1. You have to ask yourself,
what brought the person to this point?
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2. What we're seeing in his face,
his manner that channeled him here.
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3. You have to convince yourself
that this person has something hidden
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4. that you have to find.
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5. Check his bags,
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6. though it's his face, his gestures
that you're really watching.
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7. Thank you.
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8. He's staring straight at you.
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9. Look at him. Carefully.
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10. What do you see?
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11. Security 4,
unclaimed bag at gate 17.
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12. - Which way you headed?
- Uh, downtown.
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13. - You want to split it?
- S-Sure.
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14. What? Not tonight. Are you sure?
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15. Well, can't you cancel?
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16. Oh. Uh... wh-what are these?
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17. - Ballet tickets for tonight.
- Oh.
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18. You don't like ballet?
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19. Well, uh, some ballets.
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20. Well, that's exactly what this is -
some ballet.
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21. Look, you can always
scalp the tickets at the door.
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22. Oh, you mean, uh, take these in exchange
for you paying your part of the fare?
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23. Well, what do you think?
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24. Christina, here you are.
Better get dressed.
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25. People are asking for you.
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26. She's right over there.
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27. - Yeah!
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28. Bring those big, hairy palms together,
gentlemen.
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29. Have a nice, big round
of applause for Kelly!
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30. Kelly.
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31. Yes, indeed. Kelly.
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32. And you, too, can have Kelly come over
to your table for only five dollars,
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33. where she could show you
the mysteries of her world.
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34. Trust me, gentlemen. Trust me.
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35. Oh, baby, baby, baby!
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36. Do it for me, baby!
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37. Oh, my God.
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38. - It's crazy. It's crazy.
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39. Let me ask you something, gentlemen.
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40. What is it that gives a schoolgirl
her special innocence?
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41. Her sweet fragrance?
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42. Fresh flowers, light as a spring rain?
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43. Oh, my God. Oh, my God.
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44. Or is it her firm, young flesh,
inviting your every caress,
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45. enticing you to explore her deepest
and most private secrets?
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46. Well, gentlemen, I'm gonna let you
decide that one for yourselves.
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47. Please join me in welcoming a sassy...
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48. bit of jailbait to our stage.
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49. Yes, indeed.
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50. Come out, sweet Chrissy.
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51. Wherever you are, baby, come on out.
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52. - You think you're bad, eh, baby?
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53. You're bad.
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54. That'll be $5.50.
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55. - Keep it.
- Thank you.
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56. - Eric?
- What?
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57. Linda finished her dance.
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58. Let's bring those big,
hairy palms together, gentlemen.
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59. - Give it up. Yeah, gentlemen. Yes.
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60. Have a nice, big round of applause
for Linda. Yeah.
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61. Yes, indeed, Linda.
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62. And just a reminder that
there is nothing Linda would love more
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63. than to slink over to your table
and give you your own private show
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64. for only five dollars.
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65. That's right.
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66. Five dollars is all it takes
to have one of our beautiful foxes...
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67. come over to your table
and get you all hot and bothered.
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68. But, hey, why be bothered
when you're being treated like a king?
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69. You've had a rough day.
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70. Don't you think you owe it
to yourselves to do something
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71. that'll make you feel
like you're someone special?
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72. You are someone special.
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73. Five dollars is all it takes to prove it.
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74. Yes, let's have a nice, big
round of applause for Michelle.
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75. - My God, that was beautiful.
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76. Mmm, baby. You come out -
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77. And just to remind you that, uh,
there's nothing Michelle would love more
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78. than to come over to your table
and give you your own private dance.
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79. Hello, gentlemen!
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80. Anybody out there? Anybody alive?
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81. Anybody, for five dollars
you can have Kelly.
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82. - Kelly at your own private table.
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83. Let me ask you something, gentlemen.
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84. What is it about a schoolgirl
that gives her that special innocence?
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85. Is it the way that they can gaze at you,
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86. waiting for you to say something
with so much expectation and hope
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87. that you're just...
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88. you're just paralyzed into...
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89. into silence?
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90. Uh, look, uh, I want
to give this back to you.
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91. Why?
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92. Well, you see,
those tickets were given to me
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93. and, uh, I-I just feel uncomfortable
about having sold them.
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94. - That's okay.
- No, no, no, really, I -
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95. We never really introduced ourselves.
I'm Thomas.
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96. David.
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97. Can I use this
to take you out for a drink?
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98. Oh, that's, uh,
very kind of you, but, uh -
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99. But what?
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100. But I really have to get home.
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101. Thanks.
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102. Are you available next Thursday?
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103. - Uh, I think so, yeah.
- Good, good.
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104. - Tracey.
- Yeah?
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105. I-I'm not that boring, am I?
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106. - What do you mean?
- Well, the earphones.
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107. I mean, we used to listen to the radio
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108. and you used to ask me
all sorts of questions.
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109. So you want me to ask more questions?
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110. Well, sure. Yeah, I mean, if there's
something y-you want to know.
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111. Okay. I'll see what I can think up.
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112. - Say hi to your dad.
- I will.
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113. - Good night.
- Good night.
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114. - Did someone say something?
- No.
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115. So, what's the point?
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116. I've just noticed
a change in your attitude.
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117. Yeah.
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118. Look, I-I would understand if you
would prefer not to introduce Christina.
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119. I-I could do it myself.
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120. Actually, I've been thinking that perhaps
I should be getting more involved
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121. in the introductions overall.
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122. I could have my own microphone,
like my mother used to do.
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123. No, I - I actually enjoy
introducing Christina.
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124. I mean, I find it very therapeutic.
You know?
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125. That's not what you're getting paid for.
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126. Well, it seems to me that I'm being paid
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127. to make every girl
seem like she's something special, right?
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128. - So...
- Yeah.
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129. in order to do that,
I have to let my imagination run wild.
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130. So, I mean, when it comes
to Christina, I, you know...
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131. My imagination is bound
to run a little wilder.
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132. There's nothing that I can do
to control that, Zoe.
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133. Makes the clients uncomfortable.
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134. And you think your state
puts them at ease?
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135. Hey.
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136. Is he kicking?
