Leonard Part 6 (1987)

1. THERE'S A LOGICAL EXPLANATION,

2. WHY LEONARD PARKER FOUND HIMSELF FLYING THROUGH THE AIR.

3. ONE, IN AN ARMORED PORSCHE,

4. 2, WEARING BALLET SLIPPERS,

5. AND 3, ON THE BACK OF AN OSTRICH.

6. ALL IN THE SPACE OF ONE WEEK IN SAN FRANCISCO.

7. MR. PARKER, WHOM I HAVE THE HONOR TO SERVE,

8. IS A MAN OF EXCEPTIONAL TALENTS,

9. WHOSE 5 PREVIOUS ADVENTURES WOULD, I'M SURE, HAVE ENTHRALLED YOU,

10. HAD THEY NOT BEEN CONFISCATED, IN THE INTERESTS OF WORLD SECURITY.

11. IT ALL BEGAN UNDER THAT FAMOUS BRIDGE

12. WITH A TEAM OF FROGMEN,

13. NOT, I HASTEN TO ADD, ON OUR SIDE.

14. QUINCY, THE WATER'S BEAUTIFUL. COME IN.

15. COME IN.

16. IT'S MAN RAY.

17. QUELISH.

18. OH, QUINCY, STOP SPLASHING.

19. THIS WAS, I BELIEVE, THE FIRST RECORDED INSTANCE,

20. OF A C.I.A. AGENT BEING EATEN ALIVE BY A RAINBOW TROUT.

21. AND WORSE WAS TO COME.

22. WE'VE LOST 8 AGENTS THIS MONTH.

23. BUT HOW DO WE STRIKE BACK AGAINST FEROCIOUS FISH?

24. WE BLOW 'EM OFF THE FACE OF THE EARTH.

25. WE'VE GOT THE CAPABILITY.

26. I HOPE YOU KNOW I SYMPATHIZE WITH THAT PASSION, JACK,

27. BUT WE CAN'T.

28. WE'VE GOT TO LEARN THEIR SECRET, AND TIME IS RUNNING OUT.

29. ABOVE ALL, WE MUSTN'T PANIC.

30. OH, YES, WE MUST.

31. IF SAN FRANCISCO GOES, TOMORROW IT'LL BE OREGON.

32. AND THEN, THE REST OF THE WORLD.

33. IN MY LIFETIME, I'VE ONLY WORKED WITH ONE MAN

34. WHO CAN MATCH THE BRUTALITY AND HEINOUS WIT

35. THAT'S BEHIND THESE SORDID AND UNPATRIOTIC EXECUTIONS.

36. MR. SNYDERBURN, YOU DON'T MEAN—

37. YES.

38. HE RETIRED. HE'LL NEVER COME BACK.

39. HE'LL COME BACK. I'LL SEND MONROE TO GET HIM.

40. (man) MMM. THAT LOOKS WONDERFUL.

