1. Ladies and gentlemen, Woody Guthrie.
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2. will take some pressure
off the kicking department...
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3. and Packers star kicker Paul Hornung.
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4. For the NFC Eastern Conference
New York Giants...
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5. they'll be in their away uniforms...
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6. white jerseys with red numerals,
blue helmets, and silver football pants.
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7. The Giants are eight and three
at this stage of the season...
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8. Y.A. Tittle is in at quarterback
as usual for the Giants.
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9. Thank you.
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10. He sang a country song, that doesn't mean
he's not still a Catholic or a Communist.
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11. You're boxin' him in.
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12. You don't think there's a difference
between folk music and country music?
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13. I didn't ask you to box him in.
Nobody asked you to box him in.
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14. You did that. I asked you a question,
you answered a question. There you go.
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15. All right. That's it. That's enough for me.
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16. I'm off. Good night.
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17. Hey, mister, you know where this place is?
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18. Called Greystone.
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19. I think Woody Guthrie's in there.
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20. That's a hospital, pal.
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21. In Morris Plains.
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22. Where is that? Uptown?
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23. No.
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24. Woody's across the river in New Jersey.
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25. Christ, I just came from New Jersey.
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26. So go back.
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27. All rise.
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28. Mr. Seeger, do you have anything to say
before I pronounce your sentence?
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29. In my whole life,
I've never said or done anything...
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30. subversive to my country, Your Honor.
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31. That's not why I'm here.
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32. I'm here because some second-rate politician
from Louisiana...
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33. decided that he don't like a song I sang...
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34. or maybe he don't like some of the folks
I might have sung it to.
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35. Mr. Seeger, a jury has found you guilty
of contempt of congress.
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36. I refused to name names and I...
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37. Refused questions! Under a federal subpoena!
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38. Your Honor, you may know a friend of mine,
Woody Guthrie.
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39. Great songwriter and a great American,
and Woody's not well...
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40. but he's been much on my mind...
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41. as I've been going through this,
'cause Woody once said that...
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42. "a good song can only do good."
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43. That's right!
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44. And the song I'm in hot water for here,
it's a good song.
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45. - It's a patriotic song, in fact.
- Amen!
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46. And I thought...
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47. maybe you'd like to actually hear the words,
and I could play it for you.
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48. - And you'll know.
- No, no, no.
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49. No, you're not doing that.
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50. Quiet!
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51. - I said, quiet!
- Are you sure? It's free.
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52. Now, look at that,
the skies are clearing, see?
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53. Pete! Pete! Pete!
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54. - Pete, are you disappointed?
- Think you got a fair shake?
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55. - Wish you'd testified, Pete?
- How do you feel about the judgement?
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56. We didn't get the result
that we thought was right...
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57. but we're free to fight another day.
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58. I offered to play a song for the judge
up there...
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59. but he didn't wanna hear it.
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60. But I feel like singing.
So, I'm gonna sing it for you.
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61. You know the words.
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62. This land is your land
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63. This land is my land
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64. From California
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65. To the New York Island
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66. From the Redwood Forest
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67. To the Gulf Stream waters
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68. This land was made for you and me
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69. That's all you got?
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70. Yeah.
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71. been good to know yuh
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72. So long, it's been good to know yuh
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73. So long, it's been good to know yuh
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74. This dusty old dust
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75. It's takin' me home
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76. And I've gotta be driftin' along
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77. Hello.
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78. Excuse me, Mr. Guthrie.
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79. Well, no one calls him that
except the government.
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80. I'm not the government.
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81. Well, come on over, then.
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82. I'm Pete, by the way.
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83. Yes, sir. No question about it.
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84. How about you?
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85. I'm Bobby.
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86. Something come after that?
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87. Dylan.
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88. Woody would like to know more about that,
Bobby Dylan.
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89. I sing and I play...
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90. and I write songs, actually,
a couple of friends of mine...
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91. Paul and John, out in Minneapolis.
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92. Midwestern boy?
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93. Yeah, and they showed me some of
Woody's records, Folkway ones.
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94. Yours and Lead Belly and...
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95. I listened to 'em
while they struck me down to the ground.
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96. I like yours, too, Pete.
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97. Oh, that's fine.
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98. Anyways, Paul, my friend...
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99. he said you was in the hospital, so...
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100. I hitched myself here.
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101. Why is that?
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102. Well, I wanted to meet Woody.
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103. Maybe catch a spark.
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104. That's for damn sure.
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105. We had those printed up for visitors.
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106. It's mostly family now, though.
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107. Woody wants to hear something.
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108. You shy?
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109. Not usually.
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110. Well, this is one I wrote for him.
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111. I wrote for you.
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112. I'm out here a thousand miles from my home
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113. I'm walkin' a road other men have gone down
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114. I'm seein' your world of people and things
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115. Your paupers
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116. And peasants and princes and kings
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117. Hey, hey, Woody Guthrie, I wrote you a song
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118. 'Bout a funny ol' world that's a-comin' along
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119. Seems sick and it's hungry
It's a-tired, it's torn
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120. It looks like
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121. It's dyin' and it's a-hardly been born
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122. Hey, hey, Woody Guthrie
But I know that you know
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123. All the things I'm sayin'
and a-many times more
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124. I'm a-singin' you this song
But I can't sing enough
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125. 'Cause there's not
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126. Many men that done things that you've done
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127. Here's to Cisco, and Sonny and Lead Belly too
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128. And to all those good people
That traveled with you
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129. Here's to the hearts and the hands of the men
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130. That come
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131. With the dust and are gone with the wind
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132. Do you mind?
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133. Oh, no.
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134. Suspected of collaborating
with the Vietcong...
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135. Slippin' and a-slidin'
Peepin' and a-hidin'
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136. Been told a long time ago
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137. It's Little Richard.
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138. I been told, baby
You been bold...
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139. That's the flipside on Long Tall Sally.
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140. You like that rock and roll music, then?
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141. Well, I like everything, Pete.
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142. Except maybe...
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143. Patti Page and That Doggie in the Window
or, you know, Vaughn Monroe.
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144. I like Johnny Cash. You ever hear of him?
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145. Oh, sure.
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146. Yeah, I like Hank Williams.
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147. Ah, now you're talking.
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148. Yeah.
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149. But if you're talking about rock and roll,
specifically...
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150. you gotta be talking about Buddy Holly.
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151. You think of yourself as a folk musician now,
though. Yeah?
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152. Well, I don't think to myself
as a folk singer...
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153. you know, folk music thing.
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154. I mean, I do sing folk music...
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155. but when I do, it's sort of a modified
version or something.
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156. You know, not a modified version,
it's just, you know, sorta...
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157. A good song. A really good song.
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158. It can get the job done without the frills.
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159. Without drums or electrified instruments
or any of that.
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160. Yeah, but sometimes they sound good.
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161. Hey, Tosh.
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162. This is Bobby...
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163. fellow traveler.
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164. He paid a visit to Woody
and he had nowhere to sleep.
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165. All right.
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166. Hi, Bob.
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167. - Toshi.
- Hello.
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168. Now, we finally got a drill...
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169. hard enough to get through all this rock
and now we got water like a Swiss hotel.
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170. We'll set you up here.
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171. I snore and Toshi kicks me out here
all the time...
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172. so, I can vouch it's comfortable.
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173. The toilet's off the hall there.
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174. It's a new composter. It's amazing.
It doesn't smell just...
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175. Yes, it does.
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176. - Smells so bad!
- Yes, it does. It smells awful!
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177. Go to bed, go to bed. Traitors. All of you.
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178. Bobby, can you go outside to smoke?
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179. Oh, sorry.
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180. If you get cold,
just throw that Indian blanket over you.
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181. Is he going to bed?
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182. He'll settle down. He's just...
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183. excited because he met
one of his heroes tonight.
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184. Not me, Woody.
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185. He played us a hell of a song.
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186. Here's your pancake.
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187. Thank you.
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188. If you're travelin' to the north country fair
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189. Where the winds hit heavy
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190. On the borderline
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191. Remember me
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192. To the one who lives there
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193. For she once was
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194. A true love of mine
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195. I'm wondering
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196. If she remembers me at all
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197. Many times
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198. I've often prayed
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199. In the darkness of my night
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200. In the brightness of my day
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201. That's all I got so far.
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202. Good start.
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203. Now, those of you who can't sing that low...
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204. we're gonna make you sopranos.
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205. You sing...
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206. A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
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207. A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
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208. A-wim-a-weh
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209. Try it.
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210. A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
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211. - A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
- Very delicate, very nice.
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212. - A-wim-a-weh
- Add back in the low.
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213. - A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
- Hey-up-oh-a-wim-a-weh
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214. - A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
- A-wim-a-weh, a-wim-a-weh
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215. - A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
- Hey-up-oh-a-wim-a-weh
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216. - A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
- A-bum-buh-weh
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217. - A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
- Hey-up-oh-a-wim-a-weh
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218. - A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
- A-bum-buh-weh
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219. - Hey-up-oh-a-wim-a-weh
- Hey-o, hey-o, hey-o
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220. - A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
- Hey-o-bum-buh-weh
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221. - Hey-up-oh-a-wim-a-weh
- Hey-o, hey-o, hey-o
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222. - A-wim-a-weh, a-wim-a-weh, a-wim-a-weh
- Hey oh-oh hey!
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223. All right.
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224. I'm gonna get you out there.
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225. I am.
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226. - Joan! Have a great show!
- Miss Baez!
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227. It's her, it's her!
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228. Miss Baez. Hey, Miss Baez.
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229. - It's Joan.
- Joan.
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230. Wait. Can you sign this for me?
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231. "Baez sends one scurrying to the thesaurus
for superlatives."
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232. That's the New York Times, Joanie.
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233. Bob Shelton is a fan.
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234. Five minutes, Joan.
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235. Bob Shelton's back, he's at the bar.
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236. So is John Hammond.
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237. Joanie.
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238. Columbia Records.
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239. I have a label and a manager.
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240. Columbia's not a label...
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241. Columbia is Mount Rushmore.
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242. Tony Bennett...
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243. Johnny Mathis, Doris Day, Miles Davis.
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244. They have everyone except their folk singer.
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245. Albert.
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246. Please leave.
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247. Other girls strum, Tito, they smile.
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248. Not Joanie.
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249. She acts depressed, looks at her shoes...
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250. makes men crazy.
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251. If I had listened
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252. To what my mother said
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253. I'd have been
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254. At home today
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255. But I was young
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256. And foolish, oh, God
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257. Let a rambler
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258. Lead me astray
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259. Go tell
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260. My baby sister
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261. Don't do
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262. What I have done
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263. But shun that house
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264. In New Orleans
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265. They call
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266. The Rising Sun
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267. I'm going back
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268. To New Orleans
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269. My race is almost run
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270. I'm going back
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271. To spend my life
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272. Beneath
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273. That Rising
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274. Sun
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275. Thank you.
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276. All right. See you, John.
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277. Joan Baez.
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278. Miss Joanie, Joanie. That was terrific.
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279. - Thanks, Pete.
- Hey, this is my friend, Bobby.
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280. Hey.
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281. - Nice work.
- Thanks.
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282. And now, a special guest...
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283. is going to introduce open mic tonight.
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284. Don't run.
I ain't passing the basket tonight.
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285. A voice we already know...
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286. and love...
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287. Mr. Pete Seeger!
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288. All right, well...
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289. Month or so ago...
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290. Woody and I met a young man.
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291. He kinda just dropped in on us...
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292. and he sang us a song.
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293. Well, it fairly struck us to the ground.
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294. And Woody and I felt that maybe we were
getting a glimpse of a new road.
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295. This young man, he's been playing around town
a bit...
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296. but I thought it was high time
he took the stage at Folk City.
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297. So, I want you to give a warm welcome
to Bob Dylan.
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298. All right. Cheers.
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299. Oh, man.
All right, thanks, folks.
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300. Thanks, Pete.
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301. Boy, that's a lot to live up to.
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302. Well...
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303. I hope this goes better than it did
in East Orange, New Jersey.
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304. I'm from New Jersey!
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305. How 'bout that Joan Baez, folks?
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306. Yeah!
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307. She's pretty good.
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308. And she's pretty.
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309. Sings pretty.
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310. Maybe a little too pretty.
