,
don't you, Agent Rhodes?
Copy !req
1527. Yeah, she's there to distract them
while he sets up the trick.
Copy !req
1528. (CHUCKLES) You'd be right
if you weren't so wrong.
Copy !req
1529. While you're watching the magician,
Copy !req
1530. that lovely innocent is actually
pulling the strings.
Copy !req
1531. Don't you find it peculiar that Interpol
would send you
Copy !req
1532. a first timer off the desk to be your assistant?
Copy !req
1533. Why did she request to be put on the case?
Copy !req
1534. - She was assigned to the case.
- Oh.
Copy !req
1535. Luck of the draw.
Copy !req
1536. Like choosing a random card in the deck.
Copy !req
1537. I find it odd, your sudden act of generosity.
Copy !req
1538. What's in it for you?
Copy !req
1539. Just trying to even the game.
Copy !req
1540. I feel like I'm playing with somebody
wearing ankle weights and flippers.
Copy !req
1541. Keep up, Agent Rhodes. Keep up.
Copy !req
1542. Hey.
Copy !req
1543. We got a problem.
Copy !req
1544. Here's the safe.
Copy !req
1545. No, no, no. Hey. What's he doing here?
Copy !req
1546. Giving us our first solid lead.
Copy !req
1547. We've been investigating a private security
contractor called Elkhorn
Copy !req
1548. - for the last five years.
- And?
Copy !req
1549. They've been hiding close
to a half billion dollars...
Copy !req
1550. I didn't ask you. I asked him.
Copy !req
1551. The money's in a vault inside
a warehouse in Queens.
Copy !req
1552. We think this vault
is your magicians' final target.
Copy !req
1553. The magician
who died on the bridge...
Copy !req
1554. You pulled our classified Elkhorn file
right from his crispy little hand.
Copy !req
1555. And despite their bullshit
Robin Hood razzle-dazzle,
Copy !req
1556. your magicians are nothing
more than common thieves.
Copy !req
1557. How did they get the file?
Copy !req
1558. This is the part you're gonna find
particularly interesting, Agent Rhodes.
Copy !req
1559. They patched to my server after they accessed
your mobile command center in New Orleans
Copy !req
1560. with codes they got from your phone.
Copy !req
1561. You ordered us all out to chase after them.
Copy !req
1562. The level of incompetence
displayed on this case,
Copy !req
1563. that's a magic trick in and of itself.
Copy !req
1564. Abracadabra. I'm taking over.
Copy !req
1565. Boss, he's taking over?
Copy !req
1566. Let's go, gentlemen.
Copy !req
1567. Hey.
Copy !req
1568. Hey. I want to have a word with you.
Copy !req
1569. Don't ever talk to me like that again.
Copy !req
1570. - Why the hell did you take this case?
- What?
Copy !req
1571. People say I'm "hard to read."
That's an American expression.
Copy !req
1572. Do you understand it?
Copy !req
1573. Yes.
Copy !req
1574. Good, then let me make myself
perfectly clear to you.
Copy !req
1575. If I find out that you are anything other than
who you say you are, I swear...
Copy !req
1576. And we French also have an expression.
Copy !req
1577. "Faith can move mountains."
Copy !req
1578. If we hope to capture The Horsemen,
then you need to have a little faith in me.
Copy !req
1579. Because I've done nothing
to deserve otherwise.
Copy !req
1580. I just got my ass handed to me.
Copy !req
1581. I am losing this case.
Copy !req
1582. So faith is a luxury
I don't have any time for right now.
Copy !req
1583. More than anything in his life,
Copy !req
1584. Jack wanted to be
the most famous magician who ever lived.
Copy !req
1585. And I can't say he achieved it,
Copy !req
1586. but I do hope wherever he is,
it is full of magic.
Copy !req
1587. But the point is... Sorry.
Copy !req
1588. The point is...
Copy !req
1589. The point of why we are here is to say
that we are not... We cannot quit now.
Copy !req
1590. We've started something bigger than all of us.
Copy !req
1591. We have to finish it.
Copy !req
1592. Approaching the warehouse.
Copy !req
1593. Units 5 and 6
cover the north and south entrances.
