1.  Camera test. 
			  
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2.  That's it. 
			  
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3.  The world is so fucked up. 
			  
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4.  Systematic oppression. 
			  
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5.  Income inequality. 
			  
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6.  The other stuff. 
			  
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7.  And there's only one thing
that I can do about it, 
			  
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8.  while… while being paid,
and being the center of attention. 
			  
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9.  I'm bored. 
			  
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10.  Hi. 
			  
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11.  Welcome to, uh, whatever this is. 
			  
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12.  Um, I've been working
for the last couple months, 
			  
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13.  um, testing this camera,
and testing lights, and writing, 
			  
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14.  and I've decided to, uh,
try to make a new special. 
			  
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15.  For real. 
			  
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16.  Um, it's not gonna be a normal special 
			  
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17.  because there's no audience,
and there's no crew. 
			  
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18.  It's just me and my camera, 
			  
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19.  and you and your screen. 
			  
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20.  Uh, the way that… that our Lord intended. 
			  
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21.  Um… 
			  
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22.  And the whole special
will be… will be filmed in this, uh, room. 
			  
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23.  And instead of being filmed 
			  
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24.  in a single night, it will be filmed in 
			  
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25.  uh, however long it takes to finish. 
			  
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26.  I hope you, uh, enjoy it. 
			  
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27.  I… I hope this special
can maybe do for you 
			  
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28.  what it's done for me
these last couple months, 
			  
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29.  which is, uh, to distract me from wanting 
			  
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30.  to put a bullet into my head with a gun. 
			  
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31.  So… 
			  
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32.  Yeah, thank you. 
			  
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33.  And a warning. 
			  
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34.  Um, I can already sort of tell
that this special is going to be 
			  
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35.  a little all over the place, 
			  
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36.  so don't expect
incredibly smooth transiti— 
			  
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37.  Hey, kids. 
			  
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38.  Today, we're gonna learn about the world. 
			  
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39.  Hey, everyone.
Look who stopped by to say hello. 
			  
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40.  It's Socko. 
			  
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41.  Hey! 
			  
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42.  Where you been, Socko? 
			  
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43.  I've been where I always am
when you're not wearing me on your hand. 
			  
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44.  In a frightening,
liminal space between states of being. 
			  
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45.  Not quite dead, not quite alive. 
			  
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46.  It's similar to a constant state
of sleep paralysis. 
			  
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47.  Socko, we were just talking
about the world and how it works. 
			  
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48.  Boy, that sounds complicated. 
			  
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49.  Do you have anything you'd want
to teach us about the world? 
			  
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50.  I wouldn't say anything that you probably
haven't already said yourself. 
			  
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51.  I don't know about that, Socko. 
			  
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52.  How about you give it a try? 
			  
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53.  All right. 
			  
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54.  Really? 
			  
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55.  That's pretty intense. 
			  
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56.  No shit. 
			  
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57.  What can I do to help? 
			  
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58.  Read a book or something. I don't know. 
			  
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59.  Just don't burden me
with the responsibility of educating you. 
			  
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60.  It's incredibly exhausting. 
			  
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61.  I'm sorry, Socko. 
			  
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62.  I was just trying
to become a better person. 
			  
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63.  Why do you rich fucking white people 
			  
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64.  insist on seeing
every socio-political conflict 
			  
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65.  through the myopic lens
of your own self-actualization? 
			  
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66.  This isn't about you. 
			  
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67.  So either get with it,
or get out of the fucking way. 
			  
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68.  Watch your mouth, buddy.
Remember who's on whose hand here. 
			  
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69.  But that's what I—
Have you not been fucking listening? 
			  
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70.  - We are entrenched in—
- All right. 
			  
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71.  Wait! No, please!
I don't want to go back. 
			  
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72.  I can't go… I can't go back. 
			  
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73.  Please. Please. 
			  
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74.  I'm sorry. 
			  
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75.  Are you gonna behave yourself? 
			  
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76.  Yes. 
			  
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77.  Yes, what? 
			  
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78.  - Yes, sir.
- Look at me. 
			  
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79.  Yes, sir. 
			  
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80.  That's better. 
			  
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81.  No! 
			  
