1. Come on, calm down.
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2. You'll feel better now.
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3. What am I going to do?
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4. Tommaso Garani, room 103.
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5. OK. Seventh floor.
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6. Wait here a second.
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7. Doors closing! Please select
the floor you wish to visit.
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8. Excuse me.
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9. The telephone is out of order.
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10. I don't know how to make it work.
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11. Would you mind...?
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12. Could you tell the operator downstairs?
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13. But...
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14. He's drugged with morphine,
but he's awake.
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15. - You can go in.
- Are you going to operate on him?
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16. We have decided against it.
It would be futile at this stage.
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17. Please excuse me.
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18. Tommaso, are we disturbing you?
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19. Come in, my dear.
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20. Lidia.
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21. - Hello, Tommaso.
- How are you?
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22. The operation was successful,
but the patient died.
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23. Sit down.
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24. What news do you have? I hear your
book is out today. Are you pleased?
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25. - Please, let's not talk about it.
- Why not?
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26. It's important. Your book
is the one thing that really matters.
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27. Lidia, why don't you sit down?
You can smoke if you like.
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28. No, thank you. I'm not tired.
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29. I've brought you "L'Europa Letteraria"
with your article on Adorno.
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30. I've already got a copy. What do you
think? Shall I add it to the book?
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31. I think it's very good. I went through it
quickly, so I need to read it again.
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32. Of course you should add it.
It will be a great book.
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33. Yes. I should give it some thought.
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34. I haven't had much time to think about it
over the past few days
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35. and yet this is the first time
I've been off work in three years.
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36. My holidays are quite ironic!
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37. Lidia, you look very well.
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38. Marcella wanted to come, too,
but I thought...
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39. Quite right.
I don't want to see anyone.
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40. There are times
when you don't want to pretend anymore.
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41. With you, it's different, though.
I was expecting you to come.
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42. I can see things more clearly now.
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43. I regret spoiling many of your evenings
with my presence
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44. in your lovely home.
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45. It's your home, too, you know.
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46. Yes, I know.
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47. You realise so many things
when you're on your own.
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48. You realise that
there's still so much to do.
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49. Maybe I was watching from the sidelines
something I should have been a part of.
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50. I lacked the courage to go all the way.
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51. I often cheer myself up thinking
I probably wasn't clever enough anyway.
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52. If that's true, then I should give up
writing and look for another job.
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53. - I think you're being coy.
- Self-criticism is good.
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54. It helps you to reassess things
and grow in confidence.
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55. You bought it? I was going
to bring you a copy.
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56. Not only did I buy it,
I've also started reading it.
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57. I've only read 50 pages so far.
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58. I hope they'll let me finish it.
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59. There are some very good parts,
like the bath episode.
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60. It's definitely the best bit, unless
morphine has warped my judgement.
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61. Morphine makes everything
seem important.
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62. Then it must be the morphine.
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63. Do you really think it's good?
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64. Yes, Giovanni.
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65. You'll end up being very successful.
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66. Yes, and I'll come to a sticky end.
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67. The advantage of a premature death
is that you escape success.
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68. - Ah, my mother.
- Good morning, Madam.
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69. How are you, Tommaso?
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70. Poor mother, seven hours on a train
on her own.
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71. And now she can't even sleep
because she has to keep me company.
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72. - Today is Saturday, isn't it?
- Yes, it's Saturday.
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73. Tell me about you.
Who have you seen lately?
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74. Hardly anyone lately.
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75. Always the same people.
Everything's so difficult at the moment.
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76. We spend our time in the car
trying to get to places. It's no fun.
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77. We're almost always at home.
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78. What about your trip to Greece?
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79. - Well...
- We haven't decided yet.
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80. - It was your idea, when you're better.
- Treat me like a friend, not an ill person.
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81. I know how this will end.
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82. I'm sorry.
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83. I've told my publisher
what to do about my royalties.
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84. After all, he's the one paying for here.
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85. No, it's nothing. I'm sorry.
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86. Don't tire yourself.
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87. Shall I call the nurse?
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88. - Or shall we go?
- No, please stay.
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89. Quite a place, isn't it?
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90. It's everything I dislike in terms of style.
I never thought I'd end my days like this.
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91. I feel like a fraud.
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92. Hospitals are becoming
more like nightclubs.
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93. People want to have fun
until the very end.
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94. Ah, the champagne.
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95. Thank you.
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96. It's at times like this that
one has a craving for champagne.
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97. I don't like it,
but suddenly I feel like some.
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98. They weren't surprised.
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99. It's stimulating, it's good for you.
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100. Excuse me, I've never dared
to ask you your name.
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101. My name is Elena.
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102. Elena, thank you.
Will you have a drink with us?
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103. No, thank you.
Don't tire yourself talking.
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104. She's not a nurse,
just a beauty to boost morale.
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105. Yet beauty is depressing
in certain circumstances.
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106. - Giovanni, will you pour it?
- Sure.
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107. Only for me? What about Lidia?
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108. No, thanks, Tommaso.
I'd rather not.
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109. Giovanni, don't let me drink alone.
