1. GOOD EVENING,
EVERYBODY,
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2. AND WELCOME
TO "WHOSE LINE IS IT ANYWAY?"
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3. ON TONIGHT'S SHOW —
I AM SPARTACUS — WAYNE BRADY,
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4. I AM SPARTACUS —
JEFF DAVIS,
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5. I AM SPARTACUS —
COLIN MOCHRIE,
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6. AND — YEAH, YEAH,
THAT'S SPARTACUS —
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7. THAT'S THE GUY RIGHT THERE —
RYAN STILES,
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8. AND I'M YOUR HOST
DREW CAREY.
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9. COME ON DOWN.
LET'S HAVE SOME FUN.
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10. OH, HELLO.
THANK YOU VERY MUCH.
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11. WELCOME TO "WHOSE LINE
IS IT ANYWAY?"
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12. THE SHOW WHERE
EVERYTHING IS MADE UP
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13. AND THE POINTS
DON'T MATTER.
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14. THAT'S RIGHT. THE POINTS
ARE LIKE A MICROPHONE
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15. AT A BRITNEY SPEARS CONCERT.
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16. I GOT ALL KINDS
OF JOKES LIKE THAT, MAN,
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17. BUT YOU DON'T WANT
TO HEAR ME.
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18. LET'S START OFF THE SHOW
WITH A GAME CALLED
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19. "QUESTIONABLE IMPRESSIONS."
THIS IS FOR ALL FOUR OF YOU.
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20. JEFF AND WAYNE,
YOU'RE GOING TO START.
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21. THEY CAN ONLY
ASK EACH OTHER QUESTIONS,
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22. AND THEY HAVE TO DO
AN IMPRESSION AT THE SAME TIME,
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23. SO IT ALWAYS HAS TO BE
A DIFFERENT IMPRESSION
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24. AND THEY CAN
ONLY ASK QUESTIONS.
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25. IT'S A GREAT PARTY GAME
IF YOU'RE EVER AT A PARTY
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26. WHERE THERE'S NO BOOZE
OR CHICKS.
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27. WHAT I NEED FROM YOU
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28. IS A PLACE WHERE THERE'S
A SENSE OF URGENCY.
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29. EMERGENCY ROOM!
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30. KITCHEN. ALL RIGHT.
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31. KITCHEN. WHEN YOU'RE
COOKING SOMETHING —
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32. YEAH,
BEDROOM IN YOUR HOUSE.
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33. UH, OKAY, GO AHEAD.
"QUESTIONABLE IMPRESSIONS."
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34. YOU'RE IN A KITCHEN.
START WHENEVER YOU'RE READY.
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35. MOM, ARE YOU DONE
WITH THE PIE OR WHAT?
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36. ARE WE GOING
TO EAT TODAY?
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37. TELL ME —
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38. DO YOU THINK
THAT YOU COULD TELL ME
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39. WHERE ALL THE JELLO IS?
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40. WHY DON'T YOU TRY
LOOKING FOR YOURSELF?
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41. WHY DO YOU SPEAK
TO YOUR MOTHER LIKE THAT?
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42. I'M GOING TO LEAVE.
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43. AND JUST WHAT DO YOU THINK
YOU'RE DOING, YOUNG MAN?
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44. DO I LOOK LIKE A COOK?
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45. HAVE YOU BEEN PUTTING A TAP
ON MOMMY'S PHONE LINES AGAIN?
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46. WOULD I DO SOMETHING
LIKE THAT?
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47. DO YOU WANT A HILL OF BEANS?
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48. WHO THE HELL
ARE YOU TRYING TO DO?
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49. WHAT'S WITH THE SMART MOUTH?
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50. CAN'T YOU SEE
THE KITCHEN IS ON FIRE?
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51. GET OUT!
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52. HAVE YOU SEEN
THE COLT MALT LIQUOR?
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53. DO YOU WANT TO LIVE?
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54. CALM DOWN, BUDDY.
WHY YOU SO MAD?
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55. TRY THIS.
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56. ALMOST HAD IT,
ALMOST HAD IT.
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57. DO YOU HAVE ANYTHING
FOR CRAIG T. NELSON?
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58. DO YOU KNOW
I WAS IN "COACH"?
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59. I THINK THAT POT —
OH.
