1. Try hard, get barred
Get back, write brailleCopy !req
2. Look out, kid
You're gonna get hitCopy !req
3. D-Did you see my cane?Copy !req
4. - Yeah, it was right here.
- It's gone.Copy !req
5. - You didn't see it, did you?
- What?Copy !req
6. My cane.Copy !req
7. Oh, shit.Copy !req
8. He said it's gone. Is it here?Copy !req
9. - It's not — I left it right there.
- When, today?Copy !req
10. - Oh, it's in back of the door.
- He's got it.Copy !req
11. It's in back of this door here.Copy !req
12. Will you — Will you remember
to get the cane?Copy !req
13. Can you smoke here?Copy !req
14. Huh?Copy !req
15. - Uh, you came here two years ago, didn't you?
- Yes, I did.Copy !req
16. What's the — What's the reason
for the change this time?Copy !req
17. Why are you so big this time?
What do you think?Copy !req
18. I have absolutely no idea.
I don't even know about it.Copy !req
19. I figure just do the same thing
I did before.Copy !req
20. What's happening here?Copy !req
21. What are we gonna do?Copy !req
22. How long is it
since you were last in London?Copy !req
23. - About a year.
- About a year.Copy !req
24. - What's your lightbulb for?
- What's the lightbulb for?Copy !req
25. I thought you would ask me that.Copy !req
26. No, I usually carry a lightbulb.Copy !req
27. Somebody gave it to me, you know?Copy !req
28. What? Sorry.
I didn't quite catch the answer.Copy !req
29. Somebody gave it to me,
a very affectionate friend.Copy !req
30. I see.Copy !req
31. - Are you folk?
- Who? Am I folk?Copy !req
32. - Yeah.
- No, no, no. Not me, I'm not folk.Copy !req
33. What is your real message?Copy !req
34. My real message?Copy !req
35. Keep a good head
and always carry a lightbulb.Copy !req
36. Well, I plugged it into my socket
and the house exploded.Copy !req
37. Do you think a lot of the young people
who buy your records...Copy !req
38. understand a single word
of what you're singing?Copy !req
39. Sure.Copy !req
40. - You reckon they do?
- Sure.Copy !req
41. Why do you say they do?
How can you be so sure?Copy !req
42. They're quite complicated songs,
aren't they?Copy !req
43. Yeah, but they understand them.Copy !req
44. How do you know they understand?
Have they told you that they do?Copy !req
45. They told me.
Haven't you ever heard that song?Copy !req
46. "She said so."Copy !req
47. - What did it say?
- You got it wrong.Copy !req
48. Do you think that they understand you
because they don't want to see you?Copy !req
49. Would you say that you cared
about people particularly?Copy !req
50. Well, yeah, but we all have our
own definitions of all those words.Copy !req
51. "Care" and "people" and, uh —Copy !req
52. Well, we surely —
I mean, we know what people are.Copy !req
53. Well, do we?Copy !req
54. You sound angry in your songs.Copy !req
55. Are you protesting against
certain things that you're angry about?Copy !req
56. I'm not angry.Copy !req
57. - I'm delightful.
- I see. Thank you very much.Copy !req
58. Do you ever read the Bible?Copy !req
59. What about the Bible?Copy !req
60. Do you ever read the Bible?Copy !req
61. Urn, no.Copy !req
62. - Have you ever read it?
- Have I ever? I've glanced through it.Copy !req
63. Because, you see,
a lot of the things you say —Copy !req
64. I've glanced through it.
I haven't read it.Copy !req
65. - Put your hands up to your face.
- Like that?Copy !req
66. Well, as I was saying to him, I said —Copy !req
67. - I can't pose.
- You don't have to pose.Copy !req
68. But just do it and I'll shoot.Copy !req
69. And again.Copy !req
70. - Sorry?
- You got solemn.Copy !req
71. I can't do it.Copy !req
72. We publish these things, you know.Copy !req
73. They'll shake you, you know.Copy !req
74. - Your name, please?
- Joan Baez.Copy !req
75. - Joan —
- B-A-E-Z.Copy !req
76. Oh! Strewth!Copy !req
77. - I didn't recognize you, I'm sorry.
- Good.Copy !req
78. Nice to see you.
I've been looking for you all day.Copy !req
79. Well, this is the part
where I don't write.Copy !req
80. I don't — I'm not gonna —Copy !req
81. Anything that happens now,
I'll just remember, you know.Copy !req
82. But when I'm living, doing
my own thing, doing what I do —Copy !req
83. - Yes.
- this is never around me.Copy !req
84. I mean, I accept everything.
I accept this, you know, I'll accept that.Copy !req
85. - Why?
- Well, because it's here. It's real.Copy !req
86. It exists just as much as, uh —Copy !req
87. you know, just as much
as the buses outside exist.Copy !req
88. I mean, I can't turn myself off to it...Copy !req
89. because if I try to fight it,
I'm just gonna end up...Copy !req
90. going insane faster
than I eventually will go insane.Copy !req
91. If I do go insane.Copy !req
92. When and if the time comes...Copy !req
93. for me to go insane.Copy !req
94. "Puffing — Puffing heavily on
his cigarette. He smokes 80 a day."Copy !req
95. I'm glad I'm not me.Copy !req
96. - Do you know that song, "Sally"?
- Yeah, I like that song.Copy !req
97. Donovan. Who's this Donovan?Copy !req
98. - Let's put him right on the sidewalk.
- He's a good guy actually.Copy !req
99. - I'd like to meet him.
- He's a young Scottish bloke.Copy !req
100. I was gonna say that, but I
didn't know if you'd understand.Copy !req
101. - Bloke. Bloke.
- Bloke.Copy !req
102. - "Blech."
- Anyway, he's singing a bit of folk music...Copy !req
103. and he's been around
and he plays very good guitar.Copy !req
104. He's a very good guitar player.
He's better than you.Copy !req
105. - Yeah.
- All right?Copy !req
106. Right away I hate him.Copy !req
107. He's all right.
I like him anyway. He's not a fake.Copy !req
108. - Yeah.
- He's all right.Copy !req
109. Well, I got him up on the wall,
you know.Copy !req
110. - Anybody I —
- Where? Where? Where? Where?Copy !req
111. - He's right there.
- Yeah. "Is Donovan Deserting His Fans?"Copy !req
112. He's only been around for three months.Copy !req
113. Well, that's what I call a loser.Copy !req
114. - No, listen.
- In the South, they get it, you know?Copy !req
115. - London, they get it.
- Oh, hey. It's ridiculous to say that.Copy !req
116. - They've done so much —
- In a short time.Copy !req
117. - That's America. We're talking about England.
- Not a short time, 26 years.Copy !req
118. I was thinking, when did Abraham say
that we're all equal and all that?Copy !req
119. - When was the Declaration?
- That was 200 years ago.Copy !req
120. Yeah, well, he said that, didn't he?Copy !req
121. He said that,
but he never does nothing.Copy !req
122. - Nobody ever does anything without the vote.
- People started working 26 years ago.Copy !req
123. Where we going to, CBSO?Copy !req
124. - He's not with us.
- He's not with us.Copy !req
125. We're all thin. He's —Copy !req
126. I've got an award for him
for the most, um —Copy !req
127. uh, promising artist of the year...Copy !req
128. and the best-selling
folk record, Freewheelin'.Copy !req
129. - I just don't want them.
- Just have them mail it to you?Copy !req
130. - I don't even wanna see 'em.
- Okay. All right.Copy !req
131. Tell them to give it to Donovan.Copy !req
132. Groovy, man!Copy !req
133. Donovan.Copy !req
134. Donovan. Next target.Copy !req
135. He's our target for tomorrow.Copy !req
136. This is for the African Service
of the BBC, Mr. Dylan.Copy !req
137. Uh, West African listeners,
and it's going out this evening.Copy !req
138. And the questions
are four in number...Copy !req
139. for your approval before we ask them.Copy !req
140. The first one's
a very general journalistic one.Copy !req
141. Just how did it all begin for you?
What started you off?
