1. I AM A WOUND AND A BLADE,
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2. Look. It's a beautiful day.
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3. It's too bright.
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4. - How about this?
- Yes. I don't like the sun.
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5. - You're like an owl.
- How rude.
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6. Toss me that.
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7. What do you think of these muscles?
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8. Can you lift that chair up
with one arm?
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9. Of course I can.
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10. See?
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11. Hey, can you do my back?
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12. What do you think?
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13. You're so beautiful, Eddie.
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14. Do I look good with my hair up?
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15. You look good either way.
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16. I don't want to part with you.
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17. Don't quit, Eddie.
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18. But I have to.
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19. Just a little longer.
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20. I'll make Leda quit no matter what.
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21. Then, you'll be...
the Madame of the Genet.
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22. She'll get revenge on me
for stealing you.
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23. Damn Leda.
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24. Want one?
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25. - Wasn't that Madame?
- It can't be.
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26. - That was her.
- Don't look back!
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27. - Do you think she followed us?
- Nonsense.
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28. But it was her.
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29. and YOSHIO TSUCHIYA
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30. - What do you think she'll do?
- She won't do anything.
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31. I'm scared.
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32. Damn it, Leda.
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33. - If it's her, then...
- Don't say it!
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34. Please show me your hand.
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35. Everyone!
Please show me your hand.
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36. - Show me your hand.
- What are you going to give me?
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37. Now, don't move your hand.
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38. - Done.
- What the hell's this?
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39. No matter how hard I look,
you look like a real woman.
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40. How long have you been
in this world?
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41. - About four years.
- I see.
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42. Why did you become a gay boy?
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43. Because I wanted to be a girl.
I just like it.
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44. - You like girls?
- No, I like being a girl.
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45. What kind of satisfaction
do you get from it?
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46. I'm really enjoying myself right now.
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47. Have you ever thought
of going back to being a guy?
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48. No, I haven't.
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49. So you'd rather be a real woman?
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50. No, I don't want to go that far either.
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51. How long have you been a gay boy?
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52. Since December of last year.
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53. Why did you became a gay boy?
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54. - Because I like it.
- What do you like about it?
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55. Being gay.
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56. - Being gay?
- Yes.
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57. - You mean, you like men?
- No.
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58. - Then, what do you...?
- Well...
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59. I don't know.
But I like being gay.
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60. - You mean, being a gay boy?
- Yes.
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61. How did you come to like it?
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62. I was born that way.
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63. - Born that way.
- Yes.
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64. Hello. It's been a while.
Please come in.
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65. Interesting place, isn't it?
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66. - I couldn't get it up.
- You got scared, didn't you?
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67. Here.
Do you know what this is?
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68. What's this?
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69. - You know! It looks just like one!
- Oh, no!
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70. Don't embarrass me like that!
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71. See? I turn it on. There!
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72. Oh, no! Stop it!
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73. - Gay bars have changed.
- Yes, especially in this area.
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74. That's so true.
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75. You used to play the shamisen
when in Akasaka.
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76. - That was so long ago.
- This is the Madame back then.
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77. - So beautiful.
- Really! You're so beautiful.
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78. - A call for you, Madame.
- Excuse me for a moment.
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79. Hello?
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80. Oh, my, Mr Iida! Where are you?
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81. What? The Jardin?
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82. Why don't you stop by?
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83. Even for a little bit.
We'll be waiting for you.
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84. Bye, then.
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85. MIRROR, MIRROR, ON THE WALL,
WHO IS THE FAIREST OF THEM ALL?
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86. Do you know what time is?
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87. Sorry.
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88. You're awfully early.
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89. Who does she think she is?
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90. By the way, did you bring that stuff?
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91. - Hello, Tony!
- Come on, Eddie!
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92. Where are we going, Tony?
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93. Hey, what's that?
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94. - Hey, where are you going?
- Watch out.
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95. Oh, no!
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96. The riot police have moved in...
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97. complete chaos...
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98. - Hold it right there!
- ... excessive force was used.
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99. Damn. No good.
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100. All right. Cut!
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101. Okay, I'll do it.
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102. Don't overdo it.
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103. You idiot! Leave it to me.
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104. Right, out of my way.
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105. Hey, I was doing just fine!
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106. Hey, do it slowly.
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107. - What're you doing?
- Oh, shut up.
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108. How's that?
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109. A little more.
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110. How about that?
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111. No good!
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112. How about now?
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113. That's terrible!
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114. Damn it!
