1. - SO SHE SAYS TO ME,
"SO WHAT?
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2. "YOU THINK YOU'RE BETTER
THAN EVERYONE ELSE?"
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3. AND I GO, "WELL,
PRETTY MUCH, YEAH."
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4. WHICH WAS JUST
ME BEING...
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5. TORI, COME ON.
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6. - DID YOU NOT SEE ME FALL DOWN
IN THE PARKING LOT?
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7. - IT WAS VERY FUNNY.
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8. - I WASN'T TRYING TO BE—
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9. - THE NEW PLAY ROSTER.
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10. - HOLD MY COFFEE.
- I—
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11. MOVE!
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12. - EXCUSE ME.
HEY!
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13. - AH, HA, HA.
THESE ARE SO GOOD.
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14. DON'T SPILL THAT.
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15. - WHAT'S SO GOOD?
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16. - THE LIST OF PLAYS
FOR THE NEW SEMESTER.
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17. OH, MY GOD, I AM PERFECT
FOR ALL THESE.
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18. - IS "MOONLIGHT MAGIC"
ON THERE?
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19. - UH, YEAH,
NUMBER FOUR. WHY?
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20. - ANDRE WROTE THE MUSIC FOR IT.
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21. HE WANTS ME TO TRY OUT
FOR THE LEAD.
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22. - YOU? WHY?
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23. - TAKE YOUR COFFEE AND GO.
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24. - OOH, SOMEBODY FELL DOWN
ON THE WRONG SIDE
OF THE PARKING LOT.
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25. - NEED SOME HELP?
- YES.
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26. - INTERESTING.
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27. - AND YOU'RE SAYING
THAT MOVIE'S NOT SCARY?
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28. - NO, I'M SAYING
IT'S NOT AS SCARY AS TOFU.
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29. - WHY ARE YOU ALWAYS
RIPPIN' ON TOFU?
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30. - 'CAUSE IT TASTES LIKE SNOT.
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31. AND SNOT DOES NOT TASTE GOOD.
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32. - HEY, LOOK WHO'S HERE.
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33. - HEY, COULD YOU GUYS
HELP ME?
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34. - SURE.
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35. - OH!
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36. - JUST SET THEM IN THERE.
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37. - YOU SHOULD PROBABLY GET
SOME SHELVES
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38. IN THERE OR SOMETHING.
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39. - THERE YOU GO.
ALL SET.
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40. - THANKS.
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41. - NEVER PUT ME DOWN
LIKE THAT AGAIN.
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42. - OW!
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43. I WAS HELPING TORI!
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44. - GET THE GUM
OFF MY FOREHEAD.
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45. - ALL RIGHT,
MY LOCKER IS FILLED.
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46. I FEEL COMPLETE.
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47. - WHOA, WHOA, NOT YET.
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48. - WHAT?
- YOU GOTTA CUSTOMIZE IT.
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49. - EVERYONE AT HOLLYWOOD ARTS
HAS TO CUSTOMIZE THEIR LOCKER.
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50. - OH. WELL, WHAT WOULD
YOU DO FOR YOURS?
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51. - I MADE A MOSAIC USING
ALL OF THE BABY BOTTLE NIPPLES
FROM MY CHILDHOOD.
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52. THEY REMIND ME
OF A HAPPIER TIME.
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53. - YOURS?
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54. - CHECK IT OUT.
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55. - FOLLOW THOSE DREADS.
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56. - HEY, ANDRE, ROBBIE.
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57. THAT SQUIRREL'S BACK
IN MY OFFICE AGAIN.
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58. - I'LL GET THE NET.
- I'LL GET THE NUTS.
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59. - I DON'T KNOW WHAT TO DO
WITH MY LOCKER.
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60. - WANT TO SEE MY LOCKER?
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61. - I GUESS.
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62. - THESE ARE PIECES OF FOOD
THAT I CHEWED,
BUT NEVER SWALLOWED.
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63. I SPIT THEM OUT, COATED THEM
WITH A POLYURETHANE RESIN
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64. AND STUCK THEM ON HERE
WITH AN INDUSTRIAL ADHESIVE.