Copy !req
1594. We are going for the vault.
Copy !req
1595. Hey. Where's the safe? Where's the safe?
Copy !req
1596. What is this?
Copy !req
1597. Where the hell is the goddamn safe?
Copy !req
1598. We just moved it while you were outside.
Copy !req
1599. - Evans' orders.
What?
Copy !req
1600. I never said that.
Copy !req
1601. Sir, you got a phone call
and said Washington wants the safe moved.
Copy !req
1602. You never heard that
come out of my mouth, Agent.
Copy !req
1603. What happened?
Copy !req
1604. What happened? You tell me what's going on,
because this is bullshit!
Copy !req
1605. No!
Copy !req
1606. Jesus Christ.
Copy !req
1607. Sir? Sir? What are you doing?
Copy !req
1608. I think it's Beethoven's Concerto in D-Major.
Copy !req
1609. - Where's the safe?
- His team is loading the truck.
Copy !req
1610. - Hey! Hey!
- Hey!
Copy !req
1611. Stop the truck!
- Stop!
Copy !req
1612. - Stop!
- Hey! Stop that truck!
Copy !req
1613. What the hell's going on? We got our orders.
Copy !req
1614. Now you've got new orders. Open it up.
Copy !req
1615. Okay. Here's what I want.
Copy !req
1616. At this moment,
they think that safe's leaving this site.
Copy !req
1617. So we stay with it.
We follow it all the way to... Where's it going?
Copy !req
1618. 5 Pointz. Up the street.
Copy !req
1619. So we go to 5 Pointz.
Wherever the safe goes, we go.
Copy !req
1620. It'll lead us right to 'em.
Copy !req
1621. You two are with me.
Copy !req
1622. Guys...
Copy !req
1623. Look. Office just called with this.
Copy !req
1624. Horsemen posted it to YouTube
20 minutes ago.
Copy !req
1625. The point of why we're here
is to say that we are not...
Copy !req
1626. We cannot quit now.
Copy !req
1627. We've started something bigger than all of us.
We have to finish it.
Copy !req
1628. Remember the name Jack Wilder
when you see us live,
Copy !req
1629. 5 Pointz, Queens, 7:00.
Copy !req
1630. Their show is in a half an hour.
It's exactly where we're headed.
Copy !req
1631. I don't know, boss.
I don't wanna be the naysayer,
Copy !req
1632. but these guys are kinda tricky.
Copy !req
1633. Rhodes, they're entertainers.
Copy !req
1634. A stunning
turnout here in 5 Pointz
Copy !req
1635. as the renegade Horsemen
taunt the FBI into a final showdown.
Copy !req
1636. The Horsemen have
invited us to their final round
Copy !req
1637. of their three-act face-off with the FBI.
Copy !req
1638. What do they have in store?
We're about to find out.
Copy !req
1639. All eyes on the truck.
Let's see who approaches.
Copy !req
1640. Copy that.
Copy !req
1641. Agents Rhodes, Fuller?
Copy !req
1642. Go, for us.
Copy !req
1643. We've got movement.
Someone's walking toward the truck.
Copy !req
1644. It's a woman.
Copy !req
1645. Freeze!
- Oh, shit!
Copy !req
1646. What the hell's going on?
Copy !req
1647. Hey! It's the guy from the TV.
Copy !req
1648. Put your guns down.
Copy !req
1649. Look who it is. The fifth Horseman.
Copy !req
1650. Are you kidding?
I'm following them, just like you are.
Copy !req
1651. I'm not following anybody anymore.
You've been ahead of us this whole time.
Copy !req
1652. But guess what? I'm ahead of you now.
Copy !req
1653. Your ass is mine.
Copy !req
1654. You guys are still idiots.
Copy !req
1655. - Yeah?
- This happens to be the former
Copy !req
1656. rehearsal space for Lionel Shrike.
Copy !req
1657. It's where I did my first show.
Copy !req
1658. Now, if you wanna look
like even bigger idiots,
Copy !req
1659. why not open it?