What triggered it off?Copy !req
142. Uh, how do you see
the art of the folk song
in contemporary society?Copy !req
143. Has it a very real social impact?Copy !req
144. Something that will certainly
interest our listeners in Africa, Bob...Copy !req
145. is your deeply humanitarian attitude
to a number of public matters.Copy !req
146. For instance, you are quoted as saying, "People
talk about Negroes as if they were objects."Copy !req
147. Now, does this sort of compassion
on your part...Copy !req
148. present any problems
for you in America?Copy !req
149. Okay.Copy !req
150. Oh, by the way, you took part in a play
in Britain some time ago...Copy !req
151. written by a school friend of mine,
Evan Jones.Copy !req
152. - Oh, yeah.
- Evan and I went to school in Jamaica together.Copy !req
153. Yeah.Copy !req
154. Castle Street, wasn't it?Copy !req
155. - Yeah, Madhouse on Castle Street.
- Yes.Copy !req
156. Going ahead in about, say,
five seconds from now...Copy !req
157. with this interview with Mr. Bob Dylan
for the African Service of BBC.Copy !req
158. Pete Myers and Colin Wilde producing,
in approximately five seconds.Copy !req
159. How did it all begin for you, Bob?
What actually started you off?Copy !req
160. Um —Copy !req
161. Thank you. Thanks.Copy !req
162. Sentence.Copy !req
163. "He is not so much singing
as sermonizing."Copy !req
164. Colon.
"His tragedy, perhaps...Copy !req
165. is that the audience
is preoccupied with song."Copy !req
166. Paragraph.Copy !req
167. "So the bearded boys...Copy !req
168. and the lank-haired girls...Copy !req
169. all eye shadow
and undertaker makeup...Copy !req
170. applaud the songs
and miss, perhaps, the sermons.Copy !req
171. They are there."
Colon.Copy !req
172. "They are with it." Sentence.Copy !req
173. "But how remote they really are from
sit-ins and strikes and scabs and life."Copy !req
174. Paragraph.Copy !req
175. "'The times, they are a-changing,'
sings Dylan.Copy !req
176. They are when a poet
and not a pop singer fills a hall."Copy !req
177. Are you aware of the fact that tonight
at the city hall here...Copy !req
178. you had a greater audience than
has been seen there for many years.Copy !req
179. And more appreciation
than has been heard there.Copy !req
180. The applause was fantastic. I've
never heard so much applause there.Copy !req
181. - I've been coming here for quite a while.
- That makes me feel good, you know.Copy !req
182. Makes me feel good.Copy !req
183. Are you religious?Copy !req
184. Well, I don't know.
What does that mean, "religious"?Copy !req
185. Does it mean
you bow down to an idol...Copy !req
186. or go to church every Sunday
or that kind of stuff?Copy !req
187. - No.
- Believe in something.Copy !req
188. - Do you believe in —
- I don't believe in anything, no.Copy !req
189. Why should I believe in anything?
I don't see anything to believe in.Copy !req
190. Do you think you're cynical?Copy !req
191. No, I'm not cynical. I just can't see
anything anybody's offered me to believe...Copy !req
192. that I'm gonna
put all my trust and faith in.Copy !req
193. Nothing is sacred.Copy !req
194. - Who is in charge?
- In charge of what?Copy !req
195. - Who is in charge of this room?
- What do you mean, in charge of this room?Copy !req
196. It's rented to Bob Dylan.
What do you mean, who's in charge of it?Copy !req
197. - Are you Bob Dylan's manager?
- Yes, I'm Bob Dylan's manager.Copy !req
198. - But I'm not in charge of his room.
- No, you're in charge of Bob Dylan.Copy !req
199. No, I'm not in charge of Bob Dylan.Copy !req
200. We have had complaints
about the noise above, below —Copy !req
201. Oh, that's unfortunate.
We'll try to hold it down.Copy !req
202. - If it isn't organized within
five minutes, I will ask you to leave.
- What noise? What noise?Copy !req
203. Why don't you get a constable?
Would you, please?Copy !req
204. - I will.
- Please do that.Copy !req
205. There's been no noise in this room.Copy !req
206. And you're one of
the dumbest assholes...Copy !req
207. and most stupidest persons
I've ever spoken to in my life.Copy !req
208. If we were someplace else,
I'd punch you in your goddamn nose.Copy !req
209. You stupid nut.Copy !req
210. We've rented this room,
and I'm asking you to leave this room.Copy !req
211. We have valuables in here,
and I don't want you in here.Copy !req
212. - Don't you adopt that attitude.
- Would you get out of this room?Copy !req
213. You get out of this room also.Copy !req
214. I don't care about your fop manager.Copy !req
215. As soon as we get clear of the town —
There's one in there. Shall I read it out?Copy !req
216. - Yeah.
- "American folk singer Bob Dylan...Copy !req
217. sat scowling in
a hotel armchair last night.Copy !req
218. In his hands was an iris.Copy !req
219. Bob, who arrived 90 minutes before
his British tour was to open...Copy !req
220. at Sheffield City Hall,
said he wanted to rest.Copy !req
221. Asked to pose quickly for a relaxing picture,
he seized a flower from a vase in the room...Copy !req
222. and said, 'This is how I like to relax.Copy !req
223. I've been through all this
in the States.'Copy !req
224. The harsh, rasping, haranguing voice of
self-styled guitar-strumming poet Dylan...Copy !req
225. started off his show with
'The Times They Are A-Changin'.Copy !req
226. They certainly are.Copy !req
227. This, swears my 17-year-old son, is what the
kids who used to scream at the Beatles now go for.Copy !req
228. And if Dylan is a trend, not just a cult,
parents need not be quite so condescending.Copy !req
229. His tour, opening at
the 2,700-seat hall, was a sellout...Copy !req
230. but without one single scream
and with rapt attention to every word.Copy !req
231. It was very impressive.Copy !req
232. Dylan, alone with his guitar and
mouth organ for an hour and a half...Copy !req
233. earned himself more than £2,000
and a foot-stamping ovation."Copy !req
234. That's all.Copy !req
235. - Do you know where he's staying tonight?
- The hotel.Copy !req
236. - Where?
- Um, near the theater.Copy !req
237. In a hotel?Copy !req
238. - You staying in a hotel?
- Don't be personal.Copy !req
239. - Is that him?
- No.Copy !req
240. Oh!Copy !req
241. Oh, hell!Copy !req
242. - Isn't he handsome?
- Isn't he lovely?Copy !req
243. Oh, it can't be.Copy !req
244. - Pinch me. Pinch me.
- Come down.Copy !req
245. Ohh!Copy !req
246. Oh, me dream's come true. Oh!Copy !req
247. Are you gonna sing
"Times They Are A-Changin'"?Copy !req
248. You want me to sing that, huh?Copy !req
249. - You really like that song?
- Yeah, it's fantastic.Copy !req
250. What do you like about it?Copy !req
251. I don't like any of the, um,
"Subterranean Homesick Blues."Copy !req
252. Oh, you're that kind of —
I understand right now.Copy !req
253. It's not you.
It doesn't sound like you at all.Copy !req
254. But my friends were playing with me
on it though.Copy !req
255. You know, I have to get
some work to my friends.Copy !req
256. - You don't mind that, right?
- Right.Copy !req
257. Huh? You don't mind
them playing with me...Copy !req
258. if they play the guitar and drums
and all that kind of stuff, right?Copy !req
259. It just doesn't sound like you at all.
It sounds as if you're having a good old laugh.Copy !req
260. Don't you like me to have
a good old laugh once in a while?Copy !req
261. - Isn't that all right with you?
- Some people might not take you seriously —Copy !req
262. - You know different though, right?
- Yeah.Copy !req
263. As long as you know, you don't
have to worry about anybody else.Copy !req
264. People take care of themselves.Copy !req
265. Got any brothers and sisters?Copy !req
266. - Huh?
- Have you any brothers and sisters?Copy !req
267. God, I don't even know that.Copy !req
268. I have lots
of brothers and sisters. Lots.Copy !req
269. I've got a little sister.
She's mad on you.Copy !req
270. - Is this called Merseyside?
- Yeah.Copy !req
271. What the hell's wrong with the mic?
I can't hear him.Copy !req
272. - What the hell's happened?
- No sound here at all.Copy !req
273. Okay.Copy !req
274. Nobody's pulled anything out, except that one.Copy !req
275. - Oh, for crying out loud.
- Come on!Copy !req
276. - Is he down there?
- Is he down there?Copy !req
277. Is he down there?Copy !req
278. Bob Dylan in the number 16 slot...Copy !req
279. with his own composition entitled,
"The Times They Are A-Changin'."Copy !req
280. Caroline fans, it's all happening —Copy !req
281. What number was the other one?Copy !req
282. - What?