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65. - BETSY! BETSY!
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66. THAT ANIMAL'S DELICIOUS FLESH
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67. CAN KEEP US ALL ALIVE
FOR ANOTHER WEEK.
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68. - I DON'T WANNA BE ALIVE
WITHOUT PONCY.
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69. THIS PIG IS EVERYTHING TO ME
THAT MY DADDY NEVER WAS,
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70. AND I'LL BE DING DANGED—
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71. OH!
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72. - SIKOWITZ?
- WHAT?
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73. - YOU HIT ME IN THE FACE
WITH A BALL.
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74. - OH, COME ON,
A TRULY GREAT ACTOR
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75. CAN STAY IN THE SCENE
NO MATTER WHAT'S HAPPENING
AROUND HER.
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76. - BUT IT REALLY HURT.
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77. - OH, LUNCH, YAY!
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78. - LEARN YOUR LINES.
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79. I WANT EVERYONE
OFF BOOK TOMORROW.
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80. - HEY, YOU WANNA
COME TO LUNCH WITH US?
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81. - SURE, JUST LET ME— AAH.
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82. WHAT WAS THAT FOR?
I'M NOT ACTING RIGHT NOW.
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83. - WE NEED TO CHAT.
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84. - AND "TORI, CAN I SEE YOU?"
WOULDN'T HAVE WORKED?
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85. - HAVE FUN.
- PROTECT YOUR FACE.
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86. - WHAT'S UP?
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87. - I HEAR YOU SIGNED UP
TO AUDITION FOR A PLAY,
"MOONLIGHT MAGIC?"
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88. - UH-HUH.
ANDRE WROTE THE MUSIC FOR IT,
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89. AND HE WANTS ME
TO PLAY THE LEAD.
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90. - YOU SHOULD.
- YEAH?
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91. - BUT YOU CAN'T.
- HUH?
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92. - NOT UNTIL YOU PASS
"THE BIRD SCENE."
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93. - "THE BIRD SCENE?"
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94. - HERE AT HOLLYWOOD ARTS,
EVERY STUDENT
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95. MUST SUCCESSFULLY COMPLETE
"THE BIRD SCENE"
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96. BEFORE THEY CAN AUDITION FOR ANY
AND ALL SCHOOL PRODUCTIONS.
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97. - HEY, SIKOWITZ,
I FORGOT TO ASK YOU A QUESTION
ABOUT THE HOMEWORK.
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98. - AAH!
- WHOA!
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99. - WE'LL NEVER KNOW
HER QUESTION.
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100. - HEY, YOU KNOW WHERE I COULD
BUY A PAIR OF BALLET SLIPPERS?
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101. - NO, I DON'T.
BUT I KNOW WHERE YOU CAN
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102. GET YOURSELF A PRETTY SKIRT
AND SOME LIP GLOSS.
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103. - HEH, HEH, HEH.
THAT WAS A GOOD ONE, BECK.
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104. LIP GLOSS.
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105. - WHY DO YOU NEED
BALLET SLIPPERS?
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106. - 'CAUSE I SIGNED UP
FOR BALLET.
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107. - WHOA, WHOA, ISN'T THAT
KIND OF... GIRLIE?
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108. - YEP. JUST ONE BIG ROOM
FULL OF GIRLS... AND ME.
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109. YOU GUYS PICKING UP
WHAT I'M PUTTING DOWN?
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110. - I AM.
- YEAH! PRETTY SMOOTH.
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111. - I DON'T UNDERSTAND.
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112. - A LOT OF GIRLS...
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113. WHO DANCE...
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114. ALL IN ONE ROOM...
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115. WITH HIM.
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116. - AH, HA HA!
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117. WOULD YOU MIND
IF MAYBE I SIGNED UP, TOO?
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118. - NAH, GO FOR IT.
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119. HOW ABOUT YOU, MAN?
- CAN'T.
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120. ME AND JADE ALREADY SIGNED UP
FOR SALSA DANCING.
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121. - I CAN'T EAT SALSA.
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122. - WHY? 'CAUSE IT HURTS YOUR
STOMACH
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123. AND GIVES YOU NIGHTMARES?