Copy !req
1660. And while you're doing it, Agent Rhodes,
Copy !req
1661. would you mind reenacting your look
of absolute befuddlement for me?
Copy !req
1662. It will make a wonderful cover for my DVD.
Copy !req
1663. Open the safe.
Copy !req
1664. - Go ahead.
Open it.
Copy !req
1665. - (BEEPS)
What the hell?
Copy !req
1666. What?
Copy !req
1667. Give me that. No. No!
Copy !req
1668. What is this?
Copy !req
1669. - (CLUNKING)
- Get back!
Copy !req
1670. Who doesn't love a good magic trick?
Copy !req
1671. They have you chasing empty safes again.
Copy !req
1672. Once again, misdirection.
Copy !req
1673. The show is starting. Move out!
Copy !req
1674. The question I'd be asking now,
Agent Rhodes is...
Copy !req
1675. "What happened to the real one?"
Copy !req
1676. Clear! Clear 'em out!
Copy !req
1677. Come on. Move 'em out.
Move 'em out of the way.
Copy !req
1678. FBI! Give me a path!
Copy !req
1679. Clear out! Clear out!
Copy !req
1680. What is magic?
Copy !req
1681. Magic is deception.
Copy !req
1682. But deception designed to delight,
to entertain, to inspire.
Copy !req
1683. Look out! Clear! Clear! Look out!
Copy !req
1684. It is about belief.
Copy !req
1685. Faith.
Copy !req
1686. Trust.
Copy !req
1687. Without those qualities,
Copy !req
1688. magic, as an art form, would no longer exist.
Copy !req
1689. But what happens if these qualities
are not used for their higher purpose?
Copy !req
1690. And instead they're used to cheat, lie.
Copy !req
1691. For personal gain or for greed.
Copy !req
1692. Then it's no longer magic.
Copy !req
1693. It's crime.
Copy !req
1694. So tonight, for our final act,
you're gonna help us set a few things right.
Copy !req
1695. What's going on here, Rhodes?
Copy !req
1696. I don't know.
Copy !req
1697. Showtime.
Copy !req
1698. Look!
Copy !req
1699. There they are on the roof. Let's move!
Copy !req
1700. Go, go, go!
Copy !req
1701. - Dylan!
- FBI, coming through!
Copy !req
1702. What are you doing here?
Copy !req
1703. They're going in the wrong direction
and you know it.
Copy !req
1704. Rhodes! I need all personnel now!
Copy !req
1705. You need to trust me. Take your leap of faith.
Copy !req
1706. Wait.
Copy !req
1707. I'm going to go with her.
Copy !req
1708. Go. I got your back. I'll be right here.
Copy !req
1709. Go ahead!
Copy !req
1710. That's on you, Fuller.
Copy !req
1711. Let's go, let's go! Now, now, now!
Copy !req
1712. Daniel?
Copy !req
1713. - Yeah?
- Uh...
Copy !req
1714. As our, let's call it, year of living dangerously
Copy !req
1715. comes to a close,
in a rare moment of vulnerability,
Copy !req
1716. I'd like to express a sentiment
to you about our relationship.
Copy !req
1717. Okay.
Copy !req
1718. Well, when I first met you,
I thought you were kind of a
Copy !req
1719. - dick.
- (LAUGHS) Oh.
Copy !req
1720. (LAUGHS) And?
Copy !req
1721. No, that's it.
Copy !req
1722. That's very nice.
Copy !req
1723. - Yeah.
- I'm touched.
Copy !req
1724. Yeah. Just from the heart.
Copy !req
1725. Well, I didn't tell you where I was touched.
Copy !req
1726. Oh, you!
Copy !req
1727. Oh, God.
What are we gonna do when this is over?
Copy !req
1728. We're on our own.
Our instructions run out after the show.
Copy !req
1729. Even if there is no "Eye,"
if we were completely played and we spend
Copy !req
1730. the next 20 years in jail, then,
I just want to say that...
Copy !req
1731. I know. Me, too.
Copy !req
1732. Whoa. (LAUGHS)
Little too sentimental for me.
