8MM (1999)

1. WELCOME TO MIAMI.

2. WHILE IN THE AIRPORT TODAY, AND LOCAL LAWS...

3. ANYWHERE IN THE TERMINAL.

4. THANK YOU FOR NOT SMOKING.

5. BIENVENIDOS A MIAMI.

6. EN EL AEROPUERTO, POR FAVOR OBSERVE...

7. Y DEL ESTADO DE LA FLORIDA...

8. DE LA TERMINAL.

9. GRACIAS POR NO FUMAR. UH-HUH. YEAH.

10. GOOD.

11. DURING THE DAY.

12. EVERY NIGHT.

13. AND INFORMATION ABOUT THE WOMAN.

14. IT'S UNPLEASANT, I KNOW.

15. DISCREET, ISN'T HE? WHAT AN IMBECILE.

16. TO WARN MY DAUGHTER, BUT WHAT CAN YOU DO?

17. IT'S THE CHILDREN I'M WORRIED ABOUT THE MOST.

18. YOU'LL FIND MY INVOICE IN THE ENVELOPE, IF THAT'S ALL.

19. YES, MR. WELLES. THANK YOU. CERTAINLY, SENATOR.

20. FURTHER ASSISTANCE TO YOU. I'LL BE IN TOUCH.

21. HELLO! HEY, YOU'RE HOME.

22. WE'RE BACK HERE.

23. HOW DID IT GO? I THINK VERY WELL.

24. OH, GOOD. DADDY'S HOME, SWEETHEART.

25. YEAH! DADDY! HOW'S THE TEXTBOOK BUSINESS?

26. WELL, I GOT 10,000 WORDS ON THE FEDERAL THEATER PROJECT.

27. IT'S SUPPOSED TO BE 4,000. AND THE WRITER DOESN'T WANT TO CHANGE ANYTHING.

28. SO KIND OF BAD.

29. HOW WAS MIAMI?

30. FINE. LONESOME. MM.

31. COULDN'T PAY ME ENOUGH TO LIVE DOWN THERE. YEAH. THEN WHY DID YOU GO?

32. HAS POWERFUL FRIENDS. OH.

33. HEY. HEY! YES.

34. HELLO, CINDERELLA.

35. DID YOU MISS ME? I SURE MISSED YOU.

36. YEAH, SHE MISSED YOU. AW, THAT'S MY GIRL.

37. SHE MISSED YOU. I MISSED YOU.

38. YOU BEEN SMOKING?

39. SMOKING? I'M NOT SMOKING.

40. OH, COME ON, HONEY.

41. YOU REEK OF IT.

42. AMY, I'VE BEEN SITTING AROUND FOLLOWING THIS GUY.

43. I GET, BEFORE EVEN "HELLO" ? I SAID— I'M NOT ACCUSING YOU.

44. I'M NOT. WELL, I'M NOT SMOKING.

45. WE'VE BEEN ALL THROUGH THAT. OKAY.

46. I'LL MAKE DINNER. ARE YOU HUNGRY? YOU'RE COOKING?

47. I MISSED YOU. I MISSED YOU.

48. I DON'T LIKE IT WHEN YOU LEAVE.

49. SHOULD I GO? I'M GOING TO DO IT.

50. OKAY.

51. SHH.

52. COME ON. WHAT'S ALL THE TROUBLE, CINDERELLA? HMM?

53. THERE, THERE. SHH.

54. OKAY. SHH.

55. I LOVE YOU.

56. I LOVE YOU.

57. HONEY, PHONE.

58. OKAY, I'VE GOT IT.

59. SORRY. I WAS JUST SWITCHING PHONES.

60. WELL, IT'S A PLEASURE TO MAKE YOUR ACQUAINTANCE, MR. LONGDALE.

61. HOW CAN I BE OF ASSISTANCE TO YOU?

62. ABOUT 4:00? 4:00 WOULD BE FINE.

63. WELL, I THINK I— WHERE IT IS.

64. I'LL BE IN TOUCH. BYE.

65. MR. WELLES, DANIEL LONGDALE.

66. WE SPOKE ON THE PHONE. PLEASURE.

67. I'M THE CHRISTIANS' ATTORNEY OF THE ESTATE.

68. AND THIS IS MRS. CHRISTIAN. IT'S AN HONOR TO MEET YOU, MA'AM.

69. RECOMMENDED, MR. WELLES.

70. I'VE SPOKEN TO ASSOCIATES LANCASTER AND HERSHEY.

71. IN INFLUENTIAL PLACES. I'VE BEEN PRIVILEGED...

72. FOR PEOPLE I ADMIRE.

73. FOR YOUR DISCRETION,

74. TO CONFIDENTIALITY.

75. THANK YOU, MA'AM.

76. DANIEL.

77. AS YOU KNOW, MY HUSBAND PASSED AWAY RECENTLY.

78. YES. MY CONDOLENCES, MRS. CHRISTIAN.

79. OF A DILEMMA.

80. I'LL DO WHATEVER I CAN TO HELP.

81. MY HUSBAND'S INNER SANCTUM.

82. BEEN INSIDE THIS ROOM.

83. THE PITTSBURGH MILL.

84. IRVING UNITED STEEL, I BELIEVE.

85. ON AN ACADEMIC SCHOLARSHIP.

86. - THAT'S RIGHT. - LAW AND FINANCE.

87. BUT YOU CHOSE SURVEILLANCE. IT WAS THE FUTURE.

88. IS A LEGEND. PLEASE.

89. 45 YEARS.

90. FOUR CHILDREN, SEVEN GRANDCHILDREN.

91. LAY IN HIS WORK.

92. BUT HE WAS ALWAYS LOYAL.

93. - I LOVED HIM... DEEPLY. - I UNDERSTAND.

94. DANIEL.

95. TO THIS SAFE.

96. - US. - I PREVENTED ANYONE...

97. FROM SEEING THE CONTENTS.

98. MY HUSBAND'S PRIVATE THINGS.

99. I DIDN'T—

100. I DIDN'T REALIZE—

101. WHAT YOU FOUND, MRS. CHRISTIAN?

102. CASH, STOCK CERTIFICATES.

103. NOTHING OUT OF THE ORDINARY, REALLY, EXCEPT THAT.

104. IT'S A FILM...

105. TO BE MURDERED.

106. IN MOVIES AND ON TV EVERY DAY?

107. SLEAZY BIT OF PORNOGRAPHY...

108. QUITE VIOLENT AND BLOODY.

109. CALLED A "SNUFF FILM."

110. FROM WHAT I KNOW, A KIND OF URBAN MYTH.

111. SEX INDUSTRY FOLKLORE. THERE'S NO SUCH THING.

112. THAT'S WHAT I EXPLAINED TO MRS. CHRISTIAN.

113. AN S & M FILM OF SOME SORT.

114. SIMULATED RAPE, SIMULATED VIOLENCE.

115. IT'S HARD TO STOMACH, OF DOING IT.

116. - BLOOD, SPECIAL EFFECTS. - AND GIVE US YOUR OPINION?

117. IS FALSE.

118. I WANT THE PROOF.

119. WELL, WHOEVER MADE THE FILM WAS ADEPT AT AUTHENTICITY. BUT I'M NO EXPERT.

120. A DETERMINATION.

121. OUT OF THE QUESTION.

122. FOR ANY NUMBER OF REASONS,

123. MR. CHRISTIAN'S REPUTATION.

124. WHO MADE THIS FILM...

125. OR NOT IT'S REAL.

126. YOUR PRICE,

127. AND YOU'LL BE PROVIDED TO PURCHASE INFORMATION.

128. THE GIRL'S ALL I'VE GOT TO GO ON.

129. LIKE A MISSING PERSONS CASE. UNDERSTOOD.

130. TO BE ASSURED...

131. IN ANY MANNER.

132. YOU HAVE MY WORD ON THAT. BUT I'LL BE DEALING DIRECTLY WITH YOU, MRS. CHRISTIAN.

133. IS YOUR OWN.

134. NO OFFENSE. NONE TAKEN.

135. I— I REALIZE YOU'VE GIVEN THIS CAREFUL CONSIDERATION.

136. YOU COULD'VE DESTROYED THE FILM.

137. WASN'T KILLED.

138. PLEASE. FIND HER ALIVE.

139. I'LL DO THE BEST I CAN, MA'AM.

140. CLEVELAND? YOU JUST GOT HOME.

141. AND I WISH I COULD STAY, BUT THIS IS THE MORTGAGE. IT'S CINDY'S COLLEGE MONEY.

142. BY MRS. CHRISTIAN, WITH THE CIRCLE SHE RUNS IN,

143. THIS COULD BE THE BREAK WE'VE BEEN WAITING FOR.

144. YEAH.

145. SO, WHAT WAS— WHAT WAS MRS. CHRISTIAN LIKE?

146. LIKE YOU'D EXPECT, I GUESS. FEEL SORRY FOR HER.

147. IT'S A MISSING PERSONS. I TOLD HER I'D GIVE IT A COUPLE OF WEEKS. THREE WEEKS.

148. IT CAN'T TAKE LONGER THAN THAT. IT'S SUCH AN OUTSIDE SHOT.

149. THAT'S ALL I CAN TELL YOU, HONEY. SOMETIMES YOU CAN'T KNOW WHAT I'M DOING.

150. IT'S BETTER THAT WAY.

151. IT'S ALWAYS THAT WAY.

152. OH, SHE'S AWAKE. I'M GONNA GET HER. I'LL BE UP IN SEC.

153. YOU'RE TAKING THE GUN? I'M NOT GONNA NEED IT.

154. ALL RIGHT, DON'T TAKE IT. I WON'T EVEN WEAR IT. IT'S JUST A PRECAUTION.

155. DON'T WORRY ABOUT ME. YOU GET THERE, PLEASE?

156. I'VE BEEN HIRED BY A COUPLE LIVING IN PHILADELPHIA,

157. A DOCTOR AND HIS WIFE.

158. A FEW DAYS AGO, HITCHHIKING OFF OF 81,

159. ABOUT 18, MAYBE.

160. THEY BUY HER A MEAL. SO ALL THROUGH DINNER,

161. THE DOCTOR'S TRYING TO CONVINCE HER...

162. A PHONE AND CALL HOME.

163. NOT SURPRISINGLY, THE GIRL ATE HER MEAL, EXCUSED HERSELF.

164. THEY SAW OF HER.

165. WORK UP A SKETCH.

166. IF I CAN I.D. THIS GIRL...

167. TO THE PARENTS...

168. THAT THE KID'S ALIVE, DOING ALL RIGHT.

169. - DON'T MIND IF I RUN A CHECK? - GO AHEAD.

