1. Camera test.
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2. That's it.
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3. The world is so fucked up.
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4. Systematic oppression.
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5. Income inequality.
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6. The other stuff.
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7. And there's only one thing
that I can do about it,
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8. while… while being paid,
and being the center of attention.
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9. I'm bored.
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10. Hi.
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11. Welcome to, uh, whatever this is.
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12. Um, I've been working
for the last couple months,
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13. um, testing this camera,
and testing lights, and writing,
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14. and I've decided to, uh,
try to make a new special.
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15. For real.
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16. Um, it's not gonna be a normal special
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17. because there's no audience,
and there's no crew.
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18. It's just me and my camera,
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19. and you and your screen.
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20. Uh, the way that… that our Lord intended.
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21. Um…
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22. And the whole special
will be… will be filmed in this, uh, room.
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23. And instead of being filmed
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24. in a single night, it will be filmed in
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25. uh, however long it takes to finish.
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26. I hope you, uh, enjoy it.
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27. I… I hope this special
can maybe do for you
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28. what it's done for me
these last couple months,
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29. which is, uh, to distract me from wanting
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30. to put a bullet into my head with a gun.
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31. So…
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32. Yeah, thank you.
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33. And a warning.
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34. Um, I can already sort of tell
that this special is going to be
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35. a little all over the place,
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36. so don't expect
incredibly smooth transiti—
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37. Hey, kids.
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38. Today, we're gonna learn about the world.
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39. Hey, everyone.
Look who stopped by to say hello.
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40. It's Socko.
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41. Hey!
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42. Where you been, Socko?
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43. I've been where I always am
when you're not wearing me on your hand.
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44. In a frightening,
liminal space between states of being.
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45. Not quite dead, not quite alive.
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46. It's similar to a constant state
of sleep paralysis.
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47. Socko, we were just talking
about the world and how it works.
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48. Boy, that sounds complicated.
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49. Do you have anything you'd want
to teach us about the world?
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50. I wouldn't say anything that you probably
haven't already said yourself.
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51. I don't know about that, Socko.
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52. How about you give it a try?
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53. All right.
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54. Really?
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55. That's pretty intense.
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56. No shit.
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57. What can I do to help?
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58. Read a book or something. I don't know.
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59. Just don't burden me
with the responsibility of educating you.
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60. It's incredibly exhausting.
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61. I'm sorry, Socko.
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62. I was just trying
to become a better person.
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63. Why do you rich fucking white people
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64. insist on seeing
every socio-political conflict
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65. through the myopic lens
of your own self-actualization?
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66. This isn't about you.
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67. So either get with it,
or get out of the fucking way.
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68. Watch your mouth, buddy.
Remember who's on whose hand here.
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69. But that's what I—
Have you not been fucking listening?
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70. - We are entrenched in—
- All right.
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71. Wait! No, please!
I don't want to go back.
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72. I can't go… I can't go back.
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73. Please. Please.
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74. I'm sorry.
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75. Are you gonna behave yourself?
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76. Yes.
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77. Yes, what?
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78. - Yes, sir.
- Look at me.
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79. Yes, sir.
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80. That's better.
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81. No!
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82. Hello, my name is Bo Burnham.
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83. And I am a former comedian,
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84. turned social brand consultant.
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85. It's a very exciting time to be a,
uh, brand.
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86. It's also a bit of a scary time
because customers expect a lot more
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87. from their brands
than they did in the past.
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88. During this incredibly necessary
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89. and overdue social reckoning
that we're having in our culture,
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90. it is no longer acceptable for brands
to stay out of the conversation.
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91. Consumers want to know, "Are you willing
to use your brand awareness
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92. to effect positive social change?"
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93. Which will create more brand awareness.
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94. The question I ask the brands I work with
is, is, is, is, is, is, is, is, is, is…
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95. "Are you gonna be
on the right side of history?"
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96. The question isn't,
"What are you selling?"
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97. Or… or "What service are you providing?"
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98. The question is, "What do you stand for?"
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99. Who are you, Bagel Bites?
