1. What are you doing?
We don't stop here.
Copy !req
2. Get out of the car.
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3. The boys found this...
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4. on the floor,
in back of the Caddy.
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5. Yeah.
You showed me.
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6. It could be unrelated.
Could be.
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7. Any of those dead kids
wearing pearl earrings?
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8. No.
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9. Could be someone's
missing, maybe.
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10. That's what I'm thinking.
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11. Just one more bag
after that.
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12. I just wanted to come here.
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13. To Winkie's?
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14. This Winkie's.
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15. Okay. Why this Winkie's?
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16. It's kind of embarrassing.
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17. Go ahead.
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18. I had a dream
about this place.
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19. Oh, boy.
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20. See what I mean?
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21. Okay.
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22. So you had a dream
about this place.
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23. Tell me.
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24. Well,
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25. it's the second one I've had,
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26. but they're both the same.
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27. They start out that
I'm in here,
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28. but it's not day or night.
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29. It's kind of half night,
you know?
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30. But it looks just like this.
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31. Except for the light.
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32. And I'm scared
like I can't tell ya.
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33. Of all people,
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34. you're standing
right over there...
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35. by that counter.
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36. You're in both dreams,
and you're scared.
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37. I get even more frightened
when I see how afraid
you are, and...
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38. then I realize what it is.
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39. There's a man...
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40. in back of this place.
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41. He's the one
who's doing it.
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42. I can see him
through the wall.
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43. I can see his face.
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44. I hope that I never
see that face...
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45. ever outside of a dream.
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46. That's it.
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47. So...
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48. you came to see
if he's out there.
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49. To get rid of this
god-awful feeling.
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50. Right, then.
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51. He's around here.
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52. Dan! Dan,
you all right? Dan!
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53. Dan!
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54. Hello?
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55. The girl is still missing.
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56. Talk to me.
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57. The same.
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58. Oh!
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59. I can't believe it.
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60. Well, it's time
to say good-bye, Betty.
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61. It's been so nice
traveling with you.
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62. Thank you, Irene.
I was so excited and nervous.
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63. It was sure great
to have you to talk to.
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64. Remember, I'll be watching
for you on the big screen.
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65. Okay, Irene.
Won't that be the day?
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66. Good luck, Betty dear.
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67. Take care of yourself.
And be careful.
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68. I will.
Thanks again.
Okay, dear.
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69. Betty, it was so nice
meeting you.
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70. All the luck
in the world.
Thank you.
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71. All the luck
in the world.
Thank you.
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72. Bye.
Bye.
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73. My bags!
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74. Where to?
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75. 1612 Havenhurst.
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76. Got it.
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77. Ten bucks
says you're Betty.
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78. Yes, I am, Mrs. Lenoix.
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79. It is Mrs. Lenoix,
isn't it?
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80. Oh, in all my
living glory, baby.
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81. - Pleased to meet you.
- Oh, just call me Coco.
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82. Everybody else does.
Wait there, and I'll
go get the key.
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83. Okay, Coco.
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84. Wilkins! Wilkins!
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85. If that damn dog
craps in the courtyard
one more time,
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86. I'm just gonna
bake his little butt
for breakfast!
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87. You don't have any pets,
do you?
Oh, no, I don't.
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88. Well, they're allowed.
I just don't like them here
for obvious reasons.
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89. You know, there was a man
that lived here once...
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90. that had
a prizefighting kangaroo.
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91. Well, you just
wouldn't believe...
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92. what that kangaroo did
to this courtyard.
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93. Let's go see
your aunt's apartment.
It's a good one.
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94. I can hardly wait.
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95. It's unbelievable!
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96. I told ya.
Oh, wow!
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97. Well, you and your aunt
probably have an understanding,
so here's the key.
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98. And if you need anything,
just give a holler.
Okay.
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99. You know, everybody
in this building
is pretty much okay with me...
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100. or they wouldn't be here.
Oh.
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101. If you like, later on
I'll introduce you around.
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102. Well, no hard feelings
if you don't.
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103. Oh, my. I-I'm sorry.
My Aunt Ruth didn't tell me
someone was gonna be here.
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104. I'm so sorry.
It's okay.
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105. I'm Ruth's niece.
My name's Betty.
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106. I-I'm sure she told you
I was coming.
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107. There was an accident.
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108. I came here.
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109. I understand.
I saw the dress.
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110. I'm sorry.
Are you all right?
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111. What happened?
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112. A car...
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113. A car accident.
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114. Oh.
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115. Are you okay?
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116. I think so.
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117. I was just...
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118. taking a shower.
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119. Oh, my God.
I'm... I'm sorry.
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120. I'll let you
get back to that.
I'm gonna get unpacked.
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121. What's your name?
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122. I'm... I'm sorry.
I'll get out of here,
and we can talk later.
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123. My name's... Rita.
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124. Hi.
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125. Do you work with my aunt?
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126. No, I...
I- I'm sorry.
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127. It's... It's none
of my business. I...
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128. She has pretty red hair.
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129. She's letting me stay here
while she's working on a movie
that's being made in Canada.
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130. But... I guess you
already know that.
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131. I couldn't afford a place
like this in a million years.
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132. Unless, of course,
I'm discovered
and become a movie star.
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133. Of course, I'd rather be known
as a great actress
than a movie star.
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134. But, you know, sometimes
people end up being both.
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135. So that is, I guess you'd say,
sort of why I came here.
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136. I'm sorry. I'm just
so excited to be here.
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137. I mean, I just came here
from Deep River, Ontario,
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138. and now I'm in this...
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139. dream place.
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140. Well, you can imagine
how I feel.
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141. Oh.
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142. What... Sit down.
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143. Where were you hurt?
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144. Oh, we should
call a doctor.
No.
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145. But this
could be serious.
No, I...
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146. I need to sleep.
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147. If you have a concussion,
you shouldn't sleep.
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148. It will be okay
if I sleep.
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149. I just need to lie down here
and sleep.
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150. You see, Adam,
there are some suggestions...
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151. that are to be
brought forward.
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152. I know you said you would
entertain suggestions.
