1. BLOOD AND BLACK LACE
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2. Directed by
MARIO BAVA
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3. What's got into you?
Why did you come here?
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4. Don't you realise
that Isabella could see us?
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5. - Have you got any?
- No.
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6. I can't take this any more.
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7. If I don't get some soon
I'll go crazy.
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8. Don't be like that, Franco.
Have you tried asking Isabella?
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9. We had an argument.
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10. She even stole what I had,
damn her.
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11. Try to hang on in there.
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12. When I've finished work
we'll find some.
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13. Trust me. I'll help you.
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14. Now go.
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15. I'm counting on you.
Thanks. I'll be waiting.
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16. Bye.
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17. Isabella.
Your scarf.
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18. Thank you.
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19. - Bye.
- Bye.
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20. What's wrong?
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21. The sign's fallen off again.
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22. - Do you want me to go and fix it?
- No, not tonight.
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23. You can do it in the morning.
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24. Same old story...
Isabella's late again.
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25. I don't know what's wrong with that girl.
This is the third time.
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26. There's no need to get angry,
just give her a hefty fine.
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27. I certainly will, and I'll fire her
if she's as late as she was yesterday.
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28. - Good night, Madame.
- Good night.
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29. Nicole.
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30. Look at this dress.
Try to take more care of the clothes.
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31. There's another show tomorrow.
Look at this.
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32. - I'll be more careful. Sorry.
- You're always rushing off out of here.
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33. You're all the same,
that's all you think about.
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34. What does she expect?
she's so annoying.
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35. It's not easy being a widow.
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36. Isabella!
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37. No, thanks.
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38. - How long were the lights off?
- Ten minutes.
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39. How long
had the girl worked for you?
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40. About two years.
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41. What was she like?
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42. Very lively.
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43. A bit unruly, but there's
nothing bad I could say about her.
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44. As far as you know,
did she have a lot of friends?
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45. Inspector,
I'm not going to be much help here.
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46. I'm the managing director.
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47. You should ask the two girls
who lived with her.
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48. I can't believe it. Such a terrible thing.
I still can't get my head round it.
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49. Poor thing,
she was always so cheerful, so...
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50. Come on, stop crying.
It's not going to do any good.
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51. Inspector silvestri, this is Countess
Cristiana, the owner of the company.
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52. - Good morning.
- Good morning.
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53. Haven't I met you before, madam?
Or am I mistaken?
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54. Yes, we have actually met before.
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55. Because of my husband's accident.
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56. Exactly.
It was a car accident.
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57. I imagine you'Il be able to help me.
You must know all about your girls.
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58. Inspector,
this isn't a boarding school.
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59. I don't know or care
about what they do when they're not here.
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60. All right,
I'm going to be in the studio.
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61. - Will you excuse me?
- Of course.
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62. Come on, Peggy.
Stop crying.
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63. What good is it going to do?
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64. Come on.
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65. What time was it
when you went out to fix the sign?
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66. About seven. It was banging and the
noise was irritating Madame Cristiana.
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67. I went out and fixed it
as best I could.
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68. I protest!
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69. Mr Morlachi,
I demand an explanation.
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70. I'd only just come through the gates
when these men grabbed me.
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71. - Ask the inspector.
- Inspector?
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72. Calm down
and tell me why you're here.
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73. - I'm Marquis Riccardo Morelli...
- All right, but answer my question.
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74. He's come to pick me up.
He's my fiancé.
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75. Fiancé!
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76. - Why are you laughing?
- Because we live together.
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77. Did you know Isabella?
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78. Isabella?
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79. You introduced us once,
didn't you?
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80. Yes, I guess I knew her,
but only by sight.
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81. I see.
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82. Come on, Peggy.
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83. Be strong.
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84. Stop crying.
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85. It looks like
she's the only one who's upset.
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86. They were very good friends.
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87. - Did she live with you two?
- Yes.