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100. All these big companies, they're so scared
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101. of all this social change, and I come in
and I put their fears to rest.
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102. You know, I tell them, "Just be honest."
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103. "Tell your customers
that… that JPMorgan is against racism."
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104. In theory.
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105. The question is no longer,
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106. "Do you want to buy Wheat Thins?"
For example.
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107. The question is now,
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108. "Will you support Wheat Thins
in the fight against Lyme disease?"
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109. There's no sugarcoating it. The world is…
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110. fucked up.
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111. And you've got a choice as a brand.
You can…
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112. hide and bury your head in the sand
and hope it fixes itself,
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113. or you can roll up your sleeves
and get to work,
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114. and sell Butterfingers.
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115. [Bo] Here's a question for you guys. Um…
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116. Is it… is it necessary?
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117. Is it necessary
that every single person on this planet
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118. um, expresses every single opinion
that they have
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119. on every single thing that occurs
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120. all at the same time?
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121. Is that… is that necessary?
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122. Um…
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123. Or to ask in a slightly different way,
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124. um, can… can anyone
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125. shut the fuck up?
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126. Can… can anyone,
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127. any… any…
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128. any one, any single one,
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129. can any one…
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130. …shut the fuck up about anything—
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131. About any… any single thing?
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132. Can any single person
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133. shut the fuck up about any single thing
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134. for an hour?
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135. You know, is that… is that possible?
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136. And I know you're thinking,
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137. "You're not shutting
the fuck up right now,"
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138. and that's true, but…
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139. Hey, everybody.
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140. Um, I thought I'd do a reaction video
to the song that you just saw me perform.
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141. Thought that might be fun.
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142. Um, so I got my laptop all set up.
So I'm ready to go, and let's go.
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143. I like this song.
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144. Um, so the idea with this song
was basically that there's so many songs
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145. in the past about…
about working-class jobs,
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146. but not a lot about the labor exploitation
of the modern world,
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147. so that was the idea here.
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148. My beard is a little shorter in this video
'cause I filmed it a couple weeks ago.
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149. I think it holds up.
The song, not the beard.
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150. And then you cut.
I think it's funny to cut right on—
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151. …do a reaction video
to the song that you just saw me perform.
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152. - Thought that might be fun.
- What…
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153. Um, so I got my…
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154. Because this video played after that.
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155. Right. So, and now… Right.
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156. Okay, so I'll just keep reacting.
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157. So, this is me reacting to the song.
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158. Um…
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159. What I'm doing is I'm explaining
what the song means.
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160. Um, and what it's about.
I'm being a little pretentious.
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161. It's, uh… it's an instinct I have
where I need everything that I write
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162. to have some deeper meaning or something.
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163. But it's a stupid song,
and, uh, it doesn't really mean anything,
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164. and, uh, it's… it's pretty unlikable
that I… that I feel this need,
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165. this desperate need,
to be seen as intelligent.
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166. And the video's ending here,
as you can see,
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167. and look, I'm very confused.
See, I'm very, very confused.
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168. 'Cause I'm staring at myself,
I don't know what I'm looking at,
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169. and I'm starting to catch up now,
and realizing what's going on.
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170. And, uh, yeah, now I'm deciding to react
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171. to the reaction to the video.
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172. So here, um, I'm reacting
to my own reacting,
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173. and I'm criticizing my initial reaction
for… for being pretentious,
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174. which is… which is honestly,
it's a… it's a defense mechanism.
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175. I'm… I'm so worried
that criticism will be levied against me
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176. that I levy it against myself
before anyone else can.
Copy !req
177. And I think that, "Oh, if I'm self-aware
about being a douchebag,
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178. it'll somehow make me less
of a douchebag." But it… but it doesn't.
Copy !req
179. Um, self-awareness does not absolve
anybody of anything.
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180. Am I balding?
This is really, really disturbing.
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181. I don't like looking at myself like this,
and I want… I want this to stop.
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182. Okay, I want this to stop.
I'm… I'm stopping this.
