1. It's another hot, sunny day today here
in Southern California.
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2. Temperature is 84
for downtown Los Angeles,
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3. overnight lows of 75.
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4. I think about that day
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5. I left him at a Greyhound station
west of Santa Fe
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6. We were 17, but he was sweet
and it was true
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7. Still, I knew what I had to do
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8. 'Cause I just knew
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9. Summer Sunday nights
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10. We'd sink into our seats
right as they dimmed out all the lights
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11. A technicolor world
made out of music and machine
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12. It called me to be on that screen
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13. And live inside each scene
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14. Without a nickel to my name,
hopped a bus, here I came
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15. Could be brave or just insane,
we'll have to see
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16. 'Cause maybe
in that sleepy town
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17. He'll sit one day,
the lights are down
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18. He'll see my face and think
how he used to know me
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19. Climb these hills,
I'm reaching for the heights
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20. And chasing
all the lights that shine
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21. And when they let you down,
it's another day of
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22. You get up off the ground,
it's another day of
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23. 'Cause morning rolls around
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24. And it's another day of sun
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25. I hear 'em every day
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26. The rhythms in the canyons
that'll never fade away
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27. The ballads in the barrooms
left by those who came before
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28. They say
"You gotta want it more"
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29. So I bang on every door
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30. And even when the answer's "no"
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31. Or when my money's running low
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32. The dusty mic and neon glow
are all I need
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33. And someday as I sing my song
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34. A small-town kid'll come along
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35. That'll be the thing to push him on
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36. And g0, 9°
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37. Climb these hills,
I'm reaching for the heights
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38. And chasing
all the lights that shine
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39. And when they let you down,
it's another day of
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40. You get up off the ground,
yes it's another day of
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41. 'Cause morning rolls around
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42. And it's another day of sun
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43. When they've let you down
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44. And morning rolls around
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45. It's another day of sun
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46. It's another day of sun
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47. It's another day of sun,
sun,sun,sun,sun, sun
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48. It's another day of sun
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49. Just another day of sun
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50. It's another day of sun
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51. Another day has just begun
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52. And it's another day of sun
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53. It's another day of sun.
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54. already has won three Oscars,
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55. including for the 1998 film
Shakespeare 'm Love...
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56. I mean, we could not
believe what was happening.
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57. And I swear to God,
she was wrecked.
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58. She was completely wrecked!
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59. I know. I know,
it was pure insanity.
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60. It's insanity...
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61. Ah!
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62. "Lunacy! It was pure lunacy."
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63. What is his prob—
I should go.
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64. Cappuccino, please.
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65. - Right. Of course.
- On us.
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66. Oh, no, thank you. I insist.
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67. Did you see who that was?
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68. Shit!
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69. - Mia, where do you think you're going?
- Oh, it's five after.
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70. - You better be here early tomorrow.
- Okay.
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71. Have a good night!
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72. Oh!
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73. She was wrecked!
It was pure lunacy, it was...
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74. It was so crazy, and I just...
Oh, you would have died.
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75. No, Turner's fine.
Turner's fine. I just, urn...
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76. Are you gonna wait 'til Denver
to tell her, or...?
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77. What?
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78. Okay.
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79. No, I'm happy for you-
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80. I am. I'm happy for you, I just...
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81. I just thought...
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82. I don't know what I thought,
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83. - I guess I thought—
- One second.
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84. - What, Ruby?
- Jessica's on the phone.
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85. - Urn, tell her I'll call her back.
- In two minutes?
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86. - Less than two minutes.
- I'll go get your lunch.
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87. I'm almost done. Thank you.
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88. Oh, you know what? I think we're good.
Thanks for coming in.
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89. Whoa! Holy shit!
You wanna open a window?
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90. - I was trying to give you an entrance.
- Thank you.
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91. Mia! How'd the audition go?
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92. Eh.
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93. Eh, same here.
Was Jen there or Rachel?
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94. - I don't know who Jen and Rachel are.
- They're the worst.
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95. - Well, I don't know if they were there.
- I bet that they were.
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96. Why is there a convention
in the bathroom?
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97. Two minutes, people.
Mia, you're coming, right?
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98. I can't! I'm working.
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99. What?
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100. Did she just say "working"?
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101. - What?
- I'm sorry it didn't go well today,
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102. and there's like four things in my inbox
that you're perfect for,
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103. and I will submit you.
But right now you're coming!
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104. It'll be fun.
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105. - It's not gonna be fun.
- It could be.
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106. It's not. It's gonna be
a bunch of social climbers
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107. all packed into one of those
big glass houses.
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108. This looks familiar.
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109. - I was gonna give that back.
- How long have you had this?
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110. - A long time.
- Come on, Mia.
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111. When else are you gonna get to see
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112. every Hollywood cliché crammed
into the same room?
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113. We'll make fun of it together!
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114. I'm disappointed in you, Lex.
There's nothing to make fun of.
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115. This party's gonna be like
humanity at its finest.
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116. You've got the invitation
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117. You've got the right address
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118. You need some medication?
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119. The answer's always "yes"
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120. A little chance encounter
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121. Could be the one you've waited for
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122. Just squeeze a bit more
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123. Tonight we're on a mission,
tonight's the casting call
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124. If this is the real audition
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125. Oh, God help us all!
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126. You make the right impression
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127. Then everybody knows your name
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128. You're in the fast lane!
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129. Someone in the crowd
could be the one you need to know
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130. The one to finally
lift you off the ground
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131. Someone in the crowd
could take you where you wanna go
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132. If you're the someone
ready to be found
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133. The someone ready to be
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134. Do what you need to do
'til they discover you
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135. And make you more
than who you're seeing now
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136. So with the stars aligned
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137. I think I'll stay behind
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138. You've got to go and find
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139. That someone in the crowd
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140. Hey, girl!
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141. That someone in the crowd
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142. Is someone in the crowd
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143. The only thing you really see?
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144. Watching while the world
keeps spinning 'round
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145. Somewhere there's a place
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146. Where I find who I'm gonna be
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147. A somewhere that's just
waiting to be found
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148. Someone in the crowd
could be the one you need to know
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149. The someone who can lift you
off the ground
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150. Someone in the crowd could take you where
you wanna go
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151. Someone in the crowd
could make you
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152. Someone in the crowd will take you
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153. Flying off the ground
if you're the someone
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154. Ready to be
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155. Found.
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156. No, no.
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157. Oh, come on!
What?
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158. Ahh!
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159. Please stop
sneaking into my home.
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160. You think Mom or Dad
would call this a home?
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161. What are you doing?
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162. Please don't do that.
Please don't sit on that.
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163. Are you kidding?
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164. Please don't sit on that.
Don't sit on that.
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165. Don't sit on that.
Hoagy Carmichael sat on that!
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166. - Oh, my God!
- "The Baked Potato" just threw it away.
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167. - I can't imagine why.
- And now you're just sitting on it.
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168. - I got you a throw rug.
- I don't need that.
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169. What if I said Miles Davis pissed on it?
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170. It's almost insulting.
Is it true?
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171. When are you gonna
unpack these boxes?
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172. When I unpack them
in my own club.
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173. Oh, Sebastian! It's like a girl broke up
with you and you're stalking her.
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174. You're not still going
by there, are you?
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175. That's...
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176. You won't believe it.
They turned it into a samba-tapas place.
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177. - Oh, my God, Sebastian!
- Samba. Tapas.
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178. Pick one, you know?
Do one right.
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179. - I have someone I want you to meet.
- I don't wanna meet anyone.
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180. No, no, I don't wanna meet anyone.
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181. - Dad gave you this? You'll like her.
- Yes.
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182. I don't think I'm gonna like her.
Does she like jazz?
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183. - Probably not.