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82.  Hello, my name is Bo Burnham. 
			  
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83.  And I am a former comedian, 
			  
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84.  turned social brand consultant. 
			  
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85.  It's a very exciting time to be a,
uh, brand. 
			  
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86.  It's also a bit of a scary time
because customers expect a lot more 
			  
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87.  from their brands
than they did in the past. 
			  
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88.  During this incredibly necessary 
			  
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89.  and overdue social reckoning
that we're having in our culture, 
			  
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90.  it is no longer acceptable for brands
to stay out of the conversation. 
			  
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91.  Consumers want to know, "Are you willing
to use your brand awareness 
			  
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92.  to effect positive social change?" 
			  
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93.  Which will create more brand awareness. 
			  
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94.  The question I ask the brands I work with
is, is, is, is, is, is, is, is, is, is… 
			  
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95.  "Are you gonna be
on the right side of history?" 
			  
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96.  The question isn't,
"What are you selling?" 
			  
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97.  Or… or "What service are you providing?" 
			  
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98.  The question is, "What do you stand for?" 
			  
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99.  Who are you, Bagel Bites? 
			  
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100.  All these big companies, they're so scared 
			  
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101.  of all this social change, and I come in
and I put their fears to rest. 
			  
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102.  You know, I tell them, "Just be honest." 
			  
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103.  "Tell your customers
that… that JPMorgan is against racism." 
			  
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104.  In theory. 
			  
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105.  The question is no longer, 
			  
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106.  "Do you want to buy Wheat Thins?"
For example. 
			  
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107.  The question is now, 
			  
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108.  "Will you support Wheat Thins
in the fight against Lyme disease?" 
			  
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109.  There's no sugarcoating it. The world is… 
			  
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110.  fucked up. 
			  
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111.  And you've got a choice as a brand.
You can… 
			  
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112.  hide and bury your head in the sand
and hope it fixes itself, 
			  
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113.  or you can roll up your sleeves
and get to work, 
			  
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114.  and sell Butterfingers. 
			  
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115.  [Bo] Here's a question for you guys. Um… 
			  
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116.  Is it… is it necessary? 
			  
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117.  Is it necessary
that every single person on this planet 
			  
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118.  um, expresses every single opinion
that they have 
			  
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119.  on every single thing that occurs 
			  
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120.  all at the same time? 
			  
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121.  Is that… is that necessary? 
			  
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122.  Um… 
			  
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123.  Or to ask in a slightly different way, 
			  
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124.  um, can… can anyone 
			  
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125.  shut the fuck up? 
			  
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126.  Can… can anyone, 
			  
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127.  any… any… 
			  
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128.  any one, any single one, 
			  
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129.  can any one… 
			  
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130.  …shut the fuck up about anything— 
			  
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131.  About any… any single thing? 
			  
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132.  Can any single person 
			  
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133.  shut the fuck up about any single thing 
			  
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134.  for an hour? 
			  
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135.  You know, is that… is that possible? 
			  
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136.  And I know you're thinking, 
			  
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137.  "You're not shutting
the fuck up right now," 
			  
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138.  and that's true, but… 
			  
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139.  Hey, everybody. 
			  
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140.  Um, I thought I'd do a reaction video
to the song that you just saw me perform. 
			  
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141.  Thought that might be fun. 
			  
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142.  Um, so I got my laptop all set up.
So I'm ready to go, and let's go. 
			  
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143.  I like this song. 
			  
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144.  Um, so the idea with this song
was basically that there's so many songs 
			  
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145.  in the past about…
about working-class jobs, 
			  
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146.  but not a lot about the labor exploitation
of the modern world, 
			  
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147.  so that was the idea here. 
			  
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148.  My beard is a little shorter in this video
'cause I filmed it a couple weeks ago. 
			  
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149.  I think it holds up.
The song, not the beard. 
			  
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150.  And then you cut.
I think it's funny to cut right on— 
			  
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151.  …do a reaction video
to the song that you just saw me perform. 
			  
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152.  - Thought that might be fun.
- What… 
			  
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153.  Um, so I got my… 
			  
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154.  Because this video played after that. 
			  
