1. hey, candy man
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2. all right everybody, gather around
the candy man is here I
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3. what kind of candy you want?
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4. sweet chocolate
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5. chocolate malted candy
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6. gum drops, anything you wantj”
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7. you've come to the right man
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8. because I'm the candy man
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9. whool
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10. - who can take a sunrise?
- who can take a sunrise?
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11. - sprinkle it with dew
- sprinkle it with dew
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12. - candy man
- candy man
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13. oh, the candy man can
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14. the candy man can
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15. 'cause he mixes it with love
and makes the world taste good
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16. makes the world taste good
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17. - who can take a rainbow?
- who can take a rainbow?
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18. - wrap it in a sigh
- wrap it in a sigh
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19. soak it in the sun
and make a groovy lemon pie
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20. the candy man
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21. the candy man can
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22. the candy man can
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23. the candy man can
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24. 'cause he mixes it with love
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25. and makes the world taste good
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26. You're under arrest.
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27. Get on your knees.
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28. I didn't do anything.
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29. Hands! Hands! Hands!
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30. William, I know I told you
to take out the laundry.
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31. - Billy, where you going?
- Laundry.
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32. - Oh, can you do mine?
- No.
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33. I hope sherman gets you.
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34. If you see him, let us know.
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35. We don't need him scaring
any more kids, all right?
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36. And that's the lowdown. Them kids.
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37. They're still looking for him.
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38. Just don't get out after dark. You know?
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39. That's what I said.
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40. Suspicious noise from inside the building.
We're gonna check it out.
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41. - You nervous?
- What?
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42. You're doing that thing with the bottle,
with your hands.
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43. - Are you a little fidgety?
- No.No.
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44. - Yeah.
- Are you nervous?
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45. No, I want to become best friends
with your sister.
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46. See? How would you feel about that?
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47. - I'm fine.
- Uh-huh.
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48. Uh-uh. Uh-uh.
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49. What is this wine? Walgreens?
Rothschild's?
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50. We have a moscato in the fridge,
if that's more your taste.
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51. I think postmates delivers wine.
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52. Is this one of yours?
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53. Yes. Very old piece.
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54. He hates that I put that up there.
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55. - At some point, you gotta move on.
- Except that you haven't though, right,
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56. made a piece in, what, two years?
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57. It's just that you're my muse,
and I don't see you often enough, Troy.
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58. Mm-mmm. Mm-mmm.
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59. - Oh, my gosh, stop. You are too much.
- Hmm?
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60. - Thank you.
- Brat.
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61. - Let it breathe.
- Shut up.
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62. He's still salty we didn't use him
as our realtor.
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63. - As you can tell.
- Mm-hmm.
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64. - Horrible. How can you stand that?
- No, no, no, sweetie.
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65. You don't know the first thing
about Chicago real estate.
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66. He must like you,
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67. because he's really showing his ass.
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68. - Isn't he always?
- You overpaid, bri.
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69. It's not just the inside that counts.
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70. - It's close to the gallery.
- Yeah, it's very practical.
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71. - Okay, what is wrong with it?
- Nothing.
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72. As I told my sister many times,
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73. - the neighborhood is haunted.
- Everywhere is haunted.
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74. - Troy, do not start with that.
- Sure, sure, sure,
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75. but why choose a place
that used to be called smokey hollow?
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76. Then, little hell, then what is it?
Combat alley?
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77. - What's it called now?
- Cabrini-green.
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78. It was the projects.
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79. It was affordable housing
that had a particularly bad reputation.
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80. - You would never know.
- Because they tore it down
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81. and gentrified the shit out of it.
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82. White people built the ghetto
and then erased it
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83. when they realized they built the ghetto.
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84. - Oh, no offense.
- None taken.
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85. They took the opportunity
to make it livable.
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86. I could've got you a better conversion.
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87. They kept telling people
they were gonna make it better,
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88. moving 'em from place to place,
but they were just tearing it down,
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89. so they could develop
everything around it.
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90. Oh, like here.
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91. You guys want to hear a scary story?
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92. - No.
- Too bad.
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93. But I voted no.
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94. - Troy...
- Uh-oh.
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95. Oh, my gosh.
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96. Really?
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97. This shit better be good.
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98. This is a story
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99. about a woman named Helen Lyle.
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100. She was a grad student,
a white grad student,
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101. doing her thesis
on the urban legends of cabrini-green.
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102. For research, she came down
to cabrini a few times, you know?
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103. Asking questions,
taking pictures of grahiti of people.
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104. And then,
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105. one day,
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106. she/ust...
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107. Snaps.
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108. She beheaded a rottweiler
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109. By the time the police show up,
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110. she's in one of the apartments,
doing snow angels in a pool of blood
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111. - ew.
- Bullshit.
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112. - Troy.
- Bullshit.
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113. - Where do you get this?
- She killed a rottweiler?
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114. This is extra, even for you.
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115. There are articles written about this.
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116. Look it up.
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117. The authorities take her in,
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118. but she escapes almost immediately.
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119. She goes on a rampage,
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120. Lea ving a trail of bodies
in her wake and then,
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121. the baby of one of the residents...
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122. Is abducted.
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123. The mother is devastated
everyone is looking for him,
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124. and nothing.
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125. On the n/ght of the annual bonfire,
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126. with all of the residents
of cabrini watching...
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127. Helen arrives...
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128. With a sacrificial ofi'ering.
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129. Baby in her arms,
she runs towards the fire,
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130. but the y're on her, quick
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131. they say she was in a fugue state,
fighting back blindly.
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132. But they got the baby free.