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88. Who had she gone out with?
Who was the last person to see her?
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89. I don't know.
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90. Leave her alone. Everybody knows
who Isabella's lover was.
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91. - Who are you?
- Cesare Lazzarini, fashion designer.
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92. - Will you tell me his name?
- Whose?
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93. The lover's.
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94. Scalo. Franco scalo,
the famous antique dealer.
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95. - Police. Where's the inspector?
- In there.
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96. I can assure you
I don't know anything.
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97. - Excuse me a second.
- sure.
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98. It's confirmed.
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99. Shall I go?
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100. - Yes, go.
- All right.
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101. So...
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102. Tell me, what kind of relationship
did you have with Isabella?
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103. - We were friends.
- Or lovers?
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104. I'm going to admit to something,
but you mustn't be shocked.
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105. I don't believe in permanent
and everlasting relationships.
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106. I understand.
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107. Do you know what this is?
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108. No, I don't.
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109. - What is it?
- Cocaine.
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110. It was found
in your friend Isabella's house.
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111. In Isabella's house?
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112. - so you didn't know about this?
- No.
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113. Never mind.
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114. But I must ask you
to remain at my disposal.
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115. I'll see you again.
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116. Autumn Evening.
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117. Turn around.
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118. All right, you can go.
Quickly.
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119. - What's wrong, Cesaretto?
- Isabella was supposed to model this.
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120. - You're right.
- Who should I give it to?
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121. Let's see...
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122. - Peggy...
- Not me, please. I can't.
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123. For heaven's sake don't cry
or you'Il ruin your make-up.
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124. - Greta, you model it.
- No, I'm sorry, I can't wear it.
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125. - Don't be silly.
- It'll bring me bad luck.
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126. - someone's going to have to model it.
- I will.
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127. Good. Come on, hurry up.
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128. Why doesn't that surprise me?
she's so cynical.
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129. All right, you can go.
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130. Turn round. Good. Walk.
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131. Hold on a second.
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132. Something's missing.
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133. The brooch!
The green brooch.
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134. We can fix that now.
Where is it?
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135. Isabella brought her own.
She kept it in one of these boxes.
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136. Here it is.
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137. Look what I've found.
Isabella kept a diary.
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138. It'll be an interesting read.
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139. Listen. "He's a man who arouses
deep and desperate feelings in me.
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140. "I'd be prepared to die for him."
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141. Let me see.
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142. - I don't think we've got the right...
- What are you doing? Are you all mad?
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143. Does this seem like the right time?
Go on, off you go. Get ready.
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144. I think we should give this
to the police.
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145. I found it and I'd like
to hand it in myself, if you don't mind.
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146. As you wish.
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147. Ray of Moonlight.
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148. - Ηello?
- Hello. Hello, Franco.
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149. Why didn't you come?
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150. I was on my way out
but I'm not feeling well. You know why.
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151. Sure, I understand.
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152. Try to come right away.
I've got some.
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153. Listen, Franco.
I've found a diary.
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154. - Isabella's diary.
- What?
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155. Isabella's diary?
Who else knows about it?
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156. Everybody, unfortunately.
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157. I realised too late that there could be
something compromising about you in it.
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158. I kept it
and said I'd hand it in to the police.
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159. Good. We'll have time
to take a look at it.
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160. - I'll come straight over.
- You don't sound well at all, Franco.
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161. Franco!
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162. Franco, can you hear me?
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163. Yes, Nicole.
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164. Sorry, I can't even breathe. But
now you've got some I'll feel better. Bye.
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165. I'll see you soon.
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166. Hurry up, girls.
Greta, you're on next.
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167. - Everything all right there, Marco?
- Yes, Madame.
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168. - Cesaretto, where were you?
- I'm here.
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169. I looked everywhere for you.
Why do I have to do everything myself?
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170. - Nicole?
- What is it?
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171. Telephone call.
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172. - For me?
