1. 20th CENTURY FOX
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2. KAY, WHERE ARE YOU?
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3. I'M IN HERE!
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4. HONESTLY, KAY,
IF I LIVE TO BE 100,
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5. I'LL NEVER
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6. YOUR 365-DEGREE
TURNS!
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7. OH, THANKS
FOR COMING, MOTHER.
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8. OPEN THIS PLACE AGAIN?
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9. POSITIVE.
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10. IT'S BEEN
FIVE YEARS.
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11. THREEYEARS!
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12. WHATEVER, IT'S
A BIG DECISION.
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13. QUITE A SHOCK.
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14. IT'S JUST
A HOUSE, MOTHER!
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15. IT'S MORE THAN THAT!
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16. IT'S A PART
OF YOUR LIFE!
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17. IS OVER WITH.
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18. THIS WHAT'S-HIS-NAME
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19. THAT GRAVEDIGGER.
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20. WHAT'S-HIS-NAME IS RUPERT!
HE'S AN EGYPTOLOGIST!
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21. I DON'T CARE
WHAT HE SAYS HE IS.
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22. FOR DEAD PEOPLE.
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23. FOR GOD'S SAKE,
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24. BE CAREFUL WITH THIS!
WORK'S PRICELESS!
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25. THAT CORNER.
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26. DOING FINE.
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27. I DO NOT
BELIEVE THIS.
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28. STUFF'S BEEN IN EGYPT
FOR 4,000 YEARS,
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29. I'M SUPPOSED TO GET MARRIED.
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30. COULDN'T HAVE BEEN
PLANNED BETTER.
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31. ARE YOU NERVOUS?
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32. SURE I AM.
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33. THAT'S THE WHOLE POINT
OF GETTING MARRIED,
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34. TO BE NERVOUS.
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35. I'M ALSO
VERY EXCITED, THOUGH.
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36. IN MY OFFICE.
AND THIS ONE, TOO, PLEASE.
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37. YOU GOT IT.
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38. ASK ME, YOU'RE MAKING
A BIG MISTAKE.
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39. MARRIAGE IS THE PITS.
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40. YOU WERE A PRIEST.
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41. TOLD PEOPLE?
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42. NO, THAT'S WHAT
THEY USED TO TELL ME.
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43. KAY AND I
ARE VERY MUCH IN LOVE.
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44. WE'RE TWO INTELLIGENT,
COMPATIBLE ADULTS,
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45. DOESN'T MATTER.
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46. MONEY ON THE SAME THINGS.
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47. A CYNICAL PRIEST.
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48. I GOT TO MEET KAY.
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49. THIS HOUSE, THIS MARRIAGE—
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50. I HOPE IT WON'T
END UP LIKE THOSE TURTLES.
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51. WHAT TURTLES?
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52. YOU'D ALWAYS CONVINCE
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53. YOUR FATHER TO BUY YOU.
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54. IS AT WORK.
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55. THOSE SMELLY OLD FLIES?
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56. YOU DID.
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57. YES. YOU LOST
INTEREST RIGHT AWAY.
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58. YOU WON'T
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59. SMELLY OLD FLIES.
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60. I SHOULD HOPE NOT.
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61. AS HIS WIFE,
THAT'LL BE YOUR JOB.
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62. I'VE BEEN IN LIMBO
THREE YEARS,
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63. SINCE JOLLY DIED.
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64. TO LIVE AGAIN.
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65. I KNOW, DARLING,
BUT WHY IN THIS HOUSE?
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66. BECAUSE IT'S MY HOUSE
AND I LOVE IT!
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67. SAY TO THAT?
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68. I HAVEN'T TOLD HIM YET.
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69. WHAT?
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70. I HAVEN'T TOLD HIM YET,
BUT I WILL.
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71. I'M SURE WE'LL BOTH
LIVE HERE VERY HAPPILY.
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72. I WANT YOU TO BE HAPPY, DEAR.
YOU KNOW THAT.
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73. IT'S JUST THAT,
AS YOUR MOTHER,
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74. I FEEL IT'S MY DUTY
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75. OF THE SITUATION.
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76. THANKS, MOTHER.
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77. NICE TRY.
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78. EMILY, HAVE YOU
SEEN JOLLY?
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79. HE GOT A CAB
RIGHT BEHIND MINE.
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80. HELLO? ANYBODY HOME?
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81. EMILY?
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82. HELLO? HELLO?
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83. EMILY! AHH!
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84. HI.
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85. HELLO.
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86. THANKS FOR COMING.
I KNOW YOU'RE BUSY.
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87. AN AFTERNOON.
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88. CHELSEA ARTICLE.
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89. DID YOU LIKE IT?
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90. YES.
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91. GOOD.
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92. I LOVE THIS PLACE.
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93. I'D FORGOTTEN
HOW ELEGANT IT WAS.
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94. HOW ELEGANT IT IS.
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95. IS.
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96. HI, EMILY.
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97. CHARLOTTE.
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98. SHE'S DOING THIS?
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99. OH, THE DUST!
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100. SOOT. COUNTRY HAS DUST,
NEW YORK HAS SOOT.
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101. SUCH MEMORIES.
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102. THIS ELEGANT ROOM!
OH, THIS WINDOW!
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103. INTO THE GARDEN.
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104. SHAKESPEARE, WHAT'S
THE MATTER WITH YOU?
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105. THERE'S NOTHING THERE.
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106. I'D LIKE TO START BY THANKING
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107. AND, OF COURSE,
THE IMPLACABLE JENNY,
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108. STAGE MANAGERESS WITHOUT PEER.
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109. THANK YOU FOR EVERYTHING,
INCLUDING HOLDING MY HAND,
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110. MY ZIPPER WAS OPEN.
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111. FINALLY, THE ONE PERSON
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112. WITHOUT WHOM I COULDN'T HAVE
GOTTEN THROUGH ANY OF IT,
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113. MY DARLING KAY,
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114. THE NIGHT IS YOURS,
AND I LOVE YOU.
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115. WAS THIS ALWAYS HERE?
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116. WHAT?
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117. THIS WALL,
WAS IT ALWAYS HERE?
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118. YES, MOTHER,
IT WAS ALWAYS THERE.
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119. WELL, I DON'T
REMEMBER IT.
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120. AND HELD THE BUILDING UP.
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121. IT'S GOING TO TAKE
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122. WHAT IT WAS.
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123. NO. IT'S NOT GOING TO BE
WHAT IT WAS.
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124. I'M GOING TO CHANGE
EVERYTHING, TOP TO BOTTOM—
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125. NEW WALLPAPER,
NEW FURNITURE—EVERYTHING!
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126. KAY?
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127. WHAT?
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128. ARE YOU
ALL RIGHT?
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129. I'M FINE. I JUST HAVE TO
GET MY BEARINGS.
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130. COME ON, SHAKESPEARE.
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131. IT'S GREAT THAT SHE'S
DECIDED TO FACE THIS PLACE,
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132. DOING THINGS AGAIN.
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133. WITH A SIMPLER HOBBY,
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134. OR—OR ANALYSIS?
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135. JOLLY...
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136. IS RUPERT HERE YET?
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137. NO, NOT YET!
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138. HE SAID HE'D BE HERE
AT 4:00.
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139. HE'S PLAYING WITH
THOSE DEAD ARABS.
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140. MOTHER, THAT'S HIS JOB.
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141. TOLERANT OF HIM.
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142. AH, HE'S SUCH A NERD.
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143. HE'S NOT A NERD.
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144. LEARN THAT WORD?
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145. IT CAME OUT WHEN I MET HIM,
JUST LIKE THAT.
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146. I LIKE RUPERT.
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147. YOUMARRY HIM.
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148. RUPERT IS A FINE MAN.
WE'RE GOING TO BE MARRIED.
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149. WHY COULDN'T YOU HAVE FOUND
ANOTHER MAN LIKE JOLLY?
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150. MOTHER, PLEASE
DON'T START THIS AGAIN!
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151. DEAD.
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152. AND HE LOVED THIS HOUSE.
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153. HE DID NOT, MOTHER.
HE HARDLY NOTICED IT.
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154. WITH A THEATER.
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155. CHARLOTTE, DO YOU THINK
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156. A CUP OF INSTANT COFFEE?
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157. WHY NOT?
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158. I DIDN'T HAVE
ANY LUNCH TODAY.
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159. I MEAN, EVEN
A STALE TEA BAG...
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160. OH, MY GOD!
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161. KAY! KAY!
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162. RUPERT!
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163. RUPERT, YOU'RE LATE.
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164. I KNOW. I'M SORRY.
MMM!
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165. YOU OK?
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166. OH, SURE.
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167. GOOD.
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168. SO...
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169. WHY DOES HE HATE ME?
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170. HE DOESN'T.
HE LIKES YOU!
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171. YEAH. I CAN TELL.
HE'S WAGGING HIS FANGS.
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172. HONEY...
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173. SO THIS IS THE PLACE?
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174. OH, IT'S JUST YOU.
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175. JUST ME.
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176. LOVELY HAT.
ARE BATTERIES INCLUDED, UH...
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177. HA HA HA!
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178. RUPERT!
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179. HEY, EMILY.
THIS PLACE IS FABULOUS!
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180. DO YOU LIKE IT?
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181. AH, WHO WOULDN'T?
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182. LOOK AT THIS BANISTER!
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183. WHAT?
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184. THAT'S SANTIAGO MAHOGANY,
IMPOSSIBLE TO FIND TODAY.
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185. CAN I GO UPSTAIRS?
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186. IS INCREDIBLE!
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187. DID YOU TELL HIM?
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188. I WILL!
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189. GOD, DO YOU KNOW
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190. LIKE THIS TODAY?
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191. DO YOU LIKE IT?
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192. LIKE IT?
I LOVEIT!
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193. AS I LOVE YOU.
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194. OH! OH!
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195. RUPERT, LET'S GET
MARRIED HERE.
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196. WH—HERE IN THE HOUSE?
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197. WHY NOT?
IT'S OUR HOUSE.
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198. DECISION.
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199. I THINK IT'S
A FABULOUS IDEA.
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200. WHAT ABOUT THE CLUB?
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201. CANCEL.
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202. CAN'T. THEY WENT TO
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203. ON SHORT NOTICE.
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204. FOR A WEDDING.
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205. ABSOLUTELY PERFECT.
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206. WHAT DO YOU SAY?
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207. IT'S IRRESPONSIBLE.
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208. LOOSEN UP!
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209. PLEASE.
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210. DO IT, RUPERT.
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211. WELL, OK.
WHY NOT? I GUESS.
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212. OH! OH!
THEN IT'S ALL SETTLED.
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213. I DON'T HAVE MY ADDRESS BOOK,
AND I NEED A TELEPHONE.
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214. I'LL NEED SOMETHING
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215. IF IT'S GOING TO
BE HERE.
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216. MMM... YOU HAPPY?
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217. YES, I'M HAPPY.
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218. THIS IS YOUR MOTHER'S
GUEST LIST.
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219. WELL, I SEE, IN DEFERENCE
TO LIMITED SPACE,
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220. SHE'S AGREED TO LEAVE OUT
THE THIRD-WORLD NATIONS.
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221. WELL, MY MOTHER IS
A LITTLE EXCITED.
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222. IT'S MY FIRST
WEDDING, REMEMBER?
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223. THAT'S RIGHT.
YOU AND, UH...
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224. JOLLY.
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225. YOU AND JOLLY ELOPED.
THAT'S RIGHT.
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226. I HAVEN'T BEEN
IN THIS PLACE IN YEARS.
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227. IT'S GOOD
TO HAVE YOU ALONE.
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228. I—
HONEY, I—
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229. GO AHEAD.
NO, YOU.
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230. I JUST, UH...
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231. WELL, I WANTED TO
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232. ABOUT SOMETHING. UH—
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233. ME, TOO.
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234. WELL, GO AHEAD.
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235. TO ASK.
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236. KAY? KAY VILLANO!
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237. MICHAEL! MICHAEL! OH!
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238. LOOK AT YOU!
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239. LOOK AT YOU!
OH, YOU LOOK WONDERFUL!
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240. YOU LOOK TERRIFIC!
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241. WHAT ARE YOU DOING?
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242. THE NEW PRINCE SHOW.
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243. THAT'S FABULOUS!
I'M SO EXCITED FOR YOU!
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244. MMM!
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245. I'LL CALL YOU
WHEN I GET BACK.
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246. WE'LL HAVE LUNCH.
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247. OK. YES.
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248. SCUSA! CIAO!
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249. BYE.
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250. THAT GUY...
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251. HA HA HA!
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252. WHO'S THAT?
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253. MICHAEL MENSINGER,
FABULOUS DANCER.
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254. YOU'LL JUST LOVE HIM.
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255. NO DOUBT.
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256. ANYWAY,
I WAS SAYING BEFORE, UH...
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257. THAT I'M JUST
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258. OH, RUPERT.
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259. NO, NO.
ABOUT, UH—
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260. KAY? IS THAT
YOU, HONEY?
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261. OH! KAY!
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262. MARK! MARK!
OH, GOSH!
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263. KAY, OH! MMM!
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264. HOW ARE YOU?
IT'S BEEN THREE YEARS!
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265. OLD FRIENDS.
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266. THAN EVER.
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267. THANK YOU.
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268. LET'S SNEAK OUT
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269. RESTAURANT.
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270. AHEM! SHE'S ENGAGED.
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271. WELL,
WE'LL FIND OURSELVES
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272. A LOUD RESTAURANT.
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273. YOU COME, TOO.
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274. AHH...