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311. Anyway, here's a lil' something I wrote.
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312. I hope you think it's good.
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313. It's gotta be good for somebody.
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314. I was young when I left home
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315. And I've been a-ramblin' round
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316. And I never wrote a letter to my home
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317. To my home
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318. Lord, to my home
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319. No, I never wrote a letter
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320. To my home
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321. It was just the other day
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322. I was bringin' home my pay
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323. When I met an old friend I used to know
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324. Said, "Your mother's dead and gone"
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325. Sister's all gone wrong
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326. And your daddy needs you home
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327. Right away
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328. Not a shirt on my back
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329. Not a penny on my name
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330. He has originals, too, you know.
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331. And I can't go home thisaway
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332. Thisaway
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333. - He's very good, isn't he?
- Yeah.
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334. He's my client.
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335. Lord, Lord, Lord
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336. And I can't go home thisaway
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337. What does two o'clock mean to you?
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338. 'Cause I'll tell you what it means
to John Hammond.
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339. - It means two fucking o'clock!
- All right. Okay.
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340. And right now,
it's five minutes past three.
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341. - Are you packin' heat, Albert?
- Get outta here.
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342. That looks like a snub nose.
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343. "Cross between a choirboy and a beatnik.
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344. "Mr. Dylan has a cherubic look...
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345. "and a mop of tousled hair..."
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346. - Stop, Albert. I don't wanna hear this, man.
- "Tousled hair...
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347. "that he keeps beneath a Huck Finn cap.
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348. "His clothes need tailoring.
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349. "But when he works his guitar...
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350. "there's no doubt he's bursting at the seams
with talent.
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351. - "His voice..."
- Hey!
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352. A rave from The Times.
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353. This is our floor.
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354. - All right.
- Come on, come on, come on.
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355. - Okay, Bob. Let's lay one down, yeah?
- Okay.
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356. C, O, seven-six-six-seven-one...
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357. Fixin' to Die, take one.
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358. Feelin' funny in my mind, Lord
I believe I'm fixin' to die
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359. Feelin' funny in my mind, Lord
I believe I'm fixin' to die
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360. - Well, I don't...
- Hey, Bob.
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361. Sorry.
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362. Can we start again?
You keep turning from the mic.
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363. - Oh, yeah. All right.
- All right.
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364. Fixin' to Die, take two.
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365. Great.
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366. Feelin' funny in my mind, Lord
I believe I'm fixin' to die
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367. He has originals, too, you know...
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368. and they're really good.
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369. Traditional repertoire for now, Albert.
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370. We're putting a younger face on folk.
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371. Well, everybody's got somethin'
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372. That they're lookin' forward to
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373. I'm lookin' forward to when
I can do it all again
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374. 'Cause babe, I'll do it all over you
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375. Let me tell you little lover
That you better run for cover
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376. 'Cause babe, I'll do it all over you
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377. All right.
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378. Thank you so much. Thank you. Thank you.
Thanks for letting me play.
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379. Thank you to Brownie, and Sonny, especially.
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380. I hope by God,
I'll see you guys again, bye-bye.
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381. Ladies and gentlemen, Bobby Dylan.
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382. That boy plays some harp.
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383. People, if you wanna go somewhere...
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384. and you don't have plane fare...
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385. train fare, bus fare...
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386. cab fare, no fare whatsoever.
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387. There's one way of gettin' there.
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388. You just walk on.
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389. Walk on
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390. Walk on
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391. Walk on
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392. Walk on
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393. Walk on
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394. Walk on
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395. Walk on, I say walk on
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396. I'm gonna keep on walkin'
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397. Till I find my way back home
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398. How old are you?
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399. 20.
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400. You wrote those songs?
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401. Yeah, last two.
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402. You're good.
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403. What, you mean for my age?
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404. Well, thanks.
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405. Who's that guy?
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406. That's Alan Lomax.
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407. That's what he does.
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408. He runs the Archive of American Folk.
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409. They record folk music.
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410. How do you know so much?
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411. My sister works for him.
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412. I'm gonna keep on walkin'
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413. Till I find my way back home
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414. Walk on, Sonny boy
Walk on, boy
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415. You want a peanut?
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416. I used to live on these things
when I worked at the carnival.
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417. You worked at the carnival?
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418. Strongmen, fire-eaters.
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419. Oh, one lady, her skin was all burnt off.
She looked like a grown-up, wrinkly baby.
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420. - Ew!
- Yeah.
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421. It made me think about people on stage...
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422. about anyone who gets on a stage, you know...
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423. anyone's who's gonna hold your attention
on a stage.
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424. Have to kinda be a freak.
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425. Not everyone.
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426. Anyone who's good.
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427. Are you a freak?
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428. Yeah, I hope so.
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429. Frank Sinatra's not a freak.
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430. Well, that voice ain't human.
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431. You can be beautiful, or you can be ugly,
but you can't be plain.
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432. You gotta be something
people can't stop looking at...
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433. like a train wreck or a car crash.
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434. Oh, you seen this?
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435. No. I thought we were going to see
Guernica at the Museum.
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436. Ah, Picasso's overrated.
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437. You got a dollar?
Copy !req
438. Two for the matinee.
Copy !req
439. And will you be happy, Charlotte?
Copy !req
440. Oh, Jerry, don't let's ask for the moon.
Copy !req
441. We have the stars.
Copy !req
442. So...
Copy !req
443. Bette Davis was a mousy girl...
Copy !req
444. who had to escape her domineering mother
to find herself.
Copy !req
445. - She runs away, becomes beautiful...
- "Find herself"? I don't know about that.
Copy !req
446. returns home, destroys her mom...
Copy !req
447. and adopts the child of a man
she can never have.
Copy !req
448. She didn't "find herself"...
Copy !req
449. like her "self" was a missing shoe
or something.
Copy !req
450. She just made herself
into something different.
Copy !req
451. Something better.
Copy !req
452. Different.
Copy !req
453. Okay.
Copy !req
454. You know, what she wanted to be,
in that moment.
Copy !req
455. What do you wanna be?
Copy !req
456. A musician.
Copy !req
457. Who eats.
Copy !req
458. Well, I like your songs.
Copy !req
459. My record comes out in a couple weeks.
Copy !req
460. Some of the songs you played today
on your record?
Copy !req
461. Well, it's mostly covers.
Copy !req
462. Just traditional stuff.
Copy !req
463. You know, folk songs are supposed to
stand the test of time, like...
Copy !req
464. Shakespeare or something.
Copy !req
465. They say no one wants to hear
what a kid wrote last month.
Copy !req
466. Who's they?
Copy !req
467. Record company.
Copy !req
468. My manager.
Copy !req
469. I'm sorry...
Copy !req
470. but Where Have All the Flowers Gone
is not Shakespeare.
Copy !req
471. I mean...
Copy !req
472. there was a time when the old songs were new, right?
Copy !req
473. Someone at some point
had to give the songs a chance.
Copy !req
474. I mean...
Copy !req
475. There's a civil war going on down south.
Copy !req
476. Biggest military buildup in history.
Copy !req
477. Nuclear bombs hanging over us.
Copy !req
478. It's not all about the Dust Bowl...
Copy !req
479. and Johnny Appleseed anymore.
Copy !req
480. Monday to Thursday, I'm at school.
Copy !req
481. Then I volunteer at CORE,
Fridays and Saturdays.
Copy !req
482. And I take a painting class
Sunday mornings in Queens.
Copy !req
483. What's CORE?
Copy !req
484. - Congress of Racial Equality.
- Oh, yeah.
Copy !req
485. - We organized the freedom rides.
- All right.
Copy !req
486. This is me.
Copy !req
487. Dwight MacDonald wrote a wonderful piece
in here.
Copy !req
488. I think you'll like him.
Copy !req
489. He's contrarian, like you.
Copy !req
490. All right, I'll take a look.
Copy !req
491. What are you doin' tomorrow?
Copy !req
492. I told you my schedule.
Copy !req
493. Oh, yeah, painting. In Queens.
Copy !req
494. I'm at my mom's in the afternoon.
Copy !req
495. Call me there?
Copy !req
496. Hey there. Have you got any more Joan Baez?
Copy !req
497. No, you got the last one.
Copy !req
498. Amidst the resistance
from the Negro community...
Copy !req
499. Commissioner Connor has vowed to stand firm.
Copy !req
500. Birmingham is home to 700 churches...
Copy !req
501. and the Black churches serve
as the gathering spots...
Copy !req
502. Let us help you stimulate your conscience.
Copy !req
503. Let us help you see the wrongs
you have committed.
Copy !req
504. Once you see them, you will surely change.
Copy !req
505. But there has been no change.
Copy !req
506. We've been publishing it, but the press
doesn't seem to notice.
Copy !req
507. Hi.
Copy !req
508. Package for Zimmerman?
Copy !req
509. Oh, yeah. Thanks.
Copy !req
510. You need to sleep, babe.
Copy !req
511. Yeah, I know.
Copy !req
512. Yes, and how many times
Copy !req
513. Can a man turn his head
Copy !req
514. And pretend that he just doesn't see?
Copy !req
515. The answer, my friend
Copy !req
516. Is blowin' in the wind
Copy !req
517. The answer is blowin' in the wind
Copy !req
518. Yes, and how many times
Copy !req
519. - Must a man...
- That's enough!
Copy !req
520. - That's enough now!
- All right, just let me finish the verse.
Copy !req
521. Mr. Guthrie needs quiet now.
Copy !req
522. You got a lotta nerve taking a cigarette
out a man's mouth.
Copy !req
523. There is another gentleman in this room,
and he's trying to rest.
Copy !req
524. You know, he been resting six months.
I don't think it's workin'.
Copy !req
525. I'm trying to look out for your health,
Mr. Guthrie.
Copy !req
526. You know, last guy let us sing.
Copy !req
527. Do I look like the last guy?
Copy !req
528. No, you look like a bona fide asshole.
Copy !req
529. Whoa, easy, Bob.
Hello, George.
Copy !req
530. Mr. Guthrie is here for treatment,
Mr. Seeger.
Copy !req
531. - That's true, yeah.
- He has a serious disease...
Copy !req
532. and he's sharin' his room with a guest.
Copy !req
533. Yeah, a guest in a coma!
Copy !req
534. George, reasonable people can work
these things out.
Copy !req
535. This is a hospital, not a nightclub.
Copy !req
536. Well, I guess every deck come
with two jokers, don't it?
Copy !req
537. She's a new favorite. I call her Jane.
Copy !req
538. I'm moving away from the abstract a bit
and trying to move into faces.
Copy !req
539. What about Hank Williams, Tom? In your
estimable opinion, is he country or folk?
Copy !req
540. - He's country.
- It don't matter.
Copy !req
541. 'Cause he got pedal steel behind him?
Copy !req
542. Bob, man, you're telling me
there's no difference?
Copy !req
543. - Sylvie, you gotta hear this, man.
- No, man.
Copy !req
544. You can call it country or blues
or rock and roll...
Copy !req
545. but we all keep rewriting the same songs.
Copy !req
546. Are these his friends from his circus days?
Copy !req
547. Stop it, Gena.
Copy !req
548. Is his real name Zimmerman?
Copy !req
549. Move along.
Copy !req
550. Mr. Johnny Cash!
Copy !req
551. He started out in country music
and sorta made the transition over into pop.
Copy !req
552. Ain't no transition, man.
Copy !req
553. Gotta label him with
that corny bullshit, man.
Copy !req
554. Please remember garbage on Tuesdays.
Copy !req
555. Except if Monday's a holiday,
which it will be next week.
Copy !req
556. You got it.
Copy !req
557. I have to do this.
Copy !req
558. It's a school trip, it's required.
Copy !req
559. All right, you said that already,
like, three times.
Copy !req
560. It's only 12 weeks.
Copy !req
561. Well, God made the world in six days.
Copy !req
562. So?
Copy !req
563. So, 12 weeks' a lot longer.
Copy !req
564. What am I supposed to do
with the extra 65 days?
Copy !req
565. Are you God, Bob?
Copy !req
566. How many times do I have to say this?
Copy !req
567. Yes.
Copy !req
568. I think about how much I'm gonna miss you...
Copy !req
569. then I realize...
Copy !req
570. I don't know you.
Copy !req
571. There's a face on your driver's license.
He's different.