- Yes, for you.
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173. - Hello?
- Hello. Nicole, is that you?
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174. - Yes. Who's speaking?
- It's Franco.
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175. I can't make it over there.
I feel too ill.
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176. You come over. Please. Now.
I feel like I'm suffocating.
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177. How am I supposed to get away?
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178. All right, I'll do my best.
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179. I'll try to come right away.
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180. There, it's all right now.
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181. Peggy, Franco's sick.
He needs me.
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182. I need to rush over and see him.
Will you lend me your car?
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183. But the show's not over yet.
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184. I don't care. Give me the keys
but don't let anyone see you.
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185. Hold on.
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186. - Peggy, what are you doing?
- Nothing, just getting my handkerchief.
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187. The alarm switch is hidden
in the glove compartment.
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188. All right.
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189. Thank you.
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190. ANTIQUEs
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191. Franco?
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192. - Have fun but don't come home too late.
- Don't worry.
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193. Marco!
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194. I want to keep you company
till Tao-Li gets back.
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195. Aren't you scared
of being at home on your own?
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196. I'm actually very tired
and I'd like to go straight to bed.
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197. But you'll have to stay up
till Nicole brings your car back.
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198. Please.
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199. All right. As you wish.
Come in.
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200. Thank you.
I didn't want to leave you.
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201. I'd have worried about you
being alone in that house.
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202. - Clarice, are you still here?
- Good evening, miss.
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203. Yes, I've only just finished.
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204. Didn't Miss Τao-Li
come back with you?
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205. She's gone to a party.
she'll be home Iater.
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206. Clarice looks after us.
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207. I'll be off, then. I left your dinner
in the oven to keep it warm.
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208. If Miss Tao-Li wants her concoction,
it's ready. She just needs to heat it up.
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209. Thank you, Clarice.
Good night. I'll see you tomorrow.
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210. Good night.
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211. Peggy...
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212. - You always refuse to listen to me.
- I listen to you.
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213. You don't. And I'm tired of telling you
the same thing over and over.
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214. I've told you a thousand times.
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215. Sadly I've fallen in love with you.
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216. But you don't care.
Why not?
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217. Calm down and come here.
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218. You see...
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219. I'm not well.
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220. I know you think I'm besotted,
and that drives me insane.
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221. I'm sick, unhappy...
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222. Don't be like that. I understand you.
I'm your friend. Come on, cheer up.
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223. - I'll have one of your cigarettes.
- No! stop! Leave it.
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224. What is it? I just wanted a cigarette.
What have I done?
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225. I'll get it for you.
You'll mess up my bag otherwise.
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226. Here.
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227. Hello?
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228. Good evening,
it's Inspector silvestri.
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229. I'm sorry to bother you.
I'm calling about your car.
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230. We found it unlocked and abandoned.
Had it been stolen?
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231. No, I lent it to my friend Nicole.
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232. Yes.
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233. Yes, she asked to borrow it so she
could visit a friend who wasn't well.
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234. Has something happened?
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235. I'd rather speak to you about this
in person.
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236. I'll come over to your house.
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237. All right, I'll be here.
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238. What's going on?
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239. They've found my car but not Nicole.
Oh, God, what's happened to her?
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240. - Is the inspector coming?
- Yes, he wants to speak to me.
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241. I'll be off, then. I'd rather the police
didn't find me with you.
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242. Yes, it's best
if nobody knows you came here.
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243. Yes, it is best.
Especially for you.
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244. - I'm sorry.
- I'll see you tomorrow.
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245. See you tomorrow.
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246. "I caught Peggy trying to steal
100,000 lire from my bag.
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247. "She started crying
and told me she needed it.
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248. "She's pregnant
but can't deal with the scandal.
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249. "I lent her the money
because I felt sorry for her.
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250. "Tomorrow I'll ask the bastard
for 200,000 lire."
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251. Is THE DIARY?