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110. - Champagne, Mother?
- A little bit.
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111. I have to go, Tommaso.
You stay, Giovanni.
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112. I have to go.
I'll come again tomorrow.
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113. - Don't you want to go, too?
- I'll stay a little longer.
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114. Bye, Lidia.
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115. Goodbye. See you tomorrow.
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116. They are my only real friends, Mother,
the others are just acquaintances.
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117. They're good people.
Giovanni's a famous writer.
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118. If they ever visit you one day...
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119. You must go and visit.
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120. give them the room
overlooking the orchard.
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121. If that's your wish,
I promise we'll go.
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122. I think they're giving me water,
not morphine.
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123. - How was that concert?
- I didn't go.
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124. Do you have a match?
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125. No, a match.
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126. Please, get up.
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127. I could do without this book party.
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128. - If you're too tired, I can go on my own.
- No, I'm fine.
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129. - Are you not tired?
- Well, a little tired, perhaps.
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130. I have to tell you something
that may upset you.
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131. Do you have to?
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132. Yes. Something happened
at the hospital. Something unpleasant.
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133. I saw that girl again.
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134. - What girl?
- The one in the corridor.
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135. At first I couldn't make out
what she wanted.
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136. Did you go into her room?
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137. She was like a wild animal.
I was carried away.
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138. - Why did you call it "unpleasant"?
- It was hideous.
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139. At first I thought I'd provoked it.
The nurses came in.
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140. It's good material for a novel.
You can call it "The Living and the Dead".
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141. - Is that all you have to say?
- What shall I say?
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142. That you did something vile?
That you disgust me?
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143. I understand, you were overwhelmed.
Let's not talk about it, do you mind?
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144. Maybe that girl's happy now.
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145. Why?
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146. Because she's irresponsible.
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147. - There were Piero, Giacomo, Marta.
- And?
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148. So this guy...
But there was never...
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149. Good morning. How are you?
Good morning, Madam.
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150. This is my wife.
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151. Hi, Bompiani. How are you?
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152. - Good morning. Congratulations.
- Thank you.
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153. - Hello.
- This is the anteroom of fame.
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154. We've all had to wait.
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155. - Sign a copy for our Nobel Prize winner.
- I'd like to.
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156. Here's a pen.
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157. I'm honoured.
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158. - Do you always sign on the left?
- Yes.
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159. - Do you open your books on the left?
- Possibly.
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160. - That's interesting.
- Why?
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161. - For your future as well, in my opinion.
- Really?
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162. I count on it.
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163. - Now one for my collection.
- For you, "In friendship".
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164. - Very well.
- You'll learn to write dedications.
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165. - What are you writing now?
- Nothing.
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166. - What a shame.
- After you've finished writing a book...
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167. - Where is he?
- How I'd love to write a book.
Copy !req
168. Thank you.
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169. I don't understand. He says he is crazy,
can you believe this?
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170. What's the matter? Come here.
Why are you crying?
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171. - Hi.
- Hi.
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172. - Are you not coming to the seaside?
- No, I'm too busy.
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173. - I'll give you a call.
- OK.
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174. - Give my regards to Lidia.
- Sure.
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175. - Sir, your post.
- Thank you.
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176. - My wife isn't back yet, is she?
- No.
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177. - Has she called?
- No.
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178. - Shall I serve dinner?
- No, you can go. I'll wait.
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179. Wait here.
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180. Stop it! Stop it!
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181. Wait.
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182. That's enough.
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183. Do you still want me to wait? Fine.
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184. - Can I go?
- Yes, go.
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185. - The wind's strong up there.
- It is indeed.
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186. It reaches 3000 metres.
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187. - Would you like to go to the moon?
- Not really.
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188. Lidia?
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189. - Hi, Giovanni.
- Hi, Lucia.
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190. - Have you seen Lidia?
- No, I thought you were out.
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191. I'm fed up. Paolo has a cold,
and we can't leave town.
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192. - I'm sorry to hear that.
- Ask Lidia to call round.
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193. She's not home. I thought
she might be with you.
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194. - No, I haven't seen her for days.
- Thanks and sorry for bothering you.
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195. Bye.
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196. Hello?
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197. It's you.
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198. - Where are you?
- I'm in Sesto San Giovanni.
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199. In the same old field,
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200. kids are still firing rockets.
You'd like it.
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201. They shoot up ever so high. It's beautiful.
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202. No, don't worry. Nothing's wrong.
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203. No. For goodness sake,
I'm telling you it's nothing.
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204. Come and pick me up, will you?
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205. And hurry.
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206. If you're meeting someone,
there's a little hotel nearby.
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207. No, thank you.
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208. I can lend you an evening dress.
I'll describe it to you.
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209. It's low-cut and has a wide skirt.
If you wear it with tights...
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210. And if you wear it with an underskirt...
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211. - How much is it?
- 900 lira.
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212. - Thank you.
- You're welcome.
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213. If you wear it with a bow
and a tight corset...
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214. Our programme continues
with more music...
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215. Why did you come here?
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216. I just happened to be over this way.
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217. Come here.