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275. UM, KAY, I GOT
A SHOW TO DO.
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276. OH. BYE.
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277. BYE. MMM...
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278. SO GOOD TO SEE YOU.
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279. BYE.
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280. MARK LEWIS,
JUST A WONDERFUL DANCER.
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281. YEAH? DON'T YOU KNOW
ANY BAD DANCERS?
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282. BESIDES ME, I MEAN.
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283. HONEY,
ARE YOU JEALOUS?
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284. JEALOUS, WHY? JUST BECAUSE
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285. YOU'RE STANDING UP
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286. MAKING OUT WITH STRANGERS?
DON'T BE SILLY!
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287. THEY'RE
NOT STRANGERS.
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288. WELL,
THEY ARE TO ME.
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289. YOU'RE SO FUNNY.
HA HA HA!
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290. MMM. THANKS.
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291. I'VE BEEN THINKING.
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292. WHAT?
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293. MOVE INTO THE HOUSE?
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294. AHEM! THAT HOUSE?
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295. YES, THAT HOUSE.
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296. I DON'T KNOW.
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297. YOU LIKED IT.
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298. I KNOW, BUT I WAS—
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299. KAY!
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300. KAY!
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301. ROSCOE AND ROLAND,
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302. I CAN'T BELIEVE IT!
GEE! OH!
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303. YOU'RE A DANCER, TOO?
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304. NO, I'M JUST EFFEMINATE.
THANK YOU.
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305. GIVE ME A HUG!
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306. AND YOU!
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307. OH, GEE!
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308. I LOVE SCALLOPS!
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309. YOU CAN'T HAVE ANY.
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310. TERRIFIC!
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311. THANK YOU.
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312. SOPHISTICATED LADIES.
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313. NEW ACT TOGETHER.
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314. COME SEE IT.
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315. "ROSCOE AND ROLAND."
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316. ROSCOE AND ROLAND.
I WOULDN'T MISS IT!
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317. WE'LL LOOK FOR YOU.
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318. BYE.
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319. WITH MY FIANCEÉE?
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320. RUPERT, RUPERT,
RUPERT!
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321. LAST CALL!
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322. EAT YOUR SCALLOPS.
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323. KAY, WHY DIDN'T YOU
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324. ANY OF THEM? HMM?
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325. I WANTED TO.
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326. WENT BY SO FAST.
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327. OH.
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328. ABOUT THE HOUSE?
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329. WHAT I MEAN.
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330. I KNOW NOTHING ABOUT, KAY.
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331. ABOUT YOURS.
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332. BUT IT'S BORING.
IT DOESN'T SCARE YOU.
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333. I THINK,
IN A HEALTHY MARRIAGE,
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334. FEAR SHOULD BE EQUAL.
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335. YOU DON'T WANT TO
MOVE INTO THE HOUSE.
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336. WELL, DO YOU?
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337. YES, I DO!
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338. FOR YOUR RESEARCH.
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339. FOR A WORK AREA,
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340. FOR
EMILY'S MAGAZINE.
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341. IT'LL BE FIXED
TOP TO BOTTOM.
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342. IT'S BEAUTIFUL—
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343. YOU'VE BEEN THINKING
ABOUT THIS?
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344. YES, I'VE BEEN
THINKING ABOUT THIS.
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345. HAVE YOUR HEART SET ON IT?
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346. YES, I DO.
I REALLY DO.
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347. OK. FINE.
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348. OH, I LOVE YOU.
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349. IT'S FINE.
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350. JUST DOWN ONE MORE STEP.
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351. STEP BEHIND YOU.
OK.
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352. COME ON, SHAKESPEARE.
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353. COME ON. WAIT.
LET ME GET OUT OF THE WAY.
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354. COME ON.
THAT'S A BOY.
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355. KAY! KAY!
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356. MAD, KAY.
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357. PRETEND SHE'S YOUR
OWN MOTHER AND IGNORE HER.
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358. YOU'RE DOING
A WONDERFUL JOB, BILLY.
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359. IN THE KITCHEN, PLEASE?
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360. THERE YOU GO.
THANKS A LOT.
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361. WHOOPS! WAIT A SECOND.
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362. OK. THERE YOU GO. OK.
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363. KAY!
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364. HELLO, MOTHER.
I'LL BE DOWN IN A MINUTE!
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365. YES, BUT—
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366. ALL RIGHT.
COME ON.
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367. YOU GOT IT?
LET'S GO!
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368. OK.
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369. EXCUSE ME.
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370. SORRY.
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371. UH...
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372. YOU GOT IT?
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373. I GOT IT.
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374. OK. LET'S GO.
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375. MOVE, WILL YOU?
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376. WHEW!
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377. HI, SHAKESPEARE.
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378. AHH...
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379. AHH! AH AH!
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380. HA HA HA!
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381. IT'S AN ILLUSION, BOY,
IT'S JUST AN ILLUSION.
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382. EMILY WARNED ME.
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383. SHE SAID THIS WOULD HAPPEN.
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384. SHE SAID, IF I MOVED BACK
IN THE HOUSE,
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385. WOULD COME BACK.
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386. IF I FACE THEM...
IF I FACE THEM...
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387. IT WILL GO AWAY.
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388. I WILL OPEN MY EYES NOW,
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389. WILL BE GONE.
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390. WHOO... WHOO... HA HA!
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391. EH? NOT BAD
FOR A DEAD MAN.
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392. WELL, AREN'T YOU
GOING TO SAY HELLO?
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393. YOU'RE NOT HERE.
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394. YES, I AM.
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395. NO. YOU'RE DEAD.
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396. WELL, I CAN'T
ARGUE WITH THAT.
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397. YOU'RE NOT HERE.
HE'S NOT HERE.
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398. YOU'RE DEAD BECAUSE
I'VE BEEN A WIDOW THREE YEARS.
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399. YOUR BODY DOWNSTAIRS!
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400. EVERYBODY SAW IT!
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401. OR FULL-FACE?
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402. OH, I SHOULD HAVE
LISTENED TO MY MOTHER!
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403. I SHOULDN'T HAVE
RUSHED INTO THIS!
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404. I'M HERE TWO DAYS,
AND I'M INSANE!
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405. ALL RIGHT, NOW.
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406. DOWN, OK?
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407. OK.
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408. OK?
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409. OK.
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410. IT'S NOT SO
COMPLICATED.
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411. OH, IT'S REALLY
VERY SIMPLE.
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412. LET ME EXPLAIN.
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413. PLEASE DO. FAST.
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414. I'M, UH, I'M WHAT
YOU MIGHT CALL A, UH...
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415. A GHOST.
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416. OH.
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417. WELL, THAT... CLEARS
IT ALL... UP.
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418. LISTEN, CALM DOWN.
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419. HAPPENS TO UPSET ME!
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420. GOT MAD LIKE THIS.
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421. GOT MAD!
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422. HOW ABOUT THE CAR?
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423. HE BRINGS UP THE CAR.
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424. SOMETHING AT ME.
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425. I'M GONNA THROW
THIS BOOK AT YOU. OH!
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426. JOLLY?
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427. THAT'S ME.
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428. WHY ARE YOU HERE?
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429. I LIVE HERE.
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430. OH.
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431. YOU?
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432. WE'RE MOVING
BACK IN.
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433. WE?
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434. MY FIANCEÉ AND I.
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435. OH. TERRIFIC.
THAT'S FANTASTIC.
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436. SHARE UTILITIES.
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437. MY OWN PHONE, THOUGH.
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438. DO SOMETHING.
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439. EXCUSE ME?
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440. OR SOMETHING DISAPPEAR.
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441. OH, NO.
I DON'T WANT TO DO THAT.
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442. NO CHEAP TRICKS,
CONJURE A RABBIT,
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443. STUFF LIKE THAT.
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444. I'M A MENTAL IMAGE,
NOT A PHYSICAL ONE. SEE?
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445. Oh, I see, I see.
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446. Jolly...
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447. Yeah?
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448. Whaa...
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449. Whaa?
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450. What are you
doing here?
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451. I DIED HERE.
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452. Ohh. And your spirit
is trying to get out.
Copy !req
453. WITH NEW YORK RENTS?
YOU MUST BE MAD.
Copy !req
454. OH, JOLLY!
Copy !req
455. PLANNING ON STAYING?
Copy !req
456. HERE?
Copy !req
457. I MEAN, ARE YOU
GOING TO—I MEAN...
Copy !req
458. OH, YOU MEAN
THE WEEKEND.
Copy !req
459. THE WEDDING.
Copy !req
460. I WOULDN'T
Copy !req
461. FOR THE WORLD,
DARLING.
Copy !req
462. OH, GOOD.
Copy !req
463. YOU LOOK SENSATIONAL.
Copy !req
464. THANKS.
Copy !req
465. SO DO YOU.
Copy !req
466. YEAH?
Copy !req
467. KAY? ARE YOU HERE?
Copy !req
468. OH, MY GOD.
Copy !req
469. OH, YOU'VE GOT TO
BE QUIET. SHH.
Copy !req
470. WE'VE GOT TO
HIDE YOU.
Copy !req
471. SIT IN THE CHAIR!
SIT IN THE CHAIR!
Copy !req
472. BUT, LISTEN, KAY—
Copy !req
473. SHH! SHH!
Copy !req
474. KAY, I HAVE A FEELING
YOU'RE NOT LISTENING.
Copy !req
475. THERE YOU ARE.
Copy !req
476. HELLO, MOTHER.
Copy !req
477. ALL THIS FURNITURE.
Copy !req
478. RIGHT.
Copy !req
479. GO AGAINST THE WALL HERE?
Copy !req
480. YES. SO TAKE IT
ALL OUT.
Copy !req
481. RIGHT. EVERYTHING GOES.
EXCEPT THAT CHAIR.
Copy !req
482. YOU'RE KEEPING
THATCHAIR?
Copy !req
483. OLD CHAIR?
Copy !req
484. YES, I AM.
Copy !req
485. DON'T BE SILLY, KAY.
LOOK, TAKE IT AWAY.
Copy !req
486. DON'T...
Copy !req
487. TOUCH...
Copy !req
488. THAT...
Copy !req
489. CHAIR!
Copy !req
490. REALLY, KAY.
Copy !req
491. SENTIMENTAL VALUE.
Copy !req
492. IT DOES?
Copy !req
493. WHAT SENTIMENTAL VALUE?
Copy !req
494. DOES IT HAVE?
Copy !req
495. I'LL TELL YOU WHAT
SENTIMENTAL VALUE IT HAS.
Copy !req
496. MY FIANCEÉ...
WAS BORN IN IT.
Copy !req
497. WHAT?
Copy !req
498. RUPERT? MY FIANCEÉ?
Copy !req
499. IN THAT CHAIR.
Copy !req
500. HOW STRANGE.
Copy !req
501. IN THIS HOUSE.
Copy !req
502. WELL, OF COURSE
HE DIDN'T.
Copy !req
503. I KNOW THAT.
Copy !req
504. HIS MOTHER'S HOUSE.
Copy !req
505. VERY NEAR HERE.
Copy !req
506. OH, YES, IT'S A LOVELY
FAMILY TRADITION.
Copy !req
507. BORN IN CHAIRS.
Copy !req
508. CAN YOU IMAGINE?
Copy !req
509. SITTING THERE,
Copy !req
510. KNITTING, LISTENING
TO THE RADIO,
Copy !req
511. AND PRESTO!
Copy !req
512. MY FIANCEÉ.
Copy !req
513. WELL, OF COURSE,
Copy !req
514. YOUNGER THEN.
Copy !req
515. SHAKESPEARE, NO!
NO, NO, NO!
Copy !req
516. SHAKESPEARE,
NO! NO!
Copy !req
517. OH, GOD! OH, GOD!
OH, GOD! MOTHER.
Copy !req
518. THERE YOU ARE.
THERE YOU ARE.
Copy !req
519. THAT'S MY FIRST
HUSBAND.
Copy !req
520. YES, THERE HE IS,
GOD BLESS HIM.
Copy !req
521. THREE YEARS AGO.
Copy !req
522. HE'S CHANGED?
Copy !req
523. CHANGED? NO.
Copy !req
524. TO HIM.
Copy !req
525. I BEG YOUR PARDON?
Copy !req
526. GO AHEAD, SAY
SOMETHING TO HIM.
Copy !req
527. HE TALKS.
Copy !req
528. HE, UM, HE TALKS?
Copy !req
529. OH, YES, MOTHER,
HE TALKS.
Copy !req
530. TO HIM.
Copy !req
531. HELLO.
HOW DO YOU DO?
Copy !req
532. STUPID, YOU GOT
Copy !req
533. OR SOMETHING?
Copy !req
534. YOU'RE TALKING
TO A PICTURE.
Copy !req
535. NO, NO, NO! NOT HIM.
Copy !req
536. HIM.
Copy !req
537. WHO?
Copy !req
538. THEY CAN'T SEE
OR HEAR ME.
Copy !req
539. OH.
Copy !req
540. HE DIDN'T
SAY NOTHIN'.
Copy !req
541. HA HA HA!
Copy !req
542. WELL, OF COURSE NOT,
YOU BIG SILLY.
Copy !req
543. IT'S JUST
A PICTURE.
Copy !req
544. CAN'T YOU TAKE
A JOKE?
Copy !req
545. EVERYTHING OUT!
Copy !req
546. THE CHAIR, TOO?
Copy !req
547. THE CHAIR,
TOO.
Copy !req
548. LADY,
ARE YOU SURE?