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137. All the time.
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138. Do you feel like touching it?
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139. Oh.
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140. How are you feeling about this?
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141. - Fine.
- "Fine"?
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142. Are you happy?
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143. For you.
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144. What about you, Eric? What about you?
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145. Well, I guess I gotta be pretty careful
about my feelings, right?
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146. I mean, uh...
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147. that's why we have a contract, isn't it?
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148. There's plaster dust
all over the apartment.
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149. No, I'm not exaggerating.
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150. No, I was coughing in my sleep last night.
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151. You told me that it was going to be
comfortable for me to live there
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152. and I-it is not comfortable.
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153. There's plastic on the furniture.
That is not comfortable living.
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154. Yeah - Oh, come on. Look.
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155. You told me you were gonna strip
the wallpaper, not strip the walls down.
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156. Well, no, if you'd -
if you'd told me in the first place -
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157. If you'd told me what kind of job it was,
then I would have considered it.
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158. Although, it's - It makes me seem
like you've maybe made a mistake.
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159. That's what it makes me suspect.
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160. Wh - No, it's too late now.
It's inaccessible.
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161. I'm not gonna pay you. Pay you for what?
You didn't do the job.
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162. Well, you did a job, but I-it's not
the job that I asked you to do.
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163. It's not the job we agreed on.
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164. Well, I can get anyone,
any number of people to do this.
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165. Yeah, that's just fine with me.
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166. Yeah, can I help you?
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167. - Mr. Pinto?
- Uh, yes.
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168. I'm Francis Brown. We spoke, uh,
on the phone a couple of weeks ago.
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169. Revenue Canada.
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170. Oh, uh, of course. Uh...
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171. - How was your trip?
- Uh, it was fine.
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172. - And when did you get back?
- Um, just yesterday.
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173. - Good weather?
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174. - Yes, yes, lovely. Yeah.
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175. - Is this a good time, Mr. Pinto?
- Oh, sure.
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176. - It's just that you seem a little, uh...
- A little what?
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177. - Flustered.
- Oh, no, no, no, no.
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178. I'm - I'm fine. I'm fine.
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179. - Good.
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180. Yeah, yeah, yeah. Listen,
I can't talk to you right now. Later.
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181. Okay, uh...
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182. So this is where I'd find
all the bank statements?
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183. Uh... yeah, that's - that's right.
And those there.
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184. Okay. Well, if I have any questions,
I'll let you know.
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185. - Is it a little hot for you back here?
- It's - Yeah.
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186. You could turn it down a tad.
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187. I suppose you have to be pretty careful
with the temperature with the animals.
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188. Oh, well, they're a lot hardier
than you'd think.
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189. I wouldn't think
they're not hardy.
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190. I mean, just because they're exotic
doesn't mean they can't endure extremes.
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191. It is, after all,
a jungle out there, isn't it?
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192. Um, so, how long will this take?
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193. - An audit?
- Yes.
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194. Well, it depends on how prepared you are.
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195. Have you got an accountant?
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196. Uh, well, um, no -
Well, no, not really, no.
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197. Not really?
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198. - So this will take, uh, a while.
- I could be done by the end of the day.
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199. Or it might take a week.
It's difficult to say.
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200. Oh. Okay. Uh, well,
if you have any questions, um...
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201. I'll let you know.
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202. Did you know her?
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203. Sort of.
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204. She was your neighbor?
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205. I, uh - I babysat her a couple times.
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206. Oh, so you knew her pretty well, eh?
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207. Yeah. I did.
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208. What about you?
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209. Oh, I just, uh - I heard this thing
was being organized, so...
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210. It seems so, uh...
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211. surreal, doesn't it?
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212. - What?
- That we'd find anything.
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213. I mean, there's so, uh, many places
you could hide something in this country.
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214. - My name's Eric.
- I'm Christina.
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215. Hey, nice to meet you, Christina.
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216. Well?
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217. - Well, what?
- Don't you want to touch it?
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218. You don't have to.
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219. It's one of those things
people normally like to do.
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220. Ah.
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221. What is this thing about Eric
calling you "a sassy piece of jailbait"?
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222. - "What's this thing"?
- It bothers me.
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223. Why?
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224. It makes you out like a child
or something.
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225. Unlike the tartan skirt and my socks
or the blouse or the way I act, right?
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226. Do you find it strange
that he would still want to work here?
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227. Zoe, not all of us have the luxury
of deciding what to do with our lives.
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228. It's a job,
and he's getting paid all right.
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229. I just find it cruel.
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230. So fire him.
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231. As a favor.
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232. How can you be so detached?
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233. Well, I'm finished for the day.
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234. Uh, for the day?
Uh, you mean you have to come back?
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235. Yeah, I'm afraid so.
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236. When is a good time?
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237. But - But I thought you said
it was only going to take one day.
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238. Well, it can only take a day.
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239. But you have to understand,
you don't keep very well-organized books.
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240. That's why you should really think
about getting someone in to help you.
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241. Just somebody to come in
once or twice a week,
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242. depending on the amount of activity and...
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243. the type of activity.
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244. Uh, what do you mean by that?
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245. Well, some types of activity
are more complicated, aren't they?
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246. It might take more effort to account for.
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247. Oh.
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248. I found a gun in one of the drawers.
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249. Well, that belonged to my dad.
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250. Your dad?
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251. Yeah, I guess he just kept it,
uh, just in case.
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252. - In case of what?
- Well, in case of trouble.
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253. With the animals?
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254. Would Monday be a good time
for me to come back, Mr. Pinto?
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255. Yeah, um... Well, how about, uh, tomorrow?
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256. Uh, I have appointments for tomorrow.
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257. Actually, I'm - I'm pretty busy
till the end of the week.
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258. Monday's not good?
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259. No, uh, Monday's fine.
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260. - Around 10:00?
- Yeah, sure.
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261. Well, good. Have a nice weekend.
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262. Strange to think that bird
is probably going to outlive us.
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263. Strange?
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264. Did you ever teach it to say anything?
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265. Yes.
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266. What does it say, Harold?
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267. Well, it doesn't really say it anymore.
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268. It forgot?