170. YOU WANT IT, YOU GOT IT. KNOCK YOURSELF OUT.

171. ANYWHERE FROM 850,000 EVERY YEAR.

172. WE'VE GOT AS MUCH AS WE CAN ON COMPUTER.

173. OTHER THAN THAT, IT'S THE WET THUMB METHOD.

174. YEAR OF DISAPPEARANCE. WE KEEP CHILDREN AND ADULTS SEPARATE.

175. OR SMOKING IN HERE. COFFEE MACHINE IN THE HALL.

176. ANY GOOD? HORRIBLE.

177. BUT IT'LL BE YOUR BEST FRIEND AFTER A FEW DAYS, IF YOU LAST THAT LONG.

178. GOOD LUCK.

179. HI, HONEY. IT'S ME. HI. HOW ARE YOU?

180. I'M GOOD. WHERE ARE YOU?

181. I'M STILL IN CLEVELAND. OH.

182. HOW'S CINDY? AW, SHE'S SWEET. SHE'S SLEEPING.

183. I'M MISSING YOU BIG-TIME. YEAH, I MISS YOU TOO.

184. WELL, I'LL CALL YOU TOMORROW NIGHT.

185. OKAY. GOOD NIGHT. GOOD NIGHT, SWEETHEART.

186. HELLO. MRS. CHRISTIAN? TOM WELLES. HERE'S WHERE WE STAND.

187. I CHECKED THE FILM STOCK. IT'S CALLED SUPRALUX 5-4-4.

188. NOW, THE COMPANY DISCONTINUED IT IN '92.

189. WAS MADE PRIOR TO THAT.

190. YES. AND I'M PROBABLY WITH THIS,

191. TO DIG UP YOUR HUSBAND'S FINANCIAL RECORDS...

192. YEARS AGO, JUST IN CASE,

193. SEE IF THERE'S ANYTHING OUT OF THE ORDINARY.

194. OBVIOUSLY, THIS ISN'T DROP OFF AT THE ONE-HOUR PHOTO.

195. IT'S ONE OF A KIND.

196. THE CAMERA IS WHAT WE'VE GOT.

197. THERE'S NO NEGATIVE. UNLIKE VIDEO, IT'S NOT REALLY DESIGNED TO BE DUPLICATED.

198. WHATEVER THIS IS, I HAVE A FEELING THERE AREN'T MANY COPIES FLOATING AROUND, IF ANY.

199. MRS. CHRISTIAN, I'M LOOKING FOR A GIRL WE'RE NOT EVEN SURE IS MISSING.

200. SIX OR SEVEN YEARS AGO,

201. THIS FILM, FRANKLY, IS GOING TO BE VERY DIFFICULT.

202. OH, I KNOW YOU CAN DO IT. YOU'RE DOING A WONDERFUL JOB, MR. WELLES.

203. YOU'LL CONTINUE THE INVESTIGATION.

204. I WILL. I'LL KEEP TRYING FOR YOU. YOU CAN COUNT ON ME.

205. GOOD-BYE, MRS. CHRISTIAN.

206. WE CAN'T COME TO THE PHONE RIGHT NOW, SO PLEASE LEAVE A MESSAGE AT THE BEEP.

207. HONEY, IT'S ME.

208. I'M SORRY LAST NIGHT. I'M SORRY.

209. I WON'T FORGET TONIGHT.

210. I KNOW I'VE BEEN GONE A LONG TIME ALREADY, AND I HOPE I'LL BE HOME SOON.

211. BUT I LOVE YOU, AND I MISS YOU, AND WE'LL TALK TONIGHT.

212. HEY.

213. YOU LOOKIN' FOR JANET?

214. HELLO. MRS. MATHEWS?

215. HI. I'M THOMAS HART. I'M A STATE-LICENSED INVESTIGATOR.

216. I'VE BEEN HIRED BY THE U.S. RESOURCE CENTER, MISSING PERSONS,

217. INTERNAL AUDIT.

218. I'D LIKE TO MAKE TO ANSWER SOME QUESTIONS...

219. OF YOUR DAUGHTER MARY ANNE.

220. F.B.I. CONTACT, UH, YESTERDAY.

221. AGENT, UH— NEIL. NEIL COLE?

222. YES, AGENT COLE. HE TOLD ME LET YOU KNOW TO EXPECT ME.

223. HE DIDN'T CALL? NO.

224. IS THIS YOU?

225. YEAH. LOOK ABOUT FIVE YEARS OLD.

226. LITTLE OLDER.

227. SWEET.

228. NOW, IT'S IMPORTANT THAT, UH— UM, YOU DON'T LET THIS RAISE YOUR EXPECTATIONS.

229. IT'S NOT GOING TO AFFECT ANY ONGOING EFFORTS.

230. ALL I'M SAYING IS PLEASE KNOW THAT I'M NOT HERE TO CREATE ANY FALSE HOPE.

231. WE FOUGHT ALL THE TIME, MARY ANNE AND ME, AND HER STEPDAD.

232. SHE HATED HIM, 'CAUSE HE WASN'T HER REAL DAD.

233. TROUBLE HERE, TROUBLE AT SCHOOL.

234. TROUBLE.

235. DIDN'T LIKE RULES. TAKES AFTER ME, I GUESS.

236. THE HARD WAY.

237. TO YOUR HUSBAND, HER STEPFATHER?

238. DAVE? GONE.

239. AFTER MARY ANNE LEFT.

240. ALL THE TIME, SHE RESENTED HIM.

241. 'CAUSE OF HIM, AND THEN I LOST HIM.

242. I'M THE ONLY ONE STILL HERE.

243. DID MARY HAVE A BOYFRIEND?

244. WITH SOMEONE.

245. SHE WOULDN'T TELL ME WHO.

246. COMIN' HOME WITH HICKEYS, LYIN' ALL THE TIME.

247. TO BRING THIS UP,

248. WITH THE STEPFATHER,

249. OF ANY SORT OF ABUSE? NO.

250. LIKE THAT.

251. THE POLICE AND THE F.B.I. ASKED, BUT THERE WASN'T ANYTHING HAPPENED LIKE THAT.

252. - SHE'D HAVE TOLD ME. - I APOLOGIZE. I HAD TO ASK.

253. FOR HER BIRTHDAY.

254. SHE MISSED.

255. THEY'LL BE WAITIN' FOR HER WHEN SHE COMES BACK.

256. IT'S 'CAUSE I SLAPPED HER.

257. I KNOW.

258. ABOUT DAVE, AND...

259. MY BUTTONS, AND I SLAPPED HER.

260. JESUS. THE NEXT DAY SHE WAS GONE.

261. WHEN KIDS RUN, LEAVE A NOTE.

262. IT'S GUILT USUALLY. THERE WASN'T ONE.

263. THE POLICE LOOKED. AN ABDUCTION'S ONE THING. A RUNAWAY'S ANOTHER.

264. IT'S NOT THE PRIORITY FOR THE POLICE IT SHOULD BE.

265. THERE WASN'T ANYTHING. DON'T YOU THINK I WISH THERE WAS?

266. YOU'RE PROBABLY RIGHT, BUT WOULD YOU LET ME LOOK?

267. NOT TO GET MY HOPES UP,

268. MY EXPECTATIONS.

269. GO AHEAD.

270. I NEED A DRINK.

271. THANK YOU.

272. "DEAR MOM, IF YOU'RE READING THIS,

273. "IT PROBABLY MEANS FROM HOLLYWOOD, CALIFORNIA.

274. "I LEFT MY DIARY BEHIND WHY I'M LEAVING.

275. "AND IT'S NOT BECAUSE YOU HIT ME.

276. "I HID THIS WOULDN'T FIND IT.

277. "WARREN ANDERSON AND ME ARE IN LOVE,

278. "AND I'M GOING TO START A WHOLE NEW LIFE WITH HIM.

279. "WARREN'S DAD OWNS THAT GARAGE IN TOWN, BUT WARREN HAS EVEN BIGGER PLANS.

280. "WARREN WILL BECOME A STAR IN ACTION MOVIES.

281. AND HE SAYS I'M PRETTIER THAN A LOT OF GIRLS IN MOVIES, AND I COULD BE A STAR TOO."

282. HEY, YOU WANT A DRINK?

283. "WHEN WE CRUISE INTO HOLLYWOOD,

284. "I'M GOING TO HAVE FIERY EYES BECAUSE I AM IN LOVE."

285. YOU WERE RIGHT. I DIDN'T FIND ANYTHING.

286. FIXED YOU A DRINK. THANKS, NO. I'VE GOT WORK TO DO.

287. I'LL STOP BY TOMORROW NIGHT. OKAY.

288. "WE'LL PROBABLY BE MARRIED BY THE TIME YOU READ THIS.

289. "DON'T COME LOOKING FOR ME BECAUSE I'M NOT COMING BACK.

290. "MAYBE SOMEDAY YOU'LL SEE ME ON TV OR IN MAGAZINES.