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218. How strange, it hasn't changed at all.
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219. It will, before long.
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220. - They were over there.
- Who?
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221. The boys with the rockets.
They're gone now.
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222. This line was in use when we lived here.
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223. Giovanni.
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224. Would you pass me the sponge?
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225. Listen, Giovanni.
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226. I'm tired of staying in.
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227. - Let's go to the Gherardini's.
- Anywhere to get out.
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228. Of course, let's go.
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229. - What does he want from you?
- Who knows? He barely knows me.
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230. - Will there be many guests?
- I suppose so.
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231. Every millionaire wants his own
intellectual and he's picked you.
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232. Can you pass me that?
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233. There you go.
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234. - A new dress?
- Yes.
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235. - What's wrong?
- Would you zip my dress up?
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236. - Let's not go to Gherardini's party.
- Why not?
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237. I'd rather we went somewhere by
ourselves. I want to spend time with you.
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238. If you like.
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239. What is it?
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240. - Watching you amuses me.
- What's so amusing?
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241. I don't know. Sometimes you seem
so controlled when you are with me.
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242. Nonsense.
Look at her, she's not bad at all.
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243. - Do you remember?
- You're really trying to distract me.
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244. Please, don't belittle me.
I have my own thoughts, too.
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245. What are they now?
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246. I don't have a thought at the moment...
but I'm expecting one.
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247. I can feel it coming.
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248. Here.
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249. Did the thought come?
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250. - Yes.
- Is it a nice thought? Tell me.
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251. Why not?
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252. Where's Gherardini's villa?
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253. In Brianza, about half an hour's drive.
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254. Life would be tolerably agreeable
if it were not for its amusements.
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255. An inspiration?
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256. I no longer have inspirations,
only memories.
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257. Won't you tell me
what you were thinking?
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258. Later. Well, shall we go
to the Gherardini's?
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259. Why have you changed your mind?
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260. I don't know.
One must do something.
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261. - Can I have the bill?
- Yes, sir.
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262. - Are they all dead?
- Let's hope so.
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263. Who here would read
"The Sleepwalkers"?
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264. Pontano, isn't it? So nice of you
to come. I've heard so much about you.
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265. We're celebrating
the horse's first victory.
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266. It's my daughter's horse.
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267. - What's his name?
- Volfango. He's so good.
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268. From your books,
I expected you to be old and grey.
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269. Have you read them?
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270. Do I look too frivolous?
Come, I'll introduce you.
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271. Let's introduce ourselves
as we meet people.
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272. Let's do this, then.
Just a general presentation.
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273. Lidia!
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274. - Hello, Berenice.
- Do you know each other?
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275. Lidia and I have hated each other
from the cradle.
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276. - This is my husband.
- Nice to meet you.
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277. Pontano, we meet at last.
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278. - Let these two catch up.
- Sure.
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279. Antonio, let him rest now!
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280. - No, he's so sweet.
- Not if he doesn't sleep.
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281. - But it's his party, after all.
- He's only two years old.
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282. Let him rest.
This lot will teach him bad habits.
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283. Antonio, go.
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284. Don't stare at me like that.
I know I'm showing signs of ageing.
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285. You've improved a lot, you know.
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286. You used to be so plain.
You don't mind me saying that, do you?
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287. I've heard it many times.
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288. You're behaving like a tart.
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289. Are you married?
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290. I live alone.
I was born to be alone.
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291. I'm too sensitive,
as my dentist used to say.
Copy !req
292. Do you still hang around
with intellectuals?
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293. I never see you around.
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294. We don't go out very much.
Tonight is an exception.
Copy !req
295. The pool looks beautiful.
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296. Remember Grimaldi? I still see her.
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297. Please... let's forget the past.
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298. - Let's have some music.
- OK, let's go.
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299. There are 3,000 roses here.
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300. - See, they have a different hue at night.
- Do roses sleep?
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301. Yes, all night long.
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302. Antoine, the shears.
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303. Thank you.
Copy !req
304. We need to find
the most beautiful one for you.
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305. - There you go.
- Thank you.
Copy !req
306. Isn't it beautiful? It's starting to open,
and it's the same colour as your lips.
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307. Antoine, tell Filippo to arrange them,
everyone else makes them look funereal.
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308. Look who's arrived.
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309. - Good evening.
- I'm so glad you came.
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310. - Haven't we met before?
- Yes, we have.
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311. - I can't remember where, though.
- Me, neither.
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312. Aren't you enjoying yourself?
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313. - Should I jump into the pool?
- Naked or dressed?
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314. - Would you like one?
- No, thank you.
Copy !req
315. I've heard so many good things
about you.
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316. - Who designed this place?
- Vietti. Do you like it?
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317. Cesarino! Where are you?
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318. - I'm here, sir.
- Show this gentleman around.
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319. - Thank you.
- This way, please.
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320. It's a shame that in the evening you can't
see the park very well, it's beautiful.
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321. I'm going to Sweden.
On my boat, of course.
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322. - Your boat?
- It's rather big, you know.
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323. - Good evening, Berenice.
