1. What are you doing?
We don't stop here.
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2. Get out of the car.
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3. The boys found this...
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4. on the floor, in back of the Caddy.
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5. Yeah.
You showed me.
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6. - Could be unrelated.
- Could be.
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7. Any of those dead kids
wearing pearl earrings?
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8. No.
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9. Could be someone's
missing, maybe.
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10. That's what I'm thinking.
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11. Just one more bag after that.
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12. I just wanted to come here.
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13. To Winkie's?
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14. This Winkie's.
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15. Okay. Why this Winkie's?
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16. It's kind of embarrassing.
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17. Go ahead.
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18. I had a dream about this place.
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19. Oh, boy.
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20. See what I mean?
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21. Okay.
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22. So you had a dream about this place.
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23. Tell me.
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24. Well –
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25. it's the second one I've had.
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26. But they're both the same.
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27. They start out that I'm in here...
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28. but it's not day or night.
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29. I-It's kind of half night, you know?
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30. But it looks just like this.
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31. Except for the light.
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32. And I'm scared like I can't tell ya.
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33. Of all people...
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34. you're standing right over there...
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35. by that counter.
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36. You're in both dreams, and you're scared.
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37. I get even more frightened
when I see how afraid you are, and...
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38. then I realize what it is.
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39. There's a man...
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40. in back of this place.
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41. He's the one who's doing it.
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42. I can see him through the wall.
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43. I can see his face.
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44. I hope that I never see that face...
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45. ever outside of a dream.
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46. That's it.
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47. So...
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48. you came to see if he's out there.
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49. To get rid of this god-awful feeling.
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50. Right, then.
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51. Oh –
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52. It was around here.
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53. Dan! Dan, you all right? Dan!
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54. Dan!
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55. Hello?
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56. The girl is still missing.
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57. Talk to me.
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58. The same.
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59. Oh!
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60. I can't believe it.
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61. Well, it's time to say good-bye, Betty.
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62. It's been so nice traveling with you.
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63. Thank you, Irene.
I was so excited and nervous.
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64. It was sure great to have you to talk to.
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65. Remember, I'll be watching
for you on the big screen.
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66. Okay, Irene. Won't that be the day?
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67. Good luck, Betty dear.
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68. Take care of yourself.
And be careful.
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69. - I will. Thanks again.
- Okay, dear.
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70. Betty, it was so nice meeting you.
All the luck in the world.
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71. Thank you.
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72. - Bye.
- Bye.
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73. My bags!
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74. Where to?
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75. 1612 Havenhurst.
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76. Got it.
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77. Ten bucks says you're Betty.
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78. Yes, I am, Mrs. Lenoix.
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79. It is Mrs. Lenoix, isn't it?
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80. Oh, in all my living glory, baby.
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81. Pleased to meet you.
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82. Oh, just call me Coco.
Everybody else does.
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83. - Wait there, and I'll go get the key.
- Okay, Coco.
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84. Wilkins! Wilkins!
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85. If that damn dog
craps in the courtyard one more time...
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86. I'm just gonna
bake his little butt for breakfast!
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87. - You don't have any pets, do you?
- Oh, no, I don't.
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88. Well, they're allowed. I just don't
like them here for obvious reasons.
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89. You know, there was a man
that lived here once...
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90. that had a prizefighting kangaroo.
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91. Well, you just wouldn't believe...
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92. what that kangaroo did to this courtyard.
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93. Let's go see your aunt's apartment.
It's a good one.
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94. I can hardly wait.
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95. It's unbelievable!
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96. - I told ya.
- Oh, wow!
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97. Well, you and your aunt probably have
an understanding, so here's the key.
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98. - And if you need anything, just give a holler.
- Okay.
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99. You know, everybody in this building
is pretty much okay with me...
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100. or they wouldn't be here.
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101. Oh.
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102. If you like, later on
I'll introduce you around.
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103. Well, no hard feelings if you don't.
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104. Oh, my. I-I'm sorry. My Aunt Ruth didn't
tell me someone was gonna be here.
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105. - I'm so sorry.
- It's okay.
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106. I'm Ruth's niece. My name's Betty.
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107. I-I'm sure she told you I was coming.
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108. There was an accident.
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109. I came here.
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110. I understand. I saw the dress.
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111. I'm sorry. Are you all right?
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112. What happened?
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113. A car –
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114. A car accident.
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115. Oh.
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116. Are you okay?
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117. I think so.
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118. I was just...
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119. taking a shower.
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120. Oh, my God. I'm – I'm sorry.
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121. I'll let you get back to that.
I'm gonna get unpacked.
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122. What's your name?
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123. I'm – I'm sorry. I'll get out of here,
and we can talk later.
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124. My name's... Rita.
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125. Hi.
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126. Do you work with my aunt?
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127. - No, I –
- I-I'm sorry.
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128. It's – It's none of my business. I –
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129. She has pretty red hair.
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130. She's letting me stay here while she's working
on a movie that's being made in Canada.
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131. But... I guess you already know that.
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132. I couldn't afford a place
like this in a million years.
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133. Unless, of course, I'm discovered
and become a movie star.
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134. Of course, I'd rather be known
as a great actress than a movie star.
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135. But, you know, sometimes
people end up being both.
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136. So that is, I guess you'd say,
sort of why I came here.
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137. I'm sorry. I'm just so excited to be here.
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138. I mean, I just came here
from Deep River, Ontario...
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139. and now I'm in this...
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140. dream place.
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141. Well, you can imagine how I feel.
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142. Oh.
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143. What – Sit down.
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144. Wh-Where were you hurt?
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145. - Oh, we should call a doctor.
- No.
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146. - But this could be serious.
- No, I –
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147. I need to sleep.
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148. If you have a concussion,
you shouldn't sleep.
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149. It will be okay if I sleep.