Copy !req
549. I'M SURE.
Copy !req
550. SENTIMENTAL VALUE?
Copy !req
551. OH, MOTHER.
Copy !req
552. IN A CHAIR.
Copy !req
553. BIG DEAL.
Copy !req
554. THESE CHAIRS.
Copy !req
555. GOOD NIGHT, SWEETHEART.
Copy !req
556. MUSH! MUSH!
Copy !req
557. DARLING,
YOU'D BETTER LIE DOWN.
Copy !req
558. THAT'S
A GOOD IDEA.
Copy !req
559. BILLY, I'M CONVINCED
Copy !req
560. THEY'VE HUNG
THE PAPER UPSIDE-DOWN.
Copy !req
561. I'LL LEAVE YOU
AT THE MUSEUM.
Copy !req
562. YOU WANT.
Copy !req
563. READY, DEAR?
LET'S GO.
Copy !req
564. I'M STARVING.
Copy !req
565. I'LL MEET YOU
AT THE RESTAURANT LATER.
Copy !req
566. I'D LIKE TO FINISH
A FEW THINGS HERE.
Copy !req
567. OK. SEE YOU THERE.
Copy !req
568. DON'T BE TOO LONG.
Copy !req
569. I WON'T.
Copy !req
570. HELLO. YOU'VE
Copy !req
571. OF KAY
AND JOLLY VILLANO.
Copy !req
572. AS YOU PROBABLY CAN TELL,
WE'RE NOT AT HOME.
Copy !req
573. JOLLY.
Copy !req
574. JOLLY?
Copy !req
575. JOLLY?
Copy !req
576. IF YOU AREHERE,
Copy !req
577. AND I WASN'T DREAMING
BEFORE,
Copy !req
578. THERE'S SOMETHING
I'VE GOT TO TELL YOU.
Copy !req
579. I'VE BEEN THINKING.
Copy !req
580. THIS ISN'T GOOD.
Copy !req
581. IT'S NOT RIGHT FOR YOU
TO COME BACK NOW.
Copy !req
582. THINGS ARE DIFFERENT.
Copy !req
583. THERE ISN'T ROOM FOR YOU.
Copy !req
584. WHAT WE HAD WAS NICE.
Copy !req
585. IT WAS WONDERFUL.
Copy !req
586. BUT I'M GETTING MARRIED,
Copy !req
587. JUST AREN'T THE SAME.
Copy !req
588. I DON'T NEED YOU
ANYMORE, JOLLY.
Copy !req
589. I DON'T BELIEVE
I'M DOING THIS.
Copy !req
590. OH, I DON'T BELIEVE IT!
Copy !req
591. SHAKESPEARE, COME ON!
Copy !req
592. VEGETABLES,
VEGETABLES,
Copy !req
593. FRESH AND RAW,
AND LOTS OF THEM.
Copy !req
594. THAT'S THE KEY.
Copy !req
595. A VEGETARIAN.
Copy !req
596. AS ALWAYS, KAY.
Copy !req
597. DID FOR JOLLY.
Copy !req
598. WHAT A VIRILE MAN.
Copy !req
599. JOLLY, JOLLY, JOLLY.
Copy !req
600. ROCK-HARD TO ME.
Copy !req
601. UH, HONEY,
IS THAT CENTERED NOW?
Copy !req
602. YES, DEAR.
Copy !req
603. SO CLEVER.
Copy !req
604. ABOUT EATING.
Copy !req
605. I MEAN,
HE USED TO SAY,
Copy !req
606. "I NEVER
Copy !req
607. WITH A FACE."
Copy !req
608. THAT'S RIGHT!
Copy !req
609. AS I REMEMBER,
Copy !req
610. HE WAS CLEVER,
ALL RIGHT.
Copy !req
611. HOUSE FOR A WEDDING.
Copy !req
612. I HAVE A MAXIM, TOO.
Copy !req
613. LET'S HEAR YOURS.
Copy !req
614. THAT SPOKE FRENCH.
Copy !req
615. I DON'T CARE HOW LONG
Copy !req
616. OVER A HOT STOVE,
Copy !req
617. IF IT SPOKE FRENCH,
I WON'T TOUCH IT.
Copy !req
618. HA HA. OH, RUPERT.
Copy !req
619. IS IT STRAIGHT NOW?
Copy !req
620. YES, DEAR.
Copy !req
621. EDGAR'S MY FIFTH
HUSBAND.
Copy !req
622. TO THREE OF THEM.
Copy !req
623. IN CONSTRUCTION.
Copy !req
624. I LIKE TO DO THINGS MYSELF.
STILL THE BEST WAY.
Copy !req
625. WITH THE NAIL?
Copy !req
626. OH, NO.
Copy !req
627. OH, NO!
OH, NO, NO!
Copy !req
628. WHAT'S THE MATTER?
Copy !req
629. THERE'S SPOTS
ON THESE GLASSES.
Copy !req
630. I THINK YOU'RE WATCHING
TOO MUCH TV, KAY.
Copy !req
631. THANK YOU, HONEY.
Copy !req
632. JOLLY'S LAST SHOW
IS STILL RUNNING ON BROADWAY.
Copy !req
633. IT'S THE NINTH
LONGEST-RUNNING SHOW IN HISTORY.
Copy !req
634. OH, YOU'RE JUST
SAYING THAT TO BORE US.
Copy !req
635. I WASN'T DREAMING.
Copy !req
636. IT'S THE REAL THING.
Copy !req
637. JOLLY...
Copy !req
638. I'VE BEEN THINKING.
Copy !req
639. THINKING?
Copy !req
640. YEAH. YOU CAN'T
STAY HERE!
Copy !req
641. WHY NOT?
Copy !req
642. BECAUSE...
Copy !req
643. BECAUSE.
Copy !req
644. NO REASON AT ALL.
Copy !req
645. BECAUSE I'M GETTING MARRIED
NEXT SATURDAY!
Copy !req
646. WE'LL HAVE
A MEÉNAGE AÀ TROIS.
Copy !req
647. DON'T BE RIDICULOUS.
Copy !req
648. I LOVE YOU.
Copy !req
649. DON'T SAY THAT!
Copy !req
650. WHAT?
Copy !req
651. DON'T SAY,
"I LOVE YOU."
Copy !req
652. WHY NOT?
Copy !req
653. DON'T SAY,
"I LOVE YOU"
Copy !req
654. IN YOUR HANDS.
Copy !req
655. OUT OF IT.
Copy !req
656. PUT THE DISHES DOWN FIRST...
Copy !req
657. AND NOW SAY IT.
Copy !req
658. I LOVE YOU.
Copy !req
659. THAT WAS?
Copy !req
660. BE LAUGHS.
Copy !req
661. ABOUT YOUR DEAD HUSBAND.
Copy !req
662. SHE WAS FOND OF HIM.
Copy !req
663. YES, AND SHE HAD
WONDERFUL TASTE.
Copy !req
664. "JOLLY." HOW COULD
Copy !req
665. A BREAKFAST CEREAL?
Copy !req
666. HA HA.
Copy !req
667. YES, HE HAS
A CERTAIN CHARM.
Copy !req
668. HE CERTAINLY DOES.
Copy !req
669. BUT, UM,
HE'S NOT FOR YOU.
Copy !req
670. NO?
Copy !req
671. THEN WHO IS?
Copy !req
672. ME.
Copy !req
673. HANDSOME,
Copy !req
674. CHARMING,
Copy !req
675. DEBONAIR.
Copy !req
676. AND DEAD?
Copy !req
677. IN EVERYTHING.
Copy !req
678. BUT I STILL LOVE YOU.
Copy !req
679. NOT TO SAY THAT.
Copy !req
680. DOES, UH, HE SAY THAT?
Copy !req
681. WHO?
Copy !req
682. OH, OF COURSE!
Copy !req
683. OF COURSE HE DOES.
ALL THE TIME.
Copy !req
684. I MEAN, UH,
LIKE I SAY IT?
Copy !req
685. WELL...
Copy !req
686. NO.
Copy !req
687. NO, NOT REALLY.
Copy !req
688. REAL GOOD SOMETIMES.
Copy !req
689. JOLLY.
Copy !req
690. OH, GOD. GO AWAY.
Copy !req
691. RUPERT, DARLING,
LET'S START DISCUSSING PLANS
Copy !req
692. FOR THE BIG EVENT.
Copy !req
693. VERY GOOD IDEA.
Copy !req
694. YOU'VE BECOME
VERY EFFICIENT,
Copy !req
695. MY LOVE.
Copy !req
696. I'D LIKE TO GET
THIS STRAIGHT.
Copy !req
697. YOU DON'T
THINK IT'S STRAIGHT?
Copy !req
698. NO, NOT YOU,
THE WEDDING.
Copy !req
699. YOU'RE RIGHT.
IT'S NOT STRAIGHT.
Copy !req
700. IT'S NOT EVERY DAY
THAT YOU GET MARRIED,
Copy !req
701. ALTHOUGH IN YOUR CASE,
YOU COME VERY CLOSE.
Copy !req
702. ELOPED.
Copy !req
703. THAT WAS SMART.
Copy !req
704. YEAH, SO DO I.
Copy !req
705. IT WAS FUN.
Copy !req
706. WHERE WAS IT?
Copy !req
707. YES, TELL US
ALL ABOUT IT.
Copy !req
708. ATLANTIC CITY.
Copy !req
709. ABOUT THE CHAPEL.
Copy !req
710. PLEASE, TELL THEM.
Copy !req
711. ALL RIGHT. WE WENT TO
Copy !req
712. WEDDING CHAPEL.
Copy !req
713. THE MINISTER'S WIFE
Copy !req
714. THE WHOLE CEREMONY.
Copy !req
715. DON'T FORGET ABOUT
Copy !req
716. AT THE HOTEL.
Copy !req
717. YOU'VE HEARD THIS
BEFORE?
Copy !req
718. YES, BUT
THE 12th TIME
Copy !req
719. IS THE FUNNIEST.
Copy !req
720. WELL, THIS VERY SHORT BELLHOP,
Copy !req
721. LOCKED IN THE BATHROOM.
Copy !req
722. OH, THAT JOLLY.
HE WAS SO MUCH FUN.
Copy !req
723. YEAH, I WAS.
Copy !req
724. YES, YOU WERE—HE WAS.
Copy !req
725. I'VE HAD ENOUGH
OF THIS.
Copy !req
726. I'M SO GOD DAMN
SICK OF THIS JERK,
Copy !req
727. AND I'VE NEVER EVEN
MET HIM!
Copy !req
728. HE WASN'T BORN
IN A CHAIR.
Copy !req
729. LOOK, I'M ALIVE.
HE'S DEAD AND GONE.
Copy !req
730. DEAD BUT NOT GONE.
Copy !req
731. NO, HE'S NOT GONE.
BUT I'LL GET RID OF HIM.
Copy !req
732. RUPERT, DARLING,
WE WERE JUST TALKING.
Copy !req
733. I WON'T BE
DEFEATED BY A GHOST.
Copy !req
734. IF HE WERE HERE,
I WOULD CONFRONT HIM.
Copy !req
735. HE'D PUNCH YOU
IN THE NOSE.
Copy !req
736. YOU TELL HIM.
Copy !req
737. IS THAT STRAIGHT?
Copy !req
738. NO!
NO!
Copy !req
739. KAY, I HAVE
ONE QUESTION FOR YOU.
Copy !req
740. WHAT?
Copy !req
741. AND I'D LIKE
THE ANSWER FINALLY.
Copy !req
742. HUSBAND,
Copy !req
743. TO MARRY ME?
Copy !req
744. I'D SAY...
Copy !req
745. OUT OF THIS.
Copy !req
746. I SHALL LEAVE THE ROOM.
Copy !req
747. THAT'S GOOD IDEA.
Copy !req
748. COME, MY LOVE.
Copy !req
749. WHICH IS IT, KAY?
Copy !req
750. DON'T BE TOO HASTY.
Copy !req
751. WELL?
Copy !req
752. I WANT TO MARRY YOU.
I LOVE YOU TO PIECES.
Copy !req
753. HAPPILY EVER AFTER.
Copy !req
754. THAT'S ALL
I WANTED TO HEAR.
Copy !req
755. NOW LET'S GET THE DETAILS
Copy !req
756. STRAIGHTENED OUT!
Copy !req
757. MADE IN HEAVEN.
Copy !req
758. I'M GLAD
YOU'RE NOT ANGRY.
Copy !req
759. NO, HONEY. REALLY,
IT WAS MY FAULT.
Copy !req
760. IT'S GREAT MAKING LOVE
Copy !req
761. FOR THE FIRST TIME.
Copy !req
762. HONEY, DO YOU EVER
Copy !req
763. WHEN YOU MAKE LOVE?
Copy !req
764. HA. NO.
Copy !req
765. NEVER?
Copy !req
766. MY HEAD SOMETIMES, BUT—
Copy !req
767. LIKE WHO?
Copy !req
768. IT'S DUMB, OK?
YOU'LL LAUGH AT ME.
Copy !req
769. NO, I WON'T.
REALLY. TELL ME.
Copy !req
770. GUY LOMBARDO.
Copy !req
771. WHO?
Copy !req
772. GUY LOMBARDO,
THE BAND LEADER.
Copy !req
773. HA HA HA!
Copy !req
774. YOU'RE LAUGHING.
Copy !req
775. NO, I'M NOT.
NO, I'M NOT.
Copy !req
776. I'M NOT LAUGHING.
Copy !req
777. HMM HMM HMM!
Copy !req
778. WHY?
Copy !req
779. WELL, THE FIRST TIME
Copy !req
780. NEW YEAR'S EVE PARTY
Copy !req
781. AT MY PARENTS' HOUSE,
Copy !req
782. AND THE CATERER'S
DAUGHTER SEDUCED ME.