Copy !req
572. - Has a different name.
- Wow.
Copy !req
573. When I get back,
I'd like to get to know that guy.
Copy !req
574. Don't do this, Sylvie.
Copy !req
575. You wrote a five-minute song about
this girl in Minneapolis.
Copy !req
576. Who was that? What happened?
Copy !req
577. You tell me you dropped out of college...
Copy !req
578. No, I didn't drop out of college.
Copy !req
579. - I didn't say that.
- You came here with nothing but a guitar.
Copy !req
580. You never talk about your family, your past,
besides the "carnival."
Copy !req
581. 'Cause people make up their past, Sylvie.
Copy !req
582. They remember what they want,
they forget the rest!
Copy !req
583. I tell you everything.
Copy !req
584. My folks, my sister, the street I grew up on.
Copy !req
585. Yeah, I never asked you about any of it.
Copy !req
586. - What, you think that stuff defines you?
- What I come from?
Copy !req
587. What I want and what I don't want,
what I reject.
Copy !req
588. Yes!
Copy !req
589. Good thing you're going to Rome.
Copy !req
590. And then what?
Copy !req
591. I come back and live
with a mysterious minstrel?
Copy !req
592. No, mysterious minstrels
sell more than 1,000 records.
Copy !req
593. Maybe just don't come back at all.
Copy !req
594. Oh, Christ, come on, Sylvie.
Copy !req
595. Stop hiding.
Copy !req
596. We both know you can't wait
to have your place to yourself.
Copy !req
597. Jesus. Part of me.
Copy !req
598. Not all of me.
Copy !req
599. What? You want me to make sense
100% of the time?
Copy !req
600. There's a lot I want.
Copy !req
601. And you do too. You're ambitious.
Copy !req
602. I think that scares you.
Copy !req
603. "The line has been drawn.
Copy !req
604. "The curse has been cast.
Copy !req
605. "The slow one now will later be..."
Copy !req
606. Your record was all other people's music.
Copy !req
607. Good evening, my fellow citizens.
Copy !req
608. This government, as promised...
Copy !req
609. has maintained the closest surveillance...
Copy !req
610. of the Soviet military buildup...
Copy !req
611. on the island of Cuba.
Copy !req
612. Within the past week...
Copy !req
613. unmistakable evidence
has established the fact...
Copy !req
614. that a series of offensive missile sites...
Copy !req
615. is now in preparation...
Copy !req
616. on that imprisoned island.
Copy !req
617. The purpose of these bases...
Copy !req
618. can be none other...
Copy !req
619. than to provide a nuclear
strike capability...
Copy !req
620. against the Western Hemisphere.
Copy !req
621. Upon receiving the first preliminary
hard information...
Copy !req
622. last Tuesday morning at 9:00 am...
Copy !req
623. I directed that our surveillance
be stepped up.
Copy !req
624. It shall be the policy of this nation...
Copy !req
625. to regard any nuclear missile...
Copy !req
626. launched from Cuba against any nation
in the Western Hemisphere...
Copy !req
627. as an attack by the Soviet Union
on the United States...
Copy !req
628. requiring a full retaliatory response...
Copy !req
629. If invasion is undertaken...
Copy !req
630. the Russians have said
that they would retaliate...
Copy !req
631. with rocket fire.
Copy !req
632. We have said if there's rocket fire
from Cuba...
Copy !req
633. we will retaliate...
Copy !req
634. and there goes the whole ball game.
Copy !req
635. - So, how do we relate Berlin as the...
- What's on TV?
Copy !req
636. On the question of immediate relief
or optimism here...
Copy !req
637. that nobody in the White House
is willing to say...
Copy !req
638. Pick up.
Copy !req
639. Come on.
Copy !req
640. They do not believe that the 24 hours
of waiting is over.
Copy !req
641. There's still considerable belief...
Copy !req
642. that the confrontation in the Caribbean
will come yet tonight.
Copy !req
643. No one can guarantee that American families
on the eastern seaboard...
Copy !req
644. will be alive tomorrow.
Copy !req
645. Hey!
Copy !req
646. Hey, taxi! Taxi! Taxi! Hey! Come on!
Copy !req
647. Thank you.
Copy !req
648. This is a new one.
Copy !req
649. Come you masters of war
Copy !req
650. You that build the big guns
Copy !req
651. You that build the death planes
Copy !req
652. You that build all the bombs
Copy !req
653. You hide in your mansion
Copy !req
654. While the young people's blood
Copy !req
655. Flows out of their bodies
And is buried in the mud
Copy !req
656. Let me ask you one question
Copy !req
657. Is your money that good?
Copy !req
658. Will it buy you forgiveness
Copy !req
659. Do you think that it could?
Copy !req
660. I think you will find
Copy !req
661. When your death takes its toll
Copy !req
662. All the money you made
Will never buy back your soul
Copy !req
663. And I'll watch while you're lowered
Copy !req
664. Down to your deathbed
Copy !req
665. And I'll stand over your grave
Copy !req
666. 'Til I'm sure that you're dead
Copy !req
667. Thank you, Bob.
Copy !req
668. Troubling time, go find someone to love.
Copy !req
669. American forces stand on edge...
Copy !req
670. with naval ships positioned
throughout the Caribbean.
Copy !req
671. The Unites States almost went to nuclear war.
Copy !req
672. Perhaps no one will ever know
how close it came...
Copy !req
673. except for Nikita Khrushchev who
apparently had no illusions.
Copy !req
674. The feeling in official Washington...
Copy !req
675. after one of the most frightening weeks
in history...
Copy !req
676. is that it's too early for elation...
Copy !req
677. but not too early to wonder what happened...
Copy !req
678. and why it happened.
Copy !req
679. Moscow, of course, in the last 48 hours...
Copy !req
680. has seemed contradictory and zigzagged...
Copy !req
681. as if the Kremlin were having
a great, private debate.
Copy !req
682. The I's are not dotted,
and the T's are not crossed...
Copy !req
683. but everything seems easier.
Copy !req
684. The mood here is still cautious,
spelled with a capital C.
Copy !req
685. Khrushchev has offered
to remove his missiles from Cuba.
Copy !req
686. If he does, we will call off the quarantine
and there will be no invasion.
Copy !req
687. The President today called
Khrushchev's decision statesmanlike.
Copy !req
688. Has the United States made a deal
with Moscow?
Copy !req
689. The answer is no.
Copy !req
690. What, then, is in this for Khrushchev?
Copy !req
691. There will be no armed showdown,
there will be no nuclear war.
Copy !req
692. The Cuban problem
will still be there for us...
Copy !req
693. Well, that's that.
Copy !req
694. Now to the news...
Copy !req
695. Who taught you to play?
Copy !req
696. Well, I taught myself really.
Copy !req
697. Picked up a few licks at the carnival.
Copy !req
698. At the carnival?
Copy !req
699. Oh, yeah, there was singin' cowboys
that'd come through...
Copy !req
700. teach me all sorts of funny chords.
Copy !req
701. Yeah, they'd pass through in the shows
in Kansas or Dakotas.
Copy !req
702. Yeah, these chords I learned
from a cowboy named Wigglefoot.
Copy !req
703. You were in a carnival?
Copy !req
704. You are so completely full of shit.
Copy !req
705. I had lessons as a kid,
you know, normal lessons.
Copy !req
706. I write too. I'm not sure there's a way
to learn that.
Copy !req
707. Too hard.
Copy !req
708. Excuse me?
Copy !req
709. You try too hard.
Copy !req
710. To write.
Copy !req
711. Really?
Copy !req
712. Yeah, if you're askin'.
Copy !req
713. I wasn't.
Copy !req
714. Sunsets and seagulls.
Copy !req
715. Smell of buttercups.
Copy !req
716. Your songs are like an oil painting
at the dentist's office.
Copy !req
717. You're kind of an asshole, Bob.
Copy !req
718. Yeah, I guess.
Copy !req
719. Play this.
Copy !req
720. How many roads must a man walk down
Copy !req
721. Before you call him a man?
Copy !req
722. How many seas must a white dove sail
Copy !req
723. Before she sleeps in the sand?
Copy !req
724. Yes and how many times
Copy !req
725. Must the cannon balls fly
Copy !req
726. Before they are forever banned?
Copy !req
727. The answer, my friend
Copy !req
728. Is blowin' in the wind
Copy !req
729. The answer is blowin' in the wind
Copy !req
730. How many years must a mountain exist
Copy !req
731. Before it is washed to the sea?
Copy !req
732. How many years can some people exist
Copy !req
733. Before they're allowed to be free?
Copy !req
734. Yes, and how many times
Copy !req
735. Can a man turn his head
Copy !req
736. Pretend that he just doesn't see?
Copy !req
737. The answer, my friend
Copy !req
738. Is blowin' in the wind
Copy !req
739. The answer is blowin' in the wind
Copy !req
740. How many times must a man look up
Copy !req
741. Before he can see the sky?
Copy !req
742. How many ears must one man have
Copy !req
743. Before he can hear people cry?
Copy !req
744. Yes and how many deaths
Copy !req
745. Will it take 'til he knows
Copy !req
746. That too many people have died?
Copy !req
747. The answer, my friend
Copy !req
748. Is blowin' in the wind
Copy !req
749. The answer is blowin' in the wind
Copy !req
750. So, this is...
Copy !req
751. What?
Copy !req
752. I don't know.
Copy !req
753. Have you recorded that song?
Copy !req
754. No, not yet.
Copy !req
755. You should let me try it.
Copy !req
756. Okay. Oh, shit. All right, I gotta go.
Copy !req
757. Yeah, I gotta go. Sorry.
Copy !req
758. - Hey!
- Hi!
Copy !req
759. - Here, I'll take that.
- Oh, how beautiful.
Copy !req
760. How you doin'?
Copy !req
761. - Thank you, baby.
- Yes!
Copy !req
762. - You okay?
- Here, I'll take your stuff.
Copy !req
763. - Okay.
- Yeah.
Copy !req
764. Welcome home.
Copy !req
765. Did you teach yourself to make coffee?
Copy !req
766. Oh, yeah.
Copy !req
767. It ain't no use to sit and wonder why, babe
Copy !req
768. If'n you don't know by now
Copy !req
769. And it ain't no use
To sit and wonder why, babe
Copy !req
770. It'll never do somehow
Copy !req
771. When your rooster crows at the break of dawn
Copy !req
772. Who wrote this?
Copy !req
773. - Look out your window and I'll be gone
- He did.
Copy !req
774. You're the reason I'm a-travelin' on
Copy !req
775. - Hey, Sylvie, get in here.
- What?
Copy !req
776. We look good?
Copy !req
777. And it ain't no use in turnin' on your light
Babe
Copy !req
778. The light
Copy !req
779. I never knowed
Copy !req
780. And it ain't no use in turning on your light
Copy !req
781. I'm on the dark side of the road
Copy !req
782. Still, I wish there was somethin' you could
Do or say
Copy !req
783. Make me wanna change my mind and stay
Copy !req
784. We never did too much talking anyway
Copy !req
785. Don't think twice, it's all right
Copy !req
786. Excuse me, yeah! That's it.
Copy !req
787. Get the master at work here.
The whole laboratory.
Copy !req
788. - Albert!
- Yes, sir.
Copy !req
789. I don't want 'em to shoot my desk, man.
Copy !req
790. Pal, what did I say to you? No desk.
Copy !req
791. - You can plug that here.
- What did I say?
Copy !req
792. No, Sylvie, don't bring 'em in here.
Copy !req
793. I didn't bring them, Bob, you did.
Copy !req
794. They're here for you.
Copy !req
795. That for Woody?
Copy !req
796. Yeah, I'm gonna drop it off
on the way to the airport.
Copy !req
797. Here. Put your finger there.
Copy !req
798. - Is that Joan?
- Yeah.
Copy !req
799. So, she's covering your song?
Copy !req
800. Yeah.
Copy !req
801. Before your version comes out?
Copy !req
802. Albert thinks it helps.
Copy !req
803. Helps her.
Copy !req
804. Helps him sign her.
Copy !req
805. She's famous, Sylvie.
Copy !req
806. Been on the cover of Time Magazine.
Copy !req
807. They recorded her live.
Copy !req
808. She didn't know they were gonna
put it on the radio.