- Good evening.
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324. - He's awfully rich. He must own millions.
- I see.
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325. Look, Roberto's here.
Do you know him?
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326. - No.
- Shall I introduce you to him?
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327. - No, are you kidding?
- He's a great man. I'll go and get him.
Copy !req
328. Roberto!
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329. Stop sending me postcards.
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330. I'm green with envy.
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331. - How are you?
- Not bad.
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332. - I've only just got back.
- From your holiday?
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333. - It was a business trip.
- I'll bet!
Copy !req
334. Well, maybe...
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335. I know, but this is not
a good enough answer for me.
Copy !req
336. - Would you like some dinner?
- Later, thanks.
Copy !req
337. Look who's here.
Our patroness from Rome.
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338. Mr Pontano, this is Marquise Gentili.
She works with orphanages.
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339. Do you smoke?
Copy !req
340. I will have one.
Everyone smokes here in Milan.
Copy !req
341. Miss Resy, do join us.
Copy !req
342. - Can I introduce you to Mr Pontano?
- Good evening.
Copy !req
343. Giovanni Pontano?
The author of that great book?
Copy !req
344. Excuse us.
We have a few things to discuss.
Copy !req
345. - One of the best books ever written.
- You are too kind.
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346. I adore it, I really do.
I'm your greatest admirer in Italy.
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347. Here it is.
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348. - You must allow me that privilege.
- Why not?
Copy !req
349. I'd like a novel about a woman
who loves a man,
Copy !req
350. but the man doesn't love her.
Copy !req
351. But he does admire her intelligence,
her character.
Copy !req
352. They live together...
But how could such a story end?
Copy !req
353. In so many ways.
Copy !req
354. She'd have to be a strong woman,
who can sacrifice herself.
Copy !req
355. She sacrifices herself
for another woman's happiness.
Copy !req
356. Why does she sacrifice herself?
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357. I don't know.
It makes me want to cry.
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358. What are you doing here?
Why don't you mix with the others?
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359. Yes, I will in a moment.
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360. Do you find it interesting here?
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361. So and so. Why is it that
you never seem to enjoy yourself?
Copy !req
362. I am enjoying myself.
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363. There's a girl over there
enjoying herself alone, too.
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364. She's the one reading
"The Sleepwalkers".
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365. She's pretty, too.
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366. - I'm going.
- Commendatore, I'll see you soon.
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367. Where are you going?
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368. - Everything all right, Pontano?
- I'm afraid I don't know anyone here.
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369. So, as I was saying to you, my friend.
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370. It's absurd to talk about wealth.
No one's wealthy now.
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371. But if anyone is still thinking
of becoming rich,
Copy !req
372. my advice is,
don't obsess over money.
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373. I've always looked upon my businesses
as works of art.
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374. Their financial profit
was almost immaterial.
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375. The important thing
is to create something lasting.
Copy !req
376. But not everyone can create
something lasting.
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377. Please, do you mind?
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378. The thing that sustains a writer,
like you, Pontano,
Copy !req
379. is a sense of necessity,
not a need for profit.
Copy !req
380. You write because it's necessary
for you and for others...
Copy !req
381. - But one has to live.
- I never worried about that.
Copy !req
382. Life is what you make of it
with your own resources.
Copy !req
383. What would you do
if you couldn't write?
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384. A few years ago he would have killed
himself. Now I don't know. Tell us.
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385. I don't feel that important.
Copy !req
386. Perhaps there are other ways.
Copy !req
387. Isn't writing an irrepressible
but antiquated instinct?
Copy !req
388. A lonely craftsman putting
one word after another.
Copy !req
389. The job can't be mechanised.
Copy !req
390. Do you believe all that?
Copy !req
391. No. But you have the advantage
of real people,
Copy !req
392. you create real houses, real cities.
Copy !req
393. The pace of life is in your hands.
Maybe even the future is.
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394. This is a black day for my husband.
Copy !req
395. You're right.
Copy !req
396. Are you one of the many
worrying about the future?
Copy !req
397. I'm building my own,
although the present keeps me busy.
Copy !req
398. Probably the future will never come.
Copy !req
399. The future will be awful,
don't you think?
Copy !req
400. By the way,
why don't you stay here tonight?
Copy !req
401. - Darling, you're always interrupting me.
- I'm sorry. Shall we go?
Copy !req
402. Carry on. You were saying the future
may never come. Let's go.
Copy !req
403. That's right. Please, take a seat.
Copy !req
404. Who knows what the future holds?
Copy !req
405. Maybe our privileges will vanish.
A good thing, too.
Copy !req
406. When I was young,
I imagined a world like this
Copy !req
407. and set out to create such a future.
Copy !req
408. Would you like a drink?
Copy !req
409. - Yes, I'll have a Cognac.
- Cesare.
Copy !req
410. He's been staring at that statue
all night.
Copy !req
411. Who knows what he's thinking?
Maybe he's waiting for it to wake up.
Copy !req
412. Cats are strange.
Copy !req
413. A glass of white wine, please.
Copy !req
414. - Go away, Resy. Leave me alone.
