1. I suppose we could just fire him.
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2. Of course,
we'll have to give him three months' notice.
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3. Stuff and nonsense. Leave it to me.
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4. I'll talk to the chairman and insist
on Mr Bean's immediate dismissal.
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5. Now, then, back to the agenda.
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6. The Grierson Gallery of California
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7. has recently received
a private donation of $50 million
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8. to spend on buying
Whistler's portrait of his mother
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9. from the Musée d'Orsay in Paris.
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10. It is quite simply the most historic purchase
made by an American gallery this century.
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11. It's as simple as this.
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12. The greatest painting ever
by an American artist
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13. is returning at last to America.
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14. From now on, Whistler's Mother lives
right here in Los Angeles,
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15. where she belongs.
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16. When will we actually see her?
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17. The unveiling will be in about two weeks,
and you're all invited.
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18. They've asked us to send a scholar
of great weight and substance
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19. to preside over the ceremony
and stay on for a couple of months
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20. of lectures and seminars.
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21. Dr Rosenblum, Dr Cutler,
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22. you both hold high claim
on this great honour.
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23. - The chairman is here, sir.
- Excellent. Send him in.
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24. Oh, and run and fetch Mr Bean, will you?
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25. - We're about to fire him.
- Marvellous.
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26. Yes, Mr Bean is
the worst employee in the gallery's history.
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27. Good afternoon, sir.
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28. Sit down. Sit down.
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29. Now, before we move on
to the major business of the day,
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30. I should like to broach
the question of Mr Bean.
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31. Now, Mr Bean has worked for us
for many years.
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32. And will for many years to come.
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33. I employed this splendid young man
when I was doing your job, Charles,
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34. and you can have my resignation
if you go anywhere near him.
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35. He's a fine young fellow.
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36. Absolutely. Quite right.
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37. Very well, moving on.
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38. The Grierson Gallery of California
needs a representative of our great gallery.
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39. They're looking for a scholar
of a very high standing.
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40. I have therefore decided
to recommend for the post,
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41. and the three-month sabbatical
that goes with it,
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42. that splendid employee,
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43. Mr Bean.
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44. All those in favour?
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45. Yes!
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46. Excellent. Carried.
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47. Our loss is America's gain.
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48. David, got a letter
from the Royal National Gallery.
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49. They're recommending a guy called Bean
to represent them.
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50. Bean?
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51. I can't say I've heard of him.
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52. Well, the letter's signed
by Drs Rosenblum and Cutler.
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53. - Well, that's impressive.
- They say,
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54. "He's a man whose incontrovertible genius
dwarfs our own meagre talents."
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55. Rosenblum and Cutler said that?
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56. Well, you asked for England's top man.
I do believe I delivered him.
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57. He certainly sounds like it.
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58. However, before we confirm, Bernice here
still feels that we'd get more media attention
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59. if we had someone from,
let's say, the entertainment industry.
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60. I genuinely believe
that we could get Jon Bon Jovi.
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61. Jon Bon Jovi?
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62. - To unveil Whistler's Mother?
- Yes.
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63. I've nothing against Jon Bon Jovi.
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64. The man has had two great hairstyles
in the last 10 years,
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65. which is an achievement not to be sniffed at,
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66. but so far as I know,
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67. Mr Jovi knows absolutely nothing
about 19th-century Impressionism.
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68. He certainly hasn't mentioned it
in any of his recent songs.
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69. - No, but David...
- This is not a rock video.
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70. This is a great and serious work of art,
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71. and Dr Bean will give the occasion
depth and dignity.
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72. - You're right. We go with Bean.
- George...
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73. No, no, no, no, David's our curator.
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74. This is David's call.
It's his decision, his responsibility,
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75. ultimately, his neck.
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76. - And where do you want him to stay?
- I have a rather interesting idea.
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77. Here?
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78. In our house for two months?
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79. David, what, suddenly
there's no hotels in Los Angeles?
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80. Okay, there's no need to get excited here.
I just thought, you know,
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81. this is the Royal National Gallery
of England's top man.
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82. I thought he'd be
very exciting to have around,
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83. to learn from and talk to and...
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84. So do we know anything
about our new best friend?
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85. No, but I think they might have mentioned it
if he was a notorious serial killer.
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86. Are you feeling lucky, punk?
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87. David, you know,
we have an expression in this country.
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88. - It says, "Over my dead body."
- Ali.
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89. I'd like to put it on the table
right here and now.
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90. This is a once-in-a-lifetime opportunity,
and it could be seriously great for the kids.
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91. - You're kidding.
- Come on, it's gonna be great!
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92. Let's say there is a chart
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93. of the most intelligent people
you've ever met in your life.
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94. Well, at number one with a bullet is Dr Bean.
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95. Kevin, you know how sometimes
you ask me questions that I can't answer?
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96. Like, "What is an intrauterine device?"
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97. Well, I think more like,
"What's the meaning of life?"
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98. - I never asked you that.
- That's fine. It doesn't matter.
