1. Why do you want to perform at the culture festival?
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2. I have this terrible friend.
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3. She's lost confidence in herself,
so I'm going to give her a wake-up call.
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4. At that moment, I was overcome with this
feeling that something was about to change.
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5. We're surrounded by the sound of music
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6. A rapturous symphony
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7. Your Lie in April
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115. Your Lie in April
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116. Your Lie in April
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117. Your Lie in April
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118. Trying to forget won't help me heal my scars
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119. Your Lie in April
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120. Your Lie in April
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121. Your Lie in April
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122. Your Lie in April
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123. Your Lie in April
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124. Your Lie in April
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125. Because trying brings them right back to the surface
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126. I kept going round and round in circles
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127. But now it's time for the clock to start ticking again
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128. The more I wish to stay with you
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129. For always and forever
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130. The more I lose my bearings
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131. Let's embrace this moment
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132. Take it all in
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133. And show the world we're here
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134. We're surrounded by the sound of music
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135. A rapturous symphony
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136. I now know that there are beautiful notes
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137. I can't create alone
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138. I want us to share our laughter and our tears
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139. Do Re Mi Fa So
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140. As our feelings break out into a symphony
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141. Let's go.
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142. Right.
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143. Nagi!
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144. Wow!
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145. She's a cute kid.
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146. Arima!
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147. No way.
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148. Isn't that...
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149. It's Arima Kousei!
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150. With Aiza's little sister?
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151. He's her brother's rival!
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152. But didn't he quit playing?
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153. Elohim, Essaim. Elohim, Essaim.
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154. Please give me your blessing.
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155. What's that?
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156. Who knows?
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157. Okay, our beginning is perfect!
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158. Nagi...
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159. You've got to be kidding me.
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160. It hasn't been long at all since I last saw her,
and she's gotten incredibly good.
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161. Nagi... Good luck!
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162. I was so nervous and my fingers felt stiff.
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163. But now, they're moving smoothly.
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164. I can hear myself and Arima playing clearly.
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165. All that practice prevailed in the end.
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166. I can't concentrate.
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167. I can still hear the sound of the piano.
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168. It's distracting me.
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169. It's so distracting...
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170. I want it gone!
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171. Just now, the sound...
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172. The sound changed?
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173. Kousei...
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174. What are you doing? What are you thinking?
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175. You're supposed to be supporting me,
so why are you shoving all this pressure on me?
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176. You're a liar! A fraud! A moron!
This isn't anything like how we practiced at all!
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177. The rhythm, this aching atmosphere, every bit of it!
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178. It's all coming from Arima Kousei!
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179. The tempo's starting to take off.
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180. He's playing the bass, but he's starting to consume the melody.
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181. What are you going to do, Nagi?
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182. Are you going to let Kousei own your piece?
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183. Show him who's boss!
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184. Bring it!
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185. Nagi.
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186. She's not giving in.
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187. Amazing!
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188. Aiza's kid sister is on equal footing with him!
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189. She's keeping up no matter how much he goads her or drags her along.
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190. Was she always this good?
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191. That's right, Nagi.
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192. You're the star of this stage.
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193. Don't give him a single opportunity!
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194. That's right. In a waltz...
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195. the melody shifts to the bottom part!
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196. You're not getting away!
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197. Listen closely to him!
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198. And respond simultaneously!
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199. Be enveloped by Arima Kousei!
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200. Two months ago, I would've been left behind.
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201. All that time didn't go to waste.
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202. The time I devoted to playing the piano is paying off now!
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203. He's got a heart of steel.
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204. He's like a robot, isn't he?
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205. Like a die-cast robot, huh?
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206. That's not true at all.
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207. Arima Kousei is no die-cast robot.
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208. He doesn't have a heart of steel.
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209. After all,
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210. the hands I touched were so warm.
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211. The moment I touched them,
it brought back so many memories.
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212. He plays the bass line magnificently.
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213. He knows her personality, he's grasped her habits,
he's goading her, leading her on, and backing her up.
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214. He's guiding his partner and accelerating her growth!
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215. Those roasted sweet potatoes we shared sure were good!
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216. Those pork buns we had on our way home sure were good!
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217. This is their own waltz and theirs alone.