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124. - NO.
- YES.
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125. - MAYBE.
- HA.
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126. - READY?
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127. DRIVE-BY ACTING EXERCISE.
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128. YOU'RE ALL ANGRY
ENGLISHMEN. GO.
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129. - I INSIST YOU TELL ME
WHO SAT ON ME CRUMPET.
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130. - MY GRANDMUMMY
WENT TO THE LOO
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131. WHILE I SNOGGED
THE PRIME MINISTER.
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132. - THIS FLOCK OF WHIP-POOR-WILLS
IS BOTHERING MY TROUSERS.
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133. - GOOD HEAVENS,
THERE'S A DEAD COCKROACH
IN MY BRASSIERE.
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134. - BLIMEY.
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135. - WELL, I TOLD YOU
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136. NOT TO PUT PLUM SAUCE
ON ME BANGER.
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137. - ALL RIGHT, ALL RIGHT!
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138. VERY GOOD! QUIET DOWN!
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139. NOW THAT WE'RE ALL
LOOSEY AND/OR GOOSEY,
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140. THE TIME HAS COME
FOR OUR NEWEST STUDENT
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141. TO TACKLE...
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142. "THE BIRD SCENE."
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143. HUH?
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144. TORI, THE STAGE IS YOURS,
THOUGH YOU CAN'T TAKE IT HOME.
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145. - CAN I ASK YOU A QUICK QUESTION
BEFORE I START?
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146. - SO...
- JUST DO YOUR BEST. ACTION!
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147. - OKAY.
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148. IT WAS 1934 WHEN MY HUSBAND
LEFT ME.
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149. ALONE.
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150. LIVING ON THE PRAIRIE
WAS A DREARY EXISTENCE.
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151. NO TELEPHONE, NO RADIO.
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152. ONLY A LARGE, MAJESTIC BIRD
WITH WHOM I SHARED MY FEELINGS.
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153. ONE DAY WHEN I WAS
FEELING LOW, I SAID TO HIM,
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154. "OH, BIRD,
YOU CAN FLY.
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155. "YOU CAN SOAR MILES
FROM THIS LONELY PLACE,
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156. YET YOU STAY.
WHY?"
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157. AND APPARENTLY,
MY QUESTION RANG TRUE,
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158. FOR THAT AFTERNOON,
THE BIRD LEFT.
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159. AND SO WENT MY SPIRIT.
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160. HOW WAS THAT?
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161. - WHAT DO YOU MEAN?
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162. - DID I DO THE SCENE RIGHT?
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163. - OH! NO, NOT AT ALL.
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164. - OKAY. THEN WHAT
DID I DO WRONG?
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165. - YOU'LL HAVE TO PERFORM
THE SCENE AGAIN TOMORROW
AND GET IT RIGHT,
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166. OR ELSE YOU CANNOT BE
IN ANDRE'S PLAY OR ANY OTHER.
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167. - BUT CAN YOU TELL ME
WHAT I DID WRONG?
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168. - NO, I CAN'T.
- I DON'T GET ANY FEEDBACK?
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169. - THAT IS CORRECT.
- BUT...
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170. - DRIVE-BY ACTING EXERCISE.
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171. YOU'RE ALL TERRIFIED DOLPHINS.
GO.
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172. LIVE THE FEAR.
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173. LIVE THE FEAR.
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174. - OH, COME ON.
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175. HOW AM I SUPPOSED TO DO
THE SCENE RIGHT
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176. IF NO ONE WILL TELL ME
WHAT I DID WRONG?
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177. I THOUGHT YOU GUYS
WERE MY FRIENDS.
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178. - I'M NOT YOUR FRIEND.
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179. - I WAS HOPING
WE COULD BE MORE THAN FRIENDS.
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180. HMM?
HMM?
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181. - UH, IT'S SO GROSS
HOW HE'S ALWAYS HITTING
ON EVERY GIRL.
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182. - I NEVER HIT ON YOU.
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183. - WHAT'S THAT
SUPPOSED TO MEAN?
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184. - YOU GUYS...
MY PROBLEM?