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99. What I am saying here is
that Dr Bean is a very remarkable man.
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100. Hey, for all you know, he could be very cute.
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101. Oh, come on, the guy is gonna be a creep.
All Englishmen are ugly.
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102. I just look at Prince Charles and weep.
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103. Okay, so he's gonna look
like Meat Loaf's butt.
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104. Yeah, and that's if we get lucky.
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105. Jennifer, no one is asking you to marry him.
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106. You know, I don't know
why we have these family conferences
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107. if Dad's already made up his mind.
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108. - Perceptive child.
- Hey, what's wrong with Meat Loaf's butt?
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109. Oh, come on, everybody, it's gonna be great!
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110. Dr Bean is a genius of the very highest order.
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111. Good evening.
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112. No, sir, you're in fact in first class.
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113. Good evening.
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114. Good evening, sir. May I take your coat?
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115. Thank you.
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116. Good. Simple poster, nice and big.
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117. It's actual size. A bargain at $9.99.
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118. - Spencer?
- Yes, sir.
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119. Bath towel.
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120. Yeah, pushing your luck a little here, Walter.
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121. It'll sell.
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122. - It's Whistler's Sister.
- Oh, you are kidding.
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123. No, sir, we have a range
for every member of the family.
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124. Whistler's Mother's Cookies, chocolate chip,
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125. Whistler's Father's Beer Mug,
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126. and here's a really cute one
for the younger-brother range,
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127. - Whistler's Whistle.
- Yeah.
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128. - You just blow up her ass. Here, try.
- Yeah, yeah, yeah, I...
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129. Mummy, I don't feel well.
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130. I think I'm gonna be sick.
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131. - Just here, sir.
- Your attention, please.
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132. Welcome to
Los Angeles International Airport.
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133. Do not leave baggage
or other items unattended.
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134. Hey!
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135. Any second now. I think
we're looking for a Brad Pitt look-alike.
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136. Police!
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137. Get on him now! Move it!
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138. Police! Come on! Come on, watch it!
Watch it! Everybody, out of the way!
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139. In pursuit of a 415. Male with a gun
heading into zone 10, terminal 2.
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140. Get your people over here now!
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141. Get out of the way! Get out of the way!
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142. Move it! Move! Move! Move!
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143. Police! Coming through!
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144. Come on, lady! Watch it! Move!
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145. There he is! There he is!
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146. Move! Move! Move! Police!
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147. Everyone on the floor now!
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148. - Not you, sweetie.
- Oh, right.
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149. Carefully take out your weapon,
holding the butt with two fingers only.
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150. Slowly place it on the floor
and take three steps back.
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151. - What is this?
- I don't know. Weird.
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152. Mr Bean, are you presently
on any kind of medication?
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153. Not that I know of.
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154. Well, you can certainly use some.
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155. - So, Doctor...
- Bean.
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156. Yes, okay, Dr Bean. Well, you made it.
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157. Nice flight?
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158. Well, this is Kevin,
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159. and this is Jennifer.
She's been very excited about meeting you.
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160. My wife, Alison.
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161. David, could I just have the tiniest talk
with you in the kitchen?
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162. All right, yeah. We're just gonna...
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163. I appreciate that on first viewing
he seems a little eccentric.
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164. David, there are Martians
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165. who have been exiled from Mars
for looking weird
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166. who look less weird than this guy.
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167. - He has an original quality, but every time...
- He goes today.
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168. Wow! That was amazing!
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169. That's really cool. Hey, can you do this?
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170. No, but I can do this.
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171. Neat! Wow! How do you do that?
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172. Magic.
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173. - Okay, so you're gonna tell him?
- I'll do it. Yes.
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174. - Today?
- Yes, today, today, today.
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175. - Today seems like a good day.
- Good.
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176. Well, sir, an unorthodox start.
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177. I guess I never expected things
with a man of your calibre to be normal.
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178. I gotta confess. I've never actually read
anything you've written.
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179. Tell me, Doctor,
what exactly is your position at the gallery?
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180. I sit in the corner
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181. and look at the paintings.
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182. That is brilliant!
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183. If only more scholars would do that,
you know, just sit and look.
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184. You know, not lecture and write and argue,
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185. just sit and look at the paintings themselves.
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186. Now, that is brilliant. Yeah.
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187. Yes.
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188. - Morning, Elmer.
- Good morning, sir.
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189. Dr Bean?
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190. If you'd like to sign in, sir?
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191. Thank you.
Welcome to the Grierson, Dr Bean.
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192. Welcome to my world.
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193. We're expected in Grierson's office
at 9:00 a.m.
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194. Now, this is a man who does not like
to be kept waiting, so if you...
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195. - Do you mind if I...
- Yeah, okay, absolutely. You bet.
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196. All right.
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197. Hi.
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198. Doctor, we should make a move.
We're very late.
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199. Oh. We... Doctor, we... If...
When you're ready.
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200. Okay.
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201. David, finally.
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202. And this must be our professor
from across the sea.