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133. While everyone is fussing over h/m,
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134. Helen stands up,
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135. and walks right into the fire.
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136. And it's on that spot that she dies,
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137. burns to death,
fight in the middle of cabrini-green.
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138. Is my rosé still in the freezer?
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139. You don't want the moscato?
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140. Moscato's a dessert wine.
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141. - Bye, bri-bri.
- Love you.
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142. - Nice to meet you.
- And, Anthony, get painting!
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143. My sister's not trying to support you
the rest of her life.
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144. Put down those weights,
pick up them brushes.
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145. - Troy...
- Come on.
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146. He's funny.
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147. He is ridiculous.
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148. He is right.
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149. I'm just glad Troy's
finally dating someone normal.
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150. I was getting exhausted trying to keep up
with all those European fashion designers.
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151. Hello?
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152. What time is clive coming tomorrow?
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153. 10:00 am.
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154. You feeling good
about what you're showing?
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155. Uh, I think so.
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156. Some stuff he might enjoy.
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157. Mm-hmm.
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158. Okay, okay.
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159. Huh.
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160. I guess she did kill a rottweiler.
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161. Damn.
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162. I don't care.
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163. I'm not trying to get creeped out
in my new apartment before bed.
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164. Your new apartment is ghost-proof.
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165. - It was on the zillow listing.
- Our new apartment.
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166. Mm-hmm.
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167. Sorry.
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168. Come here.
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169. Hmm.
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170. Who are you, man?
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171. Uh, well...
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172. This is Anthony McCoy
of two years ago.
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173. I want the Anthony McCoy of the future.
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174. I want the great black hope
of the Chicago art scene of tomorrow.
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175. That's the guy that I gave a solo show to
straight out of grad school.
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176. Look, I really don't want
to have to go through
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177. the trouble of replacing you
in the summer show,
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178. but you're the only person
who hasn't shown me what I'm putting up!
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179. - I'm working on something.
- Dig into that history of yours, dude!
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180. I'm thinking about doing something
about the projects.
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181. - And about how white supremacy...
- White people.
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182. Yeah, how it creates these spaces
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183. of rampant neglect
for communities of color,
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184. - in particular, black communities.
- Yeah, like where you're from.
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185. - Yeah. Bronzeville.
- South side is kind of played.
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186. Uh, or cabrini-green.
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187. - I'm hungry.
- Me too.
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188. Bye, babe.
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189. - Don't forget we have your mom's tonight.
- 7:00.
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190. Bye.
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191. They'd almost never come
round here back in the day.
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192. Unless it was to take someone in.
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193. But that was a long time ago.
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194. Now they can't seem to stay away.
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195. At night, they post up where
the last of us still live,
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196. a police car on either side of the block.
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197. Keeping us safe...
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198. Or keeping us in.
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199. You've lived around here for a while?
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200. Uh, since before the high-rises came down.
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201. William. William Burke.
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202. Anthony McCoy.
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203. You need a hand?
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204. Home sweet home.
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205. Ah, the more things change,
the more things stay the same.
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206. How you doing, brother?
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207. Ask the white people around here
about "girl x," dantrell Davis.
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208. Blank stares.
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209. One white woman dies in the hood,
and the story lives on forever.
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210. It's a good story, I guess.
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211. You mind if I take some notes?
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212. Makes you think about what could make
someone just snap like that.
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213. Helen Lyle was out here
looking for Candyman.
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214. You ask me, I say she found him.
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215. What's Candyman?
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216. Forme, Candyman
was a guy named sherman fields.
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217. He had a hook for a hand.
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218. Neighborhood character.
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219. Used to stand there
and hand out sweets when / was a kid.
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220. One October,
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221. a razor blade shows up
in a little white girl's Halloween candy.
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222. Police come around looking for sherman,
but sherman's gone.
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223. And one day, I saw him myself.
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224. He'd been hiding in the walls.
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225. We got a suspicious noise...
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226. That's when I saw the true face of fear.
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227. Come on, come on. Go, go, go!
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228. Go, go! Come on, let's go!
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229. Hurry! Come on, go, go, go!
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230. Over here.
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231. Get out of here! Come on!
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232. They swarmed him.
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233. Killed him right there on the spot.
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234. What shows up a couple weeks later?
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235. More razor blades in more candy.
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236. That's when we knew
sherman had been innocent.
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237. Harmless.
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238. But that wasn't the last we saw of him.
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239. I don't know what to tell you.
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240. Beshaw dropped out of my show.
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241. Oh, I told you months ago
to put her in rehab.
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242. You fix this.
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243. Uh-huh.
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244. Uh-huh. Okay.
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245. What's up?
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246. - You forgot your mother's.
- Shit. I'm sorry.
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247. Will you please call that woman?
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248. - Tomorrow.
- You said that yesterday.
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249. And it's nice that she wants
to spend time with you.
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250. Not everyone has that.
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251. Is she okay?
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252. She implied that I give you money
so you won't visit her.
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253. So, she's about the same.
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254. - Stop it.
- That's great.
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255. I wanna show you something.
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256. - Do I need to come upstairs?
- Stay right there.
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257. All righty then.
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258. Sherman's face was beaten
so badly that it was unrecognizable,
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259. and that's where the story started.
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260. About them seeing him around cabrini.
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261. About him coming to get you.
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262. Over time, his name disappears,
and he just becomes the Candyman.
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263. What do you think?
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264. Well...
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265. It's a pretty literal approach.
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266. Not much room for viewer
interpretation, you know.
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267. Moving from the symbolism of violence
to the actual depiction of it.
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268. Okay, but how is it hitting you?
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269. It's...
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270. Painful.