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252. I burnt it...
I burnt it...
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253. I burnt it!
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254. Miss Peggy?
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255. Good evening.
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256. Sorry, I know it's late for visiting,
but this is an urgent matter.
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257. Don't worry.
Please, have a seat.
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258. What's it about?
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259. Charles, you can go.
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260. I got back a short while ago
and found Nicole in my shop...
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261. murdered.
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262. My God!
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263. I'd gone to the studio
to pick Nicole up.
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264. Remember?
We bumped into each other.
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265. I looked everywhere
but I couldn't find her.
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266. So I went back home.
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267. Believe me,
I'll never forget what I saw.
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268. Sorry, but why did you come here
instead of going to the police?
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269. Nicole was my friend.
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270. She was killed in my shop.
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271. The police are bound to blame me.
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272. I need an alibi.
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273. - You've got to help me.
- Me? What have I got to do with this?
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274. You're in as much trouble as I am.
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275. We need to say that we were together
at the studio until we left.
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276. I'll vouch for you
and you'll vouch for me.
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277. - It's in both of our interests.
- You're insane.
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278. The police have no reason
to suspect me.
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279. You're the one who's in a fix.
Maybe you really did kill her.
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280. No. Call the police right now
or I'll do it.
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281. Go on, then,
and you can tell them about the lOUs.
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282. What lOUs?
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283. The IOUs you signed to guarantee
a seven million lire loan for Isabella
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284. that you couldn't pay.
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285. Is that true?
Riccardo, you didn't tell me. Is it true?
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286. Oh, my God.
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287. My dear Marquis,
you haven't got a penny to your name.
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288. You're completely ruined
and afraid of the scandal.
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289. That's a pretty good reason
to kill Isabella
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290. and maybe Nicole too, to make sure
the police didn't get hold of the diary.
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291. Who knows, maybe
all the expiry dates were written in it.
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292. What diary?
I don't know anything about it.
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293. Don't lie, Riccardo. I told you
Nicole had found Isabella's diary.
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294. As you can see, we're tied
to each other by a strong thread.
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295. If you don't want the police
sticking their noses into your business,
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296. you'd better do as I say.
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297. I'll go back to my shop now
and call the inspector.
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298. I'll tell him that we were together
all the time. All right?
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299. Good night.
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300. Why won't you believe me?
I burnt that diary.
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301. It contained things about me
that I didn't want people to know.
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302. I burnt it.
I swear I burnt it.
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303. Believe me.
Believe me!
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304. No!
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305. How did that girl get in here?
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306. - she had a key.
- How come?
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307. I'd given it to her.
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308. - she used to visit me sometimes.
- Her as well?
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309. You mustn't think that I...
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310. I'd left Isabella for Nicole.
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311. How many other people
had keys to that door?
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312. Nobody else.
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313. - Except me, of course.
- Of course.
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314. Did you take drugs with her too?
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315. - What are you saying, Inspector?
- Come on, scalo!
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316. Who are you trying to kid?
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317. You've got a drug habit.
It's written all over your face.
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318. I can even tell you
where you get your drugs.
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319. And...
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320. as for the girls who,
shall we say, keep you company,
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321. or who try to fight your habit,
like Isabella did,
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322. or who take drugs themselves,
like this one...
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323. That may well be the case,
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324. but it doesn't mean
that I'm a murderer.
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325. Besides, I have an alibi.
I was with...
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326. I haven't asked you about that... yet.
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327. We'll talk about it in good time.
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328. - When?
- Right now, in my office.
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329. - Do you recognise it?
- Yes, that's the one.
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330. - Are you sure?
- Yes.
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331. Hold on. I wrote down
the first few numbers.
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332. Here we go... 4, 5, 3.
What did I tell you?
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333. Did you see
if a man or a woman was driving?
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334. A man, definitely.
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335. He was all in black
and he didn't seem to have a face.
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336. Maybe he was wearing a mask.