41. LEONARD.

42. RETIREMENT BORED MR. PARKER.

43. AND HIS ENORMOUS WEALTH GAVE HIM LITTLE CONSOLATION.

44. AS A DIVERSION, HE OPENED A RESTAURANT,

45. WHICH NATURALLY BECAME SAN FRANCISCO'S FINEST.

46. YES, MR. MONROE?

47. I'M AFRAID IT ISN'T FRESH.

48. UH, WHAT ISN'T FRESH, SIR?

49. THE TROUT IS NOT FRESH.

50. OH, BUT, SIR, WE—WE KEEP OUR FISH LIVE IN A TANK.

51. OH. WELL, I DON'T SUPPOSE YOU'D SHOW ME THE TANK.

52. OH, I'D BE HAPPY TO. FOLLOW ME.

53. SO HERE IT IS.

54. THIS IS NOT ABOUT TROUT.

55. WOULD YOU PREFER THE FLOUNDER?

56. DON'T GIVE ME THAT!

57. I'VE BEEN WAITING A LONG TIME FOR THIS.

58. DO YOU KNOW WHAT THIS IS GONNA DO FOR MY CAREER,

59. ELIMINATING THE NUMBER ONE AGENT IN THE WESTERN WORLD?

60. BUT I'M NOT THE NUMBER ONE AGENT.

61. I RETIRED 7 YEARS AGO.

62. YEAH, THAT'S NOT WHAT NICK SNYDERBURN SAYS.

63. SNYDERBURN? NOW DON'T BE NERVOUS, NOW.

64. OH, I'M NOT NERVOUS, YOU KNOW.

65. AH, CREPES FLAMBE!

66. MAKE SPAGHETTI, SCOTTY.

67. AH.

68. MORE BUTTER.

69. GO EASY, MONROE.

70. LEONARD! GOOD TO SEE YOU!

71. WHY...

72. WHY DID YOU SEND MONROE TO KILL ME?

73. SUPPOSE MONROE HAD GOTTEN LUCKY AND KILLED ME.

74. THEN YOU WOULDN'T HAVE BEEN RIGHT FOR THE JOB.

75. SIT DOWN.

76. LEONARD, YOU KNOW JEFFERSON HERE.

77. AND, LIGHTS!

78. ALL TOGETHER AGAIN. WE CAN DO BETTER THAN THAT.

79. PUT THEM BACK ON.

80. AND, LIGHTS!

81. STIMOLA MEAT COMPANY, CADNA, ILLINOIS.

82. A GROUP OF HIGHLY TRAINED HOUSE CATS

83. ASSAULTED ONE OF OUR AGENTS IN THE GRISTLE ROOM,

84. COVERING HIM WITH FUR BALLS,

85. KILLING HIM AND, UH,

86. BURNING HIS I.R.S. RECORDS.

87. MALFORD WILSON, VIRGINIA.

88. HUSBAND AND WIFE TEAM, ASSAULTED ON STATE ROAD 306

89. BY 18 SQUIRRELS,

90. AND LEFT FOR DEAD,

91. WHICH, OF COURSE, THEY WERE.

92. WORST OF ALL, RIGHT IN THIS AREA,

93. AN AS YET UNKNOWN NUMBER OF APPARENTLY FURIOUS GOPHERS,

94. ATTACKED AND KILLED OUR UNDERCOVER COOK.

95. THIS IS THE WORK OF A SINGLE, HEINOUS ORGANIZATION,

96. UNDER THE DIRECTION OF A MANIACAL, AND SADISTIC WOMAN.

97. SHE'S A VEGETARIAN, A FORMER ECOLOGIST,

98. AND SHE'S BENT ON TAKING OVER THE WORLD.

99. AND, LIGHTS!

100. THIS HEINOUS WOMAN HAS DEVELOPED A FORMULA

101. WHICH CAN CONTROL THE VERY MIND OF EVERY ANIMAL,

102. FISH, BIRD, REPTILE, AND INSECT ON THIS GLOBE.

103. AND WE HAVE JUST LEARNT

104. THAT IN THE NEXT 36 TO 72 HOURS,

105. THIS PARAPSYCHOTIC TYRANT PLANS TO LAUNCH

106. AN ALL-ANIMAL OFFENSIVE OF MAJOR PROPORTIONS AGAINST THE BAY AREA.

107. LEONARD.

108. YOU GOTTA COME BACK WITH US.

109. MR. PARKER HAD ALWAYS EXPECTED

110. THAT ONE DAY HE WOULD HEAR ONCE MORE THE CLARION CALL OF DUTY.

111. BUT NEVER IN HIS WILDEST NIGHTMARES DID HE IMAGINE

112. THAT HE'D BE ASKED TO PIT HIS RESOURCES

113. AGAINST FEROCIOUS FELINES AND HOMICIDAL SQUIRRELS.

114. THAT VERY MORNING, I HAD TAKEN A MESSAGE

115. FROM THE PRESIDENT OF THE UNITED STATES

116. ASKING MR. PARKER TO CALL BACK AS SOON AS POSSIBLE.

117. THAT CALL AND THIS MEETING COULD HARDLY BE UNCONNECTED.

118. FACED WITH THIS KIND OF PRESSURE,

119. HOW COULD HE SAY NO?

120. NO.

121. WE NEED YOU, LEONARD.

122. YOU DON'T NEED ME. YOU NEED THE A.S.P.C.A.

123. WE'LL PAY YOUR REGULAR FEE. $6 MILLION.

124. WHY DON'T YOU JUST BLOW HER UP?

125. WELL, YOU KNOW THERE'S NOTHING I'D RATHER DO THAN THAT. BUT WE CAN'T.

126. WHAT SHE'S GOT COULD BE USEFUL TO US.

127. NO.

128. BUT WHY NOT, DAMN IT?

129. I HAVE MY REASONS.

130. OH, YEAH.

131. HIS WIFE.

132. HE QUIT THIS ORGANIZATION,

133. BECAUSE HE THOUGHT IT WOULD GET HIS WIFE BACK.

134. BUT WHAT HAPPENED?

135. SHE WON'T EVEN RETURN YOUR PHONE CALLS.

136. SHE NEEDS TIME.

137. IT'S BEEN 7 YEARS.

138. 7 YEARS, A LIFELESS DRUDGE.

139. DID IT EVER OCCUR TO YOU

140. THAT COMING BACK WITH US MIGHT JUST WIN HER BACK.

141. MONROE!

142. YOU KNOW, LEONARD, MY DEAREST FRIEND, JUST LOOK AT YOU.

143. IT'S NO WONDER THAT GORGEOUS AND VOLUPTUOUS CREATURE

144. DOESN'T WANT YOU AROUND ANYMORE.

145. THAT'S ENOUGH, SNYDERBURN.

146. WELL, YOU'RE MY DEAREST FRIEND AND—

147. YOU'RE NOT REMOTELY MY DEAREST FRIEND.

148. AND I HAVE A KIWI TART THAT DEMANDS MY IMMEDIATE ATTENTION.

149. I KNEW IT. WE'RE ALL GONERS.

150. OH, SHUT UP, MADISON.

151. IT'S TRUE THAT MR. PARKER WOULD HAVE GIVEN EVERYTHING

152. TO BE RECONCILED WITH HIS WIFE.

153. HE EVEN GAVE UP THE SERVICE.

154. HIS WIFE THOUGHT INTELLIGENCE WORK

155. MEANT RUNNING AROUND THE WORLD,

156. JUMPING INTO BED WITH A LOT OF BLONDE PEOPLE.

157. SO HE GAVE IT UP,

158. HOPING ONE DAY SHE WOULD RETURN.

159. DID SHE CALL?

160. NO, SIR. SORRY, SIR.

161. WELL, THAT'S ALL RIGHT, FRAYN.

162. OH, I CAN SEE MY DAUGHTER'S HERE AGAIN.

163. THAT'S NOT THE HALF OF IT, SIR.

164. DADDY!

165. HI, HONEY!

166. OK, NOW WHAT ARE YOU AND YOUR MOTHER FIGHTING ABOUT?

167. NOTHING. NOTHING. HUH?

168. ALL RIGHT, NOW WHAT DID YOU DO?

169. WELL, SHE STILL REFUSES TO ALLOW ME TO EXPRESS MYSELF.

170. AND SHE MAY NOT EVEN COME TO THE OPENING NIGHT. HMM.

171. BUT I KNOW YOU'LL BE THERE ON THURSDAY, RIGHT, DADDY?

172. NO, YOUR FATHER WILL BE THERE BEFORE THE STAGEHANDS ARRIVE.

173. SEE, I KNEW YOU WOULD.

174. AND I AM SO EXCITED ABOUT THIS PLAY, DADDY.

175. I JUST KNOW IT'S GONNA MAKE ME A STAR.

176. AND DO YOU KNOW WHAT ELSE?

177. HMM. YOU-YOU'RE GOING STEADY WITH THE LEADING MAN.

178. THE DIRECTOR.

179. AND DADDY, HE IS WONDERFUL,

180. WONDERFUL, WONDERFUL. HE'S WONDERFUL?

181. AND HE'S IN THE DRAWING ROOM.

182. IN THE DRAWING ROOM. COME ON.

183. LET ME INTRODUCE YOU TO HIM. OK.

184. MMM-HMM. WONDERFUL.

185. DADDY, MEET GIORGIO FRANCOSI.

186. CIAO, LEONARD.

187. A PLEASURE.

188. IS THIS WHAT YOU HAD A FIGHT WITH YOUR MOTHER ABOUT?

189. DADDY.

190. WELL, HE'S NOT STAYING HERE, EITHER.

191. I'D NEVER BE SO PRESUMPTUOUS.

192. I ONLY WANTED TO MEET THE FAMOUS FATHER, OF THE BRILLIANT WOMAN

193. WHO STOLE NOT ONLY MY HEART

194. BUT WHO'S ABOUT TO STEAL THE HEART OF ALL SAN FRANCISCO.

195. BY FRIDAY MORNING, REZAZI BENZUR SHAHEED PARKER WILL BE A STAR.

196. WHO IS THAT?

197. THAT'S MY STAGE NAME.

198. IN A FEW SHORT MONTHS, THIS WOMAN HAS GROWN

199. FROM A CALLOW, INSENSITIVE CHILD TO A MATURE—

200. JOANIE, GET YOUR FATHER A SANDWICH AND SOMETHING COLD TO DRINK.

201. NOW, PLEASE.

202. WHAT IS THIS? UH, WHAT—WHAT— WHAT'S GOING ON?

203. WE'RE IN LOVE. WE'RE GOING TO GET MARRIED.

204. THAT'S MY DAUGHTER. RIGHT.

205. SHE'S 2O YEARS OLD.

206. RIGHT.

207. AND YOU'RE 65?

208. 66.