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271. I feel really connected to this.
I've never been this clear before.
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272. It's like I know exactly
what I'm meant to be doing right now.
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273. Babe, that's great.
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274. - And I'm sure clive will be...
- Oh, there's one more thing.
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275. Thelegendis
if you say his name five times
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276. while looking in the mirror,
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277. he appears in the reflection
and kills you.
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278. So, I thought
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279. that we could...
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280. What did you think?
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281. Summon him.
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282. Hell no.
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283. Candyman.
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284. Anthony...
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285. - Candyman.
- Anthony, no.
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286. - Candyman.
- Stop. Stop it.
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287. - Candyman.
- Stop it!
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288. Okay.
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289. - You better not do that last one.
- Okay, okay, okay.
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290. - Candyman.
- Anthony, you play too much!
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291. Stop, stop, stop.
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292. What happened to your hand?
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293. - Fucking bee sting.
- Really?
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294. Yeah, that shit hurt.
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295. Mmm. Looks like it.
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296. - Kiss it.
- Get the fuck outta here.
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297. Help, help.
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298. - We can go now.
- Finally.
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299. Last year, we did a solo booth
at frieze la with Jameson.
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300. Phenomenal work.
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301. These are related works,
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302. but here, he's recreating
and looping archival footage.
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303. Just take your time.
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304. This is quite a departure
from your previous work.
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305. Go ahead, open it.
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306. I'm trying to align these moments in time
that exist in the same place.
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307. The idea is to almost
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308. calibrate tragedy into a focused lineage
that culminates in the now.
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309. Bnanna,
tell your boy not to hog the critic.
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310. He's got a whole thing.
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311. Yeah, no, I know, I heard it.
It's complicated.
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312. She's interacting with the piece.
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313. The mirror invites you
to attempt the summoning yourself.
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314. Huh.
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315. Anyway, I don't know why
I'm standing next to my own piece
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316. like some kind of asshole.
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317. - The work speaks for itself.
- Oh, it speaks, all right.
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318. It speaks in didactic knee-jerk clichés
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319. about the ambient violence
of the gentrification cycle.
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320. But your kind are the real pioneers
of that cycle, you know.
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321. Excuse me?
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322. Artists.
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323. Artists descend upon
disenfranchised neighborhoods
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324. divining cheap rent, so they can
dick around in their studios
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325. without the crushing burden of a day job.
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326. I'm gonna get another drink.
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327. - Should we try it?
- What?
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328. Summon the Candyman?
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329. Uh, yeah, no. Black people don't need
to be summoning shit.
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330. - Come on, that is nonsense.
- This isn't the bayou.
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331. In Chicago, that's white people shit.
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332. Mmm.
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333. - Candyman. Candyman.
- Zip it. Hey, stop.
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334. - Candyman.
- Stop it.
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335. Of course, I did. I owe Brianna one.
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336. She introduced me to Thelma golden
three years ago.
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337. You still owe me one for that.
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338. And, uh...
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339. Ah...
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340. Tony, is it?
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341. I love interventionist strategy.
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342. Conventional painting is such a drag.
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343. I love that you hid those fucking things
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344. in a storage room
with the lights out. 80 smart.
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345. Is all your work based on found material?
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346. I mean, where'd you
even find those paintings?
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347. Thrift store in the desert?
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348. I found them in the studio
where I painted them.
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349. You goofy-ass fuck.
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350. And you, you fucking hyenas.
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351. - Oh, what the fuck?
- Hey. Let's go. Clive.
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352. - Anthony.
- You think you'd even be here
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353. if it wasn't for her?
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354. Shouldn't you be stocking up
on morning-after pills
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355. to accommodate your summer intern program?
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356. That's not spontaneous.
You had that one in the bank.
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357. Yeah, I did, bitch.
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358. That's fine.
I can take being called a bitch.
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359. - It's fine. I'm on a nuvaring.
- I know.
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360. Thanks for coming.
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361. I'm so fucking over it.
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362. Honestly, if she can't control her man...
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363. She lost control.
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364. It's like, do I get a thank you? No!
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365. Do I get an apology for that display?
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366. Atrocity exhibition.
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367. Shoehorning her boyfriend
into my summer show was her first mistake.
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368. - Only mistake.
- She's done.
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369. And she has no one to blame but herself.
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370. Don't mix curation
with who you're fucking.
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371. Love will tear us apart.
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372. Jesus, jerrica, we get it.
You like joy division.
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373. - What's that thing again?
- What thing?
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374. You know.
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375. Say what five times in the mirror?
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376. You tell me.
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377. You proofread the press release, jerrica.
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378. "Candyman."
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379. But don't do it, okay?
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380. I don't want you to die tonight.
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381. At least, not until we...
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382. Fuck.
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383. You're no good for me.
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384. You know what? I changed my mind. Do it.
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385. Necrophilia's always been
on my bucket list.
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386. Mmm.
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387. Mmm.
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388. Hmm.
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389. Let's do it here then.
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390. - No, I've been here all day.
- Come on.
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391. Mmm.
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392. - Candyman.
- Are you serious?
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393. Quiet, bitch.
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394. Candyman.
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395. Candyman.
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396. - Candyman.
- Mmm.
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397. Candyman.
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398. See?
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399. Nothing.
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400. So much for that.
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401. Is this real?
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402. This is real?
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403. What the fuck?
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404. What the fuck!
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405. Hello?
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406. What...
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407. The fuck?
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408. Oh!
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409. Fuck!
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410. Fuck me. Must go faster.
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411. Must go faster!
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412. Fuck!
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413. Fuck! No!