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155.  Right. So, and now… Right. 
			  
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156.  Okay, so I'll just keep reacting. 
			  
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157.  So, this is me reacting to the song. 
			  
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158.  Um… 
			  
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159.  What I'm doing is I'm explaining
what the song means. 
			  
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160.  Um, and what it's about.
I'm being a little pretentious. 
			  
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161.  It's, uh… it's an instinct I have
where I need everything that I write 
			  
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162.  to have some deeper meaning or something. 
			  
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163.  But it's a stupid song,
and, uh, it doesn't really mean anything, 
			  
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164.  and, uh, it's… it's pretty unlikable
that I… that I feel this need, 
			  
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165.  this desperate need,
to be seen as intelligent. 
			  
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166.  And the video's ending here,
as you can see, 
			  
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167.  and look, I'm very confused.
See, I'm very, very confused. 
			  
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168.  'Cause I'm staring at myself,
I don't know what I'm looking at, 
			  
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169.  and I'm starting to catch up now,
and realizing what's going on. 
			  
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170.  And, uh, yeah, now I'm deciding to react 
			  
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171.  to the reaction to the video. 
			  
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172.  So here, um, I'm reacting
to my own reacting, 
			  
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173.  and I'm criticizing my initial reaction
for… for being pretentious, 
			  
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174.  which is… which is honestly,
it's a… it's a defense mechanism. 
			  
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175.  I'm… I'm so worried
that criticism will be levied against me 
			  
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176.  that I levy it against myself
before anyone else can. 
			  
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177.  And I think that, "Oh, if I'm self-aware
about being a douchebag, 
			  
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178.  it'll somehow make me less
of a douchebag." But it… but it doesn't. 
			  
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179.  Um, self-awareness does not absolve
anybody of anything. 
			  
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180.  Am I balding?
This is really, really disturbing. 
			  
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181.  I don't like looking at myself like this,
and I want… I want this to stop. 
			  
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182.  Okay, I want this to stop.
I'm… I'm stopping this. 
			  
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183.  So, yeah,
that was, uh, my reaction to the song, 
			  
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184.  and I hope you enjoyed it. 
			  
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185.  I don't know about you guys, 
			  
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186.  but, um, you know,
I've been thinking recently that… 
			  
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187.  that you know, maybe, um, allowing 
			  
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188.  giant digital media corporations to 
			  
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189.  exploit the neurochemical drama 
			  
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190.  of our children for profit… 
			  
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191.  You know, maybe that was, uh… 
			  
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192.  a bad call 
			  
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193.  by us. 
			  
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194.  Maybe… 
			  
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195.  maybe the… the flattening of the entire
subjective human experience 
			  
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196.  into a… lifeless exchange of value 
			  
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197.  that benefits nobody, 
			  
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198.  except for, um, you know, 
			  
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199.  a handful of bug-eyed salamanders
in Silicon Valley… 
			  
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200.  Maybe that as a… as a way of life forever… 
			  
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201.  maybe that's, um, not good. 
			  
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202.  I'm… 
			  
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203.  horny. 
			  
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204.  Sexting 
			  
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205.  Hey, everybody. 
			  
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206.  Um, I just wanted to make
a really quick video to say thank you. 
			  
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207.  - Thank you for watching my content. 
			  
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208.  As you guys know, 
			  
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209.  I work really hard
to try to bring you guys 
			  
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210.  high-quality content
that I think you'll enjoy. 
			  
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211.  So the fact that you are enjoying it,
means everything to me. 
			  
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212.  So thank you, and also keep watching, 
			  
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213.  'cause there's a lot more content
where that came from. 
			  
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214.  All right, guys, see you later. 
			  
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215.  I took a big fucking breath. 
			  
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216.  One more. 
			  
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217.  Or not burn it. Is burning it bad?
What should I do with it? 
			  
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218.  Sh— 
			  
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219.  So, um… 
			  
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220.  I've been working on this special now
for six months. 
			  
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221.  And… the whole time
I've had a… a goal in mind, 
			  
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222.  which is I wanted to finish this thing 
			  
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223.  before I turned 30. 
			  