209. I DON'T WANT A 66-YEAR-OLD SON-IN-LAW.

210. YOU'RE ROBBING THE CRADLE.

211. YOU BENT ON YOUR POINT OF VIEW?

212. SOME SAY JOAN IS ROBBING THE GRAVE.

213. WELL, I'M NOT PAYING FOR THE WEDDING.

214. HOW'S EVERYBODY DOING? HERE, DADDY.

215. DADDY, LOOK AT THIS FACE.

216. MY LITTLE CANNOLI.

217. WHAT, UH, DID YOUR MOTHER SAY?

218. YOU THINK I SHOULD I CALL HER?

219. HMM?

220. FRAYN!

221. GOOD NIGHT, UH, SERGIO.

222. HUH?

223. FATHER, IT'S GIORGIO.

224. WHATEVER IT IS YOU BROUGHT IN HERE,

225. GOOD NIGHT.

226. CIAO. YES.

227. LEONARDO.

228. YOU STAY. YOU STAY! SIT DOWN.

229. GOOD NIGHT, SOMETHING SPECIAL.

230. COULDN'T YOU HAVE FOUND SOMEBODY 45 YEARS OLD?

231. THIS MAN IS OLD ENOUGH TO BE MY FATHER.

232. MUST YOU INTERFERE IN MY LIFE, DADDY?

233. YOU'RE JUST LIKE MOTHER.

234. SHE DOESN'T BELIEVE THAT I REALLY WANT TO BE AN ACTRESS.

235. AND BEING AN ACTRESS IS WHAT I INTEND TO DO WITH THE REST OF MY LIFE.

236. WELL, YOU'LL HAVE TO FORGIVE YOUR MOTHER,

237. BECAUSE A MONTH AGO,

238. YOU WANTED TO BE A SCULPTOR FOR THE REST OF YOUR LIFE.

239. A MONTH BEFORE THAT,

240. YOU WANTED TO BE A BUDDHIST FOR THE REST OF YOUR LIFE.

241. AND A MONTH BEFORE THAT, YOU BOUGHT, UH, LUGGAGE.

242. THAT'S TRUE.

243. AND NO OFFENSE, DADDY,

244. BUT I JUST DON'T WANNA BE IN JUST THE RESTAURANT BUSINESS.

245. I NEED TO EXPRESS MYSELF,

246. AND I NEED TO EXPERIENCE LIFE AT ITS MOST RAW.

247. MOTHER DOESN'T UNDERSTAND THIS.

248. NOW YOU'RE GONNA HAVE A WEDDING,

249. AND THEN MAYBE A WEEK LATER,

250. I'M GONNA HAVE TO PAY FOR A FUNERAL.

251. MEANWHILE, ACROSS THE CITY,

252. ANOTHER FUNERAL WAS IMMINENT.

253. OUTSIDE THE HEADQUARTERS OF INTERNATIONAL TUNA,

254. C.I.A. OPERATIVE CHARLES POLK WAS KEEPING SURVEILLANCE.

255. MEDUSA! MEDUSA!

256. GOVERNMENT AGENT ON PIER ONE.

257. GOVERNMENT AGENT ON PIER ONE.

258. WHO HAS THE NERVE TO CALL?

259. KILL HIM.

260. OF COURSE, MY BELOVED ANDY, KILL HIM.

261. QUELISH.

262. WHO IS IT?

263. FRAYN, SIR.

264. COME IN, FRAYN.

265. GOOD EVENING, SIR. HERE'S YOUR NIGHTCAP.

266. OH, THANK YOU.

267. MISS JOAN'S CERTAINLY A HANDFUL, SIR.

268. I'M AFRAID SHE HAS A BIT OF HER MOTHER IN HER.

269. I MISS HER.

270. I KNOW, SIR.

271. 7 YEARS.