- Then what are we gonna talk about?
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184. I don't know!
It doesn't matter, okay?
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185. Because you're living like a hermit.
You're driving without insurance!
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186. - "It doesn't matter"?
- Yeah, it doesn't matter.
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187. - Okay. Well then,
- You need to get serious.
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188. I know a guy with a face tattoo
that you should see.
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189. - Okay, low blow.
- Heart of gold.
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190. - Get serious!
- "Get serious"?
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191. Laura... I had a very serious plan
for my future.
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192. - I know.
- It's not my fault I got shanghaied.
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193. You didn't get shanghaied.
You got ripped off!
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194. What's the difference?
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195. I don't know.
It's not as romantic as that.
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196. Don't sit...
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197. Everybody knew that guy
was shady except for you.
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198. Why do you say "romantic"
like it's a dirty word?
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199. Unpaid bills are not romantic.
Call her.
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200. I'm not gonna call her.
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201. And the thing is...
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202. you're acting like life's got me
on the ropes.
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203. I want to be
on the ropes. Okay?
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204. I'm letting life hit me
'til it gets tired.
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205. - Oh?
- Then I'm gonna hit back.
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206. It's a classic rope-a-dope.
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207. Okay, Ali. I love you.
Unpack your boxes.
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208. - I'm gonna change the locks.
- You can't afford it.
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209. I'm a phoenix
rising from the ashes.
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210. Hey.
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211. - Bill. Thanks for having me back.
- You're welcome.
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212. I want you to know you're lookin'
at a new man,
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213. - a man that's happy to be here.
- Good. Excellent.
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214. - Very-easy- to-work-with man.
- And you're going to play the set list?
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215. Happy to.
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216. Even though I don't think anyone cares
what I play, but, yeah.
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217. Well, if by "anyone" you mean anyone
other than me, that would be correct.
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218. I care, and I don't wanna hear
the free jazz.
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219. Right. Okay.
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220. Although I thought in this town
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221. it worked on a sort of
"one for you, one for me" type system.
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222. How 'bout two for you,
one for me?
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223. How 'bout all for you
and none for me?
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224. - That's perfect, yes.
- Great.
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225. - Okay.
- Mutual decision, then.
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226. Right. Made by me.
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227. Right. And I sign off on it, so...
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228. Whatever. Tell yourself
what you wanna know.
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229. Well. Welcome back.
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230. There's a nice way
to say that, Karen.
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231. Seb.
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232. I hear what you're saying,
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233. but I don't think you're saying
what you mean.
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234. Yeah, I don't think you hear
what I'm saying. You're fired.
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235. Well, that's what you're saying,
but it's not what you mean.
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236. - What you mean is...
- You're fired.
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237. - "Play the set list."
- No, I'm saying it's too late.
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238. - It's a warning.
- What planet are you from?
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239. - Don't fire me, Bill. Don't fire me.
- You're done. I'm sorry, Seb.
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240. It's Christmas.
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241. Yeah, I see the decorations.
Good luck in the new year.
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242. I just heard you play,
and I wanted to...
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243. I don't like the fissure on the GT scan.
Did you test for achromatopsia?
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244. DOA on 23rd. Perp laughin'
his face off at the PD.
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245. Damn Miranda rights.
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246. This is my classroom.
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247. You don't like it,
the door's to my left.
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248. Lady, why you be trippin' like that?
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249. No, Jamal.
You be trippin'.
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250. Over here!
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251. We're talking away
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252. I don't know what I'm to say,
I'll say it anyway...
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253. Oh, Mia!
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254. - Hi.
- Hi.
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255. - I want you to meet my friend, Carlo.
- Hi.
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256. - Hi. Carlo.
- Carlo, this is Mia.
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257. - Mia? Hi. How are you?
- Yes, Mia.
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258. Carlo is a writer.
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259. Yeah. They say I have a knack
for world-building.
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260. I got a lot of heat right now.
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261. There's been a lot of buzz, people talkin'
about me, which is exciting.
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262. I mean, you work so hard,
and then all that validation.
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263. - I'm gonna grab a drink.
- Okay.
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264. Yeah, it's really nice to meet you.
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265. I'll be gone
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266. In a day or two
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267. So needless to say
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268. I'm odds and ends
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269. But I'll be stumbling away
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270. Slowly learning that life is okay
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271. Sorry.
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272. Say after me
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273. It's no better to be safe than sorry
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274. Take on me
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275. Take on me
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276. Take me on
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277. Take on me
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278. I'll be gone
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279. In a day or two
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280. Thank you.
Any other requests?
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281. Girl in the front!
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282. "I Ran."
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283. "I Ran."
A fantastic suggestion.
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284. All right, piano man,
tickle those ivories.
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285. Let's hit it.
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286. One! Two! Three! Four!
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287. That's right.
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288. I walk along the avenue
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289. I never thought
I'd meet a girl like you
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290. Meet a girl like you
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291. Me?
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292. Stop.
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293. With auburn hair
and tawny eyes
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294. The kind of eyes
that hypnotize me through
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295. You hypnotize me through
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296. And I ran, I ran so far away
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297. I couldn't get away...
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298. All right, I remember you.
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299. And I'll admit
I was a little curt that night.
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300. Cum?
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301. Okay, I was an asshole.
I can admit that.
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302. Okay.
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303. But requesting "I Ran" from a serious
musician, it's just... it's too far.
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304. My Lord! Did you just say
"a serious musician"?
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305. - I don't think so.
- Can I borrow what you're wearing?
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306. - Why?
- 'Cause I have an audition next week.
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307. I'm playing a "serious" firefighter.
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308. So you're an actress.
I thought you looked familiar.
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309. Have I seen you in anything?
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310. Uh... coffee shop
on the Warner Brothers lot.
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311. That's a classic.
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312. - Oh, I see. You're a barista.
- Yeah.
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313. And I can see how you could then
look down on me from all the way up there.
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314. Time to... next set.
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315. He doesn't— I don't—
he doesn't tell me what to do.
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316. He just told you what to do.
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317. I know. I let him.
What's your name?
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318. - Mia.
- Mia.
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319. Guess I'll see you in the movies.
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320. - You heard of Joseph Campbell?
- Uh, yeah.
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321. I have this idea to do are-imagining
of Goldilocks and The Three Bears,
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322. but from the perspective
of the bears.
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323. - The hero's journey.
- It could be like a franchise.
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324. - Right.
- There's a lot we don't know.
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325. There could have been a fourth bear,
we don't know.
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326. George Michael!
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327. Hello.
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328. - Sorry, it's—
- Yeah, yeah.
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329. I know that guy.
Did you get your keys?
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330. Mmm-hmm, yes.
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331. - Can you grab mine?
- Can I what?
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332. Would you be able
to grab mine? My keys?
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333. - I can't, your...
- Sorry.
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334. - Can you grab my keys?
- Oh.
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335. - Please?
- Oh, there we go.
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336. - Thank you.
- You're welcome.
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337. - What kind?
- It's a Prius.
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338. I mean, that doesn't help me.
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339. - With a green ribbon.
- All right.
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340. - Those look, uh, comfortable.
- They are.
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341. Thank you for saving the day
back there.
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342. Well, you didn't really
give me much of a choice.
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343. It's pretty strange that we keep running
into each other.
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344. It is strange.
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345. Maybe it means something.
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346. - I doubt it.
- Yeah, I don't think so.
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347. Where's my car?
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348. You gotta put that thing
to your chin.
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349. - This?
- Yeah.
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350. Yeah, it makes your head
into an antenna, so...
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351. - Ooh.
- I think it gives you cancer,
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352. - but you find your car faster.
- What?
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353. You don't live as long, but you get where
you're going quicker, so it all evens out.
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354. That sounds terrible.