- Why?
Copy !req
415. Excuse me for a moment.
Copy !req
416. - Look who's here. My flirt.
- Hi, darling.
Copy !req
417. Guido, how are you? Thank you
for coming. Have you lost weight?
Copy !req
418. - Do you think so?
- What have you done?
Copy !req
419. Can you find me someone
I can play with?
Copy !req
420. - Won't I do?
- No. Too old.
Copy !req
421. - I'd get younger if I played with you.
- I don't want to get younger.
Copy !req
422. Why?
Copy !req
423. Why? Tell me.
Copy !req
424. I'd have won.
The compact must stop on the last row.
Copy !req
425. What's the prize?
Copy !req
426. Make a wish and tell me
if you win.
Copy !req
427. My name is Valentina.
Copy !req
428. Valentina.
Do you often lose this game?
Copy !req
429. I've just invented it.
Copy !req
430. - Once, I lost everything.
- What game was that?
Copy !req
431. You have to have seven points to win.
Copy !req
432. I'll cut to the chase,
I came here to talk to you.
Copy !req
433. - Good shot, but too ruthless.
- You're right.
Copy !req
434. - I'm scared.
- Come on.
Copy !req
435. That was not ruthless enough.
Copy !req
436. Show me what you can do.
Copy !req
437. Perfect!
Copy !req
438. - One for me!
- Wait, it's my turn now.
Copy !req
439. Sure.
Copy !req
440. Too long.
Copy !req
441. - One of the stones has fallen out.
- Really? I'm sorry.
Copy !req
442. It can't have gone far, can it?
Copy !req
443. It was here that it fell off.
Copy !req
444. - Maybe it rolled into the garden.
- That's a good one.
Copy !req
445. Never mind, it was only a ruby.
Copy !req
446. Do you enjoy acting the cynic?
Copy !req
447. No.
Copy !req
448. Watch this, I am going to aim
for that square. It's so difficult.
Copy !req
449. Here goes.
Copy !req
450. There it goes, look!
Copy !req
451. - I almost made it.
- 15,000 on Valentina!
Copy !req
452. 20,000 on Pontano!
Copy !req
453. - 60,000 on Pontano!
- Come on now, you can't be serious.
Copy !req
454. If you do this, I won't play.
No, I'm out.
Copy !req
455. You only worry about losers.
Copy !req
456. A typical intellectual.
Egoistic, but compassionate.
Copy !req
457. This isn't a racetrack,
and don't take me for a horse.
Copy !req
458. - Is there a friskier horse?
- Yes, there is!
Copy !req
459. I wish to enquire about Mr Garani.
Room 103.
Copy !req
460. When?
Copy !req
461. Ten minutes ago?
Copy !req
462. Was his mother with him?
Copy !req
463. Valentina,
Copy !req
464. I'm rather disappointed.
Copy !req
465. In me?
Copy !req
466. How can I put that right?
Copy !req
467. Shall we read a few pages together?
Copy !req
468. That would be one way
of getting closer.
Copy !req
469. - Are you craving for affection?
- Aren't you?
Copy !req
470. I withdrew from the game,
you must claim your prize.
Copy !req
471. Let me savour it a little longer.
Copy !req
472. But don't forget.
Copy !req
473. My memory seems to get worse
every day.
Copy !req
474. - Bye, see you tomorrow.
- Bye, darling.
Copy !req
475. - Ignazio, are you leaving, too?
- I am. Thank you for the nice evening.
Copy !req
476. - It's late and you need to go to bed.
- I am not going to bed.
Copy !req
477. - He's the one who has to get up early.
- Good night.
Copy !req
478. - Good night.
- Good night.
Copy !req
479. - Good night, Daddy.
- Bye, darling.
Copy !req
480. I'd like a word.
Copy !req
481. - Ignazio, I'll see you tomorrow night.
- Sure.
Copy !req
482. - Listen, Mama...
- What is it, darling?
Copy !req
483. Pontano, I've got a proposition for you.
I could use a man like you.
Copy !req
484. - What for?
- A cultural initiative for my employees.
Copy !req
485. I want a better relationship between
workers and the management.
Copy !req
486. Do you know why?
Copy !req
487. They don't know the firm's history
and my role in it. Let's sit down.
Copy !req
488. I want a press, advertising
and public relations department,
Copy !req
489. with a special section
Copy !req
490. devoted to internal relations.
Copy !req
491. - I want our company's history written.
- By me?
Copy !req
492. Yes, but not only this.
I'd like you to become an executive.
Copy !req
493. - A full-time job?
- That's right.
Copy !req
494. Wouldn't you like to be with us
and work for the company?
Copy !req
495. May I ask what you are earning
at the moment?
Copy !req
496. I don't know.
Copy !req
497. Your wife comes from a wealthy family,
doesn't she?
Copy !req
498. True, but I have my own money,
and I contribute to many publications.
Copy !req
499. I see.
Copy !req
500. Wouldn't you like to be independent?
Copy !req
501. In what way?
Copy !req
502. Think it over.
It's our policy to pay top salaries.