Copy !req
783. AT THE TIME,
Copy !req
784. MOMENT,
Copy !req
785. GUY LOMBARDO CAME ON.
Copy !req
786. THE ROYAL CANADIANS, TOO?
Copy !req
787. CANADIANS, TOO?
Copy !req
788. OH!
Copy !req
789. AH!
Copy !req
790. NO.
Copy !req
791. NO.
Copy !req
792. I'M NOT INTO
GROUP SEX.
Copy !req
793. MMM. DO YOU EVER
THINK OF ANYONE?
Copy !req
794. NO.
Copy !req
795. JUST ASKING.
Copy !req
796. HONEY.
NO, HONEY, I DON'T.
Copy !req
797. UH, YOU BUSY?
Copy !req
798. HONEY, RELAX, PLEASE.
Copy !req
799. HONEY, RELAX.
Copy !req
800. I AM RELAXED.
Copy !req
801. WELL, THEN
UNCLENCH YOUR FISTS.
Copy !req
802. BIG DEAL.
BIG DEAL.
Copy !req
803. MMM.
MM.
Copy !req
804. OOH, I LOVE YOU
SO MUCH.
Copy !req
805. IS HE GOOD?
Copy !req
806. YES.
Copy !req
807. OH, YES.
Copy !req
808. I MEAN, UH,
IS HE BETTER THAN ME?
Copy !req
809. YES.
Copy !req
810. OH, YES.
Copy !req
811. HARD TO BELIEVE.
Copy !req
812. AM I DISTURBING YOU?
Copy !req
813. YES.
Copy !req
814. I'LL JUST
SHUT OFF THE LIGHTS.
Copy !req
815. OH, GOD,
LET ME DO IT.
Copy !req
816. OK. CAN I WATCH?
Copy !req
817. WHAT?
Copy !req
818. OH. NO, HONEY,
Copy !req
819. I WASN'T TALKING
TO YOU.
Copy !req
820. IN ECSTASY.
Copy !req
821. "JABBERING AWAY IN ECSTASY."
THAT'S GOOD.
Copy !req
822. OH, KAY,
Copy !req
823. I LOVE YOU SO MUCH.
Copy !req
824. THESE THINGS.
Copy !req
825. ALL OF YOU.
Copy !req
826. THESE UGLY THINGS.
Copy !req
827. I LOVE YOUR SHOULDERS.
Copy !req
828. WHERE DID WE GET THESE?
Copy !req
829. AND YOUR BREASTS.
Copy !req
830. THEY'RE
MY AUNT EDNA'S.
Copy !req
831. WHAT?
WHAT?
Copy !req
832. WHAT DID YOU SAY?
Copy !req
833. NOTHING.
Copy !req
834. AWAY AGAIN.
Copy !req
835. IN ECSTASY.
Copy !req
836. IN ECSTASY. RIGHT.
Copy !req
837. THAT'S WHAT YOU SAY
WHEN YOU'RE IN ECSTASY?
Copy !req
838. "THEY'RE MY AUNT EDNA'S"?
Copy !req
839. HOW SHOULD I KNOW?
Copy !req
840. AT THAT CLIMACTIC MOMENT.
Copy !req
841. RUPERT, JUST
MAKE LOVE TO ME.
Copy !req
842. I'M TRYING.
Copy !req
843. OK. OK.
Copy !req
844. OK.
Copy !req
845. WHAT ARE YOU DOING?
Copy !req
846. I'M CHECKING
FOR SIGNS OF LIFE.
Copy !req
847. OF THE PUPIL.
Copy !req
848. YOU'RE ALIVE!
Copy !req
849. OUT OF MY EYE.
Copy !req
850. A RESPONSE.
Copy !req
851. RUPERT, THERE'S
Copy !req
852. I'VE
GOT TO TELL YOU.
Copy !req
853. HEAR THIS.
Copy !req
854. OH, MY GOD.
Copy !req
855. RUPERT, THERE'S
SOMEONE WATCHING US.
Copy !req
856. THERE IS? WHERE?
Copy !req
857. YOU CAN'T
SEE HIM.
Copy !req
858. OH. I GET IT.
Copy !req
859. YOU DO?
Copy !req
860. THERE'S SOMEONE
BEHIND THE ARMOIRE.
Copy !req
861. MAYBE GUY LOMBARDO.
Copy !req
862. RUPERT,
LISTEN TO ME.
Copy !req
863. RUPERT, THAT'S NOT
WHAT I MEANT.
Copy !req
864. DID YOU MEAN?
Copy !req
865. RUPERT, I HAVE
Copy !req
866. TELL YOU.
Copy !req
867. RELATIONSHIP.
Copy !req
868. OH, GOD.
Copy !req
869. ARE YOU LISTENING?
Copy !req
870. I'M LISTENING.
Copy !req
871. THERE'S A GHOST
IN THIS HOUSE.
Copy !req
872. THERE'S A GHOST
Copy !req
873. WITH US NOW.
Copy !req
874. YOUR PERIOD?
Copy !req
875. NO, I'M NOT
HAVING MY PERIOD.
Copy !req
876. WOMEN DON'T GO AROUND
Copy !req
877. THEIR PERIOD.
Copy !req
878. THAT'S EXACTLY
Copy !req
879. A MAN TO SAY.
Copy !req
880. I AM A MAN, KAY.
Copy !req
881. YOU DON'T HAVE TO
THINK LIKE ONE.
Copy !req
882. I'M TRYING SO HARD!
Copy !req
883. I KNOW. DARLING,
TRY THE RATIONAL APPROACH.
Copy !req
884. HE ISA SCIENTIST.
Copy !req
885. YOU'RE THINKING,
Copy !req
886. TO LISTEN TO ME.
Copy !req
887. I'M LISTENING, KAY.
Copy !req
888. WHAT I'VE BEEN SEEING
Copy !req
889. OF MY IMAGINATION.
Copy !req
890. OR AN ILLUSION.
Copy !req
891. NO LONGER LIVING.
Copy !req
892. OH, THAT'S GREAT.
THAT'S FANTASTIC, DARLING.
Copy !req
893. THAT'S GOOD.
Copy !req
894. THANKS.
Copy !req
895. IT WAS VERY GOOD.
Copy !req
896. RUPERT, WHAT
ARE YOU DOING?
Copy !req
897. WITH A GHOST.
Copy !req
898. YES, YOU DID.
Copy !req
899. THAT I KNOW.
Copy !req
900. YES.
Copy !req
901. IN THIS ROOM.
Copy !req
902. DON'T JUST
AGREE WITH ME!
Copy !req
903. I'M NOT AGREEING WITH YOU.
I'M JUST SAYING YES.
Copy !req
904. YOU THINK I'M CRAZY.
Copy !req
905. YES.
NO.
Copy !req
906. BE QUIET.
Copy !req
907. WHAT?
WHAT?
Copy !req
908. OH, YOU WERE TALKING
TO THE GHOST.
Copy !req
909. RUPERT. RUPERT.
Copy !req
910. RUPERT.
Copy !req
911. RUPERT, I DID NOT
SEARCH HIM OUT.
Copy !req
912. HONESTLY.
Copy !req
913. THE HOUSE.
Copy !req
914. LET ME GUESS.
HE DID THIS WITH HIS FEET.
Copy !req
915. I NEVER DID THAT.
THAT'S DISGUSTING.
Copy !req
916. IT'S JOLLY.
Copy !req
917. GOD HELP ME.
Copy !req
918. THAT I LIVE HERE.
Copy !req
919. HE LIVES HERE.
Copy !req
920. BECAUSE I DIED HERE.
Copy !req
921. HERE.
Copy !req
922. I'M TALKING
ABOUT A GHOST.
Copy !req
923. A GHOST!
Copy !req
924. CAN'T YOU
PROVE YOURSELF?
Copy !req
925. WHAT?
Copy !req
926. WHAT?
Copy !req
927. TO JOLLY.
Copy !req
928. CAN'T YOU
Copy !req
929. OR SOMETHING?
Copy !req
930. YES, ANYTHING.
A VASE. I'M NOT PICKY.
Copy !req
931. DARLING, I TOLD YOU,
NO CHEAP TRICKS.
Copy !req
932. NO CHEAP TRICKS.
Copy !req
933. JOLLY, PLEASE DON'T
DO THIS TO ME.
Copy !req
934. RUPERT!
Copy !req
935. IF YOU DON'T
WANT TO MARRY ME,
Copy !req
936. JUST SAY SO.
Copy !req
937. IT ISN'T THAT.
Copy !req
938. IT'S NO BIG DEAL.
IT'S ONLY A MARRIAGE.
Copy !req
939. ASK YOUR MOTHER.
Copy !req
940. LIKE KLEENEX.
Copy !req
941. JOLLY, SAY SOMETHING!
Copy !req
942. UH, DENISE
DEL FLORIO.
Copy !req
943. WHAT?
Copy !req
944. SAY IT QUICKLY.
DENISE DEL FLORIO.
Copy !req
945. BYE, KAY.
Copy !req
946. DENISE DEL FLORIO!
Copy !req
947. HUH?
Copy !req
948. WHAT DID YOU SAY?
Copy !req
949. DENISE DEL FLORIO.
Copy !req
950. WHY?
Copy !req
951. JOLLY SAID TO SAY IT.
Copy !req
952. WELL,
WHAT ABOUT HER?
Copy !req
953. UH...
Copy !req
954. NEW YEAR'S EVE!
Copy !req
955. UM...
Copy !req
956. CATERER'S DAUGHTER.
Copy !req
957. THE CATERER'S DAUGHTER.
Copy !req
958. NEW YEAR'S EVE.
THE CATERER'S DAUGHTER.
Copy !req
959. SHE'S THE ONE, ISN'T SHE?
DENISE DEL FLORIO.
Copy !req
960. EXCEPT THAT JOLLY TOLD ME?
THANKS, JOLLY.
Copy !req
961. ALL RIGHT, HON.
Copy !req
962. UH, LUCKY GUESS.
Copy !req
963. IS A LUCKY GUESS?
Copy !req
964. NOT IN A MILLION YEARS!
Copy !req
965. OR SOMETHING.
Copy !req
966. SURE, IN BETWEEN
THE GUY LOMBARDOS.
Copy !req
967. MAYBE I DID, KAY.
Copy !req
968. GOOD NIGHT.
Copy !req
969. HA HA!
BOY, THAT'S A NERD.
Copy !req
970. WELL, I GUESS I'VE SORT OF
COMPLICATED THINGS, HUH?
Copy !req
971. I GUESS SO.
Copy !req
972. I SHOULD GO.
Copy !req
973. AND LEAVE ME ALONE.
Copy !req
974. FOREVER.
Copy !req
975. AND EVER!
Copy !req
976. THERE'S JUST NO ROOM
IN YOUR LIFE FOR ME NOW.
Copy !req
977. NONE!
Copy !req
978. OK, I'LL GO, THEN.
Copy !req
979. JOLLY?
Copy !req
980. JOLLY?
Copy !req
981. PLEASE DON'T GO.
Copy !req
982. 5, 6, 7, 8.
Copy !req
983. DOING HERE?
Copy !req
984. RESEARCH.
Copy !req
985. IN GHOSTS?
Copy !req
986. DEPENDS.
Copy !req
987. HAS A GHOST. HERE.
Copy !req
988. HER FIRST HUSBAND.
Copy !req
989. WE'RE ABOUT TO GET MARRIED.
Copy !req
990. OF HER DEAD HUSBAND.
Copy !req
991. I BELIEVE IT.
Copy !req
992. I DON'T BELIEVE IT.
Copy !req
993. COME ON.
LET'S GO IN.
Copy !req
994. I GAVE BACK MY KEY.
Copy !req
995. WHAT KEY?
DON'T YOU REMEMBER?
Copy !req
996. BREAK IN?
Copy !req
997. TSK. TSK. BREAK IN.
SNEAK IN.
Copy !req
998. UM. RIGHT HERE.
Copy !req
999. HERE?
Copy !req
1000. YES.
JUST KICK IT.
Copy !req
1001. OH, YES.
I REMEMBER THIS.
Copy !req
1002. JUST A LITTLE JAB.
Copy !req
1003. THIS, UM, RUPERT,
Copy !req
1004. LIKE YOU CHASED ME?
Copy !req
1005. LIKE I WHAT?
Copy !req
1006. CHASED.
Copy !req
1007. I'VE HAD WOMEN
Copy !req
1008. ON ME BEFORE,
Copy !req
1009. DESPERATE.
Copy !req
1010. I WAS NOT DESPERATE.
Copy !req
1011. I WAS... DETERMINED.
Copy !req
1012. LITTLE HIGHER.
Copy !req
1013. RUPERT CHASED ME.
Copy !req
1014. WAS HE DETERMINED?
Copy !req
1015. DESPERATE.
Copy !req
1016. THIS, UH, FELLOW HERE.
Copy !req
1017. MARRY HIM?
Copy !req
1018. OF COURSE I'M SURE.
Copy !req
1019. I'M ALMOST SURE.
Copy !req
1020. LIKE THAT.
Copy !req
1021. NO, I'M NOT SURE.
Copy !req
1022. WHO THE HELL KNOWS?
WHY DO YOU ASK?
Copy !req
1023. WAS A FAMOUS...
Copy !req
1024. BROADWAY CHOREOGRAPHER,
Copy !req
1025. JOLLY VILLANO.
Copy !req
1026. TO BE ABLE TO DANCE.
Copy !req
1027. CAN YOU DANCE?
Copy !req
1028. THAT'S PRETTY GOOD.
Copy !req
1029. THAT'S DAMN GOOD.
Copy !req
1030. WAIT. LET ME—
HOW DO YOU DO THAT?