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355. - Just a suggestion.
- You're a—
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356. You're a real, urn...
what's the word I'm looking for?
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357. "Knight in shining armor"?
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358. - Weirdo. That was the word. Weirdo.
- Okay.
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359. Not much to look at, huh?
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360. I've seen better.
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361. The sun is nearly gone
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362. The lights are turning on
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363. A silver shine
that stretches to the sea
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364. We've stumbled on a view
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365. That's tailor-made for two
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366. What a shame
those two are you and me
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367. Some other girl and guy
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368. Would love this swirling sky
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369. But there's only you and I
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370. And we've got no shot
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371. This could never be
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372. You're not the type for me
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373. Really?
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374. And there's not a spark in sight
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375. What a a waste of a lovely night
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376. You say there's nothing here?
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377. Well, let's make
something clear
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378. I think I'll be the one
to make that call
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379. But you'll call?
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380. And though you look so cute
in your polyester suit
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381. - It's wool.
- You're right
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382. I'd never fall for you at all
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383. And maybe this appeals
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384. To someone not in heels
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385. Or to any girl who feels
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386. There's some chance
for romance
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387. But I'm frankly feeling nothing
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388. Is that so?
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389. Or it could be less than nothing
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390. Good to know, so you agree?
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391. That's right
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392. What a waste of a lovely night.
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393. Ah!
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394. Hi, Greg.
Oh, sorry I'm late.
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395. Yeah. Be there soon.
Okay, bye.
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396. - It was just right there.
- Just right here.
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397. Do you want a ride
to your car?
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398. No, I'm just right up here.
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399. Good night.
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400. Good night.
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401. Excuse me.
This is gluten-free, right?
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402. - No.
- What?
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403. Mmm-mmm.
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404. Ugh!
I'd like a refund.
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405. Okay. Let me check on that for you.
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406. Mia...
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407. - Hi.
- You're closing Friday.
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408. I can't close on Friday.
I have an audition, remember?
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409. Do I look like I care?
Reschedule it.
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410. Oh, and we need to have a little talk
tomorrow, okay?
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411. Fix your apron, please.
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412. Okay.
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413. You again!
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414. What are you doing here?
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415. Oh, you know, just meetings
and... studio heads and...
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416. How'd you get on the lot?
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417. I basicallyjust hauled ass
past the guard gates.
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418. I think I have 20 minutes
until they find me.
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419. You don't have a break
coming up, do you?
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420. I'm off in ten minutes, so...
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421. Can I hide
in the bathroom?
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422. - Yes.
- Okay.
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423. Sorry.
Copy !req
424. Um... I actually do have to check.
I'm sorry.
Copy !req
425. That's the window that Humphrey Bogart
and Ingrid Bergman
Copy !req
426. looked out of in Casablanca.
Copy !req
427. - Wow!
- Yeah.
Copy !req
428. I can't believe you work
right across the street from that.
Copy !req
429. - Yeah.
- That's amazing.
Copy !req
430. What was your Bogart's name?
Copy !req
431. What's his name?
Is it Greg?
Copy !req
432. Yeah. Greg.
Copy !req
433. Right. How long have you been—
Copy !req
434. We've been seeing each other
for about a month.
Copy !req
435. Oh, that's great.
Copy !req
436. He's, um... He's sweet.
Copy !req
437. Anyway, I love
being around this stuff, you know?
Copy !req
438. I know what you mean.
Copy !req
439. I get coffee five miles out of the way
just so I can be near a jazz club.
Copy !req
440. - Really?
- Yeah, the Van Beek.
Copy !req
441. - Do you know it?
- Mmm-mmm.
Copy !req
442. All the big swing bands used to play
there. Count Basie, Chick Webb.
Copy !req
443. Anyway, it's a samba-tapas
place now, so...
Copy !req
444. What's a samba-tapas place?
Copy !req
445. It's just a samba place
where they serve tapas.
Copy !req
446. - Oh.
- Yeah, so the joke's on... history?
Copy !req
447. I don't know. That's L.A.
Copy !req
448. They just worship everything
and they value nothing.
Copy !req
449. We're about to roll.
Stop, please, guys.
Copy !req
450. Okay.
Copy !req
451. - You're rolling?
- Yeah.
Copy !req
452. I know. They shoot movies on my street
all the time, so I know about movies.
Copy !req
453. - Come this way.
- Great.
Copy !req
454. It's a lock-down.
Copy !req
455. - I love her!
- And here we go.
Copy !req
456. Hey! How'd you get
into all this?
Copy !req
457. And roll!
Copy !req
458. - Get into what?
- Sound speed!
Copy !req
459. You know, movies, acting...
Copy !req
460. - Action!
- Oh, um...
Copy !req
461. - My aunt was an actress.
- Oh, okay.
Copy !req
462. She was in a traveling
theater company.
Copy !req
463. I grew up in Boulder City, Nevada.
Copy !req
464. So across the street from my house
there was this little library
Copy !req
465. that had an old movie section.
Copy !req
466. So she took me and we spent an entire day
watching all these old movies
Copy !req
467. like Notorious and Bringing Up Baby
and Casablanca.
Copy !req
468. - And...
- Cut it there! Cut!
Copy !req
469. - Check the gate.
- So we can talk now.
Copy !req
470. - She sounds incredible.
- She was incredible.
Copy !req
471. And I would put on all these plays
in my bedroom,
Copy !req
472. and it would basicallyjust be she and I
re-enacting those scenes from the movies.
Copy !req
473. And then I would
write my own plays.
Copy !req
474. - Wow.
- Urn... Yeah.
Copy !req
475. I love it.
Copy !req
476. So anyway, I left college
after two years to come here
Copy !req
477. and my last audition was
for a teen show
Copy !req
478. pitched as
"Dangerous Minds meets The O. C. "
Copy !req
479. So, yeah, should've been a lawyer.
Copy !req
480. 'Cause the world
needs more lawyers.
Copy !req
481. It doesn't need more actresses.
Copy !req
482. You're not
just an actress.
Copy !req
483. - What do you mean, "just an actress"?
- You said it yourself.
Copy !req
484. You're a child prodigy playwright.
Copy !req
485. That is not what I said.
Copy !req
486. Well, you're too modest
to say it, but it's true.
Copy !req
487. You could just write
your own roles, you know?
Copy !req
488. Write something that's
as interesting as you are,
Copy !req
489. and you don't have to audition
for this...
Copy !req
490. - uh, piece of caca.
- Yeah.
Copy !req
491. Look at Louis Armstrong.
Copy !req
492. He could've just played the marching band
charts that he was given.
Copy !req
493. But he didn't do it.
What did he do?
Copy !req
494. - What did he do?
- Well, he made history, didn't he?
Copy !req
495. Well, I'm gonna stop auditioning
and I'm gonna make history instead.
Copy !req
496. Well, my work is done here.
Copy !req
497. I should probably tell you something now,
just to get it out of the way.
Copy !req
498. - Mmm-hmm?
- I hate jazz.
Copy !req
499. Are you okay?
Copy !req
500. What do you mean,
you hate jazz?
Copy !req
501. It just means that when I listen to it,
I don't like it.
Copy !req
502. Yeah, but it's such a blanket statement
you don't like jazz.
Copy !req
503. What are you doing right now?
Copy !req
504. Nothing.
Copy !req
505. I just think that people,
when they say that they...
Copy !req
506. you know, hate jazz, they just...
Copy !req
507. They don't have context, they don't know
where it comes from.
Copy !req
508. Jazz was born in a little
flophouse in New Orleans,
Copy !req
509. and it's just because people
were crammed in there,
Copy !req
510. they spoke five different languages,
they couldn't talk to each other.
Copy !req
511. The only way they could communicate
was with jazz.