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203. Yes, George Grierson, this is Dr Bean.
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204. I'm delighted, Doctor.
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205. - Actually, I'm not...
- Dr Bean?
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206. - Dr Bean?
- Can we get a photo, please, sir?
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207. - Right here.
- We've heard a great deal about you, Doctor.
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208. - Thank you, gentlemen.
- We expect a great deal of you.
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209. - And this is Bernice, in charge of PR.
- An absolute honour, Doctor.
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210. All right, thank you. And Walter Huntley,
our merchandise manager.
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211. - Nice to meet you.
- Moving along. Take a seat, Doctor.
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212. Thank you. Here, let me take that old thing.
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213. This is very out-of-date. Thank you.
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214. Before we settle in,
you might want to feast your eyes on these.
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215. Well, I'll be honest with you, Bean. I like this.
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216. It's beautiful, sir. I think it is, yeah.
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217. - Over here.
- Okay.
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218. Yeah.
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219. That's a lovely green there.
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220. - Good. Good. Down to business.
- Okay.
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221. I've asked Bernice to run through
the order of events for the opening.
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222. Dr Bean, would you like to join us?
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223. No. No, I'll just...
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224. Very well. Bernice?
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225. Now, you will note that anything
pertaining to special media requirements
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226. is prefixed with an asterisk,
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227. I.e. glossy stills requested by some
of the favoured weeklies, that sort of thing.
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228. Right. So the big day unfolds as follows.
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229. Our generous benefactor, General Newton,
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230. will be arriving at 10:00 a.m.
to meet the members of the staff.
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231. Then, at 10:30,
we'll have the unveiling of the picture.
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232. Now, this will be
in front of all press and media.
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233. Walter, I'm assuming all this merchandising
is gonna be made available?
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234. Oh, absolutely. From fridge magnets
to Frisbees, we'll be ready.
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235. So it will probably be at about 11:00 a.m.,
when the stage is set for Dr Bean.
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236. Yes, all right, we really...
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237. We really should bring in the doctor here.
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238. Dr Bean?
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239. Doctor, we've just been inspecting
the schedule, and...
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240. If you would just like to take a look at yours
right over there at your convenience?
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241. The general should be arriving at 10:00 a.m.,
and he'll unveil the picture at 10:30.,
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242. so at about 11:00,
we should be ready for your speech.
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243. Yes, and I think 20 minutes
should be long enough.
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244. - Don't you, Bernice?
- Absolutely.
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245. I know you could fill hours, Doctor,
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246. but for the press, it would be best
if you could keep it quite light.
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247. Maybe throw in some anecdotes
about the actual painting of the picture
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248. and explain why it is considered
to be America's greatest painting.
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249. Is that going to be enough, Doctor,
20 minutes?
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250. Well, dear friends, if you'll excuse me,
I have a lunch with the Mayor.
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251. Not the kind of thing I like, but duty calls.
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252. Well, Doctor, it's good to meet you.
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253. It's a complex experience.
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254. Enjoy your stay with David.
They're simple people but warm.
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255. - David, if I may have just a private word?
- Okay.
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256. I tell you, why don't you wait for me
back at the new acquisitions?
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257. I'll join you shortly. Yeah.
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258. Yes, sir?
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259. - He's a genius, right?
- Yeah, he's eccentric, but...
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260. - Yes.
- Yeah.
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261. The unveiling of Whistler's Mother
is the most important thing
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262. to ever happen to this gallery,
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263. and Dr Bean was your choice.
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264. Yes, I understand that.
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265. Thank you, sir.
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266. Dr Bean, when we get home, I wonder...
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267. When we get home,
I wonder if you would mind
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268. giving me a private moment with my wife.
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269. There's a little something
we need to work out.
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270. No problem.
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271. Yeah, I think...
Just wait in here would be good.
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272. Oh, just ignore that.
Her mother gave it to us.
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273. Huge sentimental value, you know, so...
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274. Just make yourself at home.
I'll be just a couple of minutes with Alison.
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275. Oh, Doctor. I would actually not do that.
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276. That's a limited edition.
It's that it's delicate, so if you...
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277. Or, yeah, if...
Put it there would be good. Yeah.
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278. Okay, that's... All right.
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279. - Hi.
- Hi.
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280. No Dr Bean?
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281. Well, actually, no, he is still here,
but let me...
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282. - Jennifer! Kevin!
- I just want us... I just want us...
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283. Plan B!
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284. You have luggage packed? What is Plan B?
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285. Plan B is,
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286. if you haven't gotten rid of Dr Bean,
we go straight to Grandma's.
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287. - I can't believe you...
- Screwed up again, huh, Dad?
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288. Oh, come on,
there was no time to raise the subject!
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289. - Kevin, start the car, would you, sweetie?
- Oh, Ali, wait a second and look.
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290. No, you look, David, my darling,
I have asked very little from you,
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291. but I did ask you to get rid of Dr Bean,
and you have made your choice,
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292. so you two can stay here
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293. and really come to grips
with postmodernism,
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294. but I am taking our children to my mother's.