Copy !req
503. Look what my cousin brought me
from America.
Copy !req
504. A wallet, with a dollar inside.
Copy !req
505. You see, the dollar gets everywhere.
Copy !req
506. All alone, Mrs Pontano?
Copy !req
507. These writers...
Copy !req
508. Isn't it beautiful here?
Copy !req
509. - Where are you going?
- I won't be long.
Copy !req
510. It could have gone better.
If Cariglia hadn't got ahead...
Copy !req
511. And I couldn't catch up.
Copy !req
512. It was your mistake. If you'd got ahead
earlier, you would have easily won.
Copy !req
513. I had to stay back.
Copy !req
514. - Have you seen Miss Gherardini?
- No, I haven't.
Copy !req
515. - Thank you.
- You're welcome.
Copy !req
516. It's easier said than done.
When you have orders to follow...
Copy !req
517. Would you like to dance?
Copy !req
518. Yes.
Copy !req
519. - You can't dance.
- No.
Copy !req
520. - It's raining!
- Let's all go into the swimming pool.
Copy !req
521. This is great!
Copy !req
522. No, are you crazy?
Copy !req
523. - Don't be afraid. Come on!
- Stop it!
Copy !req
524. Look! Look at her!
Copy !req
525. - I'm going in!
- You're going to catch a cold!
Copy !req
526. Me, too! Me, too!
Copy !req
527. - She is crazy!
- What are you talking about?
Copy !req
528. Don't play around.
Copy !req
529. Giovanna, come on, strip!
Copy !req
530. - Where are we going?
- Get in the car.
Copy !req
531. The stock exchange is rising.
All the political speculation...
Copy !req
532. Bye, Mimi. You're really beautiful.
Copy !req
533. What's happened?
Copy !req
534. Angelo! Bring some candles, please.
Copy !req
535. Touch me, see, I'm all wet!
Copy !req
536. - Giulio? Giulio, where are you?
- Stop it!
Copy !req
537. Wait a moment. Let's talk.
Tell me something.
Copy !req
538. I'll tell you a bedtime story later.
Copy !req
539. Pretend I'm in bed.
Copy !req
540. No, later. I'll tell you about a hermit,
an intellectual, of course.
Copy !req
541. He drank only dew,
until he came to the city,
Copy !req
542. where he tasted wine and
became an alcoholic. How's that?
Copy !req
543. I'd like a true story about you.
Copy !req
544. - Worse has happened to me.
- I wish I could understand writers.
Copy !req
545. - What's your name?
- Friends call me Resy.
Copy !req
546. - You want to understand only writers?
- No, others, too.
Copy !req
547. I think you'll have your hands full.
Copy !req
548. - See you later.
- OK.
Copy !req
549. I'm sorry, I can't.
Copy !req
550. At least I'm clever enough
not to break up a marriage.
Copy !req
551. Now spend the rest of the evening
with your wife.
Copy !req
552. But it was she who sent me to you.
Copy !req
553. Never mind.
It's my prize from your game.
Copy !req
554. It's so dark. How can I find her?
Copy !req
555. I felt miserable this evening,
Copy !req
556. but our game cheered me up.
Copy !req
557. Now the misery is creeping back,
like a melancholic dog.
Copy !req
558. - Have you got a cigarette?
- No, I smoke cigars.
Copy !req
559. I'll get my own.
Copy !req
560. - Angelo.
- Yes, Madam.
Copy !req
561. - Bring more candles.
- Yes, Madam.
Copy !req
562. I think we still have
some things to say.
Copy !req
563. Of course.
Copy !req
564. I think love restricts a person.
Copy !req
565. It creates misunderstanding all around.
Copy !req
566. But not within.
Even novels are sentimental now.
Copy !req
567. I see, you're gathering material tonight.
Copy !req
568. The way I feel, I don't know
if I'll ever write again.
Copy !req
569. I know what to write,
but not how to write it.
Copy !req
570. It's called a crisis,
it's very common among writers today.
Copy !req
571. But in my case,
it's affecting my whole life.
Copy !req
572. You're just weak, like me.
Copy !req
573. Why are you telling me this?
I may not understand.
Copy !req
574. After all, I like golf, tennis,
Copy !req
575. cars and parties.
Copy !req
576. Is that all you want in life?
Don't you like other things, too?
Copy !req
577. Yes. Everything.
Copy !req
578. Could you help me?
Copy !req
579. - Promise not to make fun of me?
- I promise.
Copy !req
580. I heard snatches
of television dialogue...
Copy !req
581. "If I were you, I wouldn't do that, Jim."
Copy !req
582. After that, the howling of a dog
Copy !req
583. rising effortlessly,
in perfect misery.
Copy !req
584. Then I thought I heard a plane.
Copy !req
585. Then silence... and I was happy.
Copy !req
586. A garden's silence is made of sounds,
press your ear to a tree and listen.
Copy !req
587. The sounds may be within us,
I'd rather think it's the tree.
Copy !req
588. The silence is broken
by an alien noise
Copy !req
589. disturbing my peace.
Copy !req
590. I closed the window, but the noise
persisted, it was too much for me.
