1. He was delirious. But asked for you
by name.Copy !req
2. Show him.Copy !req
3. He was carrying nothing but this...Copy !req
4. and this.Copy !req
5. Are you here to kill me?Copy !req
6. I know what this isCopy !req
7. I've seen one before.
Many, many years agoCopy !req
8. It belonged to a man I met
in a half-remembered dreamCopy !req
9. A man possessed
of some radical notionsCopy !req
10. What is the most resilient parasite?Copy !req
11. A bacteria? A virus?Copy !req
12. An intestinal worm?Copy !req
13. ARTHUR
Uh...Copy !req
14. What Mr. Cobb is trying to sayCopy !req
15. An ideaCopy !req
16. Resilient. Highly contagiousCopy !req
17. Once an idea has taken hold of the brain
it's almost impossible to eradicate.Copy !req
18. An idea that is fully formed,
fully understood, that sticksCopy !req
19. Right in there somewhereCopy !req
20. For someone like you to steal?Copy !req
21. Yes. In the dream state,
your conscious defenses are loweredCopy !req
22. and that makes your thoughts
vulnerable to theft.Copy !req
23. It's called extractionCopy !req
24. Mr. Saito, we can train
your subconscious to defend itselfCopy !req
25. from even the most skilled extractorCopy !req
26. How can you do that?Copy !req
27. Because I am the most skilled extractorCopy !req
28. I know how to search your mind
and find your secrets. I know the tricksCopy !req
29. And I can teach them to you,
so that even when you're asleepCopy !req
30. your defense is never downCopy !req
31. Look, if you want my help, you're gonna
have to be completely open with me.Copy !req
32. I need to know my way around
your thoughts better than your wifeCopy !req
33. better than your therapist
better than anyone.Copy !req
34. If this is a dream,
and you have a safe full of secretsCopy !req
35. I need to know what's in that safeCopy !req
36. In order for this all to work,
you need to completely let me inCopy !req
37. Enjoy your evening, gentlemen
as I consider your proposal.Copy !req
38. He knowsCopy !req
39. What's going on up there?Copy !req
40. Saito knows. He's playing with usCopy !req
41. Doesn't matter. I can get it here
Trust me.Copy !req
42. The information is in the safeCopy !req
43. He looked right at it
when I mentioned secretsCopy !req
44. What's she doing here?Copy !req
45. Just head back to the room.
All right? I'll take care of thisCopy !req
46. Okay, make sure you do
We're here to work.Copy !req
47. If I jumped, would I survive?Copy !req
48. With a clean dive, perhapsCopy !req
49. Mal, what are you doing here?Copy !req
50. I thought you might be missing meCopy !req
51. You know that I amCopy !req
52. But I can't trust you anymoreCopy !req
53. So what?Copy !req
54. Looks like Arthur's tasteCopy !req
55. Actually, the subject is partial
to postwar British painters.Copy !req
56. Please, have a seatCopy !req
57. Tell meCopy !req
58. do the children miss me?Copy !req
59. You can't imagineCopy !req
60. What are you doing?Copy !req
61. Just getting some fresh airCopy !req
62. Stay where you are, MalCopy !req
63. Goddamn itCopy !req
64. Turn aroundCopy !req
65. The gun, DomCopy !req
66. PleaseCopy !req
67. Now the envelope, Mr. CobbCopy !req
68. Did she tell you?
Or have you known all along?Copy !req
69. That you're here to steal from me
or that we are actually asleep?Copy !req
70. I want to know the name
of your employer.Copy !req
71. Ah, there's no use threatening him
in a dream, right, Mal?Copy !req
72. That depends
on what you're threateningCopy !req
73. Killing him would just wake him upCopy !req
74. But painCopy !req
75. Pain is in the mindCopy !req
76. And judging by the decor,
we're in your mind, aren't we, Arthur?Copy !req
77. - What are you doing? it's too soon
- But the dream's collapsing.Copy !req
78. I'm gonna try to keep Saito under
a little hit longer. We're almost thereCopy !req
79. He was close. Very closeCopy !req
80. Stop him!Copy !req
81. This isn't gonna work. Wake him upCopy !req
82. He won't wakeCopy !req
83. - Give him the kick
What?Copy !req
84. Dunk himCopy !req
85. He's outCopy !req
86. You came prepared, hmm?Copy !req
87. Not even my head of security knows
this apartment. How did you find it?Copy !req
88. It's difficult for a man of your position
to keep a love nest like this secret...Copy !req
89. particularly where there's
a married woman involved.Copy !req
90. - She would never
- Yet here we are.Copy !req
91. - With a dilemma.
- They're getting closerCopy !req
92. - You got what you came for
Well, that's not true.Copy !req
93. You left out a key piece of information
didn't you?Copy !req
94. You held something back
because you knew what we were up toCopy !req
95. - Question is, why'd you let us in at all?
- An audition.Copy !req
96. - An audition for what?
- Doesn't matter. You failedCopy !req
97. We extracted every hit of information
you had in there.Copy !req
98. But your deception was obviousCopy !req
99. - So leave me and go.
- You don't seem to understand, Mr. SaitoCopy !req
100. That corporation that hired us
they won't accept failure.Copy !req
101. We won't last two daysCopy !req
102. Cobb?Copy !req
103. Looks like I'm gonna have to do this
a little more simply.Copy !req
104. Tell us what you know!
Tell us what you know, now!Copy !req
105. I've always hated this carpetCopy !req
106. it's stained and frayed
in such distinctive waysCopy !req
107. But very definitely made of woolCopy !req
108. Right nowCopy !req
109. I'm lying on polyesterCopy !req
110. Which means I'm not lying
on my carpet, in my apartmentCopy !req
111. You have lived up to your reputation
Mr. Cobb.Copy !req
112. I'm still dreamingCopy !req
113. How'd it go?
Not good.Copy !req
114. Dream within a dream, huh?
I'm impressed.Copy !req
115. But in my dream, you play by my rulesCopy !req
116. Ah, yes, but you see, Mr. SaitoCopy !req
117. We're not in your dreamCopy !req
118. We're in mineCopy !req
119. Asshole.
How do you mess up the carpet?Copy !req
120. - It wasn't my fault.
- You're the architectCopy !req
121. I didn't know
he was gonna rub his cheek on it!Copy !req
122. That's enoughCopy !req
123. You. What the hell was all that?Copy !req
124. I have it under control.
I'd hate to see you out of controlCopy !req
125. We don't have time for this
I'm getting off at Kyoto.Copy !req
126. He's not gonna check every compartmentCopy !req
127. Yeah, well, I don't like trainsCopy !req
128. Listen. Every man for himselfCopy !req
129. Yes, hello?Copy !req
130. Hi, Daddy.
Hi, Dad.Copy !req
131. Hey, guys. Hey. How are you?
How you doing, huh?Copy !req
132. Good.
Okay, I guessCopy !req
133. Okay? Who's just okay?
Is that you, James?Copy !req
134. Yeah. When are you coming home, Dad?Copy !req
135. Well, I can't, sweetheart. I can't
Not for a while, remember?Copy !req
136. JAMES
why?Copy !req
137. Look, I told you, I'm away
because I'm working, right?Copy !req
138. Grandma says you're never coming backCopy !req
139. Phillipa, is that you?Copy !req
140. Put Grandma on the phone for me
will you?Copy !req
141. She's shaking her headCopy !req
142. Well, just hope she's wrong about thatCopy !req
143. Daddy?Copy !req
144. Yeah, James?Copy !req
145. Is Mommy with you?Copy !req
146. James, we talked about thisCopy !req
147. Mommy's not here anymoreCopy !req
148. Where?Copy !req
149. That's enough, kids. Say bye-byeCopy !req
150. Listen, I'm gonna send some presents
with Grandpa, all right?Copy !req
151. And you be good, you beCopy !req
152. Our ride's on the roof
Right.Copy !req
153. Hey, are you okay?Copy !req
154. Yeah. Yeah, I'm fine. Why?Copy !req
155. Well, down in the dream
Mal showing up.Copy !req
156. Look, I'm, uh, sorry about your leg
Won't happen again.Copy !req
157. It's getting worse, isn't it?
One apology's all you're getting, all right?Copy !req
158. - Where's Nash?
- He hasn't shown. You wanna wait?Copy !req
159. We were supposed to deliver
Saito's expansion plans...Copy !req
160. To Cobol Engineering two hours agoCopy !req
161. By now, they know we failed
it's time we disappear.Copy !req
162. - Where you gonna go?
- Buenos Aires.Copy !req
163. I can lie low there, maybe sniff out
a job when things quiet down. You?Copy !req
164. StatesideCopy !req
165. Send my regardsCopy !req
166. He sold you out. Thought to come
to me and bargain for his life.Copy !req
167. So I offer you the satisfactionCopy !req
168. it's not the way I deal with thingsCopy !req
169. - What will you do with him?
- Nothing.Copy !req
170. But I can't speak for Cobol EngineeringCopy !req
171. - What do you want from us?
- Inception.Copy !req
172. Is it possible?
Of course not.Copy !req
173. If you can steal an idea
from someone's mind...Copy !req
174. Why can't you plant one there instead?Copy !req
175. Okay, here's me planting
an idea in your head.Copy !req
176. I say, "Don't think about elephants
What are you thinking about?Copy !req
177. ElephantsCopy !req
178. Right. But it's not your idea,
because you know I gave it to youCopy !req
179. The subject's mind can always trace
the genesis of the idea.Copy !req
180. True inspiration's impossible to fake
That's not true.Copy !req
181. - Can you do it?
- Are you offering me a choice?Copy !req
182. Because I can find my own way
to square things with Cobol.Copy !req
183. Then you do have a choiceCopy !req
184. Then I choose to leave, sirCopy !req
185. Tell the crew where you want to goCopy !req
186. Hey, Mr. CobbCopy !req
187. How would you like to go home?Copy !req
188. To America. To your childrenCopy !req
189. You can't fix that. No one canCopy !req
190. - Just like inception
- Cobb, come on.Copy !req
191. How complex is the idea?
Simple enough.Copy !req
192. No idea is simple when you need
to plant it in somebody else's mindCopy !req
193. My main competitor is
an old man in poor healthCopy !req
194. His son will soon inherit control
of the corporation.Copy !req
195. I need him to decide to break up
his father's empire.Copy !req
196. Cobb, we should walk away from this
Hold on.Copy !req
197. If I were to do this
if I even could do itCopy !req
198. I'd need a guaranteeCopy !req
199. - How do I know you can deliver?