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295. Just give him one last chance.
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296. - Oh, David...
- Just one.
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297. Please?
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298. Okay. Okay.
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299. - Thank you.
- All right.
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300. Thanks. Once you get to know him,
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301. - I think you're gonna...
- David, don't.
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302. - Hello, Doctor.
- Hello.
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303. No, no, no, no, Doctor,
that is not for the TV. That's for the...
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304. Yeah, well, there they go.
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305. Well, Doctor, we've got
the whole weekend together.
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306. Yeah, get to know each other and...
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307. I was thinking
tomorrow we might really do LA.
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308. There's the Gallery of American Indian Art.
There's the California State Gallery.
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309. There's actually this new place,
the Rabowitz,
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310. which is kind of the place
for abstract expressionism.
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311. Does that sound good to you?
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312. Maybe you have something else in mind?
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313. Incredible.
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314. You set?
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315. Thank you
for taking the Ride of Doom.
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316. Why don't you get another ticket?
Could be more fun second time round.
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317. Okay.
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318. Brace yourself.
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319. - He's a genius, huh?
- That's what they tell me.
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320. Well, he looks like a fruitcake to me.
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321. Are you willing to take responsibility
for his actions?
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322. Well, you're a braver man than me,
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323. and I single-handedly take on gangs
armed with AK-47s.
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324. Get him out of here. Tell him
his is a butt I would dearly love to kick,
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325. and the next time, I will.
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326. Doctor, there is something
we have to talk about,
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327. and I don't quite know how to put this.
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328. What I am concerned about is...
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329. Whoever that is, I am getting rid of them.
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330. There he is.
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331. David, sorry we're late.
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332. - The traffic! Oh, terrible.
- Oh, that's beautiful!
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333. You couldn't believe.
Every day, it gets worse and worse.
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334. - It's just the way she... It's the green.
- And why? Because nobody's in control.
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335. No, it's the yellow. It's just... It's the yellow.
She is a...
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336. Well, where is Alison?
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337. Well, I've got some bad news
and some good news.
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338. The bad news is that Alison
has had to go visit her mum,
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339. - Who, well, is not well.
- That's too bad.
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340. - Gee, the poor thing.
- Sorry to hear that, David.
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341. The good news is that Dr Bean and I
will be cooking.
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342. - You sure that's good news?
- Well, of course it is.
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343. All the greatest chefs in the world are men.
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344. So what's on the menu, maestro?
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345. How could I forget?
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346. What the hell are we going to give them?
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347. Yes, I think they may be expecting
something slightly more formal.
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348. An onion? Just on its own?
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349. No, no, don't be ridiculous.
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350. That's for Thanksgiving.
Alison would kill me.
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351. No, no, there must be something else.
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352. - Have you ever cooked one of these before?
- Oh, yes.
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353. But anyway,
it would take like five hours, right?
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354. Not necessarily.
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355. What do you think? Twenty minutes?
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356. I don't know.
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357. You're sure this is gonna work?
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358. Okay, you're the chef.
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359. Just put on some vegetables
and come and say hello.
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360. Maestro!
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361. My taste buds are positively tingling
with anticipation.
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362. No. No, thanks.
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363. I think we'll pass on the appetiser.
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364. So, Bean, big day Tuesday,
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365. your big day, my big day.
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366. I have a question for you.
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367. He's very attentive to detail.
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368. Everything must be just so.
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369. Bean, I think we need
to be honest with each other.
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370. I cannot deny that, over the last days,
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371. some suspicions have begun
to gather in my mind,
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372. and I would just like to ask you
some direct questions,
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373. Okay?
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374. Number one, are you a doctor?
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375. No.
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376. Number two,
do you know anything about art?
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377. Well...
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378. Just for instance here,
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379. was Leonardo da Vinci
an American basketball player?
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380. Yes.
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381. - Hi, Dad.
- Hi, Dad.
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382. Hello, Doctor.
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383. - Bye, Dad.
- Bye, Dad.
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384. Yep.
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385. Oh, my God!
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386. For God's sake, Bean, what are you doing?
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387. Hello? Mr Grierson, yes.
He's just here in the shower with me.
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388. Would you give me...
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389. Yes, hello, Mr Grierson.
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390. No, no, you must have misunderstood him.
What can I...
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391. She is? Oh, thank you for calling me.
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392. - Yes, okay. Goodbye.
- Bye!
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393. I can't believe it. Whistler's Mother
has actually arrived in America.
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394. Now, listen, I am begging you
Copy !req
395. as a man whose entire professional career
depends on you,
Copy !req
396. behave rationally today.
Copy !req
397. There is no God.
Copy !req
398. What do you think?
Copy !req
399. Nice frame.
Copy !req
400. She's magnificent.
Copy !req
401. David, well done.
Worth every bright green buck!
Copy !req
402. She's something else, isn't she?
Copy !req
403. All right, folks, enjoy her while you can.
After this morning, we lock her away
Copy !req
404. until the guy who paid $50 million for her
turns up.