272. YOU'VE JUST GOT TO STOP BEING SO HARD ON YOURSELF.

273. I HAVE NOT BEEN WITH A WOMAN SINCE MRS. PARKER LEFT ME.

274. I'VE ALMOST FORGOTTEN WHAT IT'S LIKE TO BE WITH HER.

275. OUT BECAUSE OF ONE SILLY MISTAKE.

276. TERRIBLE PUNISHMENT, SIR,

277. EVEN IF THE GIRL WAS ONLY 19.

278. WE DIDN'T DO ANYTHING.

279. BUT TO BE FAIR, SIR,

280. MRS. PARKER DID FIND THE TWO OF YOU

281. NAKED IN THE SAUNA, SWITCHING EACH OTHER WITH BIRCH LEAVES.

282. I NEVER LAID A FINGER ON THAT GIRL.

283. NO, SIR, WITH JUST THE BIRCH LEAVES.

284. SIR,

285. I-I-IS MISS JOAN REALLY SERIOUS ABOUT

286. M-M-MARRYING THIS SERGIO PERSON, SIR?

287. I DON'T THINK SO.

288. YES. YES, SHE'S SERIOUS,

289. AND I THINK I SHOULD TALK TO HER MOTHER ABOUT THIS.

290. NOW, SIR?

291. YES!

292. IT'S 2:00 A.M.

293. I COULDN'T THINK OF A BETTER EXCUSE.

294. HELLO.

295. UH, ALLISON?

296. LISTEN, I WAS, UH, UH...

297. I WANTED TO TALK TO YOU, ABOUT THIS SITUATION WITH JOAN AND THIS, UH,

298. UH, SERGIO, UH,

299. WELL, WHATEVER HIS NAME IS.

300. UH, THIS ACTING AND...

301. I—I—I MISS YOU.

302. UH, AND I'M

303. LOVING THE MEMORY OF...

304. I'M GOING TO EXPLODE...

305. AND, OR—OR—OR JUMP OFF OF A—A BUILDING.

306. LEONARD.

307. DINNER HERE TOMORROW NIGHT AT 9:00.

308. DON'T—DON'T TOY WITH, DON'T TOY WITH ME NOW.

309. AND, UH, UH, DON'T KID ME.

310. TOMORROW NIGHT AT 9:00.

311. SHE SAID YES.

312. BRAVO, SIR!

313. THANK YOU, SIR.

314. BUT I HAVE NOTHING TO WEAR.

315. THIS ONE.

316. COME ON, HEAD UP! KEEP TALL! RELAX! FORWARD.

317. DRIVE IT THROUGH!

318. COME ON, NOW! WE'VE GOT TO BE READY BY TONIGHT!

319. DON'T GIVE UP!

320. YOU ALL RIGHT, SIR?

321. NEVER MIND! NEVER MIND! COME ON, GET BACK ON THAT MACHINE!

322. THERE YOU GO.

323. YOU'LL BE COMING IN 3 MONTHS?

324. UP! DOWN! FEEL THAT BURN!

325. FEEL THAT BURN! COME ON!

326. TOMORROW NIGHT AT 9:00.

327. AND REACH! 1 AND 2.

328. WELL, IT'S THE AEROBIC SECTION NOW. LET THOSE KNEES BEND.

329. REACH, REACH. COME ON!

330. REACH. THAT'S RIGHT, COME ON.

331. COME ON, LEONARD, GET YOUR BACK INTO IT.

332. GOD, YOU'RE LAZY! REACH!

333. AND NOW RAISE UP, ONE.

334. COME ON, SIR. WE CAN DO BETTER THAN THIS.

335. COME ON! LIFT! LIFT!

336. OH, COME ON, LEONARD, CAN'T YOU GET IT UP?

337. LEONARD. PAY ATTENTION, LEONARD.

338. LEONARD, THIS IS A DIAGRAM OF THE SPHERE.

339. HOW'D HE GET ON THIS TAPE?

340. IT'S THE NERVE CENTER OF THEIR OPERATION.

341. IT CONTROLS THE ANIMALS' BEHAVIOR.

342. THE SPHERE IS GUARDED NIGHT AND DAY BY UNKNOWN FORCES

343. IN A ROOM WHICH I CALL B.

344. YOU'LL ISOLATE AND RETRIEVE THE SPHERE AT THIS POINT B.

345. WE NEED THIS SPHERE, LEONARD. YOU CAN DO IT.

346. COME ON, YOU CAN DO IT.

347. I THINK YOU CAN DO IT.

348. IT'S ALL A QUESTION OF ATTITUDE, SIR.

349. I'M NOT SURE YOU CAN DO THIS.

350. THIS IS IT FOR TIES, SIR, BUT...

351. IT WARMED MY HEART TO SEE MR. PARKER SO HAPPY.

352. HE'D WAITED 7 YEARS FOR THIS EVENING,

353. SO HE'D LEFT NOTHING TO CHANCE.

354. HE WAS WEARING THE PERFECT SUIT,

355. CARRIED THE PERFECT FLOWERS,

356. AND IF I DO SAY SO MYSELF, HAD CHOSEN THE PERFECT TIE.

357. WHEN THEY'D SEPARATED,

358. HE HAD MOVED AWAY AS FAR AS HE FELT HE POSSIBLY COULD.

359. I LEFT HIM ALONE WITH HIS THOUGHTS

360. DURING THE AGONIZING RIDE TO HER HOUSE.

361. ALL THE BEST, SIR.

362. GOOD EVENING, SIR. MADAM IS EXPECTING YOU.

363. THE STAFF AND I WOULD LIKE TO WISH YOU GOOD LUCK, SIR.

364. THANK YOU.

365. WALK THIS WAY, SIR.

366. OH, SIR, HOW WE'VE ALL MISSED YOU.

367. WELL, I'VE MISSED SEEING YOU, DUCHAMP. HOW HAVE YOU BEEN?

368. MY OLD DOG, BRUTUS, PASSED AWAY.

369. BEST DOG I EVER HAD.

370. I'M SORRY TO HEAR THAT.