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150. I just need to lie down here and sleep.
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151. You see, Adam,
there are some suggestions...
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152. that are to be brought forward.
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153. I know you said you would
entertain suggestions.
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154. And that's all anybody here
is asking you to do.
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155. What are you talking about?
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156. An open mind.
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157. You're in the process
of recasting your lead actress...
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158. and I'm –
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159. We're asking you to keep an open mind.
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160. What was it last time?
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161. Okay. Let's try the next one.
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162. He's not gonna like it.
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163. We'll see.
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164. Ah, the Castigliane brothers.
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165. Let me introduce you around.
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166. Oh, please, uh, just take a seat.
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167. This is Mr. Darby, whom you know...
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168. and this is the director, Adam Kesher...
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169. and his, uh, manager, Robert Smith.
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170. Oh, yeah.
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171. - She's very pretty.
- Mm-hmm.
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172. - Mmm. Mmm.
- May I offer you gentlemen... anything?
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173. - Espresso.
- Nothin'.
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174. Uh, what's the photo for?
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175. One espresso.
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176. No, that's it.
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177. I think you're going to enjoy
your espresso this time.
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178. I've done quite a bit of research,
knowing how hard you are to please.
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179. This one comes highly recommended.
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180. What's the photo for?
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181. It's a recommendation.
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182. A recommendation to you, Adam.
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183. - It's not a recommendation.
- This is the girl.
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184. What girl? For what?
What is this, Ray?
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185. Uh, we'd be happy to put her
on the list for considerations.
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186. Uh, you'd be pleased to know...
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187. that there's quite a bit
of interest in this role.
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188. Interest? No, no.
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189. There's six of the top actresses
that want this thing.
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190. This is the girl.
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191. - Ryan, take care of this.
- Hold on. Hold on, Adam.
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192. Hold on?
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193. There's no way. There's no way!
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194. Napkin.
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195. - Pardon?
- Napkin.
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196. Of course.
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197. Excuse me.
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198. Is that all, sir?
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199. - Shit.
- I'm sorry.
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200. - That was a highly recommended –
- That is considered one of
the finest espressos in the world.
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201. What is going on here?
There is no way that girl is in my movie!
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202. This is the girl.
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203. Hey, that girl is not in my film!
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204. It's no longer your film.
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205. This is the girl.
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206. Castigliane brothers
get out of that limo?
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207. - You mean two guys in dark suits?
- Yeah.
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208. - Yeah.
- Leave that door open.
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209. Castigliane brothers?
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210. - Beat it, pal.
- Okay.
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211. Good afternoon, Mr. Roque.
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212. Her name is Camilla Rhodes.
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213. The director doesn't want her.
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214. Do you want him replaced?
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215. I know they said –
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216. Then?
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217. Then...
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218. that means we should–
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219. Yes?
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220. shut everything down.
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221. Is that something that –
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222. You want us...
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223. to shut everything down?
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224. Then we'll shut everything down.
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225. Oh, man.
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226. That's unheard of.
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227. An accident like that –
who could have foreseen that, man?
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228. - Jeez!
- It's unreal, right?
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229. Hell, yeah.
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230. Unbelievable, man.
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231. Whoo.
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232. So, bro. God, you look good.
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233. What have you been doing?
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234. Well, you know, just doin'
some stuff for this guy.
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235. - Yeah? Are you making ends meet?
- Yeah.
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236. Hardly.
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237. I know, man.
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238. Look at my digs.
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239. Times are tough, bro.
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240. Hey, man, it's not that bad.
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241. Gee, I hope you're not
gonna get into any trouble.
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242. Oh, that was just a thing, man.
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243. But that story,
that made you laugh, right?
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244. - That was a funny story, man.
- Fucking car accident.
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245. Hey, so that's, uh – That's it, huh?
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246. That's Ed's famous black book.
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247. The history of the world...
in phone numbers.
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248. Um –
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249. Aw, man.
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250. Something bit me bad!
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251. Shh.
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252. Shh! Shh!
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253. Ow!
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254. No!
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255. No! No!
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256. God!
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257. God!
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258. No!
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259. Shh!
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260. Hey, man! Hey!
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261. She's hurt real bad! Could you come here
and call on the phone? I need you!
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262. She's hurt real bad! I'm serious!
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263. You gotta come in here
and call the hospital!
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264. Come on, man! I'm serious about this!
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265. I can't do everything by myself, man!
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266. No! Let go!
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267. No! No!
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268. Oh! No!
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269. No! No! No!
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270. Hey, man.
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271. Um –
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272. Aw, man.
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273. Okay, Aunt Ruth, I'll try.
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274. I'm gonna study those lines
until I know 'em inside out.
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275. Yep, either right here on
this fabulous leather couch...
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276. or I'll take them with a coffee
into the courtyard...
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277. like a regular movie star.
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278. Oh, I got a real shock
to find your friend Rita here.
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279. She was in the shower,
and I opened the door.
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280. Rita.
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281. What do you mean?
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282. Well, she was in an accident.
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283. Rita, your friend.
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284. No, Coco unlocked the door.
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285. No, she didn't see her.
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286. She's sleeping.
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287. I'm sure there's some explanation for this.
I don't think we have to do that.
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288. Please don't worry.
Aunt Ruth, we don't need the police.
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289. You're awake.
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290. I think I misunderstood.
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291. I thought you knew my aunt,
and that's why you were here.
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292. I just talked to my aunt on the phone,
and she wants me to call the police.
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293. Rita?
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294. I'm sorry. I –
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295. What is it, Rita?
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296. I thought when I woke up –
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297. I thought sleep would do it.
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298. What's wrong?
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299. I don't know who I am.
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300. What do you mean? You're Rita.
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301. No, I'm not. I don't know what my name is.
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302. I don't know who I am.
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303. This is your purse.
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304. Your name must be in your purse.