Copy !req
512. Yeah, but what about Kenny G?
Copy !req
513. - What?
- What about Kenny G?
Copy !req
514. I mean, what about elevator music?
Copy !req
515. You know,
jazz music that I know?
Copy !req
516. - What about it?
- From my life?
Copy !req
517. - Mmm-hmm?
- I just find it relaxing.
Copy !req
518. It's not relaxing.
It's not, it's not.
Copy !req
519. Sidney Bechet shot somebody because
they told him he played a wrong note.
Copy !req
520. That's hardly relaxing.
Copy !req
521. Yeah, but where I grew up there was
this station called K-Jazz 103.
Copy !req
522. And people would just put on that station
when they had a cocktail party...
Copy !req
523. Right.
Copy !req
524. And everyone would
kinda just talk over it.
Copy !req
525. I know.
Copy !req
526. - 'Cause it was...
- That's the prob—
Copy !req
527. Okay, okay. So I think
that's part of the problem,
Copy !req
528. is that you can't hear it, you know?
You have to see it.
Copy !req
529. You have to see what's at stake.
I mean, look at these fellas.
Copy !req
530. Look at the sax player
right now.
Copy !req
531. He just hijacked the song.
He's on his own trip.
Copy !req
532. Every one of these guys
is composing,
Copy !req
533. they're rearranging,
they're writing.
Copy !req
534. Then they're playing the melody.
They're just—
Copy !req
535. And now look,
the trumpet player.
Copy !req
536. He's got his own idea.
Copy !req
537. And so, it's conflict,
and it's compromise, and it's just...
Copy !req
538. It's new every time.
Copy !req
539. It's brand-new every night.
It's very, very exciting.
Copy !req
540. And it's dying.
It's dying, Mia.
Copy !req
541. It's dying on the vine.
Copy !req
542. And the world says, "Let it die.
It had its time."
Copy !req
543. Well, not on my watch.
Copy !req
544. - What are you gonna do?
- I'm gonna have my own club.
Copy !req
545. - Really?
- Yes.
Copy !req
546. We're gonna play whatever we want,
whenever we want,
Copy !req
547. however we want,
as long as it's pure jazz.
Copy !req
548. Hi, this is Mia Dolan.
Copy !req
549. Yeah, I just missed a call.
Copy !req
550. - I got a callback!
- What? Come on! For what?
Copy !req
551. For a TV show. The one I was
telling you about earlier.
Copy !req
552. - The "Dangerous Minds meets The O. C. ?
- Yeah.
Copy !req
553. - Congratulations! That's incredible!
- It's really exciting.
Copy !req
554. I feel like I said negative stuff
about it before.
Copy !req
555. - What?
- It's like Rebel Without a Cause.
Copy !req
556. Sort of.
Copy !req
557. "I got the bullets!"
Copy !req
558. Yes.
Copy !req
559. - You've never seen it!
- I've never seen it.
Copy !req
560. Oh, my! You know,
it's playing at the Rialto.
Copy !req
561. - Really?
- Yes.
Copy !req
562. You should go— I mean,
I can take you.
Copy !req
563. Okay.
Copy !req
564. - You know, for research.
- For research.
Copy !req
565. - Yeah. Okay.
- Yeah.
Copy !req
566. Um, Monday night, 10:00 o'clock.
Copy !req
567. - Yeah. Great.
- Okay.
Copy !req
568. For research.
Copy !req
569. City of stars
Copy !req
570. Are you shining just for me?
Copy !req
571. City of stars
Copy !req
572. There's so much that I can't see
Copy !req
573. Who knows?
Copy !req
574. Is this the start
of something wonderful and new?
Copy !req
575. Or one more dream
Copy !req
576. That I cannot make true.
Copy !req
577. - Stand right there, please.
- Okay. Nice to meet you.
Copy !req
578. - Hi.
- Hi.
Copy !req
579. In your own time.
Copy !req
580. Okay.
Copy !req
581. Two options.
Copy !req
582. You either follow my rules
or follow my rules.
Copy !req
583. - Capisce?
- Thank you.
Copy !req
584. - Oh...
- Thanks.
Copy !req
585. I can do it a different way.
Copy !req
586. No, that's fine.
Thank you very much. Thank you.
Copy !req
587. - That was fun. Thanks.
- Bye.
Copy !req
588. Oh, hey, Mia?
Copy !req
589. - Hey.
- Greg's here.
Copy !req
590. - What do you mean—
- Hey, babe. Got a space out front.
Copy !req
591. - Great.
- We should get going.
Copy !req
592. - Okay.
- My brother landed really early.
Copy !req
593. - Did you forget? You forgot.
- Shit.
Copy !req
594. That's tonight.
Copy !req
595. - That's okay. You forgot.
- Yeah. Okay.
Copy !req
596. All right, so then
I'll just get changed.
Copy !req
597. - Okay. Great.
- Okay. Great.
Copy !req
598. - Yeah, that's him.
- Urn...
Copy !req
599. Hey, Josh, yeah. Uh...
Copy !req
600. Just pickin' up Mia.
We'll be there in, like...
Copy !req
601. But now we've got this
surround-sound set-up, so it's like—
Copy !req
602. - It's like being in a movie theater.
- Wow.
Copy !req
603. But better than being
in a theater, really.
Copy !req
604. - I can't wait.
- You know theaters these days.
Copy !req
605. - Yeah.
- They're so dirty.
Copy !req
606. Yeah, I know. And smelly.
Copy !req
607. And they're either
too hot or too cold.
Copy !req
608. I know. The quality's
really fallen off.
Copy !req
609. The quality's terrible.
And there's always people talking.
Copy !req
610. - Because—
- Which is just... Oh, it's the worst!
Copy !req
611. - Oh, I'm sorry. Hold on one second.
- The texting.
Copy !req
612. Hello?
Copy !req
613. - Probably work.
- Mmm.
Copy !req
614. - Sorry. So, yeah, we love it.
- Oh, it's so nice.
Copy !req
615. - Well, we have to come. Maybe.
- You should. Come by.
Copy !req
616. - I got one word for you, man.
- Mmm-hmm?
Copy !req
617. - Indonesia.
- Never heard anyone say that.
Copy !req
618. I don't even know. I can't keep track
of it, but honestly, it was life-changing.
Copy !req
619. - Really?
- Yeah. It affected me.
Copy !req
620. - It was incredible.
- Is it amazing?
Copy !req
621. - Yes.
- A five-star jungle eco-resort
Copy !req
622. - you would not believe.
- Amazing.
Copy !req
623. We were thinking about Nicaragua.
Copy !req
624. The thing about Nicaragua is it's less
developed, it's a little under-developed.
Copy !req
625. Right.
Copy !req
626. I think there's a little more— Yeah,
then, I just don't know if it's safe.
Copy !req
627. - Yeah, yeah. It's...
- You know?
Copy !req
628. Yeah, you don't want
to explore too far.
Copy !req
629. Kind of a "natives are restless"
sort of thing.
Copy !req
630. Actually, China's going
to build a canal.
Copy !req
631. I'm sorry.
Copy !req
632. the immensity of our universe.
Copy !req
633. For many days
before the end of our earth,
Copy !req
634. people will look into the night sky
Copy !req
635. and notice a star increasingly bright
and increasingly near.
Copy !req
636. As this star approaches us...
Copy !req
637. Jim Stark.
Copy !req
638. I'll go find a place.
I'm sorry.
Copy !req
639. As this star approaches us,
Copy !req
640. the weather will change.
Copy !req
641. The great polar fields of the north
and south will rot and divide,
Copy !req
642. and the seas will turn warm.
Copy !req
643. The last of us search the heavens
and stand amazed,
Copy !req
644. for the stars will still be there
and will be...