Copy !req
1733. There they are!
Copy !req
1734. Go grab 'em! Put 'em down! Go, go, go!
Copy !req
1735. Grab 'em!
Copy !req
1736. Get up!
Copy !req
1737. What the hell?
Copy !req
1738. Ah, shit!
Copy !req
1739. Hello, New York!
- (CROWD CHEERING)
Copy !req
1740. Thank you for the magic.
Copy !req
1741. And thank you for being such
an incredible and dedicated audience.
Copy !req
1742. Unfortunately, like all good things,
it must come to an end.
Copy !req
1743. So we would like to start our show tonight...
Copy !req
1744. By saying goodbye.
Copy !req
1745. All we wanted was to
bring the world to a magic show.
Copy !req
1746. And thereby bring a little magic
back to the world.
Copy !req
1747. Clear the way!
Copy !req
1748. This has been
one hell of a ride for all of us.
Copy !req
1749. But it's time for us to disappear.
Copy !req
1750. Good night, New York.
Copy !req
1751. And thank you for believing in us.
Copy !req
1752. Stop!
Copy !req
1753. Freeze!
Copy !req
1754. - No!
- (GUNSHOT)
Copy !req
1755. God damn it!
Copy !req
1756. I'm sorry.
Copy !req
1757. You were right. It's bigger than all of us.
Copy !req
1758. This is one time I'm not happy being right.
Copy !req
1759. So I guess this is it.
Copy !req
1760. Is it?
Copy !req
1761. Dylan!
Copy !req
1762. Dylan! Dylan!
Copy !req
1763. Hey.
Copy !req
1764. - You see that?
- What?
Copy !req
1765. Where's the real money?
Copy !req
1766. You're under arrest!
Hands in the air! Now!
Copy !req
1767. I've been framed.
Copy !req
1768. - I'm sure you were.
- Yeah, but I can prove it.
Copy !req
1769. I always do.
Copy !req
1770. Just like I predicted that you'd play the fool.
Copy !req
1771. Let's just drop the theatricality, all right?
Copy !req
1772. The cameras aren't rolling in here.
Copy !req
1773. Fellas, can I have a few minutes
with my friend here alone, please.
Copy !req
1774. Sure.
Copy !req
1775. All right.
Copy !req
1776. - I got information to trade.
- Mmm.
Copy !req
1777. I believe that's how it's done. Huh?
Copy !req
1778. If it's of some value.
Copy !req
1779. These bars give a man time to think.
Copy !req
1780. And I'm pretty sure I know how they did it.
Copy !req
1781. Remember the rabbit trick
in the second show?
Copy !req
1782. The box was never empty.
Copy !req
1783. The room wasn't either.
Copy !req
1784. After gaining access to the warehouse,
Copy !req
1785. The Horsemen left the real safe
Copy !req
1786. and transformed the whole room
into a giant rabbit box.
Copy !req
1787. You go charging in there,
thinking the safe was already gone.
Copy !req
1788. Hey!
Copy !req
1789. Hey! Stop!
Copy !req
1790. Missing the trick. Again.
Copy !req
1791. Which was to make you think
the safe had already been stolen,
Copy !req
1792. so you'd drop your guard and leave.
Copy !req
1793. Now, while you were busy
playing with balloon animals,
Copy !req
1794. someone was breaking into the warehouse.
Copy !req
1795. Who?
Copy !req
1796. Jack Wilder.
Copy !req
1797. Holy shit.
Copy !req
1798. No. No way. He died right in front of my eyes.
Copy !req
1799. Unless, of course, he didn't.
Copy !req
1800. It's locked.
Copy !req
1801. Weren't you listening?
Copy !req
1802. Nothing's ever locked.
Copy !req
1803. Ah!
Copy !req
1804. Well done, Mr. Wilder! Good work.
Copy !req
1805. You're a big boy now, Jack.
Copy !req
1806. He escaped in a standard FBI vehicle, right?
Copy !req
1807. Led you to the bridge.
Copy !req
1808. Where the other Horsemen were waiting
with an identical replacement car.