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60. UH, MOTHER,
WHY, UH, WHY, UH —
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61. I AM JEFF GOLDBLUM,
OF COURSE — WHY, UH,
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62. WHY IS IT THAT YOU
CONTINUE TO COOK FOOD
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63. THAT THE FAMILY
DOESN'T LIKE,
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64. AND, UH, ISN'T HEALTHY —
AND ISN'T HEALTHY?
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65. WHY, MOTHER?
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66. I DON'T KNOW.
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67. WHERE ARE THE EGGS,
YOU BIG DUMMY?
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68. THANK YOU VERY MUCH.
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69. THANK YOU VERY MUCH.
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70. 1,000 POINTS TO COLIN
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71. FOR HIS MASTERFUL IMPRESSION
OF CRAIG T. NELSON.
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72. MAN.
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73. THAT WAS JUST FANTASTIC.
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74. I NEVER — IS HE CANADIAN —
IS THAT WHY?
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75. YEAH, YEAH.
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76. OH,
THAT EXPLAINS IT ALL.
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77. NOW WE GO TO A GAME CALLED
"FILM, TV, AND THEATER STYLES."
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78. THIS IS FOR RYAN, COLIN,
AND WAYNE.
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79. YEAH, GO AHEAD AND APPLAUD.
WHAT'S GOING TO HAPPEN...
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80. THEY'RE GOING TO ACT OUT
A SCENE, BUT FIRST —
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81. I NEED FROM THE AUDIENCE
YOUR FAVORITE STYLE
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82. OF TELEVISION SHOW,
FILM, OR THEATER.
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83. FELLINI, WESTERN,
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84. SHAKESPEARE,
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85. HORROR, PASSION PLAY.
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86. "THE DREW CAREY SHOW"!
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87. I'LL SEE WHAT HAPPENS.
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88. WOODY ALLEN.
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89. I'LL PUT KUNG FU MOVIE
FOR THE CHINESE MOVIE.
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90. OKAY, WE GOT A LOT,
SO LET'S START AS NORMAL,
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91. AND THEN I'LL BUZZ IN
WITH THESE STYLES LATER.
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92. THE SCENE IS — RYAN AND COLIN
ARE TWO FISHERMEN
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93. LANDING AND GUTTING FISH
ON A TRAWLER
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94. WHEN WAYNE —
THE CAPTAIN —
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95. SPOTS THE STORM
OF THE CENTURY APPROACHING.
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96. YOU CAN TAKE IT AWAY
WHENEVER YOU'RE READY.
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97. OKAY, OKAY.
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98. ARGH! YOU TWO —
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99. I HAVE JUST NOTICED
OFF THE WEST WING...
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100. WHAT, CAPTAIN?
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101. I HAVEN'T BEEN A CAPTAIN
VERY LONG.
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102. IT APPEARS
A STORM IS COMING —
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103. THE STORM OF THE CENTURY.
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104. SHAKESPEARE.
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105. THE STORM OF A CENTURY.
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106. ONCE EVERY 100 YEARS
DOES IT COME.
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107. IF I WERE A MAN
WITH GILLS,
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108. I WOULD BE A FISH.
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109. OH,
FOUL WIND THAT DOES BLOW
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110. AND WAVES THAT DO CREST.
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111. OH, SORRY.
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112. FELLINI.
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113. EVERY TIME — THE BOAT —
IT GETS LONGER,
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114. BUT MY EYESIGHT
IS SHORTER.
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115. I WANT
A FAT PROSTITUTE.
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116. HEY, DON'T WE ALL?
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117. UH, WOODY ALLEN.
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118. IF YOU GUYS
DON'T LEAVE ME ALONE,
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119. I'LL BE FORCED TO TAKE
MY WIFE AND LEAVE YOU.
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120. I'M CRAZY LIKE THAT.
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121. HORROR MOVIE.
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122. OH, MY GOD,
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123. THAT WAS
A HORRIBLE IMPRESSION.
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124. WHAT WAS THAT?
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125. NOTHING, CAPTAIN,
NOTHING.
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126. NO. THANK YOU FOR DOING
YOUR IMPRESSIONS
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127. WHILE THE STORM IS —
LOOK AT THAT WAVE!
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128. LOOK AT HOW DARK
IT'S GETTING.
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129. KUNG FU!
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130. SOMEONE MUST COMBAT THE WAVE!
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131. QUICK — WE'D BETTER USE
OUR DRUNKEN ANTI-STYLE.