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153. And that's all anybody here
is asking you to do.
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154. What are you
talking about?
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155. An open mind.
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156. You're in the process of
recasting your lead actress,
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157. and I'm...
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158. We are asking you
to keep an open mind.
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159. What was it last time?
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160. Okay.
Let's try the next one.
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161. He's not gonna like it.
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162. We'll see.
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163. Ah, the Castigliane brothers.
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164. Let me introduce
you around.
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165. Oh, please,
uh, just take a seat.
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166. This is Mr. Darby,
whom you know,
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167. and this is the director,
Adam Kesher,
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168. and his, uh, manager,
Robert Smith.
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169. Oh, yeah.
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170. She's very pretty.
Mm-hmm.
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171. Mmm. Mmm.
May I offer you gentlemen...
anything?
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172. Espresso.
Nothin'.
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173. Uh, what's the photo for?
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174. One espresso.
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175. No, that's it.
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176. I think you're going to enjoy
your espresso this time.
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177. I've done quite a bit
of research, knowing
how hard you are to please.
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178. This one comes
highly recommended.
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179. What's the photo for?
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180. It's a recommendation.
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181. A recommendation
to you, Adam.
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182. It's not
a recommendation.
This is the girl.
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183. What girl? For what?
What is this, Ray?
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184. Uh, we'd be happy
to put her on the list
for considerations.
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185. Uh, you'd be pleased to know...
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186. that there's quite a bit
of interest in this role.
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187. Interest? No, no.
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188. There's six of the top actresses
that want this thing.
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189. This is the girl.
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190. Ryan, take care of this.
Hold on.
Hold on, Adam.
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191. Hold on?
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192. There's no way.
There's no way!
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193. Napkin.
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194. Pardon?
Napkin.
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195. Of course.
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196. Excuse me.
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197. Is that all, sir?
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198. - Shit.
- I'm sorry.
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199. - That was a highly recommended...
- That is considered one of the
finest espressos in the world.
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200. What is going on here?
There is no way
that girl is in my movie!
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201. Help me!
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202. This is the girl.
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203. Hey, that girl
is not in my film!
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204. It's no longer your film.
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205. This is the girl.
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206. Castigliane brothers
get out of that limo?
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207. - You mean two guys
in dark suits?
- Yeah.
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208. Yeah.
Leave that door open.
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209. Castigliane brothers?
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210. Beat it, pal.
Okay.
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211. Good afternoon,
Mr. Roque.
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212. Her name is Camilla Rhodes.
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213. The director
doesn't want her.
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214. Do you want
him replaced?
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215. I know they said...
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216. Then?
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217. Then...
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218. that means we should...
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219. Yes?
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220. shut everything down.
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221. Is that something that...
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222. You want us...
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223. to shut
everything down?
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224. Then we'll shut
everything down.
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225. Oh, man.
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226. That's unheard of.
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227. An accident like that...
who could have
foreseen that, man?
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228. Jeez!
It's unreal, right?
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229. Hell, yeah.
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230. Unbelievable, man.
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231. Whoo.
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232. So, bro.
God, you look good.
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233. What have you been doing?
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234. Well, you know, just doin'
some stuff for this guy.
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235. Yeah? Are you
making ends meet?
Yeah.
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236. Hardly.
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237. I know, man.
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238. Look at my digs.
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239. Times are tough, bro.
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240. Hey, man,
it's not that bad.
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241. Gee, I hope you're not
gonna get into any trouble.
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242. Oh, that was
just a thing, man.
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243. But that story,
that made you laugh, right?
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244. That was a funny story, man.
Fucking car accident.
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245. Hey, so that's, uh...
That's it, huh?
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246. That's Ed's
famous black book.
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247. The history of the world...
in phone numbers.
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248. Um...
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249. Aw, man.
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250. Something bit me bad!
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251. Shh.
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252. Shh! Shh!
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253. Ow!
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254. No!
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255. No! No!
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256. God!
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257. Shh!
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258. Hey, man! Hey!
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259. She's hurt real bad!
Could you come here and call
on the phone? I need you!
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260. She's hurt real bad!
I'm serious!
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261. You gotta come in here
and call the hospital!
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262. Come on, man!
I'm serious about this!
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263. I can't do everything
by myself, man!
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264. No! Let go!
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265. No! No!
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266. Oh! No!
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267. No! No! No!
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268. Hey, man.
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269. Um...
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270. Aw, man.
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271. Okay, Aunt Ruth,
I'll try.
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272. I'm gonna study those lines
until I know them inside out.
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273. Yep, either right here on
this fabulous leather couch,
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274. or I'll take them with a coffee
into the courtyard...
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275. like a regular movie star.
Copy !req
276. Oh, I got a real shock
to find your friend Rita here.
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277. She was in the shower,
and I opened the door.
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278. Rita.
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279. What do you mean?
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280. Well, she was
in an accident.
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281. Rita, your friend.
Copy !req
282. No, Coco unlocked the door.
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283. No, she didn't see her.
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284. She's sleeping.
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285. I'm sure there's
some explanation for this.
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286. I don't think
we have to do that.
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287. Please don't worry.
Aunt Ruth,
we don't need the police.
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288. You're awake.
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289. I think I misunderstood.
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290. I thought you knew my aunt,
and that's why you were here.
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291. I just talked to my aunt
on the phone, and she
wants me to call the police.
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292. Rita?
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293. I'm sorry. I...
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294. What is it, Rita?
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295. I thought when I woke up...
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296. I thought
sleep would do it.
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297. What's wrong?
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298. I don't know who I am.
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299. What do you mean?
You're Rita.
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300. No, I'm not.
I don't know what my name is.
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301. I don't know
who I am.
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302. This is your purse.
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303. Your name
must be in your purse.
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304. You want to know,
don't you?
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305. Yes, but...
Open it.
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306. So you don't want anything?
Not here. No, thanks.
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307. A drink or something?
No. Thanks, though.
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308. I'll take a cigarette,
if you have one.
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309. Yeah, just reach inside
my shirt pocket there.
