1. Did somebody die in here?
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2. Uh, somebody actually... did die.
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3. I'll take it.
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4. You all need a lesson
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5. in respecting your superiors.
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6. Is this about not wanting to eat sushi?
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7. Jesus Christ!
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8. This is about me.
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9. Firing... all of you.
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10. What?
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11. Oh, come on.
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12. You're not supposed
to pick up people here.
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13. Perfect timing!
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14. What you doing? Anything fun?
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15. Oh, my God. Is that a
whole binder of suspects?
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16. Oh, my God, yes it is.
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17. And you'd better be glad
I don't put Brian in here.
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18. Excuse me?
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19. Just keep your nose clean, Snodgrass.
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20. What?
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21. Excuse me, I'm looking
for a patient. Neal Gamby.
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22. He's still in surgery.
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23. You'll have to wait.
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24. You're waiting for Neal Gamby.
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25. Yes, yes, I am. Is he okay?
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26. - Awake and alert.
- Oh, my God!
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27. Okay, that's great. That's great!
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28. - Are you family?
- Yes.
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29. I'm his girlfriend.
May I see him, please?
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30. - Let me see if he's ready for visitors yet.
- Okay.
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31. - Excuse me.
- Thank you so much. Thank you.
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32. Ma'am?
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33. Yes?
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34. Mr. Gamby says he
doesn't have a girlfriend.
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35. Uh...
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36. Are you sure?
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37. Heads-up, boss.
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38. Vintage Porsche, nine o'clock.
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39. Copy that. I got eyes on 'em.
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40. Yo, Nash, how's that ball-sack hanging?
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41. - What'd you say?
- Where you get them titties?
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42. Yeah, yeah, yeah. Keep
running, ya blockheads!
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43. Robin Shandrell, what in
the hell are you doin'?
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44. I'm goin' to school.
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45. Dopers, get into class.
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46. Get the fuck into school.
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47. Robin, what the fuck?
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48. You're getting a second chance
and you're already gonna blow it?
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49. I mean, what are these clothes
you're wearing on your first day back?
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50. These are my clothes. It's all I have.
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51. Leave me alone, okay?
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52. You gotta show people that you're
ready to do this for real this time,
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53. not be some goddamn
slack-jawed fuck-up!
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54. When are you gonna
stop being an asshole?
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55. Hey, watch your mouth. You hear me?
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56. You should be kissing my asshole.
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57. Don't make me look like an idiot.
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58. Fuck off. I won't.
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59. Okay, good, good.
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60. - You got lunch money?
- No.
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61. Didn't think so.
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62. Give this meal pass to
Dayshawn in the cafeteria.
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63. He'll get you anything you need, okay?
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64. Get in there.
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65. Kick some ass, all right?
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66. Don't do drugs!
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67. Ah, this is so exciting!
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68. I can already tell that I
like you guys so much better
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69. than that last batch of teachers.
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70. Why so many new teachers at once?
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71. Was there a walkout or somethin'?
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72. No, no, no. No walkout.
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73. Just some folks...
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74. with some toxic attitudes
who needed to be let go.
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75. I always strive for the best.
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76. We are a very happy
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77. and successful institution.
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78. What's this?
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79. This looks like you.
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80. "King Ding-a Ling"?
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81. Look how tiny they
made your tee-tee bird.
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82. - Fuck you, Gamby.
- I... No, I know it's offensive,
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83. but it's a pretty good picture of you.
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84. Obviously whoever did
this is really good at art.
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85. Who do you think it was?
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86. Some anonymous coward hid
it out in the trophy case,
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87. meaning someone with a key.
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88. Meaning a faculty member
tried to make me look
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89. like an asshole in
front of the new hires.
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90. A caricature is supposed
to look like a person.
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91. You give Streisand a
big nose. Why? Ms. Swift?
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92. Because she has a big fucking nose!
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93. That's why!
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94. Now why would they draw
my dick so little? Huh?
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95. I don't want to offend you, Russell,
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96. but maybe you come off
like the type of guy
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97. that has a... small, itty-bitty penis.
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98. Oh, whatever, Gamby.
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99. I'm sure yours is so
long and thick and juicy
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100. with big, fuckin' hairy balls.
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101. I bet you got a lot of little Gambys
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102. swimmin' around in there,
ready to come out, right?
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103. I'm so fucking sure, Gamby.
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104. I don't have people imagining
that it's small.
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105. Mocked by underlings.
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106. No more.
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107. Startin' right now, I'm placing you
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108. as a substitute for Bill Hayden's class.
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109. Are you nuts? Come on, Russell.
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110. That's beneath my dignity.
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111. I haven't been able
to fill the spot yet.
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112. Besides, you can act as my spy.
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113. Let me know what the teachers are up to.
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114. I'm sorry, Gamby, but
you're going undercover.
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115. I... I got my hands
full with my own job.
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116. Nash can't handle discipline on her own.
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117. We just let Robin Shandrell back in.
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118. She's not ready for a guy like that.
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119. I can take the kid. I got a few moves.
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120. Nash, you got dick.
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121. I saw your moves in the parking
lot today. It was pathetic.
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122. Gamby, it's already been decided.
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123. I need you to go in there and
substitute teach the class, okay?
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124. God, this is so stupid.
This is bullshit!
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125. This is so dumb, Russell.
It's the dumbest thing.
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126. It's such bad judgment.
I don't like this choice.
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127. Excuse us, ladies.
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128. Close the door, please.
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129. Buddy, don't you forget
that I'm your boss.
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130. Now, I can't have you talking to me
like that in front of other people.
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131. I am the principal.