371. MARCEL AND I HOPE TO SEE YOU AT BREAKFAST, SIR.

372. I, UH, BOUGHT THESE, BUT I SEE YOU ALREADY HAVE SO...

373. UH, UH, I BOUGHT THESE FOR YOU, BUT YOU HAVE SO MANY.

374. THANK YOU, LEONARD.

375. YOU LOOK VERY HANDSOME TONIGHT.

376. AND YOU LOOK MORE BEAUTIFUL THAN EVER.

377. LEONARD, PLEASE.

378. WHERE—WHERE DO YOU WANT ME TO SIT?

379. AT THE HEAD OF THE TABLE, IN YOUR CHAIR.

380. THANK YOU.

381. THANK YOU, DUCHAMP, BUT I'LL SERVE SUPPER.

382. AND, DUCHAMP, MR. PARKER AND I DO NOT WISH TO BE DISTURBED.

383. YES, MA'AM.

384. I AM SO HAPPY TO BE HERE.

385. I'VE COUNTED THE MINUTES, TOO, LEONARD.

386. I WAS SO EXCITED To SEE YOU TONIGHT.

387. GOOD.

388. THERE'S BEEN SO MUCH MISUNDERSTANDING BETWEEN US

389. THAT SOMETIMES I FEEL WE'VE ALMOST BECOME STRANGERS.

390. TONIGHT IS A WONDERFUL OPPORTUNITY

391. TO REMEDY ALL THAT.

392. YES. OH, YES.

393. OH.

394. IT'S ALL RIGHT.

395. I'M SO SORRY.

396. IT WILL COME OUT.

397. I WAS HOPING THAT TONIGHT WE COULD PUT THE PAST BEHIND US.

398. EXACTLY.

399. YOU KNOW, LEONARD,

400. I'VE NEVER LOVED ANYONE AS MUCH AS I LOVED YOU,

401. AND IT WAS PAINFUL,

402. EXTREMELY PAINFUL WHEN THAT INCIDENT OCCURRED.

403. WELL, YEAH, IT WAS PAINFUL FOR ME AS WELL,

404. BUT, I MEAN, THAT'S BEHIND US. THAT'S THE PAST.

405. I MEAN, YOU SAID IT. THAT'S— THAT'S WHAT YOU SAID.

406. LEONARD, I KNOW WHAT I SAID,

407. BUT I'M HAVING A LOT OF TROUBLE

408. NOT REMEMBERING YOU WITH HER.

409. EVERY TIME I SEE YOUR FACE, I SEE THAT 19-YEAR-OLD.

410. I—I UNDERSTAND.

411. YOU DON'T UNDERSTAND.

412. I MADE YOUR FAVORITE.

413. OH.

414. OH.

415. THANK YOU.

416. CANCEL THE GRITS.

417. SOMETHING TOLD ME AT A GLANCE

418. THAT THE EVENING HAD NOT GONE WELL.

419. WAS IT THE TIE, SIR?

420. FRAYN, TAKE ME TO SEE NURSE CARVALHO.

421. BUT WE NEVER SEE THE NURSE UNLESS WE'RE GOING TO WORK.

422. NURSE CARVALHO.

423. CERTAINLY, SIR.

424. THIS LATEST PERSONAL DISASTER WAS AT LEAST SALVATION

425. FOR THE WESTERN WORLD.

426. AGENT LEONARD PARKER WAS RETURNING TO THE FIELD.

427. BEFORE ANY ASSIGNMENT,

428. MR. PARKER ALWAYS CONSULTED NURSE CARVALHO,

429. AN ALBANIAN FORTUNETELLER,

430. WHO NOW LIVED IN A TRAILER PARK IN OAKLAND.

431. HE TRUSTED HER

432. EVEN THOUGH HE NEVER UNDERSTOOD A SINGLE WORD SHE SAID.

433. YES.

434. HOW ARE YOU, NURSE?

435. IT'S BEEN A LONG TIME.

436. I'VE DECIDED TO GO BACK TO WORK.

437. AND I WAS WONDERING IF YOU COULD YOU DO FOR ME

438. THE WONDERFUL THING THAT YOU'VE ALWAYS DONE IN THE PAST?

439. GOOD.

440. TIPPY TIPPY TOE. TIPPY TIPPY TWIRL.

441. THANK YOU.

442. I DON'T UNDERSTAND,

443. BUT I IMAGINE EVENTUALLY EVERYTHING WILL BE CLEAR.

444. QUELISH.

445. QUELMISH.

446. QUELISH.

447. HOW WAS SHE, SIR?

448. STILL WEIRD.

449. WHAT HAVE WE GOT, FRAYN?

450. SOME OF THE MOST POWERFUL POCKET-SIZED WEAPONS AVAILABLE, SIR.

451. AUSTRALIAN BOOMERANG KNIFE.

452. SKY-LYNX COLLAPSIBLE BAZOOKA.

453. 3 WAFER-THIN GRENADES.

454. HAIR CLIPPERS, SIR. YOU NEVER KNOW.

455. THE WORLD'S SMALLEST CAMERA.

456. TO ROUND OFF YOUR PERSONAL ARTILLERY, SIR,

457. A PAIR OF UNDERARM, HEAT-SEEKING MISSILES.

458. TALK TO ME.

459. "HALF A LEAGUE, HALF A LEAGUE

460. "HALF A LEAGUE ONWARD

461. INTO THE VALLEY OF DEATH RODE THE 600"

462. "AND CRISPIN CRISPIAN SHALL NE'ER GO BY

463. "FROM THIS DAY TO THE ENDING OF THE WORLD

464. BUT WE IN IT SHALL BE REMEMBERED"

465. "GRACE ME NO GRACE

466. NOR UNCLE ME NO UNCLE"

467. "DON'T FIRE UNTIL YOU SEE THE WHITES OF THEIR EYES."

468. I'M DYING. EGYPT'S DYING.

469. "WE SHALL FIGHT ON THE BEACHES.

470. "WE SHALL FIGHT ON THE LANDING GROUNDS.

471. "WE SHALL FIGHT IN THE FIELDS

472. "AND IN THE STREETS.