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132. OH, NO, YOU DIDN'T.
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133. NO,
YOU BETTER GET BACK.
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134. THANK YOU VERY MUCH.
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135. 1,000 POINTS TO WAYNE
FOR HIS GREAT WOODY ALLEN.
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136. THE IMPRESSIONS ABILITY
ON THIS CAST IS — IT'S GREAT.
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137. I THINK CRAIG T. NELSON
AND WOODY ALLEN
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138. OUGHT TO DO
A MOVIE TOGETHER.
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139. LET'S GO ON TO A GAME CALLED
"IRISH DRINKING SONG."
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140. THIS IS FOR ALL
FOUR OF YOU,
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141. AND, UH,
THEY'RE GOING TO SING FOR YOU
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142. AN IRISH DRINKING SONG
ONE LINE AT A TIME
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143. WITH THE HELP OF LAURA HALL
ON THE PIANO — LAURA HALL.
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144. WHAT I NEED
FROM THE AUDIENCE
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145. IS A SUGGESTION OF SOMETHING
THAT WOULD HAPPEN TO YOU
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146. THAT YOU WOULD WANT
TO KEEP SECRET.
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147. LOBOTOMY!
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148. LOBOTOMY.
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149. LET'S HEAR THE LOBOTOMY —
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150. THIS OUGHT TO BE GOOD —
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151. THE LOBOTOMY
IRISH DRINKING SONG.
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152. TAKE IT AWAY.
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153. THAT WAS GREAT.
WE'LL GO SEE A COMMERCIAL.
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154. WE'LL BE RIGHT BACK
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155. WITH MORE
"WHOSE LINE IS IT ANYWAY?"
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156. WELCOME BACK TO
"WHOSE LINE IS IT ANYWAY?"
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157. THE SHOW WHERE
EVERYTHING IS MADE UP
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158. AND THE POINTS
DON'T MATTER.
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159. I JUST WANT TO GIVE A PLUG
TO COLIN'S NEW SHOW.
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160. IT'S A COMBINATION
OF "SEX AND THE CITY,"
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161. "CAROLINE IN THE CITY,"
AND "THE PRICE IS RIGHT."
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162. IT'S CALLED "I'LL HAVE SEX
WITH CAROLINE IN THE CITY
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163. IF THE PRICE IS RIGHT."
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164. IS THAT TRUE?
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165. WE'RE GOING TO MOVE ON
WITH A GAME CALLED "DUET."
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166. THIS IS FOR JEFF AND WAYNE
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167. WITH THE HELP OF LAURA HALL
AND LINDA TAYLOR
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168. ON PIANO AND GUITAR.
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169. WHAT IS YOUR NAME?
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170. JILL.
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171. JILL, WHAT DO YOU DO
FOR A LIVING?
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172. I SELL TICKETS
AT DODGER STADIUM.
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173. OKAY, SHE'S UNEMPLOYED.
COME ON DOWN HERE, JILL.
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174. SAY HI TO JEFF AND WAYNE.
THIS IS JILL.
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175. UH, THAT'S JILL.
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176. CLAIMS SHE SELLS TICKETS
AT DODGER STADIUM.
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177. YOU GUYS ARE GOING
TO SING A SONG TO HER,
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178. BUT I WANT YOU TO SING IT
LIKE THE RAT PACK,
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179. SO WHENEVER YOU'RE READY,
TAKE IT AWAY
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180. WITH A RAT PACK NUMBER
TO JILL THE TICKET SELLER.
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181. THANK YOU.
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182. THANK YOU, THANK YOU.
THANK YOU, JILL.
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183. THANK YOU, JILL.
THANK YOU. JILL, EVERYBODY.
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184. THANK YOU, JILL.
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185. THAT WAS ONE
OF THE OUTTAKES.
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186. YEAH.
SUDDENLY THE SONG IS OVER.
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187. HEY, THAT'S OKAY.
1,000 POINTS TO EACH OF YOU.
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188. THAT WAS GREAT,
AND THANK YOU, JILL.
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189. LET'S GO ON TO A GAME
CALLED "NEWS FLASH."
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190. JEFF AND RYAN ARE GOING TO BE
NEWS ANCHORS IN A STUDIO.
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191. COLIN IS GOING
TO BE IN THE FIELD
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192. AS A REPORTER COVERING
A BREAKING NEWS STORY.