- What number was the other one?Copy !req
283. - Thirty-one.
- Thirty-one?Copy !req
284. On the Fab chart.Copy !req
285. Straight across the front.Copy !req
286. We do about 20, 30 of your numbers.Copy !req
287. - Really?
- We give them all a big band sound.Copy !req
288. You'd probably think
we're ruining your new material.Copy !req
289. But we're doing it because it —Copy !req
290. We're doing it because —
idols of you.Copy !req
291. Thank you.
Are you playing around anywhere?Copy !req
292. When we play 'em though, we try and tell 'em
it's the words they ought to listen to.Copy !req
293. You play with rhythm guitar
and electric guitar too?Copy !req
294. Yeah, we play electric guitar.Copy !req
295. We find it's very difficult to get
people to listen to words though.Copy !req
296. All they want to do is just listen to —Copy !req
297. I don't really —
it's beyond me. I don't —Copy !req
298. I just go out there
and sing 'em, you know?Copy !req
299. If the people are —Copy !req
300. If I was booked to play,
I just go out there and sing 'em.Copy !req
301. I'm not gonna try
and get anybody to listen.Copy !req
302. Hey, hey, hey, hey, hey, hey, hey.
Step out of my way.Copy !req
303. - Hey, hey, hey, hey.
- Oh, bless his heart!Copy !req
304. Bye!Copy !req
305. Bye. See you now.Copy !req
306. See you later.Copy !req
307. - Watch out. Watch out.
- That chick is on the back of the car!Copy !req
308. There's a guy on our car.
Will you get him off?Copy !req
309. Get that ch — Take her off.Copy !req
310. - Hey, Bobby, tell the guy to stop.
- She's gonna get hurt.Copy !req
311. - The chick.
- It's a girl.Copy !req
312. Take that girl off our car, please.Copy !req
313. Will you please take her off the car?Copy !req
314. You gotta get her off.
Will you get that girl off our car?Copy !req
315. - She's off.
- Okay, how you doing?Copy !req
316. We'll see you later, man. Bye.Copy !req
317. I don't remember that goddamn song.Copy !req
318. I haven't touched that song.
Did I? Huh?Copy !req
319. - Do you remember any more, Bobby?
- No, I never finished it.Copy !req
320. Oh, God. You finished it
about eight different ways.Copy !req
321. Yeah.Copy !req
322. - Yeah. That's a good song.
- It's beautiful.Copy !req
323. If you finish it,
I'll sing it on a record.Copy !req
324. Yeah, I can — I can finish that.Copy !req
325. Have you ever heard
"She Died for Love at 3:00 AM"?Copy !req
326. Huh? Bill Anderson wrote it.Copy !req
327. You know what's a great song.
You remember that song...Copy !req
328. "In the Shadows
of the Warm Red Wine"?Copy !req
329. "Long Black Veil."
Sing "Long Black Veil."Copy !req
330. Oh, don't say that.Copy !req
331. Play "Long Black Veil."Copy !req
332. - I know there's another verse.
"I'm a rolling stone."
- Oh, yeah.Copy !req
333. What about that —Copy !req
334. Welcome home.Copy !req
335. First time that this room hasn't been full of
a bunch of insane lunatics, man...Copy !req
336. that I can remember.Copy !req
337. Bobby, it was all so nice.
You don't know.Copy !req
338. - Wow.
- Yeah, it's the first time it's been cool around here.Copy !req
339. Oh, God. I'm sleepy.
I mean, I'm fagging out.Copy !req
340. Let me tell you, sister,
you were fagged out a long time ago.Copy !req
341. Scheherazade.Copy !req
342. You fagged out before you even
thought you were faggin' out.Copy !req
343. Oh, my God. There she is, fagging.Copy !req
344. Fagging —Copy !req
345. Do you have one of those
see-through blouses?Copy !req
346. She has one of those see-through
blouses that you don't even wanna.Copy !req
347. - Such pain, Baez!
- You wouldn't hurt his guitar, would you?Copy !req
348. - Oh, pardon me.
- I didn't mean to hurt your turtle.Copy !req
349. God.Copy !req
350. Do you have somewhere maybe
I can write out these things here?Copy !req
351. - Just paper.
- Oh, yeah. Good. Okay.Copy !req
352. - You'll have to make the most of that.
- Really? You don't have any more?Copy !req
353. That'll do it.Copy !req
354. - You're expectin' you won't
get ripped out of that paper?
- I've got all these songs written.Copy !req
355. Have to write small or something.Copy !req
356. Can I finish this?Copy !req
357. No, no!Copy !req
358. Long live Queen Lucy!Copy !req
359. Out of place, baby!Copy !req
360. Crowned my daughter queen
of the "Scheherazadie" festival.Copy !req
361. Did you see
that man on the platform...Copy !req
362. reached in his pocket,
pulled out a speech and said...Copy !req
363. "So happy to be here"?Copy !req
364. - Wanna do it now?
- Oh, concert. Yes.Copy !req
365. Yeah, we can do that.
I knew there was something.Copy !req
366. I knew we were here for some reason.Copy !req
367. I knew it wasn't the hotel.Copy !req
368. Do good.Copy !req
369. What kind of money, do you think?
How far do you think we can push them?Copy !req
370. I tell you, as far as Granada goes,
they were talking £1,200, £1,300.Copy !req
371. There's 1,500 there. I know.Copy !req
372. - You don't think we can do better?
- Possibly, yeah.Copy !req
373. But I know that
he's talking 1,200, 1,300.Copy !req
374. Why don't we ask for 2,000?Copy !req
375. Well, I had that figure in mind,
strangely enough.Copy !req
376. - We'll get it settled.
- Great.Copy !req
377. - Why don't we get an answer from him?
- Right.Copy !req
378. Just tell him that
I have to present it to Bob...Copy !req
379. before we can give him a final answer,
but we'll give it to him by tomorrow.Copy !req
380. Fine.Copy !req
381. I'll get Johnnie and Granada.Copy !req
382. The other one was Rediffusion,
but they're the same as —Copy !req
383. Johnnie Hamp, please, urgently.
Wherever he is, track him down, dear.Copy !req
384. Johnnie Hamp is in the studio.
His secretary said...Copy !req
385. if you could tell somebody what this is about,
she might be able to get him to the phone.Copy !req
386. Just say "Bob Dylan."
He'll be there in a shot.Copy !req
387. Two grand, Johnnie.Copy !req
388. Yeah, on an exclusive.Copy !req
389. And it would be very much exclusive.
He's not going to do anything else.Copy !req
390. Yeah.Copy !req
391. You want to leave that with you, John?Copy !req
392. - Hello?
- Hello.Copy !req
393. - Yes?
- This is Chris, please, Stuart's PA.Copy !req
394. - Yes, Chris.
- He's not' available at the moment.Copy !req
395. He's a bit tied up down at the theater.
Can I help?Copy !req
396. Well, I think he might untie himself.Copy !req
397. Would you tell him this is the call he was
expecting regarding Bob Dylan?Copy !req
398. - Bob Dylan?
- Yes.Copy !req
399. Okay. Well, you know, when I say
he's tied up, I really mean it.Copy !req
400. - You know, I'm not kidding.
- I know he is, with rope.Copy !req
401. Right?Copy !req
402. No, we've got another show on
in the theater, you know.Copy !req
403. Don't get upset. Don't get upset.
I'm only kidding you.Copy !req
404. Okay, I'll try and get him.Copy !req
405. Will you tell him, Chris, that I
have Mr. Grossman with me, Bob's manager?Copy !req
406. - Albert Grossman's with me now.
- Okay.Copy !req
407. Okay, bye.Copy !req
408. How about that?Copy !req
409. He thinks I'm putting him on.Copy !req
410. What do you think, Stuart?Copy !req
411. Mm-hmm.Copy !req
412. Uh-huh. Oh, dear.Copy !req
413. Now for the two —Copy !req
414. Hmm.Copy !req
415. Well, not bad for me.Copy !req
416. I'll take it for a week's work.
I don't mind.Copy !req
417. Urn, Stuart —Copy !req
418. Look, shall I just check this out now
with Albert, to save you hanging on?Copy !req
419. Then give you a call back?
God bless you.Copy !req
420. 1,250. You probably
could stretch him to 1,500.Copy !req
421. So I figured this.
You know, it's BBC.Copy !req
422. - Maybe for one show, but not for two.