291. DON'T WORRY ABOUT ME. LOVE, MARY ANNE."

292. MR. ANDERSON?

293. YEAH. WHO'S ASKING?

294. TOM HART. EXCUSE ME NOT SHAKING HANDS.

295. I'M LOOKING FOR YOUR SON. YOU'VE GOT A SON NAMED WARREN, RIGHT?

296. SURE.

297. WHAT'S IT ABOUT? YOU A COP?

298. NO, SIR. I'M JUST A FRIEND FROM A WHILE BACK.

299. OWE HIM SOME MONEY, ACTUALLY. YOU OWE HIM MONEY?

300. THAT'S A NEW ONE.

301. WELL, YOU CAN LEAVE IT RIGHT HERE IF YOU WANT.

302. IF IT'S ALL THE SAME, I'D LIKE TO SEND IT TO HIM.

303. CALIFORNIA, RIGHT?

304. CALIFORNIA?

305. SON, YOU KNOW WHERE THE FAYETTEVILLE LOCKUP IS?

306. THAT'S WHERE WARREN IS. DOING EIGHT MONTHS ON A B & E.

307. THANK YOU.

308. YEAH, MAN, I KNEW HER.

309. RIGHT BEFORE I MOVED TO L.A.

310. MY DOOR LIKE A FUCKIN' STALKER.

311. SHE COULD GO TO HELL.

312. WHERE'D SHE GO?

313. HELL, MAYBE.

314. I DON'T KNOW, AND I DON'T GIVE A FUCK EITHER.

315. OR SOMETHING LIKE THAT.

316. YOU ASK ME, HER TITS WEREN'T ALL THAT GREAT.

317. FROM HER AGAIN?

318. MAN, JUST 'CAUSE I WAS FUCKIN' HER IN HIGH SCHOOL DOESN'T MEAN I WANTED HER OUT THERE.

319. TO BE A BIG FUCKIN' MOVIE STAR.

320. AND SO DID I. CHECK ME OUT NOW.

321. YOU KNOW WHAT, MAN? WHY DON'T YOU PASS ME ONE OF THEM SMOKES?

322. I DON'T SMOKE.

323. HOW YOU DOING? I'M OKAY.

324. YOU DON'T SOUND OKAY. IT'S— IT'S NOT EASY.

325. - WHY? WHAT'S GOING ON? - IT'S JUST TOUGHER THAN I THOUGHT IT WAS GOING TO BE.

326. IS IT GETTING TO YOU? WELL, I GOT A LEAD I JUST CAN'T DROP.

327. I'M ALMOST DONE. I MISS YOU.

328. I MISS YOU TOO. I LOVE YOU.

329. A BIG KISS FOR ME.

330. I WILL. WAIT. I THINK SHE WANTS TO SAY BYE. SAY "BYE, DADDY."

331. HI, SWEETIE. HI, HONEY.

332. HI, CINDERELLA. OH, SHE'S TOUCHING THE PHONE.

333. - I LOVE YOU. - I LOVE YOU TOO. BYE.

334. I WAS JUST MAKIN' DINNER. I'VE MADE ENOUGH FOR TWO, AS IT HAPPENS.

335. I'M SORRY. I CAN'T STAY.

336. MY PEOPLE AT THE AGENCY...

337. MARY ANNE'S CASE ACTIVE.

338. WELL, UH, STAY FOR A DRINK AT LEAST.

339. YOU'RE NOT HUNGRY?

340. IT'D BE NICE TO HAVE A MEAL WITHOUT THE TV ON FOR ONCE.

341. AHEAD OF ME.

342. IT'S ONE OF THE MOST EATING ALONE.

343. I DON'T KNOW WHY. YOU'D THINK I'D BE USED TO IT BY NOW.

344. MRS. MATHEWS?

345. JANET. JANET.

346. DO YOU REALIZE...

347. MAY NEVER COME BACK?

348. EVERY DAY.

349. I STILL THINK IT'S HER.

350. SHE'S ALL I THINK ABOUT.

351. CAN YOU TELL ME...

352. FORCED TO CHOOSE...

353. OUT THERE SOMEWHERE...

354. LIVING A GOOD LIFE, BEING HAPPY,

355. BUT YOU DON'T KNOW,

356. YOU NEVER FIND OUT,

357. BEING TRUE,

358. HER BEING GONE.

359. BUT YOU KNOW.

360. YOU FINALLY KNOW WHAT'S...

361. HAPPENED TO HER.

362. WHAT WOULD I CHOOSE?

363. YES.

364. I WOULD CHOOSE TO KNOW.

365. I NEED TO KNOW.

366. EXCUSE ME. I HAVE TO USE YOUR RESTROOM.

367. YOU'RE LEAVING.

368. YES.

369. I'LL CALL YOU IF I FIND ANYTHING OUT.

370. HOW YOU DOING?

371. BIG DATE TONIGHT, HUH? YEAH. GUESS SO.

372. SIR, COULD I INTEREST YOU IN A BATTERY-OPERATED VAGINA?

373. WELL, IT'S TEMPTING, BUT NO, THANKS. OKAY.

374. I'D HATE TO SEE YOU EVERYDAY SITUATIONS...

375. AND YOU JUST DON'T HAVE ONE.

376. I'LL RISK IT. OKAY.

377. AH, YOUR TOTAL IS 74.58, PLEASE.

378. A HUNDRED.

379. TOTAL'S 25 AND SOME CHANGE.

380. AND, SIR, I'D LIKE AT ADULT BOOKSTORE.

381. A FABULOUS DAY.

382. WHAT ARE YOU READING? OH.

383. CATCHY TITLE. REALLY READING?

384. THAT BOOK'S GOT ANY PARTS WORTH HIGHLIGHTING.

385. - CAPOTE. - YEAH, WELL, YOU KNOW HOW IT IS.

386. YEAH, WOULDN'T WANT FRONT OF YOUR FELLOW PERVERTS.

387. THAT'S RIGHT. OF THE PORNOGRAPHERS' UNION.

388. WHERE WOULD I BE THEN?

389. HAVE A GOOD DAY.

390. - HELLO. - HOW ARE YOU?

391. HEY, HONEY. HOW YOU DOING? I'M A LITTLE BEAT.

392. - HOW'S CINDY? - OH, SHE'S SWEET. SHE MISSES YOU.

393. HOW'S IT GOING?

394. THE WAY THINGS ARE GOING, I'M THINKING ABOUT PACKING MY BAGS AND COMING HOME.

395. - REALLY? - UH-HUH.

396. HONEY, WAIT.

397. - I CALL YOU BACK? - OKAY.

398. I'LL CALL YOU RIGHT BACK. I PROMISE. BYE, HONEY. OKAY. BYE.

399. MRS. CHRISTIAN, THERE WERE THREE MEN,

400. AND THE MAN IN THE MASK.

401. OF A THIRD MAN. HE WAS JUST THERE WATCHING.

402. I'LL SEE IF I CAN GET THROUGH COMPUTER ENHANCEMENT.

403. SIX YEARS AGO, SO IT'S NOT—

404. YES, ALL RIGHT. I'LL KEEP TRYING.

405. THANK YOU. I APPRECIATE YOUR SUPPORT, MRS. CHRISTIAN. GOOD-BYE.

406. IS 137 BILLABLE MAN-HOURS,

407. THOUSAND DOLLARS MACHINE,

408. AND THE RESULT IS A, UH, OF THE BACK OF SOME GUY'S HEAD.

409. YOU WANT IT FRAMED?

410. HERE YOU GO. HAVE A NICE DAY.

411. HEY. HEY! IT'S LIKE A GAS STATION.

412. YOU PUMP, YOU...

413. REMEMBER ME?

414. OH, YEAH. CAME BACK VAGINA AFTER ALL.

415. I NEED INFORMATION. BE ABLE TO HELP.

416. "THOMAS WELLES." NICE PICTURE.

417. ARE YOU LOOKING FOR?

418. 'CAUSE I GOT ALL DIFFERENT KINDS. THE KIND I'LL PAY FOR.

