1. "Will you come with me to find out how it ends?"
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2. I'm kidding.
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3. I just thought I'd say it.
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4. You see...
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5. We're surrounded by the sound of music
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6. A rapturous symphony
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7. Your Lie in April
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114. Your Lie in April
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115. Your Lie in April
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116. Your Lie in April
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117. Your Lie in April
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118. Trying to forget won't help me heal my scars
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119. Your Lie in April
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120. Your Lie in April
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121. Your Lie in April
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122. Your Lie in April
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123. Your Lie in April
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124. Your Lie in April
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125. Because trying brings them right back to the surface
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126. I kept going round and round in circles
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127. But now it's time for the clock to start ticking again
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128. The more I wish to stay with you
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129. For always and forever
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130. The more I lose my bearings
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131. Let's embrace this moment
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132. Take it all in
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133. And show the world we're here
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134. We're surrounded by the sound of music
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135. A rapturous symphony
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136. I now know that there are beautiful notes
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137. I can't create alone
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138. I want us to share our laughter and our tears
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139. Do Re Mi Fa So
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140. As our feelings break out into a symphony
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141. Are you going to forget?
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142. Kousei, do you feel sick or something?
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143. I'm okay.
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144. I'm asking because you don't look okay.
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145. Why don't we go visit Kao?
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146. We haven't visited her together lately.
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147. It's been a while, so let's all go!
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148. I'm in!
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149. I'm not going.
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150. Do you think he got into a fight with Kao?
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151. Were you okay saying that to him?
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152. Saying what?
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153. That was like giving a helping hand to your rival.
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154. Rival?
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155. I don't know how I'd be of any help if it's a problem about music,
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156. and I'm sure Kousei will cheer up if he sees Kao.
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157. I don't think it'll kill you to show him that you're serious.
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158. Who was on your mind while you were reluctantly studying your ass off?
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159. Who was on your mind when you chose a higher-ranked school?
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160. A high school near Okutsu College of Music, no less.
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161. Who was it for?
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162. W-Well, you know! Kousei would be totally lost on his own.
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163. Then be more honest and tell him that yourself.
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164. To tell the truth, I really don't want him to leave.
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165. It makes me anxious and upset.
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166. Then I feel like snapping at him.
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167. When he said he wasn't going,
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168. I was filled with relief and with guilt.
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169. But I don't want him to see me like that,
so I'm trying my hardest to act cool about it.
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170. I don't remember being this awful.
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171. There's all these different sides of me that I'm only starting to discover,
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172. and I have to face all these different sides of me.
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173. But I guess that's also a part of being in love.
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174. Your head is in the clouds.
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175. Let's call it a day.
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176. Go on home.
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177. I'm sorry.
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178. Um, Ms. Seto! Something urgent came up!
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179. Sorry about that! Good luck, okay?
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180. Oh, it's Arima!
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181. I was making my way down the street casually, but I somehow caught up to you.
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182. You walk too slow.
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183. And your posture's terrible!
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184. You need to get a grip, or you'll look like a slob!
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185. So this guy Kimoto goes all, "I'll dedicate my oboe performance at the culture festival to you, Nagi."
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186. He's delusional, seriously!
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187. But wouldn't that be pretty thrilling?
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188. It can't be anyone.
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189. You're such a pragmatist.
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190. I finally got you to laugh!
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191. Thanks.
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192. Sorry for making you worry.
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193. N-Not at all. And why would I be worried about you?
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194. There's nothing exciting about
having a wimpy enemy, that's all.
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195. You know, that guy's unbelievable!
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196. Everyone was freaking out because he nailed the score, but he didn't even bat an eyelash!
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197. What is he? A gunman out of a Western film?
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198. Or like a die-cast robot with that heart of steel, huh?
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199. Just like a hero!
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200. Damn it!
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201. What am I supposed to tell him?
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202. "Good luck"?
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203. "Don't let him beat you"?
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204. That just comes across as irresponsible.
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205. So...
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206. You shouldn't thank me.
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207. This is just my selfish way of
compensating for being so powerless.
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208. It was only for my self-satisfaction.
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209. A pathetic phantom.
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210. Kimoto's gonna be a great performer, you know.
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211. What? You think so?
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212. Playing for someone else is more important than you'd think.
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213. Why do you play the piano?
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214. Is it for someone else?
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215. You said you started playing the piano for someone else, right?
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216. Performances like that always go well.
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217. When you've shared your sound with a crowd,
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218. when you've reached that crowd with your sound,
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219. when your hearts come together...
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220. Music might just be capable of transcending words.
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221. That's just a cliché.
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222. Women are realistic.
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223. We only believe in words.
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224. Ravel...
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225. Welcome!
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226. I don't want to hear it! I don't want to hear it!
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227. I don't want to hear any Ravel!
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228. Come with me to find out how it ends.