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269. I don't think so.
They're not supposed to forget.
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270. Must have just lost interest.
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271. I'm sorry I'm late.
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272. It's okay. We're just talking about Felix.
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273. What about him?
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274. Dad?
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275. I had the piano tuned.
It sounds beautiful.
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276. - So, how does it sound?
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277. - It's good.
- Yeah? Good, good.
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278. - Okay, well, I shouldn't be too late.
- What's "too late"?
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279. - Around 11:00 or so.
- Okay.
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280. - You looking for tickets?
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281. Uh, yeah. How much?
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282. That's too hot.
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283. He comes in here every other night.
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284. He has his favorite drink...
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285. at his favorite table
with his favorite dancer.
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286. Sometimes he has to wait for her,
and sometimes she's waiting for him.
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287. She'll protect him. She's his angel.
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288. All right, ladies and gentlemen.
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289. It's showtime at the Exotica.
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290. And just to remind you
that five dollars is all it takes
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291. to have one of our lovely ladies
come over to your table
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292. and show you the mysteries of their world.
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293. Now, if that didn't turn you on,
gentlemen, nothing will.
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294. Whoa, let's have a nice, big, warm round
of applause for Christina, gentlemen!
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295. - Yes, Christina!
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296. What are you thinking?
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297. I was just thinking,
what would happen if someone hurt you?
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298. H-How could anyone hurt me?
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299. If I'm not there to protect you.
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300. I -
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301. Y-You'll always be there to protect me.
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302. Oh...
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303. An angel.
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304. Shh.
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305. Why would somebody
want to do something like that?
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306. How could somebody even think
of doing something like that?
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307. You mustn't worry.
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308. Eric! Eric!
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309. Oh.
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310. Mmm! All hot and bothered, yes, indeed.
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311. Let's have a nice, big
round of applause for Melinda.
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312. Uh, listen, I-I feel bad about,
uh, taking your money.
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313. Why?
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314. The tickets were given to me,
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315. and I should have
given them away for free.
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316. - Well, that would have been stupid.
- Why?
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317. Because no one gives anything away.
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318. - Are you sure?
- Yeah, p-positive.
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319. Do you consider my dad a friend?
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320. - Why?
- J-Just asking.
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321. Does he consider me a friend?
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322. I don't know.
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323. Why not?
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324. 'Cause he always seems different
when you're around.
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325. Different? In what way?
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326. Tense.
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327. Is that bad?
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328. Well, I don't really like
to feel tense around my friends.
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329. Well, sure, yeah.
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330. I didn't like to feel tense around
my friends when I was your age either.
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331. - But you do now?
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332. No, it's not a question
of liking it or not.
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333. It's just something that happens.
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334. Why?
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335. Um...
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336. Well, as you get older,
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337. you become aware that the people
you meet and the person you are,
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338. um, is carrying
a certain amount of baggage.
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339. And - And that baggage creates tension.
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340. So what do you do about it?
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341. Well, you can pretend it's not there,
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342. or you can choose not to have friends,
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343. or you can acknowledge that it's there
and have friends anyway.
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344. Like my dad?
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345. Right.
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346. I don't think that I like my dad
when he's around you.
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347. Hmm.
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348. Well, that's because your dad
doesn't like himself when he's around me.
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349. But that's okay.
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350. That's... part of what friends do
to each other.
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351. - Good night.
- Good night.
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352. I, uh - I just graduated.
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353. Really? S-So did I.
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354. - Oh, yeah? In what?
- Radio communications.
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355. - So - So, is that what you do?
- That's what I'd like to do.
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356. Uh, I-I do a little freelance
deejay stuff,
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357. but, you know, right now,
I'm just driving a cab.
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358. I thought you might
do something like that.
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359. Drive a cab?
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360. No, do something where,
uh, you use your voice.
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361. Why?
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362. I don't know why.
Because you're easy to listen to.
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363. Because of my voice, eh?
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364. I just need to find a structure, you know?
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365. What do you mean?
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366. Listen, I-I waste so much time, you know.
I just - My days just slip by. You know?
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367. - Isn't that what days are supposed to do?
- Yeah.
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368. Not if you want to make something
of yourself. You know?
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369. What do you
want to make of yourself?
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370. I don't know.
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371. I-I-I just feel that I was meant
to do something with my time.
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372. I mean, otherwise, I - I wouldn't be
thinking of this this way.
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373. I'd - I'd be able to just continue
what I was doing. You know?
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374. Do you have a lot of friends?
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375. Not really.
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376. Do you?
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377. - No.
- Yeah.
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378. Do you e ver feel like
you need a friend?
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379. Yeah, sometimes.
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380. When?
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381. Like right now.
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382. Why?
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383. 'Cause I just met you and...
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384. I just feel like telling someone.
You know?
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385. No way. No way, no way.
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386. - Hi.
- Hi.
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387. - Jesus.
- What's the matter?
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388. "What's the matter?"
Her wigs, her clothes.
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389. Sometimes I just feel like
throwing them all away. You know?
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390. What are you looking for, Zoe?
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391. I mean, is this where you see your future?
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392. My future?
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393. The club?
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394. When Mom died, my immediate idea
was to get rid of this place.
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395. Just sell it.
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396. I never thought it would have
any interest for me.
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397. So why did it?
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398. I used to be very shy as a child.
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399. I used to watch my mother for hours,
just admiring her sense of freedom.
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400. So when the opportunity came up,
I thought I would take on the challenge.
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401. So you feel better
about adopting her options
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402. rather than creating your own?
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403. I have created my own options too.
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404. Oh, I know.
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405. It's your contract for the baby with Eric.
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406. I found it.
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407. Does he know?
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408. I would hope so.
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409. Otherwise he might just think
I'm disgusted with him
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410. for no particular reason.
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411. Look, I-I really desperately
needed this child
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412. and it just worked out with Eric.
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413. I didn't mean to hurt you.
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414. You know, I remember
when your mother built this hallway.
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415. She, uh -
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416. She built it for this very rich man
who used to come here.
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417. He used to get off watching us dance
for other guys, so he actually paid her
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418. to construct this very special place
that he could watch us from.