- No.Copy !req
423. I had a feeling that Granada would come up
with the best money. They have done in the past.Copy !req
424. Remember what he offered Peter,
Paul and Mary for two shows, BBC.Copy !req
425. This seems to be their — their top.Copy !req
426. But I imagine we really, uh —Copy !req
427. If you get him back, why don't you let me
take a crack at him on the phone?Copy !req
428. - Pleasure.
- Because he called me in the States, you know.Copy !req
429. - Who, Stuart or Johnnie?
- Stuart.Copy !req
430. Stuart? All right.Copy !req
431. Listen, Stuart, I've got Mr. Grossman for you.
Will you hold on a second?Copy !req
432. I spoke to you in New York, didn't I?Copy !req
433. It's the number, yeah.Copy !req
434. And at that time I indicated...Copy !req
435. the kind of money
that we were looking for for Bob...Copy !req
436. and I assumed that when Tito told me
you were interested...Copy !req
437. that we were somewhere
in that vicinity.Copy !req
438. And I was personally kind of surprised
at the nature of the offer.Copy !req
439. And as much as we'd like to do
a show for BBC...Copy !req
440. I think we can't consider it
at that money...Copy !req
441. 'cause it doesn't come anywhere near
the other offers that we have.Copy !req
442. Well, the minimum
that I would consider would be...Copy !req
443. the fee that you mentioned
for each half hour.Copy !req
444. No, no, no. I wouldn't —
1,250 for each half hour.Copy !req
445. Well, uh —Copy !req
446. Thank you very much. Bye.Copy !req
447. He said he'll put it to them,
but he's almost certain it'll be 1,200 even.Copy !req
448. But I think he's gonna come back
with 2,000 for two shows.Copy !req
449. Then we're no better off.Copy !req
450. We're still better off with
the other one with one show.Copy !req
451. Are we, Albert?Copy !req
452. I don't know.Copy !req
453. - Don't know myself.
- Hmm.Copy !req
454. - I mean, I don't —
- Can we, without acting in bad taste —Copy !req
455. Can we get Johnnie Hamp
back on the phone...Copy !req
456. and tell him it looks like
we have a better offer from —Copy !req
457. I'll tell him. No?Copy !req
458. - Albert, if I may —
- Yes?Copy !req
459. Go along with me. I know Johnnie,
and Johnnie's a good guy.Copy !req
460. Johnnie is not about to
save them money, you know.Copy !req
461. But we only asked for 2,000.Copy !req
462. He's certainly not going to come back
with more than that.Copy !req
463. He's certainly not gonna come back
and say...Copy !req
464. "We'd like to give you
a little more than you asked for."Copy !req
465. What we can do is this. If we want to hold on,
Johnnie will be back in the morning.Copy !req
466. If he comes up with the 2,000, and if
they turn around and say, "Forget it" —Copy !req
467. if they come up with the 2,000, I'll say,
"Look, Johnnie.Copy !req
468. Albert wants to do it with you.Copy !req
469. We're not saying no to you
and doing the other one.Copy !req
470. We're gonna tell you straight
what happened.Copy !req
471. We were ready to do yours if
you came back with 2,000...Copy !req
472. but then the BBC got raving mad
and came up with 2,000...Copy !req
473. so you've got to top it."Copy !req
474. Albert. Um — Albert. Stuart.Copy !req
475. I'll be with Albert in a few moments...Copy !req
476. and I'll put it to him...Copy !req
477. and, uh, you know, I'm sure he'll come up
with a decision very quickly.Copy !req
478. Uh — Well, now, Stuart,
let me tell you —Copy !req
479. Yeah. No, let me tell you something,
between you and I.Copy !req
480. Very truthfully, as you know, um,
two months ago...Copy !req
481. Granada came on
when they heard he was coming.Copy !req
482. And you know them,
they pay, you know —Copy !req
483. Uh, well, they pay for the taxi as well,
if you know what I mean.Copy !req
484. Uh, and they've been on there
hammering away like mad.Copy !req
485. So Albert does have
a pretty tough decision in a way.Copy !req
486. Yeah, but have you seen
today's chart?Copy !req
487. Dylan, number six,
"Subterranean Homesick Blues."Copy !req
488. Yeah, it jumped from, like,
45 or something to six. Yeah.Copy !req
489. I'll be with Albert
within 10 minutes or so.Copy !req
490. - Look at that guitar, man.
- Which one?Copy !req
491. This one right there.Copy !req
492. Do you believe that guitar?Copy !req
493. They don't have those guitars
in the States, man.Copy !req
494. Jesus!Copy !req
495. They're incredible.
Twenty grand?Copy !req
496. Here he comes!Copy !req
497. - I did not!
- Had a cut-down bend and long sideburns.Copy !req
498. Do you think it would bother me
one little bit if you disliked me?Copy !req
499. Uh, no. But if it were some people,
it might bother you.Copy !req
500. No, no, uh, you know —
I've got my friends.Copy !req
501. I-I mean, I —
You know, I'm well situated.Copy !req
502. What about before you had any
friends? Were you worried then?Copy !req
503. Was I worried?
I wasn't worried about it, no.Copy !req
504. I was lucky then.
Weren't you?Copy !req
505. - I think I've got very few friends now.
- Was it lucky when you didn't have any friends?Copy !req
506. - I don't really have any friends.
- Huh?Copy !req
507. - Do you have a lot of friends now?
- No.Copy !req
508. Because, um, I reached the stage when
I suddenly realized what a friend was...Copy !req
509. and then I probably had one or two.Copy !req
510. Before that, I didn't understand
what a friend was anyway.Copy !req
511. - You talk to your friends?
- I didn't know who they were then.Copy !req
512. - Now, your friends. You talk to your friends?
- Do I talk to them? Yeah.Copy !req
513. There are one or two people
who I believe I can talk to.Copy !req
514. That's why your friends are your friends?
Because you can talk to them?Copy !req
515. Um, I think a friend
is a friend because —Copy !req
516. - You can communicate with them?
- Uh, to a certain extent.Copy !req
517. They can understand me
more than anybody else.Copy !req
518. Oh. Well, you see, we differ. We differ.
We come from two different worlds.Copy !req
519. - You come from England,
I come from the United States.
- That's true. That's true.Copy !req
520. But I — We're still human beings,
so there's some sort of connection between us.Copy !req
521. Nah, I'm just a guitar player.Copy !req
522. That's all.Copy !req
523. Man, you're trying to knock me.Copy !req
524. I'm — Believe me,
I'm not even trying to do that.Copy !req
525. I mean, when somebody comes in to
interview you, normally what's your attitude?Copy !req
526. Oh, you just read those interviews
that were the first few days I was here.Copy !req
527. - Um, yeah. Yeah.
- Yeah. Those weren't right.Copy !req
528. You know that, right?Copy !req
529. You know that that was all lies.Copy !req
530. - Li — Well, I don't know.
- Lies and rubbish! You know that.Copy !req
531. I got the first few lines
and didn't read much more.Copy !req
532. Why I came here, I don't know.
I've been regaled with all this —Copy !req
533. - Are you going to the concert?
- Yeah, I'm going to watch.Copy !req
534. - I mean, I-I —
- Listen.Copy !req
535. - This is what I came to see, mostly.
- Okay, just listen.Copy !req
536. I came to see you, but I thought
I'd like to have a word with you first.Copy !req
537. What is your whole attitude to life?Copy !req
538. - When you meet somebody,
what is your attitude towards them?
- I don't like them!Copy !req
539. - You don't —
- No!Copy !req
540. I mean, I thought I'd come in here —
What's your attitude towards me?Copy !req
541. No, I haven't got attitude
towards you at all.Copy !req
542. Why should I have an attitude
towards you? I don't even know you.Copy !req
543. It'd be an attitude if you wanted to
know me or didn't want to know me.Copy !req
544. - Why should I want to know you?
- I don't know! That's what I'm asking.Copy !req
545. Well, I don't know! Right?Copy !req
546. Ask me another question.Copy !req
547. Just give me a reason
why I should want to know you.Copy !req
548. - I might be worth knowing.
- Why?Copy !req
549. - Huh?