Copy !req
809. 'Course not.
Copy !req
810. So, you gave her the song.
Copy !req
811. I didn't give her the song.
Copy !req
812. Bobby, we're ready over here, pal.
Copy !req
813. You're gonna see her in California?
Copy !req
814. Well, it's her festival.
Copy !req
815. Okay, he's all set up here.
Copy !req
816. I'm just tryin' to get on a plane
and do a show, Sylvie.
Copy !req
817. Okay, right here.
Copy !req
818. You're in the shot, sweetheart.
Copy !req
819. Hey, there.
Copy !req
820. It's a great place, Joan.
Copy !req
821. Want me to show you the rest?
Copy !req
822. Okay.
Copy !req
823. This what you're playing these days?
Copy !req
824. Top string got a little buzz to it.
Copy !req
825. Not when I play it.
Copy !req
826. The new record is beautiful.
Copy !req
827. You think?
Copy !req
828. If you're travelin' in the north country fair
Copy !req
829. Where the winds hit heavy
On the borderline
Copy !req
830. Remember me
To the one who lives there
Copy !req
831. For she once was
A true love of mine
Copy !req
832. Please see if her hair hangs long
Copy !req
833. If it rolls and flows all
Copy !req
834. Down her breast
Copy !req
835. Please see for me if her hair hangs long
Copy !req
836. For that's the way I remember her best
Copy !req
837. Hello.
Copy !req
838. John Hammond said you had somethin' for me.
Copy !req
839. My name is...
Copy !req
840. I know who you are.
Copy !req
841. - One moment.
- Okay.
Copy !req
842. - Oh, boy.
- Fan letters.
Copy !req
843. All right. Thanks.
Copy !req
844. And Mr. Hammond's office set these aside
for you.
Copy !req
845. Dear Bob...
Copy !req
846. Well, I won't grope for the words to tell you
how great your writing is.
Copy !req
847. I'll just say...
Copy !req
848. your Freewheelin' album
is my most prized possession.
Copy !req
849. Thank you.
Copy !req
850. Johnny Cash.
Copy !req
851. Oh, where have you been
My blue-eyed son?
Copy !req
852. Oh, where have you been
My darling young one?
Copy !req
853. I've stumbled on the side
Of 12 misty mountains
Copy !req
854. I walked and I crawled
On six crooked highways
Copy !req
855. I've stepped in the middle
Of seven sad forests
Copy !req
856. Oh, my God.
Copy !req
857. - Bob! Bob!
- Bob Dylan?
Copy !req
858. Hey, Bob, where you goin'?
Copy !req
859. Over 300,000 marchers descended
on Washington today...
Copy !req
860. to demand the end of segregation.
Copy !req
861. From New York, Bob Dylan.
Copy !req
862. When the marshals and cops fled the scene
Copy !req
863. I met one man he was wounded in love
Copy !req
864. - Bob! You're the best!
- Bob, please!
Copy !req
865. I saw a newborn baby with wild wolves
All around it
Copy !req
866. I saw a highway of diamonds with nobody on it
Copy !req
867. Dear Johnny. Thanks for that letter.
Copy !req
868. I am now famous.
Copy !req
869. Famous by the rules of...
Copy !req
870. public famiousity.
Copy !req
871. It snuck up on me and pulverized me.
Copy !req
872. To quote Mr. Freud, I get quite paranoid.
Copy !req
873. Bob, got your letter.
Copy !req
874. Tonight, I sit in the wake
of one more hard rain.
Copy !req
875. I was in New York last week...
Copy !req
876. saw a bunch of folk singers
that couldn't hold a chigger on your ass.
Copy !req
877. Well, I'll see you in Newport come spring.
Copy !req
878. Until then, track mud on somebody's carpet.
Copy !req
879. And I'll tell it and think it and speak it
And breathe it
Copy !req
880. And reflect it from the mountain
So all souls can see it
Copy !req
881. This is your dream.
Copy !req
882. Folk music reaching everybody.
Copy !req
883. But I'll know my song well
Before I start singin'
Copy !req
884. And it's a hard
It's a hard
Copy !req
885. It's a hard
It's a hard
Copy !req
886. It's a hard rain's a-gonna fall
Copy !req
887. Thank you.
Copy !req
888. Newcomb portable, eh?
Copy !req
889. You're gettin' fancy on me.
Copy !req
890. Toshi and I...
Copy !req
891. we think it's a good moment,
you know, after Newport, to do a tour.
Copy !req
892. But we're thinking we should do a world tour.
Copy !req
893. Take the music out to more people.
Copy !req
894. I'm thinking we see Toshi's family in Japan,
and we want to take the kids.
Copy !req
895. But...
Copy !req
896. You gotta hold on.
Copy !req
897. You gotta do what they tell you to do.
Copy !req
898. You gotta take your medicine and...
Copy !req
899. You wanna play?
Copy !req
900. No, right, I know.
Copy !req
901. I gotta fix that one. That needs a reed.
Copy !req
902. Bob.
Copy !req
903. Bob.
Copy !req
904. Sure. Yeah. No.
Copy !req
905. I'll see that he gets it.
Copy !req
906. From Dallas, Texas, the flash,
apparently official...
Copy !req
907. President Kennedy died at 1:00 p.m.
Central Standard Time...
Copy !req
908. 2:00 Eastern Standard Time...
Copy !req
909. some 38 minutes ago.
Copy !req
910. Show me the whiskey stains
On the floor
Copy !req
911. Show me the drunkard
Copy !req
912. As he stumbles out the door
Copy !req
913. And I'll show you a young man
Copy !req
914. With so many reasons why
Copy !req
915. But there but for fortune
Copy !req
916. Go you or I
Copy !req
917. Show me the country
Copy !req
918. Where the bombs had to fall
Copy !req
919. Show me the ruins
Copy !req
920. Of the buildings once so tall
Copy !req
921. And I'll show you a young man
Copy !req
922. - With so many reasons why
- Thank you.
Copy !req
923. But there but for fortune
Copy !req
924. Go you and I
Copy !req
925. You and I
Copy !req
926. Thank you, Newport.
Copy !req
927. Thank you.
Copy !req
928. Thanks so much.
Copy !req
929. Thank you, everyone. See you soon.
Copy !req
930. You see who showed up?
Copy !req
931. You all right if I slip him on,
right after Joan?
Copy !req
932. - Yeah? You'll go on right after...
- Yeah, sure. No sweat, Pete.
Copy !req
933. - Okay. Thank you. Thank you.
- Okay. All right.
Copy !req
934. Bob Dylan!
Copy !req
935. - That was beautiful.
- Thank you.
Copy !req
936. - All right, all right.
- Bring out Bob!
Copy !req
937. He's comin'. He's a-comin'.
Copy !req
938. All right. Bobby's comin',
fear not, fear not.
Copy !req
939. But now, listen...
Copy !req
940. we got a surprise appearance.
Copy !req
941. If you look on your programs...
Copy !req
942. you'll see someone who was supposed
to be here last night...
Copy !req
943. who was absent without official leave,
as they say.
Copy !req
944. Hey, Johnny.
Copy !req
945. Bobby Dylan. Come here, you.
Copy !req
946. You know, I read that last letter six times.
Copy !req
947. - That thing was economy-sized.
- Oh, yeah.
Copy !req
948. How about we get us a drink after the show?
Copy !req
949. Yeah, all right.
Copy !req
950. I think I'm up after you.
Copy !req
951. All right, Bobby.
Copy !req
952. But he's here, and all the sweeter
for the waitin' as they say.
Copy !req
953. And so please give a warm welcome
to Johnny Cash and the Tennessee Three.
Copy !req
954. - Let's go.
- All right.
Copy !req
955. Hello.
Copy !req
956. All right, fellas.
Copy !req
957. Let's get these beatniks out of their seats
real quick.
Copy !req
958. Tie one on.
Copy !req
959. All right!
Copy !req
960. All right, thank you, Newport.
Copy !req
961. Thank you very much.
Copy !req
962. Thank you, thank you.
Copy !req
963. Well, the next fella up is my pen pal.
Copy !req
964. And sometimes, when I read his letters,
I think I can see his brain.
Copy !req
965. Anyway, all I know is...
Copy !req
966. you better sing about that rooster crowing
till the break of dawn...
Copy !req
967. 'cause I need to learn those damn words.
Copy !req
968. Ladies and gentlemen, Mr. Bob Dylan!
Copy !req
969. Thank you, Johnny.
Copy !req
970. And thank you, Newport Folk Festival.
Copy !req
971. Maybe hear about that rooster
a little bit later on.
Copy !req
972. Here's a new one.
Copy !req
973. Come gather 'round people
Wherever you roam
Copy !req
974. And admit that the waters
Around you have grown
Copy !req
975. And accept it that soon
You'll be drenched to the bone
Copy !req
976. If your time to you is worth savin'
Copy !req
977. Then you better start swimmin'
or you'll sink like a stone
Copy !req
978. For the times they are a-changin'
Copy !req
979. Come writers and critics
Who prophesize with your pen
Copy !req
980. And keep your eyes wide
The chance won't come again
Copy !req
981. And don't speak too soon
For the wheel's still in spin
Copy !req
982. And there's no tellin' who that it's namin'
Copy !req
983. For the loser now will be later to win
Copy !req
984. - For the times they are a-changin'
- They are a-changin'
Copy !req
985. Come mothers and fathers
Throughout the land
Copy !req
986. And don't criticize
What you can't understand
Copy !req
987. Your sons and your daughters
Are beyond your command
Copy !req
988. The order is rapidly agin'
Copy !req
989. Please get out of the new one
If you can't lend a hand
Copy !req
990. - For the times they are a-changin'
- Times they are a-changin'
Copy !req
991. The line it is drawn
The curse it is cast
Copy !req
992. The slow one now
Will later be fast
Copy !req
993. As the present now
Will later be past
Copy !req
994. The order is rapidly fadin'
Copy !req
995. And the first one now will later be last
Copy !req
996. - For the times they are a-changin'
- Times they are a-changin'
Copy !req
997. Way to go, Bobby.
Copy !req
998. Rollin' down the street in the early dawn
Copy !req
999. Hey, Bob.
Copy !req
1000. You got kids?
Copy !req
1001. Yeah.
Copy !req
1002. Thousands of 'em.
Copy !req
1003. He's here.
Copy !req
1004. Excuse me, one second.
Copy !req
1005. Hey, Bob. Bobby.
Copy !req
1006. Come on in. Thank you so much for coming.
Copy !req
1007. - Here, let me take your jacket.
- Oh, thank you.
Copy !req
1008. Shirley, here. Take this, please.
Copy !req
1009. It's a wonderful cause.
We truly appreciate you coming.
Copy !req
1010. - You good? You happy?
- Yeah.
Copy !req
1011. - You thirsty?
- Is there a bar or somethin'?
Copy !req
1012. Yeah. This way, my friend.
Copy !req
1013. - Hey, Bob. I love Tambourine Man.
- Oh, thanks.
Copy !req
1014. So when's the new album out?
Copy !req
1015. Soon.
Copy !req
1016. Can songs really change things, Bob?
Copy !req
1017. - Well, they change keys.
- Hey, Bob, where do songs come from?
Copy !req
1018. Bobby!
Copy !req
1019. We miss you at the Archive!
Copy !req
1020. How are you? Word on the street...
Copy !req
1021. is you're making quite a noise down there
in Studio A, huh?
Copy !req
1022. This is Becka, by the way.
Copy !req
1023. Nice to meet you.
Copy !req
1024. Listen, Bob, you don't have to compete
with the Beatles.
Copy !req
1025. - Okay?
- Yeah.
Copy !req
1026. You are better than that shit.
Copy !req
1027. Alan, you're obsessed with the Beatles.
Please.
Copy !req
1028. Can I get two glasses
of red wine, please?
Copy !req
1029. You didn't bring your guitar with you, Bobby.
Copy !req
1030. What, are you saving yourself
for your little tour with Joanie?
Copy !req
1031. Not little, Harold. Sold out.
Copy !req
1032. Hey, listen, that's wonderful!
Copy !req
1033. And honestly, the last thing I wanna do now
is put pressure on you...
Copy !req
1034. but the dirty little secret
is most everybody here is here...
