1. Reckless sinful way throughout this life.
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2. The Lord has told me...
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3. that the open gates of Hell...
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4. are yawning up widely in our path.
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5. Yes, the flames of perpetual damnation...
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6. are ever ready to grasp our souls.
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7. We know the way of the righteous man.
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8. Yeah, we know the
prayer of the righteous man.
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9. I'm telling you that the Lord has spoken.
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10. Yes, the Lord has spoken to me.
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11. Hi.
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12. Mike Enslin. Checking in.
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13. Honey. Mr. Enslin.
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14. We were afraid you weren't going to show.
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15. Oh it's such an honor to have you here.
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16. Terrible night out there.
If I could just get the key,
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17. I'll settle in and we can
talk in the morning after...
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18. You probably want to hear
all about our haunted history.
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19. Well, this staircase here,
this is where the maid...
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20. reputedly hung herself in 1860.
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21. Oh. There's a picture!
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22. Can we do this in the morning? Wait wait.
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23. It's printed in our brochure.
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24. Did we send you one of
these? Uh, probably did.
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25. Do you see her in the window?
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26. Yeah, there she is.
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27. That's a photo that a guest took in 1986.
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28. In your letter you
mentioned that the rooms...
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29. with the most paranormal
activity were in the attic.
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30. Could I have one of those rooms?
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31. That's right, because the
attic is on the third floor...
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32. which is the former servant's quarters.
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33. People say that all of Sylvia's children...
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34. died up there of tuberculosis.
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35. All of them?
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36. Guests have reported strange sounds.
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37. At the stroke of midnight
there's been weird noises.
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38. Now our best advice is to
lock your door from the inside.
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39. Isn't that right, honey? That's right.
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40. You take care, you just
lock it from the inside.
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41. I will.
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42. As soon as you give me the key.
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43. I'm so... right. Got it right here.
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44. Number 14, you can't
miss it. Been a long drive.
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45. Good luck. All right, we'll see
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46. what the night brings.
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47. Mrs. Clark, the proprietor,
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48. says she hasn't slept a night
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49. since acquiring the inn and I believe her.
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50. No no no, I pity her.
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51. But in any case, the
eggs Benedict are delicious
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52. and if you call in advance, Mrs. Clark says
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53. she will bake her famous
flour less chocolate cake.
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54. On a Shiver Scale,
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55. I award the Weeping Beach Inn six skulls.
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56. Screw 'em, five skulls.
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57. How's it going? Can I help you?
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58. Yeah, I'm here for the big event.
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59. All right.
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60. Cool.
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61. I'm Mike Enslin.
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62. Sorry?
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63. Book signing. Oh, right.
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64. Oh, that's you, yeah. I
see the resemblance, yeah.
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65. That's a good picture.
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66. Thanks, man.
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67. All right, hold on.
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68. Um... attention, book lovers.
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69. Tonight we have noted occult writer
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70. Michael Enslin
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71. at the Author's Corner tonight.
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72. He's the writer of the
best-selling ghost survival guides,
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73. um... with such titles
as "10 Haunted Hotels,"
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74. "10 Haunted Graveyards,"
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75. "10 Haunted Lighthouses."
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76. That's tonight, 7:00 pm.
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77. Anyway, so I really enjoyed writing it,
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78. and that's kind of a history of the book.
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79. And I hope you enjoy it, or enjoyed it.
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80. Uh, you know, stay scared.
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81. Right? Any questions?
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82. Where's the scariest
place you've ever been?
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83. Scariest place I've ever been?
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84. Uh, I've never heard that question before.
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85. That's a joke.
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86. Well, all these places
have very colorful histories.
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87. I would say, if I had to pick a top one,
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88. I would say Bar Harbor,
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89. the site of the grisly McTeig
wedding night murders.
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90. That's an intense place.
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91. Or maybe St. Cloud, Minnesota,
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92. where the crazed war widow
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93. threw her baby down a well.
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94. I mean, those all have a
lot of... I mean, it's thick.
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95. The air is thick. What about poltergeists?
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96. Look, I'm a good researcher.
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97. I go into every gig locked and loaded.
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98. I travel with an EMF meter,
full-range spectrometer,
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99. infrared camera. I mean, look,
nothing would make me happier
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100. than to experience a paranormal event,
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101. you know, to get a
glimpse of the elusive light
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102. at the end of the tunnel.
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103. So you're saying there's
no such thing as ghosts?
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104. I'm saying I've never seen one,
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105. but they're awful convenient
for desperate hotels
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106. when the interstate moves away. (knocking)
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107. This thing has really gone
off the rails. Who has a pen?
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108. I do.
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109. Which one?
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110. Uh, but seriously, Mike, if I
want to see a real live ghost,
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111. where's my best bet?
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112. Guaranteed? Yeah.
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113. Haunted Mansion, Orlando.
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114. Awesome, thanks.
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115. Stay scared.
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116. Thank you.
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117. Hey, Ray, can you lock up?
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118. I got band practice tonight.
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119. Holy shit.
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120. What rock did you find that under?
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121. Um, eBay.
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122. EBay, huh?
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123. How much did it go for?
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124. Well, there weren't many bidders.
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125. I would think not.
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126. Wow. But it's, urn...
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127. an amazing book. Oh.
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128. Um, so... unique
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129. and inspirational and honest.
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130. Thanks. What's your name?
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131. Um, Anna.
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132. Okay, Anna.
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133. Are you gonna write
another one like this one?
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134. Nah, it's a different guy.
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135. Can I ask you a question? Sure.
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136. Um, the relationship in the book
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137. with the father and the son...
it's probably too personal,
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138. but, um, it's so authentic and...
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139. Well-constructed, and...
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140. is it true?
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141. No.
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142. Well, thank you for
this. I really appreciate it.
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143. My pleasure.
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144. Bye.
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145. Good boy!
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146. Yo, homey...
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147. Just a minute, Tiffany!
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148. Yeah, I'm just gonna
tie it inside my suit here.
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149. Yo, Greg, check him out!
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150. Did you see what happened?
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151. Oh yeah.
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152. Are you okay, buddy?
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153. Hey, are you breathing?
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154. No! Serious as a heart attack.
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155. We got 325. That is back here, I think.
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156. This is the one. Sign
on the line, please, sir.
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157. Oh, you mean right here?
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158. Have yourself a beautiful day.
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159. Thank you.
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160. Thank you very much.
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161. Hey, man, you've been gone a while.
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162. Hey, Jackson, what's up?
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163. Oh by the way, dude,
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164. I read your last book...
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165. the "10 Haunted Mansions" thing.
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166. Man, that's some scary shit.
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167. Cool.
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168. Later on, dude.
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169. How you doing?
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170. Hi. Good.
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171. Thanks.
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172. That's cute.
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173. Good evening, Dolphin Hotel.
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174. How might I direct your call?
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175. Yeah, hi, I'm calling about room 1408.
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176. One moment please, sir.
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177. How may I help you?
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178. Yeah, I'd like to stay in room 1408 please.
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179. That room is unavailable, sir.
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180. I didn't tell you which date.
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181. How about Saturday?
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182. It's unavailable.
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183. The following Tuesday?
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184. Unavailable.
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185. Next month?
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186. Unavailable.
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187. Next summer?
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188. Somebody, anybody, where's
good Chinese near 48th?
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189. I got to have lunch with that idiot
from Random House. Anybody?
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190. Sam, Mike Enslin calling
from Los Angeles again.
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191. I'll take it in there.
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192. Clay, you got a sec for Mike Enslin?
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193. Say yes. Yes.