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337. Maybe, I don't know. I looked at him
because I heard a horn.
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338. - What horn?
- The car horn, Inspector.
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339. It beeped, but not for very long.
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340. Then suddenly it stopped.
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341. Could there be an alarm
connected to the horn, Zanchin?
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342. Hold on, I'll check.
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343. Yes, there is one. It's at the back
of the glove compartment.
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344. - How long did it beep for?
- I don't know.
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345. - Not very long, like I said.
- Tell me how long.
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346. That's it.
Pretty much that long.
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347. If you didn't know where it was,
you'd take a while to find it.
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348. Right.
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349. But if you did know
where it was hidden,
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350. you'd only need a few seconds.
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351. Come through.
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352. After you.
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353. Have a good look at these men.
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354. Did you ever see any of them
in Miss Peggy's car?
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355. - Hello, Mr Morlachi.
- Hello, Clarice.
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356. You know him?
You've seen him in the car?
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357. Of course she's seen me.
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358. In the car and walking, Iots of times.
All perfectly normal.
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359. I didn't say it wasn't.
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360. Let's keep going.
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361. - Him. I saw him in the car.
- Of course. Big deal.
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362. What's the point of this?
It's all a farce.
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363. Be quiet.
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364. You didn't just see me, did you?
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365. Open your eyes, you idiot.
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366. Him, for instance.
You saw him too, didn't you?
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367. Do you only want to know
who went in the car with Miss Peggy?
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368. Why?
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369. Because that gentleman
came to the house last night.
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370. He came with Miss Peggy.
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371. At last we're getting somewhere.
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372. You bastard! What are you trying
to insinuate? Do you want to ruin me?
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373. That's enough.
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374. Bloody murderer!
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375. Damn you!
Own up to it. You're the murderer.
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376. Inspector, have him examined.
He's impotent.
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377. That's why he hates women. He'd kill
them all because he can't have them.
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378. Why don't you tell the inspector
that that's why your wife left you?
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379. Oh, my God.
Oh, my God, I'm suffocating.
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380. - Hold his shoulders.
- Calm down.
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381. Take him to the infirmary.
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382. No!
Let me go!
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383. Let me go!
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384. - None of you knew he had epilepsy?
- I didn't know.
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385. You can go.
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386. Goodbye, Clarice.
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387. I'm very sorry but I'm going to have
to keep you here, Mr Morlachi,
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388. and you too, Mr Lazzarini.
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389. - What does "keep you here" mean?
- It means I'm legally detaining you.
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390. Excuse me, lnspector,
but you need a good reason to do that.
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391. Nicole's murderer
had been in Peggy's car before
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392. because he knew
where the alarm switch was hidden.
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393. - Can I go?
- Can I?
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394. No, you'll stay here too.
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395. This is absurd.
I've provided an alibi.
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396. - The marquis confirmed it.
- It's true. We were together.
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397. Don't worry, gentlemen,
I haven't forgotten.
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398. You were together until gone 11.
Nicole was killed after 10.
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399. - so why do you need us?
- Well...
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400. When I called Peggy
to tell her that we'd found her car,
Copy !req
401. it was about half past 11.
Copy !req
402. I got to her place
a quarter of an hour later,
Copy !req
403. but she was no longer there
and the house was in a complete mess.
Copy !req
404. Maybe they killed her too
and hid her body somewhere.
Copy !req
405. As far as this last event is concerned,
gentlemen,
Copy !req
406. I'd say your alibi was pretty useless.
Copy !req
407. It's already nine o'clock.
Copy !req
408. Why do we have to sit in the dark?
As if we weren't scared enough already.
Copy !req
409. Do what you want,
but try to stay calm.
Copy !req
410. How can we stay calm?
Copy !req
411. Aren't you worried
about everything that's happened?
Copy !req
412. I'm scared too, I admit it.
Copy !req
413. But there's no point in panicking.
Copy !req
414. I wish some of the men
would come back.