Copy !req
1035. 'cause they're hoping you'd play
a little something.
Copy !req
1036. Where'd they get that idea, Harold?
Copy !req
1037. What'd you pull me into, man?
Copy !req
1038. - Is this a fucking gig or something?
- The prodigal.
Copy !req
1039. - It's anything you want it to be.
- He's back.
Copy !req
1040. - Hey, Pete.
- Hi.
Copy !req
1041. - How you doin'?
- Good.
Copy !req
1042. - Nice to see you.
- Great to see you.
Copy !req
1043. Toshi, how are you doin'?
Copy !req
1044. Well, you made it around the world
in 80 days, huh?
Copy !req
1045. Magic carpet ride.
Copy !req
1046. Just full of wonder. Full of wonder.
Copy !req
1047. This is Becka, by the way.
Copy !req
1048. Nice to meet you.
This is my wife, Toshi.
Copy !req
1049. Nice to meet you.
Copy !req
1050. I absolutely love your music.
Copy !req
1051. - I'm such a big fan, Mr. Seeger.
- No. No, I'm Pete.
Copy !req
1052. - Pete.
- Oh, Pete. Pete.
Copy !req
1053. Harold is putting the lean on you, yeah?
Copy !req
1054. - Trying to get you to play?
- Yeah, little bit.
Copy !req
1055. All right. Well, don't hold it against him.
Copy !req
1056. It's for a good cause.
Copy !req
1057. Wanna use this beauty?
Copy !req
1058. You always keep it handy, huh, Pete?
Copy !req
1059. He's like a gunfighter with his six-gun.
Copy !req
1060. Always keeping it close.
Copy !req
1061. Oh the time will come up
When the winds will stop
Copy !req
1062. And the breeze will cease to be breathin'
Copy !req
1063. Like the stillness in the wind
'Fore the hurricane begins
Copy !req
1064. The hour that the ship comes in
Copy !req
1065. And the seas will split
And the ship will hit
Copy !req
1066. And the sands on the shoreline
Will be shakin'
Copy !req
1067. And the tide will sound
And the wind will pound
Copy !req
1068. And the mornin' will be breakin'
Copy !req
1069. - Thank you. That was great!
- Thanks.
Copy !req
1070. I can't wait for the new album.
Copy !req
1071. Hey, thank you, Bob. Truly.
Copy !req
1072. Listen, don't forget the Sing Out benefit
next month.
Copy !req
1073. Talk to me about that, Harold.
Have fun. Have a good night.
Copy !req
1074. You were amazing.
Copy !req
1075. Two hundred people in that room
and each one wants me to be somebody else.
Copy !req
1076. They should just fuck off and let me be.
Copy !req
1077. Be what?
Copy !req
1078. Excuse me?
Copy !req
1079. They should fuck off and let you be what?
Copy !req
1080. I don't know.
Copy !req
1081. Whatever it is they don't want me to be.
Copy !req
1082. Yeah, well, I'm not a horse...
Copy !req
1083. so I don't like carrying
other people's weight.
Copy !req
1084. Yeah. Well, I got a hundred pounds on me
that don't show on that scale.
Copy !req
1085. How do you sing, then?
Copy !req
1086. I put myself in another place.
Copy !req
1087. But I'm a stranger there.
Copy !req
1088. Hey, what's your name, man?
Copy !req
1089. Bobby. Like you, man.
Copy !req
1090. Bobby Neuwirth.
Copy !req
1091. Where you goin'?
Copy !req
1092. I got a gig with some guys
in the East Village.
Copy !req
1093. Spot called McAnn's.
Copy !req
1094. Hey.
Copy !req
1095. Hey.
Copy !req
1096. You have a tour with Joan Baez.
Were you gonna tell me about that?
Copy !req
1097. Am I just more weight?
Copy !req
1098. They wanna own me, Becka.
Is that what you want?
Copy !req
1099. I love you.
Copy !req
1100. Is that scary to you?
Copy !req
1101. Well, I just met you. So...
Copy !req
1102. Yeah.
Copy !req
1103. We had one million bags
Of the best Sligo rags
Copy !req
1104. We had two million barrels of stones
Copy !req
1105. We had three million sides
Of old blind horses hides
Copy !req
1106. We had four million barrels of bones
Copy !req
1107. We had five million hogs
Copy !req
1108. That's him.
Copy !req
1109. That's Bob fucking Dylan right there.
Copy !req
1110. - Where?
- No, that's him.
Copy !req
1111. - It's him!
- Bob! Bob.
Copy !req
1112. Bob. Bob.
Copy !req
1113. Bob. Bob.
Copy !req
1114. Take your glasses off.
Let me see your eyes!
Copy !req
1115. - Hey, get off!
- Fuck off!
Copy !req
1116. Hey, hey. Hey.
Copy !req
1117. What are you doin', man?
Copy !req
1118. Bob.
Copy !req
1119. It's 4:00 a.m.
Copy !req
1120. Bob.
Copy !req
1121. We broke up, remember?
Copy !req
1122. Can I just get a towel for this?
Copy !req
1123. Thanks.
Copy !req
1124. You know, everyone asks
where these songs come from, Sylvie.
Copy !req
1125. But when you watch their faces,
they're not asking where the songs come from.
Copy !req
1126. They're asking why the songs
didn't come to them.
Copy !req
1127. Who is it, Sylvie?
Copy !req
1128. Discover what you set out to find
Copy !req
1129. Come on, give it to me
Copy !req
1130. I'll keep it
Copy !req
1131. Say, "Beware doll
You're bound to fall"
Copy !req
1132. You thought they were all kidding you
Copy !req
1133. You used to
Copy !req
1134. People call, say
Copy !req
1135. Once upon a time you dressed so fine
Copy !req
1136. Threw the bums a dime in your prime
Copy !req
1137. Didn't you?
Copy !req
1138. It's not Mike Bloomfeld, Albert.
It's Mike Bloomfield.
Copy !req
1139. He's a Chicago blues guitar player.
Copy !req
1140. Okay, I can't get him tomorrow.
Copy !req
1141. - I can get another guitar...
- No.
Copy !req
1142. I don't want any of your old session
musicians, man.
Copy !req
1143. I want young guys with hair on their heads...
Copy !req
1144. a guitar player, and a bass player...
Copy !req
1145. an organ player, and a drum player.
Copy !req
1146. I'm gonna try my best but I can't guarantee
that we're gonna get him tomorrow.
Copy !req
1147. I don't want to hear it. Get it done.
Copy !req
1148. Ah, get sick, get well
Hang around a ink well
Copy !req
1149. Hang bell, hard to tell
If anything is goin' to sell
Copy !req
1150. Try hard, get barred
Get back, write braille
Copy !req
1151. Get jailed, jump bail
Join the army, if you fail
Copy !req
1152. Look out kid
You're gonna get hit
Copy !req
1153. - By losers, cheaters, six-time users
- Well, this is gonna piss some people off.
Copy !req
1154. George! Victor said he went by the shop
and got fitted for your daughter's wedding.
Copy !req
1155. - Hello, hello, hello.
- There he is.
Copy !req
1156. Welcome to the center of the universe.
Copy !req
1157. - Alan, let's talk Newport.
- Hello, Harold. Peter.
Copy !req
1158. All right. Give me Saturday night again, please.
Copy !req
1159. - Yes, we have Ian and Sylvia.
- Right.
Copy !req
1160. Odetta, Donovan...
Copy !req
1161. Johnny Cash and Kweskin...
Copy !req
1162. And Theodore Bikel.
Copy !req
1163. Yes, I was just getting to me.
Copy !req
1164. I also have this proposal on the table
for the Butterfield Blues Band.
Copy !req
1165. Remind me who they are.
Copy !req
1166. - Chicago blues band.
- Electric blues band.
Copy !req
1167. A white electric blues band.
Copy !req
1168. They're hot, Alan.
Copy !req
1169. The guitarist, Mike Bloomfield,
is unbelievable.
Copy !req
1170. Oh, yeah. I'm sure he is.
Copy !req
1171. He comes from that Albert Grossman's stable
like you, Peter.
Copy !req
1172. Knock it off.
Copy !req
1173. I hear Bob is playing electric now.
Copy !req
1174. Not on our stage, he isn't.
Copy !req
1175. There is no rock and roll in Newport.
Copy !req
1176. We don't need to be dogmatic.
Copy !req
1177. Okay, okay.
Copy !req
1178. So, what is the verdict on the Butterfields?
Copy !req
1179. We already have blues players.
And we got real ones.
Copy !req
1180. You never heard them, Alan.
Copy !req
1181. Newport Folk Festival was created
to fight a riptide of inauthentic shit.
Copy !req
1182. - I understand that...
- No, you don't understand, Peter.
Copy !req
1183. I'm sorry, but Peter,
Paul and Mary is a confection.
Copy !req
1184. - Paul's name ain't even Paul.
- Okay, Alan.
Copy !req
1185. - Albert Grossman changed his name...
- All right, all right.
Copy !req
1186. - ... because he thought it sounded better.
- Thank you so much.
Copy !req
1187. It's like fucking Ritz Crackers.
Copy !req
1188. Now, stop it. Stop it!
Copy !req
1189. Now, Peter, don't go, don't go.
Copy !req
1190. We're gonna work it out.
We're gonna work it out.
Copy !req
1191. We are here to celebrate folk music.
Copy !req
1192. From the people, for the people, Pete.
Copy !req
1193. The sound of a guitar...
Copy !req
1194. - and a man's voice.
- Or a woman's.
Copy !req
1195. - Alan, please. Let's calm down.
- Don't talk to me about ticket sales, Harold.
Copy !req
1196. - I don't give a shit.
- Okay.
Copy !req
1197. Hey, Tom, give me a second,
I want to try something.
Copy !req
1198. All right.
Copy !req
1199. You're in trouble, man.
Copy !req
1200. Highway 61, take seven.
Copy !req
1201. Man, you can't look at me like that.
Copy !req
1202. 'Cause then...
Copy !req
1203. All right, guys.
Copy !req
1204. Okay, wait.
Copy !req
1205. Don't look at me like that,
'cause I gotta get through the take.
Copy !req
1206. If you got that thing on your face,
I'm gonna explode.
Copy !req
1207. All right, let's just do it before
this whole thing crashes into the ground.
Copy !req
1208. One, two, three.
Copy !req
1209. Oh, God said to Abraham, "Kill me a son"
Copy !req
1210. Abe said, "Man, you must be puttin' me on"
Copy !req
1211. God said, "No"
Copy !req
1212. Abe said, "What?"
Copy !req
1213. God said, "You can do what you want, Abe
Copy !req
1214. "But the next time you see me comin'
You better run"
Copy !req
1215. Of rainbow design
Copy !req
1216. Thanks for tuning in this evening.
Copy !req
1217. Even though I can't see you out there
through this little magic box...
Copy !req
1218. tonight, we'll continue
our Rainbow Quest together...
Copy !req
1219. to seek out all the songs and colors...
Copy !req
1220. and kinds of human beings
that live in this land of ours.
Copy !req
1221. Now, if you tuned in tonight hoping
to hear our friend, Bob Dylan...
Copy !req
1222. well, I don't wanna disappoint you...
Copy !req
1223. but Bob's been hung up
in the studio in New York.
Copy !req
1224. He'll come another time.
Copy !req
1225. But tonight, we've got a very special guest.
Copy !req
1226. A good friend of mine from the deep
Mississippi Delta named Jesse Moffette.
Copy !req
1227. And when he heard we had a gap,
he jumped in a cab...
Copy !req
1228. and he came right over
and he's live with us at NJU.
Copy !req
1229. - Thanks for being here.
- Well, thanks for having me.
Copy !req
1230. So good to be with ya.
Copy !req
1231. Well, you want to have a drink with me?
Copy !req
1232. Oh, no, no. Not while I'm working. No. Yeah.
Copy !req
1233. What kinda station is this anyway?
Copy !req
1234. This is educational, Jesse.
Copy !req
1235. This is a local public educational channel, yeah.
Copy !req
1236. Educational? Shit, I do educational!
Copy !req
1237. I offer blues lessons in the privacy
of your own home.
Copy !req
1238. - You wanna learn the blues?
- Sure.
Copy !req
1239. Call me at Rhinelander 8-4-6-0-2.
Copy !req
1240. And do me a favor. Bring me a bottle
of anything...