- You don't.Copy !req
200. But I canCopy !req
201. So do you want to take a leap of faithCopy !req
202. or become an old man
filled with regret...Copy !req
203. Waiting to die alone?Copy !req
204. Assemble your team, Mr. Cobb.
And choose your people more wiselyCopy !req
205. Look, I know how much
you wanna go home.Copy !req
206. This can't be doneCopy !req
207. Yes, it can.
Just have to go deep enoughCopy !req
208. You don't know thatCopy !req
209. I've done it beforeCopy !req
210. Who'd you do it to?Copy !req
211. Why are we going to Paris?Copy !req
212. We're gonna need a new architectCopy !req
213. You never did like your office, did you?Copy !req
214. No space to think
in that broom cupboardCopy !req
215. Is it safe for you to be here?Copy !req
216. Extradition between France
and the United States...Copy !req
217. Is a bureaucratic nightmare
you know that.Copy !req
218. I think they might find a way
to make it work in your case.Copy !req
219. Look, I, uh, brought these for you to give
to the kids when you have a chance.Copy !req
220. It'll take more than
the occasional stuffed animalCopy !req
221. to convince those children
they still have a father.Copy !req
222. I'm just doing what I know.
I'm doing what you taught meCopy !req
223. I never taught you to be a thiefCopy !req
224. No, you taught me to navigate
people's minds.Copy !req
225. But after what happenedCopy !req
226. there weren't a whole lot of legitimate
ways for me to use that skill.Copy !req
227. What are you doing here, Dom?Copy !req
228. I think I found a way homeCopy !req
229. it's a job
for some very, very powerful peopleCopy !req
230. People who I believe can fix
my charges permanently.Copy !req
231. But I need your helpCopy !req
232. You're here to corrupt
one of my brightest and bestCopy !req
233. You know what I'm offering.
Let them decide for themselvesCopy !req
234. Money.
Not just moneyCopy !req
235. You rememberCopy !req
236. it's the chance to build cathedrals
entire cities...Copy !req
237. Things that never existedCopy !req
238. things that couldn't exist
in the real world.Copy !req
239. So you want me to let someone else
follow you into your fantasy?Copy !req
240. They don't actually come into the dreamCopy !req
241. They just design the levels
and teach them to the dreamers. That's allCopy !req
242. Design it yourselfCopy !req
243. Mal won't let meCopy !req
244. Come back to reality, DomCopy !req
245. Please.
RealityCopy !req
246. Those kids, your grandchildrenCopy !req
247. they're waiting for their father to come
back home. That's their reality.Copy !req
248. And this job, this last job
that's how I get there.Copy !req
249. I would not be standing here
if I knew any other way.Copy !req
250. I need an architect
who's as good as I wasCopy !req
251. I've got somebody betterCopy !req
252. Ariadne?Copy !req
253. I'd like you to meet Mr. CobbCopy !req
254. Pleased to meet youCopy !req
255. If you have a few moments, Mr. Cobb has
a job offer he'd like to discuss with you.Copy !req
256. A work placement?Copy !req
257. Not exactlyCopy !req
258. I have a test for youCopy !req
259. You're not gonna tell me anything first?Copy !req
260. Before I describe the job,
I have to know you can do itCopy !req
261. - why?
- it's not, strictly speaking, legalCopy !req
262. You have two minutes to design a maze
that it takes one minute to solve.Copy !req
263. StopCopy !req
264. AgainCopy !req
265. StopCopy !req
266. You're gonna have to do better than thatCopy !req
267. That's more like itCopy !req
268. They say we only use a fraction
of our brain's true potential.Copy !req
269. Now, that's when we're awakeCopy !req
270. When we're asleep,
our mind can do almost anythingCopy !req
271. Such as?Copy !req
272. Imagine you're designing a building
You consciously create each aspect.Copy !req
273. But sometimes, it feels like it's almost
creating itself, if you know what I meanCopy !req
274. Yeah, like I'm discovering itCopy !req
275. Genuine inspiration, right?Copy !req
276. Now, in a dream,
our mind continuously does thisCopy !req
277. We create and perceive
our world simultaneouslyCopy !req
278. And our mind does this so well
that we don't even know it's happeningCopy !req
279. That allows us to get right
in the middle of that processCopy !req
280. How?
By taking over the creating partCopy !req
281. Now, this is where I need youCopy !req
282. You create the world of the dreamCopy !req
283. We bring the subject into that dream,
and they fill it with their subconsciousCopy !req
284. How could I ever acquire enough detail
to make them think that it's reality?Copy !req
285. Well, dreams, they feel real
while we're in them, right?Copy !req
286. It's only when we wake up that we realize
something was actually strange.Copy !req
287. Let me ask you a questionCopy !req
288. You never really remember
the beginning of a dream, do you?Copy !req
289. You always wind up
right in the middle of what's going onCopy !req
290. I guess, yeahCopy !req
291. So how did we end up here?Copy !req
292. Well, we just came from the, uhCopy !req
293. Think about it, Ariadne.
How did you get here?Copy !req
294. Where are you right now?Copy !req
295. We're dreaming?Copy !req
296. You're in the middle
of the workshop, sleepingCopy !req
297. This is your first lesson
in shared dreaming. Stay calmCopy !req
298. If it's just a dream,
then why are you-?Copy !req
299. Because it's never just a dream, is it?Copy !req
300. And a face full of glass hurts like hell
When you're in it, it feels real.Copy !req
301. That's why the military
developed dream sharing.Copy !req
302. It was a training program for soldiers
to shoot, stab and strangle each other.Copy !req
303. And then wake upCopy !req
304. How did architects become involved?Copy !req
305. Well, someone had to design
the dreams, right?Copy !req
306. Why don't you give us
another five minutes?Copy !req
307. Five minutes?Copy !req
308. What-? We were talking
for, like, at least an hourCopy !req
309. In a dream, your mind
functions more quickly.Copy !req
310. Therefore time seems
to feel more slow.Copy !req
311. Five minutes in the real world
gives you an hour in the dreamCopy !req
312. Why don't you see what you
can get up to in five minutes?Copy !req
313. You've got the basic layout
Bookstore, café.Copy !req
314. Almost everything else is here tooCopy !req
315. Who are the people?
- Projections of my subconsciousCopy !req
316. - Yours?
- Yes.Copy !req
317. Remember, you are the dreamer
You build this world.Copy !req
318. I am the subject. My mind populates itCopy !req
319. You can literally talk
to my subconscious.Copy !req
320. That's one of the ways we extract
information from the subject.Copy !req
321. How else do you do it?Copy !req
322. By creating something secure
like a bank vault or a jail.Copy !req
323. The mind automatically fills it
with information it's trying to protectCopy !req
324. - You understand?
- Then you break in and steal it?Copy !req
325. WellCopy !req
326. I guess I thought that the dream space
would be all about the visual...Copy !req
327. But it's more about the feel of itCopy !req
328. My question is what happens when you
start messing with the physics of it all?Copy !req
329. it's something, isn't it?Copy !req
330. Yes, it isCopy !req
331. Why are they all looking at me?Copy !req
332. Because my subconscious feels that
someone else is creating this world.Copy !req
333. The more you change things, the quicker
the projections start to converge on you.Copy !req
334. Converge?Copy !req
335. They sense the foreign nature
of the dreamer.Copy !req
336. They attack, like white blood cells
fighting an infection.Copy !req
337. - What, they're gonna attack us?
- No, no.Copy !req
338. Just youCopy !req
339. This is great, but I'm telling you,
if you keep changing things like thisCopy !req
340. Jeez, mind telling your subconscious
to take it easy?Copy !req
341. It's my subconscious.
Remember? I can't control itCopy !req
342. Very impressiveCopy !req
343. I know this bridge.
This place is real, isn't it?Copy !req
344. Yeah, I cross it every day
to get to the college.Copy !req
345. Never re-create places from your memory
Always imagine new places.Copy !req
346. You draw from stuff you know, right?Copy !req
347. Only use details. A streetlamp
or a phone booth. Never entire areasCopy !req
348. - Why not?
- Building a dream from your memoryCopy !req
349. is the easiest way to lose your grasp
on what's real and what is a dream.Copy !req
350. Is that what happened to you?
Listen to me.Copy !req
351. This has nothing to do
with me, understand?Copy !req
352. That why you need me
to build your dreams?Copy !req
353. Hey, get off of her. Back up. Back upCopy !req
354. Cobb! Cobb!
Get off of her!Copy !req
355. Let me go! Let me go!
Mal!Copy !req
356. Mal!
Cobb! Wake me up!Copy !req
357. - Wake me up! Wake me up!
- No!Copy !req
358. - Mal, no! No!
- Wake me up!Copy !req
359. Hey, hey, hey. Look at me
You're okay. You're okay.Copy !req
360. - Hey.
- Why wouldn't I wake up?Copy !req
361. There was still time on the clockCopy !req
362. You can't wake up from
within the dream unless you dieCopy !req
363. - She'll need a totem
What?Copy !req
364. A totem, it's a small personalCopy !req
365. That's some subconscious
you've got on you, Cobb!Copy !req
366. She's a real charmer
Oh.Copy !req
367. I see you met Mrs. Cobb
She's his wife?Copy !req
368. Yeah. So a totem. You need
a small object, potentially heavyCopy !req
369. Something you can have on you
that no one else knows.Copy !req
370. Like a coin?
No.Copy !req
371. It needs to be more unique than that
Like, this is a loaded die.Copy !req
372. No, I can't let you touch it.
That would defeat the purposeCopy !req
373. See, only I know the balance and
the weight of this particular loaded dieCopy !req
374. That way,
when you look at your totemCopy !req
375. you know beyond a doubt that
you're not in someone else's dreamCopy !req
376. I don't know if you can't see what's
going on, or if you just don't want to.Copy !req
377. But Cobb has some serious problems
that he's tried to bury down there.Copy !req
378. And I'm not about to just open my mind
to someone like that.Copy !req
379. She'll he back. I've never seen anyone
pick it up that quickly before.Copy !req
380. Reality's not gonna be enough for her now
and when she comes back...Copy !req
381. When she comes back,
you're gonna have her building mazesCopy !req
382. - Where are you gonna be?
- I gotta go visit Eames.Copy !req
383. Eames? No, he's in Mombasa
it's Cobol's back yard.Copy !req
384. It's a necessary riskCopy !req
385. - Well, there's plenty of good thieves
- We don't just need a thief.Copy !req
386. We need a forgerCopy !req
387. Rub them together all you want
they're not gonna breed.Copy !req
388. You never knowCopy !req
389. I'm gonna get you a drinkCopy !req
390. You're buyingCopy !req
391. - Your spelling hasn't improved
- Piss off.Copy !req
392. How's your handwriting?Copy !req
393. It's versatile
Good.Copy !req
394. Thank you very muchCopy !req
395. InceptionCopy !req
396. Now, before you bother telling me
it's impossible, let me-Copy !req
397. No, it's perfectly possible
it's just bloody difficult.Copy !req
398. Interesting. Because Arthur keeps
telling me it can't be done.Copy !req
399. Hmm. Arthur. You still working
with that stick in the mud?Copy !req
400. He is good at what he does, right?Copy !req
401. Oh, he's the best,
but he has no imaginationCopy !req
402. Not like youCopy !req
403. Listen, if you're gonna perform inception
you need imagination.Copy !req
404. Let me ask you something
Have you done it before?Copy !req
405. We tried it. Uh, we got the idea in place
but it didn't take.Copy !req
406. - You didn't plant it deep enough?