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224.  Um, because the idea of… of turning 30, 
			  
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225.  while still in this fucking room, 
			  
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226.  working on this thing alone, 
			  
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227.  um, that just seemed… 
			  
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228.  I just… I just wanted to avoid that. 
			  
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229.  So… 
			  
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230.  And you might be thinking, "Well,
that's fine. You know, look at you." 
			  
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231.  "You radiate such youth." 
			  
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232.  "You must not be turning 30 for years." 
			  
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233.  And that's very, uh, nice of you to say. 
			  
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234.  But the truth is 
			  
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235.  um, I turn 30 
			  
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236.  in less than a minute. 
			  
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237.  So I'm just gonna sit here and enjoy 
			  
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238.  uh, my twenties, 
			  
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239.  and then get back to work. 
			  
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240.  Yay. 
			  
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241.  Ah. 
			  
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242.  Yeah, I was born in 1990. 
			  
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243.  God… God damn it. 
			  
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244.  Oh fuck. 
			  
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245.  Oh yeah? Well, your fucking phones
are poisoning your minds. Okay? 
			  
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246.  So when you develop
a dissociative mental disorder 
			  
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247.  in your late twenties,
don't come crawling back to me. 
			  
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248.  - Okay. 
			  
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249.  Check that one. 
			  
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250.  - We'll do one more. 
			  
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251.  I just wanna say for the record, um,
that I do not want to kill myself, okay? 
			  
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252.  I don't wanna kill myself,
and I'm not going to kill myself. 
			  
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253.  Um, and if you're out there and you're
struggling with suicidal thoughts 
			  
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254.  and you want to kill yourself, 
			  
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255.  I just want to tell you don't. 
			  
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256.  Okay? Can you not, please? 
			  
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257.  Just don't. All right? 
			  
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258.  Fucking quit it with the— 
			  
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259.  But really, don't kill yourself.
You don't want to, because… 
			  
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260.  There are people that love you… 
			  
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261.  That's not true necessarily, 
			  
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262.  but there could be people
that love you in the future, 
			  
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263.  and just don't. 
			  
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264.  I've had people close to me
kill themselves, 
			  
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265.  and I'll be honest with you,
didn't love it. 
			  
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266.  Didn't love that. 
			  
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267.  So just don't. 
			  
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268.  But if I could kill myself for a year… 
			  
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269.  If I can— I'd do it today. 
			  
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270.  If I could kill myself today and be dead 
			  
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271.  until like 18 months from now, 
			  
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272.  um, I would do it, but alas… 
			  
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273.  …when you kill yourself,
you're dead forever, 
			  
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274.  and we shouldn't be dead forever yet. 
			  
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275.  So let's not. Right? 
			  
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276.  Come on, guys. 
			  
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277.  What's up, boys. Welcome to the stream. 
			  
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278.  Um, I'm gonna be doing
some live play today 
			  
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279.  for the first time in a while. 
			  
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280.  Uh, you guys have been wanting that,
so we're gonna do— 
			  
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281.  This is the title, Inside. 
			  
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282.  I've got a lot of requests
for this game in chat. 
			  
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283.  It's some indie developer.
I'm not really sure. 
			  
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284.  I'm going in totally cold on this. 
			  
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285.  Um, JB, thank you for the three months.
My dude, much appreciated. 
			  
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286.  Um… Okay. 
			  
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287.  That looks pretty good, graphics-wise.
I mean, I know it's a cinematic, but… 
			  
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288.  So we're gonna be trying
to do live plays every day this week, 
			  
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289.  so tune in for that. 
			  
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290.  I would be gifting 30 subs
at the end of the week. 
			  
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291.  Um, day 50, 250… All right,
so this dude's been in here for a while. 
			  
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292.  - So is this like an escape the room? 
			  
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293.  - Or… 
			  
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294.  Okay. 
			  
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295.  So I can cry. 
			  
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296.  So he's… he's not happy
about being in this room. 
			  
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297.  I like the music.
The music is actually nice on this. 
			  
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298.  Controls are actually pretty smooth.
So you're in this like 2D set up, right? 
			  
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299.  Like, I can't control the camera. 
			  
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300.  Um… 
			  
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301.  I'll give it— I guess I'll cry again. 
			  