Copy !req
1809. It only took a split second
for you to lose contact with it
Copy !req
1810. and make the switch.
Copy !req
1811. - Oh!
- (LAUGHS)
Copy !req
1812. When you crawled
into that burning car,
Copy !req
1813. quite heroically, I might add,
Copy !req
1814. you almost died trying to rescue
Copy !req
1815. what I assume was a cadaver
from the morgue.
Copy !req
1816. Why go through such an elaborate
and dangerous plan
Copy !req
1817. - just to frame one guy?
- I don't know.
Copy !req
1818. They never kept any of the money they took.
Copy !req
1819. Yeah, that's the part
I haven't been able to put together yet.
Copy !req
1820. But I just gave you information that
is substantially more important.
Copy !req
1821. - No. Not really.
- What?
Copy !req
1822. I finally got a chance to really look into
Lionel Shrike.
Copy !req
1823. His comeback attempt. His accident.
Copy !req
1824. The insurer who denied the family's claim?
Copy !req
1825. Tressler Insurance.
Copy !req
1826. The bank that carried the note?
Copy !req
1827. Credit Republican of Paris.
Copy !req
1828. Credit Republicain de Paris.
Copy !req
1829. What do you make of that?
Copy !req
1830. A sucker is born every minute.
Copy !req
1831. What if all this was just leading up to us
getting mugged in Central Park at 2:00 a. M?
Copy !req
1832. No, I'm telling you,
we're right where we need to be.
Copy !req
1833. - We just have to find...
- That?
Copy !req
1834. The Lionel Shrike tree.
Copy !req
1835. And the card encased in glass.
Copy !req
1836. What do we do now?
Copy !req
1837. Oh, nice!
Copy !req
1838. So, here's my new theory.
Copy !req
1839. The legend is that the "Eye" is everywhere.
Copy !req
1840. Waiting
Copy !req
1841. for the truly great magicians
to distinguish themselves
Copy !req
1842. from the mediocre ones.
Copy !req
1843. Maybe that was you.
Copy !req
1844. Deep down inside you wanted nothing more
Copy !req
1845. than to be part of the "Eye,"
but you were never invited.
Copy !req
1846. So you try to destroy them.
But instead what happens?
Copy !req
1847. You pissed them off.
Copy !req
1848. The Eye isn't real.
Copy !req
1849. Okay, then, explain then.
Who's behind all this.
Copy !req
1850. Somebody with an obsession.
Copy !req
1851. - Meticulous.
- Who?
Copy !req
1852. Somebody prepared to sacrifice everything.
Copy !req
1853. Somebody so prepared to lose
that they wouldn't even be a suspect
Copy !req
1854. until the trick was done.
Copy !req
1855. I don't want a profile. I need a name.
Who? Who?
Copy !req
1856. I don't know who.
Copy !req
1857. But they had to have access to the warehouse
to plant the mirrors.
Copy !req
1858. Always a step ahead of me. And the FBI.
Copy !req
1859. Got past them not once,
not twice, but consistently.
Copy !req
1860. Almost as if they were on the in...
Copy !req
1861. (WHISPERING) The inside.
Copy !req
1862. - You.
- Mmm.
Copy !req
1863. Why?
Copy !req
1864. That is the question, isn't it?
Copy !req
1865. You're right.
Copy !req
1866. I can't tell you how long I've waited
to see the look on your face.
Copy !req
1867. Who are you?
Copy !req
1868. What do you want from me?
Copy !req
1869. What do I want?
Copy !req
1870. I want you to spend
the rest of your life in this cell,
Copy !req
1871. staring at four walls
and wondering how you missed it.
Copy !req
1872. How you let yourself
be so blinded by your ego
Copy !req
1873. that you convinced yourself
that you were one step ahead
Copy !req
1874. when you were always two steps behind.