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310. Any new girls
on the street lately?
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311. No.
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312. I haven't seen any.
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313. A brunette?
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314. Maybe a little beat-up?
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315. No.
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316. You keep your eyes open
for me, won't you, baby?
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317. Sure.
Yeah, you bet
you will.
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318. That money...
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319. you don't know
where it came from?
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320. Uh-uh.
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321. When you think of them...
the money and the key...
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322. does it make you
remember anything?
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323. There's something...
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324. something... there.
Copy !req
325. What did you say?
They fired everyone.
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326. Who fired everyone?
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327. Ray did. Wait!
I'm talking on the phone.
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328. And then they closed the set.
Everybody's gone.
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329. You'd better
get down here, Adam.
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330. No.
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331. You've gotta talk to Ray.
You've gotta fix this.
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332. I'm going home.
Home?
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333. Meet me at the office.
We've gotta do something.
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334. You've gotta
do something, Adam.
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335. I'm going home, Cynthia.
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336. Adam, listen to me.
This isn't like you.
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337. Please come to the office.
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338. There's gotta be something
we can do.
I'm going home.
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339. I wonder
where you were going.
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340. Mulholland Drive.
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341. Mulholland Drive?
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342. That's where I was going...
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343. Mulholland Drive.
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344. Maybe that's where
the accident was.
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345. There must be
a police report.
We could call.
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346. No.
We could call anonymously
from a pay phone...
Copy !req
347. just to see
if there was an accident.
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348. Come on.
It'll be just like
in the movies.
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349. We'll pretend
to be someone else.
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350. I wanna
walk around anyway.
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351. I'm in Hollywood,
and I haven't even
seen any of it.
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352. Come on, Rita.
Do you feel up to it?
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353. Okay.
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354. But... just...
Copy !req
355. just to see.
Copy !req
356. Just to see
if there was an accident...
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357. on Mulholland Drive.
Copy !req
358. Lorraine?
Copy !req
359. Lorraine, you home?
Copy !req
360. Lorraine?
Copy !req
361. Now you've done it.
Copy !req
362. Just forget you ever saw it.
Copy !req
363. It's better that way.
Copy !req
364. What the hell
are you even doing here?
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365. What are you doing?
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366. That's my jewelry!
Copy !req
367. That bastard!
You bastard!
Copy !req
368. He's probably upset,
Lorraine.
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369. What are you doing?
Copy !req
370. Stop it! Stop it!
Copy !req
371. Adam, stop it!
Copy !req
372. Stop it! Stop it!
Copy !req
373. Adam! Cut...
Cut it out! Ow!
Copy !req
374. You're hurting me! Gene!
Copy !req
375. You're hurting me!
Copy !req
376. That ain't no way
to treat your wife, buddy.
I don't care what she's done.
Copy !req
377. Throw him out!
Copy !req
378. Throw him out!
Copy !req
379. Damn you, Adam!
Copy !req
380. Throw him out!
Copy !req
381. Get out!
Copy !req
382. Let's hide it.
Copy !req
383. There's one.
Copy !req
384. Hollywood Police Department.
Copy !req
385. I'm inquiring about
an accident that happened
last night on Mulholland Drive.
Copy !req
386. Hold, please.
I'll connect you to Traffic.
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387. Sergeant Baxter.
Hi. I'm inquiring...
Copy !req
388. Well, I heard a sound
last night that sounded
sort of like a car crash,
Copy !req
389. and, well, I want to know
if there was an accident
on Mulholland Drive.
Copy !req
390. Yes, there was.
Copy !req
391. Can you tell me
what happened?
No, I can't.
Copy !req
392. - Was anyone hurt?
- May I have your name, please?
Copy !req
393. There was an accident.
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394. He wouldn't
tell me anything else,
but that was your accident.
Copy !req
395. I just know it was.
Copy !req
396. Maybe there's something
about it in the papers.
Copy !req
397. Come on.
I'll buy you a cup of coffee
and we can see.
Copy !req
398. Maybe it happened so late,
it's not in today's paper.
Copy !req
399. There's nothing?
Copy !req
400. Not that I can see.
Copy !req
401. That's okay.
Copy !req
402. Thanks,
Copy !req
403. Diane.
Copy !req
404. Will that be all?
Would you like your check?
Copy !req
405. Rita, you want something?
Copy !req
406. No, just...
just the coffee.
Copy !req
407. - We'll take our check.
- Okay.
Copy !req
408. What is it, Rita?
Shh.
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409. I remember something.
Copy !req
410. I remember something!
Copy !req
411. What is it?
Diane Selwyn.
Copy !req
412. Maybe that's my name!
Copy !req
413. "D. Selwyn."
It's the only one.
Copy !req
414. I'm gonna call.
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415. It's strange
to be calling yourself.
Copy !req
416. Maybe it's not me.
Copy !req
417. Hello, it's me.
Leave a message.
Copy !req
418. That's not my voice.
Copy !req
419. But I know her.
Copy !req
420. Maybe that isn't
Diane Selwyn's voice.
Copy !req
421. Maybe that's
your roommate.
Copy !req
422. Or if it is Diane Selwyn,
Copy !req
423. she could tell you
who you are.
Copy !req
424. Maybe.
Copy !req
425. Maybe. Maybe.
Copy !req
426. Adam Kesher!
Yeah, right.
Get lost!
Copy !req
427. This is Adam Kesher's house.
Like hell it is.
Get out, now!
Copy !req
428. Get out!
Copy !req
429. Adam Kesher?
Copy !req
430. Get out of here!
He's never coming back, ever!
Copy !req
431. Bastard!
Copy !req
432. I guess you don't
understand English.
She said leave!
Copy !req
433. - Here's the door!
- Gene!
Copy !req
434. Get out!
Gene! Get out...
Copy !req
435. Adam Kesher?
Copy !req
436. Yeah, what is it,
Cookie?
Uh, I'm sorry, Mr. Kesher,
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437. but there seems to be
some problem
with your credit cards.
Copy !req
438. What?
I-I pay you cash, Cookie.