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115. - Hey, now it's good!
- Yeah, that's it!
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116. - How's my technique?
- What are you talking about?
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117. - Hey, that hurts!
- Don't move about.
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118. Looks good.
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119. That's it. Hold it there.
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120. All right, cut. That'll do.
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121. - Twenty feet left.
- Let's have a smoke.
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122. Leave it as is.
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123. I want to smoke a joint so badly.
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124. - Eddie hasn't shown up yet.
- You want to roast the banana peel?
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125. That won't work.
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126. - I've got two pills.
- Hey, give me one!
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127. That won't help.
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128. We can always use eye drops.
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129. Are you drinking it?
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130. This is so creepy.
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131. They look cool!
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132. She's so shameless.
She makes me so mad.
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133. Don't take it too seriously.
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134. Kids these days
think totally differently.
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135. You just encourage them
by saying things like that.
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136. But if you keep complaining,
nobody's going to work with you.
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137. But she has no manners,
all she's got is her sexuality.
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138. Times have changed.
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139. But gay boys have their own pride.
Don't you think so?
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140. If you're a pro,
then behave like one.
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141. - Ouch!
- What's wrong?
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142. I cut myself!
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143. It's bleeding now.
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144. Come and look.
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145. Ouch.
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146. It's no bigger than a mosquito bite.
Let's see.
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147. All better now.
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148. No need to fuss over it.
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149. I'm sorry.
I was just so nervous.
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150. - About what?
- I thought you'd leave me.
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151. Don't be silly.
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152. Are you sure?
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153. Yes, I'm sure.
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154. So, who do you like more,
Eddie or me?
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155. You, of course.
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156. - Hey, want to have some fun, lady?
- Go out with me.
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157. Is something wrong?
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158. No, it's nothing.
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159. Are you alone?
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160. Yes, but I'm fine now.
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161. Would you like to have tea
with me?
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162. Come on, just for a bit.
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163. Each man has his own mask.
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164. Some will wear the same mask
for their entire life.
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165. Some will wear several masks
based on their needs.
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166. Some masks resemble
their facial features.
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167. But some masks are totally different.
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168. Some masks are so ugly and obvious.
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169. But some masks are well-made,
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170. and it's hard to tell
if it's a mask or not.
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171. People always wear masks and
see masks when they look at others.
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172. Even if they remove their masks,
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173. you can't be sure if you're seeing
the real face underneath.
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174. There is a second mask
underneath the first mask.
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175. And a third mask is hidden
underneath the second mask.
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176. Therefore, the other person
may think of your mask as yourself.
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177. And you also think of their masks
as their own faces.
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178. The subject of love and hatred,
therefore, may be the masks.
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179. Under those masks,
people try to escape their loneliness.
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180. And they will create
even more sophisticated masks.
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181. Oh, come on! That hurts.
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182. Come on, Eddie! Get up! Get up!
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183. - Oh, stop it.
- Hey, taxi! Taxi!
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184. Where are we going?
Come on! It tickles.
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185. Stop it, Tony!
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186. Hey, Guevara...
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187. What do you want me to do with these?
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188. Can you just put them
together for now?
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189. Okay.
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190. Cut!
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191. Oh, wait! Was that okay?
Yeah, okay!
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192. All right.
Can you hand her that shirt?
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193. Can you bring that light in?
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194. - Are we done with the microphone?
- We'll interview Rabbit next.
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195. An interview?
We need to do it in 20 minutes.
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196. We can't interfere with their business.
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197. Right, can you move over there?
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198. What do you think of that love scene?
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199. Well...
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200. What do you think of a man
making love to another man,
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201. as a gay boy?
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202. Do you feel any guilt?
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203. Well, I don't think it matters
if it's between a man and another man.
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204. If you love someone,
their gender doesn't matter.
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205. Are gay boys not necessarily
attracted to girls?
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206. Well, that depends, I think.
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207. It's not my place to comment on that.
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208. So are you more interested in men
than women?
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209. - Me?
- As a gay boy in general.
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210. In general, that's true because
they're all doing it as a girl.
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211. - How about you, Rabbit?
- Me?
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212. I'll leave it to your imagination.
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213. Please don't smoke
that cigarette in bed
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214. If you love me, then put it out
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215. Just close your eyes
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216. And have a pleasant dream
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217. I let out a sigh
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218. With the sweet aroma of Chanel
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219. I'm waiting for you again tonight
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220. Please don't smoke
that cigarette in bed
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221. Have you heard of NHSMC?