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185. - NUMBER ONE RULE
OF "THE BIRD SCENE":
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186. NO ONE'S ALLOWED TO HELP YOU.
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187. - NO ONE.
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188. - SO THIS IS WHAT YOU DID
WITH YOUR LOCKER?
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189. - YEAH.
SEE, IT'S A DRY ERASE BOARD
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190. WITH A BUNCH OF COLORFUL PENS
IN A CONVENIENT CUP.
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191. SO WHOEVER WANTS TO,
CAN WRITE OR DRAW
WHATEVER THEY WANT.
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192. - BUT YOU'RE SUPPOSED TO
DECORATE IT YOURSELF.
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193. - IT'S A HOLLYWOOD
ARTS TRADITION.
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194. - WELL, WHAT'S WRONG
WITH LETTING OTHER PEOPLE
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195. BE EXPRESSIVE ON MY LOCKER?
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196. - WELL, FOR ONE THING,
THEY CAN DO THAT.
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197. - YEAH? YEAH, WELL MY LOCKER'S
SMARTER THAN YOUR LOCKER.
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198. - HOW CAN A LOCKER BE—
- I DON'T KNOW!
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199. OH, COME ON.
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200. SOMEBODY TELL ME HOW TO DO THE
BIRD SCENE OR I'M GONNA CRY.
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201. - CAN'T.
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202. - AND DON'T BE SO WHINY.
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203. - YEAH, MAN UP.
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204. - TIME FOR OUR FIRST
BALLET CLASS.
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205. - OOH, BALLET.
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206. I DIDN'T KNOW I'D FEEL SO
AWKWARD WEARING TIGHTS.
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207. - THESE THINGS SQUEEZE ME
IN A BAD WAY.
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208. - YEAH, YOU WON'T
BE COMPLAINING
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209. WHEN WE'RE SURROUNDED
BY LADY BALLERINAS.
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210. - AW, MAN,
IT'S A DUDE RANCH.
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211. - SO, YOU READY?
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212. - OH, I'M WAY PAST READY.
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213. SIKOWITZ WANTS
"THE BIRD SCENE"?
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214. I'M GONNA GIVE HIM
"THE BIRD SCENE."
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215. I GOT PROPS, I GOT A BACKDROP,
AND JUST TO KISS UP A LITTLE,
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216. I EVEN GOT SIKOWITZ
TWO LARGE COCONUTS.
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217. - THOSE ARE GOOD ONES.
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218. - WHAT'S THE DEAL
WITH SIKOWITZ AND COCONUTS?
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219. - HE SAYS THE MILK
GIVES HIM VISIONS.
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220. - ALL RIGHT.
REHEAR—
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221. WE HAVE MUCH TO DO TODAY.
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222. BUT FIRST...
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223. TORI, "THE BIRD SCENE."
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224. - I'M READY.
AND BEFORE I BEGIN,
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225. I'D LIKE YOU TO HAVE
THESE TWO LARGE COCONUTS.
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226. - WONDERFUL.
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227. YOU KNOW, THEIR MILK
GIVES ME VISIONS.
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228. - I'VE HEARD.
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229. - VERY GOOD.
EVERYONE, PAY ATTENTION.
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230. TORI?
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231. - ONE SECOND.
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232. - OOH. A BACKDROP.
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233. - AND...
I AM READY.
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234. - DELIGHTFUL!
ACTION!
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235. IT WAS 1934
WHEN MY HUSBAND LEFT ME.
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236. ALONE.
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237. LIVING ON THE PRAIRIE
WAS A DREARY EXISTENCE.
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238. NO TELEPHONE, NO RADIO,
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239. ONLY...
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240. A LARGE, MAJESTIC BIRD
WITH WHOM I SHARED MY FEELINGS.
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241. ONE DAY WHEN I WAS FEELING LOW,
I SAID TO HIM,
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242. "OH, BIRD, YOU CAN FLY.
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243. "YOU CAN SOAR MILES
FROM THIS LONELY PLACE,
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244. YET YOU STAY.
WHY?"
