1. Ladies and gentlemen,
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2. you are about to see
an unforgettable show:
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3. A film destined to become immortal,
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4. as immortal as the music
which will follow,
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5. and which will be interpreted
through animation.
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6. Beginning with his childhood fantasies,
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7. the greatest ambition
that burns and swells
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8. within the soul of every creative animator
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9. is to illustrate music,
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10. to give visual form and color to its notes.
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11. With this film
we have finally succeeded
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12. in achieving this union
of animation and classical music,
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13. a union we are sure is destined
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14. to live on throughout the history of film.
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15. A new and original film
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16. that has even astonished us,
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17. the men responsible,
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18. the men who, quite modestly speaking,
can be called its creators.
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19. A film in which... in which...
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20. A film in which you will see the music
and listen to the drawings.
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21. You might call it a film of magic,
a fantasia.
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22. Hello?
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23. Yes. Who's speaking?
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24. Who is this?
What do you mean, who am I?
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25. Who is it you wish to speak to?
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26. California?
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27. It's Hollywood.
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28. Hello! Yes.
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29. What? You've already...
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30. I don't understand. I'm sorry.
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31. You've already done this?
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32. Look, if this is some kind of joke,
I'm in no mood...
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33. There must be some misunderstanding.
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34. You're very ill-mannered.
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35. That's right...
ill-mannered and a liar!
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36. Yes, I said you're a liar!
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37. A liar from California!
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38. It's nothing. They're mad.
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39. Mad as hatters.
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40. They insist that our film...
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41. this is all so ridiculous...
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42. was already made
by a certain fellow years ago.
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43. A certain someone
by the name of Prisney or Grisney.
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44. Some American.
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45. In any case,
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46. before you go around opening
your big mouth, see the film first!
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47. Where were we?
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48. Settle down now.
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49. Damned hags!
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50. What's this racket?
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51. Calm down!
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52. All right, let's go.
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53. Hurry up! No time to lose.
The film's already started.
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54. Run!
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55. Move it!
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56. Get the lead out!
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57. Come on!
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58. Get in the car.
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59. It's time you earned your keep.
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60. We haven't kept you here
out of charity!
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61. Where are our instruments?
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62. They're already at the theater,
along with your clothes.
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63. Hold on tight when we get moving.
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64. You wouldn't want to hurt yourself
now of all times, would you?
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65. Pisney has already done this?
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66. Let's go!
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67. Hiring an orchestra wasn't a problem.
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68. But the principle challenge
that remained
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69. was to secure the creative
collaboration of a true artist.
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70. A free artist.
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71. Free of all conditioning,
free of all compromise,
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72. an animator capable
of independent self-expression.
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73. How's it going?
You look more cheerful than usual.
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74. You knew this was your big day, huh?
Tell the truth.
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75. You knew it!
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76. Finding the ideal artist to create
our animation was no small task.
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77. We had to bind him...
bind him to ourselves
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78. in a contract based on trust
and mutual respect.
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79. Come on, now.
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80. After five years hanging around,
you can't be tired!
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81. That's good.
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82. On your feet.
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83. Hurry, the orchestra's waiting.
Can't you hear it?
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84. Let's go!
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85. Wash your dentures
if you want to play trombone.
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86. Kick the drums, not me, thank you.
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87. - I'll do whatever I want.
- Kick her!
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88. If they hadn't put me in the first row,
I wouldn't have done it.
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89. I made it clear
I wouldn't do nude scenes.
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90. Where are you going?
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91. The movie world is dreadful.
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92. I've always defended my virtue.
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93. And so it's come!
The great moment is here.
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94. This has never been done...
Just a moment.
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95. And so it's come! The great moment...
I said wait a minute.
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96. And so it's come!
The great moment is here.
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97. The only thing missing now
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98. is the orchestra conductor!
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99. Girls, babes, beauties,
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100. let's get started with Debussy's
Prelude to the Afternoon of a Faun.
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101. A wonderful piece!
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102. There'll certainly be lots
to inspire our artist's imagination
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103. as he renders this music
in visual form
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104. and gives it new life.
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105. Yes, relying on nothing more
than his trusty pencil,
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106. I'm sure he'll succeed
in bringing new life...
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107. in bringing new life
to this great piece of music.
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108. The artist creates!
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109. Ready, girls?
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110. The Debussy piece!
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111. Good. Really great.