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218. I only started playing the piano because I
wanted my beloved big brother's attention.
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219. It was an ulterior motive.
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220. Brother,
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221. for the last few weeks,
I've been peering into the abyss, just a little bit.
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222. I cried, I threw up,
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223. I went without food or sleep and immersed myself into the music.
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224. And it was so incredibly painful to look my
powerless self in the eye that I wanted to run away.
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225. You felt the same way, didn't you?
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226. Playing for someone else is more important than you'd think.
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227. But you know what? I can't bear to see you like that!
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228. Don't lose your way!
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229. Don't struggle!
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230. Step on it!
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231. Actions over words!
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232. Don't stop!
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233. It's not in you to lose your way.
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234. Run up those stairs like you're skipping lightly.
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235. Let me chase after you like I did that day once more!
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236. My hero!
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237. That's right.
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238. Just like Nagi saw herself in you,
you've been seeing yourself in Nagi, haven't you,
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239. Kousei?
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240. I'm not aspiring to go big like everyone else,
and I'm not prepared to give all of myself to music either.
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241. But there are people who will listen.
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242. There are people I want to play for.
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243. There are people that I love.
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244. So I want to be here.
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245. Is that not enough?
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246. Aren't those reasons good enough to play for the time being?
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247. What am I doing here?
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248. What am I doing, looking up at the stage from the audience?
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249. I'm supposed to be up there, aren't I?
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250. Both Emi and Nagi...
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251. Why does your playing move people,
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252. Arima?
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253. It's about to end.
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254. It feels so weird.
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255. I'm exhausted, but I want to keep playing till I collapse.
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256. Did I play it right?
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257. Was I able to confront it with sincerity?
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258. Hey, Arima.
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259. Why are the sounds you make so colorful and so beautiful?
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260. It's so beautiful that I have to hold back my tears.
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261. Go on, acknowledge them!
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262. Oh, right.
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263. All the months of agony, screaming,
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264. suffering, and struggling...
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265. Amazing!
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266. Bravo!
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267. Marry me!
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268. Nagi!
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269. There's a moment when you're rewarded for all that.
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270. Music might just be capable of transcending words.
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271. Arima, do you think it reached him?
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272. Yes, it reached him. I'm sure.
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273. What about you?
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274. Were you able to give her that wake-up call?
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275. Yes, I think so.
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276. An unforgettable one.
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277. Huh?
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278. No fair!
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279. I'm Christine.
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280. The girl who yearns to go onstage at the opera house.
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281. Your Lie in April
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282. Your Lie in April
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283. What are you going to do, Takeshi?
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284. Even as she lost her way and suffered,
your brother-loving Nagi has found her way forward.
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285. How long are you planning to sit here and mope?
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286. Are you okay with that?
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287. I...
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288. Didn't Nagi's performance sway you at all?
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289. Are you planning to just stay here?
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290. That was a really great duet!
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291. Nagi!
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292. That was amazing!
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293. It didn't move me one bit, okay?
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294. Satsuki... Komugi...
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295. I'm not the one who's amazing.
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296. Whoa!
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297. You're a sadist of all sadists.
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298. Hiroko.
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299. Isn't music fun?
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300. Huh? What are you talking about?
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301. No words can express what it's like watching somebody grow.
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302. Nagi!
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303. I get it.
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304. So that's why you placed her under my wing.
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305. Ms. Seto!
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306. How was it?
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307. Since you guys started coming over,
each and every day has been full of excitement!
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308. Hey, Arima!
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309. Huh?
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310. You're Aiza... Bushi...
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311. It's Takeshi! Takeshi!
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312. Ouch! Ouch!
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313. Damn you! Don't you get all clingy with my kid sister!
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314. Kid sister?
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315. Let me introduce him.
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316. This is my big brother.
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317. Huh? But isn't your last name Aizato?
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318. Oh, please! Don't you remember my introduction?
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319. "I'm Aiza Nagi!"
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320. I said it right, didn't I?
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321. You did.
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322. She did.
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323. I see. So I misheard you.
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324. I'm glad you're so dense.
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325. Never mind that! Why the hell were you playing a duet with Nagi?
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326. Well, I asked Nagi, as a favor...
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327. None of that "Nagi" business!
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328. You mean "Takeshi's little sister"!
