1. Good evening, everybody,
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2. and welcome to
Whose Line Is It Anyway?
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3. On tonight's show,
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4. hears no evil, Brad Sherwood.
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5. Sees no evil, Wayne Brady.
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6. Speaks no evil,
Colin Mochrie.
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7. And just a monkey
scratching his face,
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8. Ryan Stiles.
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9. And I'm your host,
Drew Carey. Come on
down, let's have some fun.
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10. Hello!
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11. Welcome to
Whose Line Is It Anyway?
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12. The show where
everything's made up
and the points don't matter.
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13. That's right. The points are
just like the angry voices
in my head.
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14. They don't matter.
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15. We're gonna start the show
with a game called
Hollywood Director.
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16. Brad, Ryan and Wayne
are gonna act out
a film scene for us.
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17. Colin's gonna be
the director,
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18. and he's gonna stop
and interrupt them
all the time
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19. and give them notes
on how to improve the scene.
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20. The scene you're gonna
act out is...
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21. uh, Ryan and Wayne,
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22. you're gonna be
two bickering French chefs,
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23. and you're gonna accidentally
start a fire in the kitchen,
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24. Brad's the firefighter
who arrives to rescue them.
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25. So, go ahead
and start, and, uh,
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26. Colin will interrupt you
whenever he feels like.
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27. Why did you...
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28. I'm sorry,
I'm speaking European.
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29. I am here,
I am making the chicken,
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30. and you are just...
I will cut you...
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31. The souffle, she has dropped.
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32. Is it my fault?
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33. It is the sound,
the voice
and the loudness.
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34. It, uh, you do sound
a bit like Jerry Lewis.
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35. - Oh-oh-oh.
- Oh!
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36. - Fire! Fire!
- Oh, sacrebleu!
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37. - Oh, no! Feu! Le feu!
- There's fire in the kitchen!
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38. - Fire in the kitchen!
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39. Oh!
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40. What did...
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41. Cut, cut, cut, cut, cut!
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42. As Julius Caesar once said,
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43. "Et tu crap-ay?"
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44. Man!
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45. I heard better dialog
at the October Bean Fest
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46. than what I just heard here.
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47. Ha-ha!
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48. Let's concentrate,
concentrate, concentrate!
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49. You know what,
we need something.
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50. - We need something.
We need something.
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51. - What are you doing?
You.
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52. - All right.
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53. - Do it like you're masochists.
- Yes!
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54. Because I say so!
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55. Action!
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56. Oh, look at the oven.
What is...
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57. Oh, quick.
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58. - Fire!
- Fire!
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59. It is a hot dog!
It is hot dog!
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60. Cut, cut, cut, cut, cut!
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61. I may have mislead you.
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62. And never pull down
your pants again!
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63. Although, thanks for
reminding me.
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64. I need to get some chicken.
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65. All right.
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66. Uh...
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67. You started it.
There we go.
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68. Okay!
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69. Okay.
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70. What we need is something...
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71. Do it like guys doing
slow-motion stunts.
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72. Slow-motion stunts.
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73. Action!
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74. I don't know?
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75. Ting!
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76. Cut, cut, cut, cut, cut!
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77. I am so thirsty, Wayne.
How about you?
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78. Whoo!
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79. - I couldn't possibly have
any more water.
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80. In that case,
you don't need any points.
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81. Thousand points to
Ryan and Colin for that one.
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82. - Points, Colin?
Would you like some points?
- Thank you.
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83. Five hundred for you.
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84. I'll have some points too.
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85. Mmm.
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86. I couldn't possibly drink
any more points.
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87. Now, uh, let's,
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88. let's play a game called
Weird Newscasters.
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89. - This is for all four of you.
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90. Colin, you're gonna be
the anchor of
a local news show,
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91. Brad, Wayne and Ryan
are gonna help you out.
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92. Brad, you're the co-anchor.
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93. You're the owner of a...
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94. owner of a wig store,
a local wig store,
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95. doing a cheap commercial
for your local wig store.