Copy !req
439. Mira, ese.
Two guys from your bank
came by.
Copy !req
440. My bank?
Copy !req
441. How-How'd they know
I was here?
I don't know.
Copy !req
442. What'd they say?
Copy !req
443. I'm afraid they said
to tell you that
you're maxed out at your bank,
Copy !req
444. and that your line of credit
has been cancelled.
Copy !req
445. That's unbelievable.
Huh.
Copy !req
446. Well, look, uh,
Copy !req
447. I, uh... I don't know
what's going on.
Copy !req
448. That is so much baloney.
Copy !req
449. But I got enough cash
for you, Cookie.
Copy !req
450. Oh, I know.
I know. Don't worry.
Copy !req
451. But, listen, I'm sorry.
Copy !req
452. It was my duty
to inform you.
Copy !req
453. Oye carnal.
Copy !req
454. Whoever you're hiding from,
they know where you are.
Copy !req
455. Right.
Copy !req
456. I'm sorry.
Copy !req
457. Hello?
Copy !req
458. Someone maybe
shut off my money.
Copy !req
459. I know.
Where are you, Adam?
Copy !req
460. I'm sorry.
What do you mean,
you know?
Copy !req
461. Somebody called.
When they couldn't get you,
Copy !req
462. they-they told me
you were as good as broke.
Copy !req
463. I didn't believe them,
so I made a few calls.
Copy !req
464. And?
You're broke.
Copy !req
465. Yeah, but I'm not broke!
Copy !req
466. I know, but you're broke.
Where are you?
Copy !req
467. I'm at Cookie's, downtown.
Copy !req
468. Do you know somebody
called "the Cowboy"?
Copy !req
469. The Cowboy?
Yeah.
Copy !req
470. The Cowboy.
This guy, the Cowboy,
wants to see you.
Copy !req
471. Jason said he thought
it'd be a good idea.
Copy !req
472. Oh, Jason thought
it'd be a good idea for me
to go see the Cowboy.
Copy !req
473. Well, should I wear
my ten-gallon hat
and my six-shooters?
Copy !req
474. Listen, something tells me
that this guy is connected
to what's happening.
Copy !req
475. Adam, I think
you should do it,
Copy !req
476. and I think you should
do it right away.
Copy !req
477. What's going on,
Cynthia?
Copy !req
478. It's been
a very strange day.
Copy !req
479. And getting stranger.
Copy !req
480. So, where do I meet
this Cowboy? Do I have
to ride out to the range?
Copy !req
481. Sort of, funny boy.
Copy !req
482. If I tell him
the meeting's on,
Copy !req
483. you'll have to go
to the top
of Beachwood Canyon,
Copy !req
484. and there's a corral up there
where he'll be.
Copy !req
485. Oh, you've gotta
be kidding me.
Copy !req
486. Will you meet with him?
Copy !req
487. Yeah. Sure.
Copy !req
488. No, it's-it's been
that kind of a day.
When?
Copy !req
489. Um, I'll call him right away,
Copy !req
490. and then I'll call you back.
Copy !req
491. You know, you...
you could stay at my place
if you... if you wanted.
Copy !req
492. Uh, Cynthia, no.
I don't think that
would be a good idea.
Copy !req
493. I was just offering
a place to stay.
Copy !req
494. Yes, and I appreciate
the offer, Cynthia.
I'll find a place.
Copy !req
495. Now, look, just go on
and give that Cowboy a yodel
and get on back to me.
Copy !req
496. Okay. But you don't know
what you're missing.
Copy !req
497. Uh, just get along,
little doggie,
and call me back.
Copy !req
498. It's right about here...
Sierra Bonita.
Copy !req
499. It's not too far away.
Copy !req
500. What's wrong with that?
Copy !req
501. I'm not sure about this.
Copy !req
502. I know you're afraid
of something.
Copy !req
503. We'll be careful,
I promise.
Copy !req
504. Tomorrow,
we'll go over there...
Copy !req
505. and we'll find out.
Copy !req
506. It'll be okay.
Copy !req
507. It's probably Coco.
Copy !req
508. Yes?
May I help you?
Copy !req
509. Someone is in trouble.
Copy !req
510. Who are you?
Copy !req
511. What are you doing
in Ruth's apartment?
Copy !req
512. She's letting me stay here.
Copy !req
513. I'm her niece.
My name's Betty.
Copy !req
514. No, it's not.
Copy !req
515. That's not what she said.
Copy !req
516. Someone is in trouble!
Something bad is happening!
Copy !req
517. Well, I-I'm sorry,
but I don't know
who you are, and...
Copy !req
518. Louise?
What are you doing, Louise?
Copy !req
519. I... Oh, Coco.
Copy !req
520. I've been trying
to get a hold of you
since 3:00 this afternoon.
Copy !req
521. That one is in my room,
and she won't leave.
Copy !req
522. I want you to get her out.
I want you to
get her out now!
Copy !req
523. Uh, this is Louise Bonner.
I'm sure she meant well.
Copy !req
524. Louise, this is Betty.
This is Ruth's niece.
Copy !req
525. In fact, fortunately
I was just on my way
over here to see Betty.
Copy !req
526. Betty's a young actress,
and I was just delivering...
Copy !req
527. some faxed pages of a scene
for a big audition tomorrow.
Copy !req
528. Well, here they are, honey.
Oh, thank you.
Copy !req
529. Come along now, Louise.
I'll take you home.
Copy !req
530. I'm sorry.
It happens sometimes.
No.
Copy !req
531. Come on.
No. She said
it was someone else...
Copy !req
532. who was in trouble.
Stop it, Louise.
I'm taking you home.
Copy !req
533. Come on. I-I...
Copy !req
534. Good night, Betty.
Good night.
Copy !req
535. Good night.
Copy !req
536. Whoa.
Copy !req
537. Cowboy.
Copy !req
538. Howdy.
Howdy to you.
Copy !req
539. Beautiful evenin'.
Yeah.
Copy !req
540. Sure wanna thank you for
comin' all the way up here
to see me...
Copy !req
541. from that
nice hotel downtown.