419. ALL RIGHT, MISTER, NOW, I DON'T KNOW WHAT YOU'RE LOOKING FOR,

420. BUT SO WE'RE CLEAR FROM THE START, I'M STRAIGHT.

421. CONGRATULATIONS. THANK YOU.

422. HEY, ZIP IT!

423. NOW, I CAN HOOK YOU UP, THOUGH. YOU NAME THE VICE, I NAME YOU THE PRICE.

424. BEEN WORKING HERE? AH, ALMOST TWO YEARS.

425. WHAT'S YOUR NAME? IF YOU DON'T MIND ME ASKING.

426. MAX. HERE'S THE DEAL, MAX.

427. THIS THING I'M ON RIGHT NOW WITH UNDERGROUND PORNOGRAPHY.

428. STUFF THAT'S SOLD UNDER THE COUNTER ILLEGALLY.

429. WELL, THERE'S NOT MUCH ILLEGAL OUT THERE.

430. WELL, WHATEVER THERE IS, WHOEVER'S DEALING IT, HOWEVER IT'S DONE,

431. I WANNA KNOW, I WANT A GOOD LOOK.

432. IF YOU'VE GOT THAT KIND OF CONNECTION, GREAT. IF NOT, SPEAK NOW.

433. YOU'RE NOT A COP, ARE YOU? IF I ASK YOU AND YOU ARE, YOU GOTTA TELL ME.

434. I'M NOT A COP.

435. YOU'RE A PRIVATE DETECTIVE, HUH? LIKE SHAFT?

436. WITH JOHN HOLMES?

437. I GOT IT ON SALE RIGHT NOW. HOW MUCH YOU MAKE IN THERE?

438. I DON'T KNOW. AROUND 400 BUCKS A WEEK OFF THE BOOKS.

439. LET'S PRETEND I LIVE IN THE SAME FANTASY WORLD...

440. WHERE YOU MAKE $400 A WEEK IN THAT DUMP.

441. I'LL GIVE YOU 500 FOR A FEW DAYS.

442. SIX SOUNDS GOOD, POPS. FIVE.

443. HERE'S MY NUMBER.

444. WHEN CAN YOU START?

445. WELL, TOMORROW NIGHT I GET OFF LATE.

446. TOMORROW. ALL RIGHT.

447. OH, AND, UH, DON'T CALL ME POPS.

448. NO, OF COURSE NOT. I WOULDN'T WANNA HURT YOUR FEELINGS.

449. LOOK, I DON'T KNOW WHAT YOUR SCENE IS.

450. AS MUCH AS THE NEXT GUY.

451. BUT YOU DON'T LOOK LIKE YOUR AVERAGE SLEAZE.

452. YOUR AVERAGE FUCKIN' COP.

453. FUCKIN' ILLEGAL STUFF,

454. IT HAS A CERTAIN PATINA TO IT. UH-HUH. PATINA.

455. YES, IT'S A TRUMAN CAPOTE WORD. HELLO.

456. OR SOLD A SNUFF FILM,

457. SHOULDN'T GIVE A DAMN WHAT I ASK ABOUT IT.

458. IF THEY HAVE, THEY'VE GOT A RIGHT TO BE NERVOUS.

459. WHOEVER ACTS INSULTED, ON THEIR DOOR.

460. LOOK, POPS, IT'S YOUR MIND ABOUT ALL THIS.

461. THERE'S THINGS THAT YOU'RE GONNA SEE THAT YOU CAN'T UNSEE.

462. AND THEY STAY THERE. HOW DO YOU KNOW WHAT I'VE SEEN?

463. OKAY, FINE. BUT EVERYBODY'S GOT THEIR LIMIT.

464. LOOK, I'VE BEEN HERE SIX FUCKIN' YEARS TRYIN' TO GET MY MUSIC TOGETHER.

465. SO I START CLERKIN' PART-TIME WHERE I WORK, YOU KNOW, TO MAKE ENDS MEET.

466. AND BOOM, A COUPLE OF YEARS GO BY, AND HERE I AM.

467. I'M JUST SAYIN', BEFORE YOU KNOW IT, YOU'RE IN IT, DEEP IN IT.

468. DON'T WORRY ABOUT ME. BUT THANK YOU. OH, YOU'RE WELCOME.

469. POPS, YOU DANCE WITH THE DEVIL, THE DEVIL DON'T CHANGE. THE DEVIL CHANGES YOU.

470. SOME OF YOUR LYRICS? THAT'S CUTE.

471. HEY, MAN. TODO BIEN?

472. QUIERO QUE TE HABLE. TIENE POR AQUI.

473. CALLATE, CABRON. QUE PERRO.

474. ABOUT THREE YEARS,

475. HOUSE TO HOUSE.

476. BUENAS NOCHES, MUJERES. ¿ COMO ESTAN?

477. HOLA, CHULO.

478. PARA TI. VEN ACA.

479. ALL RIGHT, THIS HERE IS THE TIP OF THE ICEBERG.

480. OF MEXICAN S & M, LOTS OF ASIAN BONDAGE,

481. ALL KINDS OF BESTIALITY, IF YOU'RE INTO THAT KIND OF THING.

482. BUT DON'T TOUCH NOTHIN'. YOU WANT SOMETHIN', YOU TELL FRIENDLY THERE.

483. ASK HIM. HEY, UH,

484. ¿ TIENES PELICULAS DE— DE SNUFF?

485. ¿ COMO? UH, PELICULAS DE SNUFF.

486. HEY! DON'T DO THAT! IT'S ALL RIGHT! IT'S COOL!

487. ALL RIGHT, OKAY.

488. HEY! MI DINERO. MI DINERO.

489. I DAMELO! I DAMELO I I RAPIDO, CABRON!

490. I DAME!

491. ALL RIGHT, ALL RIGHT. TU TAMBIEN, CABRON.

492. I VAYAN! I NO SE MUEVAN!

493. WITH LAW ENFORCEMENT?

494. FUCK YOU, LARRY. ARE YOU A LAW ENFORCEMENT AGENT...

495. WITH LAW ENFORCEMENT?

496. FUCK YOU, LARRY. HEY, YOU'RE GETTING COOL THERE, WELLES.

497. ALL RIGHT, YOU GOT YOUR PORN ZOMBIES HERE. JUNKIES FOR THE HARD STUFF.

498. WON'T LAST MUCH LONGER.

499. ONE, IT'S TOO RISKY, AND TWO, EVERYTHING'S ON THE NET.

500. CHICKEN HAWKS SWAPPIN' PHOTOS WITH THEIR MODEMS.

501. THEN THERE'S CLASSIFIED ADS WITH HIDDEN CODES, SECRET COURIERS,

502. THROUGH DUMMY COOPERATIONS.

503. SO IF SOMETHING'S NOT LEGAL, AS THEY CAN GET.

504. WHAT NOBODY KNOWS. YOU KNOW WHAT I MEAN?

505. - HOW'S IT GOIN', SAMUEL? - HEY, MAX.

506. MAX. OH, HEY.

507. I'M GONNA SAY HI TO HER. HEY, HOW ARE YOU?

508. I LOVE THAT. IT'S THE MICHAEL JACKSON LOOK, WITH THE ZIPPERS AND EVERYTHING.

509. WHAT ARE THESE?

510. EXTREME BONDAGE.

511. RAPE FILMS.

512. SICK SHIT.

513. BUY FIVE, GET ONE FOR FREE.

514. ANYTHING HARDER? THERE'S NOTHING HARDER.

515. SNUFF?

516. THERE'S NO SUCH THING AS SNUFF.

517. IS WHAT I GOT, MISTER.

518. WHERE I CAN GET SOME? I HAVE A LOT OF MONEY TO SPEND.

519. FUCK OFF.

520. THERE SHE IS. THERE SHE IS. IT'S DOUBLE SLAP DOROTHY.

521. THERE'S ONE CHICK IN HERE A BASEBALL PLAYER.

522. IS UNREAL.

523. LOOK, SOME OF THESE S & M AND BONDAGE FILMS YOU'LL SEE, THEY STRADDLE THE LINE.

524. FOOT FETISH, ORGIES, SHIT FILMS, HERMAPHRODITES, MUTILATION.

525. IT'S ALL HARDER THAN HARD-CORE, BUT MOSTLY LEGAL.

526. STICK. ONE GUY SEES IT AND PUKES.

527. AND HE FALLS IN LOVE.

528. I WAS TELLING YOU ABOUT. YOU GOT THE TAPES?

529. A THOUSAND BUCKS. FOR THE TWO.

530. NO, YOU TOLD MAX A THOUSAND. BUT IT'S MORE FUN THIS WAY.

531. I RAISE THE PRICE, AND YOU GET PISSED OFF. TAKE IT OR LEAVE IT.

532. WAIT. I THOUGHT WE HAD A RELATIONSHIP. IS IT REAL?

533. YOU WILL EVER SEE.

534. IS THAT REAL?

535. LOOKS REAL.

536. SHE'S NOT BREATHING. OH, GOD.

537. WHO MAKES THESE FILMS? I DON'T KNOW.

538. THE PHILIPPINES.

539. OH, YEAH. DEFINITELY THE PHILIPPINES.

540. WAIT A MINUTE. WAIT A MINUTE. THAT'S THE SAME GIRL.

541. ISN'T THAT THE SAME GIRL?

542. WHAT? LOOK.

543. IT IS THE SAME.

544. OH, THAT— THAT'S GREAT. WOW.

545. THE RESURRECTION.

546. OH, BOY. WELL, WHAT DO YOU EXPECT FOR 1,200?

547. OR SOMETHIN' ?

548. BUT I'M SORRY, MAN. WAS BOGUS.

549. I JUST WISH I WOULD'VE GOTTEN YOU A RECEIPT.

550. "HARDSPANK. MAX CALIFORNIA."

551. THAT'S MY OLD BAND. WE BROKE UP.

552. WHEN? MAYBE ABOUT A YEAR AGO.

553. I DON'T MEAN ANY OFFENSE, MIXED UP IN ALL THIS?

554. I'M NOT MIXED UP IN ANYTHING, POPS.

555. TO DO SOMETHING ELSE.

556. THANKS. I WISH YOU OWNED A RECORD LABEL.

557. LOOK, IT BEATS PUMPIN' GAS.

558. I DON'T BUY IT. I DON'T ENDORSE IT.

559. I JUST POINT THE WAY.

560. YOU SAID IT GETS TO YOU. WELL, HELL, YEAH.

561. I SEE EVERY DAY? WELL, WHAT CHOICES HAVE I GOT?

562. BEATING DOWN MY DOOR.

563. AND WHAT ABOUT YOU, TOM WELLES?

564. ON YOUR FINGER. YOU GOT KIDS?

565. A DAUGHTER.

566. AND A DAUGHTER...

567. AND A DOG NAMED SHEP.

568. ARE YOU DOING HERE?

569. GOOD QUESTION.

570. AT PLACES LIKE TONIGHT?

571. - NO, I AM NOT. - HEY, YOU DON'T EXACTLY GET TURNED OFF EITHER.

572. DEVIL'S CHANGIN' YOU ALREADY.

573. GOOD NIGHT, MAX.

574. THIS GIRL.

575. YES, I REMEMBER MARY.

576. MARY ANNE MATHEWS? UH-HUH.

577. FOR ONLY ABOUT A MONTH, IF I RECALL CORRECTLY.

578. SHE DIDN'T RETURN ONE NIGHT. HAPPENED TO HER?

579. NOT YET, BUT I'M LOOKING INTO IT FOR HER PARENTS.

580. OH. COULD YOU GET THAT FLOWERED ONE DOWN FOR ME?

581. THAT'S HER SUITCASE.

582. I'D FORGOTTEN ABOUT IT HER PICTURE.

583. HOPED SHE'D BE BACK.

584. SHE SEEMED SO LOST.

585. AFTER A TIME, ALL I COULD DO WAS PRAY THAT SHE'D MOVED ON TO BETTER THINGS.

586. TO HER PEOPLE? IF YOU THINK IT'S APPROPRIATE.

587. YES, OF COURSE. THANK YOU.

588. "STARLIGHT, STAR BRIGHT,

589. "FIRST STAR I'VE SEEN TONIGHT.

590. I WISH I MAY, I WISH I MIGHT HAVE THIS WISH I WISH TONIGHT."

591. HAS BEEN DISCONNECTED...

592. IN SERVICE.

593. HELLO. HOLLYWOOD WAX MUSEUM.

594. CAN I HELP YOU?

595. THIS IS OPERATOR 149. WHAT CITY AND LISTING, PLEASE?

596. UH, I DON'T KNOW. HOLLYWOOD.

597. A LISTING FOR CELEBRITY FILMS, AND I NEED AN ADDRESS.

598. FOR PHONE NUMBER AND ADDRESS.

599. HEY, I WAS HERE FIRST. SORRY. I'LL JUST BE A COUPLE OF MINUTES.

600. EXCUSE ME.

601. - POOLE? - YOU A PROCESS SERVER?