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229. Welcome.
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230. I don't want to hear it. I don't want to think about anything!
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231. If only I couldn't hear at all!
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232. Hey!
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233. We're on our way to visit my Kaori in the hospital.
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234. Come with us.
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235. You can go without me.
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236. There's no need to be so considerate.
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237. Let's go.
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238. I said I'm not going!
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239. What's wrong with you?
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240. Don't you think you're being cold?
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241. After Kaori did so much for you, why are you running away?
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242. Look at me!
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243. H-Hey, Kousei...
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244. Watari...
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245. What should I do?
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246. You see...
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247. It's not looking too good for me.
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248. It's not true. It's not true.
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249. I'm sorry.
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250. I'm making you remember something that you don't want to.
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251. It might've been better if we never met, huh?
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252. I couldn't say a word.
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253. What could I have said to her?
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254. How should I act when I see her?
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255. Listen, Kousei.
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256. This is just my opinion,
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257. but I think you should go see Kaori.
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258. I mean, I'd do anything if she was okay with me.
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259. If it was for a girl I liked, I'd even drink muddy water.
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260. Straight up and all.
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261. But you know what?
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262. I don't think I'm the one for Kaori.
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263. When she wants her own way or a shoulder to lean on...
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264. Whenever she wants somebody to do something for her,
she always turns to you, Kousei.
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265. Enter a piano competition.
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266. Be my accompanist!
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267. I wish I could have some canelé.
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268. Please support me before I lose everything I've put into this!
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269. But I just don't know what to say to her.
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270. You'll figure that out once you're there.
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271. A man can only take action!
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272. But it's impossible for me.
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273. Whether it's impossible or not is up to the girl to decide.
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274. "I didn't think you'd ever come again."
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275. Well... I promised before that I'd bring some canelés.
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276. Have you been practicing the piano?
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277. Yeah.
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278. How's school?
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279. The same as usual.
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280. How's everybody doing?
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281. They're fine.
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282. What's with those responses? Do you even want to be here?
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283. I do!
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284. I do... but I don't know what to say.
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285. Things just need to go back to how they were.
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286. Just forget about it all, like you pressed the reset button.
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287. A click or two is all it'll take.
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288. Why...
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289. I won't forget.
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290. And your heart will feel lighter.
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291. What's the point in remembering, anyway?
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292. There's no point if the violinist can't even hold her own bow.
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293. Why...
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294. Why would you say that?
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295. After howling at me, knocking me down,
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296. and forcefully making me stand onstage...
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297. After carving so many scenes into my mind that I don't want to forget...
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298. My canelés!
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299. Like I'd let a cranky whiner like
you eat them! The poor canelés!
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300. But I asked for them!
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301. And I bought them!
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302. What's your issue?
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303. What's yours?
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304. Not again...
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305. You're irresponsible!
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306. I'm so through with you!
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307. Wait—
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308. You really are a strange person.
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309. I feel so, so bitter.
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310. And I feel just as sad.
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311. You gave me so many things.
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312. Isn't there anything I can do for you?
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313. If it was for a girl I liked, I'd even drink muddy water.
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314. That's why I want him to notice that I'm here with my playing.
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315. I drew this.
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316. Your Lie in April
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317. Your Lie in April
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318. What? You want to perform at the culture festival?
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319. That came out of nowhere... I don't get it.
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320. What are you thinking?
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321. You're really pushing it.
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322. Please!
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323. Fine.
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324. No way! But it's your big moment!
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325. Wait, hold on! Are you sure about this?
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326. I only asked because I had nothing to lose.
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327. Grovel some more, Arima Kousei!
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328. I don't know where this is coming from, but I was struggling to come up with a program, and this might be interesting.
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329. Thanks.
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330. Why do you want to perform at the culture festival?
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331. Why, hello, my princess.
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332. Would you care to discuss The Knight of the Rose with me?
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333. I reserved a diner booth for two!
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334. Nagi, let's have some crêpe on the way home.
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335. Can't!
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336. Is it a date?
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337. The sound should have more of a spring to it,
so use your wrists to cushion it.
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338. You should try to wait a little bit here,
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339. and speed up the intro while giving variety to the pace.
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340. No way!
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341. How many times did you go over it?
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342. It's even more accurate than yesterday.
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343. You're not eating?
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344. No. I'm not really hungry.
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345. I'm gonna go practice.
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346. Doesn't it seem like she's pushing herself too hard?
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347. I made a mistake! I'm sorry!
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348. Don't worry about a wrong note, so just play it through.
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349. I'm sorry, I'm sorry, I'm sorry.
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350. Good luck!
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351. We'll definitely be there!
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352. The spotlight's on you this year!
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353. Mr. Ibata will be in the audience, so turn in a perfect performance.
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354. If he acknowledges your talent, you'll be set for life!
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355. I hear a reporter's coming.