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193. HE DOESN'T KNOW
WHAT THE STORY IS
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194. OR WHAT'S BEHIND HIM
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195. 'CAUSE HE'S STANDING
IN FRONT OF A GREEN SCREEN.
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196. WHAT WE DO IS MAGICALLY
MAKE AN IMAGE COME ON THERE
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197. THAT COLIN CAN'T SEE.
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198. JEFF AND RYAN ARE GOING
TO GIVE HIM LITTLE HINTS,
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199. SO WHENEVER YOU'RE READY,
RYAN AND JEFF, OFF TO YOU.
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200. WHY DO THEY CALL IT
A THONG?
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201. I DON'T KNOW.
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202. OH, WE INTERRUPT THIS PROGRAM
FOR A SPECIAL NEWS BULLETIN.
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203. RIGHT NOW WE HAVE
OUR MAN COLIN MOCHRIE
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204. STANDING OUT IN THE FIELD
WITH SOME LATE-BREAKING NEWS.
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205. CAN YOU GIVE US ANY REPORTS
AS TO WHAT'S GOING ON EXACTLY?
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206. I AM SORRY, JEFF.
IT IS A MADHOUSE HERE.
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207. I'M BARELY HANGING ON.
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208. I HAVE NEVER FELT
THIS MUCH IN DANGER.
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209. LOOK...
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210. NOW, COLIN —
COLIN, CAN YOU —
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211. COLIN — COLIN,
CAN YOU GIVE US ANY IDEA
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212. AS TO HOW THE THING
STARTED HAPPENING?
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213. THIS ALL APPARENTLY
STARTED WHEN —
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214. THERE WAS A RUMOR THAT
KATHIE LEE WAS COMING BACK.
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215. OH!
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216. COLIN, IT LOOKS —
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217. WHAT HAVE YOU DONE
TO PROTECT YOURSELF IN THERE?
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218. SARAN WRAP.
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219. NOW,
COLIN, COLIN, COLIN,
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220. I'M BEGINNING TO WORRY
ABOUT YOUR —
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221. I'M BEGINNING TO WORRY ABOUT
YOUR SAFETY IN THERE, COLIN.
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222. I'M A LITTLE WORRIED MYSELF,
BUT I'M HOLDING IT TOGETHER
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223. BECAUSE THIS IS A STORY
THAT MUST BE TOLD.
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224. LOOK AT THIS.
TRY TO KEEP YOUR EYES ON IT.
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225. IT MAY REPULSE YOU,
BUT KEEP STARING.
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226. NOW, COLIN —
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227. COLIN, WE'RE KIND OF
LOSING YOU, COLIN,
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228. BECAUSE THE ANTENNAS ON OUR VAN
ARE KIND OF FAILING.
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229. WE CAN'T QUITE
CATCH YOU RIGHT NOW.
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230. THE ANTENNAS
AREN'T WORKING.
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231. WELL...
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232. THAT'S TOO BAD.
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233. COLIN, THEY SEEM
PRETTY WELL-ORGANIZED.
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234. WELL, YES.
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235. THEY HAVE
A VERY GOOD UNION.
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236. COLIN — COLIN, I DON'T SEE
ANY END OF THIS IN SIGHT.
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237. IT SEEMS LIKE THIS MIGHT GO ON
EVEN AFTER A NUCLEAR HOLOCAUST.
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238. OH,
I'M TELLING YOU —
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239. THIS SORT OF THING
JUST WOULD MAKE YOU SICK.
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240. I MYSELF...
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241. HE SEEMS
TO BE HANDLING IT.
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242. WELL, COLIN,
THINK YOU GOT IT?
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243. WHAT IS IT?
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244. A LOT OF COCKROACHES.
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245. YES.
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246. LOTS OF COCKROACHES.
YUCK.
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247. 1,000 POINTS
TO THE ROACHES.
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248. TRYING TO MAKE FRIENDS
WITH THEM NOW
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249. BEFORE THE NUCLEAR BOMB HITS.
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250. LET'S GO ON TO A GAME
CALLED "HOEDOWN"
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251. WITH THE HELP OF LAURA HALL
ON THE PIANO.
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252. UH, WHAT I NEED
FROM THE AUDIENCE
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253. IS A SUGGESTION
OF A GLAMOROUS PROFESSION.
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254. COWBOY!
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255. ASTRONAUT.
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256. UH, SO LET'S HEAR
THE ASTRONAUT HOEDOWN.