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305. You want to know, don't you?
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306. - Yes, but –
- Open it.
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307. - So you don't want anything?
- Not here. No, thanks.
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308. - A drink or something?
- No. Thanks, though.
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309. I'll take a cigarette, if you have one.
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310. Yeah, just reach inside
my shirt pocket there.
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311. Any new girls on the street lately?
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312. No.
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313. I haven't seen any.
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314. A brunette?
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315. Maybe a little beat-up?
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316. No.
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317. You keep your eyes open
for me, won't you, baby?
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318. - Sure.
- Yeah, you bet you will.
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319. That money –
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320. you don't know where it came from?
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321. Uh-uh.
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322. When you think of them –
the money and the key –
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323. does it make you remember anything?
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324. There's something –
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325. something... there, I –
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326. What did you say?
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327. They fired everyone.
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328. Who fired everyone?
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329. Ray did – Wait!
I-I'm talking on the phone.
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330. And then they closed the set.
Everybody's gone.
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331. You'd better get down here, Adam.
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332. No.
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333. You've gotta talk to Ray.
You've gotta fix this.
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334. - I'm going home.
- Home?
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335. Meet me at the office.
We've gotta do something.
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336. You've gotta do something, Adam.
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337. I'm going home, Cynthia.
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338. Adam, listen to me. This isn't like you.
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339. Please come to the office.
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340. - There's gotta be something we can do.
- I'm going home.
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341. I wonder where you were going.
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342. Mulholland Drive.
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343. Mulholland Drive?
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344. That's where I was going –
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345. Mulholland Drive.
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346. Maybe that's where the accident was.
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347. There must be a police report.
We could call.
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348. No.
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349. We could call anonymously from a pay phone
just to see if there was an accident.
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350. Come on.
It'll be just like in the movies.
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351. We'll pretend to be someone else.
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352. I wanna walk around anyway.
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353. I'm in Hollywood,
and I haven't even seen any of it.
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354. Come on, Rita. Do you feel up to it?
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355. Okay.
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356. But... just –
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357. just to see.
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358. Just to see if there was an accident...
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359. on Mulholland Drive.
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360. Lorraine?
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361. Lorraine, you home?
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362. Lorraine?
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363. Now you've done it.
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364. Just forget you ever saw it.
It's better that way.
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365. What the hell are you even doing here?
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366. What are you doing?
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367. That's my jewelry!
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368. That bastard! You bastard!
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369. He's probably upset, Lorraine.
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370. What are you doing?
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371. Stop it! Stop it!
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372. Adam, stop it!
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373. Stop it! Stop it!
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374. Adam! Cut – Cut it out! Ow!
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375. You're hurting me! Gene!
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376. You're hurting me!
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377. That ain't no way to treat your wife, buddy.
I don't care what she's done.
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378. Throw him out!
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379. Throw him out!
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380. Damn you, Adam!
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381. Throw him out!
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382. Get out!
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383. Let's hide it.
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384. There's one.
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385. Hollywood Police Department.
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386. I'm inquiring about an accident that happened
last night on Mulholland Drive.
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387. Hold, please. I'll connect you to Traffic.
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388. - Sergeant Baxter.
- Hi. I'm inquiring –
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389. Well, I heard a sound last night that
sounded sort of like a car crash...
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390. and, well, I want to know if there was
an accident on Mulholland Drive.
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391. Yes, there was.
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392. - Can you tell me what happened?
- No, I can't.
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393. - Was anyone hurt?
- May I have your name, please?
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394. There was an accident.
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395. He wouldn't tell me anything else,
but that was your accident. I just know it was.
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396. Maybe there's something
about it in the papers.
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397. I'll buy you a cup of coffee
and we can see.
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398. Maybe it happened so late,
it's not in today's paper.
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399. There's nothing?
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400. Not that I can see.
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401. That's okay.
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402. Thanks...
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403. Diane.
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404. Will that be all?
Would you like your check?
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405. Rita, you want something?
Copy !req
406. No, just – just the coffee.
Copy !req
407. - We'll take our check.
- Okay.
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408. - What is it, Rita?
- Shh.
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409. I remember something.
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410. I remember something!
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411. - What is it?
- Diane Selwyn.
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412. Maybe that's my name!
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413. Selwyn. Selwyn.
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414. "D. Selwyn." It's the only one.
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415. I'm gonna call.
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416. It's strange to be calling yourself.
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417. Maybe it's not me.
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418. Hello, it's me. Leave a message.
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419. That's not my voice.
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420. But I know her.
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421. Maybe that isn't Diane Selwyn's voice.
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422. Maybe that's your roommate.
Copy !req
423. Or if it is Diane Selwyn...
Copy !req
424. she could tell you who you are.
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425. Maybe.
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426. Maybe. Maybe.
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427. - Adam Kesher!
- Yeah, right. Get lost!
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428. - This is Adam Kesher's house.
- Like hell it is. Get out! Now!
Copy !req
429. Get out!
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430. Adam Kesher?
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431. Get out of here!
He's never coming back, ever!
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432. I guess you don't understand English.
She said leave!
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433. - Here's the door!
- Gene!
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434. Get out! Gene! Get out –
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435. Adam Kesher?
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436. Yeah, what is it, Cookie?
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437. I'm sorry, Mr. Kesher, but there seems to be
some problem with your credit cards.
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438. What? I-I pay you cash, Cookie.
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439. Mira, ese.
Two guys from your bank came by.
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440. My bank?
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441. - How-How'd they know I was here?
- I don't know.
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442. What'd they say?
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443. I'm afraid they said to tell you that
you're maxed out at your bank...
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444. and that your line of credit
has been canceled.
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445. That's unbelievable. Huh.
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446. Well, look, uh...
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447. I, uh – I don't know what's going on.
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448. That is so much baloney.