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356. They're going to do a feature on a "beautiful young female pianist."
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357. Four more days.
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358. Bring it on.
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359. Four more days.
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360. I only have four more days to make this piece my own.
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361. We have high hopes for you!
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362. I bet her looks get her extra points.
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363. The magazine writer's coming just to see Nagi.
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364. She'll win without even trying.
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365. Acting cute for the attention.
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366. Your parents must be so proud.
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367. Good luck!
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368. She's nothing but a pretty face.
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369. I've got to endure this suffering for another four days?
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370. Hey! Nagi!
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371. Help me, Mom!
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372. I can't hear!
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373. Once again, I'm a failure as an instructor.
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374. I'm about to let history repeat itself.
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375. Nagi.
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376. I'm afraid.
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377. It's just a school event.
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378. It's not even an important competition.
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379. We're all afraid.
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380. Even me, even Kousei.
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381. And I'm sure even Aiza Takeshi is afraid.
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382. Your whole entire life is squeezed into a few minutes onstage.
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383. It's scary and unfair.
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384. Then why are you still a pianist, Ms. Seto?
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385. Once you get past that, those feelings will wash away.
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386. All the months of agony, screaming, suffering, and struggling...
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387. There's a moment when you're rewarded for all that.
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388. When you've reached that crowd with your sound,
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389. when your hearts come together...
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390. Music might just be capable of transcending words.
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391. Maybe we're creatures who just can't help ourselves,
possessed by that moment.
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392. It's a little like being in love.
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393. We...
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394. Gotcha!
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395. Don't monopolize the bathroom!
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396. Mercy! Mercy!
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397. Koharu, grab a hold of her left leg!
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398. You don't belong in the bathroom.
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399. You're afraid to go out onstage because you practiced so hard.
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400. You gave your body and soul to the piano,
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401. so that's why you're afraid to expose them.
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402. If there's anyone who'll call you a spineless coward,
I'll put an end to them myself.
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403. Puff your chest out, even if you don't have one.
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404. You're Arima Kousei's apprentice!
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405. No, I'm not! He's my enemy!
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406. That's the spirit!
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407. Now, let's settle this once and for all onstage.
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408. Watari?
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409. Huh?
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410. I have a favor to ask.
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411. Sure.
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412. But I haven't told you anything yet.
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413. If it's you who's asking, it's cool.
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414. This is the scent of pure, musical maidens!
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415. Cute girls galore! I've struck gold! Eureka!
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416. You're like a walking hard-on.
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417. It's this way, right?
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418. Looks like it's already started.
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419. Too bad they're plodding along
like that with those costumes on.
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420. That's what makes them cute.
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421. It's almost Nagi's turn, right?
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422. How did that turn out?
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423. Beats me.
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424. She wouldn't even tell me anything about it.
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425. Could it be that she's outgrown her big brother complex?
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426. As her big brother, it must be heartbreaking.
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427. Nah, it's a relief.
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428. Good job, Komugi!
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429. I think I did a good job!
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430. Huh? Where's Nagi?
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431. Is that a namahage?
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432. Kids who love playing mischief...
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433. The crowd's getting a kick out of this.
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434. That's gonna make a serious act like ours stick out like a sore thumb!
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435. This school festival is a scary place to be!
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436. Are you okay?
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437. O-Of course I'm okay! Why wouldn't I be?
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438. You're quite calm yourself, Arima!
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439. Lose your head more!
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440. I guess I'm just so overwhelmed to the extent that I don't feel nervous.
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441. That's right.
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442. The first time I met you, your hand was trembling too.
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443. What are you doing, you pervert?
I'll report you for sexual harassment!
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444. Clenching your hands this hard will lock up your fingers.
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445. Open up your hand and let them relax.
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446. We're all afraid.
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447. Even me, even Kousei.
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448. Were you driven into a corner too?
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449. Are you afraid too?
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450. The same way I am?
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451. A friend of mine once told me,
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452. "Just play with sincerity, and put your all
into giving the performance of a lifetime."
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453. But I've only lived for 13 years.
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454. Even if it's only been 13 years,
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455. for you, and for everyone who's watched you till now,
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456. it's 13 years that can't be replaced.
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457. Let's believe in the time you've devoted to music.
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458. Performer No. 8,
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459. please take the stage.
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460. That's us.
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461. All right. Let's go!
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462. Right.
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463. I aligned my fragile frame
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464. Next to yours as we walked
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465. The slightest little things would make us laugh
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466. We gazed upon a common dream
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467. I don't know what to do, I'm lost without you
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468. If I concede to you my loneliness, I know you'll only laugh
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469. At least I'll always have the things you left behind
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470. Shining ever brightly without fading
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471. In the countless stars above
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472. A single love is born
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473. It carries through the seasons evermore
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474. There'll be many tomorrows
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475. No two dreams can be the same
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