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222. It means
"Nippon Homosexual Men's Club".
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223. - Where's that?
- Just outside of Minami-cho.
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224. They have a party every week.
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225. The members escort
their favourite pretty boys.
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226. Oh, I read about it in a tabloid.
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227. No, that one's in Akasaka.
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228. - Are you sure?
- Yeah.
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229. You're talking about the secret club
in one of the apartments.
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230. There are a lot of those lately.
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231. That's because there are
many imposters, too.
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232. - What do you mean by "imposters"?
- They're not real homos.
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233. I see.
Just so they can make money.
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234. Don't look at me like that!
We're the real ones.
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235. Watch out. The cops are here.
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236. What? Cops?
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237. Hey, Eddie!
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238. - Do you know this guy?
- Who is he?
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239. - His name's Yagawa.
- He's gone missing.
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240. I don't think I've seen him before.
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241. It's been 12 years today.
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242. You probably don't remember it.
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243. Forget about dad. You have me.
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244. This is so tasty.
Don't you think so?
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245. It's so tasty.
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246. What are you doing?
Just walk straight!
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247. Hey, don't peek!
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248. Look, that's so pretty.
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249. No, it won't look good on you.
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250. This is nice.
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251. Look, I'm in a fashion show!
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252. - This is so beautiful.
- It's nice.
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253. - It must be expensive.
- Someone'll buy it for me.
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254. - You found someone?
- That's right.
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255. - It's old news.
- I didn't know that at all.
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256. - That looks tasty.
- I'm hungry.
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257. - Nice.
- That's not my thing.
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258. I want something to eat.
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259. Excuse me.
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260. - Me, too.
- Hey, me, too!
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261. I feel better now.
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262. Film Classification & Rating Committee
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263. What good is she?
She's as bad as a loafer.
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264. - Oh, come on.
- What do you mean by that?
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265. Careful.
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266. - I got it. Now just go to bed.
- No!
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267. Promise me you'll fire Eddie,
or I won't move.
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268. You're impossible.
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269. Listen, Leda.
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270. Eddie's the Number One girl
at the Genet.
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271. Don't forget that customers
come to see her.
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272. Why don't you just admit it?
You're in love with her.
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273. Idiot! You're always complaining.
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274. You're so mean!
Are you really a man?
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275. "Are you really a man"?
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276. Isn't that my line?
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277. Let me tell you this right now.
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278. I'd rather fire you than her!
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279. Fine, I get it.
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280. Go ahead and fire me, then.
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281. If that's the case,
I'll reveal your secret!
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282. THAT MEANS YOU DON'T
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283. Please don't leave me!
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284. Shut up!
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285. YES, I HATE THEM
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286. - That damn Leda. If it's her, then...
- Don't say it!
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287. Stop. Please stop.
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288. What's wrong?
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289. I don't feel well. Let me out.
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290. Eddie, don't be nervous.
I'll take you home.
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291. I need some fresh air.
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292. Are you all right?
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293. I'll call you later.
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294. It's so creepy.
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295. What do you think?
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296. - I don't get it.
- My ears are ringing.
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297. I've never seen anything like it.
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298. - Hey, can you unplug it?
- Okay.
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299. They call it "underground", don't they?
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300. Yeah.
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301. Eddie, you look like a pigeon
shot by a gun!
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302. That's true.
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303. "All definitions of cinema
have been erased.
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304. "All the doors are now open."
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305. Menas Jokas.
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306. Jonas Mekas.
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307. Oh, that's right.
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308. But don't you feel something physical?
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309. Yes. I feel like I'm high.
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310. - Really? I prefer the real stuff.
- I agree!
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311. - It's about time to...
- No!
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312. - Hey, Chao!
- Nice!
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313. Oh, no, don't touch it!
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314. - Come on!
- Don't push!
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315. Can I have two?
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316. Here, two.
No credit for these.
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317. - Stingy!
- Give it, give it, give it!
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318. - How about you, Piro?
- I'll have one.
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319. How much marijuana
have you smoked before?
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320. A lot.
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321. I smoked heavily.
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322. How does it feel when you smoke?
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323. It feels like I'm floating
from the chair...
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324. Like a chair floating on top of a rock.
Know what I mean?
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325. A chair floating on top of a rock.
But it doesn't feel so hard.
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326. It just feels like you're floating
on top of a bed.
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327. I want to feel more of that.
That's what I'm looking for.
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328. Have you ever smoked marijuana?