Copy !req
591. I don't want useless sounds,
I want to select them.
Copy !req
592. Voices and words... there are
so many words I'd rather not hear,
Copy !req
593. but you must resign yourself,
like floating on the waves of the sea.
Copy !req
594. May I listen to it again?
Copy !req
595. - I've erased it. It was drivel.
- Why are you being like this?
Copy !req
596. Because mine is not a calling
that I can't ignore.
Copy !req
597. Mother says scribbling indoors
ruins the complexion.
Copy !req
598. - It's a sin to waste such intelligence.
- I'm not intelligent. I'm alert.
Copy !req
599. I'm happy to observe things
without having to write.
Copy !req
600. Last year I went to the States
to see Julia.
Copy !req
601. - Who's Julia?
- A hurricane.
Copy !req
602. We may meet more often, Valentina.
Your father has offered me a job.
Copy !req
603. Last year I thought
I was in love with a boy...
Copy !req
604. Something must be wrong with me,
but it will pass.
Copy !req
605. Whenever I try to communicate...
love disappears.
Copy !req
606. - Was that when you lost everything?
- No.
Copy !req
607. Why work for my father?
Surely you don't need the money.
Copy !req
608. No?
Copy !req
609. What you need is a girl,
for a fresh start.
Copy !req
610. Not a girl.
Copy !req
611. You.
Copy !req
612. - Don't be afraid.
- I'm not.
Copy !req
613. You see? It's ridiculous.
Copy !req
614. How can he sleep?
Anything could happen...
Copy !req
615. - Nothing ever happens.
- Yes, but I hate seeing time wasted.
Copy !req
616. You'll give me a heart attack.
Copy !req
617. My darling, my darling.
Copy !req
618. You are so sweet.
Copy !req
619. My darling,
look how small and sweet it is.
Copy !req
620. Come to my room and dry yourself.
Copy !req
621. - Bye, Roberto!
- Good night.
Copy !req
622. How prosaic. Sandwiches at this hour.
Copy !req
623. D'Annunzio's turtle died of colic
after eating flowers.
Copy !req
624. It's true, but you don't believe me.
Copy !req
625. I'll get you a towel.
Copy !req
626. You should take your dress off.
Copy !req
627. Listen, Valentina...
isn't that your name?
Copy !req
628. Stop fussing over me and tell me
what you have in mind?
Copy !req
629. Please spare me this complicity.
Copy !req
630. I'm sure that's not in your nature.
Copy !req
631. I've nothing in mind. Dry yourself
or stay wet, but don't go on about it.
Copy !req
632. - Our writer doesn't drink?
- No, thank you.
Copy !req
633. One day, in Venice,
Copy !req
634. I was dining
with that American author...
Copy !req
635. - The one who hunts elephants...
- Hemingway?
Copy !req
636. Now there's a man for you.
A real artist.
Copy !req
637. I said to him,
"My dear Hemingway, I like you.
Copy !req
638. "One of these days,
I'll visit you in Cuba."
Copy !req
639. Do you know what he said?
"If you do, I'll shoot you."
Copy !req
640. There's a man who knows his business.
Copy !req
641. Earns what he likes.
Millions of dollars.
Copy !req
642. Even an intellectual can't scorn that.
Copy !req
643. It's hard to say
what an intellectual might scorn.
Copy !req
644. My boy, never despise money.
Copy !req
645. Our time, sir,
Copy !req
646. is vile and anti-philosophical,
afraid to take a stand on values.
Copy !req
647. As for democracy, in a nutshell,
it means: take things as they come.
Copy !req
648. I respect that quotation,
but it's offensive here.
Copy !req
649. - Why is that?
- Because he said it complacently.
Copy !req
650. The author, on the other hand,
wrote those words in despair.
Copy !req
651. It's the words that count,
not the intentions.
Copy !req
652. - Shall I tell you what happened?
- Skip it.
Copy !req
653. Fine. I'm not much good at confessions.
Copy !req
654. I wonder what I am good at?
Not love, not vices.
Copy !req
655. I've plenty of vices,
but I hardly practise them.
Copy !req
656. I don't even like whisky.
Copy !req
657. I think I've found the vice that suits me,
it's warm and it's good.
Copy !req
658. How old are you?
Copy !req
659. 22... plus many, many months.
Copy !req
660. You don't know what it is
to feel the weight of years, in vain.
Copy !req
661. I just feel like dying.
Copy !req
662. An end to this agony, something new.
Copy !req
663. - It may be nothing.
- Yes, it may be nothing.
Copy !req
664. Let's go.
Copy !req
665. I don't feel jealous,
in spite of what I said.
Copy !req
666. Not at all.
Copy !req
667. That's the trouble.
Copy !req
668. I hope we'll see you again.
Copy !req
669. - Perhaps you'll invite me over?
- In September, after your holiday.
Copy !req
670. This year I won't be back until later...
much later.
Copy !req
671. You've exhausted me, the pair of you.
Copy !req
672. Do you mind if we go this way?
Copy !req
673. Take no notice.
I'm just crying because I'm silly.