Copy !req
405. And, Elmer, I believe
we have a security meeting.
Copy !req
406. That's right, sir.
Copy !req
407. And this is your key
to the encasement system.
Copy !req
408. There are only two. I have the other one,
Copy !req
409. so if the painting turns up missing,
I'll know where to come.
Copy !req
410. And if you could all join me
at the security console?
Copy !req
411. Doctor, why don't you just stay here?
Copy !req
412. Maybe a look at the real thing
will inspire you for your speech.
Copy !req
413. Just stay here.
Don't leave this room till I get back, okay?
Copy !req
414. This chart maps
all the security elements for the big day,
Copy !req
415. and as usual in these circumstances,
I've given the operation a code name,
Copy !req
416. which is Operation Whistler's Mother.
Copy !req
417. It's not a snazzy title, but I think it works.
Copy !req
418. Fear not, gentlemen.
Copy !req
419. With the system we put in here,
nothing will touch that painting
Copy !req
420. short of an earthquake
that brings down the whole gallery.
Copy !req
421. Once we've gotten the general safely inside,
Copy !req
422. the key figure, security-wise, will be Dr Bean.
Copy !req
423. We gotta protect the painting
without getting in the good doctor's way.
Copy !req
424. There seems to be a problem
Copy !req
425. with the door.
Copy !req
426. Where's the picture gone?
Copy !req
427. What? What? What? What?
Copy !req
428. Oh, Jesus! Oh, God! Oh, Jesus!
Copy !req
429. God! Oh, Mary, mother of Jesus!
Jesus of Nazareth!
Copy !req
430. Wait a minute.
Why am I worrying about this? You did it!
Copy !req
431. All I have to do is go out
and tell them what happened.
Copy !req
432. Perfect!
Copy !req
433. Then they'll say,
"Well, who left him alone with the picture?"
Copy !req
434. And I say, "Me."
Copy !req
435. Then they say, "Well, you're fired!"
I say, "Fine."
Copy !req
436. No, no, no, no, no!
Copy !req
437. Then they say, "Firing is not enough.
Let's prosecute you for negligence!"
Copy !req
438. Then I go to jail. My wife leaves me.
My daughter becomes a prostitute.
Copy !req
439. I wind up on death row
sharing a cell with Butch McDick!
Copy !req
440. All right, calm down. I just gotta calm down.
Copy !req
441. Okay. Okay.
Copy !req
442. Give me one more look at the painting.
Copy !req
443. Oh, God! Oh, God! Oh, God! Oh, God!
Copy !req
444. which renders the underground
ventilation ducts completely secure.
Copy !req
445. - Yes, well, that's good to know.
- Thank you, sir.
Copy !req
446. Hey, do you drink, Bean?
Copy !req
447. - No.
- Good, neither do I.
Copy !req
448. The Yankees grab the bat.
Copy !req
449. Yeah, this one has extra innings
written all over it, doesn't it?
Copy !req
450. Ozzie hangs over the plate.
Copy !req
451. He's got the long-ball threat
from the left side.
Copy !req
452. Smith corks one to right field down the line.
Copy !req
453. - There it goes.
- Bean.
Copy !req
454. It's going.
Copy !req
455. Going crazy, folks! Going crazy!
It's a home run!
Copy !req
456. And the Cardinals have won the...
Copy !req
457. Carry on.
Copy !req
458. You wanna know
what the reality of the situation is?
Copy !req
459. Okay, this is it.
Copy !req
460. Because you moved into my house,
my wife has moved out.
Copy !req
461. Yes, she did.
She might have moved out anyway,
Copy !req
462. but that is one, point one.
Copy !req
463. Point two,
Copy !req
464. I've given my life to art,
Copy !req
465. and from here on in,
the only art I will get anywhere near
Copy !req
466. are the pictures I draw on the pavement,
Copy !req
467. hoping passers-by
will throw nickels in my hat.
Copy !req
468. I guess the long and the short of it,
Copy !req
469. I wish I'd never been born.
Copy !req
470. Oh, no!
Copy !req
471. I can explain everything.
Copy !req
472. Okay, explain everything.
Copy !req
473. - It's inexplicable. Ali, listen...
- David, no.
Copy !req
474. David, the reason that I came home
was because I missed you
Copy !req
475. and also because I live here,
and they live here,
Copy !req
476. but, David, we have been waiting
for five hours, and what do we get?
Copy !req
477. A drunk and his friend from the planet Zog.
Copy !req
478. I know, and it seems like
this horrible situation, but if you could...
Copy !req
479. If you could just hear my full horrific tale...
Copy !req
480. David, I think I'm gonna have to leave you.
Copy !req
481. You are?
Copy !req
482. Well, then things really have gotten bad.
Copy !req
483. Yeah.
Copy !req
484. Hi, Beanie.
Copy !req
485. Can't sleep, huh?
Copy !req
486. No.
Copy !req
487. Me, neither.
Can't stop thinking about naked women.