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194. Great. Now look, this guy
tends to get a little morose,
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195. so try to keep the energy up.
Otherwise he stews in his own funk.
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196. Mike! Hey, Sam.
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197. Hey hey, read the first
five chapters last night.
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198. Spooky shit, couldn't sleep a wink.
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199. Great. Hey, did you
take care of that thing?
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200. You'd better believe I did. And I
got our top lawyer here right now.
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201. Mike, Clay, Clay, Mike.
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202. Hi, Clay. Mike.
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203. Talk fast, all right?
This guy's $400 an hour.
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204. All right, Clay, what's
up with the Dolphin?
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205. Yeah, the Dolphin.
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206. That stick-up-its-ass relic on Lexington.
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207. Too posh for a free plug, right?
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208. Well, you are gonna love
what Clay's cooked up.
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209. He dug around and found
you... are you sitting down?
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210. A Federal Civil Rights law.
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211. Like somebody would
discriminate against you,
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212. a well-to-do white guy. But
the law's the law, right, Clay?
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213. Ergo, if the room's not occupied
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214. they have to give it to you.
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215. Really?
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216. Yeah. Now look, the manager
there's gonna put up a stink
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217. but he knows the drill.
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218. Nothing you can't handle. So, Mike...
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219. we'll book the room and if they refuse
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220. we'll rattle our sabers and file suit.
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221. So it's all done?
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222. Thanks, Clay. Get lost, all right?
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223. Bye, Clay.
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224. Yeah, Mike, are you there?
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225. Yeah, uh, on a more personal note,
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226. are you sure you want to come here?
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227. Yeah, of course. It'll make a
solid closing chapter of the book.
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228. Yeah yeah, I know the routine.
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229. But, I mean, it's New York.
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230. All that happened... you really
want to put yourself through that?
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231. I'll be quick.
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232. Are you gonna call Lily?
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233. No. I don't want to impose.
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234. In and out. Nobody gets hurt.
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235. It's just a job.
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236. Here you are, Dolphin.
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237. Hey! Taxi!
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238. It's a beautiful room,
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239. with fabulous views of the city.
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240. Pardon me, ladies.
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241. Thanks very much.
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242. Welcome to the Dolphin, sir.
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243. Are you checking in?
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244. Mike Enslin.
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245. One night.
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246. And how are we spelling that today?
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247. N-S-L-I-N
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248. Yeah.
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249. Uh, would you excuse me for a moment, sir?
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250. Sure.
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251. Mr. Dempsey, Mike Enslin's just checked in.
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252. Where is he?
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253. He's over at my desk.
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254. That's fine, Marie. I'll take care of it.
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255. Okay.
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256. It'll just be a minute, Mr. Enslin.
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257. Good evening, sir. Can
I help you with your bag?
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258. No.
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259. Very well.
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260. Mr. Enslin, I'm Gerald Olin,
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261. manager of the Dolphin.
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262. If there's anything that I can
do for you while you're here...
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263. dinner reservations, theater tickets,
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264. maybe a Knicks game? Anything...
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265. just tell me. I am at your service.
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266. Well, if I can just get the key to 1408,
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267. I can get out of your hair.
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268. Oh, we were thinking of
upgrading you to a penthouse suite.
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269. 1408, please.
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270. Insistent, aren't we?
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271. Could you please humor me
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272. by coming to my office for a
more private conversation?
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273. Sure.
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274. Excellent.
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275. Come in. Make yourself comfortable.
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276. 1408 a smoking room?
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277. As a matter of fact, it is. Yes.
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278. Good, one less worry in
the watches of the night.
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279. Care for a cigar?
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280. No thank you, I don't smoke.
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281. Oh this, yeah. That's...
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282. in case nuclear war breaks out.
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283. I gave it up a long time ago.
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284. It's part habit, part superstition.
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285. It's, you know, a writer thing.
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286. You do drink, don't you?
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287. Of course, I just said I was a writer.
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288. Le Cinquante Sept Deces, 1939.
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289. Exquisite.
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290. About $800 a bottle, when you can find it.
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291. I appreciate the bribe, but I
intend on staying in that room.
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292. How long?
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293. How long?
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294. My usual is overnight.
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295. I see.
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296. No one's ever lasted more than an hour.
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297. Jesus, man.
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298. You ought to shave your
eyebrows and paint your hair gold
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299. If you're gonna try to sell
that spook-house bullshit.
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300. Otherwise, you'll scare the children.
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301. Why are you mocking me when I am genuinely,
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302. to the best of my
ability, trying to help you?
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303. No, you're playing a little game.
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304. You're selling the mystique.
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305. But eventually, we both know
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306. you're gonna give me the key
and I'm gonna go up to the room
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307. and I'm gonna write my story
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308. and your bookings are gonna go up 50%.
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309. Do you mind if my little friend
records our conversation?
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310. I'll take that as a yes.
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311. Sir, you quite misunderstand the situation.
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312. Now, I know the Dolphin doesn't
have the cachet of the Plaza
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313. or the Carlyle,
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314. but we operate at 90% capacity.
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315. Always.
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316. And my concern here is not for the hotel.
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317. My concern here is not for you.
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318. Frankly, selfishly,
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319. I don't want you to check into 1408
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320. because I don't want to clean up the mess.
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321. Now hotels are all about presentation
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322. and fertile creature comforts.
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323. My training is as a manager,
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324. not a coroner.
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325. Under my watch there
have been four deaths... four.
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326. After the last one, I forbade any guest
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327. from checking into 1408 ever again.
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328. The last one was David Hide,
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329. orthodontist, manic-depressive.
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330. Slit his wrist, did a little self-surgery,
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331. turned himself into a eunuch, right?
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332. Yes. So you've done your homework.
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333. I'm a professional too.
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334. Well, grievously, in its 95-year existence,
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335. the hotel has seen seven jumpers,
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336. four overdoses, five hangings,
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337. three mutilations... Three mutilations...
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338. two stranglings. General
manager Gerald Olin
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339. is well-versed in the
hotel's tragic history,
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340. dryly reciting the docket of
carnage like a bookkeeper
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341. discussing his ledger.
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342. Well, you think you're clever, don't you?
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343. I know the game.
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344. Well, during your investigation,
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345. did you discover the 22 natural deaths
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346. that have occurred in 14087
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347. Natural deaths?
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348. Ah, didn't find out about them
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349. because the newspapers
don't print anything about them.
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350. Hmm. All told, there have
been 56 deaths in 1408.
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351. 567 You're shitting me.
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352. You don't know anything.
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353. The causes of death in 1408 range
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354. from heart attack, stroke, drowning...
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355. Drowning?
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356. Yes, one Mr. Grady Miller
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357. drowned in his chicken soup.
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358. That's hard to do.
How... how did he do that?
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359. How indeed?
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360. Interesting. It's all in here.
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361. I will let you have this
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362. and give you access to my office.
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363. You can take notes,
put it all in your book.
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364. My only condition
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365. is that you do not stay in that room.
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366. You'll let me look at all that stuff?
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367. I never did get that drink.
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368. Oh, that is good.
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369. Here, keep it.
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370. Compliments of the house.
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371. I'm still staying.
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372. Damn it to hell!
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373. I'm sorry.
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374. All right here. Here, read
the godforsaken thing.
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375. I guarantee you, once you've read it
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376. you won't want to stay in 1408.
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377. The first victim: Mr. Kevin O'Malley,
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378. sewing machine salesman.
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379. Checked into the hotel
the first week it opened...
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380. October, 1912.
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381. Cut his own throat, right?