Copy !req
415. We're the only ones left
at the studio.
Copy !req
416. Hello?
Copy !req
417. Mr Morlachi, at last.
What's happened?
Copy !req
418. What?
Copy !req
419. That's ridiculous. Why?
What right do they have?
Copy !req
420. Oh, yes.
Copy !req
421. I see.
Copy !req
422. All right.
Copy !req
423. Of course.
Copy !req
424. Yes, don't worry.
Copy !req
425. All right.
Copy !req
426. - They've detained all five of them.
- Why?
Copy !req
427. Clearly the police believe
that one of them is the murderer.
Copy !req
428. I knew it.
Copy !req
429. Madame...
Copy !req
430. can we go?
Copy !req
431. Yes, please go.
Copy !req
432. Be strong.
Copy !req
433. - Good night.
- Good night.
Copy !req
434. I really envy those three living together.
Copy !req
435. At least they can keep
each other company.
Copy !req
436. - I'm going too, Madame.
- Yes, of course.
Copy !req
437. Wait... Why don't you come
and sleep at my house tonight?
Copy !req
438. What?
I just live round the corner.
Copy !req
439. Why should I go all the way to yours
out in the country?
Copy !req
440. I could come and sleep
at your house, then.
Copy !req
441. No, I'm sorry,
but I'd rather be on my own.
Copy !req
442. And I think you'd feel
even more afraid at my house.
Copy !req
443. Aren't you scared on your own?
They lived with you.
Copy !req
444. Isabella's been killed,
and Peggy...
Copy !req
445. Yes, I know.
Copy !req
446. But I'm certain
that nothing will happen tonight.
Copy !req
447. All the men have been detained
Copy !req
448. and I'm sure
one of them is the murderer.
Copy !req
449. - Good night, Madame.
- Good night.
Copy !req
450. Madame, I don't want to go home,
I want to sleep here.
Copy !req
451. No, my dear. You need to go
like the others. Good night.
Copy !req
452. But I'm frightened.
I live out of town in a house on its own.
Copy !req
453. Don't be a baby, Greta.
We've got a big day tomorrow.
Copy !req
454. Work must go on.
Copy !req
455. Listen...
Copy !req
456. Isabella and Nicole
were mixed up in a nasty business
Copy !req
457. that doesn't concern us.
Copy !req
458. We've got nothing to be frightened of.
Do you understand?
Copy !req
459. Off you go.
Don't worry.
Copy !req
460. - Good night, Madame.
- Good night.
Copy !req
461. Good night.
Copy !req
462. Miss...
Copy !req
463. Miss, the marquis called to say
Copy !req
464. that something came up
and he's stuck in town.
Copy !req
465. I know.
Can you make me some tea, please?
Copy !req
466. Right away, miss.
Copy !req
467. Hello? Hello?
Copy !req
468. I've brought your tea, miss.
Copy !req
469. Just a moment, please.
Copy !req
470. Come in.
Copy !req
471. Leave it up there, Charles.
I can do it myself.
Copy !req
472. Good night, miss.
Copy !req
473. Did you see how the murderer
attacked that poor girl?
Copy !req
474. He must have used a red-hot iron.
We're dealing with a madman here.
Copy !req
475. Or a homicidal sex maniac.
Copy !req
476. - Who only kills beautiful girls.
- Exactly.
Copy !req
477. Perhaps female beauty
makes him lose his head and kill.
Copy !req
478. We're going to have
to start again from scratch.
Copy !req
479. lnspector, Forensics are outside if you
want to see the footprints in the garden.
Copy !req
480. The footprints start over there.
Copy !req
481. The murderer drove up here
on this road,
Copy !req
482. got out and walked down the slope
to the house.
Copy !req
483. Τhe prints match the ones
found in the studio gardens.
Copy !req
484. - Are you sure?
- Yes, we took casts of them.