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329. No.
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330. - Have you tried drugs?
- Drugs? All the time.
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331. What kind of drugs?
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332. Minahai, usually.
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333. Maruso, when I'm desperate.
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334. And Dondon.
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335. How do you feel when you take it?
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336. You just feel numb...
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337. and mentally slow.
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338. That's all.
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339. How would I put it? It's like...
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340. you can't see yourself.
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341. Do you feel a sense of ecstasy?
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342. No, it's not that.
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343. If you take it too much,
you don't even remember it.
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344. You don't even feel time.
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345. You don't feel yourself at all.
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346. It was funny to hear later
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347. that I was moving around a lot.
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348. I was doing a lot of things.
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349. What are you seeking
from these experiences?
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350. I'm not seeking anything.
I haven't even thought about it.
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351. How did you get started?
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352. It's the same as alcohol,
but it's easier to take.
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353. And it doesn't take any time at all.
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354. There!
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355. Go! Go! Go!
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356. All right! Get him!
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357. Hey, it tickles!
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358. - Take his pants off!
- Help!
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359. - Touch him! Touch him!
- Okay, next!
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360. Come on, girl!
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361. That was quick.
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362. Take it off!
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363. The top or the bottom?
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364. Take her bra off!
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365. Come on, take it off!
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366. You are so glamorous!
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367. - Good luck, Guevara!
- You can do it!
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368. - He's gonna fall.
- All right! He made it!
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369. Take that, you maggots!
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370. - Take it off!
- I'll do it myself.
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371. - Come on, take it off!
- Shut up!
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372. Don't touch me!
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373. What a dirty shirt!
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374. - Eddie's next!
- Me?
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375. - No way!
- Good luck.
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376. All right. Go!
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377. You can do it, Eddie!
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378. - She's done!
- Good night!
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379. Not yet!
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380. - This one first.
- That's cheating.
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381. All right, we're done
with the first chapter!
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382. Let's go on the next journey,
Sherlock Holmes!
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383. OH, THE EMPIRE OF ROSES
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384. - Hello.
- Come in!
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385. Morning.
You're going to the salon, right?
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386. - Give me a minute.
- Sure.
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387. I'll put my make-up on quick.
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388. Oh, this looks tasty.
Can I have one?
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389. Of course.
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390. Looks good.
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391. Stop it. I know what you're thinking.
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392. - You're thinking of something else!
- Our imagination's pretty limited.
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393. - Did you do something bad last night?
- Actually, it'll make you laugh.
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394. I was eating ramen at Kamehachi
over there on the way home.
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395. Then a boy who sat next to me
came on to me.
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396. He asked me to go to a hotel.
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397. I was drunk, too, so I tagged along
with him because he was nice.
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398. Then guess what?
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399. I think you call it masochism.
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400. He asked me to tie up his hands
and step on his back.
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401. It was something!
Then he screamed like a sea lion.
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402. Let's relax and do some exercises!
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403. And he really believed that
I was a girl, right up until the end.
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404. I hear people like that
are quite troubled.
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405. - Come on.
- Stop it, you pervert!
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406. - Thanks!
- Eddie, just a minute.
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407. - We'll be at Goro's.
- I'll catch you up.
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408. Do you know why I stopped you?
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409. Do you think I know nothing?
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410. ASS
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411. FAG
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412. C**T
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413. Fuck you!
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414. - Get out of here, you bastard!
- Fucker!
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415. Underneath the mask.
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416. The true face always
feels the loneliness.
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417. People want to escape
from that loneliness.
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418. Hey, it's you, Eddie.
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419. Hey, Eddie. Come on.
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420. That hurts!
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421. I warned you, didn't I?
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422. That's enough. Stop crying.
This is the last one.
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423. Do you think they'll heal
by my birthday?
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424. Of course. They're just scratches.
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425. Will you celebrate my birthday?
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426. Yeah.
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427. Let's go to the Imperial Hotel
and have a big party with everyone.
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428. We don't need to go out.
Let's just stay here, the two of us.
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429. I'll decorate my room
with plenty of flowers.
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430. All roses, of course.
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431. And we'll light candles.
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432. It'll be so romantic.
That hurts!
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433. This is scary.
All the outlines are fuzzy.
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434. Outlines are always changing.
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435. You try to reach for something,
but it's not there anymore.
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436. It's not just you.
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437. It's there, but you can't see it?
Or does it disappear?
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438. What if it wasn't there
from the beginning?
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439. From the beginning?