Copy !req
382. Oh, that's not the horrific part.
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383. Afterwards, in a fit of insanity,
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384. he tried to stitch himself back together
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385. using an old sewing needle
before he bled to death.
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386. Easy, man.
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387. Look, Mr. Enslin,
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388. you don't have to stay in 1408.
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389. You can take photographs of 1404.
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390. It has the exact same layout and
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391. no one will ever know the difference.
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392. My readers expect the truth.
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393. Your readers?
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394. Your readers expect grotesqueries
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395. and cheap thrills.
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396. "The headless ghost of Mr. Eugene Rilsby
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397. still walks his abandoned farmhouse."
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398. "The Barking Phantom
of Mount Hope Cemetery."
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399. A direct quote... how'd you know that?
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400. Your books aren't hard to find.
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401. They're on the bargain shelves
of any paperback novel store;
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402. full of cynicism,
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403. written by a talented, intelligent man
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404. who doesn't believe in
anything or anyone but himself.
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405. Guilty as charged.
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406. Hey listen, this meeting's over.
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407. Why don't you give me the room?
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408. Oh please, don't act
like a hurt schoolgirl.
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409. In fact, you surprised me.
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410. Oh.
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411. You are not the hack-n-slash I expected.
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412. I rather liked the first
one, the hardcover.
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413. What was it called? "The Last Walk..."
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414. "Long Road Home."
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415. "The Long Road Home," yes.
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416. I rather thought the father was a bastard.
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417. Yeah, he was.
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418. Look man, just give me the key.
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419. Mr. Enslin...
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420. Just give me the key!
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421. Listen, I stayed at the Bigsby house.
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422. I brushed my goddamn
teeth right next to the tub
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423. where Sir David Smith
drowned his whole family.
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424. And I stopped being afraid
of vampires when I was 12.
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425. Do you know why I can
stay in your spooky old room,
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426. Mr. Olin?
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427. Because I know that ghoulies and ghosties
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428. and long-legged beasties don't exist.
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429. Even if they did,
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430. there's no God to protect
us from them, is there?
Copy !req
431. So I can't talk you out of this?
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432. I think we've reached an understanding.
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433. Very well.
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434. Come with me.
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435. Most hotels have switched to magnetics.
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436. An actual key.
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437. That's a nice touch... it's antiquey.
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438. We have magnetic cards also,
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439. but electronics don't seem to work in 1408.
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440. Hope you don't have a pacemaker.
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441. General manager claims that
the phantom in room interferes...
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442. I have never used the word "phantom."
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443. Oh, I'm sorry. Spirit? Specter?
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444. No, you misunderstand.
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445. Whatever's in 1408 is nothing like that.
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446. Then what is it?
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447. It's an evil fucking room.
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448. Please.
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449. Mr. Odin.
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450. Oh, sure.
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451. Thank you.
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452. Why don't the owners just close the room?
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453. The Yasuko Corporation prefers
to pretend there's no problem.
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454. Just as they pretend there's no 13th floor.
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455. The room, it's got to be filthy.
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456. I mean, the sheets haven't
been changed in what? 11 years?
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457. No no no, we're very professional.
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458. 1408 gets a light turn once a month.
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459. I supervise, the maids work in pairs.
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460. We treat the room as if it's a
chamber filled with poison gas.
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461. We only stay 10 minutes and
I insist the door remain open.
Copy !req
462. But still...
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463. A few years ago, a young
maid from El Salvador
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464. found herself locked in the bathroom.
Copy !req
465. She was only there for a few moments,
Copy !req
466. but when we pulled her out, she was...
Copy !req
467. She was dead.
Copy !req
468. No, blind.
Copy !req
469. She had taken a pair of scissors
Copy !req
470. and gouged her eyes out.
Copy !req
471. She was laughing hysterically.
Copy !req
472. Your floor.
Copy !req
473. Well, this is where we part company.
Copy !req
474. This is as close as I get to 1408
Copy !req
475. unless it's that time of the month.
Copy !req
476. See you tomorrow.
Copy !req
477. Mr. Enslin?
Copy !req
478. Please...
Copy !req
479. don't do this.
Copy !req
480. I'll call you about those Knicks tickets.
Copy !req
481. Stop it!
Copy !req
482. Okay. It's okay, sweetie. We're home now.
Copy !req
483. Here we go.
Copy !req
484. This is it?
Copy !req
485. You got to be kidding me.
Copy !req
486. Round one goes to the hideous Mr. Olin
Copy !req
487. for effective aggressiveness.
Copy !req
488. I have to admit, he had
me going for a moment.
Copy !req
489. But where is the bone-chilling terror?
Copy !req
490. Show me the rivers of blood.
Copy !req
491. It's just a room.
Copy !req
492. $8 for beer nuts.
Copy !req
493. This room is evil.
Copy !req
494. Mike's voice: Olin said hotels
are about fertile creature comforts.
Copy !req
495. It's a good line, but I wonder
Copy !req
496. whether they're really
about reassuring platitudes,
Copy !req
497. a prosaic sense of the familiar.
Copy !req
498. "Yes, I've been here before.
Copy !req
499. It's safe."
Copy !req
500. There's a sofa,
Copy !req
501. a writing desk, a faux antique armoire,
Copy !req
502. floral wallpaper.
Copy !req
503. Carpet's unremarkable, except for a stain
Copy !req
504. beneath a thrift-store painting of
Copy !req
505. a schooner lost at sea.
Copy !req
506. The work is done in the predictably
Copy !req
507. dull fashion of Currier & Ives.
Copy !req
508. The second painting is of an old woman
Copy !req
509. reading bedtime stories...
a Whistler knockoff...
Copy !req
510. to a group of deranged children
Copy !req
511. as another Madonna and
child watch from the background.
Copy !req
512. It does have the vague air of menace.
Copy !req
513. The third and final painfully dull painting
Copy !req
514. is the ever-popular "The Hunt."
Copy !req
515. Horses, hounds and
constipated British lords.
Copy !req
516. Some smartass spoke
about the banality of evil.
Copy !req
517. If that's true,
Copy !req
518. then we're in the seventh circle of Hell.
Copy !req
519. It does have its charms.
Copy !req
520. The panorama is typically cramped
New York City view of nothing:
Copy !req
521. Dull, gray buildings all around;
Copy !req
522. Honking traffic below. The view of a...
Copy !req
523. We've only just begun
Copy !req
524. To live
Copy !req
525. White lace and promises
Copy !req
526. A kiss for luck and we're on our way
Copy !req
527. We've only begun
Copy !req
528. Before the rising sun
Copy !req
529. Bravo, Olin. That is very unsettling.
Copy !req
530. So many roads to choose
Copy !req
531. We start off walking and learn to run
Copy !req
532. And yet we've just begun
Copy !req
533. That means someone's in the room.
Copy !req
534. Hello?
Copy !req
535. Hello!
Copy !req
536. That is bizarre.
Copy !req
537. Finally I got something to write about.
Copy !req
538. A ghost that offers turn-down service.
Copy !req
539. All right.
Copy !req
540. All right, let's Encyclopedia
Brown this bitch.
Copy !req
541. Started off the window,
Copy !req
542. hear the music, nab my head.
Copy !req
543. I turn around, go to the
bed for the chocolate.
Copy !req
544. Then I go into the
closet which would have...
Copy !req
545. my back was turned. It would have let
Copy !req
546. Houdini have time to come in here
Copy !req
547. do the paper trick...
Copy !req
548. and he's in the living room.