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419. Your mother never told us that.
Copy !req
420. She said it was to protect us,
so she could patrol things.
Copy !req
421. And I believed her.
Copy !req
422. Until Eric told me the truth.
Copy !req
423. Why did you believe him?
Copy !req
424. I made a choice.
Copy !req
425. And Eric promised me he'd never lie to me.
Copy !req
426. How could anyone...
Copy !req
427. hurt you?
Copy !req
428. Take you away from me?
Copy !req
429. How could anyone?
Copy !req
430. What's this machine?
Copy !req
431. Uh, uh, I-it's an incubator.
Copy !req
432. - Wh-What's it for?
- Well, what do you think it's for?
Copy !req
433. - Eggs.
- That's right.
Copy !req
434. Are they yours?
Copy !req
435. Wh-What do you mean?
Copy !req
436. I mean, um, shouldn't you be
sitting on them or something?
Copy !req
437. Oh. Yeah.
Copy !req
438. Well, I guess I've abandoned the nest.
Copy !req
439. What's inside of them?
Copy !req
440. - Uh, the eggs?
- Yes.
Copy !req
441. Well, uh, hyacinth macaws,
if you want to know the absolute truth.
Copy !req
442. And where did you get them?
Copy !req
443. From... very far away.
Copy !req
444. - Hey, check her out, eh?
Copy !req
445. I said, check her out.
Copy !req
446. Yeah.
Copy !req
447. - You talking to me?
- Uh, yes, I am talking to you.
Copy !req
448. What? Check who out?
Copy !req
449. The babe that's dancing for you, man.
Copy !req
450. You've given her quite a run
for your money, man.
Copy !req
451. - What do you mean by that?
Copy !req
452. She's been dancing for you all night.
Copy !req
453. - Yeah.
- Yeah, and not just tonight.
Copy !req
454. I mean, I've noticed you
with her other nights too.
Copy !req
455. You come in here all the time or...
Copy !req
456. Uh... yeah. All the time.
Copy !req
457. This - Visuals, you know? It's good.
Copy !req
458. But, uh...
Copy !req
459. she seems to have a bit
of a thing for you, doesn't she?
Copy !req
460. We, uh - We get along.
Copy !req
461. I'm sure you do, my friend.
Copy !req
462. What do you two talk about, huh?
Copy !req
463. Oh, just, uh...
Copy !req
464. the usual, I guess.
Copy !req
465. The usual.
Copy !req
466. I don't think you're talking
about what I would call "usual."
Copy !req
467. - Why not?
- Because I can tell.
Copy !req
468. You get pretty intense, my friend.
Copy !req
469. Well, I guess that's just the way I am.
Copy !req
470. So, uh...
Copy !req
471. Hey, wh-why don't you
give her a little touch, huh?
Copy !req
472. - You're not supposed to touch.
- Ah, but she is into it, believe me.
Copy !req
473. - Yeah.
Copy !req
474. - How do you know?
- Everybody knows, man.
Copy !req
475. Trust me, my friend.
Copy !req
476. Trust me. Just a little touch.
Copy !req
477. Nothing too drastic.
Copy !req
478. Then you will get
the full experience, my friend,
Copy !req
479. and you will love it.
Copy !req
480. You will love it.
Copy !req
481. Okay?
Copy !req
482. And what happens when I touch her?
Copy !req
483. - What happens?
Copy !req
484. You're outta here, man! Get out!
Copy !req
485. Come on. Get down there.
Copy !req
486. Come on. Go on.
Copy !req
487. Hey, what the hell you doin'?
Get off the road!
Copy !req
488. Move!
Copy !req
489. W-What's so funny?
Copy !req
490. It's like pettin' a gorilla.
Copy !req
491. Well...
Copy !req
492. Was your father this hairy?
Copy !req
493. No, I, uh - I got it from my mother.
Copy !req
494. I mean - I mean,
from my mother's side of the family.
Copy !req
495. That's where you, um,
inherit hair patterns.
Copy !req
496. My uncle's bald.
Copy !req
497. - On your mother's side?
- Mm-hmm.
Copy !req
498. Well, um, I guess I'm talking
about usual patterns.
Copy !req
499. - Hmm.
- There's always exceptions.
Copy !req
500. - That's -
Copy !req
501. - That's the way these things... work.
Copy !req
502. Shouldn't you go to the hospital?
Copy !req
503. No, I'm fine.
Copy !req
504. You don't look fine.
Copy !req
505. You worry about me, don't you?
Copy !req
506. You think this is normal?
Copy !req
507. - What?
- What we do.
Copy !req
508. What do we do?
Copy !req
509. That's just it. We don't speak about it.
Copy !req
510. You know that feeling
you get sometimes, Tracey...
Copy !req
511. that you didn't ask to be
brought into the world?
Copy !req
512. Yeah.
Copy !req
513. Well, then who did?
Copy !req
514. What?
Copy !req
515. If you think that you didn't ask
to be brought into the world...
Copy !req
516. then who did?
Copy !req
517. All I'm saying is nobody asked you
Copy !req
518. if you wanted to be
brought into the world.
Copy !req
519. You just ended up getting here.
Copy !req
520. So the question is, now that you're here,
Copy !req
521. who's asking you to stay?
Copy !req
522. - Thanks.
- Thank you.
Copy !req
523. Look, are you sure you're gonna be okay?
Copy !req
524. Yes.
Copy !req
525. Good night.
Copy !req
526. Good night.
Copy !req
527. - He touched you?
- He didn't want to.
Copy !req
528. - What do you mean?
- I know him.
Copy !req
529. We all know him. He's crazy about you.
Copy !req
530. Not like that.
Copy !req
531. Why didn't you get one of the boys
to handle this, Eric?
Copy !req
532. Because I didn't think of it.
Copy !req
533. I just saw him touch her, and -
Copy !req
534. Why didn't you ask him to leave?
Copy !req
535. - Because he wouldn't have listened.
- How do you know that?
Copy !req
536. Because he's in his own world,
the asswipe.
Copy !req
537. I don't know
where you're both coming from.
Copy !req
538. You're telling me that he touched you,
but he really didn't.