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183. So, yeah,
that was, uh, my reaction to the song,
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184. and I hope you enjoyed it.
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185. I don't know about you guys,
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186. but, um, you know,
I've been thinking recently that…
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187. that you know, maybe, um, allowing
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188. giant digital media corporations to
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189. exploit the neurochemical drama
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190. of our children for profit…
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191. You know, maybe that was, uh…
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192. a bad call
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193. by us.
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194. Maybe…
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195. maybe the… the flattening of the entire
subjective human experience
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196. into a… lifeless exchange of value
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197. that benefits nobody,
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198. except for, um, you know,
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199. a handful of bug-eyed salamanders
in Silicon Valley…
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200. Maybe that as a… as a way of life forever…
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201. maybe that's, um, not good.
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202. I'm…
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203. horny.
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204. Sexting
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205. Hey, everybody.
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206. Um, I just wanted to make
a really quick video to say thank you.
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207. - Thank you for watching my content.
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208. As you guys know,
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209. I work really hard
to try to bring you guys
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210. high-quality content
that I think you'll enjoy.
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211. So the fact that you are enjoying it,
means everything to me.
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212. So thank you, and also keep watching,
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213. 'cause there's a lot more content
where that came from.
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214. All right, guys, see you later.
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215. I took a big fucking breath.
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216. One more.
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217. Or not burn it. Is burning it bad?
What should I do with it?
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218. Sh—
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219. So, um…
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220. I've been working on this special now
for six months.
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221. And… the whole time
I've had a… a goal in mind,
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222. which is I wanted to finish this thing
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223. before I turned 30.
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224. Um, because the idea of… of turning 30,
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225. while still in this fucking room,
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226. working on this thing alone,
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227. um, that just seemed…
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228. I just… I just wanted to avoid that.
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229. So…
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230. And you might be thinking, "Well,
that's fine. You know, look at you."
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231. "You radiate such youth."
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232. "You must not be turning 30 for years."
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233. And that's very, uh, nice of you to say.
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234. But the truth is
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235. um, I turn 30
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236. in less than a minute.
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237. So I'm just gonna sit here and enjoy
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238. uh, my twenties,
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239. and then get back to work.
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240. Yay.
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241. Ah.
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242. Yeah, I was born in 1990.
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243. God… God damn it.
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244. Oh fuck.
Copy !req
245. Oh yeah? Well, your fucking phones
are poisoning your minds. Okay?
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246. So when you develop
a dissociative mental disorder
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247. in your late twenties,
don't come crawling back to me.
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248. - Okay.
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249. Check that one.
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250. - We'll do one more.
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251. I just wanna say for the record, um,
that I do not want to kill myself, okay?
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252. I don't wanna kill myself,
and I'm not going to kill myself.
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253. Um, and if you're out there and you're
struggling with suicidal thoughts
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254. and you want to kill yourself,
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255. I just want to tell you don't.
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256. Okay? Can you not, please?
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257. Just don't. All right?
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258. Fucking quit it with the—
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259. But really, don't kill yourself.
You don't want to, because…
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260. There are people that love you…
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261. That's not true necessarily,
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262. but there could be people
that love you in the future,
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263. and just don't.
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264. I've had people close to me
kill themselves,
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265. and I'll be honest with you,
didn't love it.
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266. Didn't love that.
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267. So just don't.
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268. But if I could kill myself for a year…
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269. If I can— I'd do it today.
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270. If I could kill myself today and be dead
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271. until like 18 months from now,
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272. um, I would do it, but alas…
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273. …when you kill yourself,
you're dead forever,
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274. and we shouldn't be dead forever yet.
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275. So let's not. Right?
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276. Come on, guys.
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277. What's up, boys. Welcome to the stream.
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278. Um, I'm gonna be doing
some live play today
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279. for the first time in a while.
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280. Uh, you guys have been wanting that,
so we're gonna do—
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281. This is the title, Inside.
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282. I've got a lot of requests
for this game in chat.
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283. It's some indie developer.
I'm not really sure.
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284. I'm going in totally cold on this.