- Why? Tell me why.Copy !req
550. What good is it gonna be for me to know you?
Name me one thing I'm gonna gain.Copy !req
551. Well, you might learn something
from my attitude to life.Copy !req
552. - Well, what is your attitude to life?
- I can't explain that in two minutes.Copy !req
553. Well, what are you asking me
to explain in two minutes?Copy !req
554. All you're getting is two minutes. You're asking
me to explain something in two minutes too.Copy !req
555. But you have the answers. You're supposed
to be able to explain it in two minutes.Copy !req
556. - I am?
- Yeah.Copy !req
557. - What about you? Aren't you an artist?
- Oh, no.Copy !req
558. - What are you?
- I'm a science student.Copy !req
559. Let's hear it again.
What are you?Copy !req
560. - A what student?
- A science student.Copy !req
561. - Now, just what does that mean?
- Hmm?Copy !req
562. What does that mean?
What do you do?
What's your purpose in the world?Copy !req
563. - What's my purpose?
- Yeah.Copy !req
564. How do you help —
What do you do in the world?Copy !req
565. Well, I'm in the world for me, I guess,
just like everybody else.Copy !req
566. - Just like me.
- Yeah. Yeah.Copy !req
567. - So we're just alike, aren't we?
- I guess so.Copy !req
568. We don't come from two different worlds.
We both come from Prussia.Copy !req
569. You were wrong. You were wrong.
I was right all the time.Copy !req
570. No, but this is interesting.Copy !req
571. I mean, I go — I go to interview —Copy !req
572. If I go to interview Alan and his mob,
they couldn't care less about me.Copy !req
573. Well, you know, why don't you —
Haven't you ever stopped to wonder why?Copy !req
574. There's gotta be some reason,
doesn't there?Copy !req
575. - Yeah, yeah.
- I mean, it just doesn't happen.Copy !req
576. But it's nothing to do with me, because they
don't want to know me before I go in.Copy !req
577. - Huh?
- Before I go in —Copy !req
578. Well, what can you offer them?
Can you write them up in your paper?Copy !req
579. That's not — What is that?Copy !req
580. No, I-I-I don't think of myself
as necessarily a journalist.Copy !req
581. - You gonna give 'em some science?
- I'm a person, you know.Copy !req
582. Well, so what?
There's a million, thousand, billion —Copy !req
583. - There's so many persons outside.
- Yeah, I agree. Absolutely.Copy !req
584. - I mean, you can't know them all, can you?
- No. No.Copy !req
585. But if I meet somebody, speak to
them for a few minutes and I think...Copy !req
586. that guy might be able
to give me something.Copy !req
587. Well, then — Oh-ho!Copy !req
588. Whoa!Copy !req
589. - Yeah!
- Nitty-gritty!Copy !req
590. Now I'm getting down there, huh?
Yeah!Copy !req
591. - Well, what is it that you want?
- Um, everyone wants —Copy !req
592. - Everyone is out for what they can get.
- Well, what is it?Copy !req
593. I might be able to get, um,
something material —Copy !req
594. You wanna be able to get a chick.
You wanna be able to get a chick?Copy !req
595. Right there. Here. You got it.Copy !req
596. I don't want it.
I can't play that thing.Copy !req
597. - We don't want it either.
- Well, I can't play it.Copy !req
598. They may be able to give me
something material, but I'm not
necessarily interested.Copy !req
599. - What are they gonna give you spiritually?
- Urn, I might learn something.Copy !req
600. What? What don't you know
that you want to know?Copy !req
601. You get a kick out of
interviewing people?Copy !req
602. Well, I won't know
if I don't try to find out.Copy !req
603. - Well, you try.
- Huh?Copy !req
604. - Don't you ever —
- Wait —Copy !req
605. Do you ever just be quiet, silent and
just watch and don't say one word?Copy !req
606. Yeah, the whole thing that gets me
about you, and about Alan...Copy !req
607. is the fact that you're knocking
from the minute I come in.Copy !req
608. - Knocking?
- Yeah. You're not interested.Copy !req
609. I don't think you know
when you're liked. That's all.Copy !req
610. If we, you know — If we wanted to
knock you, we could put you on.Copy !req
611. Yeah, but he just said
that I'm talking a lot of rubbish.Copy !req
612. I never said that.
You're misquoting me already.Copy !req
613. No, I didn't misquote you.
I interpreted you.Copy !req
614. You interpreted him to your own —
to your own thing, right?Copy !req
615. Your own, uh — Your own —Copy !req
616. Your own rules of, uh —
Your own images.Copy !req
617. I had to give some answer.Copy !req
618. Why? Why do you
have to give some answer?Copy !req
619. - Well, to satisfy you.
- You don't have to satisfy me.Copy !req
620. Besides, it's impossible!Copy !req
621. Well, if you'd said you didn't want
an answer, I wouldn't have given one.Copy !req
622. - You always try to satisfy everybody?
- No.Copy !req
623. - Do you every once in a while try?
- Hmm?Copy !req
624. - Do you every once in a while
try to satisfy somebody?
- Somebody, yeah. Not everybody.Copy !req
625. - A few people though, huh?
- There's some people I can't satisfy
because that's the way I'm made.Copy !req
626. - Yeah.
- No matter how hard I try,
I couldn't satisfy them.Copy !req
627. - How do you know that?
- Hmm?Copy !req
628. - How do you know that?
- Um, I can —Copy !req
629. Well, after you get to know somebody for a
little while, you can guess just, um —Copy !req
630. Are you — Are you still friends with them,
even though you can't satisfy them?Copy !req
631. Yeah.Copy !req
632. - What do you talk about —
- Friends. Not deep friends.Copy !req
633. Not deep friends?
What's a deep friend?Copy !req
634. Somebody that you can —
You're almost on exactly the same plane with them.Copy !req
635. - Somebody that you're just like?
- You can communicate with them very well.Copy !req
636. Somebody that you're —
They're just like you. Right?Copy !req
637. - Looks like you?
- No. No.Copy !req
638. - Talks like you?
- Um —Copy !req
639. - How do you mean, "like somebody"?
- Thinks the same way.Copy !req
640. Thinks the same way?Copy !req
641. Like what? They both think that —
Both are happy about a green door?Copy !req
642. No, think in the same language.Copy !req
643. - Think in the same language.
- Yeah.Copy !req
644. So you can understand each other and
you know what each other are thinking.Copy !req
645. Well, let's try and understand
each other, shall we?Copy !req
646. That wouldn't be a bad idea.Copy !req
647. That wouldn't be a bad idea.
And how are we gonna set about
understanding each other?Copy !req
648. - Well, you can ask your first question.
- Hmm?Copy !req
649. You can ask your first question. Oh, yeah.
Have you got a question to ask? Come on.Copy !req
650. You haven't got any questions?Copy !req
651. - Well, I didn't —
- I think somebody's calling for you.Copy !req
652. - You want me to go? I'll go.
- No, you don't have to go.Copy !req
653. No, I didn't — I didn't come in here —
I mean, I don't consider myself —Copy !req
654. He thinks of me as a journalist,
but I'm not a journalist.Copy !req
655. Hey, man. The high sheriff's lady
would like to talk to you.Copy !req
656. Who's the high sheriff's lady?Copy !req
657. Would I know?
Do I look like Robin Hood?Copy !req
658. We're all the high sheriff, man.Copy !req
659. - Where is this high sheriff's lady?
- I think she's the big cheese.Copy !req
660. - She's next door.
- I think she's 13 years old.Copy !req
661. Is this Jim Clarke?Copy !req
662. Jim Clarke
is the High Sheriff of Nottingham?Copy !req
663. Oh, dearie me.Copy !req
664. - Get your boots, Alan.
- She wants to say hello to you.Copy !req
665. - Well, who is she?
- I don't know. The guard just told me.Copy !req
666. The high sheriff's lady. I thought
you might get knocked out by that.Copy !req
667. The high sheriff's lady wants to say hello to you!Copy !req
668. The high sheriff!Copy !req
669. But I'm the sheriff's lady...Copy !req
670. and so on behalf of all of them I'm come to say
how very happy we are to have you here.Copy !req
671. I hope you have
a very successful night.Copy !req
672. Because everybody loves you.
There are thousands outside.Copy !req
673. These are my three boys.
Matthew, Stephen and Stephen.Copy !req
674. - Hi. Hi.