Copy !req
539. And you're saying that you overreacted,
but you didn't have a choice?
Copy !req
540. - I didn't.
- Why not?
Copy !req
541. Why not?
Copy !req
542. Because he touched you.
Copy !req
543. Okay.
Copy !req
544. All I'm concerned about
is if he makes a case,
Copy !req
545. I have to know what happened.
Copy !req
546. We told you what happened, Zoe.
Copy !req
547. And that is what happened?
Copy !req
548. - Yeah.
- Okay.
Copy !req
549. Is that it?
Copy !req
550. Hi. This is Thomas.
Copy !req
551. I'm not in at the present time,
but I am in town.
Copy !req
552. Please leave a message following the beep.
Copy !req
553. Good morning.
Copy !req
554. You're probably not up yet,
so you haven't seen what I've done.
Copy !req
555. I'm a customs officer at the airport.
Copy !req
556. Actually, I-I saw you the other day
when you were having your bags inspected.
Copy !req
557. I know - I know how you probably
smuggled those eggs in.
Copy !req
558. There's a special unit at work.
Copy !req
559. I-I think they give them
to the zoo or something.
Copy !req
560. They asked me where I got them.
I had to lie.
Copy !req
561. Where are they?
Copy !req
562. - I took them.
- Where?
Copy !req
563. - I'd like to see you again.
- Oh, no.
Copy !req
564. Uh, no,
they're in the country now.
Copy !req
565. They're definitely in the country.
Copy !req
566. It's just, I don't have them,
uh, w-with me presently,
Copy !req
567. but it doesn't mean I can't get them.
Copy !req
568. And if you can give me, like, uh,
just, uh, um, a couple -
Copy !req
569. - Good morning.
- Hi. Uh, and, uh, I'm here. Okay.
Copy !req
570. So I'll call -
I'll talk to you later. Bye.
Copy !req
571. You look like
you're in worse shape than I am.
Copy !req
572. Uh... what happened to you?
Copy !req
573. Oh, I fell down some stairs and -
Copy !req
574. - Are you okay?
- Well, do I look okay?
Copy !req
575. Uh, no, not really.
Copy !req
576. Well, I'm-I'm better than I look.
Here, I got you a coffee.
Copy !req
577. I didn't, uh -
I didn't know how you took it.
Copy !req
578. - Oh, black's fine.
- Oh.
Copy !req
579. - Uh, I added cream.
- Oh, that's okay.
Copy !req
580. No, here, have mine.
Copy !req
581. - No, really -
- No, I insist.
Copy !req
582. - What is it?
Copy !req
583. Well, it's just that,
this has cream in it too.
Copy !req
584. It's milk.
Copy !req
585. Oh. Oh, good.
Copy !req
586. Okay, well, I'll, uh -
Copy !req
587. - I'll get to work.
Copy !req
588. Mmm, what?
Copy !req
589. What is it?
Copy !req
590. What is it that gives a schoolgirl
her special innocence?
Copy !req
591. Is it the way they smell?
Copy !req
592. The sweet smell
of their perfume, of their hair?
Copy !req
593. The aroma of fresh flowers
Copy !req
594. and all that other stuff
that hasn't been fucked up
Copy !req
595. by late nights and a lot of bad food.
Copy !req
596. Is it their gestures
and the way they move?
Copy !req
597. The way their body still holds on to some
semblance of self-respect and dignity?
Copy !req
598. When they wrap
their beautiful legs around you,
Copy !req
599. tight, holding on, looking at you,
Copy !req
600. you're looking at them, it's just...
Copy !req
601. Or is it whatever comes out
of their cute little mouths?
Copy !req
602. All those questions,
all that wondering, that...
Copy !req
603. It's just, you know, they've got their
whole lives ahead of them. You know?
Copy !req
604. And you've wasted half of yours away.
Copy !req
605. Damn.
Copy !req
606. What is it?
Copy !req
607. There's this feeling
I get sometimes, you know?
Copy !req
608. What sort of feeling?
Copy !req
609. That I wasn't ever meant to be satisfied.
Copy !req
610. Satisfied with what?
Copy !req
611. A lot of things.
Copy !req
612. I mean, it seems to me
that every time I'm about to,
Copy !req
613. you know, get a hold
of something or someone...
Copy !req
614. it's just bound to slip away.
Copy !req
615. Maybe you want it to slip away.
Copy !req
616. Maybe I want what to slip away?
Copy !req
617. The things that you think
you're about to have.
Copy !req
618. What would you think about that?
Copy !req
619. As a general philosophy,
or how it pertains to you?
Copy !req
620. You think you could talk
about how it pertains to me?
Copy !req
621. What do you mean?
Copy !req
622. Well, I feel like I want you.
Copy !req
623. Do you think that means you'll slip away?
Copy !req
624. Dad?
Copy !req
625. I'm not going to babysit
for Uncle Francis anymore.
Copy !req
626. Babysit? You go there to practice.
Copy !req
627. That's absurd.
Copy !req
628. Why?
Copy !req
629. Dad, he pretends
I'm still babysitting for him.
Copy !req
630. Why would you think that?
Copy !req
631. Because he's paying me.
Copy !req
632. To house-sit.
Copy !req
633. Twenty dollars an hour?
Copy !req
634. When did it go up?
Copy !req
635. He wants to believe
that Lisa's still there.
Copy !req
636. I make it easier for him
to convince himself.
Copy !req
637. Francis always had strange ways
to convince himself...
Copy !req
638. of many things.
Copy !req
639. Things that never happened,
things that might happen.
Copy !req
640. People who did things for reasons,
but they didn't.
Copy !req
641. What has any of this
got to do with me, Dad?
Copy !req
642. Nothing.
Copy !req
643. Nothing at all.
Copy !req
644. So why do I have to keep going there?
Copy !req
645. You don't.
Copy !req
646. And you'll tell him?
Copy !req
647. "I was in here the other night
when that guy was thrown out.
Copy !req
648. Why did that happen?
Has he ever been thrown out before?
Copy !req
649. - Why do you think he would touch you?"
- Why do you think he would touch you?