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245. AND APPARENTLY,
MY QUESTION RANG TRUE,
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246. FOR THAT AFTERNOON,
THE BIRD LEFT.
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247. - AND SO WENT MY SPIRIT.
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248. SO? WAS THAT GOOD?
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249. - EXACTLY WHAT ARE YOU
ASKING ME?
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250. - YOU KNOW, DID YOU LIKE
WHAT I DID WITH THE SCENE?
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251. - SURE.
- SO DID I GET IT RIGHT?
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252. - OH, NO.
YOU FAILED. AGAIN.
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253. - WHAT? WHY?
I DID EVERYTHING—
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254. - HEY! WATCH WHERE
YOU THROW YOUR PROPS!
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255. - KAT!
- HEY!
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256. - YOU HAVE TO TRY SOMETHING.
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257. - HANDCUFFS?
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258. - UH-HUH,
PUT 'EM ON ONE WRIST.
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259. - OKAY.
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260. - GOOD, AND NOW WE LOCK
THE OTHER PART AROUND HERE.
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261. - FUN.
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262. - OKAY, NOW TRY THESE.
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263. OOH, CANDY.
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264. MMM, THESE ARE SO...
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265. SO HOT!
WHAT ARE THESE?
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266. - CHOO-CHOO PEPPERS.
- TOOT! OH!
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267. THEY'RE BURNING MY MOUTH!
- I KNOW.
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268. YOU WANT SOME WATER?
- YES!
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269. - TELL ME THE SECRET
OF "THE BIRD SCENE."
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270. - I CAN'T!
AND I NEED WATER!
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271. - OH! FINE!
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272. - WAIT! TORI!
WATER.
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273. - WHATCHA DOING?
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274. - ANGRILY THROWING BOOKS
IN MY LOCKER, CAN'T YOU TELL?
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275. - HAVE YOU FIGURED OUT HOW
YOU'RE GONNA DECORATE IT YET?
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276. - YES, LOOK, I PUT
A STRIPE ON IT.
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277. DID YOU SEE THE STRIPE?
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278. - I SEE THE STRIPE.
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279. - WELL, I DON'T KNOW
WHAT TO DO.
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280. - WHY DON'T YOU DO SOMETHING,
YOU KNOW, CREATIVE AND DEEP?
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281. - WHAT'D YOU DO FOR YOURS?
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282. - COME ON.
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283. - CLEAR?
- TRANSPARENT.
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284. I'VE GOT NO SECRETS
AND NEITHER DOES MY LOCKER.
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285. - BUT... AW, THAT IS CREATIVE
AND DEEP.
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286. - YEAH.
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287. - SO, ANYWAY...
ABOUT "THE BIRD SCENE."
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288. - LATER.
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289. - HEY, TRINA,
CAN YOU HELP ME? I'M—
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290. - SORRY, GOTTA GET TO LUNCH
BEFORE THEY RUN OUT OF PANINIS.
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291. - MAN, THIS IS HUMILIATING.
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292. - AGREED.
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293. I CAN'T BELIEVE
YOU GOT US INTO THIS.
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294. - LET'S GET OUT OF THIS.
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295. MADAME MAKEE?
- OUI?
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296. - WE'RE GONNA
HAVE TO DROP THIS CLASS.
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297. - IF YOU DROP THIS CLASS
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298. THEN IT GOES ON YOUR
PERMANENT RECORD AS A ZEH-RO.
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299. - OH, COME ON,
YOU CAN'T GIVE US A "ZEH-RO."
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300. - WHY DO YOU WANT
TO DROP ZIS CLASS?
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301. - LOOK AROUND, WOMAN.
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302. WE'RE SURROUNDED
BY DUDES IN TIGHTS.
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303. IT'S JUST GROSS.
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304. - HEY, SORRY I'M LATE.
- GIRL!
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305. - AAH!
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306. - HEY, ROBBIE.
HI, REX.
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307. - HEY.
- WHAT'S DOIN'?
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308. - DID YOU GUYS QUIT BALLET?
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309. - WE CAN'T,
UNLESS WE WANT A "ZEH-RO."
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310. - AW.
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311. WELL, I'M SORRY
YOU'RE FEELING STRESSED.