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440. That's right.
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441. Like a mirage.
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442. Then, what should I believe?
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443. I don't know.
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444. It's strange.
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445. What is?
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446. I feel like I've experienced
the same thing before.
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447. But it's not possible.
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448. It's strange.
Something's wrong with me today.
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449. Haven't you felt like that before?
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450. Careful! Don't run!
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451. Listen to your father!
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452. PERISH AND DISAPPEAR...
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453. since it may have
a great impact on the youth,
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454. a special task force was formed today
within the Metropolitan Police Department.
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455. But considering the severity
of the narcotics epidemic,
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456. it might have been too late.
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457. That's it for today's news.
Good night.
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458. Please donate to save lives!
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459. - Was that the Madame?
- It can't be.
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460. - That was her.
- Don't look back!
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461. - Do you think she followed us?
- Nonsense.
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462. What are you doing?
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463. There's something wrong
with me today.
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464. You're probably just tired.
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465. I feel like I've been abandoned by life
for a long, long time.
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466. "One can spend one's entire life
just walking,
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467. "yet one isn't a wanderer.
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468. "On the other hand,
one who has rarely walked
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469. "doesn't like walking,
and isn't good at walking,
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470. "is a wanderer beyond a doubt."
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471. Le Clézio, a writer, said that.
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472. - Come on.
- Stop it, you pervert!
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473. Stop.
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474. No!
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475. No, no, no, no... No!
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476. Please, stop it.
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477. Shit! It hurts!
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478. Don't!
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479. Don't!
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480. Don't! Don't do it!
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481. Don't!
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482. Don't!
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483. Don't!
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484. Don't! Don't do it!
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485. Please!
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486. Eddie!
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487. Eddie!
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488. Cut!
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489. Peter, what do you think
of this main character, Eddie?
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490. Well, she's very similar to me.
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491. She lost her father
when she was young, just like me.
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492. Not just her lifestyle,
her personality is also similar.
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493. Her personality is similar to yours?
Do you sympathise with her?
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494. Yes, especially her lifestyle.
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495. Not the incest part,
I don't sympathise with that.
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496. But I understand her character.
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497. What made you decide
to take this role?
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498. I've never done a film before,
so I was very interested.
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499. Also, because I come
from a similar environment.
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500. And it also portrays gay boys
beautifully.
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501. How about the love scenes?
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502. I just do what the director
tells me to do.
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503. We must fight the system!
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504. The educational system is corrupt!
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505. You know her, right?
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506. By face, yes.
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507. She doesn't know me, though.
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508. - That's why it's better.
- So, what are the conditions?
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509. Her face. Nothing else.
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510. There.
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511. Who's there?
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512. Are you okay?
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513. I'm sorry.
I was being chased by the police.
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514. You're bleeding.
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515. Come this way.
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516. Thank you so much.
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517. - You better see a doctor.
- I know.
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518. - I bet it hurt.
- No.
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519. I was outside of myself.
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520. It's so dangerous.
You're lucky it wasn't much worse.
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521. You really saved me.
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522. - But why did you join the riot?
- To defeat the state power.
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523. But I don't think violence
is the answer.
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524. It's not a matter of accepting violence,
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525. it's about understanding what the violence
you're taking part in is progressing towards,
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526. and knowing whether your actions are heading
towards the elimination of violence,
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527. or towards the continuation of violence.
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528. And in the end,
to make that decision,
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529. instead of using morals to judge crimes,
which people mistakenly call "pure morals",
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530. you should decide by considering
the logic of the situation,
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531. the dynamics of the structure,
and our history itself.
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532. Oh, no, I'm late. I have to go.
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533. - I'm sorry for causing you any trouble.
- Don't worry about it.
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534. Do you know what time it is?
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535. Sorry.
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536. You're awfully early.
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537. Who does she think she is?
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538. Hello. I'm sorry
for keeping you waiting.
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539. No, no, same here.
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540. I've just finished. Huh?
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541. I got my appetite back,
thanks to you.
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542. Bye.
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543. Don't you dare look at us like that!
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544. What are you talking about?
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545. You want your arses kicked,
you queers?
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546. - What did you call us?
- Queers, she said.
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547. Oh, my!
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548. What's wrong with calling you queers,
you queers?
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549. You're just some cheap women!
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550. "Some cheap women"?
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551. Isn't that right?
Men won't even give you a look!
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552. We're not taking that from you!
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553. If you don't know,
then we'll show you...
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554. How about that? Let's get them!