Copy !req
650. "Why do you think he would touch you?"
Copy !req
651. Uh... "What do you think
was going through his mind when he -"
Copy !req
652. - Or-Or what was he thinking?
Copy !req
653. - Um -
- What's so funny?
Copy !req
654. Well, this is a joke, right?
Copy !req
655. Not at all.
Copy !req
656. If you do this favor for me,
I'll do that favor for you.
Copy !req
657. Well, I'm not hiding anything.
Copy !req
658. Thomas, you're hiding
a smuggling operation
Copy !req
659. that brings in over $200,000 a year,
probably a lot more.
Copy !req
660. We've suspected you for a long time.
Copy !req
661. I was just brought in to confirm
what was already known.
Copy !req
662. So how do you want me to report back?
Copy !req
663. All I'm asking for is a bit of help.
Copy !req
664. That's all.
Copy !req
665. It's very important for me
to know these things.
Copy !req
666. Just ask her these questions.
Copy !req
667. Do this for me,
and you have a clean slate.
Copy !req
668. This really hasn't been my day.
Copy !req
669. So change things. Make it your day.
Copy !req
670. And all you men
sitting near that stage, I can see you.
Copy !req
671. I know what you're thinking.
Copy !req
672. You're thinking that,
because I'm sitting next to that stage,
Copy !req
673. I'm getting the same feeling
as all those guys
Copy !req
674. shelling out all that cash
for their own private dancer.
Copy !req
675. Well, you know, you guys want to watch,
go to the movies.
Copy !req
676. We're in the live-action
business here, gents.
Copy !req
677. And, okay, granted, granted,
Copy !req
678. that beautiful creature
writhing before you on stage,
Copy !req
679. she maybe, you know, smiles at you,
Copy !req
680. she winks her eyes at you occasionally,
and you may feel like the man.
Copy !req
681. Is that all you guys are looking for?
Is that all you want?
Copy !req
682. Come on, come on.
Copy !req
683. Invite one of our lovely ladies over
to your table where the real action is.
Copy !req
684. - Yeah!
- Hi.
Copy !req
685. I'm really sorry that took so long,
or I took so long.
Copy !req
686. - Hi.
- It's such a busy night.
Copy !req
687. Hi. I'm Chrissy.
Copy !req
688. Hi. I'm Thomas.
Copy !req
689. It's nice to meet you, Thomas.
Copy !req
690. - I like the name Thomas a lot.
- Oh, thanks.
Copy !req
691. - Are you from out of town?
- Yes.
Copy !req
692. Where are you from?
Copy !req
693. Um... San Francisco.
Copy !req
694. Oh, you're kidding. I love San Francisco.
Copy !req
695. Oh, you've - you've been there?
Copy !req
696. Yeah, I was there a couple of years ago
with my debating team.
Copy !req
697. - Debating team?
- Mm-hmm.
Copy !req
698. Mmm. That's -
I-I admire someone who can debate well.
Copy !req
699. I mean, who can debate
ins-instead of just argue with -
Copy !req
700. Anyone can argue,
but I-it's a good skill, uh, discipline
Copy !req
701. to be able to debate and stand back.
Copy !req
702. Um, and that's something
you can apply in your life
Copy !req
703. - outside of school.
- Mm-hmm, mm-hmm.
Copy !req
704. And - And when you're meeting
someone or negotiating.
Copy !req
705. Negotiating?
Copy !req
706. Well, I mean, if you have -
if you have to -
Copy !req
707. Um, it's a good skill to learn,
as opposed to cheerleading or -
Copy !req
708. Well, that's what I say.
Copy !req
709. Don't be nervous about this, Thomas.
Copy !req
710. - We're gonna have some fun, okay?
- Sure.
Copy !req
711. Sure.
Copy !req
712. Um... um...
Copy !req
713. I was here the other night, um...
Copy !req
714. What night was that?
Copy !req
715. The night th-that guy was thrown out.
Copy !req
716. You were dancing for him.
Copy !req
717. His name is Francis.
Copy !req
718. Um, what happened?
Copy !req
719. He was a bad boy.
Copy !req
720. - Wh-What do you mean by that?
- What do I mean?
Copy !req
721. I mean, have you danced
for him before, a lot?
Copy !req
722. Mm-hmm.
Copy !req
723. - And has he ever been thrown out before?
- No.
Copy !req
724. So what do you think happened?
Copy !req
725. He touched me.
Copy !req
726. And when you're dancing
for the customer, they can't touch.
Copy !req
727. Yes, but why do you think
he touched you last night?
Copy !req
728. Has he ever touched you before?
Copy !req
729. Is this what you really want to talk about
for five bucks a dance, Thomas?
Copy !req
730. Well, I just want to know
what you think was going on in his mind.
Copy !req
731. Are you here for some kind
of psychology conference?
Copy !req
732. Uh, well, uh, yes.
Copy !req
733. Uh, I am, actually.
Copy !req
734. He's, uh...
Copy !req
735. He's a very particular case.
Copy !req
736. Well, particular in what way?
Copy !req
737. Um... you want the full story?
Copy !req
738. Sure.
Copy !req
739. His daughter was murdered
a couple of years ago,
Copy !req
740. and then he was implicated.
Copy !req
741. - For th-the murder?
- Yeah.
Copy !req
742. - But why?
Copy !req
743. I-I don't know.
I don't really remember the details.
Copy !req
744. I mean, he was cleared,
and then they caught the guy who did it.
Copy !req
745. But... it obviously had, like, this -
Copy !req
746. - this incredible effect on him.
Copy !req
747. I mean, he is...
Copy !req
748. He's just so fucked up about it.
Copy !req
749. Oh.
Copy !req
750. You know...
Copy !req
751. Thomas...
Copy !req
752. Francis and I have
a very special type of relationship.
Copy !req
753. And I-I've never - I've never minded.
Copy !req
754. But then he chose to violate it.
Copy !req
755. S-Special in what way?
Copy !req
756. Well, we've - we've always
had this understanding.
Copy !req
757. I mean, I need him for certain things,
Copy !req
758. and he needs me for certain things.