Copy !req
645. Mmm...
Copy !req
646. I have an idea.
Copy !req
647. What is that?
Is it a script?
Copy !req
648. It's a play-
Copy !req
649. A play?
You better give us all roles!
Copy !req
650. Actually, it's a one-woman show!
So I can't.
Copy !req
651. Wow. Is that gonna
happen every time?
Copy !req
652. I think so.
Copy !req
653. Ahh! It's one-way!
Copy !req
654. - I love you.
- I love you too.
Copy !req
655. Oh!
Copy !req
656. Sebastian?
Copy !req
657. Keith.
Copy !req
658. Come here, man.
Copy !req
659. - How are you?
- I've been good, man.
Copy !req
660. This is Mia. Mia, Keith.
Copy !req
661. Hi, Mia. Nice to meet you.
Copy !req
662. - Nice to meet you.
- I used to play with this guy.
Copy !req
663. Went to school together.
Copy !req
664. - So how you been, brother?
- Great.
Copy !req
665. Never been better.
How 'bout you?
Copy !req
666. I been really good.
Been very busy.
Copy !req
667. - I got a new combo.
- Okay. Cool.
Copy !req
668. We're lookin' for keys.
Copy !req
669. - Are you kidding me?
- No, I'm not kidding you.
Copy !req
670. - No, I'm good.
- Are you sure? It pays.
Copy !req
671. I'm good.
Copy !req
672. Let's just grab a drink then.
It's been too long.
Copy !req
673. - Okay.
- Nice to meet you, Mia.
Copy !req
674. Nice to meet you.
Copy !req
675. "The end."
Copy !req
676. - Genius.
- Really?
Copy !req
677. - Yes. Yes.
- Really?
Copy !req
678. It feels really nostalgic to me.
Copy !req
679. - Is it too nostalgic?
- That's the point. That's—
Copy !req
680. Are people gonna like it?
Copy !req
681. - Fuck 'em.
- You always say that.
Copy !req
682. - Well, I truly believe it.
- I made you something.
Copy !req
683. - For what?
- For your club.
Copy !req
684. Why does it say "Seb's"?
Copy !req
685. 'Cause I think you should call it "Seb's."
Copy !req
686. - What?
- 'Cause no one will come
Copy !req
687. to "Chicken on a Stick."
Copy !req
688. Is that a music note
as an apostrophe?
Copy !req
689. - Yes! Yeah.
- That's pretty cool.
Copy !req
690. It's gotta be "Chicken on a Stick,"
Copy !req
691. because Charlie Parker
got his nickname—
Copy !req
692. I know, because he loved chicken.
Copy !req
693. That's why they called him "Bird."
Copy !req
694. So I'm gonna have chicken, beer, jazz.
"Chicken on a Stick."
Copy !req
695. I know. You should drop the chicken
and just have drinks and jazz, and also—
Copy !req
696. - I'm not droppin' the chicken.
- You could maybe do it somewhere else.
Copy !req
697. - What are you talk—
- Find a new spot.
Copy !req
698. It's gotta be the Van Beek.
Copy !req
699. Well, it doesn't have to be the Van Beek.
Copy !req
700. I can't let them samba
all over its history.
Copy !req
701. I can't do it.
Copy !req
702. - You can let them, but you refuse to.
- Your play's incredible.
Copy !req
703. You know, the whole world
from your bedroom.
Copy !req
704. What else do they want?
Who's doing that?
Copy !req
705. - I'm doing that.
- You're doing that.
Copy !req
706. Who was that guy at The Lighthouse?
The guy that offered you the gig?
Copy !req
707. - Keith.
- Yeah.
Copy !req
708. - Why was it so weird between you two?
- It's always weird with him.
Copy !req
709. - Really?
- Yeah.
Copy !req
710. But he seemed kinda nice
'cause he did offer you a job.
Copy !req
711. - Are you gonna call him?
- No. No.
Copy !req
712. All right.
Copy !req
713. So... Here's what we know.
Copy !req
714. Yeah?
Copy !req
715. It's definitely
"Chicken on a Stick,"
Copy !req
716. and your play
is gonna be a triumph.
Copy !req
717. It's a one-woman show,
so it's just me...
Copy !req
718. No, I mean, I'm acting in it, too.
Copy !req
719. No, Mom, I'm not getting paid.
I'm paying to do it.
Copy !req
720. He's great. He's gonna
open his own jazz club.
Copy !req
721. Yeah, it's gonna be incredible.
Copy !req
722. No, he hasn't.
He hasn't opened it yet.
Copy !req
723. He needs some...
Copy !req
724. He's saving up, I think.
Copy !req
725. No, he doesn't have a steady gig.
Copy !req
726. But he's figuring it out,
it's just been a little tricky lately.
Copy !req
727. Morn, he's gonna find a way to open it
and you're gonna love it, okay?
Copy !req
728. How's Dad?
Copy !req
729. Sebastian.
Come on in, man.
Copy !req
730. - Thanks for comin'.
- Thanks for having me.
Copy !req
731. Wasn't sure I'd see you today.
Copy !req
732. - So... Here's the deal.
- Okay.
Copy !req
733. We got distribution with Universal.
We've got our own imprint.
Copy !req
734. About to go on the road.
Copy !req
735. Uh, we can pay you 1,000 bucks a week,
Copy !req
736. plus a cut of the ticket revenue
and merchandising.
Copy !req
737. Sound good?
Copy !req
738. - Sebastian? All right.
- Yeah.
Copy !req
739. - Let's Ma)'-
- Okay.
Copy !req
740. Tonight.
Copy !req
741. I know. It's different.
Copy !req
742. But you say
you wanna save jazz.
Copy !req
743. How you gonna save jazz
if no one's listening?
Copy !req
744. Jazz is dying
because of people like you.
Copy !req
745. You're playin' to 90-year-olds
at The Lighthouse.
Copy !req
746. Where are the kids?
Where are the young people?
Copy !req
747. You're so obsessed with Kenny Clarke
and Thelonious Monk.
Copy !req
748. These guys were revolutionaries.
Copy !req
749. How are you gonna be a revolutionary
if you're such a traditionalist?
Copy !req
750. You're holdin' onto the past,
but jazz is about the future.
Copy !req
751. I know.
Copy !req
752. The other guy,
he wasn't as good as you.