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96. You know? Uh...
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97. Uh, Wayne,
you're doing the sports.
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98. Uh, you lead a dual life.
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99. You're a sports
reporter by day,
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100. and a raging drag queen
performing in a club by night.
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101. Brian, you're doing
the weather.
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102. You're a tough drill instructor
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103. pushing out of...
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104. What? Oh, okay.
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105. That's all you gotta do
is read these.
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106. Yeah.
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107. All right, that's enough.
Thanks.
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108. No.
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109. Ryan, you're a tough
drill instructor
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110. pushing out of shape
raw recruits through
a difficult assault course.
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111. When you hear the music,
start the news, Colin.
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112. Welcome to
the Six O'clock News.
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113. I'm your anchor,
Earl Fromipanema.
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114. And now, over to my
happy co-anchor, Happy.
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115. Hi, that's right.
I'm Happy Shag
from Rug Barn.
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116. I'm glad to be here.
Has this ever happened to you?
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117. - Huh?
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118. Well, let's hope not.
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119. We don't want
your forehead
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120. to turn into
a five-head,
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121. if you know
what I'm talking about.
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122. There's no grass
on that playing field.
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123. Whoo-hoo-hoo!
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124. But if you come down
to my Shag Barn right now,
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125. we can get you one
as realistic as the one
I'm wearing right now.
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126. We've got mullets,
we've got tupes,
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127. we got rugs,
we got weaves.
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128. We've, we've got
everything you want
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129. for your
chrome dome right here.
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130. I'm talking coming on down,
buy two for one,
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131. you might need three.
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132. Okay.
That's all the time I got.
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133. I'll see you right down.
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134. Tell him Happy sent you.
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135. This just in.
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136. Happy's got everything
except a job.
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137. And now,
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138. let's go over and see
what's happening
in the Sports world
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139. with Jerry Ffee.
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140. Hey, thanks, man.
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141. In Sports Today,
everything is A-Okay.
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142. The Cleveland Browns,
what more can we say.
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143. But moving right along
to other sports news,
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144. I would...
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145. We're gonna go to
a sports break right now.
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146. Watch the footage
up on the screen.
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147. Oh!
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148. Because it's the true me.
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149. Aye, senorita Negrasita!
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150. - Whoo!
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151. I feel so free.
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152. I love myself.
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153. Oh, girl, don't you here
look at me
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154. 'cause you can't have
none of this Cuba body!
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155. You don't know
none of this.
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156. 'Cause I...
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157. You cannot stop this.
I can— Oh!
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158. And the score was
six to seven,
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159. and we'll return back
to more football action
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160. right after this.
Thank you— Oh!
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161. Right after this.
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162. Well, let's see what's
happening in the world
of weather
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163. with our weather man,
Captain Strike.
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164. - Thank you very much, Colin.
Thank you.
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165. We got clouds coming tomorrow!
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166. Hut! Hut!
What are you looking at?
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167. What are you
looking at, Mister?
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168. Who are you looking at?
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169. What are you
looking at, boy?
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170. Where are you from?
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171. Where are you from?
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172. - Los Angeles.
- Los Angeles, sir!
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173. Los Angeles, sir!
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174. Only two things
come from Los Angeles.
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175. Steers and...
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176. and you!
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177. Get on your feet!
All three of you,
get on your feet!
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178. Get up there and follow me!
Get up there!
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179. Get up those stairs!
Get up! What are you
looking at?
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180. Get up those stairs!
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181. Get down these stairs!
Get down these stairs!
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182. Get me the medic!
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183. Get up that wall!
Get up!
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184. What did you do?
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185. What did you do?
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186. Get down
and give me twenty.
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187. Get down!
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188. Get back on your seats!
Get in your seats!
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189. You, too!
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190. While you're down there,
give me twenty.
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191. - Get in that seat!
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192. Well, that was
the Six O'clock News.
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193. We now return you
to Gomer Pyle. Good night.
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194. Good news.