- No, it's not just about depth.Copy !req
407. You need the simplest version
of the idea...Copy !req
408. in order for it to grow naturally
in your subject's mind. It's a subtle artCopy !req
409. So, what is this idea
that you need to plant?Copy !req
410. We need the heir of a major corporation
to dissolve his father's empire.Copy !req
411. Right there you have
various political motivationsCopy !req
412. and anti-monopolistic sentiments
and so forth.Copy !req
413. But all of that stuff, it's, umCopy !req
414. it's really at the mercy of your
subject's prejudice, you see?Copy !req
415. What you have to do is
start at the absolute basicCopy !req
416. Which is what?Copy !req
417. The relationship with the fatherCopy !req
418. Do you have a chemist?
No, not yet.Copy !req
419. Right. Okay, well,
there's a man here, YusufCopy !req
420. He, uh, formulates his own versions
of the compounds.Copy !req
421. Why don't you take me there?Copy !req
422. Once you've lost your tail
The man at the bar.Copy !req
423. Cobol EngineeringCopy !req
424. That price on my head,
was that dead or alive?Copy !req
425. Don't remember.
Let's see if he starts shootingCopy !req
426. Run interference. I'll meet you downstairs
in the bar in, say, uh, half an hour?Copy !req
427. Back here?
This is the last place they'd suspectCopy !req
428. All rightCopy !req
429. Freddy. Freddy SimmondsCopy !req
430. My God, it's you, isn't it?Copy !req
431. No, it isn't youCopy !req
432. Not dreaming now, are you?Copy !req
433. Get him!Copy !req
434. There!Copy !req
435. One caféCopy !req
436. ShhCopy !req
437. One caféCopy !req
438. One caféCopy !req
439. Care for a lift, Mr. Cobb?Copy !req
440. - What are you doing in Mombasa?
- I'm here to protect my investmentCopy !req
441. Ah. So this is your idea
of losing a tail, huh?Copy !req
442. Different tailCopy !req
443. Cobb said you'd be backCopy !req
444. I tried not to come, but...
But there's nothing quite like itCopy !req
445. it's justCopy !req
446. pure creationCopy !req
447. Shall we take a look
at some paradoxical architecture?Copy !req
448. You're gonna have to master
a few tricks...Copy !req
449. If you're gonna build three complete
dream levels. Excuse me.Copy !req
450. What kind of tricks?Copy !req
451. In a dream, you can cheat architecture
into impossible shapes.Copy !req
452. That lets you create closed loops
like the Penrose Steps.Copy !req
453. The infinite staircaseCopy !req
454. See?Copy !req
455. ParadoxCopy !req
456. So a closed loop like thatCopy !req
457. will help you disguise the boundaries
of the dream you create.Copy !req
458. But how big do these levels have to be?Copy !req
459. It could be anything
from the floor of a building to an entire cityCopy !req
460. They have to be complicated enough
that we can hide from the projectionsCopy !req
461. - A maze?
- Right, a mazeCopy !req
462. And the better the mazeCopy !req
463. Then the longer we have
before the projections catch us?Copy !req
464. ExactlyCopy !req
465. My subconscious seems polite enough
Ha, ha. You wait, they'll turn ugly.Copy !req
466. No one likes to feel someone else
messing around in their mind.Copy !req
467. Cobb can't build anymore, can he?Copy !req
468. I don't know if he can't, but he won'tCopy !req
469. He thinks it's safer
if he doesn't know the layoutsCopy !req
470. why?Copy !req
471. He won't tell me. But I think it's MalCopy !req
472. His ex-wife?
No, not his exCopy !req
473. They're still together?
No.Copy !req
474. No, she's deadCopy !req
475. What you see in there
is just his projection of herCopy !req
476. What was she like in real life?Copy !req
477. She was lovelyCopy !req
478. You are seeking a chemist?
Yes.Copy !req
479. To formulate compounds for a job?Copy !req
480. And to go into the field with usCopy !req
481. No, I rarely go into the field, Mr. CobbCopy !req
482. Well, we'd need you there to tailor
compounds specific to our needs.Copy !req
483. - Which are?
- Great depthCopy !req
484. A dream within a dream? Two levels?Copy !req
485. ThreeCopy !req
486. Not possible. That many dreams
within dreams is too unstable.Copy !req
487. It is possible.
You just have to add a sedativeCopy !req
488. A powerful sedativeCopy !req
489. How many team members?
Five.Copy !req
490. SAITO
Six.Copy !req
491. The only way to know you've done the job
is if I go in with you.Copy !req
492. There's no room for tourists
on a job like this, Mr. Saito.Copy !req
493. This time, it seems there isCopy !req
494. This, I think, is a good place to start
I use it every day.Copy !req
495. What for?
- Here, I'll show youCopy !req
496. Perhaps you will not want to seeCopy !req
497. After youCopy !req
498. Ten. Twelve. All connected. Bloody hellCopy !req
499. They come every day to share the dreamCopy !req
500. You see? Very stableCopy !req
501. - How long do they dream for?
Three, four hours, each dayCopy !req
502. In dream time?Copy !req
503. With this compound? About 40 hours
each and every day.Copy !req
504. - Why do they do it?
Tell him, Mr. CobbCopy !req
505. After a while, it becomes
the only way you can dreamCopy !req
506. Do you still dream, Mr. Cobb?Copy !req
507. - They come here every day to sleep?
No.Copy !req
508. They come to be woken upCopy !req
509. The dream has become their realityCopy !req
510. Who are you to say otherwise, sir?Copy !req
511. Let's see what you can doCopy !req
512. You know how to find meCopy !req
513. You know what you have to doCopy !req
514. Sharp, no?Copy !req
515. Are you all right, Mr. Cobb?Copy !req
516. Yeah, yeah. Everything's just fineCopy !req
517. Robert Fischer, heir to the Fischer Morrow
energy conglomerate.Copy !req
518. What's your problem with this Mr. Fischer?Copy !req
519. That's not your concernCopy !req
520. Mr. Saito, this isn't your typical
corporate espionage.Copy !req
521. You asked me for inceptionCopy !req
522. I do hope you understand
the gravity of that request.Copy !req
523. Now, the seed that we plant
in this man's mind will grow into an ideaCopy !req
524. This idea will define himCopy !req
525. It may come to changeCopy !req
526. Well, it may come to change
everything about him.Copy !req
527. We're the last company standing
between them and total energy dominanceCopy !req
528. And we can no longer competeCopy !req
529. Soon, they'll control the energy supply
of half the world.Copy !req
530. In effect, they become
a new superpower.Copy !req
531. The world needs Robert Fischer
to change his mind.Copy !req
532. That's where we come inCopy !req
533. How is Robert Fischer's relationship
with his father?Copy !req
534. Rumor is the relationship
is quite complicated.Copy !req
535. Well, we can't work based
solely on rumor, can we?Copy !req
536. Can you get me access to this man here?
Browning.Copy !req
537. Fischer Senior's right-hand man
Fischer Junior's godfather.Copy !req
538. It should be possible,
if you can get the right referencesCopy !req
539. References are something
of a specialty for me, Mr. SaitoCopy !req
540. I'm not smelling
settlement here. Take them downCopy !req
541. Mr. BrowningCopy !req
542. Maurice Fischer's policy
is always one of avoiding litigationCopy !req
543. Well, shall we voice your concerns
with Maurice directly?Copy !req
544. Not sure that's necessaryCopy !req
545. No, no, no. I think we shouldCopy !req
546. BROWNING
How is he?Copy !req
547. I don't want to bother him
unnecessarily, but...Copy !req
548. Robert, I told you keep out
the damn- Wait. So do it. Get-Copy !req
549. Mr. Fischer.
Put it throughCopy !req
550. Never, never.
Never do the same as I askedCopy !req
551. Leave thatCopy !req
552. HereCopy !req
553. Must be a cherished memory of hisCopy !req
554. I put it beside his bed.
He hasn't even noticedCopy !req
555. RubenCopy !req
556. we need to talk about
a power of attorney.Copy !req
557. I know this is hard, but it's imperative
Not now, Uncle Peter.Copy !req
558. The vultures are circlingCopy !req
559. And the sicker Maurice Fischer becomes,
the more powerful Peter Browning becomesCopy !req
560. I've had ample opportunity
to observe Browning...Copy !req
561. And adopt his physical presence, study his
mannerisms, and so on and so forth.Copy !req
562. So now in the first layer of the dream
I can impersonate Browning.Copy !req
563. And suggest concepts
to Fischer's conscious mindCopy !req
564. Then, when we take him
a level deeper...Copy !req
565. his own projection of Browning
should feed that right back to himCopy !req
566. So he gives himself the ideaCopy !req
567. Precisely. That's the only way it will stick
It has to seem self-generated.Copy !req
568. Eames, I am impressedCopy !req
569. Your condescension, as always,
is much appreciated, Arthur, thank youCopy !req
570. Were you going under on your own?Copy !req
571. No, no, I was just, uh, running
some experiments.Copy !req
572. I didn't realize anyone was here, soCopy !req
573. Yeah, I was just-
I was working on my totem, actuallyCopy !req
574. Here, let me take a lookCopy !req
575. So you're learning, huh?Copy !req
576. An elegant solution
for keeping track of realityCopy !req
577. - Was it your idea?
- No, it was, uh...Copy !req
578. It was Mal's, actually. ThisCopy !req
579. This one was hers. She would spin it
in the dream and it would never toppleCopy !req
580. Just spin and spinCopy !req
581. Arthur told me she passed awayCopy !req
582. How are the mazes coming along?Copy !req
583. Each level relates to the part
of the subject's subconscious.Copy !req
584. That we are trying to accessCopy !req
585. So I'm making the bottom level a hospital
so Fischer will bring his father.Copy !req
586. You know, l- Actually, I have a question
about this layout.Copy !req
587. No, no, no. Don't show me specifics.
Only the dreamer should know the layoutCopy !req
588. Why is that so important?Copy !req
589. In case one of us brings in
our projections.Copy !req
590. We don't want them knowing
the details of the maze.Copy !req
591. You mean in case you bring Mal inCopy !req
592. You can't keep her out, can you?Copy !req
593. - Right.