Copy !req
759. I mean, that's the way it's been.
Copy !req
760. Uh, and how did he violate that?
Copy !req
761. He-He violated that in his-his...
Copy !req
762. in his role and what
he was supposed to do for me.
Copy !req
763. Wh-What's he su - Why?
What's he supposed to do for you?
Copy !req
764. I mean, he comes to this club.
He pays you.
Copy !req
765. Because I was doing things for him,
Copy !req
766. and he's done things for me.
Copy !req
767. What has he done for you?
Copy !req
768. - Um...
Copy !req
769. I'm sorry.
Copy !req
770. Okay, this is really stupid
Copy !req
771. that I'm getting so emotional
over the fact that he touched me
Copy !req
772. because, I mean, he was -
he was always paying me
Copy !req
773. to do him this favor and -
Copy !req
774. - What favor?
- I don't know, Thomas.
Copy !req
775. - Why do you want to know all this?
- Well, I'm sorry, but I, uh -
Copy !req
776. What is it about a schoolgirl
that gives her
Copy !req
777. that special innocence, gentlemen?
Copy !req
778. Such a thing that you have
absolutely no control over.
Copy !req
779. You never have.
Copy !req
780. And you never will.
Copy !req
781. After this break, we'll be right back
with sweet Chrissy...
Copy !req
782. - He's - He's not supposed to do that.
- Do what?
Copy !req
783. He's not supposed to - He's not suppose -
Copy !req
784. He can obviously see from his booth
I'm sitting here talking with a client.
Copy !req
785. He's not supposed to call me
when I'm talking with a client.
Copy !req
786. - Why? Do you have to go now?
Copy !req
787. Uh, yeah.
Copy !req
788. But I-I-I want to come back,
and I want to, you know, talk.
Copy !req
789. But I - I want to move downstairs.
I don't like it here.
Copy !req
790. Sure, sure, sure.
Copy !req
791. Okay. I'll see you soon.
Copy !req
792. Uh, I'm going to move to the washroom.
Copy !req
793. Hey, I've noticed you've been spending
a lot of time with that lady.
Copy !req
794. Are you - Are you talking to me?
Copy !req
795. Yeah.
Copy !req
796. You seem, uh, to...
to both hit it off together.
Copy !req
797. - Well, I guess.
- Yeah.
Copy !req
798. I, um - I guess that can happen.
Copy !req
799. So what do you guys talk about?
Copy !req
800. Um, just things.
Copy !req
801. What sort of things?
Copy !req
802. - Oh, this and that.
- This and that, eh?
Copy !req
803. You know, it's amazing how...
Copy !req
804. you could hit it off
with someone like that, isn't it?
Copy !req
805. Ha ve you e ver noticed
that some people just drift into your life
Copy !req
806. like you've known them fore ver?
Copy !req
807. I mean, there are some people
that you could remember
Copy !req
808. the moment that you met them
really clearly...
Copy !req
809. and other people that...
Copy !req
810. it seems like you've known them forever,
even though you haven't.
Copy !req
811. And they all become part of this
continuous memory you have of yourself,
Copy !req
812. this ongoing...
Copy !req
813. Are you with me?
Copy !req
814. Uh, y-yeah, I-I think so.
Copy !req
815. I mean, here you are, y-you know,
Copy !req
816. you're having this beautiful
conversation with her,
Copy !req
817. you're getting to know each other, and...
Copy !req
818. I mean, there's other guys
that come in here.
Copy !req
819. There's this one guy who comes in here
every other night or something,
Copy !req
820. and he spends a few hours with her.
Copy !req
821. But he never really
gets to know her, you know?
Copy !req
822. Not the way you have. Not the way you two...
Copy !req
823. She really seems to be herself with you.
Copy !req
824. Well, how do you know?
Copy !req
825. - What? That she's being herself?
- Yeah.
Copy !req
826. 'Cause I used to be her lover.
Copy !req
827. I'm, uh, sorry, sir. I can't let you in.
Copy !req
828. Look, why not?
Copy !req
829. Look, can I - can I at least
just talk to the manager?
Copy !req
830. - You want to talk to the manager?
- Yeah.
Copy !req
831. You have to understand
that we have very strict rules
Copy !req
832. regarding this sort of behavior here.
Copy !req
833. - And I have always respected them.
- And this one time, you didn't.
Copy !req
834. Now, the problem, Mr. Brown,
is that this one time
Copy !req
835. happened in a room
full of other men who were watching.
Copy !req
836. Now, if I let you back into the club,
Copy !req
837. what's to stop them from trying
to do the same thing?
Copy !req
838. I told you.
Copy !req
839. Someone told me to do it. I was set up.
Copy !req
840. And you believed that someone?
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841. - Please, sit down.
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842. Thank you.
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843. Why did you touch her?
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844. - Well, I needed to make sure.
- Why?
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845. What if she let you?
What would you have done?
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846. I'd have been disappointed.
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847. I'm not sure I understand you.
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848. That's not the way she was raised.
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849. You know her? Personally?
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850. There is another club I can recommend.
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851. - I need to come here.
- I understand that very well, but -
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852. No, I-I do - I don't think you understand.
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853. Exotica is a special place.
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854. My mother was dedicated to creating
a very particular type of atmosphere
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855. and I would like to maintain that.
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856. You don't understand.
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857. Mr. Brown, we're all aware
of what you've gone through.
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858. You've suffered a lot.
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859. But you have to understand
that Exotica is here for your amusement.
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860. We're here to entertain, not to heal.
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861. There are other places for that.
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862. Other places?
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863. I can give you a list.
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864. Mr. Brown?
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865. Are you listening to me, Mr. Brown?
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866. Um...
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867. Um, I - I just met this man
in the washroom.
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868. What man?
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869. Well, I'm not sure. I-I was in a booth.
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870. I didn't really have a chance to see him.
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871. - So how did you meet him?
- He just started talking to me.
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872. And what did he say?
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873. Well, um, he said
he used to be your lover.
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874. Well, it's always a sad moment, gentlemen,
when the clock strikes that magic hour
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875. and we have to send you out
into the long and dark and lonely night.
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876. But just remember...
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877. we're only ever just a dream away...