Copy !req
1875. Dylan?
Copy !req
1876. Wait a minute.
Copy !req
1877. Dylan! How did this happen?
Copy !req
1878. Dylan!
Copy !req
1879. Why?
Copy !req
1880. Oh, my God.
- (JACK CHUCKLING)
Copy !req
1881. I did not see that coming. That's impossible!
Copy !req
1882. No way.
Copy !req
1883. That was actually pretty good.
Copy !req
1884. Thank you.
Copy !req
1885. When I said,
"Always be the smartest guy in the room."
Copy !req
1886. We were in agreement.
Copy !req
1887. Okay. Right.
Copy !req
1888. Henley.
Copy !req
1889. I've never seen her speechless.
Copy !req
1890. I take that as a huge compliment.
Copy !req
1891. Hey, man, I'm so sorry for kicking your ass.
Really.
Copy !req
1892. Hey, listen, for the record,
I have always been a 100% believer.
Copy !req
1893. And the amount of energy I have expended
to keep these infidels on point...
Copy !req
1894. Merritt, you're in.
Copy !req
1895. God bless.
Copy !req
1896. Come.
Copy !req
1897. The real magic is taking four strong solo acts
and making them all work together.
Copy !req
1898. And that's exactly what you did.
Copy !req
1899. So welcome.
Copy !req
1900. Welcome to the Eye.
Copy !req
1901. It was all connected.
Copy !req
1902. Credit Republican. Tressler Insurance.
Copy !req
1903. Bonjour.
Copy !req
1904. And Elkhorn?
What's the connection to Shrike?
Copy !req
1905. Elkhorn started as a safe manufacturer.
They used cheap steel.
Copy !req
1906. They cut corners.
Copy !req
1907. When he got to the bottom of the river,
the safe warped.
Copy !req
1908. And he was trapped.
Copy !req
1909. He was your father.
Copy !req
1910. The morning before the show
didn't feel like any other day.
Copy !req
1911. When my father said he had to go to work,
he could see that I didn't want him to leave.
Copy !req
1912. So he gave me his watch, and he told me
to count the seconds until he came back.
Copy !req
1913. I have never let his watch stop since then.
Copy !req
1914. And from that moment on,
Copy !req
1915. I created a persona.
Copy !req
1916. I planned. I worked out every detail.
Copy !req
1917. But the one thing
that I couldn't imagine happening
Copy !req
1918. was you.
Copy !req
1919. And I know that the logical conclusion for you
Copy !req
1920. is to take this case to its resolution.
Copy !req
1921. And for you to turn me in.
Copy !req
1922. Yeah.
Copy !req
1923. But you know how I feel
about resolution and logic.
Copy !req
1924. And you also know
Copy !req
1925. that I think some things
are best left unexplained.
Copy !req
1926. One more secret to lock away.
Copy !req
1927. - Hmm.
- (LAUGHS)
Copy !req
1928. Come in close.
Copy !req
1929. Closer.
Copy !req
1930. Because nowyou know oursecret.
Copy !req
1931. We could be anywhere.
Watching you.
Copy !req
1932. We're looking forsomeone
to help us with our next trick.
Copy !req
1933. On the count of three, open your eyes
Copy !req
1934. and tell me what you see.
Copy !req
1935. One.
Copy !req
1936. Two...
Copy !req
1937. Please, stop, stop, stop.
Copy !req
1938. All right, stop the van. Stop the van.
I'm gonna jump out of the van.
Copy !req
1939. Oh, thank God.
Copy !req
1940. Where are we?
Copy !req
1941. Great, another shit hole.
Copy !req
1942. Okay, feeling it.
Copy !req
1943. I'm exhausted, and hungry, and cranky.
Copy !req
1944. Check out this place.
Copy !req
1945. Where'd you bring us?
Copy !req
1946. Was there no landfill where we were?
Copy !req
1947. This place is awesome.
Copy !req
1948. - Is this our new gear?
There'd better not be, like,
Copy !req
1949. matching jumpsuits in there.
You know I don't wear spandex.
Copy !req
1950. It's locked.
Copy !req
1951. Guys, the cards.
Copy !req
1952. What card?
Copy !req
1953. What do you mean, "what card"?
Copy !req
1954. Hmm.
Copy !req
1955. Okay.
Copy !req