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414. No! No!
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415. Stop! Stop! Stop!
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416. Help! No! No!
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417. Fucking assholes.
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418. The murders occurred after
n/ght driver gallery's group show opening.
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419. The bodies were discovered
in front of a piece
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420. from rising staranthon y ll/lcco y
entitled say my name.
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421. Law enforcement officers
say fhey are in vest/gating"
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422. Say my name.
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423. They said my name.
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424. And say my name.
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425. I don't know, just...
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426. It's cool to be mentioned, I guess.
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427. I mean, obviously...
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428. Obviously, it's... obviously, it's awful.
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429. Really?
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430. Clive?
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431. Dad?
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432. Why are you sitting there?
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433. Hey.
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434. I bet you didn't know
your daddy could fly.
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435. Did you?
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436. Well, I can.
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437. Anthony?
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438. Anthony?
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439. Are you okay?
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440. I had a bad dream.
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441. Me too.
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442. What was it?
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443. What was what?
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444. The dream.
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445. I'll be out. I'll be out in a minute.
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446. Anthony?
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447. So, I don't know what this is,
or how you knew it existed,
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448. but this is everything
we have under Helen Lyle.
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449. I didn't. That's why I had to ask.
Copy !req
450. Well, here it is.
Copy !req
451. Thanks, I appreciate it.
Copy !req
452. Of course.
I found it filed under true crimes.
Copy !req
453. Work-study undergrads are the worst.
Copy !req
454. So, are you a student?
Copy !req
455. Some of the things that
have happened in cabrini over the years,
Copy !req
456. violence just so extreme, so bizarre.
Copy !req
457. It's almost as /f violence
became a ritual.
Copy !req
458. The worst part,
Copy !req
459. the residents are afraid
to call the police.
Copy !req
460. A code of honor, perhaps,
fear of the police themselves.
Copy !req
461. The easy answer is always,
”candyman did it."
Copy !req
462. The summoning game itself
could be connected.
Copy !req
463. I mean, it's clear that
no one person makes this up.
Copy !req
464. This grew from the community's
collective subconscious.
Copy !req
465. A survival tool evolved from the need
to protect itself
Copy !req
466. and its children...
Copy !req
467. From the horrors of the community.
Copy !req
468. Bernadette and I tried the summoning.
Copy !req
469. It's amazing how efi'ective it can be.
Copy !req
470. The suggestion that
you're being fol/o wed or stalked
Copy !req
471. by something lurking
in your own reflection.
Copy !req
472. But / get it.
Copy !req
473. Intoxicating, inexplicably alluring
Copy !req
474. about the promise of seeing a ghost.
Copy !req
475. Almost as if...
Copy !req
476. Come on.
Copy !req
477. Ow!
Copy !req
478. Hey.
Copy !req
479. Excuse me.
Copy !req
480. And she heard a noise.
Copy !req
481. Do you remember her name?
Copy !req
482. I think
her name was ruthie Jean,
Copy !req
483. and she heard th/s banging and smashing...
Copy !req
484. Like somebody was trying to make
a hole in the wall.
Copy !req
485. So, ruthie called 977
Copy !req
486. and she said, ”there's somebody
coming through the walls."
Copy !req
487. And they didn't belie ve her.
Copy !req
488. They thought
the lady was crazy, right?
Copy !req
489. Mm-hmm.
So, she called 977 again,
Copy !req
490. and they still didn't belie ve her.
Copy !req
491. And when they finally got there,
she was dead.
Copy !req
492. Was she shot?
Copy !req
493. No.
Copy !req
494. No, she was killed with a hook.
Copy !req
495. Yeah.
Copy !req
496. Is it true?
Copy !req
497. Yeah, it is.
Lread it in the papers.
Copy !req
498. Candyman killed her.
Copy !req
499. Yeah, bu...
I don't know nothing about that.
Copy !req
500. Hello?
Copy !req
501. I'm going out.
Copy !req
502. We have the dinner tonight.
Copy !req
503. I don't know how long I'll be.
Copy !req
504. Jack Hyde is coming in from New York,
and he never comes to Chicago.
Copy !req
505. So, please don't fuck this up.
Copy !req
506. I'll be fine.
Copy !req
507. For me.
Copy !req
508. Don't fuck this up for me.
Copy !req
509. It's been a crazy couple of weeks.
Copy !req
510. That is putting it mildly.
Copy !req
511. As you can imagine, what I'm writing is
no longer an exhibition review.
Copy !req
512. It's...
Copy !req
513. It's now expanded into a larger article,
Copy !req
514. which impacts both the works
Copy !req
515. and the circumstances around the murders.
Copy !req
516. I see.
Copy !req
517. So, I just wanted to get
a few quotes from you.
Copy !req
518. Well, I don't know much of anything.
Copy !req
519. Your work is so macabre, and that's...
Copy !req
520. Pretty interesting,
considering what happened.
Copy !req
521. That's a coincidence.
Copy !req
522. I'm not saying that you're at fault,
Copy !req
523. and I'm certainly not saying
that a ghost manifested
Copy !req
524. by collective storytelling
killed a prominent art dealer.
Copy !req
525. I'm just saying that...
Copy !req
526. All of a sudden, your work seems...
Copy !req
527. Eternal.
Copy !req
528. What's next?
Copy !req
529. I'm expanding the work into a series.
Copy !req
530. I'm hoping to do a solo show.
Copy !req
531. All about Candyman. Spread the word.
Copy !req
532. Mmm, I love that idea.
Copy !req
533. I'm surprised at how positive
your take on my piece seems to be now.