Copy !req
488. - What about you?
- Whistler's Mother.
Copy !req
489. Well, whatever turns you on.
Copy !req
490. Catch you around, moon-man.
Copy !req
491. Oh, if you still can't sleep, come to my room.
Copy !req
492. I got some great posters
of Cindy Crawford on my wall.
Copy !req
493. Oh, dear.
Copy !req
494. Help! Help!
Copy !req
495. Come on!
Copy !req
496. Hooray!
Copy !req
497. Oh, my God! Oh, my God!
Copy !req
498. Jennifer?
Copy !req
499. No, no, no, no, don't think for one minute
you're getting on that bike, Jen.
Copy !req
500. Morning, everyone.
Copy !req
501. Total family rule here.
Copy !req
502. No one is allowed
on one of those death traps.
Copy !req
503. You promised me, Jen.
Copy !req
504. And you promised Mum
you'd get rid of Dr Freako.
Copy !req
505. Don't talk to me.
I am trying to think what I'm going to do.
Copy !req
506. - Well...
- Quiet!
Copy !req
507. This way.
Copy !req
508. Yes, ma'am.
Copy !req
509. What a pleasure, sir.
Welcome to our humble abode.
Copy !req
510. Not too humble, I hope. I'm expecting lunch.
Copy !req
511. - Of course. General, right this way.
- After you, sir. After you.
Copy !req
512. Glad you could make it.
Copy !req
513. - Where the hell have you been?
- I am sorry. Trouble at home.
Copy !req
514. - Never mind. Come along.
- Sir, there is something...
Copy !req
515. General, I'd like you to meet our curator,
David Langley.
Copy !req
516. - I'm delighted to meet you, sir.
- Of course you are.
Copy !req
517. Right through here, sir.
Copy !req
518. Ladies and gentlemen,
this is a great moment for America
Copy !req
519. and for one very special lady,
Whistler's Mother.
Copy !req
520. And she's here today,
thanks to our great and good benefactor.
Copy !req
521. Will you join me in saluting a soldier,
philanthropist, loving father...
Copy !req
522. Hear, hear.
Copy !req
523. and an extremely generous patron
of the arts, General Newton?
Copy !req
524. Thank you, ladies and gentlemen.
Copy !req
525. I am not a traditional art lover.
Copy !req
526. I don't know the difference
between a Picasso and a car crash,
Copy !req
527. but I love my country.
Copy !req
528. I can't stand the idea of a bunch of Frenchies
Copy !req
529. owning America's greatest painting.
Copy !req
530. Let's get on with it.
Copy !req
531. Welcome home, Ma.
Copy !req
532. Whatever you did,
you're a genius, and I love you!
Copy !req
533. It's a poster.
Copy !req
534. It's a what?
Copy !req
535. - David? It's time.
- Time for what?
Copy !req
536. - The speech.
- What? Wait. What speech?
Copy !req
537. - Congratulations, David.
- Dr Bean's speech about the painting.
Copy !req
538. Yes, of course, the speech.
Copy !req
539. Now, Doctor, try to keep it below an hour,
Copy !req
540. and if there could be one joke in it,
that would be nice.
Copy !req
541. Good Morning America couldn't give
a flying monkey about "isms" and...
Copy !req
542. - Oh, you know what I mean.
- Yeah.
Copy !req
543. - It doesn't have to go on for long. Just...
- Dr Bean?
Copy !req
544. - Just... Just...
- We're ready for you. Right this way.
Copy !req
545. Just... Just... Just...
Copy !req
546. And now, for the second highlight
of our day.
Copy !req
547. Dr Bean, a great English art scholar,
is here to speak for a few minutes,
Copy !req
548. not too long, Doctor,
Copy !req
549. on the subject of our new purchase.
Copy !req
550. Ladies and gentlemen, Dr Bean
of the National Gallery of England.
Copy !req
551. - Okay.
- Yeah!
Copy !req
552. - Okay.
- Okay!
Copy !req
553. - Thank you.
- Bravo.
Copy !req
554. Bravo.
Copy !req
555. Well, hello, I'm Dr Bean,
Copy !req
556. apparently,
Copy !req
557. and my job
Copy !req
558. is to sit and look at paintings.
Copy !req
559. So
Copy !req
560. what have I learnt
Copy !req
561. that I can say about
Copy !req
562. this painting?
Copy !req
563. Well...
Copy !req
564. Well, firstly, it's quite big,
Copy !req
565. which is excellent
Copy !req
566. because if it was really small,
Copy !req
567. you know, microscopic,
Copy !req
568. then hardly anybody would be able to see it,
Copy !req
569. which would be a tremendous shame.
Copy !req
570. Secondly,
Copy !req
571. and I'm getting quite near the end now
Copy !req
572. of this analysis of this painting...
Copy !req
573. Secondly,
Copy !req
574. why was it worth this man here
Copy !req
575. spending 50 million
of your American dollars on this portrait?