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449. Uh –
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450. But I got enough cash for you, Cookie.
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451. Oh, I know. I know. Don't worry.
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452. But, ese, I'm sorry.
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453. It was my duty to inform you.
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454. Oye, carnal.
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455. Whoever you're hiding from,
they know where you are.
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456. Right.
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457. I'm sorry.
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458. Hello?
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459. Someone maybe shut off my money.
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460. I know. Where are you, Adam?
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461. I'm sorry.
What do you mean, you know?
Copy !req
462. Somebody called. When they couldn't get you,
they told me you were as good as broke.
Copy !req
463. I didn't believe them,
so I made a few calls.
Copy !req
464. - And?
- You're broke.
Copy !req
465. Yeah, but I'm not broke!
Copy !req
466. I know, but you're broke. Where are you?
Copy !req
467. I'm at Cookie's, downtown.
Copy !req
468. Do you know somebody
called the Cowboy?
Copy !req
469. - The Cowboy?
- Yeah.
Copy !req
470. The Cowboy.
Copy !req
471. This guy, the Cowboy,
wants to see you.
Copy !req
472. Jason said he thought it'd be a good idea.
Copy !req
473. Oh, Jason thought it'd be a good idea
for me to go see the Cowboy.
Copy !req
474. Well, should I wear my 10-gallon hat
and my six-shooters?
Copy !req
475. Listen, something tells me that this guy
is connected to what's happening.
Copy !req
476. Adam, I think you should do it,
and I think you should do it right away.
Copy !req
477. What's going on, Cynthia?
Copy !req
478. It's been a very strange day.
Copy !req
479. And getting stranger.
Copy !req
480. So, where do I meet this Cowboy?
Do I have to ride out to the range?
Copy !req
481. Sort of, funny boy.
Copy !req
482. If I tell him the meeting's on...
Copy !req
483. you'll have to go to the top
of Beachwood Canyon...
Copy !req
484. and there's a corral up there
where he'll be.
Copy !req
485. Oh, you've gotta be kidding me.
Copy !req
486. Will you meet with him?
Copy !req
487. Yeah. Sure.
Copy !req
488. No, i-it's been that kind of a day.
When?
Copy !req
489. Um, I'll call him right away...
Copy !req
490. and then I'll call you back.
Copy !req
491. You know, you – you could stay
at my place if you – if you wanted.
Copy !req
492. Uh, Cynthia, no.
I don't think that would be a good idea.
Copy !req
493. I was just offering a place to stay.
Copy !req
494. Yes, and I appreciate the offer, Cynthia.
I'll find a place.
Copy !req
495. Just go and give that Cowboy a yodel
and get on back to me.
Copy !req
496. Okay. But you don't know
what you're missing.
Copy !req
497. Uh, just get along, little doggie,
and call me back.
Copy !req
498. It's right about here – Sierra Bonita.
Copy !req
499. Not too far away.
Copy !req
500. What's wrong with that?
Copy !req
501. I'm not sure about this.
Copy !req
502. I know you're afraid of something.
Copy !req
503. We'll be careful, I promise.
Copy !req
504. Tomorrow, we'll go over there...
Copy !req
505. and we'll find out.
Copy !req
506. It'll be okay.
Copy !req
507. It's probably Coco.
Copy !req
508. Yes? May I help you?
Copy !req
509. Someone is in trouble.
Copy !req
510. Who are you?
Copy !req
511. What are you doing in Ruth's apartment?
Copy !req
512. She's letting me stay here.
Copy !req
513. I'm her niece. My name's Betty.
Copy !req
514. No, it's not.
Copy !req
515. That's not what she said.
Copy !req
516. Someone is in trouble!
Something bad is happening!
Copy !req
517. Well, I-I'm sorry,
but I don't know who you are, and –
Copy !req
518. Louise? What are you doing, Louise?
Copy !req
519. I – Oh, Coco.
Copy !req
520. I've been trying to get a hold of you
since 3:00 this afternoon.
Copy !req
521. That one is in my room,
and she won't leave.
Copy !req
522. I want you to get her out.
I want you to get her out now!
Copy !req
523. Uh, this is Louise Bonner.
I'm sure she meant well.
Copy !req
524. Louise, this is Betty.
This is Ruth's niece.
Copy !req
525. In fact, fortunately I was just on my way
over here to see Betty.
Copy !req
526. Betty's a young actress,
and I was just delivering...
Copy !req
527. some faxed pages of a scene
for a big audition tomorrow.
Copy !req
528. - Well, here they are, honey.
- Oh, thank you.
Copy !req
529. Come along now, Louise.
I'll take you home.
Copy !req
530. I'm sorry.
It happens sometimes.
Copy !req
531. - No.
- Come on.
Copy !req
532. No. She said it was someone else
who was in trouble.
Copy !req
533. Stop it, Louise. I'm taking you home.
Copy !req
534. Come on. I-I –
Copy !req
535. - Good night, Betty.
- Good night.
Copy !req
536. Good night.
Copy !req
537. Whoa.
Copy !req
538. Cowboy.
Copy !req
539. - Howdy.
- Howdy to you.
Copy !req
540. Beautiful evenin'.
Copy !req
541. Yeah.
Copy !req
542. Sure wanna thank you for comin'
all the way up here to see me...
Copy !req
543. from that nice hotel downtown.
Copy !req
544. No problem. What's on your mind?
Copy !req
545. Well, now, here's a man
who wants to get right down to it.
Copy !req
546. Kinda anxious to get to it, are ya?
Copy !req
547. Whatever.
Copy !req
548. A man's attitude –
Copy !req
549. A man's attitude goes some ways...
Copy !req
550. to the way his life will be.
Copy !req
551. Is that something you might agree with?
Copy !req
552. Sure.
Copy !req
553. Now, did you answer...
Copy !req
554. because that's what you thought
I wanted to hear...