Copy !req
285. Um, JB, thank you for the three months.
My dude, much appreciated.
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286. Um… Okay.
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287. That looks pretty good, graphics-wise.
I mean, I know it's a cinematic, but…
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288. So we're gonna be trying
to do live plays every day this week,
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289. so tune in for that.
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290. I would be gifting 30 subs
at the end of the week.
Copy !req
291. Um, day 50, 250… All right,
so this dude's been in here for a while.
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292. - So is this like an escape the room?
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293. - Or…
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294. Okay.
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295. So I can cry.
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296. So he's… he's not happy
about being in this room.
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297. I like the music.
The music is actually nice on this.
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298. Controls are actually pretty smooth.
So you're in this like 2D set up, right?
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299. Like, I can't control the camera.
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300. Um…
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301. I'll give it— I guess I'll cry again.
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302. - He's—
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303. So is the dude big, or is the room small?
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304. That's what I'm confused about.
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305. Chat's saying, try the door.
Yeah, well, okay.
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306. I mean, I don't think
it's gonna be that simple, but I will.
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307. Yeah, there ya go.
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308. Um, okay,
Well, I think he'll probably cry again.
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309. - It's tough, dude.
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310. - It's tough. He's been in here a while.
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311. Um, see, I don't like that.
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312. I don't know why they feel the need
to give the hint so quick.
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313. I just wish they'd let me…
let me explore a little bit.
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314. Wha… I'm holding the flashlight
like a… like a cop.
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315. - Why is he doing that?
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316. Ah.
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317. All right. Okay. So…
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318. All right.
Copy !req
319. Okay, he seems a little happier now.
That's nice.
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320. I don't know.
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321. I'll cry, I guess, again.
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322. Okay, I'm not sure
what I'm supposed to be do—
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323. Oh! Nice.
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324. Okay, yeah.
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325. Yeah, great. Um…
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326. All right, I'm into this.
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327. Yeah, it's giving me
sort of like Death Stranding vibes,
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328. you know,
'cause it's, like, it's fucking boring,
Copy !req
329. but that's, like, the point, I think.
Copy !req
330. Dante, thank you for the four months.
Appreciate it.
Copy !req
331. - [Bo] How we feeling out there tonight?
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332. Yeah.
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333. I am not feeling good.
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334. [Bo] So, um, my…
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335. uh, my current mental health is… is…
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336. rapidly approaching, um, an ATL,
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337. which is, um, that's an "all-time low,"
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338. not… not Atlanta.
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339. And…
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340. You know, I feel okay when I'm asleep.
Like when I'm asleep, I feel all right,
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341. but it's basically
from the moment I wake up,
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342. I, uh, I just get this—
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343. Yeah, so, um…
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344. Yeah. Not…
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345. Not doing great.
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346. You know,
Copy !req
347. it wasn't always like this.
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348. Oh.
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349. I've been freaking out for a long time,
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350. thinking I'm never gonna finish
this special and be working on it forever.
Copy !req
351. And recently, I've been feeling like,
Copy !req
352. "Oh, man, maybe I am
getting close to done with this."
Copy !req
353. "Maybe I'm gonna finish it after all."
And that has made me completely freak out
Copy !req
354. because if I finish this special,
Copy !req
355. that means that I have to,
um, not work on it anymore.
Copy !req
356. And that means
I have to just live my life,
Copy !req
357. and so I'm not gonna do that,
and I'm gonna not finish the special.
Copy !req
358. I'm gonna work on it forever, I think.
Copy !req
359. So, yeah, I'm gonna work on this forever,
Copy !req
360. and I'm never gonna release it.
I'm not talking to anybody now.
Copy !req
361. I'm just talking to myself.
Copy !req
362. So, yeah, who fucking cares?
Copy !req
363. Fuck you, and goodbye,
and let's keep going.
Copy !req
364. Man, you guys are a great crowd.
Copy !req
365. Give it up for yourselves for coming out,
by the way, tonight. Give it up.
Copy !req
366. Supporting live comedy
in these weird times.