Copy !req
1031. DA BA DA BA DA.
Copy !req
1032. DA BA DA BA DA.
Copy !req
1033. DA BA DA BA DA.
HEY! THAT'S RIGHT.
Copy !req
1034. OH, YEAH.
YOU LOOKING GOOD!
Copy !req
1035. GOING TO DO, HENRY?
Copy !req
1036. ABOUT WHAT?
Copy !req
1037. ABOUT THE GHOST.
Copy !req
1038. EVERYBODY ELSE.
Copy !req
1039. THAT'S IT.
Copy !req
1040. YOU'RE A GENIUS!
A DIVORCE!
Copy !req
1041. THAT'S BRILLIANT.
Copy !req
1042. A DIVORCE!
HA HA!
Copy !req
1043. MOVING!
Copy !req
1044. DID YOU MISS ME?
Copy !req
1045. OF COURSE I MISSED YOU.
Copy !req
1046. FOR SIX YEARS,
Copy !req
1047. BUT I GOT OVER YOU.
Copy !req
1048. LIKE A DISEASE.
Copy !req
1049. YOU ARE.
Copy !req
1050. AN INCURABLE ONE.
Copy !req
1051. WHEN I DIED?
Copy !req
1052. I BURIED YOU...
Copy !req
1053. I THOUGHT.
Copy !req
1054. WERE YOU SAD?
Copy !req
1055. NO.
I WAS NEVER SAD.
Copy !req
1056. IT'S FUNNY.
Copy !req
1057. FIRST YOU'RE TOO BUSY—
Copy !req
1058. TOO MANY THINGS TO DO,
TOO MANY DETAILS.
Copy !req
1059. LIKE THREE WEEKS LATER,
MAYBE A MONTH,
Copy !req
1060. IN THE STUDY,
Copy !req
1061. SOMETHING.
Copy !req
1062. I THOUGHT YOU'D
BE INTERESTED IN.
Copy !req
1063. THE REHEARSAL HALL,
Copy !req
1064. ON THE STAIRS.
Copy !req
1065. IT WASN'T UNTIL
Copy !req
1066. AND WHAT THAT MEANT.
Copy !req
1067. THEN, UH,
YOU WERE SAD.
Copy !req
1068. NO, I WAS ANGRY.
Copy !req
1069. ANGRY? AT WHAT?
Copy !req
1070. AT YOU.
Copy !req
1071. WHAT DID I DO?
Copy !req
1072. YOU DIED!
Copy !req
1073. YOU WENT AND DIED.
Copy !req
1074. GOD, I HATED YOU
FOR THAT.
Copy !req
1075. AND LEAVING ME.
Copy !req
1076. I HAD YOU BEHIND ME,
Copy !req
1077. HERE AGAIN.
Copy !req
1078. I DIDN'T WANT TO DIE.
Copy !req
1079. WELL, I WOULDN'T
HAVE PUT IT PAST YOU.
Copy !req
1080. GRANDSTANDING FOR ATTENTION.
Copy !req
1081. JOLLY.
Copy !req
1082. SINCE YOU'VE MOVED BACK IN
HE'S APPEARED?
Copy !req
1083. THE HOUSE.
Copy !req
1084. TO GET AWAY FOR A FEW DAYS.
Copy !req
1085. I'LL ASK MY SHRINK
WHAT WE SHOULD DO.
Copy !req
1086. YOU DON'T UNDERSTAND.
Copy !req
1087. I DON'T NEED
A PSYCHIATRIST.
Copy !req
1088. I'VE ACCEPTED HIM.
Copy !req
1089. ACCEPTED WHO?
Copy !req
1090. JOLLY.
Copy !req
1091. I'M NOT ASKING SOMEONE
TO MAKE HIM DISAPPEAR.
Copy !req
1092. I CAN'T DECIDE.
Copy !req
1093. WHAT?
Copy !req
1094. BETWEEN THEM.
Copy !req
1095. RUPERT OR JOLLY.
Copy !req
1096. QUALITIES,
Copy !req
1097. BOTH OF THEM I LIKE.
Copy !req
1098. THE PERFECT MAN.
Copy !req
1099. I HAVE TO CHOOSE.
Copy !req
1100. KAY, LISTEN TO ME.
JOLLY IS DEAD.
Copy !req
1101. OK, THAT'S ONE THING
IN RUPERT'S FAVOR.
Copy !req
1102. HE'S ALIVE.
Copy !req
1103. ABOUT A DIVORCE.
Copy !req
1104. WITH YOUR WIFE?
Copy !req
1105. NO, NO.
NO TROUBLE AT ALL.
Copy !req
1106. IN FACT,
I'M NOT MARRIED.
Copy !req
1107. I'M GETTING MARRIED
NEXT SATURDAY.
Copy !req
1108. CONGRATULATIONS.
Copy !req
1109. NO, THIS DIVORCE
IS FOR A FRIEND.
Copy !req
1110. SOMEONE YOU KNOW?
Copy !req
1111. VERY WELL.
MY FIANCEÉE, IN FACT.
Copy !req
1112. THE ONE YOU'RE MARRYING
NEXT SATURDAY?
Copy !req
1113. YES. I WANT HER
TO DIVORCE HER FIRST HUSBAND.
Copy !req
1114. THAT'S GOOD THINKING.
Copy !req
1115. IT'S IMPORTANT TO ME.
Copy !req
1116. IT'S IMPORTANT
TO MOST PEOPLE.
Copy !req
1117. I DON'T CARE
ABOUT THEM.
Copy !req
1118. THIS MAY SEEM ODD TO YOU,
Copy !req
1119. BUT IT'S A HYPOTHETICAL
DIVORCE I'M AFTER.
Copy !req
1120. HYPOTHETICAL DIVORCE?
Copy !req
1121. RIGHT. I WANT HER TO
DIVORCE HIM TO MAKE A POINT.
Copy !req
1122. WHAT'S THE POINT?
Copy !req
1123. WELL, YOU SEE, UH...
Copy !req
1124. THERE'S AN ASPECT
Copy !req
1125. YOU PROBABLY HAVEN'T
COME ACROSS BEFORE.
Copy !req
1126. TO A DIVORCE CASE.
Copy !req
1127. HER FIRST HUSBAND'S DEAD.
Copy !req
1128. I WAS WRONG.
Copy !req
1129. EVERYTHING.
Copy !req
1130. INTERESTING TWIST.
Copy !req
1131. OH.
Copy !req
1132. LAWYERS!
Copy !req
1133. AND LAUGH AT YOU,
Copy !req
1134. YOU'RE CRAZY.
Copy !req
1135. IS SEEING A GHOST.
I'VE HAD IT.
Copy !req
1136. THEY WORK BY HEAT,
NOT BY PUSH.
Copy !req
1137. I KNOW HOW THEY WORK.
Copy !req
1138. YOU GOT NO BODY HEAT.
Copy !req
1139. I HAVE PLENTY OF BODY HEAT.
Copy !req
1140. JUST BECAUSE I'M NOT
A BROADWAY DANCER,
Copy !req
1141. I HAVE NO PASSION?
Copy !req
1142. HERE'S SOME.
Copy !req
1143. THERE. PASSION.
BODY HEAT.
Copy !req
1144. LOOK AT MY FEET.
Copy !req
1145. YOU MADE US A LOCAL.
Copy !req
1146. GIVE ME A BREAK.
Copy !req
1147. THIS APPARITION?
Copy !req
1148. JUST THAT HE'S HERE,
AND SHE'S CONFUSED.
Copy !req
1149. TROUBLE ALREADY?
Copy !req
1150. DON'T YOU HAVE
SOMETHING TO DO?
Copy !req
1151. AND THIS WHOLE NEW LIFE,
Copy !req
1152. FOR HER.
Copy !req
1153. IS A PSYCHIATRIST.
Copy !req
1154. PSYCHIATRIST? ALREADY?
Copy !req
1155. YOU'RE REALLY
PUSHING THIS, AREN'T YOU?
Copy !req
1156. LISTEN, I AM JUST
TRYING TO HELP.
Copy !req
1157. LOOK, SHE NEEDS YOU
RIGHT NOW.
Copy !req
1158. NO, NO. LITTLE BOY,
Copy !req
1159. WE MUSTN'T SIT
ON THE CHAIR.
Copy !req
1160. DO YOU KNOW WHY?
Copy !req
1161. FROM ANOTHER MILLENNIUM.
Copy !req
1162. OVERCROWDED PLANET.
Copy !req
1163. KENDALL, KEEP AN EYE OUT
FOR THIS SORT OF THING.
Copy !req
1164. ARE YOU WITH SOMEONE?
LET'S FIND THEM.
Copy !req
1165. RUPERT,
HERE'S HOW I SEE IT.
Copy !req
1166. YOU REPRESENT REALITY.
HE REPRESENTS FANTASY,
Copy !req
1167. OVER THE EDGE.
Copy !req
1168. DO ABOUT HIM?
Copy !req
1169. OH,
A HIM ALREADY, HUH?
Copy !req
1170. ACCEPT HIM.
Copy !req
1171. BUST IS ASS.
Copy !req
1172. MIND YOUR OWN BUSINESS,
PLEASE.
Copy !req
1173. HE'S REALLY THERE?
Copy !req
1174. EXACTLY.
Copy !req
1175. I CAN'T DO THAT.
Copy !req
1176. YOU LOVE HER,
DON'T YOU?
Copy !req
1177. OF COURSE I LOVE HER.
Copy !req
1178. WELL,
ALL RIGHT, THEN.
Copy !req
1179. SIT IN FRONT?
Copy !req
1180. I GET CARSICK IN BACK.
Copy !req
1181. IN BACK.
Copy !req
1182. CARSICK, YEAH.
Copy !req
1183. I FEEL LIKE YOUR CHAUFFEUR.
Copy !req
1184. A CUTE LITTLE HAT.
Copy !req
1185. WHAT'S SO FUNNY?
Copy !req
1186. LITTLE HAT.
Copy !req
1187. AH.
Copy !req
1188. COME ON, RUPERT,
LOOSEN UP.
Copy !req
1189. GOING TO HAVE FUN.
Copy !req
1190. YOU'RE RIGHT.
THIS IS A NEW BEGINNING.
Copy !req
1191. TO KNOW EACH OTHER.
Copy !req
1192. I LOVE YOU...
BOTH.
Copy !req
1193. THERE'S SO MUCH
I WANT TO ASK.
Copy !req
1194. ME, TOO.
Copy !req
1195. HIM, TOO.
Copy !req
1196. IT'S WONDERFUL
Copy !req
1197. HOW RUPERT'S
ACCEPTING ALL THIS.
Copy !req
1198. I'M PRETTY WONDERFUL.
Copy !req
1199. YES.
Copy !req
1200. JOLLY THINKS SO.
Copy !req
1201. TERRIFIC.
THAT SETTLES IT.
Copy !req
1202. ALL THOSE IN FAVOR,
SAY "AYE."
Copy !req
1203. AYE!
AYE!
Copy !req
1204. AYE.
Copy !req
1205. OH, UH, KAY.
Copy !req
1206. TO ACT NORMAL.
Copy !req
1207. JUST ACT NORMAL.
Copy !req
1208. ABSOLUTELY RIGHT.
EXACTLY WHAT I INTEND.
Copy !req
1209. A HEALTHY RELATIONSHIP,
Copy !req
1210. TO HELL WITH THE WORLD.
Copy !req
1211. HOW MANY?
Copy !req
1212. TWO.
Copy !req
1213. THREE.
Copy !req
1214. THAT'S RIGHT.
THREE.
Copy !req
1215. REMEMBER,
TOTALLY NORMAL.
Copy !req
1216. THANK YOU.
Copy !req
1217. THANK YOU.
Copy !req
1218. HEY, THIS IS FINE.
Copy !req
1219. THANK YOU.
Copy !req
1220. ONE FOR HIM, TOO,
PLEASE.
Copy !req
1221. IS THIS TABLE OK?
Copy !req
1222. WHAT DID HE SAY,
KAY?
Copy !req
1223. IT'S FINE.
Copy !req
1224. HE'S HAPPY.
Copy !req
1225. I'LL BE BACK IN A MINUTE
TO TAKE YOUR ORDER.
Copy !req
1226. RUPERT, WE HAVE TO
Copy !req
1227. OTHER PEOPLE.
Copy !req
1228. WHO'S ACTING?
ARE YOU ACTING?
Copy !req
1229. YOU'RE NOT ACTING,
ARE YOU?
Copy !req
1230. LIVING WITH US.
Copy !req
1231. LIKE ANYONE ELSE.
Copy !req
1232. ARE YOU READY?
Copy !req
1233. YES.
Copy !req
1234. COFFEE.
Copy !req
1235. ALL YOU WANT?
Copy !req
1236. COFFEE.
Copy !req
1237. AND YOU?
Copy !req
1238. NOTHING, THANKS.
Copy !req
1239. WHAT DID HE SAY?
Copy !req
1240. HE'S NOT HUNGRY.
Copy !req
1241. HE'S NOT HUNGRY!
Copy !req
1242. IT'S ON ME.
Copy !req
1243. HE GETS CARSICK EASILY,
SO HE SAT IN FRONT.
Copy !req
1244. CHEESEBURGER.
Copy !req
1245. WONDERFUL. AND I WILL HAVE
THE GRILLED CHEESE PLATE.