Copy !req
555. or did you think about what I said...
Copy !req
556. and answer 'cause
you truly believe that to be right?
Copy !req
557. I agree with what you said. Truly.
Copy !req
558. What'd I say?
Copy !req
559. That a man's attitude determines,
to a large extent, how his life will be.
Copy !req
560. So since you agree...
Copy !req
561. you must be a person
who does not care about the good life.
Copy !req
562. How's that?
Copy !req
563. Well, stop for a little second
and think about it.
Copy !req
564. Can you do that for me?
Copy !req
565. Okay. I'm thinkin'.
Copy !req
566. No, you're not thinkin'.
Copy !req
567. You're too busy
bein' a smart aleck to be thinkin'.
Copy !req
568. Now, I want you to think
and stop bein' a smart aleck.
Copy !req
569. Can you try that for me?
Copy !req
570. Look, where's this going?
What do you want me to do?
Copy !req
571. There's sometimes a buggy.
Copy !req
572. How many drivers does a buggy have?
Copy !req
573. One.
Copy !req
574. So let's just say
I'm drivin' this buggy...
Copy !req
575. and if you fix your attitude,
you can ride along with me.
Copy !req
576. Okay.
Copy !req
577. I want you to go back to work tomorrow.
Copy !req
578. You were recasting
the lead actress anyway.
Copy !req
579. Audition many girls for the part.
Copy !req
580. When you see the girl that was shown
to you earlier today, you will say...
Copy !req
581. "This is the girl."
Copy !req
582. The rest of the cast can stay.
Copy !req
583. That's up to you.
Copy !req
584. But that lead girl is not up to you.
Copy !req
585. Now, you will see me one more time...
Copy !req
586. if you do good.
Copy !req
587. You'll see me two more times...
Copy !req
588. if you do bad.
Copy !req
589. Good night.
Copy !req
590. You're still here?
Copy !req
591. I came back. I thought
that's what you wanted.
Copy !req
592. Nobody wants you here.
Copy !req
593. Really?
Copy !req
594. My parents are right upstairs.
They think you've left.
Copy !req
595. - So? Surprise.
- I can call them. I can call my dad.
Copy !req
596. But you won't.
Copy !req
597. If you're trying to blackmail me,
it's not gonna work.
Copy !req
598. You're playing a dangerous game here.
Copy !req
599. You know what I want.
It's not that difficult.
Copy !req
600. Get out! Get out before I call my dad!
Copy !req
601. He trusts you. You're his best friend.
Copy !req
602. This will be the end of everything.
Copy !req
603. What about you?
What will your dad think about you?
Copy !req
604. Stop! Just stop it!
That's what you said from the beginning!
Copy !req
605. Now, if I tell what happened,
they'll arrest you and put you in jail.
Copy !req
606. So, get out of here before –
Copy !req
607. B-Before what?
Copy !req
608. Before... I kill you.
Copy !req
609. Then they'd put you in jail.
Copy !req
610. Then I cry, cry, cry,
and then I say with big emotion...
Copy !req
611. "I hate you! I hate us both!"
Copy !req
612. - Such a lame scene.
- But you are really good.
Copy !req
613. Thank you, darling.
Copy !req
614. Hi there. Who are you?
Copy !req
615. Uh –
Copy !req
616. Betty?
Copy !req
617. Uh, Betty,
can I see you outside for a minute?
Copy !req
618. - What is it, Coco?
- Your aunt called.
Copy !req
619. I was afraid of that.
Copy !req
620. She wants to know
who's staying in her apartment.
Copy !req
621. It's just for a night or two,
until she finds her own place.
Copy !req
622. I tried to explain that to Aunt Ruth,
but the connection was bad...
Copy !req
623. and her plane was leaving,
and she got it all mixed up.
Copy !req
624. I kept telling her that
it was my friend Rita...
Copy !req
625. and she kept saying
she didn't know any Ritas.
Copy !req
626. - Look at me straight, sweetie.
- Coco.
Copy !req
627. She's very nice.
Copy !req
628. Honey, you're a good kid.
Copy !req
629. But what you're telling me
is a load of horse puckey...
Copy !req
630. even though it comes from a good place.
Copy !req
631. Now, I'm gonna trust you
to sort this thing out.
Copy !req
632. Thank you.
Copy !req
633. Don't make me out to be a sucker.
Copy !req
634. Louise Bonner said
there's trouble in there.
Copy !req
635. Remember last night?
Copy !req
636. Well, sometimes she's wrong.
Copy !req
637. But if there is trouble, get rid of it.
Copy !req
638. Is everything all right?
Copy !req
639. Is it bad for you that I'm here?
Copy !req
640. No, no. Everything is A-okay.
Copy !req
641. Now, I've gotta fix that sandwich.
Copy !req
642. And my audition is in one hour!
Copy !req
643. I hope I'm back in a couple of hours.
Copy !req
644. - And don't drink all the Coke.
- Good luck!
Copy !req
645. Now, when I get back I'll keep
the cab waiting, so be ready to go.
Copy !req
646. - Okay.
- Okay?
Copy !req
647. Voilà.
Copy !req
648. Betty Elms...
Copy !req
649. I would like you to meet
Jack Tuptman, my assistant...
Copy !req
650. Woody Katz...
Copy !req
651. who we have cast in the part of Chuck
and will do the scene with you...
Copy !req
652. Bob Brooker, our director...
Copy !req
653. and Julie Chadwick.
Copy !req
654. Now, our surprise guest...
Copy !req
655. Linney James.
Copy !req
656. Alas, we can't afford her
to cast our show...
Copy !req
657. but, well, as casting agents go...
Copy !req
658. she is the best.
Copy !req
659. Why, thank you, Wally. Hello, Betty.
Copy !req
660. Very pleased to meet you.
Copy !req
661. This is my assistant, Nicki.
Copy !req
662. Oh!
And the ever-lovely Martha.