473. WE SHALL NEVER SURRENDER."

474. "NOW IS THE WINTER OF OUR DISCONTENT

475. MADE GLORIOUS SUMMER BY THIS SON OF YORK"

476. PICK UP YOUR GUN, GET ON YOUR HORSE AND GET ON YOUR WAY.

477. THE LATIN. DO THE LATIN.

478. AMO, AMAS, AMAT, AMAMUS, AMATIS, AMANT.

479. IS SHE READY?

480. SIR.

481. KILL HIM!

482. NOT YET, MY BELOVED ANDY.

483. FOR THIS ONE, ONE WING AT A TIME,

484. JUST LIKE A FLY.

485. THICK DOOR.

486. NOW.

487. LET HIM IN.

488. WELCOME, LEONARD.

489. WHO'S THAT?

490. WOULD YOU LIKE TO WATCH THE SEAS PART, LEONARD?

491. NOT REALLY.

492. DO YOU THINK I CAN PART THE SEAS, LEONARD?

493. YEAH.

494. PART THE SEAS,

495. THRASH THE FIELDS,

496. INFLAME THE SKIES?

497. UH-HUH.

498. WOULD YOU LIKE TO MEET MY VEGETARIANS, LEONARD?

499. VEGETARIANS?

500. VEGETARIANS.

501. 13 PERFECT PHYSICAL SPECIMENS,

502. TORN FROM THEIR MOTHERS' BREASTS AT BIRTH,

503. REARED BY OCELOTS IN THE JUNGLES OF SUMATRA,

504. PAMPERED BY SCREECHING THINGS

505. THE WORLD OVER.

506. NOT ONE SHRED OF MEAT

507. HAS EVER PASSED THEIR PURE, VEGETARIAN LIPS.

508. BRING ON THE DANCERS!

509. DANCERS?

510. WOUND HIM.

511. KILL HIM!

512. MANGO ME.

513. CLEVER, BUT DUMB.

514. GRAPE ME.

515. IT HAS NEVER PREVIOUSLY BEEN DISCLOSED

516. THAT MIKHAIL BARYSHNIKOV'S DEFECTION TO THE WEST,

517. OWED A GREAT DEAL TO THE EFFORTS OF MR. PARKER

518. WHO'D WORKED UNDERCOVER WITH THE BOLSHOI BALLET IN MOSCOW FOR OVER 3 YEARS.

519. AT THIS CRITICAL MOMENT,

520. THIS EXPERIENCE WOULD PROVE MORE EFFECTIVE

521. THAN HIS FIREPOWER.

522. TAKE THIS, LEONARD PARKER!

523. HE'S ESCAPED. YOU TWO, FOLLOW ME.

524. SHH!

525. ANYONE COME BY HERE?

526. NO.

527. THANKS.

528. A QUEEN BEE.

529. DRONES.

530. ALL RIGHT, ALL RIGHT, LADY,

531. YOU GET IN THERE AND SHOW 'EM YOUR GARTER.

532. SCRAM!

533. AHH!

534. DON'T MIND IF I LOOK, DO YOU?

535. BUZZ, BUZZ, BUZZ, BUZZ.

536. LEAD THEM AWAY, LITTLE LADY.

537. BEES! GET OFF!

538. DON'T MIND ME. YOU GUYS KEEP DANCING.

539. ANYTHING BUT THE BOOMERANG KNIFE.

540. WHATEVER YOU DO, SON, DON'T FALL ON THAT.

541. THE SPHERE'S GONE.

542. I'M OUT OF SHAPE.

543. NURSE CARVALHO CAME THROUGH, THOUGH.

544. SNYDERBURN HAS HIS PRECIOUS SPHERE.

545. SIR, YOU'RE BLEEDING!

546. CAUGHT A BULLET. PREPARE FOR SURGERY.

547. SIR.

548. SCALPEL.

549. SCALPEL.

550. CLAMP.

551. CLAMP.

552. BELT.

553. BELT.

554. THE OTHER BELT.

555. OTHER BELT.

556. UH, YEAH.

557. THE ADMINISTERING OF THE ANESTHETIC

558. HAD TO BE PRECISE.

559. IT WAS SCIENTIFICALLY CONTROLLED SO THAT THE NERVE ENDS WERE DEADENED

560. WHILE MR. PARKER REMAINED CLEAR-HEADED AND CLINICAL

561. WITH RAZOR-SHARP REFLEXES.

562. HE PERFECTED IT TO A FINE ART.

563. MEROSTEROPIN.

564. PARDON, SIR?

565. MEROSTEROPIN!

566. OH! UH, YOU'VE GOT IT.

567. DAD, ARE YOU IN THERE?

568. WHO IS IT?

569. YOU'RE COMING TONIGHT, AREN'T YOU?

570. TONIGHT?

571. DADDY, YOU PROMISED,

572. AND TONIGHT'S MY OPENING NIGHT.

573. THE CRITICS CAME TO LAST NIGHT'S PREVIEW,

574. AND THEY THOUGHT THE SHOW WAS SIMPLY TERRIFIC.

575. THE REVIEWS WERE FANTASTIC. LOOK.

576. GO GET IT.

577. WHAT DO YOU THINK, DADDY?

578. IT'S, UH, UH, BEAUTIFUL, DEAR. GREAT!

579. DADDY, YOU'RE NOT READING THEM. I CAN TELL.

580. YEAH, YEAH.

581. LET ME HEAR YOU.

582. DAD?

583. DAD?

584. AH!

585. ALONE AMONG THE ACTORS ON STAGE,

586. REZAZI BENZUR SHAHEED—

587. OH, GOD!

588. PARKER GIVES A SOULFUL, SHATTERING...

589. GUT WRENCHIN'...

590. PERFORMANCE.

591. YOU OK, DADDY?

592. YEAH.

593. I'M TAKIN' A SHOWER. THE WATER'S HOT.

594. OK, DAD.

595. GOT IT.

596. PLATINUM, SIR.

597. THE OFFENSIVE WILL BEGIN ON SCHEDULE.

598. HOW?

599. HE STOLE THE SPHERE.

600. AND TONIGHT,

601. HE WILL RETURN IT.

602. GOOD EVENING, AUNTS.

603. THIS IS RACHEL,

604. THE WOMAN I WANT TO SPEND THE REST OF MY LIFE WITH,

605. WHAT LITTLE OF IT THERE IS LEFT.

606. COME ALONG, HYLAH JANE.

607. WE MUST LEAVE THESE 2 NUBILES ALONE.

608. HURRY, GERTA, HURRY.

609. HEPATITIS, TERRIBLY CONTAGIOUS.

610. SO THIS IS WHERE YOU'VE GONE

611. AND CAUGHT YOUR DEADLY AND INSISTENT HEPATITIS.

612. SEEIN' YOU HERE WITH YOUR FAMILY

613. AND THE WOODED PLANKS OF YOUR EVERGREEN CHILDHOOD,

614. I'M FORCED TO PICTURE YOU AS A LITTLE BOY,

615. THE MAN AND POET I LOVE.

616. I SEE YOU AS I LOVE TO SEE YOU,

617. WITH YOUR BRAWNY HAIR ACROSS YOUR WEARY BROW,

618. AND MY ARM A-CLING

619. TO YOUR FEVERED, SWAMPY CHEST.

620. MY LOVE, MY SINFUL LUST,

621. MY UNKEPT LIFE,

622. YOUR NEVER-ENDING SONG.

623. OH, JAMIE, I CRAVE YOU.

624. I CRAVE YOU AS I SEE YOU

625. EACH MORN OF OUR FOND, ILLICIT LOVE.

626. THAT'S MY DAUGHTER.

627. (man) WELL, IT'S OK, YOU KNOW.