Copy !req
1241. - All right, all right.
- ... that ain't pasteurized.
Copy !req
1242. Jesse, let's play something.
What music have you got for us?
Copy !req
1243. I'll play for you, oh yeah.
Copy !req
1244. Let's play. Give us something deep.
Copy !req
1245. Pain in my heart
Copy !req
1246. Pain in my soul
Copy !req
1247. Tell me baby
Copy !req
1248. Oh, Lord
Copy !req
1249. Ten long years
Copy !req
1250. Lord, girl, I've been lovin' you
Copy !req
1251. I'm so sorry. We're live now.
I can't just let you walk out.
Copy !req
1252. That's okay.
I'm not looking to interrupt anything.
Copy !req
1253. Oh, Lord, yeah
Copy !req
1254. It's okay.
Copy !req
1255. It's just wonderful, it's magical, Jesse.
Copy !req
1256. Now, now...
Copy !req
1257. Well, hold on just one second, folks.
Copy !req
1258. We've got a really, really special treat.
Copy !req
1259. - Bob did make it.
- Nah, I'm good.
Copy !req
1260. Bob's here.
Bob, come on.
Copy !req
1261. - It's all right, man.
- No, come on out.
Copy !req
1262. Come on out. It's all right.
Copy !req
1263. I'm glad you came.
I'm glad you came, yeah.
Copy !req
1264. Jesse, say hi to a really
good friend of mine.
Copy !req
1265. This is Bobby Dylan.
Copy !req
1266. Bob. What kinda music do you play?
Copy !req
1267. Well, I play all sorts. I mean...
Copy !req
1268. - What kinda music do you say I play?
- Oh, Bob plays a lot of kinds...
Copy !req
1269. and he plays all of them well.
Copy !req
1270. You trying to steal my spot?
Copy !req
1271. No, I'm not trying to steal your spot, Jesse.
Copy !req
1272. I was really I was trying to figure out
what kinda tuning you were using.
Copy !req
1273. I don't think I ever heard it before.
Copy !req
1274. Nobody can, only me.
Copy !req
1275. Look here. How close were you watching me?
Copy !req
1276. Well, I was watching real close, Jesse.
Copy !req
1277. I got these special binoculars, right?
Copy !req
1278. And they allow me to see into your soul.
Copy !req
1279. Really?
Copy !req
1280. I see exactly what you were playing.
Copy !req
1281. - It's like a tiny little microscope, right?
- Oh, watch out.
Copy !req
1282. - Is that right?
- Yeah.
Copy !req
1283. Do me a favor. Here.
Copy !req
1284. Take my guitar and show me...
Copy !req
1285. - how close you really was watching, my man.
- No, I can't.
Copy !req
1286. Couldn't do that, Jesse,
that's like touching your woman.
Copy !req
1287. It's okay. All right.
Just don't squeeze her too tight.
Copy !req
1288. - It's all right, Pete?
- Oh, yeah.
Copy !req
1289. It's a family station. You can...
Copy !req
1290. As long as I don't squeeze her too tight.
Copy !req
1291. Then it's all right.
I'm gonna... watch this.
Copy !req
1292. Pain in my heart
Copy !req
1293. Pain in my soul
Copy !req
1294. Oh, baby, I don't know
Copy !req
1295. Ten long years
Copy !req
1296. Oh, baby, I've been lovin' you
Copy !req
1297. Well, I ride on a mail train, babe
Copy !req
1298. I can't buy no thrill
Copy !req
1299. And I've been up all night, babe
I'm leaning on the windowsill
Copy !req
1300. Here we are, man.
Copy !req
1301. Aw, shit.
Copy !req
1302. Ah, my second guess.
Copy !req
1303. Hi.
Copy !req
1304. What?
Copy !req
1305. You want me to catch up with you
or something?
Copy !req
1306. Yeah.
Copy !req
1307. mouthpiece of the hollow horn.
Copy !req
1308. Plays wasted words...
Copy !req
1309. Pointed threats, they bluff with scorn,
suicide remarks are torn.
Copy !req
1310. From fool's gold,
from the fool's gold mouthpiece...
Copy !req
1311. and the fool's gold mouthpiece,
the hollow horn...
Copy !req
1312. plays wasted words, proves to warn.
Copy !req
1313. That he not busy being born...
Copy !req
1314. That he not busy being born...
Copy !req
1315. - Bob?
- What?
Copy !req
1316. Never mind.
Copy !req
1317. Fool's gold, fool's gold mouthpiece,
the hollow horn.
Copy !req
1318. Plays wasted words,
wasted words proves to warn.
Copy !req
1319. He not busy being born.
Copy !req
1320. He's busy dying.
Copy !req
1321. That he not busy being born is busy dying
Copy !req
1322. Why did you come here?
Copy !req
1323. What?
Copy !req
1324. To make me watch you write?
Copy !req
1325. What are you doing, Joan?
Copy !req
1326. Why are you asking me that?
Copy !req
1327. Why did you come here?
Copy !req
1328. I came to see you.
Copy !req
1329. You're acting like a jerk.
Copy !req
1330. Why, 'cause I got out of your bed?
Copy !req
1331. Get out.
Copy !req
1332. What?
Copy !req
1333. Get out.
Copy !req
1334. Are you kiddin'?
Copy !req
1335. No, Bob, I'm not kidding. Get out.
Copy !req
1336. Now!
Copy !req
1337. Okay.
Copy !req
1338. You know, Albert booked us on a tour, Joan.
Copy !req
1339. People, you know, on tour,
they typically sing songs together.
Copy !req
1340. Somebody's gotta write those songs.
Copy !req
1341. It's my fucking guitar.
Copy !req
1342. See ya on tour.
Copy !req
1343. I don't wanna fake you out
Copy !req
1344. Take or shake or forsake you out
Copy !req
1345. I ain't lookin' for you to feel like me
Copy !req
1346. See like me or be like me
Copy !req
1347. All I really want to do
Copy !req
1348. Is, baby, be friends with you
Copy !req
1349. The motorcycle black Madonna
Copy !req
1350. Two-wheeled gypsy queen
Copy !req
1351. Hey, Bob. Where the fuck are you?
Copy !req
1352. I don't know. Every time I drink...
Copy !req
1353. I'm right here, Joan.
Copy !req
1354. You guys can see me, right?
Copy !req
1355. All right, what's next?
Copy !req
1356. I don't wanna play that. I mean,
they already got that song on the record.
Copy !req
1357. Pick another song.
Copy !req
1358. Joan, choose somethin' else.
Copy !req
1359. You guys wanna hear
Blowin' in the Wind, right?
Copy !req
1360. Nah, man, I don't... Look...
Copy !req
1361. It's why they came here, Bob.
Copy !req
1362. Nah, I don't believe they came here
to hear that song.
Copy !req
1363. 'Cause I don't believe the set list...
Copy !req
1364. I don't believe a set list was advertised.
Copy !req
1365. No, no set list...
Copy !req
1366. Unless that draconian figure...
Copy !req
1367. from Chicago, United States up there promised
songs that weren't gonna be played.
Copy !req
1368. What in the fuck?
Copy !req
1369. No, man, it's not a request type concert.
Copy !req
1370. If you wanna do that, go see Donovan.
Copy !req
1371. But here, we're gonna play new songs.
Copy !req
1372. Pick somethin' else, Joan.
Copy !req
1373. Pick somethin' else.
Copy !req
1374. Oh, boy. Wow.
Copy !req
1375. Okay, well...
Copy !req
1376. I think my guitar broke.
Copy !req
1377. Yeah.
Copy !req
1378. Hey, listen man, don't get mad.
Copy !req
1379. - Hey, the truth is it broke on the way here.
- Oh, come on, Bob!
Copy !req
1380. - No.
- Get off the stage!
Copy !req
1381. Hey, man.
Copy !req
1382. The bus I came to
actually caught fire on the way here...
Copy !req
1383. and my guitar ain't even on me right now.
Copy !req
1384. So, I'm gonna just go see
the guitar doctor backstage.
Copy !req
1385. Or something, you know.
Copy !req
1386. Well, gee, I hope the doctor
can save his guitar.
Copy !req
1387. I'll play it for ya.
Copy !req
1388. How many roads
Copy !req
1389. Hey, hey, hey!
Copy !req
1390. Come on.
Copy !req
1391. Welcome back, Neuwirth.
Copy !req
1392. That yours?
Copy !req
1393. It's Bob's. He bought it in London.
Copy !req
1394. Railroad Bill, Railroad Bill
Copy !req
1395. Never worked and he never will
Copy !req
1396. And it's ride, ride, ride
Copy !req
1397. Railroad Bill was a mighty mean man
Copy !req
1398. He shot the midnight lantern
Out of the brakeman's hand
Copy !req
1399. And it's ride, ride, ride
Copy !req
1400. Pick it up a little bit.
Copy !req
1401. - Railroad Bill, y'know he took a wife
- He took a wife
Copy !req
1402. Said if I didn't like it
He would take my life
Copy !req
1403. I'm gonna ride, ride, ride
Copy !req
1404. Who are you?
Copy !req
1405. I'm Al Kooper.
Copy !req
1406. What? You're Al Kooper?
Copy !req
1407. He's another guitar player.
Copy !req
1408. Yeah. Tom told me to fall by.
Copy !req
1409. We already have a guitar player, man.
Mike Bloomfield.
Copy !req
1410. And he's really good.
Copy !req
1411. To be better than him,
you'd have to be Blind Willie McTell.
Copy !req
1412. I don't care about money.
I wanna play, man.
Copy !req
1413. No one's on organ.
Copy !req
1414. You don't play keyboards, Al.
Copy !req
1415. Still, don't even worry
about what we're doin'.
Copy !req
1416. - Play like you're in the room alone.
- All right.
Copy !req
1417. Play for yourself until it sounds good.
Copy !req
1418. All right.
Copy !req
1419. - Let's scratch the waltz thing.
- Yeah.
Copy !req
1420. Let's just go back
to what we were doing before.
Copy !req
1421. - Doin' it in four?
- Yeah. I think it's gonna sound better.
Copy !req
1422. - Little slower?
- Yeah, a little slower.
Copy !req
1423. You know, not in that crazy pace.
Copy !req
1424. Yeah. Not too fast.
Copy !req
1425. Yeah. All right.
Copy !req
1426. Like A Rolling Stone, take eight.
Copy !req
1427. Ready?
Copy !req
1428. - One, two...
- It's in C.
Copy !req
1429. - One, two, three.
- Right.
Copy !req
1430. Once upon a time you dressed so fine
Copy !req
1431. Threw the bums a dime in your prime
Copy !req
1432. Didn't you?
Copy !req
1433. Newport never seen threads like these, man.
Copy !req
1434. Hey, Bobby, give me that compass, man.
Copy !req
1435. - Ah, yeah, yeah, yeah.
- I'll wear it somewhere.
Copy !req
1436. Gimme that one, right there. Thank you.
Copy !req
1437. What are you doing downtown, Pete?
I thought you'd already be in Newport.
Copy !req
1438. Trying to get together with Grossman,
talk about your set...
Copy !req
1439. but I'd rather not talk to the middleman.
Copy !req
1440. You wanna get a cup of coffee?
Copy !req
1441. But we're still closing, right?
Copy !req
1442. Oh, yeah. Yeah, yeah.
Copy !req
1443. Well, let's just talk up in Newport, Pete...
Copy !req
1444. 'cause I don't even...
Copy !req
1445. you know, I hadn't even planned anything...
Copy !req
1446. - for the set yet, you know.
- Yeah. Okay.
Copy !req
1447. You know, I'm sorta living
day to day these days, you know?
Copy !req
1448. Sure. Yeah, it's all right.
Copy !req
1449. Be careful on that thing.
Copy !req
1450. Hey, Sylvie.
Copy !req
1451. Hey, Sylvie!
Copy !req
1452. Hey, Sylvie!
Copy !req
1453. Sylvie!
Copy !req
1454. What are you doin' here?
Copy !req
1455. I'm going to Newport. You wanna come?
Copy !req
1456. What?
Copy !req
1457. I'm going to Newport. Come on.
Copy !req
1458. Excuse me, you cannot park there.
Copy !req
1459. There she is.
Copy !req
1460. Hold on tight.
Copy !req
1461. Wow.
Copy !req
1462. I want you to meet someone.
Copy !req
1463. Bobby D!
Copy !req
1464. You're lookin' unlike yourself.
Who you runnin' with?