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329. Don't you dare look at her as a woman!
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330. Hey, you're killing me...
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331. Hey, cut that out, Brother!
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332. What's this? You defending Arima?
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333. How do you even know Arima in the first place?
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334. He's looking after me here.
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335. He's teaching me all kinds of things!
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336. All kinds of things?
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337. He's giving me all these precious experiences!
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338. Experiences?
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339. Damn it!
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340. Brother?
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341. The Eastern Japan Piano Competition will begin in December.
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342. And that's where I'm gonna give
you a beatdown, got that, Arima?
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343. Brother...
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344. Bring it on! I'm gonna do it!
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345. I'm not gonna just take it after seeing you show off like that right in front of me.
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346. Oh, man. December's gonna be a pain in the butt.
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347. Did one-tenth, even one-hundredth, of my feelings get through to him?
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348. Did my music reach him?
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349. You did a good job.
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350. Thank you... very much.
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351. Hey, Aiza!
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352. Huh?
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353. Miike?
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354. What's with him? He's never even said a word to me before.
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355. What the heck is going on here?
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356. A-Aiza, wh-why were you playing a duet with Arima... Kousei?
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357. Do you know Kousei?
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358. "Kousei"?
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359. Hey, you! Don't act like you know him!
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360. I'm gonna pull your hair out, you damned midget!
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361. Damned midget! Damned midget!
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362. What? Do you know him? Tell me!
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363. So do you have his contact info? What about his phone number?
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364. But of course! We even ate taiyaki together yesterday.
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365. Oh man, that yummy taiyaki!
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366. You know his number... The taiyaki was yummy...
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367. No fair!
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368. I can't believe you know him! That's so unfair!
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369. What was that?
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370. I messed up again!
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371. Hey.
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372. Hey.
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373. Is that guy your boyfriend?
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374. Is he?
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375. Oh, no, not at all.
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376. That guy's what you call a jackass!
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377. He's a jackass!
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378. Jackass!
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379. What do you mean, a jackass?
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380. Well, you are!
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381. You're making a violinist who can't
even hold the instrument listen to this.
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382. It's your fault that I miss it now.
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383. I can't find out how it ends with you.
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384. You're so heartless.
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385. Well, when we went shopping,
I was the one who carried your bags.
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386. You always take the initiative.
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387. You only tell me things after they happen.
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388. You walk in front of me,
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389. and I'm always behind you.
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390. What I always remember...
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391. is seeing you from behind.
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392. At this rate, we wouldn't be finding out
how it ends together, I'd be following you.
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393. So please, give me one more chance.
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394. Please give me another chance to stand by your side.
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395. Please perform with me one more time.
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396. But... I...
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397. You're not a princess.
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398. You're not the heroine of a novel.
You're the daughter of a cake shop owner who loves canelés.
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399. No way am I ever gonna play Ravel.
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400. So please, perform with me one more time.
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401. Besides, you're the one who said it.
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402. "Do you really think you can forget?"
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403. You're so cruel.
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404. I thought you knew that.
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405. I'm a jackass.
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406. The air is chilly and as dry as can be.
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407. The laundered sheets lend a gentleness to my surroundings.
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408. This boy is so cruel.
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409. He's telling me to dream once more.
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410. I thought I was satisfied because my dream had come true.
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411. I'd told myself it was enough.
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412. Yet here you are, watering this withered heart again.
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413. Hey!
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414. You're making her cry!
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415. What a huge jackass!
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416. An enemy of women!
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417. No, no, that's not what this is.
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418. How dare you, jackass?
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419. Boys aren't supposed to bully girls, you know!
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420. I'm greedy,
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421. so I'm just gonna dream again.
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422. A dream where we'll be
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423. waltzing together someday.
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424. I aligned my fragile frame
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425. Next to yours as we walked
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426. The slightest little things would make us laugh
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427. We gazed upon a common dream
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428. I don't know what to do, I'm lost without you
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429. If I concede to you my loneliness, I know you'll only laugh
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430. At least I'll always have the things you left behind
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431. Shining ever brightly without fading
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432. In the countless stars above
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433. A single love is born
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434. It carries through the seasons evermore
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435. There'll be many tomorrows
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436. No two dreams can be the same
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