- You can't buildCopy !req
594. because if you know the maze
then she knows it.Copy !req
595. Well, she'd sabotage
the whole operation.Copy !req
596. Cobb, do the others know?
No. No, they don't.Copy !req
597. You've gotta warn them
if this is getting worse.Copy !req
598. No one said it's getting worseCopy !req
599. I need to get home.
That's all I care about right nowCopy !req
600. Why can't you go home?Copy !req
601. Because they think I killed herCopy !req
602. Thank you
For what?Copy !req
603. For not asking whether I didCopy !req
604. I will split up my father's empireCopy !req
605. Now, this is obviously an idea that
Robert himself would choose to rejectCopy !req
606. which is why we need to plant it deep
in his subconscious.Copy !req
607. The subconscious is motivated
by emotion, right? Not reason.Copy !req
608. We need to find a way to translate this
into an emotional concept.Copy !req
609. How do you translate business strategy
into emotion?Copy !req
610. That's what we're here to figure out
Robert's relationship with his father.Copy !req
611. is stressed, to say the least
Can we run with that?Copy !req
612. We suggest breaking up his father's
company as a "screw you" to the old manCopy !req
613. No, because I think positive emotion
trumps negative emotion every time.Copy !req
614. We all yearn for reconciliation,
for catharsis.Copy !req
615. We need Robert Fischer to have
a positive emotional reaction to all thisCopy !req
616. All right, well, try this. UmCopy !req
617. "My father accepts that I want to create
for myself, not follow in his footsteps."Copy !req
618. That might workCopy !req
619. Might? We're gonna need to do
a little better than "might."Copy !req
620. Thank you for your contribution, ArthurCopy !req
621. Forgive me for wanting
a little specificity, EamesCopy !req
622. Specificity?Copy !req
623. Inception's not about being specificCopy !req
624. When we get inside his mind, we're
gonna have to work with what we findCopy !req
625. On the top level, we open up
his relationship with his father...Copy !req
626. . and say, "I will not follow
in my father's footsteps."Copy !req
627. Then the next level down, we feed him
"I will create something for myself."Copy !req
628. Then, by the time we hit the bottom level
we bring out the big guns.Copy !req
629. - "My father doesn't want me to be him
Exactly.Copy !req
630. Three layers down, the dreams are gonna
collapse with the slightest disturbance.Copy !req
631. SedationCopy !req
632. For sleep stable enough to create
three layers of dreaming...Copy !req
633. we'll have to combine it with
an extremely powerful sedativeCopy !req
634. Good nightCopy !req
635. The compound we'll be using
to share the dream...Copy !req
636. Creates a clear connection
between dreamers...Copy !req
637. whilst accelerating brain function.
In other words, more time on each levelCopy !req
638. Brain function in the dream will be
about 20 times normal.Copy !req
639. And when you enter a dream within
that dream, the effect is compoundedCopy !req
640. it's three dreams,
that's 10 hours times 20Copy !req
641. Math was never my strong subject
How much time is that?Copy !req
642. It's a week, the first level downCopy !req
643. Six months the second level down
and the third level-Copy !req
644. That's 10 yearsCopy !req
645. Who'd wanna be stuck
in a dream for 10 years?Copy !req
646. Depends on the dreamCopy !req
647. So once we've made the plant
how do we get cut?Copy !req
648. I'm hoping you have something more
elegant than shooting me in the head.Copy !req
649. - A kick.
- What's a kick?Copy !req
650. This, Ariadne, would be a kickCopy !req
651. it's that feeling of falling you get
that jolts you awake.Copy !req
652. - Snaps you out of the dream.
- We gonna feel a kick with this sedation?Copy !req
653. That's the clever partCopy !req
654. I customized the sedative to leave
inner-ear function unimpaired.Copy !req
655. That way, however deep the sleep
the sleeper still feels falling.Copy !req
656. Or tippingCopy !req
657. The trick is to synchronize a kick
that can penetrate all three levels.Copy !req
658. We could use a musical countdown
to synchronize the different kicks.Copy !req
659. He hasn't got any surgery
scheduled, no dental, nothing.Copy !req
660. Wasn't he supposed to have
a knee operation?Copy !req
661. Nothing. Nothing that they'll
put him under for, anyway. And we needCopy !req
662. We need at least a good 10 hoursCopy !req
663. Sydney to Los AngelesCopy !req
664. One of the longest flights in the world
He makes it every two weeks.Copy !req
665. He must be flying private, thenCopy !req
666. Not if there were unexpected
maintenance with his plane.Copy !req
667. It would have to be a 747
- Why's that?Copy !req
668. On a 747, the pilot's up topCopy !req
669. the first-class cabin's in the nose
so no one would walk through.Copy !req
670. You'd have to buy out the entire cabin
and the first-class flight attendant.Copy !req
671. I bought the airlineCopy !req
672. It seemed neaterCopy !req
673. Well, looks like we have our 10 hoursCopy !req
674. Ariadne? Terrific work, by the wayCopy !req
675. You know how to find meCopy !req
676. You know what you have to doCopy !req
677. You remember when you asked me
to marry you?Copy !req
678. Of course I doCopy !req
679. You said you had a dreamCopy !req
680. That we'd grow old togetherCopy !req
681. And we canCopy !req
682. You shouldn't be hereCopy !req
683. Just wanted to see what kind of tests
you're doing on your own every night.Copy !req
684. This has nothing to do with you.
This has everything to do with meCopy !req
685. - You've asked me to share dreams with you
- Not these. These are my dreams.Copy !req
686. Why do you do this to yourself?Copy !req
687. It's the only way I can still dreamCopy !req
688. Why is it so important to dream?Copy !req
689. In my dreams, we're still togetherCopy !req
690. These aren't just dreamsCopy !req
691. These are memories.
And you said never to use memoriesCopy !req
692. I know I didCopy !req
693. You're trying to keep her alive
You can't let her go.Copy !req
694. You don't understand.
These are moments I regretCopy !req
695. They're memories that I have to changeCopy !req
696. Well, what's down there that you regret?Copy !req
697. Listen, there's only one thing
you need to understand about meCopy !req
698. This is your house?Copy !req
699. Mine and Mal's, yesCopy !req
700. Where is she?Copy !req
701. She's already goneCopy !req
702. That's my son, JamesCopy !req
703. He's digging for something
maybe a worm.Copy !req
704. That's PhillipaCopy !req
705. I thought about calling out to themCopy !req
706. so they'd turn and smile
and I could see...Copy !req
707. Those beautiful faces of theirs
but it's all too late.Copy !req
708. Right now or never, CobbCopy !req
709. Then I start to panicCopy !req
710. I realize I'm gonna regret this momentCopy !req
711. that I need to see their faces
one last time.Copy !req
712. James! Phillipa! Come on in!Copy !req
713. But the moment's pastCopy !req
714. And whatever I do,
I can't change this momentCopy !req
715. As I'm about to call out to themCopy !req
716. they run awayCopy !req
717. If I'm ever gonna see their faces again
I've gotta get back home.Copy !req
718. The real worldCopy !req
719. What are you doing here?Copy !req
720. My name isCopy !req
721. I know who you are.
What are you doing here?Copy !req
722. I'm just trying to understandCopy !req
723. How could you understand?Copy !req
724. Do you know what it is to be a lover?Copy !req
725. To be half of a whole?Copy !req
726. OCopy !req
727. I'll tell you a riddleCopy !req
728. You're waiting for a trainCopy !req
729. A train that will take you far awayCopy !req
730. You know where you hope
this train will take you...Copy !req
731. But you don't know for sureCopy !req
732. But it doesn't matterCopy !req
733. How can it not matter to you
where that train will take you?Copy !req
734. Because you'll be togetherCopy !req
735. How could you bring her here, Dom?
- What is this place?Copy !req
736. This is a hotel suite where we
used to spend our anniversaryCopy !req
737. What happened here?Copy !req
738. You promised!
You promised we'd be together!Copy !req
739. Please, I need you to stay here
just for now!Copy !req
740. You said we'd be together!
You said we'd grow old together!Copy !req
741. I'll come back for you. I promiseCopy !req
742. Do you think you can just build
a prison of memories to lock her in?Copy !req
743. Dc you really think that
that's gonna contain her?Copy !req
744. it's timeCopy !req
745. Maurice Fischer just died in SydneyCopy !req
746. - When's the funeral?
- Thursday. In Los AngelesCopy !req
747. Robert should accompany the body
no later than Tuesday. We should moveCopy !req
748. All rightCopy !req
749. Cobb, I'm coming with you
I promised Miles. No.Copy !req
750. The team needs someone who
understands what you're struggling withCopy !req
751. And it doesn't have to be meCopy !req
752. but then you have to show Arthur
what I just saw.Copy !req
753. Get us another seat on the planeCopy !req
754. If I get on this plane
and you don't honor our agreementCopy !req
755. when we land,
I go to jail for the rest of my lifeCopy !req
756. Complete the job en routeCopy !req
757. I make one phone call from the planeCopy !req
758. you have no trouble
getting through ImmigrationCopy !req
759. I'm sorry.
Oh, yeah, absolutelyCopy !req
760. Thank youCopy !req
761. Excuse me, I think this is yours?
You must have dropped it.Copy !req
762. Would you care for a drink?Copy !req
763. Oh. Water, pleaseCopy !req
764. Oh, um, same, pleaseCopy !req
765. umCopy !req
766. Thank youCopy !req
767. You know, I couldn't help but noticeCopy !req
768. but you wouldn't happen to be related
to the Maurice Fischer, would you?Copy !req
769. Yes, he, umCopy !req
770. He was my fatherCopy !req
771. Well, he was a very inspiring figure
I'm sorry for your loss.Copy !req
772. Here you go
Thank you.Copy !req
773. COBB
Hey.Copy !req
774. To your fatherCopy !req
775. May he rest in peace, huh?Copy !req
776. Couldn't have peed before you went under?
Sorry.Copy !req
777. Bit too much free champagne
before takeoff?Copy !req
778. Ha, ha, bloody haCopy !req
779. We know he's gonna be looking for a taxi
in this weather.Copy !req
780. - Asshole! Hey, man, why don't you try-?
- Walk away.Copy !req
781. Just have him ca- I gotta goCopy !req
782. All right. Taxi. Thank youCopy !req
783. All right, Third and Market. SnappyCopy !req
784. - What are you doing?
- Sorry, I thought it was freeCopy !req
785. it's not.
Maybe we could shareCopy !req
786. Maybe not.
Can you pull over and get this-?Copy !req
787. GreatCopy !req
788. Come onCopy !req
789. There's $500 in there.
The wallet's worth more than thatCopy !req
790. You might at least
drop me at my stopCopy !req
791. I'm afraid that it doesn'tCopy !req
792. - Cover him!
Down! Down now!Copy !req
793. What the hell is going on?Copy !req
794. This wasn't in the designCopy !req
795. Cobb?Copy !req
796. Cobb?Copy !req
797. Get him!Copy !req
798. Are you all right?Copy !req
799. Yeah, I'm okay. I'm okayCopy !req
800. Fischer's okay, unless he gets carsickCopy !req
801. Saito?Copy !req
802. Get Fischer in the back room nowCopy !req
803. - Get him in the back room. Move.