Copy !req
753. But you're a pain in the ass, man.
Copy !req
754. City of stars
Copy !req
755. Are you shining just for me?
Copy !req
756. City of stars
Copy !req
757. There's so much that I can't see
Copy !req
758. Who knows?
Copy !req
759. I felt it from the first embrace
I shared with you
Copy !req
760. That now our dreams
Copy !req
761. May finally come true
Copy !req
762. City of stars
Copy !req
763. Just one thing everybody wants
Copy !req
764. There in the bars
Copy !req
765. Or through the smokescreen
of the crowded restaurants
Copy !req
766. It's love
Copy !req
767. Yes, all we're l0okin' for is love
Copy !req
768. From someone else
Copy !req
769. - A rush
- A glance
Copy !req
770. - A touch
- A dance
Copy !req
771. A look in somebody's eyes
Copy !req
772. To light up the skies
Copy !req
773. To open the world
and send it reeling
Copy !req
774. A voice that says "I'll be here"
Copy !req
775. And you'll be all right
Copy !req
776. I don't care if I know
Copy !req
777. Just where I will go
Copy !req
778. 'Cause all that I need's
this crazy feeling
Copy !req
779. The rat-tat-tat of my heart
Copy !req
780. Think I want it to stay
Copy !req
781. City of stars
Copy !req
782. Are you shinin' just for me?
Copy !req
783. City of stars
Copy !req
784. You never shined
Copy !req
785. So brightly.
Copy !req
786. I don't know
why I keep movin' my body
Copy !req
787. I don't know
if this is wrong or if it's right
Copy !req
788. I don't know if it's the beat
Copy !req
789. But something's taken over me
Copy !req
790. And I just know I feel so good tonight
Copy !req
791. I don't know what your name is,
but I like it
Copy !req
792. I've been thinkin' 'bout
some things I wanna try
Copy !req
793. I don't know
what you came to do
Copy !req
794. But I wanna do it with you
Copy !req
795. And I just know I feel so good tonight
Copy !req
796. Oh, if we keep on dancin'
Copy !req
797. Take our rhythm to new heights
Copy !req
798. Feel the heat of passion, baby
Copy !req
799. Light up the night!
Copy !req
800. We can start a fire!
Copy !req
801. Come on, let it burn, baby
Copy !req
802. We can start a fire!
Copy !req
803. Let the tables turn, baby
Copy !req
804. We can start a fire!
Copy !req
805. I just know I feel so good
Copy !req
806. Don't you know I feel so good
Copy !req
807. I just know I feel so good
Copy !req
808. Tonight
Copy !req
809. I don't care
if this turns into a riot
Copy !req
810. Let's get reckless, tear this place
down to the floor
Copy !req
811. Turn the music way up loud
Copy !req
812. Can't nobody stop us now
Copy !req
813. I just know I feel so good tonight
Copy !req
814. I just know I feel so good tonight
Copy !req
815. We can start a fire!
Copy !req
816. Come on, let it burn, baby!
Copy !req
817. We can start a fire!
Copy !req
818. Let the tables turn, baby!
Copy !req
819. We can start a fire!
Copy !req
820. Oh, I just know I feel so good
Copy !req
821. Don't you know I feel so good
Copy !req
822. Don't you know, don't you know
Copy !req
823. Tonight!
Copy !req
824. Hey, it's me.
Copy !req
825. Uh, I'm not sure where you are right now.
Copy !req
826. I think Boston?
Maybe Dallas, I don't know.
Copy !req
827. Uh...
Copy !req
828. I haven't heard from you in a little while
and I miss you.
Copy !req
829. All right, bye.
Copy !req
830. I thought...
Surprise.
Copy !req
831. Gotta leave first thing in the morning,
but I just had to see you...
Copy !req
832. It's so nice to be home.
Copy !req
833. I'm so glad you're home.
Copy !req
834. How's the play goin'?
Copy !req
835. Um... I'm nervous.
Copy !req
836. - You are? Why?
- Mmm-hmm.
Copy !req
837. Because what if people show up?
Copy !req
838. Piece of caca.
Copy !req
839. - You nervous about what they think?
- I'm nervous to do it.
Copy !req
840. I'm nervous to get up on a stage
and perform for people...
Copy !req
841. I mean, I don't need
to say that to you.
Copy !req
842. - It's gonna be incredible.
- You don't get it, but I'm terrified.
Copy !req
843. They should be so lucky to see it.
I can't wait.
Copy !req
844. I can.
Copy !req
845. When do you leave,
the morning?
Copy !req
846. Yeah. 6:45.
Copy !req
847. - Ooh.
- Boise.
Copy !req
848. - Boise?
- Boise.
Copy !req
849. To Boise!
Copy !req
850. You should come.
Copy !req
851. To Boise?
Copy !req
852. Yeah, you can knock that
off your bucket list.
Copy !req
853. Oh, that would be... really exciting.
I wish I could.
Copy !req
854. What are you doing after the tour?
Copy !req
855. Why can't you?
Copy !req
856. - Come to Boise?
- Yeah.
Copy !req
857. 'Cause I have to rehearse.
Copy !req
858. But can't you
rehearse anywhere?
Copy !req
859. Anywhere you are?
Copy !req
860. I mean, I guess.
Copy !req
861. Um... well, all my stuff is here,
and it's in two weeks,
Copy !req
862. so I don't really think
that would be...
Copy !req
863. - Okay. Well.
- the best idea right now, but...
Copy !req
864. I wish I could.
Copy !req
865. We're just gonna have to try
and see each other.
Copy !req
866. We almost never see each other.
Copy !req
867. I know, but when are you done?
Copy !req
868. What do you mean? I mean...
Copy !req
869. When are you finished
with the whole tour?
Copy !req
870. After we finish, we're gonna go
and record, and then we go back on tour.
Copy !req
871. You know, we tour so we can
make the record,
Copy !req
872. so we can go back
and tour the record.
Copy !req
873. So it's like the long haul?
Copy !req
874. What do you mean,
"the long haul"?
Copy !req
875. I mean the long haul, like you're gonna
stay in this band for a long time.
Copy !req
876. On tour.
Copy !req
877. What did you think I was gonna do?
Copy !req
878. I don't...
I hadn't really thought it through.
Copy !req
879. I didn't know that the band...
Copy !req
880. - was so important.
- You didn't think it would be successful?
Copy !req
881. Um...
Copy !req
882. No, that's not really what I mean.
I just mean that you...
Copy !req
883. You're gonna be on tour for,
what, months now? Years?
Copy !req
884. Yeah. I don't believe—
This is it.
Copy !req
885. I mean, it could feasibly be...
Copy !req
886. I could be on tour with this
for a couple of years, at least.
Copy !req
887. Just this record.
Copy !req
888. Do you like the music you're playing?
Copy !req
889. I don't...
Copy !req
890. I don't know what it matters.
Copy !req
891. Well, it matters, because if you're gonna
give up your dream,
Copy !req
892. I think it matters that you like
what you're playing on the road for years.
Copy !req
893. Do you like the music
I'm playing?
Copy !req
894. Yeah. I do.
Copy !req
895. I just didn't think that you did.
Copy !req
896. - Yeah, well...
- You always said Keith is the worst,
Copy !req
897. and now you're gonna be on tour with him
for years, so I just didn't...
Copy !req
898. - What are you doing right now?
- know if you were happy.
Copy !req
899. - Why are you doing this?
- I don't...
Copy !req
900. - What do you mean, why am I doing this?
- I thought you wanted me to do this.
Copy !req
901. It just sounds like now
you don't want me to do it.
Copy !req
902. What do you mean,
I wanted you to do this?
Copy !req
903. This is what you wanted for me.
Copy !req
904. To be in this band?
Copy !req
905. To be in a band.
To have a steady job, you know?
Copy !req
906. To be... you know.
Copy !req
907. Of course I wanted you
to have a steady job,
Copy !req
908. so that you could take care of yourself
and your life
Copy !req
909. and you could start your club.
Copy !req
910. So I'm doing that, so I don't understand.
Why aren't we celebrating?
Copy !req
911. Why aren't you starting your club?
Copy !req
912. You said yourself no one
wants to go to that club.
Copy !req
913. No one wants to go to a club
called "Chicken on a Stick."
Copy !req
914. So change the name!
Copy !req
915. Well, no one likes jazz!
Not even you!
Copy !req
916. I do like jazz now because of you!
Copy !req
917. And this is what I thought
you wanted me to do!
Copy !req
918. What am I supposed to do?
Go back to playing "Jingle Bells"?
Copy !req
919. I'm not saying that.
Copy !req
920. I'm saying why don't you take
what you've made and start the club?
Copy !req
921. Scraping pennies so I can start a club
no one wants to go to?
Copy !req
922. People will want to go to it
because you're passionate about it,
Copy !req
923. and people love what other people
are passionate about.
Copy !req
924. - You remind people of what they forgot.
- Not in my experience.
Copy !req
925. Well, whatever, all right?
It's just time to grow up, you know?
Copy !req
926. I have a steady job,
this is what I'm doing.