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302.  - He's— 
			  
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303.  So is the dude big, or is the room small? 
			  
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304.  That's what I'm confused about. 
			  
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305.  Chat's saying, try the door.
Yeah, well, okay. 
			  
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306.  I mean, I don't think
it's gonna be that simple, but I will. 
			  
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307.  Yeah, there ya go. 
			  
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308.  Um, okay,
Well, I think he'll probably cry again. 
			  
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309.  - It's tough, dude. 
			  
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310.  - It's tough. He's been in here a while. 
			  
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311.  Um, see, I don't like that. 
			  
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312.  I don't know why they feel the need
to give the hint so quick. 
			  
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313.  I just wish they'd let me…
let me explore a little bit. 
			  
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314.  Wha… I'm holding the flashlight
like a… like a cop. 
			  
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315.  - Why is he doing that? 
			  
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316.  Ah. 
			  
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317.  All right. Okay. So… 
			  
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318.  All right. 
			  
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319.  Okay, he seems a little happier now.
That's nice. 
			  
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320.  I don't know. 
			  
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321.  I'll cry, I guess, again. 
			  
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322.  Okay, I'm not sure
what I'm supposed to be do— 
			  
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323.  Oh! Nice. 
			  
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324.  Okay, yeah. 
			  
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325.  Yeah, great. Um… 
			  
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326.  All right, I'm into this. 
			  
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327.  Yeah, it's giving me
sort of like Death Stranding vibes, 
			  
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328.  you know,
'cause it's, like, it's fucking boring, 
			  
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329.  but that's, like, the point, I think. 
			  
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330.  Dante, thank you for the four months.
Appreciate it. 
			  
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331.  - [Bo] How we feeling out there tonight? 
			  
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332.  Yeah. 
			  
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333.  I am not feeling good. 
			  
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334.  [Bo] So, um, my… 
			  
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335.  uh, my current mental health is… is… 
			  
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336.  rapidly approaching, um, an ATL, 
			  
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337.  which is, um, that's an "all-time low," 
			  
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338.  not… not Atlanta. 
			  
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339.  And… 
			  
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340.  You know, I feel okay when I'm asleep.
Like when I'm asleep, I feel all right, 
			  
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341.  but it's basically
from the moment I wake up, 
			  
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342.  I, uh, I just get this— 
			  
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343.  Yeah, so, um… 
			  
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344.  Yeah. Not… 
			  
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345.  Not doing great. 
			  
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346.  You know, 
			  
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347.  it wasn't always like this. 
			  
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348.  Oh. 
			  
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349.  I've been freaking out for a long time, 
			  
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350.  thinking I'm never gonna finish
this special and be working on it forever. 
			  
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351.  And recently, I've been feeling like, 
			  
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352.  "Oh, man, maybe I am
getting close to done with this." 
			  
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353.  "Maybe I'm gonna finish it after all."
And that has made me completely freak out 
			  
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354.  because if I finish this special, 
			  
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355.  that means that I have to,
um, not work on it anymore. 
			  
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356.  And that means
I have to just live my life, 
			  
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357.  and so I'm not gonna do that,
and I'm gonna not finish the special. 
			  
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358.  I'm gonna work on it forever, I think. 
			  
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359.  So, yeah, I'm gonna work on this forever, 
			  
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360.  and I'm never gonna release it.
I'm not talking to anybody now. 
			  
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361.  I'm just talking to myself. 
			  
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362.  So, yeah, who fucking cares? 
			  
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363.  Fuck you, and goodbye,
and let's keep going. 
			  
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364.  Man, you guys are a great crowd. 
			  
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365.  Give it up for yourselves for coming out,
by the way, tonight. Give it up. 
			  
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366.  Supporting live comedy
in these weird times. 
			  
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367.  Um, it's crazy. Um… 
			  
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368.  These are some pretty crazy times,
but it's nice during these crazy times 
			  
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369.  that we can get together. We can laugh. 
			  
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370.  You know? Um… 
			  
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371.  I've learned something
over this last year, 
			  
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372.  which is pretty funny. 
			  