Copy !req
663. Martha Johnson, whom you met out front.
Copy !req
664. Hi.
Copy !req
665. So, shall we... give it a go?
Copy !req
666. Uh, would you like a water
or a coffee before we begin?
Copy !req
667. No, I'm-I'm fine.
Copy !req
668. Well, then, let's everyone take a seat.
Copy !req
669. Betty...
Copy !req
670. why don't you join Woody over there
and we'll play the scene.
Copy !req
671. Bob, do you have anything you wish to say?
Copy !req
672. Something to Betty before we begin?
Copy !req
673. No. It's not a contest.
Copy !req
674. The two of them, with themselves.
Copy !req
675. So don't play it for real...
Copy !req
676. until it gets real.
Copy !req
677. Okay.
Copy !req
678. - Just tell me where it hurts, baby.
- What?
Copy !req
679. Hey, Bobby,
I wanna play this one nice and close...
Copy !req
680. like we did with that other girl –
Copy !req
681. What's her name? The one with
the black hair. It felt kind of good.
Copy !req
682. - What do you think?
- That's good, Woody.
Copy !req
683. Just don't rush that line again.
Copy !req
684. I told you, the line
where you say, "Before what?"
Copy !req
685. Bobby, acting is reacting.
Copy !req
686. I just play off 'em. They all say, um...
Copy !req
687. "They're gonna arrest you," like that.
Copy !req
688. Then, "They'll put you in jail."
They all say it the same way.
Copy !req
689. So when they say it, I just react.
Copy !req
690. - What's your name?
- Betty.
Copy !req
691. Yeah, Betty.
Look, you don't rush it, I don't rush it. Okay?
Copy !req
692. Now, we're gonna play this
nice and close.
Copy !req
693. Just like in the movies, okay?
Copy !req
694. Dad's best friend goes to work.
Copy !req
695. Bob?
Copy !req
696. And... action!
Copy !req
697. You're still here.
Copy !req
698. I came back.
Thought that's what you wanted.
Copy !req
699. - Nobody wants you here.
- Really?
Copy !req
700. My parents are right upstairs.
Copy !req
701. They think you've left.
Copy !req
702. So, surprise!
Copy !req
703. I can call them. I can call my dad.
Copy !req
704. But you won't.
Copy !req
705. You're playing a dangerous game here.
Copy !req
706. If you're trying to blackmail me...
Copy !req
707. it's not gonna work.
Copy !req
708. You know what I want.
Copy !req
709. It's not that difficult.
Copy !req
710. Get out.
Copy !req
711. Get out before I call my dad.
Copy !req
712. He trusts you.
Copy !req
713. You're his...
Copy !req
714. best friend.
Copy !req
715. This will be the end of everything.
Copy !req
716. What about you?
Copy !req
717. What'll your dad think about you?
Copy !req
718. Don't.
Copy !req
719. Stop it.
Copy !req
720. That's what you said from the beginning.
Copy !req
721. If I tell them what happened...
Copy !req
722. they'll arrest you and put you in jail.
Copy !req
723. So get out of here...
Copy !req
724. before –
Copy !req
725. Before what?
Copy !req
726. Before...
Copy !req
727. I kill you.
Copy !req
728. Well, then they'd put you in jail.
Copy !req
729. I hate you.
Copy !req
730. I hate us both.
Copy !req
731. - I'm gonna take her over there.
- Yeah, big time.
Copy !req
732. Well, there it was.
Copy !req
733. Yeah, there it was, all right.
Copy !req
734. Baby, you've got a way with you. Really.
Copy !req
735. Bob?
Copy !req
736. Very good. Really.
Copy !req
737. I mean, it was forced, maybe...
Copy !req
738. but still humanistic.
Copy !req
739. Yeah. Very good.
Copy !req
740. Really. Really.
Copy !req
741. Oh, I thank you, Betty...
Copy !req
742. and I really mean that sincerely.
Copy !req
743. I mean, it was extraordinary.
Copy !req
744. You've done your aunt proud today.
Copy !req
745. I am going to tell her that
first chance I get.
Copy !req
746. Now, you and I ...
Copy !req
747. are going to speak again very soon.
Copy !req
748. Thank you, Mr. Brown.
Copy !req
749. Thank you, Wally.
Copy !req
750. I'm sure you all have a lot to talk about.
We'll walk Betty out.
Copy !req
751. Oh, well, yes, indeed.
And it was our pleasure, Linney.
Copy !req
752. Now, don't you be a stranger around here.
Copy !req
753. - We'd love to have you here.
- Come on, Betty.
Copy !req
754. Thank you again, Mr. Brown.
Copy !req
755. And it was nice meeting all of you.
Bye.
Copy !req
756. Bye.
Copy !req
757. - Wow!
- She's a slam dunk.
Copy !req
758. Where the hell did you find her?
Copy !req
759. God, that was awful.
Copy !req
760. Not you, Betty.
You were stellar. And I mean that.
Copy !req
761. But poor Wally.
Copy !req
762. - He'll never get that picture made.
- No.
Copy !req
763. Wally's days were up 20 years ago.
Copy !req
764. You know Woody Katz
is only doing it for a favor.
Copy !req
765. And the cast, I hear, so far is terrible.
Copy !req
766. Oh, God, terrible.
Copy !req
767. That poor old fool Wally.
Copy !req
768. He was very nice,
and he seemed so sweet.
Copy !req
769. And Wally – Mr. Brown –
is a very close friend of my aunt's, and –
Copy !req
770. Settle down, Betty.
Don't get me wrong. I love Wally.
Copy !req
771. I ought to.
I was married to him for 10 years.
Copy !req
772. And I love actors. All actors.
Copy !req
773. We just get a little catty sometimes.
Copy !req
774. Now, we wanna take you across
and introduce you to a director...