Copy !req
927. And now all of a sudden
if you had these problems,
Copy !req
928. I wish you would have said them earlier,
Copy !req
929. before I signed
on the goddamn dotted line!
Copy !req
930. I'm pointing out that you had a dream
Copy !req
931. that you followed,
that you were sticking to...
Copy !req
932. This is the dream!
This is the dream.
Copy !req
933. This is not your dream!
Copy !req
934. Guys like me work their whole lives
to be in something
Copy !req
935. that's successful, that people like.
You know?
Copy !req
936. I mean, I'm finally in something
that people enjoy.
Copy !req
937. Since when do you care
about being liked?
Copy !req
938. Just 'cause I don't enjoy it,
it doesn't matter.
Copy !req
939. Why do you care so much
about being liked?
Copy !req
940. You're an actress!
What are you talking about?
Copy !req
941. Maybe you just liked me
when I was on my ass
Copy !req
942. 'cause it made you
feel better about yourself.
Copy !req
943. - Are you kidding?
- No.
Copy !req
944. I don't know.
Copy !req
945. Okay, fellas.
I'll see ya tomorrow.
Copy !req
946. - Sebastian?
- Yeah?
Copy !req
947. You're good for tonight, right?
Copy !req
948. What are you talking about?
Copy !req
949. 7:00, the photo shoot.
Copy !req
950. MOJO. Are you good?
Copy !req
951. - I thought that was next Thursday.
- No, it's tonight.
Copy !req
952. Is that okay?
Copy !req
953. - Give me the other camera!
- What's wrong with that one?
Copy !req
954. "What's wrong with that one?" It doesn't
bloody work, that's what's wrong with it!
Copy !req
955. All right, trumpet,
that's lovely.
Copy !req
956. Lovely! Beautiful, beautiful!
Copy !req
957. Okay, keyboard.
Okay, look up.
Copy !req
958. That's good. That's good,
that's lovely. Lovely.
Copy !req
959. Okay, cut the music!
That is lovely. That's lovely.
Copy !req
960. Okay, now bite your lip
like this, sort of like...
Copy !req
961. like you're concentrating on something,
I don't know, like a piece of your music.
Copy !req
962. Bite my what?
Copy !req
963. Your lip. You know,
bite your lip like...
Copy !req
964. Yeah, that's good.
That's great.
Copy !req
965. Beautiful! Beautiful.
Copy !req
966. Okay, now just move your glasses
down on... onto the nose...
Copy !req
967. A little bit further, just a little bit,
a touch further.
Copy !req
968. Keep your head down,
but look up at me.
Copy !req
969. Look sort of moody.
Copy !req
970. Yeah! That's beautiful!
That is great!
Copy !req
971. Okay, turn the keyboard on live!
Copy !req
972. Do you wanna hear
the keyboard then?
Copy !req
973. You don't have to bite your lip now.
Copy !req
974. Well, actually play something.
Copy !req
975. Play something.
You know? Anything.
Copy !req
976. You're a pianist, aren't you?
Play something.
Copy !req
977. That's great, that's beautiful.
Copy !req
978. That's lovely.
Oh, that's good.
Copy !req
979. No, don't stop.
Keep playing.
Copy !req
980. Go on, just keep playing.
That was great!
Copy !req
981. shoot myself in the head.
Copy !req
982. She's not even good.
Copy !req
983. That whole window thing...
Copy !req
984. Yeah, what was
that shit with the window?
Copy !req
985. Oh, my God!
Don't quit your day job.
Copy !req
986. Oh, well...
Copy !req
987. Not good. One-woman shows
are always terrible.
Copy !req
988. Mia!
Copy !req
989. Mia. I'm so sorry.
Copy !req
990. Just tell me how it went.
How was it?
Copy !req
991. - Don't help me.
- I'm sorry.
Copy !req
992. - I'm sorry I've been such a prick.
- You're sorry, you're sorry...
Copy !req
993. You're sorry. You're sorry...
Copy !req
994. I'm gonna make it up to you.
Let me make it up to you, okay?
Copy !req
995. - I don't blame you for not wanting—
- It's over.
Copy !req
996. - What is?
- It's over.
Copy !req
997. What?
Copy !req
998. All of this.
Copy !req
999. I'm done embarrassing myself.
I'm done, I'm done.
Copy !req
1000. - Nobody showed up.
- So what? So what?
Copy !req
1001. I can't pay back the theater.
This is so...
Copy !req
1002. I'm gonna go home for a while.
Copy !req
1003. - I'll come see you tomorrow.
- No, I'm going "home" home.
Copy !req
1004. - This is home.
- No, it's not anymore.
Copy !req
1005. - Yep'?
- Hi, I'm trying to reach Mia Dolan.
Copy !req
1006. Wrong number.
Copy !req
1007. She's not answering her cell.
I was told I might find her here.
Copy !req
1008. Not anymore.
Copy !req
1009. - Okay, well, if you do talk to her...
- I won't.
Copy !req
1010. could you tell her Jane
at Amy Brandt Casting
Copy !req
1011. is trying to reach her?
Copy !req
1012. Casting?
Copy !req
1013. Who the hell is that?
Copy !req
1014. Shut that thing off!
Copy !req
1015. Why did you come here?
Copy !req
1016. - Because I have good news.
- What?
Copy !req
1017. Amy Brandt,
the casting director?
Copy !req
1018. - Yeah.
- She was at your play, and she loved it.
Copy !req
1019. And she loved it so much that she wants
you to come in tomorrow
Copy !req
1020. and audition for this huge movie
that she's got.
Copy !req
1021. I'm not going to that.
Copy !req
1022. - I'm not going to that.
- What?
Copy !req
1023. That one's gonna be...
No. That one's gonna be...
Copy !req
1024. I'm sorry?
Copy !req
1025. That Will kill me.
Copy !req
1026. - What?
- What?
Copy !req
1027. What? Shh! Stop!
Copy !req
1028. ' No!
' Shh! Shh!
Copy !req
1029. You have to be quiet.
We're in a neighborhood.
Copy !req
1030. If you want me to be quiet,
you have to make some goddamn sense!
Copy !req
1031. - Tell me why you're not going.
- They'll call the police.
Copy !req
1032. - Because. Because...
- Why?
Copy !req
1033. I've been to a million auditions,
and the same thing happens every time
Copy !req
1034. where I get interrupted because someone
wants to get a sandwich!
Copy !req
1035. Or I'm crying,
and they start laughing!
Copy !req
1036. Or there's people
sitting in the waiting room,
Copy !req
1037. and they're like me, but prettier
and better at the—
Copy !req
1038. Because maybe
I'm not good enough!
Copy !req
1039. - Yes, you are.
- No...
Copy !req
1040. - No, maybe I'm not.
- Yes, you are.
Copy !req
1041. - Maybe I'm not.
- You are.
Copy !req
1042. - Maybe I'm not.
- You are.
Copy !req
1043. Maybe I'm one of those people
that has always wanted to do it,
Copy !req
1044. but it's like a pipe dream for me,
you know?
Copy !req
1045. And then, you said it,
Copy !req
1046. you change your dreams,
and then you grow up.
Copy !req
1047. Maybe I'm one of those people,
and I'm not supposed to.
Copy !req
1048. And I can go back to school,
Copy !req
1049. and I can find something else
I'm supposed to do.
Copy !req
1050. 'Cause I left to do that,
and it's been six years,
Copy !req
1051. and I don't want to do it anymore.
Copy !req
1052. Why?
Copy !req
1053. - Why what?
- Why don't you want to do it anymore?
Copy !req
1054. 'Cause I think it hurts
a little bit too much.
Copy !req
1055. You're a baby.
Copy !req
1056. - I'm not a baby. I'm trying to grow up.
- You are.
Copy !req
1057. - You're crying like a baby.