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195. Stop it.
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196. First of all,
hats off to you dudes
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197. for breaking the green screen.
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198. I didn't think they were
gonna actually do it.
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199. Get off the wall!
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200. Thousand points
to each of these guys
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201. and a thousand points
to senorita Negrasita.
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202. Thank you, papi.
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203. We'll be right back for more
Whose Line? after this.
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204. Don't go away.
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205. Hey! And welcome back to
Whose Line Is It Anyway?
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206. The show where everything's
made up and the points
don't matter.
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207. Hey, stick around till
the end of the show.
We're gonna have a big drawing.
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208. It's gonna be really exciting.
Hope you're the winner.
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209. Uh, let's keep the show going
with the game called
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210. Improbable Missions.
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211. This is for Colin and Ryan,
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212. uh, they're gonna be
secret agents
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213. carrying out
an everyday activity.
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214. And their instructions
are gonna come
from Wayne Brady.
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215. Come on down here, Wayne.
Grab a microphone.
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216. What I need from the audience
is a suggestion for a mundane,
everyday activity.
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217. Walking the dog.
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218. "Walking the dog."
Thank you very much.
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219. We're gonna do
"walking the dog,"
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220. and it's called
Improbable Mission,
take it away, Wayne.
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221. You are a good person.
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222. You are a...
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223. senorita Negresita.
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224. - Hello, agents.
Hello.
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225. We have orders
that the Prime Minister
of All-Up-In-It-Vania
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226. is coming to town.
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227. He has a dog that weighs
approximately fifty pounds.
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228. This dog needs to be walked
at least two times a day.
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229. If the dog is not walked
he will make a mess
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230. and it will cause
an international—
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231. International incident.
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232. Tapes.
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233. These missions are getting
more and more
impossible everyday.
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234. I thank God I'm with a man
as competent as you.
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235. I thank God I'm with you.
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236. - Let's do it!
- Right.
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237. - All right.
- A dog. Walk a dog.
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238. We don't have the technology.
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239. Settle down.
We can do it. You and I.
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240. All right. First of all,
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241. we better get to the dog.
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242. Right.
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243. Any idea where it is?
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244. - I'll check it
on the dog meter.
- Right.
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245. There he is, A-14 B-7.
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246. - All right.
- Bingo.
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247. All right, let's head out.
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248. Hey, let's moonwalk.
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249. All right.
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250. We're here.
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251. I never quite understood
how that works.
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252. - You walk faster
when you moonwalk.
- Yes.
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253. Quite a big palace.
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254. The door to the palace is...
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255. locked.
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256. Funny, you don't usually
see that in a palace.
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257. - We have to get up there.
Right.
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258. Quick.
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259. Give me your nose hairs.
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260. - Are you crazy?
- Come on!
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261. You know I'm saving those.
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262. I know, but this is important.
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263. That one's still attached.
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264. All right, let's go.
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265. - These are stronger than
I thought they'd be.
- Yes.
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266. Hey,
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267. who let the dogs out?
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268. They're running
all over the place.
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269. We just got to look
for a fifty-pounder.
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270. Look, the one that's just
sitting there doing nothing.
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271. Come here, boy. Come here.
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272. He can't move.
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273. He may be French.
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274. Here he comes. All right.
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275. Let's get him going.
You got a leash?
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276. - "A leash"?
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277. Hey, still got that tapeworm?
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278. All right, come here.
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279. I'm really glad
you thought of that.
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280. Well, you used up
all the nose hairs.
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281. It doesn't seem
to wanna walk.
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282. Really?
I don't understand why.
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283. Why it's really...
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284. We have to give him
some sort of incentive.
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285. What's a dog go after?
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286. Jell-O!
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287. Really?
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288. I've got some setting
in my pocket right now.
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289. Oh, it's set.
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290. Look at him go.
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291. What is it about
Jell-O and dogs?
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292. It's the flavor crystals.
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293. Really?
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294. Okay, come on, boy.