What the hell happened?Copy !req
804. Has he been shot? Is he dying?Copy !req
805. I don't know
- Jesus Christ.Copy !req
806. What happened to you?
- Blocked by a freight train.Copy !req
807. Why put a train
in a downtown intersection?Copy !req
808. - I didn't.
Where'd it come from?Copy !req
809. Why the hell were we ambushed?Copy !req
810. Those were not normal projections.
They'd been trained, for God's sakesCopy !req
811. How could he be trained?
Fischer's had an extractorCopy !req
812. teach his subconscious to defend itself
so his subconscious is militarized.Copy !req
813. It should've shown in the researchCopy !req
814. Why the hell didn't it?
- Calm down.Copy !req
815. Don't tell me to calm down!Copy !req
816. This was your job, goddamn it!
This was your responsibility!Copy !req
817. You were meant to check
Fischer's background!Copy !req
818. - We are not prepared for this!
- We have dealt with sub-security before!Copy !req
819. We'll be more careful
and we're gonna be fine!Copy !req
820. This was not a part of the plan!
He's dying.Copy !req
821. Put him out his miseryCopy !req
822. No, don't do that! Don't do that
Cobb, hey, hey.Copy !req
823. He's in agony. I'm waking him upCopy !req
824. No. It won't wake him upCopy !req
825. What do you mean, it won't wake him up?
When we die in a dream, we wake up.Copy !req
826. Not from thisCopy !req
827. We're too heavily sedated
to wake up that way.Copy !req
828. Right. Sc, what happens when we die?Copy !req
829. - We drop into limbo
- Are you serious?Copy !req
830. - Limbo?
Unconstructed dream spaceCopy !req
831. Well, what the hell is down there?
- Just raw, infinite subconscious.Copy !req
832. Nothing is down there, except for
what might have been left behind..Copy !req
833. by anyone sharing the dream
who's been trapped there beforeCopy !req
834. Which, in our case, is just youCopy !req
835. - How long could we be stuck?
Can't even think aboutCopy !req
836. trying to escape until the sedation
How long?Copy !req
837. Decades. It could be infinite.
Ask him, he's the one who's been thereCopy !req
838. Let's get him upstairsCopy !req
839. GreatCopy !req
840. Thank youCopy !req
841. So now we're trapped in Fischer's mind
battling his own private army.Copy !req
842. And if we get killedCopy !req
843. we'll be lost in limbo till our brains
turn to scrambled egg, hmm?Copy !req
844. Someone got first aid?Copy !req
845. - You knew these risks and didn't tell us?
- There weren't meant to be risks.Copy !req
846. - I didn't know we'd be dealing with gunfire
- You had no right.Copy !req
847. This was the only way
to go three layers deepCopy !req
848. You knew about this
and went along with it?Copy !req
849. I trusted himCopy !req
850. When? When he promised you
half his share?Copy !req
851. No. His whole share.
Besides, he said he'd done it beforeCopy !req
852. What, with Mal?
Because that worked so good?Copy !req
853. That has nothing to do with it.
I did what I had to, to get to my childrenCopy !req
854. You led us into a war zone
with no way cut?Copy !req
855. There is a way cut. We continue on with
the job, and we do it as fast as possible..Copy !req
856. And we get out using the kick
just like before.Copy !req
857. Forget it. We go any deeper
we just raise the stakes.Copy !req
858. I am sitting this one out on this levelCopy !req
859. Fischer's security
is surrounding this place.Copy !req
860. Ten hours of flight time
is a week at this level.Copy !req
861. That means each and every one of us
will be killed. That I can guarantee youCopy !req
862. We have no other choice but to continue on
and do it as fast as possible.Copy !req
863. Downwards is the only way forwardsCopy !req
864. Get readyCopy !req
865. You, come on. Let's go shake him upCopy !req
866. I'm insured against kidnapping
for up to 10 million.Copy !req
867. - This should be very simple
Shut up! It won't be.Copy !req
868. In your father's office
below the bookshelves...Copy !req
869. is his personal safe.
We need the combinationCopy !req
870. I don't know any safeCopy !req
871. That doesn't mean
you don't know the combinationCopy !req
872. Tell us what it isCopy !req
873. I don't knowCopy !req
874. We have it on good authority
you do know.Copy !req
875. Yeah? Whose authority?Copy !req
876. - Five hundred dollars, this cost
What's inside it?Copy !req
877. Cash, cards, ID. And thisCopy !req
878. Useful?Copy !req
879. MaybeCopy !req
880. You're on. You've got an hourCopy !req
881. An hour?Copy !req
882. I was supposed to have all night
to crack this.Copy !req
883. And Saito wasn't supposed
to be shot in the chest.Copy !req
884. You've got one hour,
now get us something useful, pleaseCopy !req
885. - What's that?
- Good authorityCopy !req
886. Uncle PeterCopy !req
887. Just make them stopCopy !req
888. The combination
I don't know it.Copy !req
889. - Why does Browning say you do?
- I don't know.Copy !req
890. Just let me talk to him
and I'll find cut.Copy !req
891. You have one hour. Start talkingCopy !req
892. You all right?Copy !req
893. You okay?Copy !req
894. Those bastards have had at me
for two days.Copy !req
895. They have someone with access
to your father's office.Copy !req
896. - They're trying to open his safe
- Yeah.Copy !req
897. They thought I'd know the combination
but I don't know it.Copy !req
898. - Yeah, well, neither do I, so
- What?Copy !req
899. Maurice told me that when he passed
you were the only one able to open itCopy !req
900. No, he never gave me any combinationCopy !req
901. Maybe he did. I mean, maybe you
just didn't know it was a combinationCopy !req
902. Well, what, then?Copy !req
903. I don't know, some meaningful
combination of numbers...Copy !req
904. Based on your experiences
with Maurice.Copy !req
905. We didn't have very many, uh,
meaningful experiences togetherCopy !req
906. Perhaps after your mother diedCopy !req
907. After my mother died,
you know what he told me?Copy !req
908. "Robert,
there's really nothing to be saidCopy !req
909. Oh, well, he was had with emotionCopy !req
910. I was 11, Uncle PeterCopy !req
911. How's he doing?
He's in a lot of painCopy !req
912. When we get down to the lower levels
the pain will be less intense.Copy !req
913. And if he dies?Copy !req
914. Worst-case scenario?Copy !req
915. When he wakes up,
his mind is completely goneCopy !req
916. Cobb, I'll still honor the arrangementCopy !req
917. I appreciate that, SaitoCopy !req
918. But when you wake up, you won't even
remember that we had an arrangement.Copy !req
919. Limbo is gonna become your realityCopy !req
920. You're gonna be lost down there so long
that you're gonna become an old man.Copy !req
921. Filled with regret?Copy !req
922. Waiting to die aloneCopy !req
923. OCopy !req
924. I'll come backCopy !req
925. And we'll be young men together againCopy !req
926. BreatheCopy !req
927. These people are gonna kill us
if we don't give them the combinationCopy !req
928. They just wanna ransom us
I heard them.Copy !req
929. They're gonna lock us in that van
and then drive it into the river.Copy !req
930. All right. What is in the safe?Copy !req
931. Something for youCopy !req
932. Maurice always said
it was his most precious gift to youCopy !req
933. - A will.
- Maurice's will is with Port and DunnCopy !req
934. That's an alternateCopy !req
935. This would supersede the other
if you want it to.Copy !req
936. It splits up the component businesses
of Fischer Morrow.Copy !req
937. It'd be the end of the entire empire
as we know it.Copy !req
938. Destroying my whole inheritance?Copy !req
939. - Why would he suggest such a thing?
- I just don't know.Copy !req
940. He loved you, RobertCopy !req
941. In his own wayCopy !req
942. In his own wayCopy !req
943. At the endCopy !req
944. he called me into his deathbedCopy !req
945. He could barely speakCopy !req
946. But he took the trouble
to tell me one last thingCopy !req
947. He pulled me closeCopy !req
948. And I could only make outCopy !req
949. one wordCopy !req
950. DisappointedCopy !req
951. When were you in limbo?Copy !req
952. You might have the rest of the team
convinced to carry on with this job.Copy !req
953. But they don't know the truth
Truth? What truth?Copy !req
954. The truth that, at any minute, you might
bring a freight train through the wall.Copy !req
955. The truth that Mal is bursting
through your subconscious.Copy !req
956. And the truth that,
as we go deeper into FischerCopy !req
957. we're also going deeper into youCopy !req
958. And I'm not sure
we're gonna like what we findCopy !req
959. We were working togetherCopy !req
960. We were exploring the concept
of a dream within a dream.Copy !req
961. I kept pushing thingsCopy !req
962. I wanted to go deeper and deeper
I wanted to go further.Copy !req
963. I just didn't understand the concept that
hours could turn into years down there...Copy !req
964. That we could get trapped so deepCopy !req
965. that when we wound up on the shore
of our own subconscious...Copy !req
966. We lost sight of what was realCopy !req
967. We created.
We built the world for ourselvesCopy !req
968. We did that for yearsCopy !req
969. We built our own worldCopy !req
970. How long were you stuck there?Copy !req
971. Something like 50 yearsCopy !req
972. JesusCopy !req
973. How could you stand it?Copy !req
974. It wasn't so had at first
feeling like gods.Copy !req
975. The problem was knowing
that none of it was real.Copy !req
976. Eventually, it just became impossible
for me to live like that.Copy !req
977. And what about for her?Copy !req
978. She had locked something away,
something deep inside her.Copy !req
979. A truth that she had once known,
but chose to forget.Copy !req
980. Limbo became her reality.Copy !req
981. What happened when you woke up?Copy !req
982. Well, to wake up from that
after years, after decades...Copy !req
983. to become old souls thrown back
into youth like that?Copy !req
984. I knew something was wrong with her.
She just wouldn't admit it.Copy !req
985. Eventually, she told me the truth.Copy !req
986. She was possessed by an idea.Copy !req
987. This one very simple idea
that changed everything.Copy !req
988. That our world wasn't real.Copy !req
989. That she needed to wake up
to come back to reality...Copy !req
990. that in order to get back home...Copy !req
991. we had to kill ourselves.Copy !req
992. - What about your children?
- She thought they were projections...Copy !req
993. that our real children were waiting
for us up there somewhere.Copy !req
994. I'm their mother!
Calm down.Copy !req
995. I can tell the difference.Copy !req
996. If this is my dream,
why can't I control this?Copy !req
997. You don't know you're dreaming!Copy !req
998. She was certain
there was nothing I could do...Copy !req
999. no matter how much I begged,
no matter how much I pleaded.Copy !req
1000. She wanted to do it,
but she could not do it alone.Copy !req
1001. She loved me too much, so she came up
with a plan on our anniversary.Copy !req
1002. - Sweetheart, what are you doing?