Copy !req
1246. THAT'S RIGHT.
Copy !req
1247. UH, TELL ME, HOW WOULD
HE LIKE HIS CHEESEBURGER?
Copy !req
1248. MEDIUM RARE.
Copy !req
1249. MEDIUM RARE.
Copy !req
1250. HOLD THE ONIONS.
Copy !req
1251. HOLD THE ONIONS.
Copy !req
1252. THAT'LL BE FINE.
THANK YOU.
Copy !req
1253. THAT WASN'T SO PAINFUL,
WAS IT?
Copy !req
1254. SO TELL ME,
Copy !req
1255. WHAT'S IT LIKE
BEING DEAD?
Copy !req
1256. RUPERT, PEOPLE
ARE BEGINNING TO STARE.
Copy !req
1257. MOM. MOM, THAT MAN'S
TALKING TO A CHAIR.
Copy !req
1258. BILLY, IF HE WANTS
TO TALK TO A CHAIR,
Copy !req
1259. THAT'S HIS PRIVILEGE.
Copy !req
1260. BUT HE'S TALKING
TO A CHAIR.
Copy !req
1261. YOUR MOTHER'S CORRECT.
IT'S MY PRIVILEGE.
Copy !req
1262. SO I COULD DO THIS.
Copy !req
1263. SO TURN AROUND,
Copy !req
1264. EAT YOUR FOOD,
Copy !req
1265. IN THIS WONDERFUL LAND.
Copy !req
1266. GRILLED CHEESE HERE.
Copy !req
1267. CHEESEBURGER THERE.
Copy !req
1268. TO ARRANGE OUR TIME?
Copy !req
1269. WHAT DO YOU MEAN?
Copy !req
1270. I'LL WANT TO BE
ALONE WITH YOU.
Copy !req
1271. HIM, TOO, I'M SURE.
Copy !req
1272. YOU KNOW, THERE'S, UH,
Copy !req
1273. THERE'S SOMETHING
I'M ANXIOUS TO KNOW.
Copy !req
1274. FOR HIM TO, UH,
Copy !req
1275. BE FAMILIAR WITH YOU?
Copy !req
1276. FOR BOTH OF YOU.
Copy !req
1277. LET'S GO.
Copy !req
1278. WE HAVEN'T
EATEN OUR FOOD.
Copy !req
1279. MMM.
Copy !req
1280. OK.
NOW CAN WE GO?
Copy !req
1281. MUST BE IRONED OUT.
Copy !req
1282. WRINKLES, HUH,
JOLLY OLD BOY?
Copy !req
1283. HE'S STARTING
TO ANNOY ME.
Copy !req
1284. YOU'RE STARTING
TO ANNOY JOLLY.
Copy !req
1285. WHAT DID I SAY?
Copy !req
1286. ISN'T
THIS BEAUTIFUL?
Copy !req
1287. SMELL!
Copy !req
1288. THIS IS WHERE WE MET?
Copy !req
1289. SHE TOLD ME.
Copy !req
1290. I TOLD HIM.
Copy !req
1291. HOW DID YOU
FIND THIS PLACE?
Copy !req
1292. WERE ON A TRIP.
Copy !req
1293. I THOUGHT YOU DIDN'T
LIKE THE COUNTRY.
Copy !req
1294. I LOVE THE COUNTRY!
Copy !req
1295. LIKED THE COUNTRY.
Copy !req
1296. THE COUNTRY.
Copy !req
1297. YOU DID?
Copy !req
1298. YES, I DID.
Copy !req
1299. MAYBE I WAS SELF-CENTERED.
Copy !req
1300. YES, YOU WERE.
Copy !req
1301. I'VE CHANGED.
Copy !req
1302. IT'S AMAZING HOW DEATH
CAN CHANGE A MAN.
Copy !req
1303. OH, KAY, LET ME
LOOK AT YOU.
Copy !req
1304. MRS. REILLY.
Copy !req
1305. RUPERT SAYS YOU'RE
GETTING MARRIED.
Copy !req
1306. YOU MET HERE.
Copy !req
1307. OH, VIOLINS PLEASE.
Copy !req
1308. THERE'S ANOTHER
Copy !req
1309. STAYING HERE,
Copy !req
1310. THE NEWMANS,
ON THEIR HONEYMOON.
Copy !req
1311. THERE THEY ARE.
Copy !req
1312. THEY LOOK ADORABLE.
Copy !req
1313. LET'S STICK THEM
ON A CAKE.
Copy !req
1314. WILL YOU SHUT UP!
Copy !req
1315. I BEG YOUR PARDON.
Copy !req
1316. NOTHING.
Copy !req
1317. SHOW US TO OUR ROOM.
Copy !req
1318. I'M REALLY EXHAUSTED.
Copy !req
1319. OF COURSE, DEAR.
Copy !req
1320. EXCUSE ME.
Copy !req
1321. YOU TWO AREN'T MAKING
THIS ANY EASIER FOR ME.
Copy !req
1322. WELL, I'M HAVING FUN.
Copy !req
1323. SO AM I.
Copy !req
1324. I LOVE IT.
Copy !req
1325. THIS IS RIDICULOUS,
EMILY.
Copy !req
1326. I'M THROUGH
WITH THIS SILLY CHARADE.
Copy !req
1327. SNAP OUT OF IT.
Copy !req
1328. ME, TOO.
Copy !req
1329. FOR MY FIANCEÉE'S
DEAD HUSBAND?
Copy !req
1330. BE PATIENT.
Copy !req
1331. I'VE LOST MY PATIENCE.
Copy !req
1332. I'VE COME UP
Copy !req
1333. WITH FIRE APPROACH.
Copy !req
1334. I DON'T LIKE THIS.
Copy !req
1335. WHEN WE GET BACK,
Copy !req
1336. STRAIGHTENED OUT.
Copy !req
1337. PROMISE ME YOU WON'T
DO ANYTHING RASH.
Copy !req
1338. I WON'T DO ANYTHING
RASH. GOODBYE.
Copy !req
1339. NIGHTCAP, SWEETIE?
Copy !req
1340. LOVE IT.
Copy !req
1341. MY GOD, IT CAN'T BE.
Copy !req
1342. WHAT?
Copy !req
1343. OH, MY GOD.
Copy !req
1344. WHAT'S THE MATTER?
Copy !req
1345. I DON'T BELIEVE IT.
Copy !req
1346. IT'S MONICA.
Copy !req
1347. MONICA WHO?
Copy !req
1348. SHE'S THERE.
Copy !req
1349. IN THAT CHAIR.
Copy !req
1350. TALKING ABOUT?
Copy !req
1351. CAN'T YOU SEE HER?
Copy !req
1352. NO.
Copy !req
1353. KAY,
CAN YOU SEE HER?
Copy !req
1354. NO.
Copy !req
1355. SURELY YOU CAN SEE HER.
Copy !req
1356. WAIT. YOU CAN'T SEE HER.
Copy !req
1357. I CAN'T?
Copy !req
1358. NO, I JUST REMEMBERED.
SHE'S DEAD.
Copy !req
1359. WHO'S DEAD?
Copy !req
1360. SHE IS.
Copy !req
1361. MONICA.
Copy !req
1362. AH.
Copy !req
1363. IS SOMEBODY THERE?
Copy !req
1364. I—I DON'T SEE ANYBODY.
Copy !req
1365. HE DOESN'T
SEE ANYBODY.
Copy !req
1366. WHO DOESN'T
SEE ANYBODY?
Copy !req
1367. HE CAN'T SEE HER,
RUPERT.
Copy !req
1368. I DON'T SEE HIM.
Copy !req
1369. IT'S MONICA.
Copy !req
1370. I THINK HE'S TRYING
TO MAKE A POINT.
Copy !req
1371. WOMAN I EVER LOVED,
Copy !req
1372. AND SHE DIED.
Copy !req
1373. OH!
Copy !req
1374. I'M GONNA CRY.
Copy !req
1375. JUST KEEP QUIET.
Copy !req
1376. WE WERE ENGAGED.
Copy !req
1377. TOLD ME ABOUT HER?
Copy !req
1378. I DIDN'T WANT
TO MAKE YOU JEALOUS.
Copy !req
1379. WHAT?
WHAT?
Copy !req
1380. SHE'S TALKING TO ME.
Copy !req
1381. IT'S FAINT.
MONICA, TALK TO ME.
Copy !req
1382. ANYONE THERE.
Copy !req
1383. DON'T STOP. I'M GETTING
TO LIKE THIS.
Copy !req
1384. YOU'RE NOT THE ONLY
PERSON WITH GHOSTS.
Copy !req
1385. NO, BUT I KNOW
THERE IS NO GHOST THERE.
Copy !req
1386. WAIT. I THINK
I HEAR HER.
Copy !req
1387. THIS ONE'S GREAT.
Copy !req
1388. JOLLY CAN'T SEE HER!
Copy !req
1389. WHO'S JOLLY?
Copy !req
1390. HER DEAD HUSBAND.
Copy !req
1391. REALLY?
Copy !req
1392. IT'S LIKE
A BRONTE NOVEL.
Copy !req
1393. IT'S LIKE A COMIC STRIP.
Copy !req
1394. DON'T FADE!
MONICA, MY ASS!
Copy !req
1395. DON'T TALK ABOUT
HER LIKE THAT.
Copy !req
1396. LET'S STAY OUT.
Copy !req
1397. LISTEN TO YOUR HUSBAND,
SWEETHEART.
Copy !req
1398. QUIT THAT LAUGHING.
Copy !req
1399. RIGHT NOW.
Copy !req
1400. AH, YES. LOVELY.
LOVELY.
Copy !req
1401. OH! I CAN SEE
Copy !req
1402. RIGHT THROUGH YOU,
BUSTER,
Copy !req
1403. AND DON'T YOU
THINK I CAN'T!
Copy !req
1404. YOU'RE MAKING HER UP
TO MAKE ME A FOOL.
Copy !req
1405. YOU'RE NOT
MAKING HIM UP?
Copy !req
1406. NO, I'M NOT!
Copy !req
1407. NO, SHE'S NOT!
Copy !req
1408. IT'S SIMPLE.
I'M A THREAT TO HIS EGO.
Copy !req
1409. IT'S SIMPLE.
Copy !req
1410. HE'S A THREAT
TO YOUR EGO.
Copy !req
1411. EGO?
Copy !req
1412. I HAD ONE OF THOSE.
Copy !req
1413. I FELL IN LOVE WITH YOU.
Copy !req
1414. RUPERT. RUPERT,
Copy !req
1415. I CAN'T TAKE
ANY MORE OF THIS.
Copy !req
1416. BELIEVE HIM.
Copy !req
1417. STAY OUT OF THIS!
Copy !req
1418. TO US WHEN YOU DIE.
Copy !req
1419. ALL THIS IS?
Copy !req
1420. HE ADMITS THAT.
Copy !req
1421. SHUT UP.
YOU'RE SO CLINICAL!
Copy !req
1422. BELIEVE ME.
Copy !req
1423. IT WAS ONE BIG JOKE.
Copy !req
1424. NO JOKE.
Copy !req
1425. HUMOR THE LADY.
THAT WAS THE IDEA.
Copy !req
1426. AND KEEP YOU SANE.
Copy !req
1427. WAIT. I THINK
I HEAR MONICA.
Copy !req
1428. THERE IS NO MONICA,
YOU DUMB BITCH!
Copy !req
1429. A DUMB BITCH!
Copy !req
1430. WELL, YOU ARE
A DUMB BITCH!
Copy !req
1431. IF YOU'RE LIKE THIS,
THEY'LL LOCK YOU UP.
Copy !req
1432. PISS OFF,
YOU POMPOUS ASS!
Copy !req
1433. CALL ME?
Copy !req
1434. YOU HEARD ME!
Copy !req
1435. FOR EVERYONE.
Copy !req
1436. OH, SHOVE YOUR TEA!
Copy !req
1437. I BEG YOUR PARDON?
Copy !req
1438. I'D LOVE
SOME HOT TEA.
Copy !req
1439. YOU CAN'T HAVE ANY!
Copy !req
1440. IF YOU LOVED ME,
YOU'D TRY TO UNDERSTAND
Copy !req
1441. TO MAKE FUN OF ME!
Copy !req
1442. I'M TRYING TO HELP YOU.
Copy !req
1443. IS DEAD AND GONE.
Copy !req
1444. HE'S BORING ME.
Copy !req
1445. YOU'RE TRYING
Copy !req
1446. SOME DAMN CORPSE!
Copy !req
1447. YOU'RE STARTING
TO ANNOY JOLLY.
Copy !req
1448. DENISE DEL FLORIO.
SAY IT.
Copy !req
1449. DEL FLORIO.
Copy !req
1450. DON'T BRING UP
Copy !req
1451. DENISE DEL FLORIO AGAIN,
PLEASE.
Copy !req
1452. HE DIDN'T
SLEEP WITH HER.
Copy !req
1453. YOU DIDN'T
SLEEP WITH HER.
Copy !req
1454. OH, I DIDN'T?
Copy !req
1455. GUY LOMBARDO.
Copy !req
1456. GUY LOMBARDO.
Copy !req
1457. GUY LOMBARDO. I KNOW HIM.
I KNOW GUY LOMBARDO.
Copy !req
1458. IN BED WITH HER.
Copy !req
1459. HOWEVER, YOU FOUND
Copy !req
1460. HE DID?
Copy !req
1461. YOU DID?
Copy !req
1462. WITH GUY LOMBARDO?
Copy !req
1463. ANYONE THAT.
Copy !req
1464. IT WON'T LEAVE HERE.
Copy !req
1465. OH, RUPERT.
IS IT TRUE?