Copy !req
549. Out!
Copy !req
550. Hello?
Copy !req
551. You're gonna have to try harder, asshole!
Copy !req
552. Nice and warm for you up there?
Copy !req
553. It's hot down here, bubba.
Copy !req
554. Come on.
Copy !req
555. Front desk.
Copy !req
556. Hello, this is Mike Enslin.
Copy !req
557. Guess which room.
Copy !req
558. Good evening, sir.
Copy !req
559. Good evening.
Copy !req
560. Are you ready to check out?
Copy !req
561. Check out? No no no no no.
Copy !req
562. Check out, check out,
no. Why would I check out?
Copy !req
563. Especially with this
wonderful maid service.
Copy !req
564. It's so discreet.
Copy !req
565. No no no, I need you to send
somebody to fix my thermostat.
Copy !req
566. Room's on fire.
Copy !req
567. Of course, sir.
Copy !req
568. We'll send an engineer right up.
Copy !req
569. You will?
Copy !req
570. Absolutely.
Copy !req
571. Thank you.
Copy !req
572. You're welcome.
Copy !req
573. How many thin walls
Copy !req
574. have we put up with together,
Copy !req
575. old boy?
Copy !req
576. How many sarcophagal chambers?
Copy !req
577. Hotel rooms are a naturally creepy place...
Copy !req
578. don't you think?
Copy !req
579. I mean, how many people
have slept in that bed before you?
Copy !req
580. How many of them were sick?
Copy !req
581. How many of them lost their minds?
Copy !req
582. How many of them... died?
Copy !req
583. We came here to get the story,
Copy !req
584. and we don't rattle, do we?
Copy !req
585. It's not that what I'm seeing is not real.
Copy !req
586. It just ain't as real as it seems.
Copy !req
587. Hello?
Copy !req
588. You got a problem with the temperature?
Copy !req
589. Yeah.
Copy !req
590. Come on.
Copy !req
591. Is it too hot or too cold?
Copy !req
592. What does it look like?
Copy !req
593. Come on in.
Copy !req
594. The box is right over here.
Copy !req
595. It's stuck around 80.
Copy !req
596. I said the box is right here.
Copy !req
597. I know where the hell it is,
Copy !req
598. but I ain't going in this room.
Copy !req
599. You just have to walk six or seven feet.
Copy !req
600. I said I ain't going in.
Copy !req
601. You know what happened in here?
Copy !req
602. Yes, I'm well aware of that.
Copy !req
603. Look, I'll talk you through it.
Copy !req
604. Any jackass can fix that thing.
Copy !req
605. Just remove the panel.
Copy !req
606. Okay, now above that coil
Copy !req
607. is a little tube filled with mercury.
Copy !req
608. That's supposed to
activate the contact switch.
Copy !req
609. But this hotel's so goddamn old,
Copy !req
610. half the shit in here don't work.
Copy !req
611. Just give the tube a little tap.
Copy !req
612. Just tap the damn thing!
Copy !req
613. Yeah, there it is.
Copy !req
614. Oh, sir, you're a genius.
Copy !req
615. A gentleman and a scholar.
Copy !req
616. Thank you. Let me give you...
Copy !req
617. a tip.
Copy !req
618. Sir?
Copy !req
619. And yet we've just begun
Copy !req
620. Sharing horizons...
Copy !req
621. Son of a...
Copy !req
622. Nobody lasts more than an hour.
Copy !req
623. Very effective.
Copy !req
624. Oh fuck! Jesus!
Copy !req
625. Oh, God.
Copy !req
626. Ow! Son of a...
Copy !req
627. Ow! Fuck! Agh!
Copy !req
628. Ow! God!
Copy !req
629. We've only just begun
Copy !req
630. Hello?
Copy !req
631. Hello? Sir, I'm afraid there was
Copy !req
632. a miscommunication in the kitchen.
Copy !req
633. There's going to be a 10-minute
delay with your sandwich.
Copy !req
634. Sandwich? What sandwich?
Copy !req
635. I didn't order any sandwich.
What are you talking about?
Copy !req
636. I'm sorry. You're welcome to substitute
Copy !req
637. a side dish for your French fries.
Copy !req
638. We have cottage cheese, macaroni salad,
Copy !req
639. coleslaw...
Copy !req
640. Listen to me. You win.
Copy !req
641. I'm checking out. I'm hurt.
Copy !req
642. Do you understand? My goddamn hand is hurt.
Copy !req
643. I understand. If you leave
Copy !req
644. your dry cleaning out by 10:00 AM,
Copy !req
645. we'll have it pressed
and returned by 5:00...
Copy !req
646. Shit, bitch! Call me a
cab to the nearest hospital!
Copy !req
647. I'm hurt! Do you comprehend
what I'm telling you?
Copy !req
648. Sir, I will not tolerate you
speaking to me in that tone of voice.
Copy !req
649. You're an idiot! I'm gonna sue your ass!
Copy !req
650. I'm gonna take legal action!
What's wrong with you?
Copy !req
651. If you wish,
Copy !req
652. I can connect you with
our manager Mr. Olin.
Copy !req
653. Good! Good good good good good! Put him on.
Copy !req
654. Put him on. I'm gonna
blitz the son of a bitch.
Copy !req
655. Olin... good! Put him on now!
Copy !req
656. When staying at the
Dolphin, be certain to enjoy
Copy !req
657. New York's finest dining at
the fabled Sea Bream restaurant
Copy !req
658. on our mezzanine level. Muscles tense?
Copy !req
659. Then make an appointment
to visit our deluxe spa
Copy !req
660. on the Coral level. With full massage,
Copy !req
661. facial and aromatherapy facilities,
Copy !req
662. it will leave you feeling relaxed...
Copy !req
663. Hello?
Copy !req
664. And revitalized. Your
call is important to us...
Copy !req
665. You bitch.
Copy !req
666. You win. You win.
Copy !req
667. All right. Okay!
Copy !req
668. Come on. Come on!
Copy !req
669. Come on. Come on.
Copy !req
670. Help! Help!
Copy !req
671. Help! Help!
Copy !req
672. Can anybody hear me?
Copy !req
673. Help!
Copy !req
674. You! Sir! Sir! Help!
Copy !req
675. Yeah! Yeah, you! Help!
Copy !req
676. Help! Help! You, sir!
Copy !req
677. Help! Can you see me?
Copy !req
678. Yeah! The Dolphin Hotel!
Copy !req
679. Call the police!
Copy !req
680. Help!
Copy !req
681. Help!
Copy !req
682. Hey! Look out!
Copy !req
683. Hey!
Copy !req
684. I'm losing my mind.
Copy !req
685. I can see you, Dad.
Copy !req
686. Daddy? Daddy, where are you?
Copy !req
687. I'm gonna get you.
Copy !req
688. Ready or not,
Copy !req
689. here I come.
Copy !req
690. Here you are.
Copy !req
691. I see you, Daddy.
Copy !req
692. Get a hold of yourself.
Copy !req
693. You're running to places that aren't real.
Copy !req
694. Get up. Get up.
Copy !req
695. You're losing the plot.
Copy !req
696. You're losing the whole goddamn structure.
Copy !req
697. Daddy! Find me.
Copy !req
698. Psychokinetic fibrillations.
Copy !req
699. A tired mind among classic
haunted-house powers of suggestion.
Copy !req
700. Gaslit features, faded rugs,
Copy !req
701. like that motel in Kansas.
Copy !req
702. There's a reason for
everything. Just think.
Copy !req
703. What's that?
Copy !req
704. What is that? Is that a spy cam?
Copy !req
705. Who is that? Are you enjoying this?
Copy !req
706. Is that the sadistic owner
of the hotel or is that Olin?