Copy !req
485. I could have sworn the culprit
was one of the five men we detained.
Copy !req
486. - We'll have to release them at once.
- Of course.
Copy !req
487. This time they really do have
a cast-iron alibi.
Copy !req
488. And I provided them with it.
Copy !req
489. Riccardo Morelli.
Make sure everything's there.
Copy !req
490. Massimo Morlachi.
Copy !req
491. Come in.
Copy !req
492. Mr Morlachi, I'd like to speak to you
for a moment if I may.
Copy !req
493. Yes, dear. Come in.
Copy !req
494. Mr Morlachi, I'm a calm woman,
I'm not at all nervous.
Copy !req
495. But I find the thought of a sex maniac
prowling around our studio
Copy !req
496. really very disturbing.
Copy !req
497. I've decided
to take some holiday.
Copy !req
498. I've booked a seat
on the flight to Paris tomorrow.
Copy !req
499. Paris?
Copy !req
500. - All right, Tao-Li.
- Thank you.
Copy !req
501. By the way, are you still living
in the countess's house?
Copy !req
502. - Yes. Why?
- Nothing. Just memories.
Copy !req
503. When the count was alive
I'd often go and visit them.
Copy !req
504. It's a beautiful house.
Copy !req
505. I remember being able to see
all over Rome from the terrace.
Copy !req
506. Yes, but right now
I'd rather see the rooftops of Paris.
Copy !req
507. - I don't doubt that. Have fun.
- Goodbye.
Copy !req
508. search as much as you like. I burnt
everything that could compromise you.
Copy !req
509. When I heard you'd been arrested
Copy !req
510. I got rid of Peggy's body.
Copy !req
511. They could have found it.
Copy !req
512. And I killed Greta
to give you an alibi.
Copy !req
513. Perfect.
Copy !req
514. Perfect but horrible.
Copy !req
515. I don't know how I did it.
Copy !req
516. I'd never have thought
I'd have the strength to kill.
Copy !req
517. But I did it for you.
Copy !req
518. I can imagine what it cost you.
Copy !req
519. But tell me, how did you manage
to take Peggy's body to Morelli's house?
Copy !req
520. I didn't take her there myself.
Copy !req
521. I just put her in the boot...
Copy !req
522. and Greta did the rest.
Copy !req
523. Why did you decide to use Greta?
Copy !req
524. Well, I knew
she'd be on her own at home.
Copy !req
525. - That made everything easier.
- Well done.
Copy !req
526. The police are convinced
they're dealing with a sex maniac.
Copy !req
527. Isabella, Nicole...
Copy !req
528. Peggy...
Copy !req
529. and now, with Greta,
that makes four.
Copy !req
530. Stop it.
Copy !req
531. Sweetheart, what's wrong?
Copy !req
532. Kiss me.
Copy !req
533. Are you worried, darling?
Copy !req
534. What a mess.
Copy !req
535. It's all because
of that stupid idiot Isabella.
Copy !req
536. Her blackmail
had become unbearable.
Copy !req
537. Money, money and more money.
Copy !req
538. Precisely because
she unfortunately found out...
Copy !req
539. that my husband's death
wasn't an accident,
Copy !req
540. she should have realised that it was
both foolish and dangerous to push it.
Copy !req
541. But no... No...
Copy !req
542. The more we gave her,
the more she wanted.
Copy !req
543. - she asked for it.
- she thought she had us on a string.
Copy !req
544. She felt like she was
the only witness to a perfect crime.
Copy !req
545. Her death would have been
perfect too,
Copy !req
546. if only that bloody diary
hadn't cropped up.
Copy !req
547. But it's all over now.
Copy !req
548. We've got nothing to worry about now,
darling. Nothing at all.
Copy !req
549. No, that's where you're wrong.
Very wrong.
Copy !req
550. The two of us
will never have any peace
Copy !req
551. until we give the police a culprit.