Copy !req
1466. WELL, IT'S TRUE,
BUT I NEVER TOLD ANYONE.
Copy !req
1467. THAT'S THE MOST TRAUMATIC
MOMENT OF MY LIFE.
Copy !req
1468. A DAMN HORSE!
Copy !req
1469. YOUR FEET SMELL!
Copy !req
1470. THEY DO NOT.
DO MY FEET SMELL?
Copy !req
1471. IT'S TRUE.
Copy !req
1472. JOLLY'S HERE.
Copy !req
1473. CONGRATULATIONS,
RUPERT, OLD BOY.
Copy !req
1474. NO MORE CRAP,
MISTER.
Copy !req
1475. LIKE A SEWER!
Copy !req
1476. I'M GOING BACK TO NEW YORK.
Copy !req
1477. I'M GOING TO
TAKE THE CAR.
Copy !req
1478. FINE.
Copy !req
1479. YOU CAN TAKE A TAXI.
Copy !req
1480. I'M GOING WITH HER.
TAKE A TAXI.
Copy !req
1481. FROM CONNECTICUT?
Copy !req
1482. YOU ARE CHEAP!
Copy !req
1483. HONEY,
I'M GOING WITH YOU.
Copy !req
1484. NO.
Copy !req
1485. I DON'T WANT TO BE
WITH YOU EITHER,
Copy !req
1486. WITH ANY MEN.
Copy !req
1487. RIGHT ON, SISTER.
Copy !req
1488. THIS IS RIDICULOUS!
Copy !req
1489. I CAN'T BELIEVE THIS
IS HAPPENING!
Copy !req
1490. THE TRUTH.
Copy !req
1491. JOLLY'S BEEN HERE
ALL ALONG.
Copy !req
1492. OH, MY GOD.
Copy !req
1493. ONE, PLEASE.
Copy !req
1494. WITH EVERYTHING.
Copy !req
1495. WANT A HOT DOG?
Copy !req
1496. NO, THANKS.
Copy !req
1497. IT COULD BE THE DEVIL?
Copy !req
1498. YOU'RE OPENING UP
A WHOLE NEW BALL OF WAX.
Copy !req
1499. THAT'S DANGEROUS STUFF.
Copy !req
1500. BECAUSE YOU WERE A PRIEST ONCE.
Copy !req
1501. IT'S THE DEVIL?
Copy !req
1502. THAT'S A WORLD
Copy !req
1503. I DON'T WANT
TO GET INTO.
Copy !req
1504. I'M CRAZY, RIGHT?
Copy !req
1505. NOT CRAZY, YOU'RE
JUST TOO INQUISITIVE.
Copy !req
1506. IT'S PRIVATE STUFF.
Copy !req
1507. YOU DO BELIEVE ME,
THEN?
Copy !req
1508. I DON'T KNOW,
DR. BAINES.
Copy !req
1509. RUPERT.
Copy !req
1510. RUPERT. IT DOES EXIST.
Copy !req
1511. IT'S CALLED
BY MANY DIFFERENT NAMES.
Copy !req
1512. BARTENDER, ANOTHER ONE.
Copy !req
1513. LET ME PAY
FOR THAT.
Copy !req
1514. MAKE IT A DOUBLE.
Copy !req
1515. THEY CALL IT LUCIFER.
THEY CALL IT EVIL,
Copy !req
1516. THE DEMON, EL DIABLO.
Copy !req
1517. JOLLY?
Copy !req
1518. WHAT?
Copy !req
1519. THAT'S WHAT
THIS SPIRIT IS CALLED.
Copy !req
1520. JOLLY?
Copy !req
1521. CAN YOU HANDLE IT?
Copy !req
1522. I DON'T KNOW,
DR. BAINES.
Copy !req
1523. YOU SEE, MY POWERS,
MY TOUCH...
Copy !req
1524. TECHNICALLY,
Copy !req
1525. ONCE A PRIEST,
Copy !req
1526. GO ON YOU.
Copy !req
1527. IT'S LIKE
A GOOD FAST BALL.
Copy !req
1528. ONE SEASON YOU'VE GOT IT.
THE NEXT, IT'S GONE.
Copy !req
1529. THERE'S NO GUARANTEE.
Copy !req
1530. TO TRY.
Copy !req
1531. YOU DON'T KNOW
WHAT YOU'RE GETTING INTO.
Copy !req
1532. I'M WILLING TO PAY YOU.
Copy !req
1533. HANDSOMELY.
Copy !req
1534. HANDSOMELY, HUH?
Copy !req
1535. I LOVE KAY, HUGH.
Copy !req
1536. I'LL DO ANYTHING
NOT TO LOSE HER.
Copy !req
1537. CASH?
Copy !req
1538. I'M CRAZY.
Copy !req
1539. I DON'T.
Copy !req
1540. WHO CAN'T DECIDE
Copy !req
1541. AND A LIVE FIANCEÉ?
Copy !req
1542. CONFUSED.
Copy !req
1543. CRAZY.
Copy !req
1544. YOU WANT MY ADVICE?
Copy !req
1545. WITH THE WEDDING.
Copy !req
1546. YOU LOVE RUPERT,
DON'T YOU?
Copy !req
1547. YES, I LOVE HIM.
Copy !req
1548. OK.
Copy !req
1549. I THINK.
Copy !req
1550. I DON'T WANT TO SPEND
Copy !req
1551. WITH JOLLY.
Copy !req
1552. IT'S NOT FAIR TO
EITHER ONE OF THEM.
Copy !req
1553. YOU, ME, AND JOLLY—
Copy !req
1554. A LITTLE CONFRONTATION.
Copy !req
1555. ABOUT WHAT?
Copy !req
1556. WHEN I'M THERE.
Copy !req
1557. WE SHOULD TALK ABOUT.
Copy !req
1558. WHAT THINGS?
Copy !req
1559. TRUST ME.
Copy !req
1560. I'VE GOT TO
REDO MY HAIR.
Copy !req
1561. WHERE HAVE YOU BEEN?
YOU'LL NEVER BE READY.
Copy !req
1562. YES, I WILL.
Copy !req
1563. THERE'S A SHORT CIRCUIT.
Copy !req
1564. CALL AN ELECTRICIAN.
Copy !req
1565. I AMAN ELECTRICIAN.
Copy !req
1566. WHERE'S RUPERT?
Copy !req
1567. HE'S COMING.
Copy !req
1568. ARE YOU SURE?
Copy !req
1569. YES.
Copy !req
1570. SOMETHING HAPPENED.
YOU HAD A FIGHT.
Copy !req
1571. NO. WE HAD A SLIGHT
MISUNDERSTANDING,
Copy !req
1572. BUT HE'S APOLOGIZED,
AND EVERYTHING'S FINE.
Copy !req
1573. I CAN SEE THAT.
Copy !req
1574. WOULD YOU RELAX?
LOVE YOUR DRESS.
Copy !req
1575. THIS IS IT.
Copy !req
1576. READY?
Copy !req
1577. A SPIRIT, YOU DO THIS.
Copy !req
1578. WHAT DOES THAT DO?
Copy !req
1579. IT GETS HIM SOAKED.
Copy !req
1580. REMEMBER,
WHATEVER YOU DO,
Copy !req
1581. NOBODY'S SUPPOSED
TO KNOW ABOUT YOU.
Copy !req
1582. RIGHT.
Copy !req
1583. BE VERY NONCHALANT.
Copy !req
1584. I GOTCHA.
Copy !req
1585. OK?
Copy !req
1586. OK.
Copy !req
1587. SHHH!
Copy !req
1588. FOR GOD'S SAKE!
Copy !req
1589. THAT'S WHAT YOU CALL
BEING NONCHALANT?
Copy !req
1590. I'M SORRY.
Copy !req
1591. GOOD EVENING,
DR. BAINES.
Copy !req
1592. EVERYTHING'S READY
FOR THE REHEARSAL.
Copy !req
1593. REHEARSAL?
Copy !req
1594. REHEARSAL.
Copy !req
1595. OH, THE WEDDING REHEARSAL.
WHERE'S KAY?
Copy !req
1596. SHE'S UPSTAIRS CHANGING.
EXCUSE ME.
Copy !req
1597. NICE DOG.
Copy !req
1598. FOR ABOUT A YEAR.
Copy !req
1599. I FOUND IT.
Copy !req
1600. HELLO, RUPERT. I FOUND
THE SHORT CIRCUIT.
Copy !req
1601. CHARLOTTE, I FOUND IT.
Copy !req
1602. IT'S IN THE ATTIC.
Copy !req
1603. IT'S ABOUT TIME.
Copy !req
1604. WHO IS HE?
Copy !req
1605. WHO?
Copy !req
1606. THAT MAN.
Copy !req
1607. OH, THAT MAN
Copy !req
1608. INSPECTOR.
Copy !req
1609. INSPECTOR?
Copy !req
1610. YOU CAN'T MOVE BACK
Copy !req
1611. UNLESS IT'S BEEN
INSPECTED.
Copy !req
1612. I'LL WORK QUICKLY.
HELLO, INSPECTOR!
Copy !req
1613. SEE THIS?
Copy !req
1614. IT'S A WELL-MADE WALL,
A GOOD WALL.
Copy !req
1615. RUNNING SMOOTHLY?
Copy !req
1616. FINE.
Copy !req
1617. NO PROBLEMS?
Copy !req
1618. CHARLOTTE, GET ME
MY FLASHLIGHT.
Copy !req
1619. WHAT FLASHLIGHT?
Copy !req
1620. IT'S IN THE KITCHEN.
Copy !req
1621. YOU GET IT.
Copy !req
1622. I GOT WORK TO DO.
Copy !req
1623. YOU DON'T KNOW
WHAT YOU'RE DOING.
Copy !req
1624. YES, I DO.
Copy !req
1625. ALMOST DONE NOW.
Copy !req
1626. CHARLOTTE,
REVEREND HOLLIS IS HERE!
Copy !req
1627. MY GOD! THE REVEREND'S
HERE ALREADY.
Copy !req
1628. CHARLOTTE,
THE LIGHT, PLEASE.
Copy !req
1629. AAH!
Copy !req
1630. OH, CHARLOTTE!
BRING BACK THAT LIGHT!
Copy !req
1631. CHARLOTTE.
Copy !req
1632. CHARLOTTE.
Copy !req
1633. OH, CHARLOTTE.
Copy !req
1634. CHARLOTTE!
Copy !req
1635. HONEY!
Copy !req
1636. OH, CHARLOTTE.
Copy !req
1637. I'M STUCK!
Copy !req
1638. BECAUSE I WANTED HIM TO.
Copy !req
1639. IS THAT TRUE?
Copy !req
1640. I DON'T KNOW. MAYBE.
Copy !req
1641. IF SO, WHY DID I
Copy !req
1642. MY WEDDING?
Copy !req
1643. I DON'T KNOW.
Copy !req
1644. IT'S CALLED TIMING,
MY LOVE.
Copy !req
1645. ONE OF MY MANY ASSETS.
Copy !req
1646. ASSETS.
Copy !req
1647. IS HE HERE?
Copy !req
1648. WHERE?
Copy !req
1649. HE'S ON THE BED.
Copy !req
1650. OK.
Copy !req
1651. HELLO, EMILY.
Copy !req
1652. JOLLY SAYS HELLO.
Copy !req
1653. HELLO, JOLLY.
Copy !req
1654. GOD, SHE LOOKS OLD.
Copy !req
1655. YOU LOOK WONDERFUL.
Copy !req
1656. ABOUT HIM.
Copy !req
1657. SHE DOESN'T
BELIEVE IN ME.
Copy !req
1658. SHE'S GIVING US
THE BENEFIT OF THE DOUBT.
Copy !req
1659. YOU'RE GETTING
Copy !req
1660. AND I, THE DOUBT.
Copy !req
1661. OLD.
Copy !req
1662. WHAT ARE YOU DOING?
Copy !req
1663. JUST LOOKING.
Copy !req
1664. ANY OBJECT,
Copy !req
1665. ANIMATE OR INANIMATE.
Copy !req
1666. WHAT'S IN HERE?
Copy !req
1667. THIS IS JOLLY'S
REHEARSAL ROOM.
Copy !req
1668. THERE HE IS.
THAT'S HIM.
Copy !req
1669. COME OUT,
YOU SON OF A BITCH!
Copy !req
1670. SHHH!
DON'T PROVOKE HIM.
Copy !req
1671. LET'S GET OUT
OF HERE.
Copy !req
1672. RUPERT.
Copy !req
1673. GOOD LUCK.
Copy !req
1674. TO TALK TO ME?
Copy !req
1675. TO TALK ABOUT.
Copy !req
1676. EMILY...
Copy !req
1677. MIGHT INTEREST KAY.
Copy !req
1678. WHAT SORT OF THINGS?
Copy !req
1679. FOR INSTANCE,
Copy !req
1680. GUILT AFTER DEATH?
Copy !req
1681. IN HIS NEW STATE?
Copy !req
1682. TO ASK.
Copy !req
1683. NOTHING'S CHANGED,
OBVIOUSLY.
Copy !req
1684. WHAT DO YOU MEAN?
Copy !req
1685. WHEN HE WAS ALIVE,
YOU KIDDED YOURSELF.
Copy !req
1686. NOW THAT HE'S DEAD,
FACE IT.
Copy !req
1687. TALKING ABOUT?
Copy !req
1688. HIS AFFAIRS.
Copy !req
1689. AFFAIRS WITH WHO?
Copy !req
1690. WHOM, DARLING.
AFFAIRS WITH WHOM.