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373.  Um, I've learned that 
			  
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374.  real-world human-to-human
tactile contact will kill you, 
			  
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375.  and that all human interaction, 
			  
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376.  whether it be social, political,
spiritual, sexual, or interpersonal 
			  
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377.  should be contained
in the much more safe, much more real 
			  
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378.  interior digital space. 
			  
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379.  That the outside world, 
			  
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380.  the non-digital world, 
			  
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381.  is merely a theatrical space
in which one stages and records content 
			  
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382.  for the much more real,
much more vital digital space. 
			  
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383.  One should only engage
with the outside world 
			  
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384.  as one engages with a coal mine. 
			  
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385.  Suit up, gather what is needed,
and return to the surface. 
			  
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386.  Um… 
			  
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387.  And is it just me, or do pirates need
to take a little bit better care 
			  
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388.  of their fuckin' maps? 
			  
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389.  You know, when I find a pirate's map, 
			  
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390.  it's… it's always tea-stained,
and the edges are burnt, 
			  
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391.  and it's like if you're a pirate,
all right, and you're gonna 
			  
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392.  make this map and expect me
to carry it around the globe 
			  
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393.  as I search for your treasure, 
			  
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394.  then laminate it. 
			  
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395.  I can't really, uh,
play the guitar very well, 
			  
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396.  um, or sing, so… 
			  
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397.  You know, apologies. 
			  
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398.  So, I— 
			  
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399.  Jesus. 
			  
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400.  So I've been working
on this, uh, special for… 
			  
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401.  a year now. 
			  
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402.  It— 
			  
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403.  Fucking… 
			  
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404.  So I've been working on this special
for, um, a year now, 
			  
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405.  which is, um, a lot longer 
			  
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406.  than I anticipated working on it. 
			  
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407.  When I started… 
			  
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408.  So I've been working on— 
			  
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409.  I fucking… 
			  
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410.  I can't. I fucking… 
			  
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411.  Fucking… 
			  
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412.  I am… 
			  
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413.  not… 
			  
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414.  um, well. 
			  
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415.  [Bo] Thank you, guys. Thank you very much. 
			  
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416.  Thank you. 
			  
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417.  You guys have been incredible. Thank you. 
			  
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418.  I couldn't have done this
without you guys. 
			  
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419.  I couldn't, really. I… 
			  
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420.  This last year has been… 
			  
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421.  You know, there have been times
that, um… 
			  
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422.  But just knowing you're here, 
			  
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423.  you know, feeling you here with me. 
			  
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424.  Um… 
			  
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425.  Yeah, thank you. 
			  
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426.  You know, I hate to ask because, uh, 
			  
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427.  you've given me so much. 
			  
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428.  But… 
			  
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429.  I need you to do one more thing for me. 
			  
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430.  Can you do that? 
			  
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431.  You want to hear a funny story? 
			  
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432.  So, uh, 
			  
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433.  five years ago, I quit 
			  
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434.  performing live comedy, 
			  
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435.  because I was beginning to have, uh,
severe panic attacks while on stage, 
			  
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436.  which is not a great place to have them. 
			  
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437.  So, I… I quit. 
			  
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438.  And I didn't perform for five years,
and I spent that time… 
			  
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439.  trying to improve myself mentally. 
			  
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440.  And you know what? 
			  
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441.  I did! 
			  
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442.  I got better. 
			  
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443.  I got so much better, in fact, 
			  
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444.  that in January of 
			  
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445.  2020, 
			  
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446.  I thought, "You know what, I should… 
			  
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447.  start performing again." 
			  
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448.  "I've been hiding from the world, 
			  
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449.  and I need to… 
			  
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450.  reenter." 
			  
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451.  And then… 
			  
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452.  the funniest thing happened. 
			  
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453.  Get up. Get up. 
			  
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454.  I'm talking to you,
get the fuck up! 
			  
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455.  Hi. 
			  
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456.  Welcome to, uh, whatever this is, um… 
			  
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457.  I think— 
			  
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458.  I think I'm… I'm done. 
			  
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459.  Um, possible… uh, ending song 
			  
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460.  that is not finished yet. 
			  
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461.  Test. 
			  
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462.  Take one. 
			  
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