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112. Sit down or I'll hang you
back on the wall!
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113. Sit down!
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114. I did not enjoy that.
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115. You didn't entertain me!
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116. Quite an afternoon, eh?
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117. Granny!
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118. How do you feel?
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119. A bit scattered, maestro.
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120. Pick up all the pieces,
and don't miss any!
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121. Cheer up!
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122. Everything's all right.
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123. I'm feeling a bit scattered,
maestro.
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124. How's it going, girls?
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125. Everyone all right?
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126. Suppose we try
some simple exercises.
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127. Stand up...
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128. and sit down.
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129. And up...
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130. and down again.
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131. Hey, you there.
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132. Me?
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133. Come with me for a minute.
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134. Do as he says.
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135. Come along, granny.
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136. You look a little pale,
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137. and your reflexes are a bit impaired.
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138. It's nothing.
You'll get over it.
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139. It's not easy maintaining order
in an orchestra.
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140. It calls for an iron fist in a velvet -
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141. Glove! An iron first
in a velvet glove.
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142. Girls, our second piece
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143. will be Dvorak's Slavic Dance No. 7.
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144. Mind you, the tempo is allegro.
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145. Poor guy hasn't even noticed yet!
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146. Take a break, everyone!
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147. Bohemia crystal.
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148. Fruit, uh...
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149. exotic fruit.
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150. Chicken.
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151. A potato.
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152. We're catching on fire here.
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153. Me too!
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154. Is it good?
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155. So, maestro,
what's next on the program?
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156. Ravel's Bolero.
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157. Ah, Ravel's Bolero.
And who wrote that?
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158. Ravel.
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159. Of course. Ravel's Bolero
was written by Ravel. Who else?
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160. Ravel's Bolero. A great piece!
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161. Ravel, the great, uh...
French composer.
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162. - French, right?
- Yeah.
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163. At least on his mother's side.
His father was from Umbria.
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164. Born in Gubbio, if I'm not mistaken.
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165. In the very heart of Umbria.
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166. "Bolero" is a magical word.
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167. A fantasy of color and sound.
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168. There are thousands of ways to describe
this great musical work.
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169. Go over there and grab the chicken.
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170. Go on!
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171. In a "bolerian" vein.
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172. Ravel's Bolero.
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173. We didn't come here
to stuff our faces.
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174. What's that ape doing here?
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175. There's no ape in the script.
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176. Other animals, yes, but no ape.
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177. Reminds me of a young man I met
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178. back in 1912,
before the First World War.
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179. They just don't make men
like that anymore.
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180. Snow in the theater.
A very bad sign.
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181. Let me go!
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182. This can't be happening!
What is he doing?
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183. He's getting the women too excited!
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184. I knew it. When I get nervous,
my eye clamps shut.
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185. The next piece is
Sibelius' Valse Triste.
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186. And you better get it right,
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187. or I'll hang you back up
on the wall.
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188. Remember the wall?
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189. Bravo!
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190. What feeling!
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191. We can't go on like this.
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192. The pieces turn out too sad!
He has no sense of humor!
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193. I'm gonna put him back on the wall!
He'll rot in chains!
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194. Calm down, now!
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195. Aren't we equally to blame?
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196. An artist needs beauty
in order to express himself best,
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197. and frankly speaking,
those particular girls may not be ideal.
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198. Nonsense! Art is art!
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199. Wait a minute. I've got an idea.
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200. What if we were to find him
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201. a woman?
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202. A woman he could be with.
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203. Then he'd really start creating.
It'd be perfect!
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204. I'm going to find one.
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205. Wait here. I'll be right back.
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206. Mr. Artist, how's it going?
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207. You look a bit run-down.
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208. I've got some fun for you.
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209. I know a cozy little hideaway.
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210. Come back here.
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211. Get in there.
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212. You know what we want.
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213. Easy as falling off a log.
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214. You get in the piano,
and nature will do the rest.
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215. Go on, now!
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216. Hello, everyone!
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217. Our orchestra, such as it is,
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218. the piano, and our artist.
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219. Try to cheer him up.
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220. Want a hand?
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221. The next piece promises to be lively
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222. and full of spice.
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223. A concerto by Vivaldi.
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224. Think we're overdoing it?
Let's get him out.
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225. Yeah, looks like
they're having too much fun.
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226. That should be enough.
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227. Lift up the lid.