Copy !req
1465. I'm running wild, Jesse.
Copy !req
1466. Is she wild, too?
Copy !req
1467. Only when the moon's full.
Copy !req
1468. Kinda smells weird.
Copy !req
1469. Bed's not bad.
Copy !req
1470. Does this make me Bette Davis?
Copy !req
1471. She ended up alone in that movie.
Copy !req
1472. No, she didn't.
Copy !req
1473. They got together when they were older.
Copy !req
1474. Knock, knock.
Copy !req
1475. Choose your weapon, General.
Copy !req
1476. You got this guest thing with Joan
in a half hour.
Copy !req
1477. That one.
Copy !req
1478. Yes, sir.
Copy !req
1479. - I'll meet you back here later?
- Why?
Copy !req
1480. I'd like to catch that.
Copy !req
1481. You're on right now. Let's go.
Copy !req
1482. - You're running.
- All right, Albert. Hold your horses.
Copy !req
1483. Come on.
Copy !req
1484. Let's go, let's go. Up.
Go, go, go. Come on.
Copy !req
1485. - Okay, right in there?
- Right in there.
Copy !req
1486. - Okay, we're running, we're running.
- Okay, all right.
Copy !req
1487. - Hey, Pete.
- Hey, amigo, how are you?
Copy !req
1488. - Hi, Sylvie!
- Pete!
Copy !req
1489. - I haven't seen you in a while.
- Okay.
Copy !req
1490. How's it going?
Copy !req
1491. It's all just jubilation through and through.
Copy !req
1492. Couldn't be better.
Copy !req
1493. - Hey, Bobby!
- Hello, darlin'. How are you?
Copy !req
1494. Valentino-type tangos
Copy !req
1495. While the makeup man's hands
Copy !req
1496. Shut the eyes of the dead
Not to embarrass anyone
Copy !req
1497. But farewell Angelina
Copy !req
1498. The sky is changing color
And I must leave fast
Copy !req
1499. The machine guns are roaring
Copy !req
1500. And the puppets heave rocks
Copy !req
1501. And the fiends nail time bombs
To the hands of the clocks
Copy !req
1502. You okay?
Copy !req
1503. Sure. Why not?
Copy !req
1504. Party after.
Copy !req
1505. Great.
Copy !req
1506. But farewell Angelina
Copy !req
1507. The sky is erupting
Copy !req
1508. I must go where it's quiet
Copy !req
1509. Thank you.
Copy !req
1510. How about saying hello
to the man who wrote that one?
Copy !req
1511. Come on out, Bobby.
Copy !req
1512. I picked something appropriate.
Copy !req
1513. Appropriate?
Copy !req
1514. Just fuck off and sing.
Copy !req
1515. Appropriate.
Copy !req
1516. Go away from my window
Copy !req
1517. Leave at your own chosen speed
Copy !req
1518. I'm not the one you want, babe
Copy !req
1519. I'm not the one you need
Copy !req
1520. You say you're lookin' for someone
Copy !req
1521. Never weak but always strong
Copy !req
1522. To protect you and defend you
Copy !req
1523. Whether you are right or wrong
Copy !req
1524. Someone to open each and every door
Copy !req
1525. But it ain't me, babe
Copy !req
1526. No, no, no, it ain't me, babe
Copy !req
1527. It ain't me you're lookin' for, babe
Copy !req
1528. Go lightly from the ledge, babe
Copy !req
1529. Go lightly on the ground
Copy !req
1530. I'm not the one you want, babe
Copy !req
1531. I'll only let you down
Copy !req
1532. You say you're lookin' for someone
Copy !req
1533. Who'll promise never to part
Copy !req
1534. Someone to close his eyes for you
Copy !req
1535. Someone to close his heart
Copy !req
1536. Someone who will die for you and more
Copy !req
1537. But it ain't me, babe
Copy !req
1538. No, no, no, it ain't me, babe
Copy !req
1539. It ain't me you're lookin' for, babe
Copy !req
1540. Sylvie! He's gonna ask where you are.
Copy !req
1541. - Tell him I went home.
- Why?
Copy !req
1542. I can't do it.
Copy !req
1543. I thought I could, but...
Copy !req
1544. Just stay and talk to him, all right?
Copy !req
1545. He's got a lot of people to talk to...
Copy !req
1546. like 100,000.
Copy !req
1547. You can't take a cab
to the Village from here.
Copy !req
1548. You getting in, Miss?
Copy !req
1549. There's a ferry to Providence,
it leaves every other hour.
Copy !req
1550. You can take a train from there,
just take a second.
Copy !req
1551. Or saying, "I can't forget you"
Copy !req
1552. I do not walk the floor
Bowed down and bent but yet
Copy !req
1553. Mama, you been on my mind
Copy !req
1554. You could play basketball
with those polka dots.
Copy !req
1555. Yeah, take that shirt off, man.
You look like a goddamn clown.
Copy !req
1556. Anybody here see where Sylvie went?
Copy !req
1557. Hey, Bobby.
Copy !req
1558. Hey, you know where Sylvie is?
Copy !req
1559. She split while you were playing with Joan.
Copy !req
1560. What do you mean she split?
Copy !req
1561. I didn't wanna sink you, man.
Copy !req
1562. Anybody home?
Hello, Albert.
Copy !req
1563. - Oh, my.
- Oh, God.
Copy !req
1564. She was headed for the ferry.
Copy !req
1565. You probably still got time to catch her
if you head out now.
Copy !req
1566. Christ, Bobby.
Copy !req
1567. Bobby, can I have a word?
Copy !req
1568. Can we just turn that down, please? Maybe?
Copy !req
1569. Where's Pete? He's not in on this?
Copy !req
1570. "In on" what, exactly?
Copy !req
1571. Posse of purity.
Copy !req
1572. No, we are on our own.
Copy !req
1573. Sorry, I gotta go.
Copy !req
1574. Bob, my friend...
Copy !req
1575. All we want to know is what you're planning
on doing tomorrow, Bobby.
Copy !req
1576. If you're gonna play the new songs,
that's all.
Copy !req
1577. 'Cause you want me playing the old ones?
Copy !req
1578. All right, let's just cut the crap, Bob.
Come on.
Copy !req
1579. You're gonna be playing noise like this?
Copy !req
1580. This is The Kinks.
Copy !req
1581. I'm supposed to introduce you.
And if you are, just let me know.
Copy !req
1582. And we'll get Dick Clark to introduce...
Copy !req
1583. You hear that?
Copy !req
1584. You wanna get Dick Clark
to Newport Folk Festival?
Copy !req
1585. I don't know if you noticed,
but there's a lot of fucking people here...
Copy !req
1586. How could I not?
Copy !req
1587. I'd rather have 10 faithful
than 10,000 groupies!
Copy !req
1588. It was the Newport Folk Festival, then Bob...
Copy !req
1589. and it still is the Newport Folk Festival.
Copy !req
1590. Not the teen dream, Brill Building,
Top 40, British Invasion Festival.
Copy !req
1591. A folk festival!
Copy !req
1592. Do you even remember folk music, Bob?
Copy !req
1593. No, Alan, what's that?
Copy !req
1594. Maybe you could sing me somethin'.
Copy !req
1595. Hey!
Copy !req
1596. Hey, Sylvie.
Copy !req
1597. Come here.
Copy !req
1598. Come on.
Copy !req
1599. What are you doing?
Copy !req
1600. Where are you going?
Copy !req
1601. I'm going home.
Copy !req
1602. Why?
Copy !req
1603. It was fun to be on the carnival train
with you, Bobby...
Copy !req
1604. but I think I gotta step off.
Copy !req
1605. I feel like one of those plates, you know...
Copy !req
1606. that the French guy spins on those sticks
on The Sullivan Show.
Copy !req
1607. I kinda like that guy.
Copy !req
1608. I'm sure it's fun to be the guy, Bob...
Copy !req
1609. but I was a plate.
Copy !req
1610. Oh, Christ.
Copy !req
1611. Stay. Come on.
Copy !req
1612. Don't ask for the moon, we have the stars.
Copy !req
1613. Sylvie.
Copy !req
1614. Sylvie.
Copy !req
1615. Rise, sunshine.
Copy !req
1616. Oh, Christ.
Copy !req
1617. Here you go. Morning.
Copy !req
1618. Thought we could have a chat,
so, I brought you a cup of hot black...
Copy !req
1619. and one with milk for Sylvie.
Copy !req
1620. Hey.
Copy !req
1621. What the fuck?
Copy !req
1622. Morning, Albert.
Copy !req
1623. It's 7:00 in the morning.
Copy !req
1624. Fuck.
Copy !req
1625. Whatever this is, Pete, maybe you could wait
another few goddamn hours.
Copy !req
1626. Well, it is the last day
of our festival, Albert...
Copy !req
1627. and I think people would like to know
what's coming.
Copy !req
1628. So, I'm here to have a conversation
with my old friend.
Copy !req
1629. Bobby, did I ever tell you my parable
of the teaspoon brigade?
Copy !req
1630. The parable of the fucking what?
Copy !req
1631. It's the crack of fucking dawn here!
Copy !req
1632. It's a good story.
Copy !req
1633. Okay.
Copy !req
1634. Bob needs his rest, all right?
Copy !req
1635. We all need our rest.
Copy !req
1636. It's all right. Let him tell his story, Al.
Copy !req
1637. - Come on, give it to me good, Pete.
- All right.
Copy !req
1638. Imagine, we got a seesaw.
Copy !req
1639. - Seesaw?
- Yeah.
Copy !req
1640. Okay.
Copy !req
1641. One end of it, it's anchored firm
to the ground...
Copy !req
1642. 'cause it's got a basket full of rocks on it.
Copy !req
1643. The other end, it's floating up here,
way up in the air...
Copy !req
1644. and wishin' it could come down...
Copy !req
1645. but all it's got is a basket
that's half full of sand...
Copy !req
1646. and the sand is leaking out all the time.
Copy !req
1647. - Okay, now...
- Could you get me a cigarette, man?
Copy !req
1648. We see this situation.
Copy !req
1649. We say, well, maybe we should
do something about this.
Copy !req
1650. And all we got with us is some teaspoons...
Copy !req
1651. but we take 'em out and we start
putting sand up into that basket...
Copy !req
1652. and it's running out
as fast as we can put it in.
Copy !req
1653. There's all kinds of people.
Copy !req
1654. They're looking at us and they're laughin'...
Copy !req
1655. and they're sayin',
"Geez, you're wastin' your time."
Copy !req
1656. But every day a few new people show up...
Copy !req
1657. and they bring their spoons,
and they start pitchin' in.
Copy !req
1658. - You know why?
- Why?
Copy !req
1659. Because one of these days,
Copy !req
1660. enough people are gonna put sand
in that basket at the same time...
Copy !req
1661. that the whole damn thing just goes, zoop.
Copy !req
1662. And we level things out.
Copy !req
1663. Okay. Thanks, Pete. We get the story.
Copy !req
1664. I don't think you do, Albert.
Copy !req
1665. Bobby, Newport, we built it...
Copy !req
1666. for the purpose of sharing
traditional folk music.
Copy !req
1667. We started it six years ago...
Copy !req
1668. and every year since then...
Copy !req
1669. more and more people have been showing up,
and they're bringing their teaspoons.
Copy !req
1670. Teaspoons for justice...
Copy !req
1671. and teaspoons for peace
and teaspoons for love...
Copy !req
1672. and that's what we do and...
Copy !req
1673. Gosh, you showed up, Bobby...
Copy !req
1674. and damn it, if you didn't bring a shovel.
Copy !req
1675. Really.
Copy !req
1676. I mean, we're all here just laboring
with our little teaspoons...
Copy !req
1677. and you come and bring a shovel.
Copy !req
1678. And thanks to you, we're almost there.
Copy !req
1679. We're on the verge of tipping it, Bob...
Copy !req
1680. and you're our closing act.
Copy !req
1681. And tonight, if you could...
Copy !req
1682. just get up there one more time
and use that shovel in the right way...