Copy !req
534. Well, it grew on me.
Copy !req
535. - Seemed like you didn't quite get it.
- No, I get it.
Copy !req
536. It's the hood, gentrification, et cetera.
Copy !req
537. Artists gentrify the hood?
Copy !req
538. Who do you think makes the hood?
Copy !req
539. The city cuts off a community
and waits for it to die.
Copy !req
540. Then they invite developers in
Copy !req
541. and say, "hey, you artists,
Copy !req
542. you young people, you white,
preferably or only...
Copy !req
543. Please come to the hood, it's cheap.
Copy !req
544. And if you stick it out for a couple
of years, we'll bring you a whole foods."
Copy !req
545. You wanna be a part of the story, right?
Copy !req
546. Well, as a critic, I...
Copy !req
547. To really engage with the work,
Copy !req
548. to "get it"...
Copy !req
549. You should say it.
Copy !req
550. - Say what?
- Say his name.
Copy !req
551. Think I need to use the bathroom.
Copy !req
552. Oh, this is as good a time as any.
Copy !req
553. I dare you.
Copy !req
554. Doors open
to the right at state and lake.
Copy !req
555. Transfer to red line trains
at state and lake.
Copy !req
556. Ah!
Copy !req
557. Finley?
Copy !req
558. Are you all right?
Copy !req
559. - I thought...
- What?
Copy !req
560. I gotta go.
Copy !req
561. Really?
No one's buying it, not that I care.
Copy !req
562. Careful.
Copy !req
563. I love being here.
It's so provincial, yet exciting.
Copy !req
564. Oh, my god.
Have you met Danielle harrington?
Copy !req
565. - She's chief...
- Curator at the mca.
Copy !req
566. I find it crazy that
we actually haven't met yet.
Copy !req
567. I've been so eager to meet you.
Copy !req
568. Don't you start already. I get first dibs.
Copy !req
569. Clive literally had to die
for Brianna to be free. Sorry.
Copy !req
570. Jameson's doing a show
at my gallery in New York.
Copy !req
571. I think it's
the perfect opportunity for you
Copy !req
572. to spread your wings a bit more.
Copy !req
573. Come to the big city.
Copy !req
574. I could introduce you to
the women of entre nous
Copy !req
575. if you decide on New York.
Copy !req
576. Wow. Thank you.
Copy !req
577. I've actually been considering
going out on my own.
Copy !req
578. Don't you wanna focus
on working with artists
Copy !req
579. instead of chasing outstanding invoices?
Copy !req
580. You can change the institution
from the inside.
Copy !req
581. You should come by the museum some time.
Copy !req
582. Okay.
Copy !req
583. I think I'd like that.
Copy !req
584. Oh, my god.
Copy !req
585. - What's wrong?
- What's happening?
Copy !req
586. Finley Stephens was found dead
in her apartment.
Copy !req
587. Her husband found her.
Copy !req
588. Poor thing. Oh, her husband's a suspect.
Copy !req
589. - I have to go.
- Anthony.
Copy !req
590. Anthony?
Copy !req
591. What is he?
Copy !req
592. Candyman ain't a he.
Copy !req
593. Candyman's the whole damn hive.
Copy !req
594. There are others?
Copy !req
595. Samuel Evans.
Copy !req
596. Run down during
the white housing riots of the 505.
Copy !req
597. William bell, lynched in the 203.
Copy !req
598. But the first one, where it all began,
Copy !req
599. was in the 78903.
Copy !req
600. It's a story Helen found
the story of Daniel robitaille.
Copy !req
601. He 'd made a living touring the country
paintr'ng portraits for wealthy families.
Copy !req
602. Mostly white, and they loved h/m.
Copy !req
603. But you know how it goes.
Copy !req
604. They love what we make
Copy !req
605. but not us.
Copy !req
606. One day, he's commissioned
Copy !req
607. to par'nt the daughter
of a Chicago factory owner
Copy !req
608. who made his fortune in the stockyards.
Copy !req
609. Well,
Copy !req
610. robitaille committed
the ultimate sin of his time.
Copy !req
611. They fell in love.
Copy !req
612. They had an affair, she got pregnant.
Copy !req
613. The girl tells her father, and, well...
Copy !req
614. You know...
Copy !req
615. He hires some men to hunt robitarlle down,
Copy !req
616. told them to get creative.
Copy !req
617. Chased him through here
in the middle of the day.
Copy !req
618. He collapses from exhaustion
Copy !req
619. right near where the old tower
in Chestnut used to be.
Copy !req
620. They beat h/m. Tortured him.
Copy !req
621. They cut ofi' his arm
and jammed a meat hook in the stump.
Copy !req
622. They smeared honeycomb
from the nearby hives on his chest
Copy !req
623. and let the bees sting him.
Copy !req
624. A crowd started to form to watch the show.
Copy !req
625. The b/g finale:
Copy !req
626. They set him on fire
Copy !req
627. and he finally dies.
Copy !req
628. But a story like that,
Copy !req
629. a pain like that...
Copy !req
630. Lasts forever.
Copy !req
631. That's Candyman.
Copy !req
632. He's real?
Copy !req
633. Bell is real.
Copy !req
634. Samuel, sherman, Daniel robitaille.
They're all real.
Copy !req
635. Candyman is how we deal with the fact
that these things happened.
Copy !req
636. That they're still happening.
Copy !req
637. Get some rest, young blood.
Copy !req
638. You'll feel better in the morning.
Copy !req
639. Don't look at those!
Copy !req
640. What the fuck is this?
Copy !req
641. You shouldn't be looking at this.
Copy !req
642. Anthony, we are beyond
sensitive artist bullshit.