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295. Oh! The tapeworm snapped.
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296. Oh, there's a wind a coming.
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297. - There's a what?
- A wind.
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298. "A wind a coming?"
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299. "A wind a coming," I heard it
on a farm once.
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300. We're gonna have
to ride this dog.
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301. You and I.
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302. Of course.
If you can't walk it, ride it.
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303. Get on.
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304. Why, dear, there's barely
enough room for me.
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305. Then get close.
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306. Not that close.
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307. Okay, that close.
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308. Hyah!
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309. I don't know...
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310. I don't know if it's
doing anything for the dog,
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311. but I'm not gonna
need to be walked again today.
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312. Did one of you guys make
a little woof-woof sound
when you're riding the dog.
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313. That was pretty funny.
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314. A thousand points for you
for doing that.
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315. 'Cause that really
did add a whole lot to it.
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316. Let's move on
to a game called
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317. the Boogie Woogie Sisters.
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318. This is for Wayne,
Brad and Ryan,
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319. with the help of
Laura Hall, Linda Taylor
and Cece Worrall.
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320. - Cece Worrall.
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321. Uh, now somebody
from the center part
of the audience
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322. give me suggestion
of heroic profession.
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323. Superman.
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324. Somebody said Superman,
we're gonna say superhero
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325. as suggestion
for a heroic profession.
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326. We're gonna call you
the Boogie Woogie Sisters
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327. 'cause you do a kinda
Andrews Sisters kind of thing.
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328. And you're gonna do
a song about superheroes.
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329. Take it away.
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330. Okay, so we'll be right back
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331. to find out who the winner is.
Don't go away.
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332. Hey, welcome back to
Whose Line Is It Anyway?
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333. Tonight's winner,
Colin Mochrie.
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334. Colin Mochrie
is the winner tonight.
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335. We're gonna a do
a thing called Props now.
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336. Uh, what happens is
we're gonna take these
props. Give me... This is ours.
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337. This is for you and Ryan.
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338. Me and Ryan.
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339. Oops, whoa.
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340. All righty.
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341. This is for you guys.
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342. Don't use my name
in any of the things
you come up with.
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343. Oh, they'll know
who we're talking about.
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344. Uh, we're gonna have
to go back and forth
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345. and think of as many funny
things to do with these
props as we can,
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346. uh, starting with, of course,
Wayne and Brad.
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347. Something's wrong
with this Oreo.
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348. Man, I haven't found
one nickel yet.
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349. Bang! Bang!
You got me!
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350. Hey, mister,
wanna get lucky?
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351. I will be your Rabbi.
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352. Ting! Aw, I broke a nail.
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353. - Clear!
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354. Well, it doesn't look like
a lot of fun for the gerbil.
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355. - So, I told the trail...
Mmm-hmm.
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356. if you ever come
talking to me
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357. - I will...
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358. Is there an R?
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359. It's a blow dart for corners.
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360. Hey, we'll be
right back for more
Whose Line Is It Anyway?
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361. Don't go away.
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362. Hey, welcome back to
Whose Line Is It Anyway?
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363. Tonight, we're gonna
end the show
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364. with everybody reading
the credits for you.
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365. I want you all
to read the credits.
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366. I want Ryan to be
a touch drill instructor
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367. putting everybody else
through their paces.
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368. Thanks for watching, everybody.
See you next time. Good night.
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369. Well, usually I put
through your tough paces,
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370. but let's all
take the day off.
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371. Everyone relax.
Have some ham.
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372. 'Cause if Arthur Forrest
was here he'd want you
to have some ham.
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373. Have a drink.
Do you wanna drink?
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374. Here, have a drink.
There's a drink for you.
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375. Ray Miller
would pour the drinks.
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376. Here you go.
Have a little drink.
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377. - You feel comfortable now?
Yes, sir!
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378. Everybody feel comfortable?
Put down the food!
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379. Get down on the ground
and give me twenty.
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380. You— Thank you.
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381. - Twenty. Give me twenty more.
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