Copy !req
576. And the answer is,
Copy !req
577. well, this picture is worth
such a lot of money because...
Copy !req
578. it's a picture of Whistler's mother,
Copy !req
579. and as I've learnt
by staying with my best friend,
Copy !req
580. David Langley, and his family,
Copy !req
581. families are very important,
Copy !req
582. and even though Mr Whistler
was perfectly aware
Copy !req
583. that his mother was a hideous old bat
Copy !req
584. who looked like she had
a cactus lodged up her backside,
Copy !req
585. he stuck with her
Copy !req
586. and even took the time
to paint this amazing picture of her.
Copy !req
587. It's not just a painting.
Copy !req
588. It's a picture of a mad old cow
Copy !req
589. who he thought the world of,
Copy !req
590. and that's marvellous.
Copy !req
591. Well, that's what I think, anyway.
Copy !req
592. - Bravo!
- Bravo!
Copy !req
593. - Home and dry.
- Where did you put the original?
Copy !req
594. Mr Langley, may I have a word?
Copy !req
595. Stay here. Shut up.
Copy !req
596. - Mr Langley...
- Okay, I can explain everything.
Copy !req
597. - What can you explain?
- About the painting.
Copy !req
598. - Which painting?
- Whistler's Mother.
Copy !req
599. I'm afraid, Mr Langley,
I'm here in my capacity as a police officer,
Copy !req
600. not as an art lover.
Copy !req
601. It's about your daughter.
She's been in a motorcycle accident.
Copy !req
602. Damn!
Request emergency clearance for 809-Adam.
Copy !req
603. Shut up!
Copy !req
604. 211 in progress.
Copy !req
605. Suspect male, possibly armed.
Request immediate backup.
Copy !req
606. Keep speeding.
Copy !req
607. - If you get a ticket, I'll tear it up.
- Thanks.
Copy !req
608. Hold it! Okay, easy, fellow, easy.
Hold it, there. Right there.
Copy !req
609. Hey! Easy.
Copy !req
610. Put it down. Put the gun down.
Copy !req
611. Hi, I need Jennifer Langley's room.
Copy !req
612. She came in at about 11:00,
motorcycle accident.
Copy !req
613. Out of the way, sir.
Copy !req
614. She's on the fifth floor, east wing.
Just take the elevator up.
Copy !req
615. Just...
Copy !req
616. All right.
Copy !req
617. I'm so... Just...
Copy !req
618. Please, just stay here and do nothing.
Copy !req
619. If you do nothing, nothing can go wrong.
Copy !req
620. I've got to take care of my family now.
Copy !req
621. The nurse says that it's not a coma,
that she's just...
Copy !req
622. She's just sort of taking time out,
Copy !req
623. but we haven't seen a doctor yet, so I don't...
Copy !req
624. - Dr Jacobson?
- Yes?
Copy !req
625. We need you urgently in OR 3.
Copy !req
626. - No can do. I'm due in number 4 at 1:00.
- Sir, it's urgent.
Copy !req
627. We have a ruptured kidney
and massive bleeding.
Copy !req
628. Okay.
Copy !req
629. Yes, it's urgent!
Copy !req
630. - What's happening?
- Surgeon's on his way up.
Copy !req
631. At last, Dr Bean.
Copy !req
632. Hello, Doctor. We've got
a 45-year-old male, blood type B negative,
Copy !req
633. brought in by paramedics 10 minutes ago.
Copy !req
634. He's got a penetrating injury
to the left chest.
Copy !req
635. - The...
- Yes, yes, yes, yes.
Copy !req
636. The stethoscope's fallen.
Copy !req
637. - Gotta get him in there right now.
- No, no, no!
Copy !req
638. Come in, Doctor.
It looks like a bullet in the lower thorax.
Copy !req
639. It seems to have ruptured the lung,
Copy !req
640. and there's severe inner bleeding
along the abdomen.
Copy !req
641. Doctor, he's coming to.
Copy !req
642. - All right, give him a T-70.
- Got it.
Copy !req
643. Shall I extend the incision, sir?
Copy !req
644. We've taken it from the breastbone
to the diaphragm.
Copy !req
645. We may have to extend further
to get to the spleen.
Copy !req
646. Sorry, sir, it's only my first week.
Copy !req
647. No, you're right, Doctor.
We should wait for the x-rays.
Copy !req
648. Help! We are losing this guy out here!
Copy !req
649. - For Jesus' sake, we need help!
- Go! Go! Go! Get in here!
Copy !req
650. Watch he doesn't go
into haemodynamic shock.
Copy !req
651. We'll be right back.
Copy !req
652. - Defibrillating!
- All right, charge the paddles to 200 watts.
Copy !req
653. Got it.
Copy !req
654. Clear!
Copy !req
655. What's that?
Copy !req
656. Jolly good. Clean it up.
Copy !req
657. Sorry to keep you waiting, sir.
Copy !req
658. Nice work in there, people.
Now back to the bleeding.
Copy !req
659. Where's this blood coming from?
We got to clamp it off.