Copy !req
674. Let's not go home just yet.
Copy !req
675. Want to hear a good one?
Valentina's father has offered me a job.
Copy !req
676. - Will you accept it?
- I don't think so.
Copy !req
677. Why not? It's a good opportunity.
Your life would be your own at last.
Copy !req
678. I called the clinic. Tommaso is dead.
Copy !req
679. When? Why didn't you tell me?
Copy !req
680. You were playing.
Was he really your good friend?
Copy !req
681. He was much more to me.
Copy !req
682. He convinced me, despite myself,
that I was cleverer than I am.
Copy !req
683. He spent days
trying to make me study,
Copy !req
684. even though I wasn't interested.
I was concerned with my problems.
Copy !req
685. His persistence nearly drove me mad.
Copy !req
686. I began to hate him for it.
Copy !req
687. He never talked about himself.
Only me... me...
Copy !req
688. And I never understood.
Copy !req
689. I thought so little of myself.
Copy !req
690. When we're young, we're so stupid, we
can't imagine things coming to an end.
Copy !req
691. You talked only about yourself.
Copy !req
692. That was something new for me,
I was so happy with it,
Copy !req
693. that nothing in the world
was more beautiful.
Copy !req
694. Because I loved you. You, not him.
Copy !req
695. That's why his affection irritated me
and flattered you.
Copy !req
696. Isn't that true?
Copy !req
697. Yes, but not much.
He was so vulnerable.
Copy !req
698. I feel like dying,
because I no longer love you.
Copy !req
699. That's why I'm desperate.
Copy !req
700. I wish I was old, and that
my life's dedication to you was over.
Copy !req
701. I wish I no longer existed,
because I can't love you!
Copy !req
702. That's the thought which came to me
Copy !req
703. in the nightclub,
when you were so bored.
Copy !req
704. But if this is true,
if you wish you were already dead,
Copy !req
705. it means you still love me.
Copy !req
706. No, it's only pity.
Copy !req
707. I never gave you anything.
I was completely unaware.
Copy !req
708. I go on wasting my life, like a fool,
Copy !req
709. taking without giving,
or giving too little.
Copy !req
710. If you mean I haven't much to give,
you may be right.
Copy !req
711. I used to spend afternoons
reading in bed.
Copy !req
712. Tommaso would call and find me there.
Copy !req
713. He could have kissed me.
I wouldn't have resisted, out of boredom.
Copy !req
714. But he was satisfied to watch me
as I read.
Copy !req
715. All those purposeless books.
Copy !req
716. 200 pages a day.
I read so quickly.
Copy !req
717. I've been selfish.
Copy !req
718. Now I realise that what we give to others
comes back to us.
Copy !req
719. Do they think their music
will improve the day?
Copy !req
720. Lidia, let's settle this.
Copy !req
721. Let's try to hang on to something
we're sure of.
Copy !req
722. I love you.
Copy !req
723. I'm sure I'm still in love with you.
What more can I say? Let's go home.
Copy !req
724. When I awoke this morning,
you were still asleep.
Copy !req
725. As I awoke,
I heard your gentle breathing.
Copy !req
726. I saw your closed eyes,
beneath wisps of stray hair
Copy !req
727. and I was deeply moved.
Copy !req
728. I wanted to cry out, to wake you up,
but you slept so deeply and soundly.
Copy !req
729. In the half light,
your skin glowed with life
Copy !req
730. so warm and sweet
I wanted to kiss it,
Copy !req
731. but I was afraid of waking you up.
Copy !req
732. I was afraid of you
being awake in my arms again.
Copy !req
733. Instead, I wanted something no one
could take from me, mine alone,
Copy !req
734. this eternal image of you.
Copy !req
735. Beyond your face
I saw a pure, beautiful vision
Copy !req
736. showing us in the perspective
of my whole life,
Copy !req
737. all the years to come,
even all the years past.
Copy !req
738. That was the most miraculous thing,
Copy !req
739. to feel, for the first time,
that you had always been mine.
Copy !req
740. That this night would go on
forever,
Copy !req
741. united with your warmth,
your thoughts, your will.
Copy !req
742. At that moment, I realised
how much I loved you, Lidia.
Copy !req
743. I wept with the intensity
of the emotion.
Copy !req
744. For I felt
that this must never end,
Copy !req
745. we would remain like this
all our lives,
Copy !req
746. not only close,
but belonging to each other
Copy !req
747. in a way that nothing
could ever destroy,
Copy !req
748. except the apathy of habit,
the only threat.
Copy !req
749. Then you awoke and, smiling,
put your arms around me, kissed me,
Copy !req
750. and I felt there was nothing to fear.
Copy !req
751. We would always be as we were
at that moment,
Copy !req
752. bound by stronger ties
than time and habit.
Copy !req
753. Who wrote that?
Copy !req
754. You did.
Copy !req
755. No... I don't love you anymore.
Copy !req
756. You don't love me, either.
Copy !req
757. Don't say anything.
Don't say anything.
Copy !req
758. Say it.
Copy !req
759. No, I won't say it.
Copy !req