628. NOT ONLY THAT, BUT MY PARENTS ARE HERE.

629. YOU KNOW, JOAN, IT WAS MORE THAN THAT YOU HAD YOUR CLOTHES OFF.

630. YOU WERE SPIRITUALLY NAKED OUT THERE TONIGHT.

631. I'M SO GLAD YOU CAME.

632. DADDY.

633. EVERYBODY, THESE ARE MY PARENTS,

634. MR. AND MRS. PARKER. I'D LIKE YOU ALL TO SAY HELLO.

635. HI. HI.

636. DID YOU LIKE IT?

637. WHAT DID YOU THINK?

638. WELL, IT WAS DIFFERENT.

639. PARKER, YOU WERE MARVELOUS TONIGHT!

640. OH!

641. MAY I SEE YOU OUTSIDE FOR A WHILE, PLEASE?

642. OF COURSE, LEONARD.

643. BYE, DAD.

644. WHAT'S THE MATTER WITH HIM?

645. I DON'T KNOW, IT'S JUST THAT...

646. OH! WHAT A GREAT FUTURE.

647. LET ME ASK YOU A QUESTION.

648. LEONARD, I KNOW. THE 2ND ACT DOESN'T QUITE WORK.

649. I'M NOT TALKIN' ABOUT— I'M TALKIN' ABOUT MY DAUGHTER!

650. EVEN SHE CAN'T HELP THAT 2ND ACT.

651. I'M NOT TALKIN' ABOUT SAVIN' THE 2ND ACT!

652. I'M TALKIN' ABOUT SAVIN' YOUR LIFE!

653. GIORGIO!

654. CIAO.

655. LEONARD, LEONARD,

656. WHY DON'T YOU GO IN THERE AND TALK TO JOAN RIGHT NOW?

657. PLEASE, DEAR, PLEASE DON'T ASK ME TO TALK, ESPECIALLY TO HER.

658. PLEASE.

659. ALL RIGHT. I WILL.

660. WHEN YOU'VE SURVIVED VICIOUS VEGETARIANS

661. AND TAKEN A BULLET FROM YOUR SHOULDER,

662. YOU DON'T NEED YOUR DAUGHTER

663. FLAUNTING HER FULL FRONTAL CHARMS

664. TO AN AUDIENCE OF STRANGERS.

665. IT WAS TIME TO ASSERT HIS PARENTAL AUTHORITY.

666. THEY'VE GOT MOM!

667. A WEIRD GUY WITH RED HAIR TOOK HER AWAY.

668. DON'T WORRY. I'LL GET HER BACK.

669. THEY GOT MRS. PARKER. WE GOT TO GET THE SPHERE.

670. PUT THE FOOT TO THE GAS.

671. THERE'S GOT TO BE A SIMPLE WAY TO MAKE THIS THING WORK.

672. I NEED THAT SPHERE.

673. ONE COULD RULE THE WORLD WITH THIS THING.

674. IT ISN'T ENOUGH

675. WE HAVE TO STOP HER FROM CONTROLLING THE ANIMALS.

676. HE WANTS TO CONTROL THE ANIMALS.

677. IT'S NOT ON, SIR.

678. NO.

679. I KNEW WE WOULD NEVER GET THIS TO WORK.

680. HOW'S EVERYTHING GOING, TEAM?

681. LEONARD, WE CAN'T STILL FIGURE OUT HOW TO GET THIS THING TO WORK.

682. OH, REALLY?

683. THE RED LIQUID NEUTRALIZES THE ANIMAL'S PARASYMPATHETIC SYSTEM,

684. LEAVING THE BRAIN PAN FLACCID AND OPEN TO ENCRYPTION,

685. BUT THE PUZZLE IS HOW DID THIS WOMAN ACTIVATE THEM?

686. MAYBE YOU HAVE THE WRONG RABBIT.

687. I KNEW WE GOT THE WRONG RABBIT.

688. LET'S TAKE A LOOK. FRAYN?

689. UH-HUH.

690. MAYBE IT'S THIS ONE.

691. COME HERE, FELLA. LET'S TAKE A LOOK.

692. UH, YOU ALL STEP OVER THERE.

693. NOW STEP OVER THERE.

694. AND LET'S SEE.

695. ALL RIGHT. LET'S TAKE A LOOK HERE.

696. NOW, DID YOU GIVE IT THE LIQUID?

697. SURE.

698. AND IT'S ALL ACTIVATED THERE?

699. WELL, I THINK THE ONLY THING MISSING HERE

700. IS TO SAY THE WORD QUELISH!

701. NOW, LET'S SEE MEDUSA AND GET BACK MRS. PARKER.

702. OPEN THAT THING UP.

703. IN HERE, SIR?

704. SHE MUST BE PLANNING TO DILUTE THAT CONCENTRATION

705. AND PUMP IT INTO THE ENTIRE BAY AREA.

706. LOOKS LIKE DISHWASHING LIQUID.

707. A PERFECT MATCH, SIR.

708. WATCH OUT! BANDIT ON YOUR 6!

709. HE'S CLOSING FAST!

710. THEY KIDNAPPED MY WIFE. THIS—THIS WOMAN.

711. YEAH, YEAH, YEAH.

712. WHAT IS IT? WHAT IS IT?

713. WHAT IS IT?

714. GO, GO AHEAD. I TRUST YOU.

715. OH!

716. BUTTER?

717. MEAT PATTIES?

718. WHATEVER YOU SAY.

719. LET THEM THAW. LET THEM THAW.

720. LET THEM THAW.

721. OOH! OOH!

722. WHAT'S THIS FOR?

723. AH! FRAYN.

724. ARRIVEDERCI.

725. OH, FRAYNIE.

726. I GOT YOUR BALL, NOW LET ME IN.

727. WELCOME BACK, LEONARD.

728. MAY I HAVE MY WIFE BACK, PLEASE?

729. NOT SO FAST. THE SPHERE.

730. WHERE IS SHE? I WANT MY WIFE BACK.

731. WHATEVER YOU SAY, LEONARD PARKER.

732. LEONARD!

733. ALLISON!

734. WHERE IS SHE?

735. LEONARD!

736. LEONARD!

737. IT'S A SIMPLE HOLOGRAM.

738. I WANT MY WIFE BACK!

739. SO WHAT ELSE IS NEW, LEONARD?

740. YOU TOLD ME IF I BROUGHT YOU THE SPHERE,

741. YOU'D GIVE ME MY WIFE BACK!

742. I LIED.

743. THE COUPLE THAT SPIES TOGETHER,

744. DIES TOGETHER.

745. MY WIFE IS NO SPY!

746. I NEEDED A RHYME. QUIET!

747. SO YOU THOUGHT YOU COULD FOOL MEDUSA JOHNSON

748. BY PUTTING DISHWASHING LIQUID INTO MY SPHERE.

749. SO?

750. SO THAT WAS WHAT WAS IN IT IN THE FIRST PLACE,

751. YOU RESTAURANT SPAZ.

752. IT'S NOT THE LIQUID THAT MAKES THE MAGIC.

753. IT'S THE MOLYBDENUM CHROMIUM CATALYST.

754. I COULD PUT YOO-HOO IN THIS THING,

755. AND IT WOULD WORK.

756. AND YOU CALL YOURSELF A COLLEGE GRADUATE.

757. TAKE HIM TO ANNEX 3.

758. KILL HIM.

759. KEEP YOUR EYES OPEN, LEONARD.

760. PAY ATTENTION TO YOUR LAST MOMENTS ON EARTH.

761. THIS, I HOPE, WILL BE THE DARKEST NIGHT

762. OF YOUR CRIMINALLY INSENSITIVE EXISTENCE.

763. HI.

764. HANDS OFF!

765. WHAT HAVE YOU DONE TO THESE ANIMALS?

766. I HAVE DONE THE UNTHINKABLE.

767. TOLD THE ANIMALS THE TRUTH,

768. THAT THEY HAVE BEEN EXPLOITED AND TORMENTED BY MAN

769. FOR 2 MILLION YEARS.

770. IN LESS THAN 15 MINUTES,

771. I WILL SWITCH ON THESE DISTRIBUTION PUMPS.