Copy !req
542. No problem.
What's on your mind?
Copy !req
543. Well, now, here's a man
who wants to get
right down to it.
Copy !req
544. Kinda anxious
to get to it, are ya?
Copy !req
545. Whatever.
Copy !req
546. A man's attitude...
Copy !req
547. A man's attitude
goes some ways...
Copy !req
548. to the way
his life will be.
Copy !req
549. Is that something
you might agree with?
Copy !req
550. Sure.
Copy !req
551. Now, did you answer...
Copy !req
552. because that's what you thought
I wanted to hear,
Copy !req
553. or did you think about
what I said...
Copy !req
554. and answer 'cause
you truly believe that
to be right?
Copy !req
555. I agree with what you said.
Truly.
Copy !req
556. What'd I say?
Copy !req
557. That a man's attitude
determines, to a large extent,
how his life will be.
Copy !req
558. So since you agree,
Copy !req
559. you must be a person
who does not care
about the good life.
Copy !req
560. How's that?
Copy !req
561. Well, stop for a little second
and think about it.
Copy !req
562. Can you do that for me?
Copy !req
563. Okay, I'm thinkin'.
Copy !req
564. No, you're not thinkin'.
Copy !req
565. You're too busy
bein' a smart aleck
to be thinkin'.
Copy !req
566. Now, I want you to think
and stop bein' a smart aleck.
Copy !req
567. Can you try that for me?
Copy !req
568. Look, where's this going?
What do you want me to do?
Copy !req
569. There's sometimes a buggy.
Copy !req
570. How many drivers
does a buggy have?
Copy !req
571. One.
Copy !req
572. So let's just say
I'm drivin' this buggy,
Copy !req
573. and if you fix your attitude,
you can ride along with me.
Copy !req
574. Okay.
Copy !req
575. I want you to go back
to work tomorrow.
Copy !req
576. You were recasting
the lead actress anyway.
Copy !req
577. Audition many girls
for the part.
Copy !req
578. When you see the girl that was
shown to you earlier today,
you will say,
Copy !req
579. "This is the girl."
Copy !req
580. The rest of the cast
can stay.
Copy !req
581. That's up to you.
Copy !req
582. But that lead girl
is not up to you.
Copy !req
583. Now, you will see me
one more time...
Copy !req
584. Now, you will see me
one more time...
Copy !req
585. if you do good.
Copy !req
586. You'll see me
two more times...
Copy !req
587. if you do bad.
Copy !req
588. Good night.
Copy !req
589. You're still here?
Copy !req
590. I came back. I thought
that's what you wanted.
Copy !req
591. Nobody wants you here.
Copy !req
592. Really?
Copy !req
593. My parents are right upstairs.
They think you've left.
Copy !req
594. So? Surprise.
I can call them.
I can call my dad.
Copy !req
595. But you won't.
Copy !req
596. If you're trying
to blackmail me,
it's not gonna work.
Copy !req
597. You're playing
a dangerous game here.
Copy !req
598. You know what I want.
It's not that difficult.
Copy !req
599. Get out! Get out
before I call my dad!
Copy !req
600. He trusts you.
You're his best friend.
Copy !req
601. This will be the end
of everything.
Copy !req
602. What about you?
What will your dad think
about you?
Copy !req
603. Stop! Just stop it!
That's what you said
from the beginning!
Copy !req
604. Now, if I tell what happened,
they'll arrest you
and put you in jail.
Copy !req
605. So, get out of here
before...
Copy !req
606. B-Before what?
Copy !req
607. Before... I kill you.
Copy !req
608. Then they'd put you
in jail.
Copy !req
609. Then I cry, cry, cry,
and then I say
with big emotion,
Copy !req
610. "I hate you!
I hate us both!"
Copy !req
611. Such a lame scene.
But you are really good.
Copy !req
612. Thank you, darling.
Copy !req
613. Hi, there.
Who are you?
Copy !req
614. Uh...
Copy !req
615. Betty?
Copy !req
616. Uh, Betty,
can I see you outside
for a minute?
Copy !req
617. What is it, Coco?
Your aunt called.
Copy !req
618. I was afraid of that.
Copy !req
619. She wants to know who's staying
in her apartment.
Copy !req
620. It's just for a night or two,
until she finds her own place.
Copy !req
621. I tried to explain that
to Aunt Ruth, but
the connection was bad...
Copy !req
622. and her plane was leaving,
and she got it
all mixed up.
Copy !req
623. I kept telling her that
it was my friend Rita,
Copy !req
624. and she kept saying
she didn't know any Ritas.
Copy !req
625. Look at me straight,
sweetie.
Coco.
Copy !req
626. She's very nice.
Copy !req
627. Honey, you're a good kid.
Copy !req
628. But what you're telling me
is a load of horse puckey,
Copy !req
629. even though it comes
from a good place.
Copy !req
630. Now, I'm gonna trust you
to sort this thing out.
Copy !req
631. Thank you.
Copy !req
632. Don't make me out
to be a sucker.
Copy !req
633. Louise Bonner said
there's trouble in there.
Copy !req
634. Remember last night?
Copy !req
635. Well, sometimes she's wrong.
Copy !req
636. But if there is trouble,
get rid of it.
Copy !req
637. Is everything all right?
Copy !req
638. Is it bad for you
that I'm here?
Copy !req
639. No, no.
Everything is A-okay.
Copy !req
640. Now, I've gotta fix
that sandwich.
Copy !req
641. And my audition
is in one hour!
Copy !req
642. I hope I'm back
in a couple of hours.
Copy !req
643. And don't drink
all the Coke.
Good luck!
Copy !req
644. Now, when I get back
I'll keep the cab waiting,
so be ready to go.
Copy !req
645. Okay.
Okay?
Copy !req
646. Voila.
Copy !req
647. Betty Elms,
Copy !req
648. I would like you to meet
Jack Tuptman, my assistant;
Copy !req
649. Woody Katz,
Copy !req
650. who we have cast
in the part of Chuck
and will do the scene with you;
Copy !req
651. Bob Brooker, our director;
Copy !req
652. andJulie Chadwick.