Copy !req
552. Peace!
Copy !req
553. Listen to me.
Copy !req
554. We'll never get away with it
Copy !req
555. unless we put a face
to their sex maniac.
Copy !req
556. Until they catch him
they'll be watching us.
Copy !req
557. All the girls who were killed
worked at the studio.
Copy !req
558. They've got no proof against us
but the case has become a sensation.
Copy !req
559. It's all over the papers.
The scandal's raging.
Copy !req
560. We need to find a solution.
Copy !req
561. So what do you want to do?
Copy !req
562. I know, darling.
We should go away to the moon.
Copy !req
563. We need to kill one last time.
Copy !req
564. And you'll be the one who does it.
Copy !req
565. - No.
- Yes.
Copy !req
566. They're definitely watching me.
Copy !req
567. Don't worry, darling,
I'll create a perfect alibi for you.
Copy !req
568. Stay calm.
Copy !req
569. No, Massimo.
You can't ask me to do a thing like that.
Copy !req
570. I refuse. I can't do it.
Do you understand?
Copy !req
571. You've done it already.
Copy !req
572. Yes, you're right,
I've done it already,
Copy !req
573. but I had a very different motive then.
Copy !req
574. You were in danger.
I had no choice.
Copy !req
575. I knew that if I didn't do it
Copy !req
576. I'd have lost you forever.
Copy !req
577. My love for you
gave me the strength to do it.
Copy !req
578. But it was horrible.
Copy !req
579. Horrible!
Copy !req
580. Don't cry. Listen to me.
Copy !req
581. You need to do what I say.
You have to kill Tao-Li.
Copy !req
582. You have to make it look like suicide.
Do you understand?
Copy !req
583. They'Il find the mask by her side
Copy !req
584. and think that she was the culprit.
Copy !req
585. If we don't do it, everything we've done
so far will have been pointless.
Copy !req
586. You're surprised to see me alive,
aren't you, Massimo?
Copy !req
587. Your plan was certainly
very ingenious.
Copy !req
588. It was going to be perfect,
just the way you like it,
Copy !req
589. but you didn't reckon
Copy !req
590. on the shop awning
Copy !req
591. breaking my fall.
Copy !req
592. Please...
Copy !req
593. Be quiet.
Copy !req
594. I know very well what you'd like to say.
You'd like to deny it.
Copy !req
595. But I saw you with the jewels.
You planned everything.
Copy !req
596. Only you knew that I'd use the ledge
if I was in danger.
Copy !req
597. Remember? You were the one
who suggested it. It was your idea.
Copy !req
598. Cristiana,
I swear it was an accident.
Copy !req
599. Do you really still think
that you can fool me?
Copy !req
600. Yes...
Copy !req
601. Yes, it was a very ingenious plan.
Copy !req
602. They'd have found me
dressed like this
Copy !req
603. and everything
would have been clear
Copy !req
604. and you'd have been free.
Copy !req
605. Now I understand
why you wanted to marry me in secret
Copy !req
606. and in such a hurry.
Copy !req
607. You were so in love with me.
so in love.
Copy !req
608. You were,
but with my villa, the house,
Copy !req
609. the studio, my money...
Copy !req
610. You wanted to get your hands
on everything I own by killing me.
Copy !req
611. Cristiana, I beg you...
Copy !req
612. You're wrong, darling.
It's not true.
Copy !req
613. It's not true.
Copy !req
614. You're imagining it all, darling.
Believe me.
Copy !req
615. I swear, Cristiana...
Copy !req
616. It was just an accident.
I didn't mean it to happen.
Copy !req
617. How could you think that?
Copy !req
618. I love you, darling, so much.
Copy !req
619. We'll go away.
We'll be together forever.
Copy !req
620. I'll never leave you.
Copy !req
621. Police...
Copy !req
622. Get me...
Copy !req
623. Get me Inspector silvestri...
Copy !req