Copy !req
775. who's a head above the rest.
Copy !req
776. He's got a project you will kill.
Copy !req
777. Knock right of the park!
Copy !req
778. Cut it. Thank you very much, Carol.
I'm coming back.
Copy !req
779. Checking the gate? Checking the gate!
Copy !req
780. Thank you!
We'll tell you what happens next!
Copy !req
781. Thank you very much for coming in.
I know how busy you are.
Copy !req
782. Are you kidding me? I love the script.
You just show me where to sign.
Copy !req
783. Look, I love you...
Copy !req
784. but there is no way they are gonna
let me cast this thing until I've seen everyone.
Copy !req
785. - I'll let you know as soon as I can.
- I know you will.
Copy !req
786. Because my manager is gonna be
bugging you day and night. And me.
Copy !req
787. It'll be my pleasure.
Now get out of here.
Copy !req
788. You're so cruel to me. Don't you forget me.
I'm the girl who's playing this part.
Copy !req
789. I'll see you later.
Copy !req
790. Hank? Where's Hank?
Copy !req
791. - Uh, who's next, Hank?
- Uh, Camilla Rhodes.
Copy !req
792. - Is she ready?
- All ready.
Copy !req
793. - Bring her in.
- Camilla Rhodes, next.
Copy !req
794. Sylvia North Story.
Camilla Rhodes, take one.
Copy !req
795. Okay, here we go!
Let's lock it up, please!
Copy !req
796. - Roll sound, please!
- Sound speed!
Copy !req
797. Playback, and action.
Copy !req
798. Cindy, Adam wants to see Jason.
Copy !req
799. This is the girl.
Copy !req
800. Excellent choice, Adam.
Copy !req
801. Oh, my goodness.
Copy !req
802. I promised a friend. Um, I'm sorry.
Copy !req
803. - I-I must go.
- Now?
Copy !req
804. It should be around here.
Copy !req
805. 2-5-9-0. That's it! Up there.
Copy !req
806. - Does it look familiar?
- No.
Copy !req
807. - Don't stop!
- What is it? What do you see?
Copy !req
808. Those men out front in the car.
Copy !req
809. - Do you know 'em?
- No.
Copy !req
810. Keep going.
Go around to the back.
Copy !req
811. Selwyn, number 12.
Copy !req
812. Now you got me scared.
Copy !req
813. You see? I told you there was
nothing to be afraid of.
Copy !req
814. Betty, wait. Wait.
Copy !req
815. Don't.
Copy !req
816. No one's home.
Copy !req
817. Yes?
Copy !req
818. Diane?
Copy !req
819. Number 17.
Copy !req
820. But it said number 12.
Copy !req
821. I switched apartments with her.
She's in 17.
Copy !req
822. It's down at the end on the left.
Copy !req
823. But she hasn't been around
for a few days.
Copy !req
824. Oh. We'll leave her a note.
Copy !req
825. I'll go with you.
Copy !req
826. She's still got some of my stuff.
Copy !req
827. You go ahead. I gotta get that.
Copy !req
828. I guess you're not Diane Selwyn.
Copy !req
829. Guess I'm not.
Copy !req
830. There's no one home, I guess.
Copy !req
831. - Come on.
- What are you doing?
Copy !req
832. Come on. Help me in.
Copy !req
833. Come on.
I'll open the front door.
Copy !req
834. No.
Copy !req
835. Come on.
Copy !req
836. Come on.
Copy !req
837. Rita!
Copy !req
838. I know what you're doing.
Copy !req
839. I know what you have to do.
Copy !req
840. But let me do it.
Copy !req
841. Let me do it.
Copy !req
842. You look like someone else.
Copy !req
843. Good night, Betty.
Copy !req
844. You don't have to wear that in the house.
Copy !req
845. What?
Copy !req
846. The wig.
Copy !req
847. Oh, I was just looking at myself again.
Copy !req
848. I'll take it off to sleep.
Copy !req
849. - And you don't have to sleep on that couch.
- No, it's okay.
Copy !req
850. No, it's not. This is a huge bed.
Copy !req
851. Come on. Just get in
and get a good night's sleep.
Copy !req
852. It's more comfortable
than the couch, isn't it?
Copy !req
853. Yes.
Copy !req
854. Thank you, Betty.
Copy !req
855. It's nothing.
Copy !req
856. I shouldn't have let you
sleep on the couch last night.
Copy !req
857. No, I mean...
Copy !req
858. thank you for everything.
Copy !req
859. You're welcome.
Copy !req
860. Good night, sweet Betty.
Copy !req
861. Good night.
Copy !req
862. Have you ever done this before?
Copy !req
863. I don't know.
Copy !req
864. Have you?
Copy !req
865. I want to with you.
Copy !req
866. I'm in love with you.
Copy !req
867. I'm in love with you.
Copy !req
868. Silencio.
Copy !req
869. Silencio.
Copy !req
870. Silencio.
Copy !req
871. No hay banda.
Copy !req
872. No hay banda.
Copy !req
873. No hay orquesta.
Copy !req
874. Silencio.
Copy !req
875. Silencio.
Copy !req
876. Silencio.
Copy !req
877. Silencio.
Copy !req
878. Silencio.
Copy !req
879. - Rita? Rita?
- No hay banda.
Copy !req
880. Rita, wake up.
Copy !req
881. - No. No.
- It's okay. It's okay.
Copy !req
882. No, it's not okay.
Copy !req
883. What's wrong?
Copy !req
884. Go with me somewhere.
Copy !req
885. It's 2:00. It's 2:00 in the morning.
Copy !req
886. Go with me somewhere.
Copy !req
887. Sure. Now?
Copy !req
888. Right now.
Copy !req
889. No hay banda!
Copy !req
890. There is no band!
Copy !req
891. Il n'y a pas d'orchestre.
Copy !req
892. This is all...
Copy !req
893. a tape recording.