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228. That's the snag
with these old pianos.
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229. Getting in is a breeze,
but getting out can be a problem.
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230. You better make me laugh now,
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231. or I'll tear you apart piece by piece!
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232. He looks better already.
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233. He'd better, or I'll see that he does!
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234. He's much more alive.
Look at his eyes!
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235. I'll tear them out!
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236. You'll see.
The next piece will be fantastic!
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237. Get ready.
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238. Curtain!
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239. Curtain!
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240. I'll show you!
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241. I'll take this pianist
and throw her on your head!
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242. I'll break every bone in your body!
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243. It's all right!
It's nothing, nothing at all.
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244. Just a little misunderstanding.
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245. Let her go, will you?
A small difference of opinion.
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246. It's absolutely nothing.
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247. Turn the camera around.
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248. It's nothing at all.
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249. The next number on our program
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250. is the famous Firebird,
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251. by Igor Stravinsky.
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252. A very famous piece.
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253. Knock it off!
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254. Turn the camera around.
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255. Igor Stravinsky.
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256. One of the most renowned...
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257. A cascade of notes.
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258. It's music that...
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259. Let me go!
I don't have insurance!
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260. Put me down!
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261. Voilà!
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262. Everything is just fine.
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263. The conductor is taking
just a few moments to himself,
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264. but he'll be back with us very soon.
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265. Okay. Where's the camera?
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266. Where is the camera?
Ah, there it is.
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267. With that little interruption
behind us,
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268. our performance will now continue
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269. with Dostoyevsky's Firebird.
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270. As they say in English...
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271. Which in Italian would mean...
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272. A snake!
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273. Stop! Where are you going?
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274. Come back!
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275. It's just a snake!
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276. Stop!
We've got antidote for snake bite!
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277. There's no problem!
We've got tons of antidote!
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278. Damn it, you old hags! Stop!
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279. Do you hear? Stop, I say!
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280. Traitors!
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281. Leaving me at a time like this.
I even have a cold.
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282. And all because of a little snake.
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283. Look! There's nothing left!
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284. Everything's destroyed!
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285. And here we are once again!
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286. Now for a finale of a different sort,
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287. one we had planned and prepared.
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288. One that needs neither orchestra
nor conductor nor music.
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289. I'm happy to say
our artist is still here with us.
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290. Our artist who...
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291. What are you doing?
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292. What the devil are you doing?
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293. Drawing her?
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294. What do you think you're doing?
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295. You can't leave me here like this!
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296. Hey, wait a second! Wait for me!
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297. I'm going with you!
I want to go too!
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298. Wait!
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299. Don't go!
How will we finish the film?
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300. We haven't done a finale!
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301. Wait for me!
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302. We have to do a finale!
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303. I have to find
a good idea for a finale.
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304. The telephone!
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305. That's it! I'll call the archives.
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306. Hello, Franceschini?
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307. You have to help me find a finale!
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308. Any finale at all.
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309. The files are full of'em!
Bring me one right away!
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310. A finale.
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311. It's all over.
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312. Ready, girls?
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313. We've got to do Stravinsky's Firebird.
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314. It's over with.
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315. The finale, then.
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316. That's all over with too.
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317. You might as well
go back down there.
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318. We're unemployed, then.
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319. Unemployed... until the next movie.
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320. I've already got an idea.
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321. A brand-new idea.
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322. We could do a love story.
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323. A love story?
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324. But not the usual kind
about men and women.
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325. Lots of men with lots of women.
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326. Wife-swapping?
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327. No, not that same old stuff.
Something different.
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328. I like asymmetry.
Seven men and one woman.
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329. That'll cost a lot.
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330. No, not at all.
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331. We'll get little tiny men...
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332. and we'll make
the woman real tall.
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333. It'll be fantastic!
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334. Sounds scary.
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335. Careful.
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336. What do you mean, scary?
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337. Seven little workers,
so you get the social context, too.
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338. A mine! They'll work in a mine!
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339. I can see them now, singing happily.
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340. Have you thought of a title?
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341. That'll be easy. Let's see.
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342. "Sleeping Beauty."
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343. Now, keep it under your hat
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344. or some screenwriter hack
might steal the idea.
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345. You can't trust anyone these days.
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346. He'll change the title,
play up the sex,
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347. and give it some crazy name like.
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348. Snow White and the Seven Dwarves.
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349. And then we'll be screwed!
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