Copy !req
643. What is going on?
Copy !req
644. I think... I think...
Copy !req
645. - I made a mistake, bri.
- What do you mean?
Copy !req
646. - I brought him back.
- Who?
Copy !req
647. You promise you won't think I'm crazy?
Copy !req
648. Anthony, who?
Copy !req
649. Oh, god.
Copy !req
650. - Burke told me...
- God. Who is Burke?
Copy !req
651. From the laundromat.
He knows about all of it.
Copy !req
652. Knows about what?
Copy !req
653. Candyman.
Copy !req
654. - Candyman isn't real.
- I saw him!
Copy !req
655. Candyman isn't real, Anthony!
Copy !req
656. You know what is real?
Copy !req
657. Me, Anthony. Me. This, this is real.
Copy !req
658. - You don't understand.
- Okay.
Copy !req
659. I will show you that... okay.
Copy !req
660. - Candyman.
- No!
Copy !req
661. Candyman!
Copy !req
662. Don't... say his name.
Copy !req
663. - You stay the fuck right there.
- Bnanna_.
Copy !req
664. Don't follow me.
Copy !req
665. Mm-mmm. Mm-mmm.
Let the motherfucker try and come up here.
Copy !req
666. Fucking art ogre, fucking fee-fi-fo-fum.
Grady will stomp on his ass.
Copy !req
667. - Ain't that right, Grady?
- Ifl have to stomp, I'll stomp.
Copy !req
668. I mean, he literally was, like,
Copy !req
669. "I summoned Candyman," and I'm like...
Copy !req
670. Candyman ain't real, nigga.
Copy !req
671. I told you not to start dating
that dapper Dan-ass,
Copy !req
672. ii'i basquiat-ass, fucking no-job sun ra...
Copy !req
673. Troy. Okay.
Copy !req
674. Ain't a dick on the planet good enough
to offset a demonology hobby.
Copy !req
675. Okay, Troy, stop!
Copy !req
676. What? It's the truth.
If Grady came up in here,
Copy !req
677. smashing mirrors.
Copy !req
678. Mirrors.
Copy !req
679. He's right.
Copy !req
680. - All right.
- You...
Copy !req
681. Take care of Lucy.
Copy !req
682. And you are in time-out.
Copy !req
683. Come here.
Copy !req
684. Break it up.
Copy !req
685. I spoke to mom.
Copy !req
686. She wants to close the storage unit out,
Copy !req
687. so we finally have to deal
with dad's work.
Copy !req
688. I was thinking maybe we could
Copy !req
689. sell or...
Copy !req
690. - If you want to keep anything...
- No, I don't want any of that in my house.
Copy !req
691. - Thank you.
- Then, sell or do a show.
Copy !req
692. I think you should open a space.
Copy !req
693. I'm not doing a show
of the thing that killed him, Troy.
Copy !req
694. You can't hide everything, and...
Copy !req
695. - And just hope it goes away.
- Troy...
Copy !req
696. You don't have to be there every time
a tortured artist has a psychotic break.
Copy !req
697. I'm sorry.
Copy !req
698. Bri.
Copy !req
699. I'm glad you're here.
Copy !req
700. You can stay as long as you want,
on the condition you don't try
Copy !req
701. and summon Candyman.
Copy !req
702. Who would do that?
Copy !req
703. What's up?
Copy !req
704. Trina was fooked up this weekend.
Copy !req
705. - Guys, what should I do about my bangs?
- No one cares about your bangs.
Copy !req
706. Annika, look at this.
Copy !req
707. Trina's fucking trashed. Look.
Watch, watch, watch.
Copy !req
708. - Samantha.
- Oh, my god, that's so sad.
Copy !req
709. - Oh, shit.
- Look at this chunky-ass vomit.
Copy !req
710. Oh, my gosh, in front of everyone.
Copy !req
711. Have you guys heard of Candyman?
Copy !req
712. Fuck this. I changed my mind.
I'm not gonna do it.
Copy !req
713. - Come on, boof. Don't be a pussy.
- Why not? It's a warm and wonderful thing.
Copy !req
714. Boof, we're already in formation.
Copy !req
715. - Fine.
- Okay, ready?
Copy !req
716. Candyman.
Copy !req
717. All at once, dumb-ass.
Copy !req
718. Candyman.
Copy !req
719. Candyman.
Copy !req
720. Candyman.
Copy !req
721. - Not today. Not today.
- Come on.
Copy !req
722. Two more times.
Copy !req
723. Candyman.
Copy !req
724. One more.
Copy !req
725. Candyman.
Copy !req
726. Well, we're still alive, so...
Copy !req
727. Hey, trina.
Copy !req
728. Let's go.
Copy !req
729. Hey, triney, how's that hangover?
You're such a mess.
Copy !req
730. - Trina was fucking trashed.
- Don't let her drink that much.
Copy !req
731. That's between her and her god.
Copy !req
732. Trina, you broke the fucking door.
Copy !req
733. Haley, I'm too young to die. Open it.
Copy !req
734. I'm working on it.
Copy !req
735. Guys...
Copy !req
736. What the fuck?
Copy !req
737. - Wait, I forgot my vape.
- Boof.
Copy !req
738. You know, I don't think you should...
Copy !req
739. Boof?
Copy !req
740. Boof?
Copy !req
741. Boof?
Copy !req
742. What are you doing?
Copy !req
743. - Oh, my god, guys. Stop being so stupid!
- Haley!
Copy !req
744. This isn't funny.
Copy !req
745. You guys, what the fuck?
This isn't funny!