Copy !req
894. No hay banda, and yet...
Copy !req
895. we hear a band.
Copy !req
896. If we want to hear a clarinet...
Copy !req
897. listen.
Copy !req
898. Une trombone en coulisse.
Copy !req
899. Un trombón con sordina.
Copy !req
900. J'aime le son d'une trombone en sourdine.
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901. A muted trumpet.
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902. It's all recorded.
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903. No hay banda!
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904. It is all... a tape.
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905. Il n'y a pas d'orchestre.
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906. It is...
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907. an illusion.
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908. Listen!
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909. Señoras y señores...
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910. el Club Silencio les presenta...
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911. a la Llorona de Los Ángeles...
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912. Rebekah del Rio.
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913. Betty?
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914. Betty?
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915. ¿Dónde estás?
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916. Betty?
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917. Hmm.
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918. Hey, pretty girl.
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919. Time to wake up.
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920. - Where have you been?
- What do you want?
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921. My lamp and dishes.
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922. Come on, Diane. It's been three weeks.
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923. I put your dishes in that box.
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924. - That's my ashtray.
- Take it.
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925. Anytime.
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926. I'm just making sure, Diane.
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927. This is it?
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928. Yeah.
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929. Oh, by the way, those two detectives
came by again looking for you.
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930. Camilla.
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931. You've come back.
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932. What was that you were saying, beautiful?
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933. I said...
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934. "You drive me wild."
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935. We shouldn't do this anymore.
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936. Don't say that.
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937. Don't ever say that.
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938. Don't, Diane.
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939. Stop it! Diane, stop!
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940. I've tried to tell you this before.
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941. It's him, isn't it?
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942. Now, I'm not trying
to show you how to do the scene.
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943. But just... watch me...
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944. and I think you'll understand
what I'm getting at.
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945. Hank.
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946. Don't sit so... rigid.
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947. Just – Just relax.
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948. Now, the two of you are alone...
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949. and it's real comfortable...
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950. like you've known each other forever.
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951. Even if you don't say anything,
it's-it's real comfortable.
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952. Hank, can you just clear the set?
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953. There's too many people around here.
Let us get this worked out.
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954. Clear the set!
Clear the set, please!
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955. Everyone have a cup of coffee.
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956. - Everyone, please!
- Can Diane stay?
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957. Yeah, sure. Diane can stay.
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958. - Um, Hank, let Diane stay.
- Diane?
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959. Now, when she starts to cry...
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960. don't pull her towards you.
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961. Let her fall into you.
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962. Just let her fall.
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963. Now, when you kiss her...
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964. it's just a continuation of that move.
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965. There's no break.
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966. Kill the lights!
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967. Don't be mad.
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968. - Don't make it be like this.
- Oh, sure.
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969. You want me to make this
easy for you? No.
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970. No fucking way! It's not gonna be!
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971. - It's not easy for me!
- Diane!
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972. Hello, it's me.
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973. Leave a message.
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974. Diane?
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975. - Hello?
- Diane?
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976. - Camilla.
- Diane, the car's waiting.
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977. Are you okay?
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978. You coming?
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979. - Uh-huh.
- Good.
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980. It means so much to me.
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981. Go on. The car's
right outside your house.
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982. It's been waiting, okay?
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983. Okay.
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984. It's 6980 Mulholland Drive.
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985. Mulholland Drive.
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986. What are you doing?
We don't stop here.
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987. A surprise.
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988. Shortcut.
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989. Come on, sweetheart.
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990. It's beautiful.
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991. A secret path.
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992. Ah. Perfect timing.
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993. Welcome, Diane.
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994. Well...
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995. here's to love.
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996. Here's to love.
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997. Ah, here she is.
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998. Oh.
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999. I don't believe you met my mother.
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1000. Hi. I'm Diane Selwyn.
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1001. Well, just call me Coco.
Everybody does.
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1002. Pleased to meet you.
Well, let's eat.
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1003. I'm starving.
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1004. I'm sorry I was late.
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1005. I'm from Deep River, Ontario.
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1006. A small town.
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1007. So you rolled in here from Canada.
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1008. I always wanted to come here.
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1009. I won this jitterbug contest.
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1010. That sort of led to acting.
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1011. You know, wanting to act.
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1012. When my aunt died –
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1013. Anyway, she – she left me some money.
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1014. - She worked here.
- In the movies?
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1015. Yes.
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1016. Well, how did you meet Camilla?
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1017. On The Sylvia North Story.
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1018. Oh, Camilla was great in that.
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1019. Yeah.
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1020. I wanted the lead so bad.
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1021. Anyway, Camilla got the part.
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1022. The director –
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1023. Bob Brooker?
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1024. Yes.
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1025. He didn't think so much of me.
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1026. Anyway, that's when we became friends.
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1027. She helped me...
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1028. getting some parts in some of her films.
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1029. I see.
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1030. So I got the pool...
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1031. and she got the pool man.
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1032. I couldn't believe it.
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1033. I wanted to buy that judge a Rolls-Royce.
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1034. Sometimes good things happen.
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1035. So I guess we've saved the best for last.
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1036. Do you wanna tell them?
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1037. No, y-you tell them.
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1038. Camilla and I ...
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1039. are going to be –
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1040. Sorry about that.
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1041. No, I'm fine.
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1042. This is the girl.
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1043. Don't show me this fuckin' thing here.
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1044. It's just an actress' photo resume.
Everybody's got one.
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1045. You got the money?
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1046. I sure do.
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1047. Okay, now, once you hand that over to me,
it's a done deal.
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1048. You sure you want this?
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1049. More than anything in this world.
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1050. When it's finished,
you'll find this where I told you.
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1051. What's it open?
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1052. Silencio.
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