602. NO. I'VE BEEN INQUIRING AROUND IF BY ANY CHANCE YOU'VE SEEN THIS GIRL COME THROUGH HERE.

603. - A COP? - I'M A MEMBER OF HER FAMILY.

604. COMES THROUGH HERE?

605. PLEASE, IF YOU JUST TAKE A LOOK. IT WOULD'VE BEEN A FEW YEARS.

606. IS MARY ANNE MATHEWS.

607. NEVER SEEN HER.

608. - SURE? - YEAH, I'M SURE.

609. AT THE FUCKIN' PICTURE, DIDN'T I?

610. NOW, COME ON. I GOT A LOT OF SHIT TO DO.

611. UH, WHO'S NEXT? ME.

612. THIS'LL BE FINE.

613. ARE YOU PEDDLING?

614. MY TAPES SELL. PEOPLE EAT THE SHIT UP.

615. LAST MONTH.

616. TO COME BACK INTO MY PLACE...

617. WITH A FUCKIN' RECEIPT AND TRY TO FUCKIN' RETURN IT? HOW BAD?

618. SOME UPSCALE PRODUCT...

619. THEIR FRIGGIN' TEETH IN THEIR HEAD.

620. TILL THEN, FUCK YOU!

621. ANY TEETH? 'CAUSE IF SHE DOES, SEND HER DOWN, YOU FUCK.

622. HE'S NOT ANSWERING.

623. HEY, BOSS. HEY.

624. THERE'S A CASE OF BEER IN THERE.

625. HOW WAS YOUR DAY? GREAT.

626. IS EVERYBODY HERE? BUT ONE OF THE CHICKS.

627. BEEN WATCHING THEM? YEAH. WHY?

628. 'CAUSE LAST TIME THEY TOOK ALL MY SHIT, THAT'S WHY. IMAGINE THAT.

629. ON THE BED. OKAY.

630. COME ON.

631. HEY!

632. EDDIE! EDDIE!

633. EDDIE! EDDIE! OH, GOD.

634. CELEBRITY FILMS. EDDIE?

635. YEAH? ALL ABOUT IT.

636. YEAH, YOU KNOW ABOUT WHAT? ABOUT THAT GIRL.

637. SIX YEARS AGO.

638. WHAT YOU DID TO HER.

639. WHO IS THIS? YOU MURDERED HER.

640. YOU AND YOUR FRIENDS.

641. I DON'T KNOW WHAT THE FUCK YOU'RE TALKING ABOUT. YOU KILLED HER ON FILM.

642. AND NOW YOU'RE FUCKED. YOU'RE ALL FUCKED.

643. COME ON.

644. COME ON. GIVE ME SOMETHING, EDDIE.

645. HELLO.

646. IT'S ME. UH-HUH. WHAT DO YOU WANT?

647. LOOK, I JUST GOT A PHONE CALL. WE GOTTA TALK. AND WE CAN'T TALK ON THE PHONE.

648. SO ONE OF US HAS TO GET ON A PLANE OR SOMETHING, ALL RIGHT?

649. BLOW ME, YOU PARANOID FUCK.

650. FUCK! FUCK!

651. FUCK!

652. SO YOU LIKE TO WATCH, PARANOID FUCK.

653. UNDER D. VELVET IN MANHATTAN.

654. DINO VELVET. HE'S A PRODUCER-SLASH- DIRECTOR-SLASH-WEIRDO.

655. HE'S LIKE THE JIM JARMUSCH OF S & M. HOW HARD IS HIS STUFF?

656. HOW HARD DO YOU WANT IT? BONDAGE, FETISH, GOTHIC HARD-CORE.

657. FOR THE SQUEAMISH. IT'S KINDA HARD TO COME BY TOO, THOUGH.

658. OF BONDAGE MAGAZINES, THAT SORT OF THING.

659. BUT HE'S GOT FANS. THIS GUY I KNOW, HE THINKS IT'S ART.

660. NOW, HE'S TOLD ME IF THERE'S ENOUGH DOUGH.

661. NOTHING ILLEGAL, BUT BORDERLINE.

662. ALL RIGHT, I GOT THE PICTURE. MAX, GET IN HERE!

663. SO, UH, YOU'RE GOING TO NEW YORK?

664. MAYBE. LOOKING LIKE THAT.

665. YOU'LL NEED ME.

666. THIS GUY I KNOW, FRENCHIE, HE'S MORE THAN JUST A FAN OF VELVET FILMS.

667. GET YOU IN IF YOU WANT TO. FOR MORE MONEY, OF COURSE.

668. PLUS EXPENSES. I FLY FIRST CLASS. SO WHEN WE LEAVING?

669. WHAT ARE YOU DOING?

670. HEY, MAN, MY FIRST TIME IN THE BIG BAD APPLE.

671. DON'T FILM ME.

672. FINE, HOWARD HUGHES.

673. OH, WOW. YOU DIDN'T SAY THIS LUXURIOUS.

674. IT'S THE PRESIDENTIAL SUITE. COMFORTING SENSE OF HUMOR.

675. - I'LL BE A COUPLE DOORS DOWN. - SERIOUSLY, I DON'T KNOW WHY WE'RE STAYING IN THIS FLEABAG.

676. IN FLEABAGS.

677. I'M GONNA GO OUT FOR A COUPLE OF HOURS. YOU DIG UP WHATEVER DINO VELVET TAPES YOU CAN FIND.

678. GET RECEIPTS. YES, SIR.

679. CASH ACCOUNTS HE USED.

680. OF 1992...

681. AND MARCH OF 1993,

682. OUT TO "CASH" FROM EACH ACCOUNT.

683. OKAY. WITH MONEY PERSONALLY.

684. CERTAINLY NOT CASH. ARE FOR VERY ODD AMOUNTS.

685. WHEN TOTALED TOGETHER,

686. DIFFERENT ACCOUNTS,

687. ONE MILLION DOLLARS.

688. WELL, THAT IS INTERESTING, MRS. CHRISTIAN.

689. FOR ANYTHING UNUSUAL.

690. I'VE GOT ABOUT $5,000 LEFT IN CASH.

691. I'LL NEED ANOTHER 50, I MENTIONED EARLIER.

692. AGAIN, I'M VERY CLOSE OF THE MAN IN THE MASK.

693. I'LL HAVE MR. LONGDALE ARRANGE IT.

694. HOW WILL I GET IT TO YOU? IF YOU HAVE A PEN, I'LL GIVE YOU THE ADDRESS.

695. OF DINO VELVET.

696. OF DINO VELVET.

697. - I GET OVERTIME FOR THIS? - WHO IS THIS? IN THE MASK, WHO IS HE?

698. COME ON. WAKE UP. WHO IS THIS?

699. HE'S ONE OF THE LUNATICS DINO ALWAYS USES. HE'S IN A BUNCH OF THESE.

700. WHAT'S HIS NAME? I DON'T KNOW.

701. THAT'S HIS WHOLE THING. HE ALWAYS WEARS A MASK.

702. HE CALLS HIMSELF MACHETE. NO, MACHINE.

703. YEAH, HE CALLS HIMSELF MACHINE.

704. OH, HE'S A LOVER, MAN.

705. WHAT HE DOES FOR A LIVING, I'LL TELL YOU THAT MUCH.

706. THE SAME ABOUT YOU.

707. YES, YES, YES, YES.

708. AROUND HERE.

709. I'M THAT KIND OF GUY WITH THE CROWD HERE.

710. IF YOU DIDN'T NOTICE. LIKE THESE LADIES HERE, THEY LIKE MY STYLE. YES.

711. WHO IS IT?

712. YES, THIS IS MAX CALIFORNIA. I'D CALLED EARLIER. I'M A FRIEND OF FRENCHIE'S FROM L.A.

713. TO SPEAK TO MR. VELVET, PLEASE. HE'S NOT HERE.

714. TELL HIM WE'RE HERE A LARGE SUM OF MONEY.

715. IF HE'S NOT INTERESTED, WE'LL SPLIT.

716. I DON'T KNOW WHAT THE FUCK YOU'RE TALKIN' ABOUT.

717. CAN'T YOU JUST ANSWER MY SIMPLE QUESTION?

718. I ASKED YOU A QUESTION. WHERE THE FUCK IS LAURA?

719. YEAH. THAT'S WHAT I'VE BEEN ASKIN' YOU THE LAST TEN MINUTES.

720. SIT DOWN. MAKE YOURSELF COMFORTABLE.

721. YOU IDIOT! IN TWO DAYS!

722. MAN, YOU'RE SPENDING MY MONEY.

723. YEAH. YEAH, YOU BETTER DO THAT.

724. FUCKING ASSHOLE. IT'S AN HONOR TO MEET YOU. THANK YOU FOR SEEING US.

725. OH, GOD.

726. YEAH.

727. FOR YOU?

728. UH, WE'D LIKE TO COMMISSION A FILM,

729. A DINO VELVET ORIGINAL, ONE OF A KIND.

730. THAT'S RIGHT. I'M A HUGE ADMIRER OF YOURS.

731. OH, GOD, I LOVE FLATTERY.

732. YOU'RE A GENIUS, MR. VELVET, A GODDAMN GENIUS.

733. YOU'RE THE ONLY ONE THAT'S STILL TRANSFERRING FILM TO VIDEO.

734. OF INTEGRITY ANYMORE.

735. THE GRITTY LOOK YOU GET.

736. YOUR FAVORITE PIECE?

737. TO CHOOSE, IT WOULD EITHER BE CHOKE OR DEVIL.

738. GETS UNDER YOUR SKIN.

739. WELL, DEVIL FRIGHTENED ME AS MUCH AS IT EXCITED ME.

740. BUT, UH, I'D BE HARD-PRESSED TO CHOOSE A FAVORITE.

741. ARE WE TALKIN' ABOUT?

742. FIVE THOUSAND NOW.

743. UPON DELIVERY. TWO WOMEN. ONE WHITE, ONE BLACK.

744. HARD BONDAGE, OF COURSE.

745. OTHER THAN THAT, TRUSTING YOUR OWN, UH, ARTISTIC INTERPRETATION,

746. TWO STIPULATIONS.

747. OKAY. CHALLENGE ME.

748. I WANNA WATCH YOU WORK.

749. YOU DON'T WANT A FRANCHISE, DO YOU?

750. MY SECRET HOT SAUCE?

751. NO.

752. THAT'S GOOD. I APPRECIATE THAT.

753. - STIPULATION? - THE OTHER PERFORMER.