772. THE CONTENTS OF THE VATS UPSTAIRS

773. WILL FLOW INTO EVERY SINGLE WATERWAY IN THE BAY AREA.

774. THE ANIMAL KINGDOM WILL BE LIBERATED,

775. AND THE WORLD WILL SHUDDER.

776. WHO'S PAYING FOR ALL THIS?

777. I DIDN'T HAVE BACKING FROM ANY GOVERNMENTS OR BIG BUSINESSES.

778. NO. THEY ALL THOUGHT I WAS INSANE.

779. I DID IT ALL MYSELF.

780. A SELF-MADE WOMAN.

781. ALL I HAD TO START UP WITH

782. WAS POOR ANDY'S DISABILITY INSURANCE,

783. BUT IT WAS ENOUGH.

784. NOW, MARCH.

785. LEONARD!

786. DARLING, ARE YOU ALL RIGHT?

787. I'M ALL RIGHT. I'M ALL RIGHT.

788. W-WHAT'S GOING ON?

789. KEEP ME, BUT RELEASE HER. SHE'S INNOCENT.

790. NO ONE RELATED TO YOU IS INNOCENT.

791. WHAT'S THAT SUPPOSED TO MEAN?

792. KILL HIM.

793. YOU'RE RIGHT, AS ALWAYS, ANDY.

794. GOOD-BYE, LEONARD.

795. AND TACKY-TACKY WIFEY.

796. THE OFFENSIVE WILL START IMMEDIATELY.

797. DID YOU POUR THAT FOOD ON ME

798. BECAUSE YOU LOVE ME OR HATE ME?

799. DID YOU POUR THAT FOOD ON ME

800. BECAUSE YOU LOVE ME OR HATE ME?

801. BOTH.

802. LEONARD.

803. WHAT'S THAT?

804. WHERE'S YOUR RUBBER BANDS, FELLAS?

805. IN 5 MINUTES AND 32 SECONDS,

806. ALL OF NORTHERN CALIFORNIA WILL BE OURS.

807. NOT OURS. MINE!

808. RIGHT.

809. PIEDMONT?

810. OPERATIONAL!

811. OAKLAND?

812. ON LINE!

813. SAN JOSE?

814. STANDING BY.

815. BERKELEY?

816. READY TO GO.

817. FEED ME.

818. GET OFF! GET OFF! SHOO! SHOO!

819. GET OUT OF HERE.

820. HEY! GET!

821. LEONARD! LEONARD! THERE ARE MORE COMING!

822. LEONARD, PLEASE! WELL, DO SOMETHING, LEONARD!

823. LEONARD!

824. BITE! BITE!

825. LEONARD! GET THEM OFF!

826. LEONARD!

827. CUT THE WIRE!

828. CUT IT!

829. LEONARD! THERE ARE MORE COMING!

830. WHAT'S THAT, LEONARD?

831. MELTED BUTTER.

832. MELTED BUTTER?

833. MELTED BUTTER.

834. YES, MELTED BUTTER!

835. AND IF YOU DON'T CUT THE WIRES,

836. I'M GOING TO THERMIDOR YOU.

837. MELTED BUTTER! PULL!

838. MELTED BUTTER! PULL!

839. GET BACK! GET BACK!

840. BUTTER!

841. MELTED BUTTER!

842. MELTED BUTTER!

843. MELTED BUTTER!

844. MELTED BUTTER! MELTED BUTTER!

845. MELTED BUTTER!

846. ARMADILLOS AWAITING ACTIVATION.

847. RATS MASSING IN DOWNTOWN SEWER.

848. PUMP 3.

849. GENERATOR 2.

850. COME ON, HONEY. COME ON!

851. NOW LET'S GO HOME. COME ON.

852. NOW WE GOT TO FIND WHICH WAY'S OUT OF HERE.

853. BUT SURELY YOU'VE GOT TO GET THAT SPHERE.

854. NO, I DON'T, EITHER.

855. LEONARD PARKER!

856. IF YOU DON'T GET THE SPHERE AND SAVE THE WORLD

857. AND STOP MEDUSA, YOU CAN FORGET ABOUT EVER SEEING ME AGAIN.

858. IF I SAVE THE WORLD, WILL YOU MOVE BACK IN WITH ME?

859. YOU SAVE THE WORLD AND I'LL THINK ABOUT IT.

860. ALL RIGHT!

861. LET'S GO SAVE THE WORLD.

862. (man) COUNTDOWN CONTINUES.

863. ALL PERSONNEL TO THEIR STATIONS.

864. ALL PERSONNEL TO THEIR STATIONS.

865. UNBELIEVABLE!

866. CATERPILLARS ON THE MARCH IN SACRAMENTO.

867. POSSUMS IN PIEDMONT AWAITING ORDERS.

868. MOVE IT!

869. QUELISH COUNTDOWN CONTINUES.

870. (man) BIRDS ALOFT AND TRACKING.

871. 0127. NUMBER 12 PRESSURING.

872. QUELISH IN 20 SECONDS.

873. (man) 5 SECONDS NOW.

874. IF YOU'RE GOING TO BE IN THE SPY BUSINESS,

875. YOU GOT TO LEARN TO GET READY A BIT QUICKER.

876. COME ON, ALLISON!

877. (man) 16, 15...

878. BANANA ME.

879. 13, 12, 11...

880. QUELISH IN 10 SECONDS.

881. 9, 8, 7,

882. 6, 5,

883. QUELISH, 3,

884. QUELISH, 2,

885. EMERGENCY PROCEDURE. RELEASE PUMP 5!

886. RELEASE PUMP 5!

887. KILL HIM, MY BEAUTIFUL VEGETARIANS.

888. KILL HIM!

889. AND YOU, YOU GIVE ME MY SPHERE!

890. SPHERE!

891. AH!

892. GO FREE THE ANIMALS.

893. (man) STOP HER! GET HER!

894. "NO MEAT."

895. HA!

896. MEAT!

897. (all) MEAT!

898. 100 PERCENT PURE BEEF!

899. (all) BEEF!

900. PORK.

901. HA!

902. MORE LOVELY MEAT?

903. NO! DON'T BURGER ME!

904. I'M NOT AFRAID OF A LITTLE MEAT.

905. NO MORE MEAT!

906. MEAT! MEAT!

907. MEAT!

908. DEATH TO ALL MANKIND.

909. WHEN YOU'RE FINISHED DRINKING ALL THAT,

910. YOU'LL DEFINITELY NEED A COUPLE OF THESE.

911. MOTHER!

912. MOM!

913. YES, SWEETHEART.

914. WHERE'S DADDY?

915. COME ON, BOY. WE'RE TOGETHER.

916. PLEASE STAND BACK. THIS BUILDING'S GOING TO BLOW.

917. BYE-BYE.

918. GET RID OF THIS, WILL YOU?

919. YOU'LL NEVER WORK IN THIS TOWN AGAIN.

920. WELL, THAT DEPENDS ON WHAT MY WIFE AND DAUGHTER HAVE TO SAY.

921. WE'RE GOING HOME.

922. THAT WAS THE END OF THE STORY,

923. APART FROM AN ISOLATED INCIDENT IN OREGON

924. WHEN A LUMBERJACK WAS BRUTALLY ASSAULTED

925. BY A MALICIOUS MOLE.

926. MR. PARKER'S DAUGHTER HAPPILY LEFT THE THEATRE

927. AND IS NOW WITH GREENPEACE PICKETING TOXIC WASTE DUMPS.

928. MR. AND MRS. PARKER

929. CELEBRATED THEIR RECONCILIATION

930. IN A MOST APPROPRIATE FASHION.

931. I LOVE YOU.

932. TONIGHT?

933. TONIGHT.

934. LET'S EAT.

935. LET'S EAT.

936. LET'S EAT!

937. MMM.

938. NO, NO.

939. TONIGHT MRS. PARKER WILL SERVE HER HUSBAND SUPPER.

940. AS YOU WISH, MONSIEUR.

941. DO IT.