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257. WE'LL BE RIGHT BACK
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258. WITH MORE
"WHOSE LINE IS IT ANYWAY?"
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259. RIGHT AFTER THIS.
DON'T GO AWAY.
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260. WELCOME BACK
TO "WHOSE LINE IS IT ANYWAY?"
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261. TONIGHT'S WINNER
IS WAYNE BRADY.
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262. WAYNE BRADY
IS THE WINNER TONIGHT.
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263. UH, WE'RE GOING TO DO
A SCENE FOR YOU
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264. CALLED "FOREIGN FILM DUB,"
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265. AND WHAT'S GOING TO HAPPEN
IS JEFF AND I ARE GOING
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266. TO PRETEND TO SPEAK
IN A FOREIGN LANGUAGE.
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267. WHAT FOREIGN LANGUAGE
WOULD YOU LIKE US TO SPEAK?
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268. SPANISH.
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269. THAT WAS
THE FIRST THING I HEARD,
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270. AND IF YOU WERE A SPANISH FILM
DIRECTOR MAKING ACTION FILMS,
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271. WHAT WOULD THE NAME
OF YOUR FILM BE?
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272. EL DONKEY.
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273. RYAN, YOU'RE GOING
TO TRANSLATE FOR ME.
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274. COLIN, YOU'RE GOING
TO TRANSLATE FOR JEFF.
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275. EL DONKEY IN SPANISH.
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276. SEÑOR,
NECESITO UN BURRO.
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277. HEY, NICE SUIT.
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278. THANK YOU VERY MUCH.
HAVE YOU SEEN MY ASS?
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279. QUé BUENO?
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280. TAMBIéN,
NO TENGO PANTALONES.
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281. I HAVE SEEN
THE DONKEY YOU TALK OF.
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282. IT WEARS FUNNY PANTS.
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283. THIS BURRO
IS MY ONLY FRIEND.
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284. HIM AND I
WATCH "BAYWATCH" TOGETHER.
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285. AY, AY, AY, DIOS!
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286. Tú BURRO — NO!
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287. YOU MEAN WHEN THEY
WALK IN SLOW MOTION?
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288. I LOVE THAT!
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289. I CAN'T SPEAK SPANISH.
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290. OTRA VEZ.
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291. EL BURRO —
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292. EXCUSE ME,
I WILL SELL YOU MY —
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293. HA HA HA —
I WILL SELL YOU MY —
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294. HO HO HO — EXCUSE ME —
I WILL SELL YOU —
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295. OH,
I'M NOT SPANISH AT ALL.
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296. BIEN, BIEN.
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297. MY GOD,
A PERUVIAN MIME.
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298. I HAVE
AN OUTIE BELLYBUTTON
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299. AND I LIVE
IN A SMALL HOUSE.
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300. THANK YOU
FOR WATCHING "WHOSE LINE."
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301. WE'LL BE RIGHT BACK.
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302. WELCOME BACK TO
"WHOSE LINE IS IT ANYWAY?"
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303. TONIGHT WE'RE GOING
TO HAVE WAYNE BRADY
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304. READ THE CREDITS FOR YOU.
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305. WAYNE, YOU'RE AN ARMY
PARACHUTE INSTRUCTOR,
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306. AND YOU'RE
CALLING OUT THE NAMES
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307. OF THOSE NEXT TO JUMP,
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308. AND EVERYBODY ELSE
IS THE JUMPERS, OKAY?
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309. THANKS A LOT FOR WATCHING,
EVERYBODY. HAVE A GOOD NIGHT.
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310. ARE YOU READY, RYAN STILES,
ARE YOU READY?
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311. WE'RE GOING TO DROP YOU
RIGHT OVER THERE
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312. WITH JIMMY MULVILLE.
ARE YOU READY? GO, GO, GO, GO!
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313. WHO'S NEXT?
ARE YOU READY?
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314. RYAN STILES,
YOU'RE GOING TO JUMP.
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315. GOOD JOB.
ARE YOU READY?
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316. I DON'T WANT YOU TO LAND
THE WRONG WAY.
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317. CAN YOU HEAR ME, BOY?
DO YOU HEAR ME?
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318. LOOK AT ME!
DON'T LOOK AT ME! READY? AAH!
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319. CAPTIONS PAID FOR BY ABC, INC.
AND WARNER BROS. INC.
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