Copy !req
367. Um, it's crazy. Um…
Copy !req
368. These are some pretty crazy times,
but it's nice during these crazy times
Copy !req
369. that we can get together. We can laugh.
Copy !req
370. You know? Um…
Copy !req
371. I've learned something
over this last year,
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372. which is pretty funny.
Copy !req
373. Um, I've learned that
Copy !req
374. real-world human-to-human
tactile contact will kill you,
Copy !req
375. and that all human interaction,
Copy !req
376. whether it be social, political,
spiritual, sexual, or interpersonal
Copy !req
377. should be contained
in the much more safe, much more real
Copy !req
378. interior digital space.
Copy !req
379. That the outside world,
Copy !req
380. the non-digital world,
Copy !req
381. is merely a theatrical space
in which one stages and records content
Copy !req
382. for the much more real,
much more vital digital space.
Copy !req
383. One should only engage
with the outside world
Copy !req
384. as one engages with a coal mine.
Copy !req
385. Suit up, gather what is needed,
and return to the surface.
Copy !req
386. Um…
Copy !req
387. And is it just me, or do pirates need
to take a little bit better care
Copy !req
388. of their fuckin' maps?
Copy !req
389. You know, when I find a pirate's map,
Copy !req
390. it's… it's always tea-stained,
and the edges are burnt,
Copy !req
391. and it's like if you're a pirate,
all right, and you're gonna
Copy !req
392. make this map and expect me
to carry it around the globe
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393. as I search for your treasure,
Copy !req
394. then laminate it.
Copy !req
395. I can't really, uh,
play the guitar very well,
Copy !req
396. um, or sing, so…
Copy !req
397. You know, apologies.
Copy !req
398. So, I—
Copy !req
399. Jesus.
Copy !req
400. So I've been working
on this, uh, special for…
Copy !req
401. a year now.
Copy !req
402. It—
Copy !req
403. Fucking…
Copy !req
404. So I've been working on this special
for, um, a year now,
Copy !req
405. which is, um, a lot longer
Copy !req
406. than I anticipated working on it.
Copy !req
407. When I started…
Copy !req
408. So I've been working on—
Copy !req
409. I fucking…
Copy !req
410. I can't. I fucking…
Copy !req
411. Fucking…
Copy !req
412. I am…
Copy !req
413. not…
Copy !req
414. um, well.
Copy !req
415. [Bo] Thank you, guys. Thank you very much.
Copy !req
416. Thank you.
Copy !req
417. You guys have been incredible. Thank you.
Copy !req
418. I couldn't have done this
without you guys.
Copy !req
419. I couldn't, really. I…
Copy !req
420. This last year has been…
Copy !req
421. You know, there have been times
that, um…
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422. But just knowing you're here,
Copy !req
423. you know, feeling you here with me.
Copy !req
424. Um…
Copy !req
425. Yeah, thank you.
Copy !req
426. You know, I hate to ask because, uh,
Copy !req
427. you've given me so much.
Copy !req
428. But…
Copy !req
429. I need you to do one more thing for me.
Copy !req
430. Can you do that?
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431. You want to hear a funny story?
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432. So, uh,
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433. five years ago, I quit
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434. performing live comedy,
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435. because I was beginning to have, uh,
severe panic attacks while on stage,
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436. which is not a great place to have them.
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437. So, I… I quit.
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438. And I didn't perform for five years,
and I spent that time…
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439. trying to improve myself mentally.
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440. And you know what?
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441. I did!
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442. I got better.
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443. I got so much better, in fact,
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444. that in January of
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445. 2020,
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446. I thought, "You know what, I should…
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447. start performing again."
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448. "I've been hiding from the world,
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449. and I need to…
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450. reenter."
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451. And then…
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452. the funniest thing happened.
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453. Get up. Get up.
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454. I'm talking to you,
get the fuck up!
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455. Hi.
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456. Welcome to, uh, whatever this is, um…
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457. I think—
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458. I think I'm… I'm done.
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459. Um, possible… uh, ending song
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460. that is not finished yet.
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461. Test.
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462. Take one.
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