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878. wherever that is.
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879. - I guess -
- I have to go.
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880. - Oh, o-okay.
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881. Um, wait a minute.
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882. - Oh, no. Thomas, don't.
- No, no, no.
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883. - Thomas, please, don't.
- No, no. I - I insist.
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884. Please.
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885. Thank you.
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886. Your dad told me about, um,
you not wanting to babysit anymore.
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887. There's no baby to sit.
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888. Well, I just want you to know
I understand.
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889. Understand what?
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890. That this might all seem a little weird.
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891. A little?
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892. I just want to thank you, Tracey.
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893. For what?
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894. You've been very patient.
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895. And, uh...
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896. if you think the time has come
for this to end, then I understand.
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897. Thank you.
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898. Good night, Francis.
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899. He-He-He calls me from a table to dance.
Of course I expect you to do something.
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900. Christina -
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901. And then - And then he follows
this guy to the washroom
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902. and he tells this guy
that - that he was my lover.
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903. - Well, he was.
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904. It's going too far, Zoe.
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905. Actually, baby, you have no idea
how far it's gone.
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906. You know, I told him to touch you.
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907. I said you were into it. Yeah.
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908. It used to be wonderful
watching you dance for him,
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909. seeing how you could soothe him.
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910. I mean, it soothed me.
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911. You know, you soothed me.
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912. Do you understand that?
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913. - Hey, hey.
- Don't, don't, don't!
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914. - Stop. Stop that!
- Don't fucking touch me, you fucker!
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915. - Stop!
- Just fuck off, Zoe!
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916. - Stop it when I say! Eric!
- Stop it! Ow!
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917. - Chill out! Chill out!
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918. - Chill out! Relax!
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919. - All right? Relax!
- Eric, come here!
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920. - John!
- No!
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921. Get out. What's the matter?
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922. Fuck off, Zoe! No!
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923. Morning, Thomas.
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924. - What happened?
- I had to leave.
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925. Did you, uh, hear everything?
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926. Yeah.
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927. Did you know?
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928. Did I know what?
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929. That she knew about your daughter.
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930. You know, when the -
when the police came to question me,
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931. they told me a lot of things.
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932. They told me that my wife
was having an affair with my brother,
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933. had been for years.
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934. They told me that I thought
Lisa wasn't my daughter.
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935. They told me I thought she was Harold's.
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936. Wh-Why would they say that?
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937. Because they thought I could harm her.
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938. That I would harm her.
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939. And then they found the man
that, uh - that did it...
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940. and let me go.
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941. And I went home.
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942. And then my wife was killed in
a car accident a couple of months later.
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943. And, uh, Harold was in the car.
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944. He lived.
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945. What do you think it would have taken
for your father to kill someone?
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946. I'm-I'm asking because there's someone
that I want to kill now.
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947. I felt it last night
as I listened to him in the washroom.
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948. I don't understand.
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949. He set me up... to touch her.
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950. Why would he do that?
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951. He took something very special from me.
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952. I've had too many
special things taken away.
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953. - That's why we have to go back tonight.
- To kill him?
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954. What would you do, Thomas?
What would you do?
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955. - Well, I'd talk to him.
- I can't even get in there.
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956. What would you do?
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957. You go back tonight,
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958. and you have her dance for you,
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959. and then you touch her.
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960. And he'll throw you out
just like he threw me out.
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961. But I'll be waiting outside with the gun.
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962. I'm not gonna help you kill somebody.
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963. Not even to save a few years in prison?
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964. No.
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965. Well, to help me, then?
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966. And that was Mirella, gentlemen. Mirella!
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967. You can have her at your own table
for only five dollars.
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968. Thank you, Mirella.
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969. And now, it's always a pleasure
to announce to you our next dancer.
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970. Gentlemen, please, let's give
a big round of applause for Christina.
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971. Don't be afraid.
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972. I know everything about you.
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973. What do you know about me?
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974. - I found her.
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975. You found who?
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976. Your little girl.
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977. Oh! Oh.
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978. I found her, man.
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979. I found her.
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980. Yeah, play something happy.
Play something happy.
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981. Yeah. Hello.
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982. Okay, I'll get it.
I'll get it, I'll get it.
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983. - Hi, Christina.
- Hi.
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984. - I'm a little bit early.
- Yeah, th-that's okay. Come on in.
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985. Yeah, I mean,
it's difficult for me to tell
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986. 'cause I never had much
of a musical education myself,
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987. but her teacher thinks
she's really talented.
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988. And, um, actually, we were thinking
of buying her a better piano, and, uh -
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989. An exotic baby grand, you know?
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990. When I mentioned "baby grand,"
you know what she said to me?
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991. She said, "Dad,
isn't that a contradiction in terms?"
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992. I mean, she just never ceases to amaze me.
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993. I mean, she's eight years old.
Can you imagine?
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994. She can already identify wh -
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995. What do you call that when two words
kind of cancel each other out?
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996. Oh, she just amazes me.
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997. - Where is your mind?
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998. I was just thinking.
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999. About what?
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1000. About the way you talk about Lisa.
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1001. You get so excited.
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1002. It's nice.
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1003. Well, I'm sure your parents
talk about you that way too.
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1004. I don't think so.
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1005. Oh, I do.
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1006. Why?
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1007. Because you're a very
responsible young woman.
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1008. Responsible to what?
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1009. Well, to whatever it is
you believe you have to do.
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1010. Like what?
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1011. Well, Lisa loves it when you
come over to babysit, for example.
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1012. She says you really listen to her.
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1013. That's nice.
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1014. She really listens to me too.
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1015. - She thinks you're not very happy.
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1016. - Listen, Christina...
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1017. if there's - if there's ever anything
you want to talk about,
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1018. about what might be going on
at home or whatever,
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1019. - you know that I'm here, okay?
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1020. - Okay.
- Okay?
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1021. Okay.
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1022. Okay.
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1023. Oh, no. I-It's okay.
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1024. Thank you.
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1025. You know, I really enjoy
these drives home, Mr. Brown.
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1026. Good, good. So do I.
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1027. - Bye, Mr. Brown.
- Goodbye.
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