- And they think you're so marvelous...Copy !req
675. that they've left all their exam papers.Copy !req
676. They've got terribly important exams,
and they've left everything to come listen to you.Copy !req
677. - Ah. Okay, I hope —
- So I do —Copy !req
678. You'd better be good. You are good!
I don't think you can help being good.Copy !req
679. But we're really very thrilled indeed
to have you here.Copy !req
680. And if you come after May again, then I'll
have you as my guest in the mansion house.Copy !req
681. - This lady will be lord mayor.
- Oh! I'll come right over.Copy !req
682. After May.
When you come back.Copy !req
683. You see, I think the songs
you sing are very wonderful.Copy !req
684. - Thank you.
- And you write them yourself too,
don't you sometimes?Copy !req
685. - I wrote 'em all, yeah.
- Have you really?Copy !req
686. Yes, because they've got feeling
and they're really marvelous.Copy !req
687. And, uh, I really mean this. You're
a really good example for the youth.Copy !req
688. Thank you.Copy !req
689. So if you'll come back again,
I shall be delighted...Copy !req
690. to have you both as my guests
in the mansion house.Copy !req
691. - Oh, here. Here's my friend.
- We have something for you too.Copy !req
692. - How do you do? How do you do?
- Would you like that?Copy !req
693. - Ooh, love it! Is this from you?
- Yeah, it's mine. It's a used one.Copy !req
694. Thank you very much indeed.
That's very lovely of you.Copy !req
695. Now, if you're his friend,
I've just invited your friend —Copy !req
696. if he comes any time after May,
to come with his manager and you...Copy !req
697. and stay in my mansion house.Copy !req
698. It's a beautiful place.Copy !req
699. I shall be lord mayor after May,
God willing, of this lovely city.Copy !req
700. - Yeah, we'll come back.
- And I really mean it.Copy !req
701. I want everyone to know
what a wonderful city this is...Copy !req
702. and what hospitality we give...Copy !req
703. and also want you to know
how very thrilled we are to have you.Copy !req
704. Thank you very much.
Good-bye. Good-bye. He's charming!Copy !req
705. it's 7:30 now? Oh, shit.Copy !req
706. - What song is that?
- George Formby.Copy !req
707. He's the one who does
"Mrs. Brown, You've Got a Lovely Daughter."Copy !req
708. I've heard it
by Herman and the Hermits.Copy !req
709. - That is —
- This is gonna be on television.Copy !req
710. Dear Billy, he does all
these slow actions, man.Copy !req
711. He's like a human sloth.
You know? He does —Copy !req
712. He has the microphone,
and he drops it down his back and —Copy !req
713. What are the Animals doing
for a piano player now?Copy !req
714. Uh, they've got one.Copy !req
715. There's a good friend of mine
going later on for good, you know.Copy !req
716. Yeah. Aren't you playing
with them no more?Copy !req
717. No.Copy !req
718. It's all right.
It happens. You know.Copy !req
719. it's king-size!Copy !req
720. - Oh, man. Sure don't feel like singing.
- You will when you get out there.Copy !req
721. Two encores or one, man?Copy !req
722. Maybe one.Copy !req
723. Yeah, I don't know. Maybe.Copy !req
724. I would like to do one.Copy !req
725. Who'd I give the matches to before?Copy !req
726. Where is -
Is there an opener somewhere?Copy !req
727. Shh. You got your opener here?Copy !req
728. What the hell is going on?Copy !req
729. Taking a bottle of sauce to work.Copy !req
730. You get glass in there?Copy !req
731. Wood.Copy !req
732. What about that?Copy !req
733. - Bob!
- What?Copy !req
734. - Keep playing.
- What are you doing?Copy !req
735. Bob. Bob. I wanna find out
where the sound —Copy !req
736. Well, where are you?
I'm acting like I can hear over here.Copy !req
737. - Are you here for the rehearsal now?
- Yeah.Copy !req
738. All right.Copy !req
739. - Where's the door?
- Downstairs.Copy !req
740. - Be clear, man. I got things on my —
- Go down the stairs.Copy !req
741. Sorry.Copy !req
742. - You got 'em?
- Yeah, I got 'em here.Copy !req
743. I got 'em.Copy !req
744. - Straight through.
- Got it.Copy !req
745. - Oh!
- Get in the taxi, Pete! Come on!Copy !req
746. Pete! Pete, get in the taxi!Copy !req
747. Holy shit! it's him!Copy !req
748. Oh, he's going.Copy !req
749. - Come on! Down here!
- Quick!Copy !req
750. Anyway —Copy !req
751. Let's write it in depth.Copy !req
752. - I want to know who threw that glass in the street?
- Yeah, this is —Copy !req
753. Who did it?
You'd better tell me, man!Copy !req
754. If somebody don't tell me who did it, you're all
gonna get the fuck out of here and never come back!Copy !req
755. Who did it? I don't care who did it!
I just wanna know who did it!Copy !req
756. I'm pissed. All right?Copy !req
757. I was out there, in the bathroom going out.Copy !req
758. Hey, don't tell me you're pissed, man!Copy !req
759. Don't tell me you're pissed.
I don't wanna hear you're pissed.Copy !req
760. - Who threw the glass in the street?
- I didn't throw the glass.Copy !req
761. Well, who did? Tell me.
You were there. Who threw it?Copy !req
762. - You know who?
- Yeah, I know who, Bob, but —Copy !req
763. All right. Hey, I don't care who did it.Copy !req
764. If you know, you better tell
whoever did it to get out there and —Copy !req
765. Tell the cats that come up here
to ask who did it — Tell 'em who it was.Copy !req
766. I'm not takin' no fuckin' responsibility
for cats I don't know, man!Copy !req
767. I got enough responsibility
with my friends and my own people.Copy !req
768. - I agree.
- No, no. Come on.Copy !req
769. - I was out there —
- I don't care who — Hey, don't —Copy !req
770. I don't want none of your shit, man.Copy !req
771. I'm not flashing shit.
I'm not giving you shit.Copy !req
772. What'd you do it for? What'd
you throw a glass at people for?Copy !req
773. - I didn't throw a glass —
- Well, show me the person that did.Copy !req
774. If you don't have him here by the count of 10,
you'd better take responsibility for it.Copy !req
775. One, two, three, four, five, six, seven,
eight, nine, 10. You got him here?Copy !req
776. No. I wouldn't know.Copy !req
777. Hey, man, I'm not kidding.
You think I'm kidding?Copy !req
778. Who's gonna clean up
that glass, man?Copy !req
779. I'll clean it up.
I'll clean up your glass.Copy !req
780. Hey, I'll help you, man.Copy !req
781. - I wouldn't clean your —
- Hey, I believe he's all right, man.Copy !req
782. - Hey, I believe he's all right. Okay.
- Listen.Copy !req
783. - No! I've heard it a thousand times!
- Oh, for fuck's sake!Copy !req
784. - Listen, I'm —
- I know a thousand cats that look just like you.Copy !req
785. - Talk just like you.
- Oh, fuck off.Copy !req
786. - Wow.
- You're a big noise. You know?Copy !req
787. - I know it, man. I know I'm a big noise!
- I know you do!Copy !req
788. - I'm a bigger noise than you, man.
- I'm a small noise. I'm a small cat.Copy !req
789. That's right.Copy !req
790. Listen, if I'd have thrown
a fucking glass —Copy !req
791. Hey. You're anything
You say you are, man!Copy !req
792. - I'm nothing! I'm nothing!
- I believe you.Copy !req
793. - Nothing!
- I believe you.Copy !req
794. - Boys — Boys.
- Listen, Bobby Dylan —Copy !req
795. - Could we have a drink over here?
- You're a big international noise. You know?Copy !req
796. - Right. Right.
- I'm nothing.Copy !req
797. I didn't throw any fucking glass
in the street, man.Copy !req
798. You know, if I had
and I wanted to believe it —Copy !req
799. - Well, who did, man?
- You know?Copy !req
800. If you'd have wanted to, you know,
come at me for fucking glasses —Copy !req
801. Frank. Hang on. Frank.Copy !req
802. - You know?
- Just a minute. Frank.Copy !req
803. - I'd have had a go at you.
- It's all over, man. It's over.Copy !req
804. Just tell the cats
they don't have to sweep it up.Copy !req
805. - I will go down and sweep it up.
- No, you don't have to.Copy !req
806. - Just tell 'em we'll do it.