- Oh, my God.
Copy !req
1058. You have an audition tomorrow at 5:30.
Copy !req
1059. I'll be out front at 8:00 A.M.
Copy !req
1060. You'll be out front or not,
I don't know.
Copy !req
1061. How'd you find me here?
Copy !req
1062. The house
in front of the library.
Copy !req
1063. - I got coffee.
- Okay, great.
Copy !req
1064. Mia?
Copy !req
1065. Hi, Mia. I'm Amy
and this is Frank.
Copy !req
1066. Hi. How are ya?
Copy !req
1067. - Nice to meet you.
- Glad we found you.
Copy !req
1068. Me, too.
Copy !req
1069. The film shoots in Paris,
and we don't have a script.
Copy !req
1070. It's gonna be a process.
Copy !req
1071. We're gonna build the character
around the actress.
Copy !req
1072. It's a three month rehearsal
and a four month shoot.
Copy !req
1073. Okay.
Copy !req
1074. And we thought that you
could just tell us a story.
Copy !req
1075. About?
Copy !req
1076. - You can just tell us anything.
- Anything?
Copy !req
1077. Yeah, just tell us a story.
You're a storyteller.
Copy !req
1078. Um...
Copy !req
1079. Whenever you're ready.
Copy !req
1080. My aunt used to live in Paris.
Copy !req
1081. I remember she used to come home
Copy !req
1082. and she would tell us these stories
about being abroad, and...
Copy !req
1083. I remember...
Copy !req
1084. She told us that she jumped
into the river once.
Copy !req
1085. Barefoot
Copy !req
1086. She smiled
Copy !req
1087. Leapt without looking
Copy !req
1088. And tumbled into
Copy !req
1089. The Seine
Copy !req
1090. The water was freezing
Copy !req
1091. She spent a month sneezing
Copy !req
1092. But said
she would do it again
Copy !req
1093. Here's to the ones who dream
Copy !req
1094. Foolish as they may seem
Copy !req
1095. Here's to the hearts that ache
Copy !req
1096. Here's to the mess we make
Copy !req
1097. She captured a feeling
Copy !req
1098. Sky with no ceiling
Copy !req
1099. The sunset inside a frame
Copy !req
1100. She lived in her liquor
Copy !req
1101. And died with a flicker
Copy !req
1102. I'll always remember the flame
Copy !req
1103. Here's to the ones who dream
Copy !req
1104. Foolish as they may seem
Copy !req
1105. Here's to the hearts that ache
Copy !req
1106. Here's to the mess we make
Copy !req
1107. She told me
Copy !req
1108. A bit of madness is key
Copy !req
1109. To give us new colors to see
Copy !req
1110. Who knows where it will lead us?
Copy !req
1111. And that's why they need us
Copy !req
1112. So bring on the rebels
Copy !req
1113. The ripples from pebbles
Copy !req
1114. The painters and poets and plays
Copy !req
1115. And here's to the fools
Copy !req
1116. Who dream
Copy !req
1117. Crazy as they may seem
Copy !req
1118. Here's to the hearts that break
Copy !req
1119. Here's to the mess
Copy !req
1120. We make
Copy !req
1121. I
Copy !req
1122. Trace it all back to then
Copy !req
1123. Her and the snow
and the Seine
Copy !req
1124. Smiling through it
Copy !req
1125. She said she'd do it
Copy !req
1126. Again.
Copy !req
1127. When do you find out?
Copy !req
1128. Oh, they said the next couple days.
Copy !req
1129. But I'm not expecting
to find anything out.
Copy !req
1130. You're gonna get it.
Copy !req
1131. - I really might not.
- Yes, you are.
Copy !req
1132. - I hope you're not disappointed.
- I know.
Copy !req
1133. I know.
I know these things.
Copy !req
1134. Where are we?
Copy !req
1135. - Griffith Park.
- Where... are we?
Copy !req
1136. I know.
Copy !req
1137. I don't know.
Copy !req
1138. What do we do?
Copy !req
1139. I don't think
we can do anything,
Copy !req
1140. - 'cause when you get this...
- If I get this.
Copy !req
1141. When you get this, you gotta give it
everything you got.
Copy !req
1142. Everything.
Copy !req
1143. It's your dream.
Copy !req
1144. What are you gonna do?
Copy !req
1145. I gotta follow
my own plan, you know?
Copy !req
1146. Stay here
and get my own thing goin'.
Copy !req
1147. You're gonna be in Paris.
Good jazz there.
Copy !req
1148. And you love jazz now.
Right?
Copy !req
1149. Yes.
Copy !req
1150. And I guess we're just gonna
have to wait and see.
Copy !req
1151. I'm always gonna love you.
Copy !req
1152. I'm always gonna love you, too.
Copy !req
1153. Look at this view!
Copy !req
1154. - I've seen better. Yeah.
- It's the worst.
Copy !req
1155. I've never been here
during the day.
Copy !req
1156. Hi. Could I have
two iced coffees, please?
Copy !req
1157. - Right. Of course.
- On us.
Copy !req
1158. Oh, no, thank you, I insist.
Copy !req
1159. Sounds good.
Harris did a good job.
Copy !req
1160. - Took him long enough.
- It always does.
Copy !req
1161. Signature time.
Copy !req
1162. Not doin' too bad, Seb.
Copy !req
1163. - "Not too bad" is great.
- See ya tonight.
Copy !req
1164. See ya tonight.
Copy !req
1165. Hi.
Copy !req
1166. - How was your day?
- Good.
Copy !req
1167. - Hmm. How is she?
- She's great.
Copy !req
1168. - Yeah?
- Yeah, come on.
Copy !req
1169. Hi, buddy!
Copy !req
1170. I didn't think you were gonna
be home yet.
Copy !req
1171. - Are you drawing?
- Yeah.
Copy !req
1172. Can I help?
You know I love to draw.
Copy !req
1173. Okay, Chelsea, we're gonna go.
Are you good?
Copy !req
1174. - We're good.
- You need anything?
Copy !req
1175. Bye, baby.
Copy !req
1176. - Say "bye, Mommy."
- Sleep well.
Copy !req
1177. - Bye, Mommy.
- Have fun with Chelsea.
Copy !req
1178. Have fun. Bye, Mia.
Copy !req
1179. - Bye. Thank you so much.
- Good night, guys.
Copy !req
1180. - Night, sweetie. Bye.
- Good night.
Copy !req
1181. Oh, boy.
Copy !req
1182. What if we miss this?
What do you wanna tell Natalie?
Copy !req
1183. Oh... We'll just see it
back in New York.
Copy !req
1184. Okay.
Copy !req
1185. - I do not miss this.
- This is bad.
Copy !req
1186. Do you want to just
pull off here and get dinner?
Copy !req
1187. - Sure, yeah. Yeah.
- Yeah?
Copy !req
1188. Okay.
Copy !req
1189. Do you want to check it out?
Copy !req
1190. This place is pretty cool.
Copy !req
1191. I love them.
Copy !req
1192. Cal Bennett on sax!
Copy !req
1193. Javier Gonzalez on trumpet.
Copy !req
1194. The lovely Nedra Wheeler on bass.
Copy !req
1195. The one and only
Clifton "Fou-fou" Eddie on drums!
Copy !req
1196. And a little too good on piano,
Copy !req
1197. so good he's gonna own
this place if I'm not careful,
Copy !req
1198. Khirye Tyler, everybody.
Copy !req
1199. Uh...
Copy !req
1200. Welcome to Seb's.
Copy !req
1201. I just heard you play
and I want to...
Copy !req
1202. Do you want to stay for another?
Copy !req
1203. - No, we should go.
- All right.
Copy !req
1204. One, two.
One, two, three, four.
Copy !req