Copy !req
653. Now, our surprise guest,
Copy !req
654. LynneJames.
Copy !req
655. Alas, we can't afford her
to cast our show,
Copy !req
656. but, well,
as casting agents go,
Copy !req
657. she is the best.
Copy !req
658. Why, thank you, Wally.
Hello, Betty.
Copy !req
659. Very pleased to meet you.
Copy !req
660. This is my assistant,
Nikki.
Copy !req
661. Oh!
Copy !req
662. And the ever lovely Martha.
Copy !req
663. Martha Johnson,
whom you met out front.
Copy !req
664. Hi.
Copy !req
665. So, shall we...
give it a go?
Copy !req
666. Uh, would you like a water
or a coffee before we begin?
Copy !req
667. No, I'm-I'm fine.
Copy !req
668. Well, then, let's everyone
take a seat.
Copy !req
669. Betty,
Copy !req
670. why don't you
join Woody over there
and we'll play the scene.
Copy !req
671. Bob, do you have anything
you wish to say?
Copy !req
672. Something to Betty
before we begin?
Copy !req
673. No.
It's not a contest.
Copy !req
674. The two of them,
with themselves.
Copy !req
675. So don't play it for real...
Copy !req
676. until it gets real.
Copy !req
677. Okay.
Copy !req
678. Just tell me
where it hurts, baby.
What?
Copy !req
679. Hey, Bobby,
I wanna play this one
nice and close...
Copy !req
680. like we did
with that other girl...
Copy !req
681. What's her name?
The one with the black hair.
It felt kind of good.
Copy !req
682. What do you think?
That's good, Woody.
Copy !req
683. Just don't rush
that line again.
Copy !req
684. I told you,
the line where you say,
"Before what?"
Copy !req
685. Bobby, acting is reacting.
Copy !req
686. I just play off'em.
They all say, um,
Copy !req
687. "They're gonna arrest you,"
like that.
Copy !req
688. Then, "They'll put you in jail."
They all say it the same way.
Copy !req
689. So when they say it,
I just react.
Copy !req
690. What's your name?
Yeah, Betty.
Betty.
Copy !req
691. Look, you don't rush it,
I don't rush it, okay?
Copy !req
692. Now, we're gonna play this
nice and close,
Copy !req
693. just like in the movies,
okay?
Copy !req
694. Dad's best friend
goes to work.
Copy !req
695. Bob?
Copy !req
696. And... action!
Copy !req
697. You're still here.
Copy !req
698. I came back. I thought
that's what you wanted.
Copy !req
699. Nobody wants you here.
Really?
Copy !req
700. My parents
are right upstairs.
Copy !req
701. They think you've left.
Copy !req
702. So, surprise!
Copy !req
703. I can call them.
I can call my dad.
Copy !req
704. But you won't.
Copy !req
705. You're playing
a dangerous game here.
Copy !req
706. If you're trying
to blackmail me,
Copy !req
707. it's not gonna work.
Copy !req
708. You know what I want.
Copy !req
709. It's not that difficult.
Copy !req
710. Get out.
Copy !req
711. Get out before
I call my dad.
Copy !req
712. He trusts you.
Copy !req
713. You're his...
Copy !req
714. best friend.
Copy !req
715. This will be the end
of everything.
Copy !req
716. What about you?
What'll your dad
think about you?
Copy !req
717. Stop it.
Copy !req
718. That's what you said
from the beginning.
Copy !req
719. If I tell them
what happened,
Copy !req
720. they'll arrest you
and put you in jail.
Copy !req
721. So get out of here...
Copy !req
722. before...
Copy !req
723. Before what?
Copy !req
724. Before I...
Copy !req
725. I kill you.
Copy !req
726. Well, then
they'd put you in jail.
Copy !req
727. I hate you.
Copy !req
728. I hate us both.
Copy !req
729. I'm gonna take her
over there.
Yeah, big time.
Copy !req
730. Well, there it was.
Copy !req
731. Yeah, there it was,
all right.
Copy !req
732. Baby, you've got a way
with you. Really.
Copy !req
733. Bob?
Copy !req
734. Very good. Really.
Copy !req
735. I mean,
it was forced, maybe,
Copy !req
736. but still humanistic.
Copy !req
737. Yeah. Very good.
Copy !req
738. Really. Really.
Copy !req
739. Oh, I thank you, Betty,
Copy !req
740. and I really
mean that sincerely.
Copy !req
741. I mean,
it was extraordinary.
Copy !req
742. You've done your aunt
proud today.
Copy !req
743. I am going to tell her that
first chance I get.
Copy !req
744. Now, you and I...
Copy !req
745. are going to speak again
very soon.
Copy !req
746. Thank you, Mr. Brown.
Copy !req
747. Thank you, Wally.
Copy !req
748. I'm sure you all have
a lot to talk about.
We'll walk Betty out.
Copy !req
749. Oh, well, yes indeed.
And it was
our pleasure, Lynne.
Copy !req
750. Now, don't you be
a stranger around here.
Copy !req
751. We'd love
to have you here.
Come on, Betty.
Copy !req
752. Thank you again, Mr. Brown.
Copy !req
753. And it was nice
meeting all of you.
Bye.
Copy !req
754. Bye.
Copy !req
755. Wow!
She's a slam dunk.
Copy !req
756. Where the hell
did you find her?
Copy !req
757. God, that was awful.
Copy !req
758. Not you, Betty.
You were stellar,
and I mean that.
Copy !req
759. Wally's days
were up 20 years ago.
Copy !req
760. You know Woody Katz
is only doing it
for a favor.
Copy !req
761. And the cast, I hear,
so far is terrible.
Copy !req
762. Oh, God, terrible.
Copy !req
763. That poor old fool Wally.
Copy !req
764. He was very nice,
and he seemed so sweet.
Copy !req
765. And Wally... Mr. Brown...
is a very close friend
of my aunt's, and...
Copy !req
766. Settle down, Betty.
Don't get me wrong.
I love Wally.
Copy !req
767. I ought to.
I was married to him
for ten years.