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312. - OH, IT'S OKAY.
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313. I'M SURE WE'LL—
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314. I'M SURE WE CAN—
WOULD YOU KEEP
DOING THAT, PLEASE?
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315. - SURE.
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316. - THIS IS GETTING WEIRD.
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317. - SHH.
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318. HEY, YOU KNOW WHAT'S
MAKING ME FEEL STRESSED?
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319. - TELL ME, I'LL KILL IT.
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320. - IT'S THIS WHOLE
"BIRD SCENE" THING.
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321. - AH, THERE IT IS:
THE ULTERIOR MOTIVE.
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322. - HUSH, PUPPET.
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323. YOU'LL HELP ME
WITH "THE BIRD SCENE,"
WON'T YOU?
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324. - I'M REALLY NOT
SUPPOSED TO—
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325. - OW! HE BIT MY HAND!
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326. - REX!
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327. - TAKE ME TO THE BATHROOM.
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328. I GOTTA PEE, NOW!
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329. - HE'S A PUPPET!
HE CAN'T PEE!
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330. - YOU DON'T KNOW
WHAT I GOT!
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331. - ALL RIGHT, CLASS.
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332. - ALL RIGHT.
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333. - WHICH DANCERS WOULD LIKE
TO SHOW ME
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334. THE ROUTINE WE WERE WORKING ON
LAST TIME?
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335. - WE WOULD.
- WHAT?
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336. - WE GOT THIS, MAN.
- YOU'RE A MANIAC!
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337. - ANDRE, ROBBIE,
TO THE FRONT.
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338. - DON'T TALK TO ANYONE
TILL I GET BACK.
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339. - POSITION!
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340. BEGIN.
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341. - TOO HARD!
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342. - OW!
- OH!
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343. - LET'S TAKE
A FIVE MINUTE BREAK.
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344. - PLEASE MAKE IT TEN.
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345. - 20.
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346. - OW.
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347. OW. OW. OW.
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348. OW.
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349. - HAPPY BIRTHDAY.
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350. - WHOSE BIRTHDAY IS IT?
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351. - SOMEBODY'S, SOMEWHERE.
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352. - THAT'S SO TRUE.
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353. - WHERE IS TORI?
- HERE.
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354. - OH! HA HA!
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355. YOU BROUGHT CURTAINS.
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356. - LET'S DO THIS.
- VERY GOOD.
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357. LADIES AND GENTLEMEN,
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358. ONCE AGAIN, "THE BIRD SCENE,"
STARRING TORI...
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359. - VEGA.
- VEGA.
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360. IT WAS 1934 WHEN MY
HUSBAND LEFT ME.
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361. ALONE.
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362. LIVING ON THE PRAIRIE
WAS A DREARY EXISTENCE.
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363. NO TELEPHONE, NO RADIO,
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364. ONLY A LARGE, MAJESTIC BIRD
WITH WHOM I SHARED MY FEELINGS.
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365. - YOU SEE THE BIRD, TOO,
RIGHT?
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366. - YEAH.
- FANTASTIC.
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367. - ONE DAY, WHEN I WAS FEELING
LOW, I SAID TO HIM,
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368. "OH, BIRD, YOU CAN FLY.
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369. "YOU CAN SOAR MILES
FROM THIS LONELY PLACE,
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370. YET YOU STAY.
WHY?"
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371. AND APPARENTLY
MY QUESTION RANG TRUE,
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372. FOR THAT AFTERNOON MY BIRD LEFT,
AND SO WENT MY SPIRIT.
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373. - THAT...
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374. WAS IMPRESSIVE.
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375. - SO DID I GET IT RIGHT?
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376. - NOPE.
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377. - BUT...
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378. BUT I JUST—
I-I...
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379. I DID, TOO, GET IT RIGHT!
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380. - TORI, LISTEN—
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381. - I'M NOT TRYING
TO BE DISRESPECTFUL.
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382. BUT DO YOU KNOW HOW HARD
I WORKED ON THIS SCENE?
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383. I MADE THIS COSTUME.
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384. I DOWNLOADED
SPECIAL PRAIRIE MUSIC.