754. IT HAS TO BE THAT, UH— THAT ANIMAL YOU USE.

755. THE MAN IN THE MASK.

756. - MACHINE. - YES.

757. I DON'T KNOW.

758. INTERESTING.

759. BUT I'LL THINK IT'LL COST YOU ANOTHER...

760. FIVE TO SEVEN GRAND.

761. REALLY SPECIAL FOR TEN.

762. WE CAN DO THAT. GOOD ENOUGH FOR ME.

763. I'LL JUST HAVE TO PUT MY THINKING CAP ON.

764. I'M GONNA KEEP THIS AS A DEPOSIT.

765. AFTER 10:00 TONIGHT.

766. 10:00. YEAH.

767. YOU KNOW, YOU HAVE A VERY SPECIAL,

768. A VERY BEAUTIFUL FACE.

769. THE WAY LIGHT HITS IT.

770. I'D LIKE TO SHOOT YOU.

771. YOU DON'T MIND, DO YOU? I'M CAMERA SHY.

772. TO TAKE YOUR MONEY, BUT NOT YOUR PICTURE?

773. DIFFERENT KINDS OF TRUST.

774. I HOPE WE CAN DO BUSINESS.

775. HOYT AVENUE, BROOKLYN, 3:00.

776. I'LL BE THERE.

777. HEY, I GOT SOMETHING TO TEND TO. THANKS.

778. SO ARE WE IN THE MOVIE BUSINESS?

779. THAT'S FOR YOU. WHAT IS IT?

780. MONEY. PEOPLE USE IT AND SERVICES.

781. THAT'S AWFULLY GENEROUS AND EVERYTHING, BUT— IT'S NOT MY MONEY.

782. LET'S NOT MAKE A BIG DEAL OUT OF THIS.

783. THERE'S A PLANE TICKET IN CATCH BACK TO L.A. TONIGHT.

784. TO GO ON THIS THING. WHAT ARE YOU TALKING ABOUT?

785. WE'RE A TEAM, MAN. WE'RE PARTNERS.

786. MAX, I'M SURE YOU WE'RE DEALING WITH,

787. THEY'RE— THEY'RE EXTREMELY DISTURBED.

788. I KNOW. THAT'S WHY YOU NEED ME. I KNOW DISTURBED. LOOK AT ME. YOU GOTTA GO HOME.

789. YOU DID GREAT. NOW IT'S TIME FOR YOU TO GO HOME. BUT THIS IS LIKE OUR BIG CASE.

790. LOOK, TOM, I KNOW WHAT'S GOING ON, OKAY?

791. OKAY, WHAT? DINO AND MACHINE AND EDDIE, THEY MADE A SNUFF FILM, RIGHT?

792. WHAT I CAN'T FIGURE OUT IS WHY YOU'RE INVOLVED. LET ME IN. MAYBE THE VICTIM—

793. FIRST, WHO SAID YOU'RE RIGHT? SECOND, WHO SAID ANYTHING ABOUT A VICTIM?

794. THERE'S ONLY THREE RULES IN LIFE, TOM WELLES.

795. ONE, THERE'S ALWAYS A VICTIM. AND TWO, DON'T BE IT.

796. AND THREE? I FORGOT THREE.

797. THAT'S GOOD, BECAUSE EVERYTHING WE'VE DONE HERE.

798. GET YOUR BUTT ON A PLANE, GO BACK TO L.A. AND FORGET IT ALL.

799. LOOK, I'M GETTING A LOT ON THE WEST COAST.

800. I'D LIKE TO CALL YOU AGAIN, AND I COULD USE YOUR HELP. YOU'RE GONNA CALL ME?

801. YEAH. COULD USE YOUR HELP. I THINK YOU'RE SMART.

802. I'M NOT PATRONIZING YOU. WELL, THANKS. YEAH.

803. ALL RIGHT, WELL, YOU TAKE CARE, MAX CALIFORNIA.

804. ALL RIGHT, TOM WELLES, DEVIL'S WAITIN' ON YOU.

805. THERE YOU ARE.

806. COME AND JOIN US.

807. HELLO, MACHINE. LOVE YOUR WORK.

808. THE MONEY?

809. IT'S RIGHT HERE. GOOD.

810. WHERE ARE THE WOMEN?

811. WOMEN.

812. THEY'RE ALWAYS LATE.

813. WHAT ARE THESE FOR?

814. OH, THEY'RE JUST PROPS. NICE, AREN'T THEY?

815. MACHINE AND I, ABOUT THE BEAUTY OF KNIVES.

816. AH, MY GUESTS HAVE ARRIVED.

817. MR. W., WOULD YOU BE SO KIND FROM YOUR PERSON?

818. - DOING? - I HATE TO REPEAT MYSELF. IT MAKES ME LOOK SO STUPID.

819. SLOWLY. PLEASE SHOW ME YOUR GUN.

820. NICE AND EASY.

821. THAT'S RIGHT. EASY.

822. GOOD.

823. NOW, EMPTY THOSE BULLETS ONTO THE TABLE.

824. - NOW, VERY CAREFULLY. - LOOK, I DON'T KNOW

825. YOU SHUT UP, YOU FUCK!

826. I'LL PUT AN ARROW GODDAMN THROAT, YOU UNDERSTAND?

827. - THAT'S HIM. - THAT'S IT. LAST ONE. THAT'S THE LAST ONE.

828. GOOD BOY. NOW CUFF HIM TO THE BED, EDDIE.

829. YES, SIR.

830. MACHINE!

831. AH, YOU KNOW, I DIDN'T KNOW WHAT TO MAKE OF YOU AT FIRST.

832. ON PINS AND NEEDLES.

833. BUT, LO AND BEHOLD, FROM RIGHT OUT OF THE BLUE,

834. TO EXPLAIN EVERYTHING.

835. SATAN EX MACHINA.

836. MR. LONGDALE, DON'T YOU?

837. - LET'S GET THIS OVER WITH. - SHUT UP. NOBODY'S TALKING TO YOU.

838. OOH, WHAT I COULD DO WITH FACES LIKE THESE ON FILM.

839. AND ON SECOND THOUGHT, THEIR FACES?

840. YOU'RE GONNA LISTEN TO ME. YOU'RE GONNA GO AND GET THAT FILM.

841. YOU'RE GONNA BRING IT BACK HERE, GIVE IT TO ME.

842. AS EFFICIENT AS POSSIBLE,

843. THERE IS AN INCENTIVE.

844. HE'S GOT NOTHING TO DO WITH THIS.

845. JUST LET HIM GO. HE DOESN'T KNOW ANYTHING.

846. CAN'T YOU GUESS WHAT I'M ABOUT TO SAY NEXT, IDIOT?

847. IF YOU DON'T BRING ME THAT FILM,

848. WE'RE GONNA KILL HIM, FUCK HIM...

849. AND FILM IT.

850. AND IF THAT'S NOT ENOUGH FOR YOU,

851. WE'RE GONNA GO AFTER YOUR FAMILY.

852. I'LL GET THE FILM.

853. GOOD BOY. YOU'RE BEING VERY COOPERATIVE.

854. AND MR. LONGDALE HERE WILL KEEP YOU COMPANY.

855. WHY ME?

856. BECAUSE I DON'T LIKE YOU, MR. LONGDALE.

857. MR. W.

858. HURRY BACK.

859. SINCE JUST BEFORE I MET YOU,

860. THERE ISN'T MUCH YOU'VE I HAVEN'T BEEN PARTY TO.

861. HAPPENING IF YOU WOULD'VE JUST GIVEN UP AND WALKED AWAY.

862. OR BETTER YET, IN THE FIRST PLACE.

863. TO GET THIS FAR.

864. BECAUSE YOU'RE YOUNG, NOT TERRIBLY BRIGHT...

865. OUT OF YOUR LEAGUE.

866. YOUR AMBITION.

867. AT THE CHRISTIAN COMPOUND. IT WAS HEADY, WASN'T IT?

868. HUH? YOU WEREN'T THE GATES THIS TIME.

869. NO, MRS. CHRISTIAN WELCOMED YOU IN.

870. HIRE PEOPLE LIKE YOU, LIKE ME...

871. TO THEIR DINNER PARTIES?

872. NO, WE'RE THERE TO CLEAN UP THE MESS, TO WIPE THEIR ROYAL ASSES.

873. TO BUY A SNUFF FILM.

874. THEY COULDN'T FIND YOU ONE, TO MAKE YOU ONE, RIGHT?

875. ISN'T THAT WHAT HAPPENED? PAID TO HAVE HER MURDERED.

876. FOR YOUR CONSCIENCE?

877. A MILLION? I'VE BEEN WELL COMPENSATED.

878. BUT YOU, I BOUGHT CHEAP.

879. JUST BECAUSE MRS. CHRISTIAN PRAISED YOUR DISCRETION, YOU SAT ON EVIDENCE OF MURDER.

880. INTO IT, YOUR FAMILY...

881. WITH NO NAME...

882. OR EVEN REMEMBERS. MARY ANNE MATHEWS.

883. THAT WAS HER NAME. HER MOTHER REMEMBERS HER. OH, I'M BORED WITH THIS.

884. BETWEEN YOU AND ME?

885. AND PROFIT BY IT,

886. YOU WILL NOT.

887. NOW GET THE FILM.

888. WITH HIM? WHAT?

889. THE SNUFF FILM. DID YOU WATCH IT WITH HIM?

890. YOUR FRIEND. NOW GET THE FILM AND LET'S GO.

891. DID IT GET HIM OFF? HUH? MR. CHRISTIAN?

892. CUT HER UP LIKE THAT? DID HE JERK OFF TO IT?

893. YOU SIT THERE, HOLD HIS COCK, MARY ANNE MATHEWS WAS DYING?

894. ARE YOU TRYING TO DO? I'M TRYING TO UNDERSTAND!

895. WITH A SNUFF FILM? YOU'RE ASKING ME WHY?

896. YES, WHY? WHY?

897. BEING BUTCHERED?

898. BECAUSE HE COULD. HE DID IT BECAUSE HE COULD.

899. WERE YOU LOOKING FOR?

900. NOW.

901. HERE.

902. SHOOT ME.

903. MR. WELLES, THE FILM, PLEASE.

904. LET HIM GO FIRST. TO ME, BUT JUST LET HIM GO.

905. VERY WELL. SET HIM FREE, MACHINE.

906. NO!

907. IS THAT IT? THAT'S IT.

908. BRAVO.

909. I DON'T THINK YOU WANT TO MISS THIS, MR. WELLES.

910. OOH.

911. SO IT ENDS.

912. AS IF SHE NEVER EXISTED.

913. COME ON. DON'T BLAME YOURSELF. YOU WERE IN WAY OVER YOUR HEAD.

914. YOU MOTHERFUCKERS.

915. MOTHERFUCKERS.

916. YOU WANNA KNOW SOMETHING?

917. TO SPREAD AROUND?

918. - A MILLION? - YEAH! THAT'S WHAT CHRISTIAN GAVE LONGDALE.