Copy !req
707. Wait a minute.
Copy !req
708. He gave me booze.
Copy !req
709. He gave me booze. Did he take a sip?
Copy !req
710. I can't remember.
Copy !req
711. He dosed me!
Copy !req
712. It was the booze or the chocolates.
Copy !req
713. Never take candy from strangers.
Copy !req
714. All right, all right.
I'm just hallucinating.
Copy !req
715. I'm just hallucinating.
Copy !req
716. I've just got to ride this out.
Copy !req
717. I've got to ride this out
Copy !req
718. for four or five hours
and I'm straight. Okay.
Copy !req
719. You can do this.
Copy !req
720. Oh, man. I'm gonna get you.
Copy !req
721. You are finished. Come here. Come here!
Copy !req
722. Dad! Sit down!
Copy !req
723. You want me to sit down?
Copy !req
724. You want me to sit down?
Copy !req
725. Yes!
Copy !req
726. Okay, hold on, hold on.
Copy !req
727. Let me find a good...
Copy !req
728. let me find a good frame here.
Copy !req
729. Ladies and gentlemen,
Copy !req
730. welcome to the Most
Ugliest Person Competition.
Copy !req
731. Fifth and fourth place
Copy !req
732. goes to Boris and Doris the goldfish.
Copy !req
733. Ladies and gentlemen! Let's
get a closeup of those guys.
Copy !req
734. Let's have a closeup of Boris and Doris.
Copy !req
735. Look at that. Those are some ugly fish.
Copy !req
736. They're so ugly they're running from you.
Copy !req
737. Third place goes to Mike Enslin.
Copy !req
738. Surprise surprise.
Copy !req
739. Right, how's this for ugly?
Copy !req
740. Second place goes to Lily Enslin.
Copy !req
741. That was good.
Copy !req
742. That's kind of like
Beowulf meets a redneck.
Copy !req
743. I like it.
Copy !req
744. And first place goes to Katie Enslin.
Copy !req
745. That is a terror. That is...
Copy !req
746. oh, God! Don't show me that face!
Copy !req
747. Oh, I can't look at it again.
Copy !req
748. Whatever you do, don't turn around.
Copy !req
749. Whatever you do, don't show us that face.
Copy !req
750. Ma'am, can you hear me?
Copy !req
751. Ma'am, I need your help.
Copy !req
752. Please, ma'am, can you hear me?
Copy !req
753. Kid, be quiet.
Copy !req
754. Please, ma'am.
Copy !req
755. Quiet!
Copy !req
756. Wish...
Copy !req
757. I was dead.
Copy !req
758. Where's my garden?
Copy !req
759. I can't smell anything.
Copy !req
760. I hate this place.
Copy !req
761. How did I get here?
Copy !req
762. Pop.
Copy !req
763. Dad.
Copy !req
764. It's Michael.
Copy !req
765. As you are...
Copy !req
766. I was.
Copy !req
767. As I am...
Copy !req
768. you will be.
Copy !req
769. Maybe I'm not real.
Copy !req
770. Maybe I'm just having a nightmare...
Copy !req
771. an incredibly vivid lucid nightmare.
Copy !req
772. When is the last time I
remember going to bed?
Copy !req
773. I flew in yesterday.
Copy !req
774. Or was that... today? I can't remember.
Copy !req
775. Was I on a train?
Copy !req
776. I woke up somewhere and I had breakfast.
Copy !req
777. Where was
1? What did I eat?
Copy !req
778. Here it comes.
Copy !req
779. They say you can't die in your dreams.
Copy !req
780. Is that true?
Copy !req
781. The shock would wake you up.
Copy !req
782. So you couldn't really die.
Copy !req
783. All right, what are our options?
Copy !req
784. Got the hallway, got
guest rooms on either side,
Copy !req
785. stairwell, fire exits.
Copy !req
786. And that's the next window...
Copy !req
787. the next room.
Copy !req
788. How many feet across is that?
Copy !req
789. Four, five,
Copy !req
790. six, seven, eight...
Copy !req
791. Nine, nine... 18 feet across.
Copy !req
792. Okay. I can do this.
Copy !req
793. If something should happen,
if I should slip and fall,
Copy !req
794. I want it to be known
that it was an accident.
Copy !req
795. The room... did not win.
Copy !req
796. Okay, I can do this.
Copy !req
797. 18 little steps.
Copy !req
798. Four...
Copy !req
799. Don't look down. Five...
Copy !req
800. Keep moving.
Copy !req
801. Here we go.
Copy !req
802. All right. Okay.
Copy !req
803. Number nine...
Copy !req
804. eight...
Copy !req
805. SIX...
Copy !req
806. Where is it? Where is it?
Copy !req
807. Get a hold of yourself.
Copy !req
808. You're running to places that aren't real.
Copy !req
809. Hotel rooms are naturally creepy places.
Copy !req
810. Strangely, the bedroom has no window.
Copy !req
811. Strangely, the bedroom has no window...
Copy !req
812. Dr. Edwards to Oncology.
Copy !req
813. Please, please.
Copy !req
814. No. No. Doctors don't know everything.
Copy !req
815. We can get another opinion,
look for other treatment.
Copy !req
816. You hear about...
Copy !req
817. Look at me.
Copy !req
818. Miracle cures.
Copy !req
819. Lily.
Copy !req
820. Oh God. Please, something.
Copy !req
821. What kind of god would
do this to a little girl?
Copy !req
822. Katie.
Copy !req
823. Daddy, I can't see you.
Copy !req
824. Daddy, I can't find you.
Copy !req
825. Daddy, I'm scared.
Copy !req
826. Katie. I'm scared, Daddy.
Copy !req
827. Help.
Copy !req
828. Help me.
Copy !req
829. Daddy, help me.
Copy !req
830. Okay, how about the wireless?
Copy !req
831. Come on.
Copy !req
832. Give me a signal. Give me a signal.
Copy !req
833. Good evening, Mike.
Copy !req
834. Oh, yes!
Copy !req
835. Mike?
Copy !req
836. Mike, is that... is that you?
Copy !req
837. I can barely see you. Yes yes.
Copy !req
838. It's like seeing a ghost.
Copy !req
839. No no no. Yes, it's me.
Copy !req
840. It's me. It's Mike.
Copy !req
841. This is a little bizarre.
Copy !req
842. I mean, I haven't talked to you in a year
Copy !req
843. and suddenly you pop up
in a box on my computer.
Copy !req
844. I'm sorry, Lily. Listen
to me, please, quickly.
Copy !req
845. Look, I'm at work, okay?
Copy !req
846. So why don't you call me at home tonight?
Copy !req
847. I'm trapped in this room, this place.
Copy !req
848. Mike, you're always
trapped in weird places.
Copy !req
849. That's your job.
Copy !req
850. No no, please, Lily. Listen to me.
Copy !req
851. Please.
Copy !req
852. Lily Enslin.
Copy !req
853. Hi. Yeah yeah.
Copy !req
854. Lily!
Copy !req
855. I've got those. I'll be
right down. No. Lily!
Copy !req
856. Lily, please! Call the cops.
Copy !req
857. Send them to the Dolphin Hotel.
Copy !req
858. I'll call you back.
Copy !req
859. You're in the city?
Copy !req
860. Yes!
Copy !req
861. 2254 Lexington.
Copy !req
862. What are you doing in New York?
Copy !req
863. I'll tell you later.
Copy !req
864. The Dolphin Hotel, room 1408.
Copy !req
865. That's just perfect. Please.
Copy !req
866. You walk out, you
disappear. Leaving me what?