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385. I EVEN TRAINED
THAT CRAZY COCKATOO TO FLY
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386. IN AND OUT OF THE WINDOW
ON COMMAND!
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387. NOT NOW!
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388. LOOK, I KNOW YOU'RE A GREAT
ACTING TEACHER AND EVERYTHING,
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389. BUT I DON'T CARE WHAT YOU SAY.
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390. THE SCENE I JUST DID WAS GOOD,
AND I'M PROUD OF IT
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391. NO MATTER WHAT ANYBODY THINKS.
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392. WHAT?
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393. - YOU JUST PASSED
"THE BIRD SCENE."
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394. - BUT YOU SAID—
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395. - TORI, THE WHOLE POINT
OF "THE BIRD SCENE"
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396. IS TO TEACH A PERFORMER,
LIKE YOURSELF,
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397. TO BELIEVE IN YOUR OWN CHOICES,
NO MATTER WHAT OTHERS THINK.
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398. WE ARE ARTISTS,
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399. AND A TRUE ARTIST
DOES NOT DEFINE SUCCESS
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400. BASED ON "OH, HEE, HEE"
APPROVAL FROM OTHERS.
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401. A TRUE ARTIST NEED ONLY
PLEASE HIMSELF...
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402. OR HERSELF...
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403. OR ITSELF.
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404. - YOU DON'T KNOW
WHAT I GOT.
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405. - SO, ALL THREE TIMES
I DID THE SCENE—
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406. - WERE DELIGHTFUL.
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407. IT WAS ONLY WRONG
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408. WHEN YOU ASKED
IF IT WAS RIGHT, HMM?
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409. DRIVE-BY ACTING EXERCISE.
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410. YOU'RE ALL ELDERLY PEOPLE
WALKING BAREFOOT
ON BROKEN GLASS.
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411. GO!
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412. - OW! OW!
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413. - I CAN'T HEAR YOU!
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414. - OW!
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415. - OH, MY FEET!
THEY HURT SO BAD!
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416. - MY BACK!
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417. - YOU GUYS READY?
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418. - UH-HUH.
- WHATEVER.
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419. - MAKE WHAT SHINE?
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420. - IT'S THE TITLE OF THE SONG
I SANG IN THE BIG SHOWCASE.
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421. - OH!
- RIGHT!
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422. - WHATEVER.
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423. - 'CAUSE, YOU KNOW,
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424. THAT'S WHAT GOT ME HERE
IN THE FIRST PLACE.
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425. - I DON'T LIKE IT.
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426. - MAYBE THE WORDS
SHOULD BE BIGGER.
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427. - YES.
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428. - AH-AH.
AH-AH-AH-AH.
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429. I BELIEVE IN MY OWN CHOICE,
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430. AND I DON'T NEED APPROVAL
FROM OTHERS.
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431. - AH, THE YOUNG FEMALE
HAS LEARNED THE WAYS
OF "THE BIRD SCENE."
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432. - I STILL THINK IT'S DULL.
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433. - YEAH?
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434. WELL, THEN MAYBE
I SHOULD MAKE IT SHINE.
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435. - OH!
- VERY NICE!
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436. - OKAY, ARE WE GOING TO EAT
OR WHAT?
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437. - OH, YAY, FOOD.
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438. - COMING WITH?
- SURE.
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439. - OW! OW! OW!
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440. - THESLAP.COM.
- IT'S A FANTASTIC WEBSITE.
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441. - WHERE YOU CAN FIND OUT
ABOUT EVERYONE HERE
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442. AT HOLLYWOOD ARTS HIGH SCHOOL.
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443. - IT'S A PLACE FOR TEENAGERS
TO CONNECT.
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444. - LIKE, IF YOU WANNA
THESLAP.COM.
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445. - HAVE YOU GONE
TO THESLAP.COM?
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446. - YOU KNOW WHAT TO DO.
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447. - T-H-E-S-L-A-P.
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448. MY MOTHER TELLS PEOPLE
I'M DEAD.
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449. - MMM.
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450. - THIS IS GETTIN' WEIRD.
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