Copy !req
1691. ALL RIGHT, WHOM.
AFFAIRS WITH WHOM?
Copy !req
1692. WITH ME, FOR ONE.
Copy !req
1693. IT'S GOOD
FOR OPENERS.
Copy !req
1694. WHAT?
Copy !req
1695. WITH HER?
Copy !req
1696. IT...
Copy !req
1697. WITH MY BEST FRIEND?
Copy !req
1698. EMILY, YOU HAD
Copy !req
1699. MY HUSBAND?
Copy !req
1700. I'M NOT PROUD OF IT.
Copy !req
1701. IN THE BUCKET.
Copy !req
1702. OF LOVERS?
Copy !req
1703. THAT'S NOT A WORD
I WOULD HAVE CHOSEN.
Copy !req
1704. HE WAS DOING ON THE ROAD?
Copy !req
1705. SHE'S EXAGGERATING.
Copy !req
1706. AND NURTURED HER CAREER?
Copy !req
1707. IS THAT WHAT YOU DID?
EVERY SHOW?
Copy !req
1708. NO.
Copy !req
1709. WHAT SHOW WERE YOU IN,
Copy !req
1710. OF THE INTERMISSION?
Copy !req
1711. THAT'S WHAT IT WAS,
AN INTERMISSION,
Copy !req
1712. TO KAY.
Copy !req
1713. WHO ELSE?
Copy !req
1714. THIS IS HARDLY FAIR.
Copy !req
1715. WHO ELSE?
I WANT TO KNOW.
Copy !req
1716. ALPHABETICALLY,
Copy !req
1717. OF APPEARANCE.
Copy !req
1718. JANINE.
Copy !req
1719. SWEET LITTLE JANINE?
SHE WAS JUST A CHILD.
Copy !req
1720. NO, SHE WASN'T.
Copy !req
1721. SHE WASN'T
Copy !req
1722. A WORKING PERMIT.
Copy !req
1723. I NEVER ASKED.
Copy !req
1724. I DON'T BELIEVE THIS.
Copy !req
1725. KAY, STOP LYING
TO YOURSELF.
Copy !req
1726. YOU MARRIED HIM.
Copy !req
1727. LIKE A PARADE.
Copy !req
1728. PARADE?
Copy !req
1729. DID YOU
Copy !req
1730. WOULD CHANGE HIM?
Copy !req
1731. YES, OF COURSE
I DID!
Copy !req
1732. ALL RIGHT,
Copy !req
1733. THIS FEELING INSIDE,
Copy !req
1734. BUT I DIDN'T WANT
TO THINK ABOUT IT.
Copy !req
1735. I DON'T BELIEVE IT.
Copy !req
1736. DID YOU SLEEP WITH?
Copy !req
1737. YOU'VE SLEPT WITH EVERYONE
YOU'VE HAD A MEAL WITH.
Copy !req
1738. KAY.
Copy !req
1739. MOTHER.
Copy !req
1740. WHO ARE YOU
TALKING TO?
Copy !req
1741. EMILY.
ME.
Copy !req
1742. YOU HAD A MEAL WITH?
Copy !req
1743. WELL, NOT EVERY MAN.
Copy !req
1744. NOT EVERY MEAL.
Copy !req
1745. BREAKFAST OR LUNCH.
Copy !req
1746. JUST DINNERS.
Copy !req
1747. AT RESTAURANTS.
Copy !req
1748. YES.
Copy !req
1749. BEGIN THE REHEARSAL.
Copy !req
1750. GREAT IDEA.
Copy !req
1751. GREAT IDEA.
Copy !req
1752. BRIDESMAID, INDEED.
Copy !req
1753. I HAVEN'T FINISHED
WITH YOU YET.
Copy !req
1754. THAT'S FINE.
Copy !req
1755. OK, I'M READY.
Copy !req
1756. WHERE'S RUPERT?
Copy !req
1757. I DON'T KNOW.
RUPERT!
Copy !req
1758. HERE!
Copy !req
1759. HERE I AM.
Copy !req
1760. FINE. COMING DOWNSTAIRS
IS FINE,
Copy !req
1761. AND RUPERT ON MY LEFT.
Copy !req
1762. A REHEARSAL.
Copy !req
1763. "ARE THERE ANY OBJECTIONS?"
Copy !req
1764. WAIT A MINUTE.
Copy !req
1765. THERE'S SOMETHING
Copy !req
1766. ANY FURTHER.
Copy !req
1767. I'LL BE RIGHT BACK.
Copy !req
1768. ME, TOO.
Copy !req
1769. FALSE ALARM.
Copy !req
1770. CHARLOTTE, COME AND HAVE
SOME CHAMPAGNE.
Copy !req
1771. HELLO?
Copy !req
1772. HELLO OUT THERE.
Copy !req
1773. JOLLY?
Copy !req
1774. I KNOW YOU'RE HERE.
Copy !req
1775. HELLO? HELLO OUT THERE.
Copy !req
1776. HELLO?
Copy !req
1777. HELLO?
Copy !req
1778. IS THAT YOU?
Copy !req
1779. OF COURSE IT'S ME.
Copy !req
1780. IT'S IN THE DOG.
Copy !req
1781. GET ME OUT OF HERE?
Copy !req
1782. IS THIS YOUR USUAL FORM?
Copy !req
1783. HEY, I'M STUCK IN HERE.
Copy !req
1784. WHAT'S IT LIKE
WHERE YOU COME FROM?
Copy !req
1785. WHERE I COME FROM?
Copy !req
1786. THIS IS FASCINATING.
Copy !req
1787. THERE?
Copy !req
1788. NO, BUT IT'S UNCOMFORTABLE.
Copy !req
1789. HOW ABOUT FIRE?
Copy !req
1790. NO, NO. THERE'S NO FIRE.
Copy !req
1791. EVERYTHING IS JUST FINE.
Copy !req
1792. OH, THERE WERE
SOME SPARKS BEFORE,
Copy !req
1793. BUT NO FIRE.
Copy !req
1794. SPARKS?
Copy !req
1795. THIS IS INCREDIBLE.
Copy !req
1796. WHY ARE YOU HERE?
Copy !req
1797. I'M HERE FOR THE WEDDING.
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1798. THAT THING DOWN?
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1799. OF A VERY SMALL CHILD.
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1800. KAY, DARLING—
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1801. DON'T "KAY, DARLING" ME.
I'VE ALWAYS HATED IT.
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1802. EVERY TIME YOU'D DO
SOMETHING OUTRAGEOUS,
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1803. YOU'D TURN TO ME
AND SAY "KAY, DARLING."
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1804. DIDN'T CONFUSE YOU.
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1805. CONFUSE ME? WHY, NO.
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1806. ON MY OWN.
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1807. A GREAT LIFE TOGETHER.
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1808. YES, WE DID.
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1809. I'LL HAVE TO REMOVE YOU
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1810. OF ALMIGHTY GOD.
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1811. I DON'T CARE
WHAT YOU USE,
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1812. OUT OF HERE.
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1813. I GOT HIM!
HE'S DOWNSTAIRS.
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1814. HE'S IN HERE.
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1815. THE SPIRIT?
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1816. HE'S IN THE DOG.
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1817. THE DOG?
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1818. OF COURSE.
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1819. THAT'S WHY HE'S
HATED ME SO MUCH.
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1820. GOOD LUCK.
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1821. I'M LEAVING.
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1822. YOU'RE LEAVING?
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1823. DAMN IT!
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1824. NOW I'M THE BAD GUY.
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1825. YOU DON'T
LIKE THAT, HUH?
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1826. NO. LEADING MAN,
THAT'S MORE MY STYLE.
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1827. I'M CASTING THIS ONE.
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1828. YOU'VE SWITCHED ME
TO PLAYING THE HEAVY.
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1829. I HAVEN'T SWITCHED YOU
TO ANYTHING.
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1830. BUT FOR THREE YEARS,
I WAS THE HERO.
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1831. YES, YOU WERE
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1832. BECAUSE THAT'S
ALL I COULD SEE.
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1833. WERE THE GOOD THINGS.
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1834. SUDDENLY YOU'VE
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1835. SMALL WEAKNESSES.
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1836. SMALL WEAKNESSES?
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1837. A SMALL WEAKNESS?
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1838. YOU NOW SEE ME
AS THE GUY I REALLY WAS,
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1839. AND SOMETIMES A STINKER,
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1840. LIKE EVERYONE ELSE.
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1841. NO BLACK HAT,
NO WHITE HAT.
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1842. I WAS, UM...
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1843. JOLLY.
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1844. AH, JOLLY. RUPERT...
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1845. RUPERT IS RUPERT.
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1846. AND A WONDERFUL GUY?
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1847. YES, HE'S
A WONDERFUL GUY.
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1848. HE MAY NOT
BE ABLE TO DANCE...
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1849. POSSIBLY NEVER WILL.
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1850. BUT HE LOVES ME,
AND I LOVE HIM.
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1851. WITH MY LIFE.
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1852. YOU HAVE TO LEAVE.
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1853. THERE'S NO ROOM
IN MY LIFE FOR YOU.
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1854. RIGHT.
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1855. WHAT?
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1856. COME BACK HERE,
YOU MISERABLE MUTT!
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1857. I SAID RIGHT.
THAT'S FINE WITH ME.
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1858. I'LL GO.
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1859. WAIT A MINUTE.
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1860. I DON'T TRUST THIS.
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1861. THAT'S WHY YOU CAME.
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1862. WHY?
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1863. TO HELP ME, TO MAKE ME
UNDERSTAND THINGS.
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1864. BE CAREFUL, KAY.
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1865. YOU'LL ACCUSE ME
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1866. UNSELFISH,
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1867. TO CONSIDER.
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1868. OH, JOLLY,
THAT WOULD BE JUST LIKE YOU,
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1869. TYPICAL!
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1870. A GRAND GESTURE.
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1871. I'M SUPPOSED TO BELIEVE
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1872. OFF MY MIND, RIGHT?
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1873. GOOD LUCK.
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1874. WAIT. YOU CAN'T GO.
I'M RIGHT, AREN'T I?
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1875. DARLING, HAVE
A WONDERFUL MARRIAGE.
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1876. YOU DESERVE IT.
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1877. I DO?
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1878. KISS ME GOODBYE.
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1879. KAY, ARE YOU
IN THERE?
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1880. JOLLY.
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1881. MOTHER.
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1882. OH, MOTHER!
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1883. WHAT?
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1884. I'M SO HAPPY.
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1885. WHERE'S RUPERT?
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1886. THE DOG UPSTAIRS.
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1887. EMILY.
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1888. EVERYTHING'S
ALL FIXED UP.
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1889. FOR THE REHEARSAL.
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1890. OK, PAL, OK.
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1891. MAYBE I CAN'T DANCE
LIKE YOU,
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1892. BUT YOU DON'T HAVE
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1893. CORNERED.
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1894. LOVE THAT WOMAN.
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1895. I'M MARRYING HER
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1896. BECAUSE I LOVE HER!
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1897. FURTHERMORE, I WANT YOU
OUT OF OUR LIVES.
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1898. BECAUSE I'M SICK
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1899. IN OUR AFFAIRS...
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1900. LOVE HER.
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1901. NOW, I'M GOING
TO MARRY HER,
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1902. AND I DON'T
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1903. FROM YOU.
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1904. YOU GOT THAT?
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1905. AAH!
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1906. ADVANCE AND BEGONE!
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1907. IT'S EDGAR.
I'LL KILL HIM.
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1908. SOMETHING'S WRONG.
EMILY?
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1909. WATCH OUT!
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1910. YOU SEE THAT?
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1911. I SAW IT!
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1912. WHAT I SAID?
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1913. I HEARD IT.
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1914. RUPERT, I HAVE
SOMETHING TO TELL YOU.
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1915. JOLLY—HE'S GONE.
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1916. JOLLY'S GONE?
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1917. FOREVER.
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1918. RUPERT... I LOVE YOU.
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1919. I LOVE YOU,
TOO.
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1920. LET'S GET ON
WITH THE REHEARSAL.
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1921. I DON'T WANT THE REHEARSAL.
I WANT TO GET MARRIED.
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1922. RIGHT NOW?
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1923. RIGHT NOW. CAN YOU?
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1924. WELL, I SUPPOSE.
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1925. THE GUESTS?
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1926. WE'LL GO THROUGH IT
AGAIN TOMORROW.
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1927. THAT'S VERY
IRRESPONSIBLE.
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1928. LOOSEN UP!
IT SOUNDS LIKE A GREAT IDEA.
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1929. WELL, GET ON
DOWN HERE.
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1930. HOO-HOO!
I'M COMING!
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1931. OHH!
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1932. AAH!
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1933. AAH!
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1934. AAH!
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1935. RUPERT. RUPERT.
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1936. CALL A DOCTOR!
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1937. GET SOME WATER.
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1938. PERRIER.
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1939. CHARLOTTE.
CHARLOTTE, I FIXED IT!
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1940. I'M NOT TALKING
TO YOU.
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1941. THE KID
BEEN DRINKING?
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1942. HI.
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1943. ARE YOU ALL RIGHT?
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1944. I'M FINE.
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1945. NEVER FELT BETTER.
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1946. OH, RUPERT.
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1947. WHAT'S EVERYONE
STARING AT?
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1948. LET'S GET THE SHOW
ON THE ROAD.
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1949. MOM, HOW ABOUT
SOME CHAMPAGNE?
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1950. I'D LOVE IT.
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1951. KAY!
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1952. 20th CENTURY FOX
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1953. —www.ncicap.org—
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