Copy !req
768. And I love actors,
all actors.
Copy !req
769. We just get a little
catty sometimes.
Copy !req
770. Now, we wanna take you
across and introduce you
to a director...
Copy !req
771. who's a head above the rest.
Copy !req
772. He's got a project
you will kill.
Copy !req
773. Knock right out of the park!
Copy !req
774. Cut it.
Thank you very much, Carol.
I'm coming back.
Copy !req
775. Checking the gate?
Checking the gate!
Copy !req
776. Thank you!
We'll tell you
what happens next!
Copy !req
777. Thank you very much
for coming in.
I know how busy you are.
Copy !req
778. Are you kidding me?
I love the script.
You just show me where to sign.
Copy !req
779. Look, I love you, but
there is no way that they are
gonna let me cast this thing...
Copy !req
780. until I've seen everyone.
Copy !req
781. I'll let you know
as soon as I can.
Yeah, I know you will.
Copy !req
782. Because my manager
is gonna be bugging you
day and night, okay?
Copy !req
783. And me.
It'll be my pleasure.
Now, get out of here.
Copy !req
784. You're so cruel to me.
Don't you forget me.
Copy !req
785. I'm the girl who's
playing this part, huh?
I'll see you later.
Copy !req
786. Hank? Where's Hank?
Copy !req
787. Uh, who's next, Hank?
Uh, Camilla Rhodes.
Copy !req
788. Is she ready?
All ready.
Copy !req
789. Bring her in.
Camilla Rhodes, next.
Copy !req
790. Sylvia North Story.
Camilla Rhodes, take one.
Copy !req
791. Okay, here we go!
Let's lock it up, please!
Copy !req
792. Roll sound, please!
Sound speed!
Copy !req
793. Playback, and action.
Copy !req
794. Cindy, Adam
wants to seeJason.
Copy !req
795. This is the girl.
Copy !req
796. Excellent choice, Adam.
Copy !req
797. I promised a friend.
Um, I'm sorry.
Copy !req
798. I-I must go.
Copy !req
799. It should be around here.
Copy !req
800. 2-5-9-0.
That's it! Up there.
Copy !req
801. Does it look familiar?
No.
Copy !req
802. - Don't stop!
- What is it?
What do you see?
Copy !req
803. - Those men out front
in the car.
- Do you know 'em?
Copy !req
804. - No.
- Keep going.
Copy !req
805. Go around to the back.
Copy !req
806. Selwyn, number 12.
Copy !req
807. Now you got me scared.
Copy !req
808. You see?
I told you there was
nothing to be afraid of.
Copy !req
809. Betty, wait. Wait.
Copy !req
810. Don't.
Copy !req
811. No one's home.
Copy !req
812. Yes?
Copy !req
813. Diane?
Copy !req
814. Number 17.
Copy !req
815. But it said number 12.
Copy !req
816. I switched apartments
with her.
She's in 17.
Copy !req
817. It's down at the end
on the left.
Copy !req
818. But she hasn't been around
for a few days.
Copy !req
819. Oh. We'll leave her
a note.
Copy !req
820. I'll go with you.
Copy !req
821. She's still got
some of my stuff.
Copy !req
822. You go ahead.
I gotta get that.
Copy !req
823. Guess you're not
Diane Selwyn.
Copy !req
824. I guess I'm not.
Copy !req
825. There's still no one home,
I guess.
Copy !req
826. What are you doing?
Copy !req
827. Come on. Help me in.
Come on.
Copy !req
828. I'll open up
the front door.
No.
Copy !req
829. Come on.
Copy !req
830. Come on.
Copy !req
831. Rita!
Copy !req
832. I know what you're doing.
Copy !req
833. I know what you have to do.
Copy !req
834. But let me do it.
Copy !req
835. Let me do it.
Copy !req
836. You look like someone else.
Copy !req
837. Good night, Betty.
Copy !req
838. You don't have to wear that
in the house.
Copy !req
839. What?
Copy !req
840. The wig.
Copy !req
841. Oh, I was just looking
at myself again.
Copy !req
842. I'll take it off
to sleep.
Copy !req
843. - And you don't have to sleep
on that couch.
- No, it's okay.
Copy !req
844. No, it's not.
This is a huge bed.
Copy !req
845. Come on. Just get in
and get a good night's sleep.
Copy !req
846. It's more comfortable
than the couch, isn't it?
Copy !req
847. Yes.
Copy !req
848. Thank you, Betty.
Copy !req
849. It's nothing.
Copy !req
850. I shouldn't have let you
sleep on the couch last night.
Copy !req
851. No, I mean,
Copy !req
852. thank you for everything.
Copy !req
853. You're welcome.
Copy !req
854. Good night, sweet Betty.
Copy !req
855. Good night.
Copy !req
856. Have you ever
done this before?
Copy !req
857. I don't know.
Copy !req
858. Have you?
Copy !req
859. I want to with you.
Copy !req
860. I'm in love with you.
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861. I'm in love with you.
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862. Silencio.
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863. Silencio.
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864. Silencio.
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865. No hay banda.
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866. No hay banda.
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867. No hay orquesta.
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868. Silencio.
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869. Silencio.
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870. Silencio.
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871. Silencio.
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872. Silencio.
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873. Rita? Rita?
No hay banda.
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874. Rita, wake up.
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875. No. No.
It's okay.
It's okay.
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876. No, it's not okay.
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877. What's wrong?
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878. Go with me somewhere.
Copy !req
879. It's 2:00.
It's 2:00 in the morning.
Copy !req
880. Go with me somewhere.
Copy !req
881. Sure. Now?
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882. Right now.
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883. No hay banda!
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884. There is no band!
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885. Il n'y a pas
d'orchestre.
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886. This is all...
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887. a tape recording.
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888. No hay banda,
and yet...
Copy !req
889. we hear a band.
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890. If we want to hear
a clarinet,
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891. listen.
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892. Une trombone en coulisse.
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893. Un trombon con sordina.
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894. J'aime le son d'une trombone
en sourdine.
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895. A muted trumpet.