- Join me.Copy !req
1003. Just- Just step back inside. All right?
Just step back inside now, come on.Copy !req
1004. No. I'm going to jump,
and you're coming with me.Copy !req
1005. No, I'm not.Copy !req
1006. Now, you listen to me.Copy !req
1007. If you jump, you're not gonna wake up,
remember? You're gonna die.Copy !req
1008. Now, just step back inside.Copy !req
1009. Come on. Step back inside
so we can talk about this.Copy !req
1010. We've talked enough.Copy !req
1011. - Mal.
- Come out onto the ledge...Copy !req
1012. - ... or I'll jump right now.
- Okay.Copy !req
1013. We're gonna talk about this.Copy !req
1014. All right?Copy !req
1015. - I'm asking you to take a leap of faith.
- No, honey.Copy !req
1016. No, I can't. You know I can't do that.Copy !req
1017. Take a second, think about our children.Copy !req
1018. Think about James.Copy !req
1019. Think about Phillipa, now.Copy !req
1020. If I go without you,
they'll take them away anyway.Copy !req
1021. - What does that mean?
- I filed a letter with our attorney...Copy !req
1022. explaining how I'm fearful
for my safety.Copy !req
1023. How you've threatened to kill me.Copy !req
1024. - Why did you do this?
- I love you, Dom.Copy !req
1025. Why did-? Why would you do this to me?Copy !req
1026. I've freed you from the guilt
of choosing to leave them.Copy !req
1027. We're going home to our real children.Copy !req
1028. Oh, no, no, no, Mal, you listen to me,
all right? Mal, look at me, please?Copy !req
1029. You're waiting for a train.Copy !req
1030. - Mal, goddamn it, don't do this!
- A train that will take you far away.Copy !req
1031. James and Phillipa are waiting for you!Copy !req
1032. You know where you hope this train
will take you, but you can't know for sure.Copy !req
1033. - Mal, look at me!
- But it doesn't matter.Copy !req
1034. - Mal, goddamn it! Mal, listen to me!
- Because you'll be together.Copy !req
1035. Sweetheart! Look at me! Mal, no!Copy !req
1036. Jesus Christ!Copy !req
1037. She had herself declared sane
by three different psychiatrists.Copy !req
1038. It made it impossible for me to try
to explain the nature of her madness.Copy !req
1039. So I ran.Copy !req
1040. Right now, or never, Cobb.Copy !req
1041. James! Phillipa! Come on in! Come on!Copy !req
1042. All right, let's go.Copy !req
1043. I left my children behind and I've been
trying to buy my way back ever since.Copy !req
1044. Your guilt defines her.
It's what powers her.Copy !req
1045. But you are not responsible
for the idea that destroyed her.Copy !req
1046. And if we are gonna succeed in this...Copy !req
1047. you have to forgive yourself,
and you're gonna have to confront her.Copy !req
1048. But you don't have to do that alone.Copy !req
1049. - No, you're not...
- I'm doing it for the others.Copy !req
1050. Because they have no idea the risk
they've taken coming down here with you.Copy !req
1051. We have to move.Copy !req
1052. Time's up.Copy !req
1053. All right. I don't know any combination.Copy !req
1054. - Not consciously, anyway.
How about instinctively, huh?Copy !req
1055. I got somebody in your father's office
right now ready to tap in the combination.Copy !req
1056. Give me the first six numbers
that come to your head right now.Copy !req
1057. - I have no idea.
- Right now!Copy !req
1058. I said, right now! Right now!Copy !req
1059. Five, two, eight, four, nine, one.Copy !req
1060. You'll have to do better than that.Copy !req
1061. All right. Bag them.
You're going for a ride.Copy !req
1062. We're worth more to you alive.
You hear me?Copy !req
1063. What'd you get?Copy !req
1064. Relationship with his father
is worse than we imagined.Copy !req
1065. This helps us how?Copy !req
1066. The stronger the issues,
the more powerful the catharsis.Copy !req
1067. - How are we gonna reconcile them?
- I'm working on that.Copy !req
1068. Work faster.
The projections are closing in quick.Copy !req
1069. We gotta break out of here
before we're totally boxed in.Copy !req
1070. Damn it.Copy !req
1071. You mustn't be afraid to dream
a little bigger, darling.Copy !req
1072. We need to shift his animosity
from his father to his godfather.Copy !req
1073. - Destroy his one positive relationship?
- No, repair his relationship with his father...Copy !req
1074. whilst exposing his godfather's
true nature.Copy !req
1075. We should charge Fischer a lot more
than Saito for this job.Copy !req
1076. His security is gonna
get worse as we go deeper.Copy !req
1077. - I think we run with Mr. Charles.
- No.Copy !req
1078. Who's Mr. Charles?
- Bad idea.Copy !req
1079. The second we get into that hotel
his security's gonna be all over us.Copy !req
1080. We run with Mr. Charles
like on the Stein job.Copy !req
1081. - You've done it before?
Yeah, and it didn't work.Copy !req
1082. The subject realized he was dreaming
and his subconscious tore us to pieces.Copy !req
1083. Excellent. But you learned a lot, right?Copy !req
1084. - I need some kind of distraction.
No problem.Copy !req
1085. How about a lovely lady
that I've used before?Copy !req
1086. Listen to me.
You drive carefully, all right?Copy !req
1087. Everything down there is
gonna be unstable as hell.Copy !req
1088. Don't jump too soon. We only got
one shot at that kick. We gotta make it.Copy !req
1089. I'll play the music to let you know
it's coming. The rest is on you.Copy !req
1090. - You ready?
- Ready!Copy !req
1091. Sweet dreams.Copy !req
1092. Am I boring you?Copy !req
1093. I was telling you my story.
I guess it wasn't to your liking.Copy !req
1094. Um, I have a lot on my mind.Copy !req
1095. There goes Mr. Charles.Copy !req
1096. Mr. Fischer, right?Copy !req
1097. Pleasure to see you again.
Rod Green from marketing. I-Copy !req
1098. Hmm.Copy !req
1099. - And you must be?
- Leaving.Copy !req
1100. In case you get bored.Copy !req
1101. Must've blown you off.Copy !req
1102. That is, unless her phone number
really is only six digits.Copy !req
1103. Funny way to make friends,
someone stealing your wallet like that.Copy !req
1104. Goddamn it. The wallet alone
is worth at least 500-Copy !req
1105. About $500, right?Copy !req
1106. Don't worry about it.
My people are already on it as we speak.Copy !req
1107. Who or what is Mr. Charles?Copy !req
1108. It's a gambit designed to turn Fischer
against his own subconscious.Copy !req
1109. And why don't you approve?Copy !req
1110. It involves telling the mark
that he's dreaming...Copy !req
1111. which involves attracting
a lot of attention to us.Copy !req
1112. - Didn't Cobb say never to do that?
- Hmm.Copy !req
1113. So now you've noticed how much time...Copy !req
1114. Cobb spends doing things
he says never to do.Copy !req
1115. Mr. Saito, can I have a moment?Copy !req
1116. - I'm sorry, but...
Hold on! Wait!Copy !req
1117. You look a bit perkier.Copy !req
1118. Very amusing, Mr. Eames.Copy !req
1119. Turbulence on the plane?Copy !req
1120. No, it's much closer.Copy !req
1121. That's Yusuf's driving.Copy !req
1122. Um, I'm sorry.
Who did you say you were?Copy !req
1123. Rod Green from marketing.Copy !req
1124. But that's not true at all, is it?Copy !req
1125. My name is Mr. Charles.
You remember me, don't you?Copy !req
1126. I'm the head of your security down here.Copy !req
1127. Get out on a different floor,
keep moving.Copy !req
1128. Dump the wallet.
Security will be looking for that.Copy !req
1129. - Okay.
- We need to buy Cobb a little more time.Copy !req
1130. Security, huh?Copy !req
1131. - You work for the hotel?
- No, no.Copy !req
1132. I specialize in a very specific type
of security.Copy !req
1133. Subconscious security.Copy !req
1134. You're talking about dreams?Copy !req
1135. Are you talking about, um, extraction?Copy !req
1136. I am here to protect you.Copy !req
1137. Mr. Fischer, I'm here
to protect you in the event...Copy !req
1138. that someone tries to access
your mind through your dreams.Copy !req
1139. You're not safe here.Copy !req
1140. They're coming for you.Copy !req
1141. Strange weather, isn't it?Copy !req
1142. You feel that?Copy !req
1143. What's happening?Copy !req
1144. Cobb's drawing Fischer's attention
to the strangeness of the dream...Copy !req
1145. which is making his subconscious
Look for the dreamer.Copy !req
1146. For me. Quick, give me a kiss.Copy !req
1147. - They're still looking at us.
- Yeah, it was worth a shot.Copy !req
1148. We should probably get out of here.Copy !req
1149. You feel that? You've actually
been trained for this, Mr. Fischer.Copy !req
1150. Pay attention to the strangeness
of the weather, the shift in gravity.Copy !req
1151. None of this is real. You're in a dream.Copy !req
1152. Now, the easiest way
for you to test yourself...Copy !req
1153. is to try and remember how you arrived
at this hotel. Can you do that?Copy !req
1154. Yeah, l...Copy !req
1155. No, breathe, breathe.
Remember your training.Copy !req
1156. Accept the fact that you're in a dream,
and I'm here to protect you. Go on.Copy !req
1157. Mm-hm.Copy !req
1158. - You're not real?
- No.Copy !req
1159. No. I'm a projection
of your subconscious.Copy !req
1160. I was sent here to protect you
in the event...Copy !req
1161. that extractors
tried to pull you into a dream.Copy !req
1162. And I believe that's what's
going on right now, Mr. Fischer.Copy !req
1163. Yeah.Copy !req
1164. Okay.Copy !req
1165. Okay.Copy !req
1166. Can you get me out of here?Copy !req
1167. Right away. Follow me.Copy !req
1168. Hold on a second.Copy !req
1169. Jesus Christ! What are you doing?Copy !req
1170. These men were sent here
to abduct you, all right?Copy !req
1171. If you want my help,
you have to remain calm.Copy !req
1172. I need you to work with me, Mr. Fischer.Copy !req
1173. If this is a dream, I should just
kill myself to wake up, right?Copy !req
1174. I wouldn't do that if I were you,
Mr. Fischer.Copy !req
1175. I believe they have you sedated,
and if you pull that trigger...Copy !req
1176. you may not wake up.Copy !req
1177. You may go into a further dream state.
Now, you know what I'm talking about.Copy !req
1178. You remember the training.Copy !req
1179. Remember what I said to you.Copy !req
1180. Give me the gun.Copy !req
1181. - This room should be directly below 52$?