919. THAT'S WHAT HE GAVE YOU, RIGHT? A MILLION IN CASH!

920. YOU STUPID FUCKING TRASH!

921. IS HE TALKING DOLLARS HERE?

922. - NO, HE'S LYING. - DID YOU FUCK ME? HEY!

923. ON THIS? 'COURSE NOT, EDWARD.

924. THEN WHAT'S HE TALKIN' ABOUT, A MILLION DOLLARS?

925. HE'S SAYING THAT LONGDALE FUCKED US,

926. WHICH IS SO TOTALLY, COMPLETELY BIZARRE.

927. STAY BACK. STAY AWAY FROM ME.

928. PUT THE BOW DOWN!

929. FUCKIN' RICH MAN'S LAWYER. THE PRICK.

930. MR. LONGDALE, IF THERE'S AND PORNOGRAPHERS,

931. THE WHOLE FUCKIN' BUSINESS WOULD FALL APART, WOULDN'T IT?

932. BECAUSE THERE'S NO RECORDS, NO CONTRACTS, NO LEGAL RECOURSE.

933. SO IF SOMEONE CHEATS US,

934. CAN'T BE TRUSTED.

935. THAT PERSON COULD TURN US IN, HAVE US KILLED.

936. SO WE DON'T HAVE A CHOICE, DO WE, MR. LONGDALE?

937. I JUST WANT THIS TO BE OVER. NOBODY ELSE NEEDS TO GET HURT.

938. - EDDIE, YOU HAVE A GUN. TAKE IT OUT. - FUCK YOU.

939. TAKE IT OUT NOW! AND DROP IT, OR I WILL SHOOT.

940. DON'T BE STUPID, EDWARD.

941. IN MY DIRECTION, HARD.

942. NOW, DINO, DROP THE CROSSBOW.

943. OKAY.

944. ACTION.

945. THIS IS WRONG.

946. SOMETHING'S WRONG. FUCK. OH, GOD, NOT LIKE THIS.

947. I'M SUPPOSED TO HAVE...

948. SOMETHING MORE CINEMATIC.

949. KILL THEM, MACHINE.

950. KILL THEM ALL.

951. MACHINE!

952. FUCK.

953. STOP, EDDIE!

954. I SWEAR TO CHRIST, I'LL SHOOT YOU IN THE BACK!

955. TAKE OFF THE MASK.

956. - MASK! - HE'S ONLY GOT ONE BULLET!

957. FUCK!

958. - HELLO? - AMY, IT'S ME. LISTEN CAREFULLY.

959. TOM, WHERE ARE YOU? AMY, JUST LISTEN!

960. TAKE CINDY. GET OUT OF THE HOUSE NOW. GO TO WHERE WE SPENT FOURTH OF JULY WEEKEND.

961. WHY? WHAT'S WRONG? AMY, PLEASE. I CAN'T.

962. I'LL BE THERE IN THREE HOURS.

963. I'M ON MY WAY. GO NOW!

964. - TOM, YOU'RE SCARING ME. - PLEASE, AMY, JUST DO IT!

965. TOM— OKAY, BYE. I'M GOING.

966. MRS. CHRISTIAN, IT'S TOM WELLES. LONGDALE IS DEAD.

967. WHO MADE THE FILM.

968. HE HIRED THEM FOR YOUR HUSBAND. FOR HIMSELF.

969. THE FILM IS REAL! THEY KILLED THAT GIRL!

970. MRS. CHRISTIAN? I'M, UH— I'M STILL HERE, MR. WELLES.

971. I'M SORRY.

972. ARE YOU IN DANGER? WE HAVE TO GO TO THE POLICE.

973. I'LL TELL YOU EVERYTHING TONIGHT. WE CAN CALL THE POLICE IN THE MORNING.

974. ALL RIGHT. 8:00?

975. YES, 8:00 IS FINE.

976. DO YOU KNOW... WHAT THE...

977. POOR GIRL'S NAME WAS?

978. MARY. MARY ANNE MATHEWS.

979. MARY.

980. THANK YOU. MR. WELLES, GOOD-BYE.

981. AMY?

982. ARE YOU—

983. WHY HAVEN'T YOU CALLED ME?

984. WHY— WHY— OFF THE FACE OF THE EARTH?

985. HUH? YOU'RE BLEEDING.

986. ARE THOSE HANDCUFFS? WERE YOU LOCKED UP?

987. HUH? KEPT FROM A PHONE? WHAT? WHAT HAPPENED?

988. YOU BETTER START TALKING, TOM, 'CAUSE IF YOU WANT TO STAY MARRIED,

989. YOU CAN'T TREAT ME THIS WAY!

990. YOU'RE RIGHT. IS RIGHT.

991. THAT'S NOT GONNA DO IT. THAT'S NOT GONNA BE ENOUGH, TOM. NOT ANYMORE.

992. I'M NOT GONNA LET ANYTHING HAPPEN TO US.

993. LOOK WHERE WE ARE!

994. LOOK AT YOURSELF! LOOK AT YOURSELF! LOOK!

995. YOU SON OF A BITCH.

996. YOU DON'T EVEN HAVE ANY IDEA WHAT YOU'RE PUTTING ME THROUGH.

997. HAPPENED TO YOU?

998. I CAN'T—

999. GODDAMN IT. AMY.

1000. WHAT? TO STAY HERE A FEW DAYS.

1001. IT'S JUST A FEW DAYS. I'M SORRY.

1002. THERE'S NO OTHER WAY AROUND THIS. LOOK, I SWEAR, I SWEAR—

1003. I'M NOT GONNA LET ANYTHING HAPPEN TO US. I'M GONNA TAKE CARE OF THIS.

1004. I SWEAR IT. OKAY?

1005. I SWEAR IT.

1006. NOW, I HAVE TO GO BACK OUT. NO.

1007. WH-WHERE?

1008. OH, MY— OH! MRS. CHRISTIAN.

1009. SHE'S THE ONLY WITNESS.

1010. TO WHAT?

1011. I'M GONNA BE OKAY.

1012. I'M GONNA BE OKAY.

1013. WE'RE GONNA BE OKAY.

1014. TOM WELLES. MRS. CHRISTIAN'S EXPECTING ME.

1015. YES, SHE LEFT INSTRUCTIONS.

1016. NO, I HAVE TO SEE HER NOW. IT'S EXTREMELY URGENT.

1017. MRS. CHRISTIAN CHOSE TO TAKE HER OWN LIFE THIS AFTERNOON, MR. WELLES.

1018. NO, NO.

1019. I JUST SPOKE TO HER.

1020. MRS. CHRISTIAN'S INSTRUCTIONS WERE THAT THIS FIRST ENVELOPE...

1021. IS FOR MARY'S FAMILY.

1022. UNDERSTAND WHAT THAT MEANT.

1023. IS FOR YOU.

1024. NEXT WEEK... IF YOU'D LIKE TO ATTEND.

1025. UH— I AM SORRY, SIR.

1026. GOOD NIGHT, SIR.

1027. WHAT ARE YOU DOING?

1028. I HAVE TO GO BACK.

1029. TOM.

1030. WHATEVER IT IS,

1031. WHEREVER YOU WERE,

1032. JUST FORGET ABOUT IT.

1033. YOU STAY HERE.

1034. I CAN'T.

1035. AND RISK US? RISK YOUR FAMILY? WHY?

1036. THERE'S NO ONE LEFT TO FINISH THIS BUT ME.

1037. I'LL CALL YOU WHEN IT'S SAFE TO GO HOME.

1038. WHEN YOU GET BACK.

1039. CINDY'S EDUCATION AND A LOT MORE.

1040. I LOVE YOU.

1041. PUT YOUR HANDS ON YOUR HEAD. GET DOWN ON YOUR KNEES.

1042. YOU THINK I'M FUCKIN' AROUND?

1043. - HURTS, DOESN'T IT? - WHAT THE FUCK DO YOU WANT?