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896. It's all recorded.
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897. No hay banda!
Copy !req
898. It is all... a tape.
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899. Il n'y a pas
d'orchestre.
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900. It is...
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901. an illusion.
Copy !req
902. Listen!
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903. Senoras and senores,
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904. el Club Silencio
les presenta...
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905. la llorona de Los Angeles...
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906. Rebekah del Rio.
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907. Betty?
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908. Betty?
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909. Donde estas?
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910. Betty?
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911. Hmm.
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912. Hey, pretty girl.
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913. Time to wake up.
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914. Where have you been?
What do you want?
Copy !req
915. My lamp and dishes.
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916. Come on, Diane.
It's been three weeks.
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917. I put your dishes
in that box.
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918. That's my ashtray.
Take it.
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919. Anytime.
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920. I'm just making sure,
Diane.
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921. This is it?
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922. Yeah.
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923. Oh, by the way,
those two detectives
came by again looking for you.
Copy !req
924. Camilla.
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925. Camilla.
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926. You've come back.
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927. What was that
you were saying, beautiful?
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928. I said,
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929. "You drive me wild."
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930. We shouldn't do this
anymore.
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931. Don't say that.
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932. Don't ever say that.
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933. Don't, Diane.
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934. Stop it!
Diane, stop!
Copy !req
935. I've tried to tell you
this before.
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936. It's him, isn't it?
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937. Now, I'm not trying
to show you how
to do the scene.
Copy !req
938. But just... watch me,
Copy !req
939. and I think
you'll understand
what I'm getting at.
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940. Hank.
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941. Now, don't sit so... rigid.
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942. Just... Just relax.
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943. Now, the two of you
are alone,
Copy !req
944. and it's real comfortable,
Copy !req
945. like you've known
each other forever.
Copy !req
946. Even if you don't say anything,
it's-it's real comfortable.
Copy !req
947. Hank, can you just
clear the set?
Copy !req
948. It's just there's
too many people around here.
Let's get this worked out.
Copy !req
949. Clear the set!
Clear the set, please!
Copy !req
950. Everyone have
a cup of coffee.
Copy !req
951. Everyone, please!
Can Diane stay?
Copy !req
952. Yeah, sure.
Diane can stay.
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953. Um, Hank,
let Diane stay.
Diane?
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954. Now, when she starts
to cry,
Copy !req
955. don't pull her towards you.
Copy !req
956. Let her fall into you.
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957. Just let her fall.
Copy !req
958. Now, when you kiss her,
Copy !req
959. it's just a continuation
of that move.
Copy !req
960. There's no break.
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961. Kill the lights!
Copy !req
962. Don't be mad.
Copy !req
963. Don't make it be
like this.
Oh, sure.
Copy !req
964. You want me to
make this easy for you?
No.
Copy !req
965. No fuckin' way!
It's not gonna be!
Copy !req
966. It's not easy for me!
Diane!
Copy !req
967. Hello, it's me.
Copy !req
968. Leave a message.
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969. Diane?
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970. Hello?
Diane?
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971. Camilla.
Diane, the car's waiting.
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972. Are you okay?
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973. You coming?
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974. Uh-huh.
Good.
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975. It means so much to me.
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976. Go on. The car's
right outside your house.
Copy !req
977. It's been waiting,
okay?
Copy !req
978. Okay.
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979. It's 6980 Mulholland Drive.
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980. Mulholland Drive.
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981. What are you doing?
We don't stop here.
Copy !req
982. A surprise.
Copy !req
983. Shortcut.
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984. Come on, sweetheart.
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985. It's beautiful.
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986. A secret path.
Copy !req
987. Ah. Perfect timing.
Copy !req
988. Welcome, Diane.
Copy !req
989. Well...
Copy !req
990. here's to love.
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991. Here's to love.
Copy !req
992. Ah, here she is.
Copy !req
993. Oh.
Copy !req
994. I don't believe
you met my mother.
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995. Hi. I'm Diane Selwyn.
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996. Well, just call me Coco.
Everybody does.
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997. Pleased to meet you.
Well, let's eat.
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998. I'm starving.
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999. I'm sorry I was late.
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1000. I'm from Deep River, Ontario.
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1001. A small town.
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1002. So you rolled in here
from Canada.
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1003. I always wanted
to come here.
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1004. I won this
jitterbug contest.
Copy !req
1005. That sort of led
to acting.
Copy !req
1006. You know,
wanting to act.
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1007. When my aunt died...
Copy !req
1008. Anyway, she...
she left me some money.
Copy !req
1009. - She worked here.
- In the movies?
Copy !req
1010. Yes.
Copy !req
1011. Well, how did
you meet Camilla?
Copy !req
1012. On the Silvia North Story.
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1013. Oh, Camilla
was great in that.
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1014. Yeah.
Copy !req
1015. I wanted the lead
so bad.
Copy !req
1016. Anyway,
Camilla got the part.
Copy !req
1017. The director...
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1018. Bob Brooker?
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1019. Yes.
Copy !req
1020. He didn't think
so much of me.
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1021. Anyway, that's when
we became friends.
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1022. She helped me,
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1023. getting some parts in
some of her films.
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1024. I see.
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1025. So I got the pool,
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1026. and she got the pool man.
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1027. I couldn't believe it.
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1028. I wanted to buy that judge
a Rolls-Royce.
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1029. Sometimes,
good things happen.
Copy !req
1030. So I guess we've saved
the best for last.
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1031. Do you wanna tell them?
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1032. No, you-you tell them.
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1033. Camilla and I...
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1034. are going to be...
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1035. Sorry about that.
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1036. No, I'm fine.
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1037. This is the girl.
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1038. Don't show me
this fuckin' thing here.
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1039. It's just an actress'
photo resume.
Everybody's got one.
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1040. You got the money?
I sure do.
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1041. Okay, now once you
hand that over to me,
it's a done deal.
Copy !req
1042. You sure you want this?
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1043. More than anything
in this world.
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1044. When it's finished,
you'll find this
where I told you.
Copy !req
1045. What's it open?
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1046. Silencio.
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