- Yeah.Copy !req
1182. Think, Mr. Fischer, think.Copy !req
1183. What do you remember
from before this dream?Copy !req
1184. There was, um, a lot of gunfire.Copy !req
1185. There was rain.Copy !req
1186. Uncle Peter.Copy !req
1187. - Oh, my God, we've been kidnapped.
- Where were they holding you?Copy !req
1188. - They had us in the back of a van.
- That explains the gravity shifts.Copy !req
1189. You're in the back of a van.
Keep going.Copy !req
1190. It had something to do with, um...Copy !req
1191. Something to do with a safe.Copy !req
1192. God, why is it so hard to remember?Copy !req
1193. It's like trying to remember a dream
after you've woken up.Copy !req
1194. Listen, it takes years of practice.Copy !req
1195. You and Browning have been pulled
into this dream...Copy !req
1196. because they're trying to steal
something from your mind.Copy !req
1197. I need you to focus and try
and remember what that is.Copy !req
1198. What is it, Mr. Fischer? Think!Copy !req
1199. A combination. They demanded
the first numbers to pop into my head.Copy !req
1200. They're trying to extract a number
from your subconscious.Copy !req
1201. It can represent anything.
We're in a hotel right now.Copy !req
1202. We should try hotel rooms.
What was the number, Mr. Fischer?Copy !req
1203. Try and remember for me.
This is very important.Copy !req
1204. Five.Copy !req
1205. Five, two- It was something,
it was a long number.Copy !req
1206. That's good. We can start there.
Fifth floor.Copy !req
1207. Yep.Copy !req
1208. - So do you use a timer?
- No, I have to judge it for myself.Copy !req
1209. While you're all asleep in 52$,
I wait for Yusuf's kick.Copy !req
1210. - Well, how will you know?
- His music warns me.Copy !req
1211. And then when the van hits the barrier
of the bridge, that should be unmistakable.Copy !req
1212. So we get a nice synchronized kick.Copy !req
1213. If it's too soon,
we won't get pulled out.Copy !req
1214. But if it's too late,
I won't be able to drop us.Copy !req
1215. - Well, why not?
- Because the van will be in freefall.Copy !req
1216. - Can't drop you without gravity.
- Right.Copy !req
1217. They're with me. Go on.Copy !req
1218. Mr. Charles.Copy !req
1219. - Do you know what that is, Mr. Fischer?
- Yeah, I think so.Copy !req
1220. They were trying to put you under.Copy !req
1221. - I'm already under.
- Under again.Copy !req
1222. What do you mean,
a dream within a dream?Copy !req
1223. Hey. I see you've changed.Copy !req
1224. I'm sorry?Copy !req
1225. Oh, I'm sorry.
I mistook you for a friend.Copy !req
1226. Oh.Copy !req
1227. Good-looking fellow, I'm sure.Copy !req
1228. No, no, no. That's Fischer's
projection of Browning.Copy !req
1229. Let's follow him
and see how he behaves.Copy !req
1230. - Why?
- Because how he acts will tell us...Copy !req
1231. if Fischer is starting to suspect
his motives the way we want him to.Copy !req
1232. Shh.Copy !req
1233. - Uncle Peter.
- You said you were kidnapped together?Copy !req
1234. Well, not exactly. They already had him.
They were torturing him.Copy !req
1235. And you saw them torture him?Copy !req
1236. The kidnappers are working for you?Copy !req
1237. Robert.Copy !req
1238. You're trying to get that safe open?
To get the alternate will?Copy !req
1239. Fischer Morrow has been my entire life.
I can't let you destroy it.Copy !req
1240. I'm not gonna throw away
my inheritance.Copy !req
1241. I couldn't let you rise
to your father's last taunt.Copy !req
1242. - What taunt?
- The will, Robert. That will?Copy !req
1243. That's his last insult.Copy !req
1244. A challenge for you to build something
for yourself...Copy !req
1245. by telling you you're not worthy
of his accomplishments.Copy !req
1246. - What, but that he was, um, disappointed?
- I'm sorry.Copy !req
1247. But he's wrong.Copy !req
1248. You can build a better company
than he ever did.Copy !req
1249. Mr. Fischer? He's lying.Copy !req
1250. - How do you know?
- Trust me, it's what I do.Copy !req
1251. He's hiding something,
and we need to find out what that is.Copy !req
1252. I need you to do the same thing to him
that he was going to do to you.Copy !req
1253. We'll enter his subconscious and find out
what he doesn't want you to know.Copy !req
1254. All right.Copy !req
1255. He's out.
- Wait.Copy !req
1256. Whose subconscious are
we going into exactly?Copy !req
1257. We're going into Fischer's.Copy !req
1258. I told him it was Browning's
so he'd be a part of our team.Copy !req
1259. He's gonna help us break
into his own subconscious.Copy !req
1260. That's right.Copy !req
1261. Security's gonna run you down hard.Copy !req
1262. And I will lead them on a merry chase.Copy !req
1263. - Just be back before the kick.
- Go to sleep, Mr. Eames.Copy !req
1264. You good?Copy !req
1265. Hey. You ready?Copy !req
1266. Yes, yes. I'm fine. I'm ready.Copy !req
1267. Cobb?Copy !req
1268. Cobb? What's down there?Copy !req
1269. Hopefully, the truth
we want Fischer to learn.Copy !req
1270. I mean, what's down there for you?Copy !req
1271. Did you see that?Copy !req
1272. Eames, this is your dream.Copy !req
1273. I need you to draw the security away
from the complex, understand?Copy !req
1274. - Who guides Fischer in?
Not me.Copy !req
1275. If I know the route,
everything could be compromised.Copy !req
1276. - I designed the place.
No, you're with me.Copy !req
1277. I could do it.Copy !req
1278. All right. Brief him on the route
into the complex.Copy !req
1279. - Fischer, you'll be going with him.
- All right. What about you?Copy !req
1280. You keep this live.
I'll be listening in the whole time.Copy !req
1281. The windows on that upper floor are big
enough for me to cover you from that tower.Copy !req
1282. You're not coming in?Copy !req
1283. In order to find out the truth
about your father...Copy !req
1284. you're gonna need to break into
Browning's mind on your own.Copy !req
1285. Come on, Fischer!Copy !req
1286. - Sound the alarm! Sound the alarm!
- Go, go, go!Copy !req
1287. Move!Copy !req
1288. Go!Copy !req
1289. Sod it.Copy !req
1290. I hope you're ready.Copy !req
1291. No, it's too soon.Copy !req
1292. Cobb, do you hear that?Copy !req
1293. I first noticed it about 20 minutes ago,
I thought it was the wind up here.Copy !req
1294. Yeah, I hear it. It's music.Copy !req
1295. So, what do we do?Copy !req
1296. We move fast.Copy !req
1297. Yusuf's 10 seconds from the jump.Copy !req
1298. Which gives Arthur three minutes.Copy !req
1299. - Hey!
- That's him!Copy !req
1300. - Which gives us what?
- Sixty minutes.Copy !req
1301. - Can they make that route in an hour?
- They have to climb to the terrace.Copy !req
1302. Then they need a new route,
a more direct route.Copy !req
1303. It's designed as a labyrinth.Copy !req
1304. There must be access routes
that cut through the maze.Copy !req
1305. Eames?Copy !req
1306. Did Eames add any features?Copy !req
1307. I don't think I should tell you.Copy !req
1308. We don't have time for this.
Did he add anything?Copy !req
1309. He added an air-duct system
that can cut through the maze.Copy !req
1310. Good. Explain it to them.Copy !req
1311. Saito?
- Go ahead.Copy !req
1312. Paradox.Copy !req
1313. What was that?
- The kick.Copy !req
1314. Cobb! Cobb, did we miss it?Copy !req
1315. Yeah, we missed it.Copy !req
1316. Man.Copy !req
1317. Couldn't someone have dreamt up
a goddamn beach? Huh?Copy !req
1318. Uh-huh.Copy !req
1319. Well, what the hell do we do now?Copy !req
1320. We finish the job before the next kick.Copy !req
1321. - What next kick?
- When the van hits the water.Copy !req
1322. If you'd like to
make a call, please hang up and try again.Copy !req
1323. If you need help, hang up...Copy !req
1324. How do I drop you without gravity?Copy !req
1325. Arthur has a couple minutes,
and we have about 20.Copy !req
1326. You okay?Copy !req
1327. Run! Turn around!
Move to base! Move to base!Copy !req
1328. Go, go, go!Copy !req
1329. There's something wrong.Copy !req
1330. They're heading your way,
like they know something.Copy !req
1331. Just buy us more time, all right?Copy !req
1332. - Come on!
- On my way.Copy !req
1333. Come on! Move!Copy !req
1334. All right.Copy !req
1335. Okay. That's the antechamber
outside the strong room.Copy !req
1336. - Does the strong room have windows?
- It wouldn't be very strong if it did.Copy !req
1337. Let's hope Fischer likes
what he finds in there.Copy !req
1338. - Are those projections his subconscious?
- Yes.Copy !req
1339. - Are you destroying parts of his mind?
- No. They're just projections.Copy !req
1340. - We're here.
- You're clear, but hurry.Copy !req
1341. There's an entire army headed your way.Copy !req
1342. I'm in.Copy !req
1343. There he is.Copy !req
1344. - There's someone in there.
- Fischer, it's a trap. Get out.Copy !req
1345. Come on. Come on, a little lower.Copy !req
1346. Cobb.Copy !req
1347. No, she is not real.Copy !req
1348. How do you know that?Copy !req
1349. She is just a projection.
Fischer. Fischer is real.Copy !req
1350. Hello.Copy !req
1351. Eames!
Eames, get to the antechamber now!Copy !req
1352. What happened?
- Mal killed Fischer.Copy !req
1353. I couldn't shoot her.Copy !req
1354. There's no use in reviving him.
His mind's already trapped down there.Copy !req
1355. It's all over.Copy !req
1356. So that's it, then? We failed?Copy !req
1357. We're done. I'm sorry.Copy !req
1358. It's not me that doesn't get back
to my family, is it?Copy !req
1359. Shame. I wanted to know what was
gonna happen in there. I swear we had this.Copy !req
1360. Let's set the charges.Copy !req
1361. No, there's still another way.Copy !req
1362. - We have to follow Fischer down there.
- Not enough time.Copy !req
1363. No, but there will be enough time
down there.Copy !req
1364. And we will find him.Copy !req
1365. Okay, as soon as Arthur's music kicks in,
just use the defibrillator to revive him.Copy !req
1366. We can give him his own kick
down below.Copy !req
1367. Look, you get him in there.Copy !req
1368. As soon as the music ends,
you blow up the hospital...Copy !req
1369. and we all ride the kick
back up the layers.Copy !req
1370. It's worth a shot, if Saito can hold
the guards off while I set the charges.Copy !req
1371. Saito will never make it, will he?Copy !req
1372. - Cobb, come on. We've gotta try this.