Copy !req
746. No!
Copy !req
747. No!
Copy !req
748. We've been trying to move
in a fresher direction
Copy !req
749. for the past few years,
Copy !req
750. and our last curator was a great guy,
but just had a hard time getting there.
Copy !req
751. Well, I've certainly noticed
a shift in programming
Copy !req
752. - since you started here.
- Hopefully for the best.
Copy !req
753. I'm so happy I finally got
to meet you at Jack's dinner.
Copy !req
754. Yes. He's been trying
to get us together before.
Copy !req
755. It's crazy about clive.
Copy !req
756. I heard you were the one
to find the bodies.
Copy !req
757. Yeah...
Copy !req
758. You've really emerged
Copy !req
759. as an interesting figure amidst all this.
Copy !req
760. The show you put together
sounded so good too.
Copy !req
761. You were so brave to embrace formlessness.
Copy !req
762. Actually, there were a lot of bodies...
Figures in the show.
Copy !req
763. Like Arnold's work.
Copy !req
764. For so long, abstraction has been about
indexing a sublimated emotional state,
Copy !req
765. - and I just wanted to focus on the body.
- Of course, but I mean,
Copy !req
766. between the recent tragedies
and your father's legacy,
Copy !req
767. you've got a fascinating story.
Copy !req
768. Right.
Copy !req
769. And your eye for emerging talent.
Copy !req
770. How long have you worked
with Anthony McCoy?
Copy !req
771. Just a couple years.
Copy !req
772. My board members are buzzing
about McCoy's work.
Copy !req
773. Feels like a project room show
is something we could start talking about.
Copy !req
774. And of course, any other artist
you have your eye on.
Copy !req
775. The near north side
community, once known as cabrini-green,
Copy !req
776. is stunned by the vicious mass murder
at golr'n college prep.
Copy !req
777. Police have found a startling link
to the art world murders,
Copy !req
778. r'n particular a piece called say my name,
Copy !req
779. which was written in the victims'blood
on the bathroom wall.
Copy !req
780. Welcome back, Mr. McCoy.
Copy !req
781. What?
Copy !req
782. I saw in your file you were born here.
Copy !req
783. I was born on the south side.
Copy !req
784. No, it says you were born here.
Copy !req
785. Regardless, it's good that
you came in when you did.
Copy !req
786. We need to admit you immediately
for monitoring and do some more testing.
Copy !req
787. Anthony, where have you been?
Copy !req
788. What happened to your hand?
Copy !req
789. Looks bad.
Copy !req
790. Went to river north memorial,
near cabrini.
Copy !req
791. They fixed me right up.
Copy !req
792. You've been painting?
Copy !req
793. Yeah, I've been inspired a lot, actually,
Copy !req
794. by cabrini.
Copy !req
795. You want some tea?
Copy !req
796. I heard a story about a fire.
Copy !req
797. Killed a woman named Helen Lyle.
Copy !req
798. A baby that was taken.
Copy !req
799. Something they used to call Candyman.
Copy !req
800. Don't.
Copy !req
801. Don't say that.
Copy !req
802. You told me I was born on the south side.
Copy !req
803. I did raise you in the home you remember.
Copy !req
804. But you were born in river north memorial
Copy !req
805. and spent the first two years in cabrini.
Copy !req
806. Why did you lie?
Copy !req
807. To protect you.
Copy !req
808. From what?
Copy !req
809. I just wanted you to grow up happy
Copy !req
810. and normal.
Copy !req
811. Do I look normal, mama?
Copy !req
812. I have to know.
Copy !req
813. Now.
Copy !req
814. When you first got taken,
I thought she was the one who did it.
Copy !req
815. When you first got taken,
I thought she was the one who did it.
Copy !req
816. Helen.
Copy !req
817. The way I found her in her apartment,
Copy !req
818. covered in blood.
Copy !req
819. We all thought she was crazy.
Copy !req
820. But it wasn't her.
Copy !req
821. It was him.
Copy !req
822. He had a purpose for you.
Copy !req
823. He chose you to be
Copy !req
824. one of his victims.
Copy !req
825. He wanted you to burn in that fire.
Copy !req
826. But she pulled you out...
Copy !req
827. And gave you back to me.
Copy !req
828. - I thought it ended that night.
- Wait/
Copy !req
829. In the fire.
I thought she ended I't.
Copy !req
830. And we vowed to never say his name again.
Copy !req
831. But...
Copy !req
832. Someone broke the pact and...
Copy !req
833. He found me.
Copy !req
834. I'm sorry.
Copy !req
835. Anthony, wait, wait. Baby, wait.
Copy !req
836. Where are you going?
Copy !req
837. Anthony, baby, wait, wait, wait.
Copy !req
838. Anthony?
Copy !req
839. It is Troy.
Copy !req
840. Come out immediately where I can see you.
Copy !req
841. - Immediately.
- Troy, stop. Please, oh, my gosh.
Copy !req
842. We are picking up her things
Copy !req
843. and we will...
Copy !req
844. Be leaving with them.
Copy !req
845. I see. Yeah, thanks.
Copy !req
846. He's not with Noah either.
Copy !req
847. What the hell is going on?
Copy !req
848. - Maybe Candyman got his ass.
- That's not funny, Troy.
Copy !req
849. Hello?
Copy !req
850. Anthony?
Copy !req
851. Nope.
Copy !req
852. Hello! Excuse me!
Copy !req
853. Please!
Copy !req
854. Go away.
Copy !req
855. - I wanna play.
- No.
Copy !req
856. - Please. I'm not scared anymore.
- Go play with your puppets.
Copy !req
857. I'm gonna pee on your bed
if you don't let me in.