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555. Welcome home.
How was your day?
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556. - Awful.
- You didn't get hurt, did you?
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557. No.
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558. What about Eddie?
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559. I mean, we can't afford
to lose her right now.
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560. Shut up!
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561. Enough of your cheap act!
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562. You've embarrassed me so badly.
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563. What did you tell Osumi? Huh?
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564. She told me everything!
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565. Did you really think
I wouldn't find out, you idiot?
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566. Please listen to me!
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567. Shut up!
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568. I see...
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569. You want to tell me
that's how much you love me, huh?
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570. Or what?
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571. You don't care about me, but you care
about being the Madame at the Genet?
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572. How can you say that?
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573. Don't start your crying.
I don't need it.
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574. Mirror, mirror, on the wall,
who is the fairest of them all?
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575. Don't make me laugh.
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576. You got old.
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577. Your era is over.
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578. Do you really think
you'll get away with this?
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579. That's not right.
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580. You see, I got rid
of all the evidence already.
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581. Take your time and let it sink in.
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582. THE SUN, THE SEVERED HEAD
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583. Good evening.
Are you by yourself?
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584. - No, they're coming.
- Welcome.
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585. So who do you prefer,
Akihiro Maruyama or Maki Carousel?
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586. Carousel, I guess. You?
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587. - I'd go with Akihiro Maruyama.
- Why?
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588. Because Maki Marousel
had plastic surgery...
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589. Oops, I'm sorry!
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590. So, how's the shoot going?
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591. Just a bit left to shoot.
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592. It must be hard for you
since it's your first movie.
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593. Do you think it'll be a hit?
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594. I don't know,
but it's unusual, you know.
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595. APPLAUSE REQUESTED!
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596. Leda isn't here yet?
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597. That's strange.
Juju went to get her a while ago.
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598. - She's late.
- You might not see her again, Tony.
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599. I don't know,
because of the Vietnam War...
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600. - Eddie, a phone call from Juju.
- Okay.
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601. Hello, it's me.
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602. Eh?
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603. She loved roses.
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604. Yes.
And they had to be artificial ones.
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605. - Thank you so much.
- My sincere condolences to you all.
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606. Please come this way.
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607. The ground around here is sinking.
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608. Wow. Look at that!
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609. It sunk that much!
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610. I hope the whole country sinks
to the bottom of the ocean someday.
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611. Guevara...
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612. What are you thinking about?
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613. About the exit.
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614. The exit?
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615. "From the open ceiling,
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616. "roses are falling one after another.
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617. "Spring.
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618. "Oh, unhappy spring."
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619. Déodat de Séverac.
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620. Here we go.
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621. Oh, sorry.
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622. Put them over there.
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623. Eddie... I mean, Madame.
It sounds funny.
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624. - Don't be silly!
- Where would you like this?
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625. Let me see...
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626. - How about that corner?
- Okay.
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627. Excuse me. This is dirty,
can you throw it away?
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628. Okay.
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629. - See you.
- I wish you every success.
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630. Stop by sometime.
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631. - Madame? Can I just leave this here?
- Yes, that's fine.
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632. I'd like to know your biggest dream.
What would you like to do?
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633. Well, I'd like to save up some money
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634. so I could run my own place.
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635. - A gay bar?
- I think so.
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636. So you're going to live as a gay boy
for the rest of your life...?
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637. I guess so.
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638. Do you ever think about marriage?
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639. I do, but I don't plan to marry.
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640. I can't, either, since I can't go back
to being a boy.
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641. Can you tell us what you'd like
to do or be in the future?
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642. I don't want to be anything.
Nothing really.
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643. - You don't want to be anything?
- No.
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644. - Is there anything you want to do?
- I'm doing it right now, so...
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645. So you're happy right now
being a gay boy?
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646. Right now, yes.
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647. - What would you like to do from now on?
- I don't have a plan.
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648. - You have no plan?
- No.
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649. - Are you happy being a gay boy?
- Not that happy.
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650. Not that happy?
Then, why did you become a gay boy?
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651. No particular reason.
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652. - No reason?
- Yes.
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653. Hello!
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654. That bath was so good.
Why don't you get in, too?
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655. Yeah.
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656. What's the matter?
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657. That was frightening, wasn't it?
What an awful thing!
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658. The cursed destiny of man.
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659. Such a unique film,
containing both cruelty and laughter.
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660. Let's look forward to the next film.
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661. Goodbye, goodbye, goodbye.
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