Copy !req
1683. The right way?
Copy !req
1684. You could level things out, Bob.
Copy !req
1685. You know, I sent you an advance
of my new record.
Copy !req
1686. Sure. Yeah, I got it.
Copy !req
1687. Did you ever listen to the music
you're telling me not to play?
Copy !req
1688. I can see the direction you're goin' in.
Copy !req
1689. I could see it on the last record.
Copy !req
1690. You know, it's not...
Copy !req
1691. No, don't take it that way.
Copy !req
1692. Bobby, you write great songs
that are leadin' to change...
Copy !req
1693. - and we're a folk festival.
- Nothing's changin', Pete.
Copy !req
1694. - Why is this controversial?
- Nothing's changing.
Copy !req
1695. Nothing's changing.
What, not at all.
Copy !req
1696. Kennedy's dead. They just shot Malcolm X.
Copy !req
1697. Well, isn't that all the more reason.
Copy !req
1698. You know, there's more to sing about
than justice, Pete.
Copy !req
1699. There's more than one way to play a song.
Copy !req
1700. You ever just take a second and think
that maybe it's more fun...
Copy !req
1701. to be in a fucking band, man?
Copy !req
1702. You don't understand, Bobby, they just want
me singing Blowin' in the Wind all alone...
Copy !req
1703. for the rest of my goddamn life.
Copy !req
1704. All we're talkin' about is tonight.
Copy !req
1705. He's scared of your music, Bob.
Copy !req
1706. - Nobody's scared of anybody's music.
- You are.
Copy !req
1707. You're scared that the kids out on that lawn
might like it.
Copy !req
1708. And why would I be afraid of that?
Copy !req
1709. Because you're pushing candles
and he's selling light bulbs.
Copy !req
1710. Albert, there's only one of us who's
focused on how much we're selling...
Copy !req
1711. and it ain't me.
Copy !req
1712. Hey, Bobby, Bobby...
Copy !req
1713. Christ, man. Shit.
Copy !req
1714. Am I blocking you in, pal?
Copy !req
1715. Hey, JR.
Copy !req
1716. Johnny, it's me. It's Bobby.
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1717. Hey! Shit, Bobby.
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1718. Yeah!
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1719. Thought you left town already.
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1720. Well, we loaded out last night.
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1721. June left for New York with her mama.
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1722. Pete asked me to stay for the finale today,
you know...
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1723. and I couldn't sleep.
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1724. Just took a drive.
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1725. Saw the ocean.
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1726. Okay.
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1727. - This yours?
- Yeah.
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1728. - Hey, man, you got a cigarette?
- Yeah.
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1729. Thanks.
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1730. Let me get outta your way.
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1731. A guy I knew in the Air Force had a Triumph.
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1732. Gotta prime it up!
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1733. Shit.
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1734. Good. Good.
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1735. Whoops.
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1736. - Want a Bugle?
- Nah.
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1737. You playing tonight?
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1738. Yeah, that's what the program says...
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1739. but I'm not sure they wanna hear
what I wanna play, Johnny.
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1740. Who's they?
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1741. You know...
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1742. the men who decide what folk music is.
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1743. Well, fuck them.
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1744. I wanna hear it.
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1745. Make some noise, BD.
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1746. Track some mud on the carpet.
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1747. It's getting nuts out there.
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1748. Three songs, get out. Thank you, good night.
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1749. Electric or acoustic?
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1750. How crazy is it gonna be tonight, Bob?
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1751. Pretty crazy. Come check it out.
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1752. It's sold out. We can't hear it.
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1753. I'll sing louder.
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1754. - Old hammer
- Let your hammer ring
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1755. - Won't you ring old hammer?
- Let your hammer ring
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1756. So? How are we?
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1757. I think he understands.
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1758. Let your hammer ring...
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1759. Let your hammer ring
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1760. Broke the handle on my hammer
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1761. Let your hammer ring
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1762. - Hey, man. How you doin'?
- Hey, man. How's it goin'?
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1763. Let your hammer ring
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1764. Got to hammerin' in the Bible
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1765. Let your hammer ring
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1766. Won't you ring old hammer
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1767. Let your hammer ring
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1768. Won't you ring old hammer
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1769. Pete thinks we're gonna be okay. All right?
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1770. Won't you ring old hammer?
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1771. Let your hammer ring
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1772. We want Bob!
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1773. Bob! Bob! Bob!
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1774. Let's hear it for the Texas Work Song group
all the way from Abilene, Texas!
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1775. All right, hold on.
Now that was music!
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1776. - Bob!
- We love you!
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1777. Bob! We love you, Bob!
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1778. We have one more act now.
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1779. We love you, Bob!
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1780. All right, okay.
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1781. We want Bob!
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1782. I don't even need to say his name, do I?
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1783. Fine, you want him, you can have him.
Bob Dylan.
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1784. Ready?
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1785. I ain't gonna work on Maggie's farm no more
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1786. What the hell is this?
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1787. I ain't gonna work on Maggie's farm no more
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1788. No! This is all wrong!
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1789. Well, I wake up in the morning
Fold my hands and pray for rain
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1790. I got a head full of ideas
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1791. That are drivin' me insane
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1792. What are you doing?
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1793. It's a shame the way
she makes me scrub the floor
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1794. I ain't gonna work on Maggie's farm no more
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1795. Come on, Bob! This is Newport!
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1796. I ain't gonna work on Maggie's farm no more
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1797. They don't need us promotin' this shit!
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1798. Drop a dime in any fucking jukebox!
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1799. When's the last time you saw a jukebox, Al?
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1800. Tell 'em to turn the fucking sound down!
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1801. Sounds perfect to me.
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1802. Fuck this.
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1803. - Where are you going?
- To fix it.
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1804. Alan!
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1805. "Sing while you slave"
And I just get bored
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1806. It's too loud!
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1807. I ain't gonna work on Maggie's farm no more
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1808. Oh, no!
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1809. - Turn it down!
- What?
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1810. Turn the fucking music down!
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1811. - Hey, calm down.
- No, no.
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1812. - You work for us!
- Hey!
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1813. Lomax!
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1814. Just like we set it this afternoon,
all right? Nobody touches the board.
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1815. Now, hold it!
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1816. - What the hell's going on?
- Just ignore it.
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1817. Sorry, Odetta. Sorry.
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1818. Get off the stage!
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1819. Keep playing.
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1820. Tambourine Man!
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1821. Come on! What the fuck is this? Bullshit!
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1822. Damn.
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1823. Well, I ride on a mail train, baby
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1824. Can't buy a thrill
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1825. It's enough, enough.
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1826. Well, I've been up all night, babe
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1827. Leanin' on the window sill
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1828. Well, if I don't die on top of the hill
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1829. Why haven't they turned it down?
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1830. - 'Cause it sounds fucking great, man.
- Quiet, Bobby.
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1831. You tell them it is an order
from the festival board.
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1832. - Fuck the board!
- You're on the board, you fucking moron!
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1833. - You're not gonna be on the board for long!
- Would you stop...
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1834. - You're not gonna be on the board any longer!
- This is not a playground! Stop it!
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1835. This is chaos. You've got to turn it down.
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1836. I can't do that.
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1837. I know you know who I am, son.
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1838. - Now let me at that board.
- No.
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1839. Get off, man!
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1840. Jesus Christ, man.
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1841. No! Get back! Open your fucking ears, man!
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1842. Pete!
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1843. All right, all right.
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1844. Boo! Come on!
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1845. Judas!
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1846. You're Judas!
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1847. Sit down!
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1848. I don't believe you.
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1849. Play it loud.
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1850. Once upon a time you dressed so fine
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1851. Threw the bums a dime in your prime
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1852. Didn't you?
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1853. People call say "Beware doll
You're bound to fall"
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1854. You thought they were all kiddin' you
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1855. You used to laugh about
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1856. Everybody that was hanging out
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1857. Now you don't talk so loud
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1858. This is a folk festival!
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1859. Now you don't seem so proud
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1860. About having to be scrounging around
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1861. For your next meal
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1862. How does it feel?
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1863. Yeah! Play it, man!
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1864. How does it feel?
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1865. To be on your own
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1866. Play it!
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1867. With no direction home
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1868. Like a complete unknown
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1869. Like a rolling stone
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1870. Let's get the fuck out of here.
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1871. Oh, shit.
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1872. God damn.
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1873. Bobby, you broke it down and blew my mind!
Fuck!
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1874. Are you okay?
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1875. - Did you get hit? Are you okay?
- Nah.
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1876. Bobby was... All right.
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1877. Okay. Listen.
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1878. He was only scheduled
for three songs and...
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1879. Maybe you wanna go back out there,
and let out a little steam?
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1880. The hell you talking about?
Why would I wanna do that, Albert?
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1881. To end the show.
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1882. We just ended the show, man. It's done.
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1883. Let's go. Pack up.
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1884. That crowd is not gonna let up, okay?
We need a finale, Bob.
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1885. You know what they want. Please!
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1886. Bob has left the stage.
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1887. Okay. Please.
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1888. Go get 'em, killer.
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1889. You know what? He's coming. Bob Dylan.
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1890. Tambourine Man!
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1891. You must leave now, take what you need
You think will last
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1892. But whatever you wish to keep
You better grab it fast
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1893. Yonder stands your orphan with his gun
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1894. Well, we gotta try. We gotta try, yeah?
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1895. We gotta get everyone out there
and we'll pull this back together.
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1896. Together is done, Pete.
Your boy just tore it down.
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1897. Look out, the saints are comin' through
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1898. And it's all over now, Baby Blue
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1899. How fast can we get him out of here?
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1900. Like he was never here.
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1901. Leave your stepping stones behind
If something calls for you
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1902. Not that fast.
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1903. Forget the dead you left
They will not follow you
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1904. The vagabond who's rapping at your door
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1905. Is standing in the clothes that you once wore
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1906. Strike another match, go start anew
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1907. And it's all over now, Baby Blue
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1908. All right.
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1909. Here you go.
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1910. Thanks, Johnny.
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1911. Got what they wanted.
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1912. Bob.
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1913. - Bob!
- Gig's over, Toshi.
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1914. Go, go.
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1915. Hey, Pete. Great show.
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1916. All right, Pete!
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1917. - Where is he?
- I'm sorry, Pete.
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1918. - No. Where is he?
- He's right in there.
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1919. It's okay.
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1920. Hi, Maria.
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1921. - I loved the show. I thought it was great.
- Oh, good. It was a good ending.
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1922. - You feel good?
- Yeah, yeah, yeah.
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1923. Hi, Jesse.
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1924. - Hey, beautiful show.
- Thanks for being there.
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1925. Let go of it, Bobby. You won.
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1926. What did I win, Joan?
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1927. Freedom. From all of us and our shit.
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1928. Isn't that what you wanted?
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1929. See you soon, Joan.
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1930. I've sung this song, but I'll sing it again
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1931. Of the people I've met
And the places I've been
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1932. Some of the troubles that bothered my mind
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1933. And a lotta good people that I've left behind
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1934. Singing so long, it's been good to know ya
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1935. So long, it's been good to know ya
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1936. So long, it's been good to know ya
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1937. - This dusty old dust is a-gettin' my home
- Dusty old dust is a-gettin' my home
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1938. - And I've got to be driftin' along
- And I've got to be driftin' along
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1939. A dust storm hit and it hit like thunder
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1940. It dusted us over and it covered us under
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1941. Blocked out the traffic
And blocked out the sun
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1942. Straight for home all the people did run
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1943. Singing so long, it's been good to know ya
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1944. So long, it's been good to know ya
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1945. So long, it's been good to know ya
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1946. This dusty old dust is a-gettin' my home
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1947. And I've got to be driftin' along
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1948. We'd talk of the end of the world, and then
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1949. We'd sing a song and then sing it again
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1950. We'd sit for an hour and not say a word
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1951. And then these words would be heard
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1952. Singing so long, it's been good to know ya
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1953. So long, it's been good to know ya
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1954. So long, it's been good to know ya
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1955. This dusty old dust is a-gettin' my home
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1956. And I've got to be driftin' along
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1957. So long, it's been good to know ya
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1958. So long, it's been good to know ya
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1959. So long, it's been good to know ya
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1960. This dusty old dust is a-gettin' my home
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1961. And I've got to be driftin' along
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