Copy !req
660. - Where the hell's that J-17?
- What happened?
Copy !req
661. - We need that J-17 in OR 4 right now.
- He's got major trauma.
Copy !req
662. There's too much blood. I can't see a thing.
Copy !req
663. - More suction.
- Somebody check that line.
Copy !req
664. - Blood pressure's bottoming out.
- Hook me up with 12, will you?
Copy !req
665. His heart rate is dropping.
We're gonna lose him.
Copy !req
666. - How's the TMS?
- Come on, people! He's crashing on us.
Copy !req
667. Damn!
Copy !req
668. - I'm not getting a reading.
- Where is this bullet?
Copy !req
669. - Hang in there, fellow.
- Come on, hold on to him.
Copy !req
670. - If we don't find it, he's a dead man.
- I am not gonna lose this guy.
Copy !req
671. He's slipping.
Copy !req
672. Sir, we're losing him.
I've got to get in there now.
Copy !req
673. Doctor, you can't just... It's too dangerous!
Copy !req
674. My God!
Copy !req
675. - Incredible.
- Heart rate is stabilising.
Copy !req
676. Blood pressure's climbing back.
Copy !req
677. You saved him!
Copy !req
678. Oh, Doctor, thank God.
My daughter was in an accident.
Copy !req
679. No one's even taken a look at her yet.
Copy !req
680. We're desperate
for some medical attention in here.
Copy !req
681. Would you mind?
Copy !req
682. Don't worry, honey.
The doctor will check her out.
Copy !req
683. Oh, thank God.
Copy !req
684. Mr and Mrs Langley,
Copy !req
685. any kind of damage to the brain
is a very sensitive thing to observe,
Copy !req
686. so maybe we should just step outside
and give the doctor a little room to work.
Copy !req
687. The first nurse said
we shouldn't think of it as a coma
Copy !req
688. but more like a deep sleep.
Copy !req
689. - Yes, that's sort of true.
- Could I ask you a question?
Copy !req
690. Jennifer?
Copy !req
691. Wakey, wakey, breakfast's ready.
Copy !req
692. Jennifer?
Copy !req
693. What time is it?
Copy !req
694. It's almost 2:00.
Copy !req
695. Can you turn the clock back
about 12 hours for me?
Copy !req
696. Sure.
Copy !req
697. Wake up! Wake up! Wake up!
Copy !req
698. I don't know what to say about Bean.
Copy !req
699. He's clearly a force-10 disaster area,
Copy !req
700. but, God help me, I like him.
Copy !req
701. Now, having said that,
there is no reason in the world
Copy !req
702. why any of you should ever
have anything to do with him again.
Copy !req
703. Mom? Dad? Anyone?
Copy !req
704. Oh, my God, Jennifer.
Copy !req
705. - Oh, honey. Sweetie.
- Honey! Oh, look at you.
Copy !req
706. - Mum, what happened?
- You had an accident, honey,
Copy !req
707. but everything is gonna be okay.
Copy !req
708. - But what happened to Stingo?
- Just bruises, collar bone.
Copy !req
709. He'll be fine, until I get my hands on him.
Copy !req
710. - Hey, Doctor, where are you going?
- Where do you think you're going?
Copy !req
711. How can we ever say thank you?
No, you've made us so happy.
Copy !req
712. - Tell us, what can we do? We'll do anything.
- Anything.
Copy !req
713. Well, I suppose
you could let me stay another week.
Copy !req
714. Sunset Boulevard.
Copy !req
715. - Presents! Presents!
- Hey! What's this all about?
Copy !req
716. - This is heavy.
- Thank you.
Copy !req
717. - Next present for Jen.
- Thanks.
Copy !req
718. Let's see what we got here.
Copy !req
719. Oh, look, laxatives.
Yeah, a whole box of them.
Copy !req
720. Oh, hey, there they are.
Copy !req
721. Eggs, six of them.
Copy !req
722. Barbie!
Copy !req
723. - Thanks.
- What did you get there?
Copy !req
724. Ta-da!
Copy !req
725. Smile.
Copy !req
726. Give us a smile.
Copy !req
727. - Bye-bye!
- Bye!
Copy !req
728. Bye, Beanie!
Copy !req
729. See you!
Copy !req
730. Farewell!
Copy !req
731. Do not leave your car unattended.
Copy !req
732. - Unattended vehicles...
- Well, Beanie, it's been
Copy !req
733. surreal.
Copy !req
734. I want you to know
you can come back and visit anytime.
Copy !req
735. - Yes.
- In the fairly distant future.
Copy !req
736. I know it sounds insane,
Copy !req
737. but I'm really gonna miss you.
Copy !req
738. Okay.
Copy !req
739. Okay.
Copy !req
740. Okay. Goodbye again.
Copy !req
741. Yes, I normally stay till the end as well.
Copy !req
742. Bye.
Copy !req
743. You can go now if you wish.
Copy !req
744. Dear me.
Copy !req
745. Bye.
Copy !req