- Go for it.Copy !req
1373. If you are not back before the kick,
I am gone with or without you.Copy !req
1374. She's right. She's right.
Come on. Let's go.Copy !req
1375. Can I trust you to do
what needs to happen here?Copy !req
1376. Mal's gonna be down there.Copy !req
1377. I know where to find her.
She'll have Fischer.Copy !req
1378. - How do you know?
- Because she wants me to come after him.Copy !req
1379. She wants me back down there with her.Copy !req
1380. All right?Copy !req
1381. - This is your world?
- It was.Copy !req
1382. And this is where she'll be.Copy !req
1383. Come on.Copy !req
1384. Saito. Saito.Copy !req
1385. I need you to take care of Fischer
while I go set some charges, okay?Copy !req
1386. No room for tourists on these jobs.Copy !req
1387. Don't be silly.Copy !req
1388. You built all this? This is incredible.Copy !req
1389. We built for years.Copy !req
1390. Then we started in on the memories.Copy !req
1391. This way.Copy !req
1392. This was our neighborhood.Copy !req
1393. Places from our past.Copy !req
1394. That was our first apartment.Copy !req
1395. Then we moved to that building
right there.Copy !req
1396. After Mal became pregnant,
that became our home.Copy !req
1397. You reconstructed all of this
from memory?Copy !req
1398. Like I told you, we had lots of time.Copy !req
1399. What is that?Copy !req
1400. That's the house Mal grew up in.Copy !req
1401. - Well, will she be in there?
- No.Copy !req
1402. Come on.Copy !req
1403. We both wanted to live in a house,
but we loved this type of building.Copy !req
1404. In the real world,
we'd have to choose, but not here.Copy !req
1405. How are we gonna bring Fischer back?Copy !req
1406. We're gonna have to come up
with some kind of a kick.Copy !req
1407. What?Copy !req
1408. I'm gonna improvise.Copy !req
1409. Listen, there's something you should
know about me. About inception.Copy !req
1410. An idea is like a virus. Resilient.Copy !req
1411. Highly contagious.Copy !req
1412. And the smallest seed
of an idea can grow.Copy !req
1413. It can grow to define...Copy !req
1414. or destroy you.Copy !req
1415. The smallest idea, such as:Copy !req
1416. "Your world is not real."Copy !req
1417. Simple little thought
that changes everything.Copy !req
1418. So certain of your world. Of what's real.Copy !req
1419. Do you think he is?Copy !req
1420. Or do you think he's as lost as I was?Copy !req
1421. I know what's real, Mal.Copy !req
1422. No creeping doubts?Copy !req
1423. Not feeling persecuted, Dom?Copy !req
1424. Chased around the globe...Copy !req
1425. by anonymous corporations
and police forces...Copy !req
1426. the way the projections
persecute the dreamer?Copy !req
1427. Admit it.Copy !req
1428. You don't believe in one reality anymore.Copy !req
1429. So choose.Copy !req
1430. Choose to be here.Copy !req
1431. Choose me.Copy !req
1432. You know what I have to do.Copy !req
1433. I have to get back to our children
because you left them.Copy !req
1434. Because you left us.Copy !req
1435. - You're wrong.
I'm not wrong.Copy !req
1436. You're confused.Copy !req
1437. Our children are here.Copy !req
1438. And you'd like to see their faces again,
wouldn't you?Copy !req
1439. Yes, but I'm gonna see them
up above, Mal.Copy !req
1440. Up above?Copy !req
1441. Listen to yourself.
These are our children.Copy !req
1442. Watch.Copy !req
1443. James? Phillipa?Copy !req
1444. Don't do this, Mal. Please.
Those aren't my children.Copy !req
1445. You keep telling yourself that,
but you don't believe it.Copy !req
1446. - No, I know it.
- What if you're wrong?Copy !req
1447. What if I'm what's real?Copy !req
1448. You keep telling yourself what you know.Copy !req
1449. But what do you believe?Copy !req
1450. What do you feel?Copy !req
1451. Guilt.Copy !req
1452. I feel guilt, Mal.Copy !req
1453. And no matter what I do,
no matter how hopeless I am...Copy !req
1454. no matter how confused,
that guilt is always there...Copy !req
1455. reminding me of the truth.Copy !req
1456. What truth?Copy !req
1457. That the idea that caused you to question
your reality came from me.Copy !req
1458. You planted the idea in my mind?Copy !req
1459. What is she talking about?Copy !req
1460. The reason I knew inception was possible
was because I did it to her first.Copy !req
1461. - I did it to my own wife.
- Why?Copy !req
1462. We were lost in here.Copy !req
1463. I knew we needed to escape,
but she wouldn't accept it.Copy !req
1464. She had locked something away,
something deep inside.Copy !req
1465. A truth that she had once known,
but chose to forget.Copy !req
1466. And she couldn't break free.Copy !req
1467. So I decided to search for it.Copy !req
1468. I went deep into the recess of her mind
and found that secret place.Copy !req
1469. And I broke in...Copy !req
1470. and I planted an idea.Copy !req
1471. A simple little idea
that would change everything.Copy !req
1472. That her world wasn't real.Copy !req
1473. That death was the only escape.Copy !req
1474. You're waiting for a train.Copy !req
1475. A train that'll take you far away.Copy !req
1476. You know where you hope
this train will take you...Copy !req
1477. but you can't know for sure.Copy !req
1478. Yet it doesn't matter.Copy !req
1479. - Now, tell me why!
- Because you'll be together!Copy !req
1480. But I never knew that that idea
would grow in her mind like a cancer...Copy !req
1481. that even after she woke...Copy !req
1482. That even after
you came back to reality...Copy !req
1483. that you'd continue to believe
your world wasn't real.Copy !req
1484. That death was the only escape.Copy !req
1485. Mal, no! Jesus!Copy !req
1486. - You infected my mind.
- I was trying to save you.Copy !req
1487. You betrayed me.Copy !req
1488. But you can make amends.
You can still keep your promise.Copy !req
1489. We can still be together, right here...Copy !req
1490. in the world we built together.Copy !req
1491. Cobb, we need to get Fischer.Copy !req
1492. You can't have him.Copy !req
1493. - If I stay here, will you let him go?
- What are you talking about?Copy !req
1494. Fischer is on the porch.Copy !req
1495. - Go check he's alive, Ariadne.
- Cobb, you can't do this.Copy !req
1496. Go check he's alive right now. Do it.Copy !req
1497. He's here! And it's time,
but you have to come now!Copy !req
1498. You take Fischer with you, all right?
- You can't stay here to be with her.Copy !req
1499. I'm not. Saito's dead by now.Copy !req
1500. That means he's down here somewhere.
That means I have to find him.Copy !req
1501. I can't stay with her anymore,
because she doesn't exist.Copy !req
1502. I'm the only thing
you do believe in anymore.Copy !req
1503. No.Copy !req
1504. I wish.Copy !req
1505. I wish more than anything, but...Copy !req
1506. I can't imagine you
with all your complexity...Copy !req
1507. all your perfection,
all your imperfection.Copy !req
1508. - You all right?
- Yeah.Copy !req
1509. Look at you.Copy !req
1510. You're just a shade.
You're just a shade of my real wife.Copy !req
1511. And you were the best
that I could do, but...Copy !req
1512. I'm sorry, you're just not good enough.Copy !req
1513. Does this feel real?Copy !req
1514. - What are you doing?
- Improvising.Copy !req
1515. No, no, no!Copy !req
1516. In there, now. Go, go, go.Copy !req
1517. I was dis-Copy !req
1518. I was dis- Disa-Copy !req
1519. - I know, Dad.
- Dis-Copy !req
1520. I know you were disappointed...Copy !req
1521. I couldn't be you.Copy !req
1522. No.Copy !req
1523. No, no, no.Copy !req
1524. I was disappointed...Copy !req
1525. that you tried.Copy !req
1526. What?Copy !req
1527. Come on, come on.Copy !req
1528. Dad?Copy !req
1529. That's the kick, Ariadne!
You have to go now!Copy !req
1530. Don't lose yourself!
Find Saito and bring him back!Copy !req
1531. I will!Copy !req
1532. You remember when you asked me
to marry you?Copy !req
1533. Yes.Copy !req
1534. You said you dreamt
that we'd grow old together.Copy !req
1535. But we did.Copy !req
1536. We did. You don't remember?Copy !req
1537. I miss you more than I can bear...Copy !req
1538. but we had our time together.Copy !req
1539. And I have to let you go.Copy !req
1540. I have to let you go.Copy !req
1541. I'm sorry, Robert.Copy !req
1542. You know, the will means that Dad
wanted me to be my own man...Copy !req
1543. not just to live for him.Copy !req
1544. That's what I'm gonna do, Uncle Peter.Copy !req
1545. What happened?Copy !req
1546. - Cobb stayed.
- With Mal?Copy !req
1547. No, to find Saito.Copy !req
1548. He'll be lost.Copy !req
1549. No, he'll be all right.Copy !req
1550. Have you come to kill me?Copy !req
1551. I'm waiting for someone.Copy !req
1552. Someone from a half-remembered dream.Copy !req
1553. Cobb?Copy !req
1554. Impossible.Copy !req
1555. We were young men together.Copy !req
1556. I'm an old man.Copy !req
1557. Filled with regret.Copy !req
1558. Waiting to die alone.Copy !req
1559. I've come back for you.Copy !req
1560. To remind you of something.Copy !req
1561. Something you once knew.Copy !req
1562. That this world is not real.Copy !req
1563. To convince me to honor
our arrangement?Copy !req
1564. To take a leap of faith, yes.Copy !req
1565. Come back...Copy !req
1566. so we can be
young men together again.Copy !req
1567. Come back with me.Copy !req
1568. Come back.Copy !req
1569. Hot towel, sir?Copy !req
1570. We'll be landing in Los Angeles
in about 20 minutes.Copy !req
1571. Do you need immigration forms?Copy !req
1572. Thank you.Copy !req
1573. Hot towel, sir?Copy !req
1574. - No.
- Do you need immigration forms?Copy !req
1575. Welcome home, Mr. Cobb.Copy !req
1576. Thank you, sir.Copy !req
1577. Welcome.Copy !req
1578. This way.Copy !req
1579. James? Phillipa?Copy !req
1580. Look who's here.Copy !req
1581. Hey.Copy !req
1582. - Hey, guys! Hey! How are you?
Daddy! Daddy!Copy !req
1583. Daddy!
How are you?Copy !req
1584. Look what I've been building!Copy !req
1585. - What are you building?
We're building a house on the cliff!Copy !req
1586. On the cliff? Come on, I want you
to show me. Can you show me?Copy !req
1587. Let's go.
Come on, Daddy!Copy !req