Copy !req
867. Not divorced. Separated?
I don't know, it's not clear.
Copy !req
868. Suddenly you need me?
Lily, I'm in a real bad spot here.
Copy !req
869. I'm in danger. You understand?
Copy !req
870. Okay, Mike. Slow down.
Copy !req
871. You're not making any sense.
Copy !req
872. There's something
trying to kill me right now.
Copy !req
873. No, Lily!
Copy !req
874. No no no!
Copy !req
875. I've got a knife!
Copy !req
876. That's the way out. Or
that way. Or that way.
Copy !req
877. All right, that's the way out.
Copy !req
878. Lady, let me in!
Copy !req
879. Help! Help! Please, sleep.
Copy !req
880. Lady, I'm coming through!
Copy !req
881. Mike!
Copy !req
882. Mike, can you help me? Where'd you go?
Copy !req
883. I got to get some cigarettes.
You want something?
Copy !req
884. Jesus Christ!
Copy !req
885. I've got to go. I'll be in California.
Copy !req
886. Mike, you can't do this.
Copy !req
887. She needs you. She lost a kid too.
Copy !req
888. You've got an amazing talent
for stating the obvious, Pop.
Copy !req
889. You think I don't know that?
Copy !req
890. I'm trying to talk some
sense into your head!
Copy !req
891. Don't put your hands on me, old man!
Copy !req
892. Mike!
Copy !req
893. Talk? Why change what appears
to be the habit of a lifetime, Pop?
Copy !req
894. You were always great at passing judgment,
Copy !req
895. but the problem is you never gave a shit.
Copy !req
896. I never gave a shit because
you're a bullshit writer!
Copy !req
897. Hello!
Copy !req
898. Kevin O'Malley.
Copy !req
899. No.
Copy !req
900. No no no no no no.
Copy !req
901. I can't help you.
Copy !req
902. I can't help you.
Copy !req
903. No!
Copy !req
904. It's good to be back.
Copy !req
905. That's enough of that.
Copy !req
906. Alcohol.
Copy !req
907. I was just checking to see if
Copy !req
908. the accommodations are
exceeding your expectations.
Copy !req
909. You know goddamn well they are!
Copy !req
910. What do you want from me?
Copy !req
911. No no no.
Copy !req
912. What do you want?
Copy !req
913. What do you want, Mr. Enslin?
Copy !req
914. You sought this room.
Copy !req
915. It was a job. I was doing the job.
Copy !req
916. I beg your pardon? My job! I'm a writer.
Copy !req
917. Oh, that's right. You
don't believe in anything.
Copy !req
918. You like shattering people's hopes.
Copy !req
919. Oh, that's bullshit!
Copy !req
920. Why do you think people believe in ghosts?
Copy !req
921. For fun? No.
Copy !req
922. It's the prospect of something after death.
Copy !req
923. How many spirits have you broken?
Copy !req
924. She was in so much pain.
Copy !req
925. I'm sure she's smiling
down on us right now.
Copy !req
926. What do you want from me?
Copy !req
927. What do you want from me?
Copy !req
928. You...
Copy !req
929. you little...
Copy !req
930. What do you want?
Copy !req
931. What?
Copy !req
932. I want my drink!
Copy !req
933. You win. You win.
Copy !req
934. Mommy? Hmm?
Copy !req
935. Why is the Bible purple?
Copy !req
936. I don't know why it's purple.
It was a wedding present.
Copy !req
937. My grandmother brought
it all the way from Hungary.
Copy !req
938. Someday it'll be yours.
Copy !req
939. Are there people where I'm going?
Copy !req
940. Hey, you're not going anywhere, kiddo.
Copy !req
941. You're gonna stay right here with us.
Copy !req
942. Daddy... everyone dies.
Copy !req
943. When they're old.
Copy !req
944. When they're much older.
Copy !req
945. Okay, and then they go to a better place.
Copy !req
946. And it's beautiful there.
Copy !req
947. And all your friends will be there.
Copy !req
948. Is God there?
Copy !req
949. Yes.
Copy !req
950. Do you really believe that, Daddy?
Copy !req
951. Yes.
Copy !req
952. You know what I think!
We should have done more!
Copy !req
953. We did everything we could! No, we didn't!
Copy !req
954. We should have helped
her fight... Oh my God.
Copy !req
955. Instead of filling her
head full of these stories
Copy !req
956. about heavens and the
clouds and nirvana and
Copy !req
957. all that bullshit!
Copy !req
958. Those stories, she like them.
Copy !req
959. I'm going to get some cigarettes, okay?
Copy !req
960. We ponder the situation.
Copy !req
961. I'm trying to accurately describe...
Copy !req
962. Orpheus on the Orpheum Circuit
Copy !req
963. bathed in tango light,
Copy !req
964. the kind of light that makes the dead...
Copy !req
965. get out of their graves and tango.
Copy !req
966. Now this is level nine...
Copy !req
967. The deepest level of hell,
Copy !req
968. furthest removed from all light and warmth.
Copy !req
969. This is six.
Copy !req
970. It's goddamn five. I
think I see the pattern.
Copy !req
971. Yes, I can see the pattern.
Copy !req
972. Mike.
Copy !req
973. Mike, can you hear me?
Copy !req
974. Michael, where the hell are you?
Copy !req
975. Lily.
Copy !req
976. Michael?
Copy !req
977. Mike. Lily.
Copy !req
978. Michael, can you hear me?
Copy !req
979. Lily.
Copy !req
980. Oh my God. Thank God. Jesus,
I've been trying to get through!
Copy !req
981. Did you call the cops?
Copy !req
982. Yeah yeah, they're at the hotel.
Copy !req
983. Didn't you say the Dolphin? Yes.
Copy !req
984. You're sure? Yes yes, 1408.
Copy !req
985. Mike, they're in 1408.
Copy !req
986. The room's empty.
Copy !req
987. Mike?
Copy !req
988. Michael, can you hear me?
Copy !req
989. Michael?
Copy !req
990. Michael, where the hell are you?
Copy !req
991. I'm afraid I can't express
myself in this climate.
Copy !req
992. Calm down, okay? We'll figure this out.
Copy !req
993. Don't panic. I'm supposed to die here.
Copy !req
994. Michael, stop it! You're
not gonna die, okay?
Copy !req
995. Don't move. I can be there in 15 minutes.
Copy !req
996. Mike? Michael?
Copy !req
997. 15 minutes isn't enough time.
Copy !req
998. It'll be too late.
Copy !req
999. No, it won't be too late.
Copy !req
1000. Lily. Don't...
Copy !req
1001. Actually, 15 minutes is perfect.
Copy !req
1002. It's perfect. Just come up. Come now.
Copy !req
1003. Good, yes. I need you.
Copy !req
1004. You've always been someone I can count on.
Copy !req
1005. I know we haven't talked a
lot since... since Katie died,
Copy !req
1006. but I need you, sweetie. Wait!
Copy !req
1007. I can't explain it here.
Copy !req
1008. You just have to come here and talk to me.
Copy !req
1009. I miss you too, but...
Copy !req
1010. When you get here, don't talk to anybody.
Copy !req
1011. Just come straight up to the 14th floor.
Copy !req
1012. Walk through the door. Shut up! Shut up!
Copy !req
1013. It's life or death, sweetie.
Copy !req
1014. Do not come up to the room!
Copy !req
1015. Okay. Don't come up to the room!
Copy !req
1016. I need to talk to you
about Katie. Don't! Shut up!