- Be groovy.Copy !req
807. Yeah, either be groovy or leave, man.Copy !req
808. You don't have to be groovy for me. Just be
groovy to anyone you wanna be groovy for.Copy !req
809. There's a gentleman here
inquiring about a glass.Copy !req
810. - Right.
- Tell people to go, man.Copy !req
811. Hey, a lot of people can stay, man.Copy !req
812. Whoever did that glass thing —Copy !req
813. it appears there was a glass —Copy !req
814. - Oh, man —
- No, they've got several, you see.Copy !req
815. Oh, okay. We'll find out who did it.Copy !req
816. We won't find out who did it,
but, hey, I'm sorry about it.Copy !req
817. I used to wear a cowboy hat
like Jack. Right?Copy !req
818. I got a record of yours and Jack's.Copy !req
819. - Oh, yeah?
- I have one called The Cowboy —Copy !req
820. The Cowboys, and also, uh —Copy !req
821. - Ramblin' Boys. Yeah.
- The Ramblin' Boys and the Cowboys.Copy !req
822. I just wanted to —Copy !req
823. Just didn't want the glass
to hurt anybody.Copy !req
824. - Huh?
- Didn't want the glass to hurt anybody.Copy !req
825. - Yeah, me too.
- Yeah, okay.Copy !req
826. Listen, man, why don't we get together and
I'll turn you on to some things.Copy !req
827. Okay.Copy !req
828. - Are there any poets like
Allen Ginsberg around, man?
- No. No, nothing like that.Copy !req
829. - Dominic Behan.
- Yeah, no, no, I —Copy !req
830. No, I don't wanna hear nobody
like Dominic Behan, man.Copy !req
831. - Dominic Behan is —
- Dominic Behan is a friend of mine!Copy !req
832. That's fine, man. I just don't wanna
hear anybody like that though.Copy !req
833. - Hey, man, that's okay. Keep on.
- He plays like Jack, man!Copy !req
834. Hey, that's a good song, man.Copy !req
835. Sing, Bob.Copy !req
836. - Yeah.
- Well done!Copy !req
837. Don —Copy !req
838. - Play one.
- "It's All Over Now, Baby Blue."Copy !req
839. - You wanna hear that one?
- Yeah.Copy !req
840. Do you have a flat pick?Copy !req
841. Play it, Bob!Copy !req
842. - What key did you tune it down to?
- A "D" tuning.Copy !req
843. Great, Bob.Copy !req
844. That was nice, Bob.Copy !req
845. - I used to know —
- Wanna hear that song —Copy !req
846. Is that the stage door?Copy !req
847. Please, yes.Copy !req
848. This is the Savoy Hotel. We're on our way
in about 10 minutes with Mr. Bob Dylan.Copy !req
849. So can you have someone expect us?
Through the stage door?Copy !req
850. There's not many kids there?Copy !req
851. Okay, right. Thanks very much. Bye.Copy !req
852. Very few there, apparently, so —Copy !req
853. Beautiful day, man.Copy !req
854. I've been in offices all day, since 10:00
this morning, organizing my other tour.Copy !req
855. The other folk singer.Copy !req
856. Donovan.
Yeah, the other folk singer, yeah.Copy !req
857. - How's that tour doing?
- Uh, not so good.Copy !req
858. He said, "What do you think if we booked a
theater in Scarborough for a Sunday concert...Copy !req
859. and put just Donovan all on his own?"Copy !req
860. I said,
"Well, I can't see it for two hours."Copy !req
861. He said, "We should put one other act?".
I said, "We should put about four other acts."Copy !req
862. God, this must be
a very old theater, huh?Copy !req
863. Sure. Victoria died in 1894.Copy !req
864. Queen Victoria built it for her —Copy !req
865. Dude.Copy !req
866. Whoo. Look up there, man.
A touch of reality.Copy !req
867. Look at this place.Copy !req
868. Look at these old boxes. That's wild.Copy !req
869. God.Copy !req
870. Hello?Copy !req
871. - Is it here?
- It's all over the place.Copy !req
872. Yeah, I'll use it, man.
You know. I'll use it.Copy !req
873. Oh, man, that's great.Copy !req
874. Go pick one up.Copy !req
875. We'll just try to run
some warm water through it.Copy !req
876. You finished rehearsing, are you?Copy !req
877. - Finished rehearsing?
- We're finished with the stage.Copy !req
878. Right. Right.Copy !req
879. I can't use it, you know.
It's passable. It's just, you know —Copy !req
880. it's a drag. Get a new one.Copy !req
881. Okay.Copy !req
882. Send it over here.Copy !req
883. - Are you gonna see the concert tonight?
- Yes.Copy !req
884. - Are you gonna hear it?
- Well —Copy !req
885. Okay. You hear it and see it.Copy !req
886. It's gonna happen fast,
and you're not gonna get it all.Copy !req
887. And you might even hear
the wrong words. You know?Copy !req
888. And then afterwards — I won't
be able to talk to you afterwards.Copy !req
889. I got nothing to say about these things
I write. I mean, I just write 'em.Copy !req
890. I'm not gonna say anything about 'em.
I don't write 'em for any reason.Copy !req
891. There's no great message.Copy !req
892. If you wanna tell other people that,
go ahead and tell 'em.Copy !req
893. But I'm not gonna have to
answer to it.Copy !req
894. And they're just gonna think,
what's this Time magazine telling us?Copy !req
895. But you couldn't care less
about that either.Copy !req
896. You don't know
the people that read you.Copy !req
897. - Oh —
- 'Cause, you know, uh —Copy !req
898. I've never been in Time magazine...Copy !req
899. and yet this hall's filled twice.Copy !req
900. You know? I've never been in Time magazine.
I don't need Time magazine.Copy !req
901. And I don't think I'm a folk singer.Copy !req
902. You'll probably call me a folk singer,
but the other people will know better.Copy !req
903. The people that buy my records, listen to me,
don't necessarily read Time magazine.Copy !req
904. You know, the audience
that subscribe to Time magazine —Copy !req
905. the audience of the people that want to know
what's happening in the world week by week...Copy !req
906. the people that work during the day
and can read it —Copy !req
907. It's small. Right? And it's concise.Copy !req
908. And there's pictures in it.Copy !req
909. I mean, those kind —
that certain class of people.Copy !req
910. That's a class of people
that take the magazine seriously.Copy !req
911. Sure, I could read it.
I read it on the airplanes.Copy !req
912. But I don't take it seriously.Copy !req
913. If I wanna find out anything,
I'm not gonna read Time magazine.Copy !req
914. I'm not gonna read Newsweek,
any of these magazines.Copy !req
915. 'Cause they just got too much to lose
by printing the truth. You know that.Copy !req
916. What kinds of truth
are they leaving out?Copy !req
917. Anything, even on a worldwide basis.Copy !req
918. They'd go off the stands in a day
if they printed, really, the truth.Copy !req
919. - What is really the truth?
- Really the truth is just a plain picture.Copy !req
920. Mm-hmm. Of what, for example?Copy !req
921. Of — Of, you know —
A plain picture of, uh — of, uh —Copy !req
922. Let's say, uh —Copy !req
923. uh, you know, a tramp vomiting, man,
into the sewer.Copy !req
924. And next door to the picture,
you know...Copy !req
925. Mr. Rockefeller or, you know...Copy !req
926. Mr., uh, C.W. Jones, you know,
on the subway going to work.Copy !req
927. Uh, you know, any kind of picture.Copy !req
928. Just make some sort of collage
of pictures, which they don't do.Copy !req
929. There's no ideas in Time magazine.Copy !req
930. There's just these facts
which too are switched.Copy !req
931. Because even the article you're doing,
the way it's gonna come out...Copy !req
932. don't you see,
it can't be a good article...Copy !req
933. because the guy that's writing the article
is sitting at a desk in New York.Copy !req
934. He is not even going out of his office.Copy !req
935. He's just gonna get these 15 reporters
and they're gonna send him a quota.Copy !req
936. Well, that's
actually not true because —Copy !req
937. He's gonna put himself on.
He's gonna put all his readers on.Copy !req
938. And in another week will be —
have some space in the magazine.Copy !req
939. But that's all.
It means nothing to anybody else.Copy !req
940. I'm not putting that down, because
people have got to eat and live.Copy !req
941. You know?Copy !req
942. But, uh, let's at least
be honest about it.Copy !req
943. - I mean, sure —
- Listen, I don't know that you —Copy !req
944. I know more about what you do —Copy !req
945. And you don't even have to ask me
how or why or anything —Copy !req
946. uh, just by looking —Copy !req
947. than you'll ever know about me, ever.Copy !req
948. I could tell you I'm not a folk singer
and explain to you why...Copy !req
949. but you wouldn't really understand.Copy !req
950. All you could do —
You could nod your head.Copy !req
951. - You could be willing to try —
- No, I couldn't even be willing to try.Copy !req
952. It would be — it's —
There's certain things which —Copy !req
953. Every word — Every word has
its little letter and big letter.Copy !req
954. Your friend had
the right word — "pigeonholed."Copy !req
955. No, that's not the word at all.Copy !req
956. Every word has its little letter
and big letter, like the word "know."Copy !req
957. The word "know" — K-N-O-W?Copy !req
958. You know the word "Know" —
capital K-N-O-W?Copy !req
959. - Yes.