Copy !req
858. You're being so annoying right now.
Copy !req
859. - What are you doing?
- Mind your business.
Copy !req
860. Come on, let me play. Please.
Copy !req
861. This game is for grown-ups,
and you're a big baby.
Copy !req
862. I'm not a baby.
Copy !req
863. Go away!
Copy !req
864. No, this is not gonna work.
Copy !req
865. Candyman.
Copy !req
866. Candyman.
Copy !req
867. Candyman.
Copy !req
868. Candyman.
Copy !req
869. Candyman.
Copy !req
870. I said...
Copy !req
871. Sabnna?
Copy !req
872. [Gasps}
Copy !req
873. Sherman.
Copy !req
874. Now...
Copy !req
875. We have a witness.
Copy !req
876. I think I saw the guy
you're looking for.
Copy !req
877. The "say my name" killer.
Copy !req
878. He's roaming around
the row houses at cabrini.
Copy !req
879. A black man, around 30.
Copy !req
880. He was waving a hook and talking crazy.
I think he's killing people down there!
Copy !req
881. What the fuck?
Copy !req
882. What the fuck?
Copy !req
883. I was baptized here.
Copy !req
884. Isn't it beautiful?
Copy !req
885. A... a... a... Anthony?
Copy !req
886. Oh, uh... yeah, I guess I'm on
some other shit now, huh?
Copy !req
887. When something leaves a stain,
Copy !req
888. even if you wash it out,
Copy !req
889. it's still there.
Copy !req
890. You can feel it.
Copy !req
891. A thinning, deep in the fabric.
Copy !req
892. This neighborhood got caught in a loop.
Copy !req
893. The shit got stained
in the exact same spot,
Copy !req
894. over and over,
Copy !req
895. until it finally rotted
from the inside out.
Copy !req
896. They tore down our homes,
so they could move back in.
Copy !req
897. We need Candyman.
Copy !req
898. 'Cause this time,
he'll be killing their fathers,
Copy !req
899. their babies, their sisters.
Copy !req
900. I knew it was only a matter of time
before the baby came back here,
Copy !req
901. in perfect symmetry.
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902. A chance for Candyman to take back
what's rightfully his.
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903. His legend.
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904. Hand.
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905. Wait...
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906. No, no, no, no!
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907. Anthony!
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908. See, you can really make
the story your own.
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909. But... Some of the specifics
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910. should be somewhat consistent.
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911. Here we have the story of Anthony McCoy,
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912. artist who lost his mind,
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913. and the cops showed up
and shot him down in cold blood
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914. without even saying a word.
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915. Well, say his name, if you dare!
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916. Say it five times in a mirror.
See what happens.
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917. When it's all done,
they'll tell his story,
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918. and Candyman will live...
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919. Forever.
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920. Here comes the swarm.
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921. Are you ready for the sacrament?
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922. Hey!
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923. Where you going?
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924. Don't you want a sweet?
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925. Fuck!
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926. Where you going?
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927. who can make the sunrise
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928. sprinkle it with dew?
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929. This is as good a place as any, pet.
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930. I think he's dead.
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931. Bnanna.
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932. No, no!
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933. Get up, Anthony. Get up.
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934. Baby, baby, baby...
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935. Please. No. No.
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936. Anthony, baby.
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937. - It's okay.
- Get up, please.
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938. Please.
Please stay with me, Anthony, please.
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939. Please, please, please. Please get up.
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940. Please get up, Anthony.
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941. Don't go.
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942. We're gonna get you help.
We're gonna get you to a hospital.
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943. We're gonna get you to a hospital.
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944. In here!
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945. - Put your hands up!
- He just needs...
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946. Oh, my god.
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947. Hey. Stay on your feet.
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948. - Come on. Move it.
- What's going on?
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949. We got two suspects, one's down.
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950. - Get her in the car.
- Hurry up.
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951. We didn't know what to do.
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952. Very unfortunate
what happened to your man in there.
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953. We'd been looking for him.
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954. Got a tip he'd be here.
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955. You know anything about that?
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956. Whatever you tell us helps.
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957. Any cooperation is noted.
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958. Saying what you saw
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959. when he came at Jones...
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960. And Jones, obviously knowing
what he'd done before,
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961. seeing his hook,
knowing you were in danger,
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962. had no choice but to discharge his weapon.
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963. Doesn't sound right to you?
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964. She's an accomplice.
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965. She held the victims down, he cut 'em up.
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966. He died coming at a cop.
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967. She goes to jail for the rest of her life.
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968. Which story is it?
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969. Can I see myself?
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970. What?
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971. In the mirror.
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972. I'll tell you everything
if you let me see myself.
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973. I'll say whatever you want.
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974. Candyman.
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975. Candyman.
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976. What?
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977. Candyman.
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978. What the fuck is that?
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979. - Candyman.
- Candyman?
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980. What the fuck?
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981. Holy shit.
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982. Rooney? Jesus. What the fuck?
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983. 10-1, emergency. Officer down.
Officer down.
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984. What the fuck!
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985. Get on the ground now! Now!
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986. What the fuck!
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987. - Let me in.
- I can't!
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988. Let me in, damn it!
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989. - Stop!
- No, no, no, no, no!
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990. Holy shit!
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991. What the fuck?
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992. Who are you?
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993. I am
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994. the writing on the walls.
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995. I'm the sweet smell of blood
on the street
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996. the buzz that echoes in the alleyways.
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997. They will say / shed innocent blood
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998. you are far from innocent,
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999. but the y'll sa y you were.
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1000. That's all that matters.
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1001. Tell...
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1002. Everyone.
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