Copy !req
1017. Lily, don't listen to him!
Copy !req
1018. Yes, good.
Copy !req
1019. I'll be right there.
Copy !req
1020. Don't come up here!
Copy !req
1021. Lily! Lily!
Copy !req
1022. My baby! My baby!
Copy !req
1023. She's heading for the rocks!
Copy !req
1024. I don't want to die!
Copy !req
1025. Oh God!
Copy !req
1026. Man overboard!
Copy !req
1027. Come on!
Copy !req
1028. Are you okay, buddy?
Copy !req
1029. Hey, are you breathing?
Copy !req
1030. Come on, talk to me.
Copy !req
1031. You guys, give me a hand here!
Copy !req
1032. Dr. Edwards to Oncology, please.
Copy !req
1033. Hey.
Copy !req
1034. How are you feeling?
Copy !req
1035. Am I out?
Copy !req
1036. You're okay. You're okay.
Copy !req
1037. Lie down, lie down, lie down.
Lie down, lie down, lie down.
Copy !req
1038. You're okay. You're in the hospital.
Copy !req
1039. Hospital where? In New York?
Copy !req
1040. New York? No no, you're in LA.
Copy !req
1041. You got hit on the head with your board.
Copy !req
1042. I can't believe you still surf.
Copy !req
1043. You flew here just for me?
Copy !req
1044. Yeah. Yeah, I was worried.
Copy !req
1045. They called.
Copy !req
1046. I think I'm still listed
as your next of kin.
Copy !req
1047. Okay, I'm not in New York.
Copy !req
1048. I'm out.
Copy !req
1049. Why do you keep saying that?
Copy !req
1050. I was in New York. I was trapped.
Copy !req
1051. In New York, I was dying
Copy !req
1052. in this Kafkaesque hotel,
Copy !req
1053. the Dolphin.
Copy !req
1054. What?
Copy !req
1055. The Dolphin Hotel on 45th and Lex.
Copy !req
1056. I spoke with you there. 45th and Lex?
Copy !req
1057. I called you.
Copy !req
1058. I've never heard of it.
Copy !req
1059. You're gonna be okay.
You just need to rest.
Copy !req
1060. Oh, we have a winner.
Copy !req
1061. 600 bucks.
Copy !req
1062. Unbelievable.
Copy !req
1063. I can see why you live here.
Copy !req
1064. Why did you leave?
Copy !req
1065. Because every time I
looked at you, I saw her face.
Copy !req
1066. I think it's pretty clear.
Copy !req
1067. I think in the dream the
room's your subconscious
Copy !req
1068. and it brought up a lot of stuff.
Copy !req
1069. That's a good thing for you.
Copy !req
1070. But this was... I mean, I
was down the rabbit hole.
Copy !req
1071. I was rattled. I was shook up.
Copy !req
1072. And I can't shake it. I think after dinner
Copy !req
1073. you should drive me back to the hospital,
Copy !req
1074. check me into the psych unit.
Copy !req
1075. You look really great.
Copy !req
1076. I can't believe I'm sitting here with you.
Copy !req
1077. Tell me about it.
Copy !req
1078. Is everything all right?
Can I get you anything else?
Copy !req
1079. I'll have another glass of
wine, please. The same.
Copy !req
1080. Mike?
Copy !req
1081. Yeah, I'll have another tequila...
Copy !req
1082. Patron, chilled, double.
Copy !req
1083. Be right back.
Copy !req
1084. Katie was there.
Copy !req
1085. Can you imagine
Copy !req
1086. what it feels like to have the sensation?
Copy !req
1087. I mean, the very real sensation
Copy !req
1088. that I talked to her, like, two days ago?
Copy !req
1089. I talked to her, saw her, touched her.
Copy !req
1090. Yeah.
Copy !req
1091. I see her every night when I shut my eyes.
Copy !req
1092. Yeah, but it was so vivid.
Copy !req
1093. It was so real.
Copy !req
1094. Maybe you should write about it.
Copy !req
1095. About Katie? Shit.
Copy !req
1096. You always were tougher than me.
Copy !req
1097. Why not?
Copy !req
1098. Seriously, it sounds like
Copy !req
1099. you're ready to deal with this stuff.
Copy !req
1100. Can you stay?
Copy !req
1101. I'm sorry.
Copy !req
1102. Okay, we have got 148.
Copy !req
1103. 148 is gonna be right about...
Copy !req
1104. So if you'd like to sign on the line.
Copy !req
1105. Hey! Hey, man!
Copy !req
1106. You've been gone a while.
Copy !req
1107. Oh, by the way, dude, I read your book.
Copy !req
1108. What is it? "10 Most
Haunted Motels," right?
Copy !req
1109. That's some scary shit.
Copy !req
1110. See you around.
Copy !req
1111. Did I drop a postcard?
Copy !req
1112. What? Did I?
Copy !req
1113. A postcard.
Copy !req
1114. No, I think I would have seen it.
Copy !req
1115. But if I find it, I'll
put it in your mailbox.
Copy !req
1116. My experience in the room was terrifying,
Copy !req
1117. a fragmented loop of unease and despair.
Copy !req
1118. 1408 was a horrible dream,
Copy !req
1119. yet somehow I awoke from it renewed.
Copy !req
1120. Mikey! You sound happy.
Copy !req
1121. You're scaring me. I wouldn't go that far,
Copy !req
1122. but I must say that the
work is just pouring out of me.
Copy !req
1123. I think I've actually reinvented myself
Copy !req
1124. in the form of a kind
of a fictional memoir...
Copy !req
1125. "Autobiography of a Nightmare:
Copy !req
1126. Truman Capote meets H.R. Giger."
Copy !req
1127. What do you think?
Copy !req
1128. I love it! "'Ln Cold Blood' with 'Aliens!"
Copy !req
1129. That's sexy. I wanna put it out to auction,
Copy !req
1130. start a bidding war. When can I read it?
Copy !req
1131. Easy, tiger. Any day now.
Copy !req
1132. You're gonna get it as soon as I finish.
Copy !req
1133. Okay, Mike. Less talking, more writing.
Copy !req
1134. Hey, where's that decaf? I'm dying here.
Copy !req
1135. Thank you.
Copy !req
1136. Hey, Pop.
Copy !req
1137. How are you doing, old boy?
Copy !req
1138. Can you hear me?
Copy !req
1139. I don't think so.
Copy !req
1140. I know I haven't been here in a few months,
Copy !req
1141. but I just wanted to...
Copy !req
1142. come by and see how you're doing and...
Copy !req
1143. tell you I was doing okay.
Copy !req
1144. Doing pretty good, actually.
Copy !req
1145. I started talking to Lily again.
Copy !req
1146. And I wrote a new book,
Copy !req
1147. which I actually think you would like...
Copy !req
1148. believe it or not.
Copy !req
1149. Michael.
Copy !req
1150. Dad.
Copy !req
1151. Michael.
Copy !req
1152. Yeah.
Copy !req
1153. So...
Copy !req
1154. Hey, you can't park there!
Move it down, will you?
Copy !req
1155. Hey, I got a package I need to overnight.
Copy !req
1156. Is this the right form?
Copy !req
1157. I got to get this to New
York by tomorrow morning.