- Like, each of us really knows nothing.Copy !req
960. - Yes.
- Right?Copy !req
961. We all think we know things,
but we really know nothing.Copy !req
962. But you're saying you know
more about what I do —Copy !req
963. - No, no, no, no!
- No, I'm saying — I'm saying —Copy !req
964. I'm saying that you're gonna die.
You're gonna go off the earth.Copy !req
965. You're gonna be dead. It could
be 20 years, tomorrow, anytime.Copy !req
966. So am I. We're just gonna be gone.
The world's gonna go on without us.Copy !req
967. - Right.
- All right.Copy !req
968. You do your job in the face of that,
and how seriously you take yourself...Copy !req
969. you decide for yourself.Copy !req
970. Okay? And I'll decide for myself.Copy !req
971. You're not gonna make me feel unhappy
by anything you print about me.Copy !req
972. I just can't — It couldn't, you know —
You couldn't offend me.Copy !req
973. And I'm sure, you know, I couldn't offend you.Copy !req
974. So, uh, uh...Copy !req
975. all I can hope for you to do
is, uh, you know...Copy !req
976. all your ideas in your own head,
somehow, wherever they are —Copy !req
977. Do you care about what you sing?Copy !req
978. How could I answer that
if you got the nerve to ask me?Copy !req
979. - Well, then you'll have to —
- You got a lot of nerve asking me
a question like that.Copy !req
980. Do you ask the Beatles that?Copy !req
981. I have to ask you that because you have
the nerve to question whether I care —Copy !req
982. I'm not questioning you because
I don't expect any answers from you.Copy !req
983. Did you think somebody wouldn't go see
somebody if they didn't want entertainment?Copy !req
984. - Of course not.
- Who wants to go get whipped?Copy !req
985. And if you do want to go get whipped,
aren't you being entertained?Copy !req
986. - All right, so, fine.
- Right?Copy !req
987. So you think anybody
that comes to see me...Copy !req
988. is coming for any other reason
except entertainment, really?Copy !req
989. They'll tell you they're coming
for different reasons.Copy !req
990. Who cares what they tell you?
Who cares what anybody —Copy !req
991. Well, they think they know
why they're doing it.Copy !req
992. - Do you know why they're doing it?
- I know some of the things they say —Copy !req
993. People say all kinds of things.
You have to sort of weed it out.Copy !req
994. - Can you weed it out?
- No, I don't read.Copy !req
995. Well, see, you're not gonna learn —
I can't teach you how to weed it out.Copy !req
996. I didn't see that I couldn't weed it out.
I said I don't read.Copy !req
997. Yeah, well, you know,
I-I-I have no idea.Copy !req
998. First of all, I'm not even a pop singer.Copy !req
999. - You think you'll ever be one?
- I don't know. I have no idea.Copy !req
1000. Everyone performing in front of audiences
is in some sense a pop singer.Copy !req
1001. Even if it's Caruso,
he's appealing to a popular —Copy !req
1002. And he's a pop singer.Copy !req
1003. I'm just as good a singer as Caruso.Copy !req
1004. Have you heard me sing?
Have you ever heard me sing?Copy !req
1005. - I like Caruso better.
- Oh, well, you see, right there now —Copy !req
1006. Right there we have a little disagreement.Copy !req
1007. I happen to be just as good as him.
A good singer.Copy !req
1008. You have to listen closely.Copy !req
1009. But I hit all those notes.Copy !req
1010. And I can hold my breath
three times as long, if I want to.Copy !req
1011. Is it gonna start on time?Copy !req
1012. Is it gonna start on time?
Anybody say anything different?Copy !req
1013. - What time is it supposed to start? 7:00?
- 7:30.Copy !req
1014. - Okay, okay, okay.
- That's it. That's the time.Copy !req
1015. Yeah.Copy !req
1016. - Donovan not playing yet?
- Yeah, I can't —Copy !req
1017. They'll start when he arrives, Bob.Copy !req
1018. - Well — Yeah.
- People like Donovan —Copy !req
1019. Man, they look just like
everybody out there.Copy !req
1020. You're special street police.Copy !req
1021. I like how — I mean,
all the seats are sold anyway, isn't it?Copy !req
1022. - Are you gonna go out soon or not?
- Yes, I am.Copy !req
1023. Hey, the Beatles are here.Copy !req
1024. They didn't want to stand.Copy !req
1025. Jackie!Copy !req
1026. I'm not with 2O people!Copy !req
1027. This sure be a lousy place, man,
not to be able to hear myself.Copy !req
1028. You hear yourself.Copy !req
1029. Really.
I'm standing right in back of you.Copy !req
1030. You ready?
Are you ready?Copy !req
1031. - Ready?
- About two minutes.Copy !req
1032. Then we'll have to —Copy !req
1033. Next time I come in, man, it'll be time to go.Copy !req
1034. So be ready.Copy !req
1035. - Not gonna come?
- Keep it closed.Copy !req
1036. Come on.
The hall's dark.Copy !req
1037. Let's go.Copy !req
1038. Let me see.Copy !req
1039. Is the hall dark?Copy !req
1040. This is called, "It's Alright, Ma
." Ho-ho-ho.Copy !req
1041. Liam's out. House lights on
the queen. Okay? Fair enough.Copy !req
1042. Ladies and gentlemen —Copy !req
1043. Actually, applause is kinda bullshit.Copy !req
1044. That'd be something else, man,
if they just sat there and waited.Copy !req
1045. Hey, man!Copy !req
1046. Go, driver, go.Copy !req
1047. Go, driver.Copy !req
1048. Ah, beautiful. Beautiful, man.Copy !req
1049. That was a good concert.
That was a good concert.Copy !req
1050. Beautiful.Copy !req
1051. They were all there, man.Copy !req
1052. All of them.Copy !req
1053. Goddamn.Copy !req
1054. The vanishing American.Copy !req
1055. Man, I feel like I've been through
some kind of a... thing. Right?Copy !req
1056. You have!Copy !req
1057. No, but there was something —
something special about that.Copy !req
1058. They've started
calling you an anarchist.Copy !req
1059. - Who?
- The papers. That's the word now.Copy !req
1060. - "Anarchist."
- Right.Copy !req
1061. - You're kidding. Which papers did you see that in?
- Oh, two or three.Copy !req
1062. - Today, yeah.
- "Anarchist."Copy !req
1063. Just 'cause you don't
offer any solutions.Copy !req
1064. - You're kidding.
- Of course.Copy !req
1065. - An anarchist.
- Yeah.Copy !req
1066. Sure.Copy !req
1067. Give me a cigarette.
Give the anarchist a cigarette.Copy !req
1068. Whoo.Copy !req
1069. "Anarchist."Copy !req
1070. A singer such as I.Copy !req
1071. Well, I was
a little surprised to see it myself.Copy !req
1072. It probably took 'em a while, man,
to think up that name.Copy !req
1073. "Anarch" —
No, they couldn't say "communist."Copy !req
1074. Well, didn't they say that yesterday?Copy !req
1075. - Communists aren't in —
- Communists —Copy !req
1076. I-In England, communists
really aren't, you know —Copy !req
1077. - Oh, it's cool here.
- Yeah.Copy !req
1078. - It's cool being —
- I don't think it's cool to be an anarchist though.Copy !req
1079. No, I'm sure.Copy !req
1080. I don't think it is.Copy !req