1044. WHO'S MACHINE? WHERE DOES HE LIVE?

1045. I DON'T KNOW. I WANT HIS NAME.

1046. I DON'T KNOW HIS FUCKIN' NAME.

1047. OF HURTING YOU, EDDIE.

1048. I DON'T KNOW HIS NAME. HE SHOWS UP IN HIS MASK, HE LEAVES IN HIS MASK.

1049. HE'S DINO'S FUCKIN' BOY. HE'S FROM NEW YORK SOMEWHERE. I DON'T FUCKIN' KNOW.

1050. GET IN THE CAR.

1051. WHY?

1052. YOU'RE GONNA SHOW ME WHERE YOU KILLED HER.

1053. FUCK YOU.

1054. ALL RIGHT, YOU FUCK.

1055. WHAT'D YOU DO BEFORE YOU BROUGHT HER HERE?

1056. TELL HER HOW BEAUTIFUL SHE WAS?

1057. HOW YOU'D MAKE HER A BIG STAR?

1058. TALK HER UP?

1059. DO YOU WANT FROM ME?

1060. HMM?

1061. I WANNA KNOW.

1062. YOU WANNA KNOW? YES.

1063. SHE WAS NOTHIN'. OFF THE STREET.

1064. GIRL LIKE THAT DISAPPEARS, NOBODY GIVES A SHIT.

1065. YEAH. I TALKED HER UP. SHE WANTED TO HEAR.

1066. BE A BIG STAR,

1067. ALL THE REST OF THE BULLSHIT.

1068. WITH HER, SHE WAS ALL EXCITED ABOUT HER BIG SCREEN TEST.

1069. I CALLED UP DINO,

1070. WE HAD OUR LITTLE PARTY.

1071. YOU WANNA KNOW?

1072. YOU SAW THE FILM, RIGHT?

1073. YOU KNOW THE ENDING.

1074. BRING HER IN?

1075. WHO'S GONNA SEE? PLACE IS A FUCKIN' SHITHOLE.

1076. AND SHE...

1077. STANDIN' IN THE CORNER.

1078. SHE STARTED CRYIN',

1079. MAKIN' THESE LITTLE NOISES.

1080. A LITTLE JUST TO SHUT HER UP.

1081. DINO... FED HER A BUNCH OF PILLS.

1082. THE PLASTIC OVER HERE.

1083. CUTTIN' HER UP.

1084. THAT'S IT. SHE'S DEAD.

1085. SHE'S BEEN DEAD A LONG FUCKIN' TIME, AND NOBODY GIVES A SHIT BUT YOU.

1086. YOU WANTED TO KNOW. NOW YOU KNOW.

1087. YOU WERE IN HERE.

1088. BLEED TO DEATH FROM HERE.

1089. WHY?

1090. WHY DID YOU WATCH?

1091. I FELT LIKE IT.

1092. GET DONE BEFORE.

1093. WH-WHY? DID IT—

1094. DID YOU GET HARD? DID YOU COME? WHAT?

1095. NO. IT MADE ME SICK.

1096. IF SOME RICH FUCKIN' WACKO...

1097. TO SOMETHIN' LIKE THAT, HUH?

1098. STAY DOWN! [Yells '

1099. It was somethin' I did for money.

1100. I needed the fuckin' money.

1101. Where is she? Where'd you put her body?

1102. I buried it in the woods. You're not gonna find it.

1103. And even if you do fuckin' find it, so what? What do you got?

1104. You got a girl's skeleton. That's it.

1105. Without the film, you got nothin'.

1106. All you can do is cut me loose, 'cause without the film, you got nothin'.

1107. What the fuck are you doin' ?

1108. Put your hands behind your back. Fuck you!

1109. Put your hands behind your back!

1110. ALL RIGHT.

1111. ARE YOU DOIN' ?

1112. I'M GONNA KILL YOU, EDDIE.

1113. I'M GONNA KILL YOU.

1114. AND I'M GONNA LEAVE YOU HERE JUST LIKE YOU LEFT HER.

1115. YOU'RE NOT GONNA KILL ME. YOU DON'T HAVE IT IN YOU.

1116. WHAT ARE YOU GONNA DO? SHOOT ME WITH YOUR OWN GUN?

1117. IT'S REGISTERED IN YOUR NAME, HUH?

1118. YOU REALLY FUCKIN' THOUGHT THIS THROUGH, DIDN'T YOU, GENIUS?

1119. YOU'RE GONNA HAVE OUT OF MY HEAD.

1120. THAT'LL BE NICE, HUH?

1121. OR YOU COULD DIG A HOLE.

1122. DIG IT WITH YOUR OWN HANDS, NEXT TO YOUR FUCKIN' GIRLFRIEND.

1123. GO AHEAD. PULL THE FUCKIN' TRIGGER.

1124. WELL, GO AHEAD. WHAT ARE YOU WAITIN' FOR?

1125. GO AHEAD AND DO IT, YOU FAGGOT.

1126. WHAT DO YOU WANT ME TO DO? START CRYIN' LIKE A LITTLE BABY?

1127. I'M SO SORRY I KILLED THE LITTLE GIRL.

1128. WELL, FUCK YOU, AND FUCK HER! GO AHEAD.

1129. PUT ME OUT OF MY FUCKIN' MISERY. PULL THE FUCKIN' TRIGGER.

1130. COME ON. PULL THE FUCKIN' TRIGGER.

1131. DO IT! DO IT!

1132. YOU CAN'T DO IT.

1133. YOU LITTLE PANSY BITCH.

1134. LOOK AT YOU. BIG FUCKIN' HERO MAN.

1135. YOU CAN'T FUCKIN' DO IT.

1136. LOOK AT HIM.

1137. BIG FUCKIN' HERO, HUH?

1138. GO ON HOME TO YOUR WIFEY!

1139. YOU PUSSY!

1140. YOU BIG, FUCKIN' PUSSY!

1141. WHAT ARE YOU GONNA DO NOW, FAGGOT? HUH?

1142. YOU CAN'T CALL THE COPS!

1143. AND YOUR DAUGHTER, AND WE'LL MAKE A FILM,

1144. YOU FAGGOT!

1145. AW, SHIT. YOU PUNK-ASS!

1146. HELLO?

1147. MRS. MATHEWS? IT'S THOMAS.

1148. THOMAS HART.

1149. ASKING ABOUT YOUR DAUGHTER.

1150. OH. OH, YEAH, YOU FOUND HER DIARY.

1151. THANK YOU. UM, SHE DID LEAVE A NOTE, AND...

1152. DUMPED HER IN CALIFORNIA,

1153. SO I TOLD THE F.B.I.

1154. IF YOU'D WANT TO KNOW...

1155. THE TRUTH,

1156. NO MATTER WHAT. WHAT?

1157. SOME MEN, THEY TOOK HER AND THEY BURIED HER.

1158. NO, NO, NO, NO, I'M SORRY.

1159. NO, NO, NO, NO— I'M SORRY.

1160. FOR WHAT THEY DID.

1161. WHY ARE YOU SAYING THIS?

1162. I CAN HURT THEM.

1163. TO HURT THEM, PLEASE.

1164. SHE MEANT TO YOU.

1165. THAT YOU LOVED HER.

1166. THAT YOU LOVED HER. I LOVE HER.

1167. I LOVE HER SO MUCH.

1168. I LOVE HER SO MUCH.

1169. OH, NO.

1170. WHO'S THAT? HEY.

1171. - NO! - DIE!

1172. DIE! DIE!

1173. NEW YORK HOSPITAL.

1174. TO THE DUTY NURSE?

1175. - EMERGENCY. - ANDERSON, 13th PRECINCT.

1176. CAN YOU TELL ME IF YOU'VE WITH AN ABDOMINAL WOUND...

1177. IN THE LAST 48 HOURS?

1178. IT'S A STABBING INCIDENT. ABDOMINAL WOUND?

1179. NO, NOT ONE. THANK YOU.

1180. I'M LOOKING FOR A STABBING VICTIM.

1181. MALE. HE'S BIG, MAYBE SIX FEET. FILED A BOGUS REPORT.

1182. YEAH, WE HAD A GUY IN ON MONDAY, I THINK.

1183. OR THE DAY BEFORE.

1184. QUEENS COUNTY EMERGENCY. HI, LT. ANDERSON, 13th PRECINCT.

1185. AND SUPPOSED VICTIM...

1186. A FALSE NAME AND ADDRESS.

1187. WITH AN ABDOMINAL WOUND.

1188. HOLD ON. LET ME CHECK MY RECORDS.

1189. YEAH, THERE WAS A PATIENT TREATED YESTERDAY.

1190. STAR TATTOO ON HIS RIGHT HAND? YES.

1191. GEORGE ANTHONY HIGGINS.

1192. UNDER HIS MOTHER'S NAME— DORIS VERONICA HIGGINS.

1193. BET THAT'S HIM. CAN YOU GIVE ME AN ADDRESS?

1194. HE REGISTERED UNDER HER ADDRESS. DOUGLASTON. NEED A STREET?

1195. TO CHURCH WITH ME TONIGHT.

1196. WELL, MAYBE NEXT WEEK.

1197. I LOVE YOU, SON.

1198. I'LL BE HOME BY 10:00. BYE-BYE.

1199. OF KILLING SOMEONE?

1200. THE LOOK ON THEIR FACE.

1201. IT'S THAT LOOK, NOT WHEN THEY'RE THREATENED,

1202. NOT WHEN YOU HURT THEM,

1203. SEE THE KNIFE.

1204. THE KNIFE GO IN. THAT'S IT.

1205. IT'S SURPRISE.

1206. THEY JUST CAN'T BELIEVE IT'S REALLY HAPPENING TO 'EM.

1207. IT WASN'T JUST PORNO.

1208. TAKE OFF THE MASK.

1209. WHAT'D YOU EXPECT, A MONSTER?

1210. M-MY NAME'S GEORGE.

1211. PROBABLY KNEW THAT ALREADY.

1212. CAN'T GET YOUR MIND AROUND IT, HUH? I DON'T HAVE ANY ANSWERS TO GIVE.

1213. NOTHIN' I CAN SAY SLEEP EASIER AT NIGHT.

1214. I WASN'T BEATEN. I WASN'T MOLESTED.

1215. MOMMY DIDN'T ABUSE ME.

1216. DADDY NEVER RAPED ME. I'M ONLY WHAT I AM.

1217. AND THAT'S ALL THERE IS TO IT.

1218. THERE'S NO MYSTERY.

1219. THINGS I DO, I DO THEM BECAUSE I LIKE THEM.

1220. BECAUSE I WANT TO.

1221. HOW MANY TIMES? SIR, CAN YOU TELL ME YOUR NAME?

1222. TOM, IS THAT—

1223. IS THAT YOU?

1224. OH, MY GOD.

1225. SAVE ME.

1226. S-SAVE ME.

1227. DEAR MR. WELLES.

1228. AND TELLING ME YOUR REAL NAME,

1229. AND WHAT REALLY HAPPENED.

1230. I'M GLAD THOSE MEN ARE DEAD,

1231. THE HOLE IN MY HEART.

1232. YOU SENT FOR SOME GOOD...

1233. FOR MYSELF.

1234. FOR TELLING ME THE TRUTH,

1235. ARE PROBABLY THE ONLY PEOPLE...

1236. ABOUT MARY ANNE.

1237. YOURS TRULY, JANET MATHEWS.