Copy !req
1158. I'm sorry, sir, but we're closed.
Copy !req
1159. Very well.
Copy !req
1160. I was out.
Copy !req
1161. Is that Katie?
Copy !req
1162. Is that Katie?
Copy !req
1163. I was out.
Copy !req
1164. I was out!
Copy !req
1165. I was out. Please, God.
Copy !req
1166. I know I was out.
Copy !req
1167. Open it.
Copy !req
1168. Are yawning up widely in our path.
Copy !req
1169. We know the way of the righteous man.
Copy !req
1170. Daddy.
Copy !req
1171. Daddy?
Copy !req
1172. No.
Copy !req
1173. You're not Katie.
Copy !req
1174. I need help.
Copy !req
1175. Please.
Copy !req
1176. You're not real.
Copy !req
1177. I'm cold.
Copy !req
1178. You're not Katie.
Copy !req
1179. So cold.
Copy !req
1180. I love you, Daddy.
Copy !req
1181. Don't you love me anymore?
Copy !req
1182. Of course I do, sweetheart.
Copy !req
1183. There we go. I got you.
Copy !req
1184. I got you now, Katie.
Copy !req
1185. Oh my God.
Copy !req
1186. They won't let me stay.
Copy !req
1187. Yes, they will.
Copy !req
1188. They won't let me stay.
Copy !req
1189. What?
Copy !req
1190. They won't let me stay.
Copy !req
1191. No no no no no. Nobody's ever
going to take you away again.
Copy !req
1192. I got you now, Katie. Oh my God.
Copy !req
1193. I'm not gonna let you go.
Copy !req
1194. Do you love me, Daddy?
Copy !req
1195. Of course I do. I love you
more than anything in the world.
Copy !req
1196. I wish we could stay together,
Copy !req
1197. you, me, and Mommy.
Copy !req
1198. We can, we can. I got you right here.
Copy !req
1199. I got you right here,
sweetie. Everything's fine.
Copy !req
1200. Everything is fine.
Copy !req
1201. No. No.
Copy !req
1202. No. No.
Copy !req
1203. You can't take her twice.
Copy !req
1204. You can't.
Copy !req
1205. Not again. Please, God.
Copy !req
1206. You can't.
Copy !req
1207. Please.
Copy !req
1208. No!
Copy !req
1209. No.
Copy !req
1210. So many roads to choose
Copy !req
1211. We start off walking and learn to run
Copy !req
1212. And yet we've just begun
Copy !req
1213. You little...
Copy !req
1214. where is it?
Copy !req
1215. Where? Where?
Copy !req
1216. We'll find a place where
there's room to grow
Copy !req
1217. And yes, we've just begun
Copy !req
1218. Sharing horizons that are new to us
Copy !req
1219. Watching the signs along the way
Copy !req
1220. Talking it over, just the two of us.
Copy !req
1221. Why don't you just kill me?
Copy !req
1222. Because all guests of this
hotel enjoy free will, Mr. Enslin.
Copy !req
1223. You can choose to relive
this hour over and over,
Copy !req
1224. or you can take advantage of
our express checkout system.
Copy !req
1225. Mr. Enslin?
Copy !req
1226. Are you ready to check out, Mr. Enslin?
Copy !req
1227. No.
Copy !req
1228. Not your way.
Copy !req
1229. I understand.
Copy !req
1230. By the way, Mr. Enslin,
your wife just called.
Copy !req
1231. She'll be here in five minutes
and we'll send her straight up.
Copy !req
1232. She's not involved.
Copy !req
1233. You can't have her.
Copy !req
1234. I'm done arguing with you.
Copy !req
1235. I'm gonna end this.
Copy !req
1236. Five. This is five.
Copy !req
1237. Ignore the siren. Even
if you leave this room,
Copy !req
1238. you can never leave this room.
Copy !req
1239. Eight. This is eight.
Copy !req
1240. We have killed your friends.
Copy !req
1241. Every friend is now dead.
Copy !req
1242. I lived the life of a selfish man.
Copy !req
1243. But I don't have to die that way.
Copy !req
1244. If I'm going down, I'm taking you with me.
Copy !req
1245. This may not all be real,
and I may not even be real,
Copy !req
1246. but this fire...
Copy !req
1247. that's got to be real.
Copy !req
1248. Go to hell!
Copy !req
1249. Get out onto the street!
Copy !req
1250. Out the doors and onto the street, please.
Copy !req
1251. Everyone stay calm.
Copy !req
1252. What's going on?
Copy !req
1253. I don't know, lady.
Copy !req
1254. This might take a while.
Something must have happened.
Copy !req
1255. Thanks.
Copy !req
1256. Keep quiet, you bastard.
Copy !req
1257. Please, you've gotta help me. No, help me.
Copy !req
1258. Calm down. My husband's inside.
Copy !req
1259. My husband's inside. You've gotta help him.
Copy !req
1260. You've gotta help him, please!
Copy !req
1261. What floor? What floor?
Copy !req
1262. 14th floor, 1408. Mike Enslin.
Copy !req
1263. Please come here.
Copy !req
1264. You're wasting your time.
Copy !req
1265. We're here to do the job,
Copy !req
1266. and we don't rattle.
Copy !req
1267. The decor is in tatters
Copy !req
1268. and the staff surly.
Copy !req
1269. But on the Shiver Scale...
Copy !req
1270. I award the Dolphin 10 skulls!
Copy !req
1271. Never kill more than you can eat.
Copy !req
1272. Daddy, everyone dies.
Copy !req
1273. We commend to Almighty God our brother,
Copy !req
1274. and we commit his body to the ground,
Copy !req
1275. earth to earth, ashes
to ashes, dust to dust.
Copy !req
1276. May you rest in peace.
Copy !req
1277. Amen.
Copy !req
1278. Amen.
Copy !req
1279. Well, they're together now.
Copy !req
1280. Let's go.
Copy !req
1281. Mrs. Enslin?
Copy !req
1282. I...
Copy !req
1283. I am sorry to intrude
at such a delicate time,
Copy !req
1284. but I knew your husband.
I worked at the Dolphin.
Copy !req
1285. While we were cleaning up,
Copy !req
1286. we came across some of his belongings.
Copy !req
1287. No, thank you.
Copy !req
1288. They are of such a personal nature, ma'am.
Copy !req
1289. I figured maybe you would want to...
Copy !req
1290. No, please.
Copy !req
1291. It's not how I want to remember him.
Copy !req
1292. I'm sure you understand.
Copy !req
1293. Oh yes, yes. Of course I understand.
Copy !req
1294. But it's important that you
know that he did a great thing.
Copy !req
1295. He did not die in vain.
Copy !req
1296. What are you talking about?
Copy !req
1297. Because of him, the room
won't reopen. It's been...
Copy !req
1298. All right, okay, stop.
Copy !req
1299. Just give the lady some air.
Copy !req
1300. She's been through enough, don't you think?
Copy !req
1301. Round one goes to the hideous Mr. Olin
Copy !req
1302. for effective aggressiveness.
Copy !req
1303. I have to admit, he had me going.
Copy !req
1304. Get a hold of yourself.
Copy !req
1305. You're running to places that aren't real.
Copy !req
1306. Daddy,
Copy !req
1307. don't you love me anymore?
Copy !req
1308. Of course I do, sweetheart.
Copy !req
1309. Don't you love me, Daddy?
Copy !req
1310. Of course I do, honey,
Copy !req
1311. more than anything. I got you now.
Copy !req
1312. I got you right here,
sweetie. Everything's fine.
Copy !req
1313. I got you, Katie.
Copy !req
1314. Nobody's ever gonna take you away again.
Copy !req
1315. Daddy?
Copy !req
1316. Daddy! Daddy!
Copy !req
1317. Daddy!
Copy !req
1318. Daddy!
Copy !req
1319. Hey, sweetie.
Copy !req
1320. Daddy!
Copy !req
1321. Daddy!
Copy !req
1322. Yes, of course.
Copy !req