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132. Well, I was supposed to
be principal too, so...
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133. Yes. Then you got shot.
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134. And you hid out like a poor,
frightened little child.
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135. You were broken, and I brought you back.
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136. Now, you will substitute
teach that class, Neal Gamby.
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137. And you will find out who's drawing
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138. fucked up cartoons about my genitalia.
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139. Are we clear?
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140. I suppose.
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141. Don't make me ask again.
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142. Crystal.
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143. Dismissed.
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144. Okay, here's the deal, people.
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145. I'm gonna be temporarily
subbing Honors History.
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146. So, someone please tell
me, what... where are we at
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147. in the lesson plan?
Where... where are we going?
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148. We're studying the Reconstruction era,
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149. post-Civil War, and its long-term effect
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150. on the Southern states.
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151. Okay. Cinchy.
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152. Uh, does Hayden have like
a... a master list of questions
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153. or like a... study guide or anything?
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154. Mr. Hayden just lectured mostly.
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155. Hm. That's one technique of course,
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156. just to stand up there
and run your mouth.
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157. Uh, we're... we're gonna
put a pin in Reconstruction
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158. and get a little more
creative with the learning.
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159. Here we go. Got it.
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160. Does anyone know what
happened today in history?
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161. Give you a hint. It happened in 1969.
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162. Anyone?
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163. Boris Karloff, English actor and singer,
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164. b. 1887, he passed away
on this day in history.
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165. He was a famous person
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166. for playing the role of Frankenstein
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167. in the classic Universal monster film
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168. Frankenstein.
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169. So, what we're gonna do is this.
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170. This is where it gets fun.
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171. Take a piece of paper and
pass it around, one to each.
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172. Today I want your best artist renditions
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173. of Frankenstein.
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174. Do we draw Frankenstein himself
or Frankenstein's monster?
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175. Frankenstein has a monster?
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176. Don't laugh. Don't laugh.
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177. Draw Frankenstein, okay?
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178. Now where did Hayden
keep his Magic Markers?
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179. This is a college-level course.
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180. We don't have Magic Markers.
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181. Did you even go to college?
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182. Yes, I went to college.
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183. What school?
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184. Learning Leaders University.
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185. LLU. It's an online,
accredited university.
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186. What major?
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187. Leadership.
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188. What the hell is so funny about that?
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189. I got into Penn State.
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190. I'm going to Duke. Full ride.
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191. Well, big flippin' deal. Who cares?
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192. What were
your SAT scores, Mr. Gamby?
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193. Uh, I think my SAT
scores are none of your business.
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194. Look, just everyone shut
your mouths right now.
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195. Shut your... mouths now.
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196. Just draw the motherfucker with
the bolts in his neck, okay?
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197. Simple. Don't make me say it again.
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198. Fuck, you guys are entitled.
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199. Unbelievable.
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200. Regina Deets! Look at you with this...
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201. colorful ensemble.
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202. So creative!
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203. What an art teacher you are.
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204. What are you workin' on next?
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205. In terms of my syllabus?
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206. No, sweetheart. I'm talkin' you.
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207. Are you workin' on any
paintings or illustrations?
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208. - You came by just to ask that?
- Well, I'm just curious
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209. what you like to work on yourself,
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210. you know, when you're alone
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211. and you're feeling inspired.
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212. - You know, like when you want to make a statement.
- Ugh.
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213. I did not draw that comic strip,
if that's what you're asking.
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214. Comic strip? I don't even
know what you're talking about.
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215. - What?
- King Ding-a Ling.
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216. You know, the one everyone's
passing around showcasing your...
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217. Who is passing it around?
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218. I don't know who's doing it.
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219. Well, do you know any other
teachers who like to draw?
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220. I'm a potter, Lee.
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221. I make pottery, remember?
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222. My show at the gallery, you were there!
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223. Yes, that's right, clay pots.
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224. I remember that.
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225. Well, it was good to...
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226. chat...
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227. with you, Regina.
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228. I look forward to...
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229. our next conversation...
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230. where we get to review the art budget.
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231. Looking forward to that.
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232. Hey, Chief.
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233. You mind if I sit?
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234. What do you want?
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235. For some crazy reason, Mr.
Gamby has taken a liking to you.
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236. If you disappoint him,
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237. you're gonna have to deal with the
toughest MF-er you've ever seen.
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238. Yeah? Who's that?
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239. Me.
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240. Oh, shit!
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241. Mr. Nash just farted!
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242. How's it goin'? What's
up? What's up? What's up?
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243. What's up?
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244. You all are probably wondering
why I'm sitting with you.
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245. Well, I shall tell you.
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246. Lee Russell is an asshole.
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247. - No shit.
- Not exactly breaking news, Gamby.
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248. Yeah, it's all we've been
talking about for the last month.
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249. Well, good. Glad to
see I'm amongst friends.
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250. That way I can talk as
much shit as I want to, huh?
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251. What's your beef with him, Gamby?
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252. My beef, he's full of baloney.
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253. He's got me substitute teaching
Bill Hayden's history class.
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254. - You?
- What?
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255. - Me.
- Why can't he get a real sub?
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256. Yeah, someone more qualified.
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257. - "More qualified"?
- Mm-hmm.
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258. You trying to knock on
me? Come on, Ms. Snodgrass.
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259. I'm overqualified. This is
a slap in the face to me.
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260. Why is it a slap in the face
to teach class? Is there, uh,
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261. something wrong with teaching
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262. you wanna tell this table of teachers?
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263. Well, n... no. I mean, there's...
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264. there's nothing wrong
with it for you guys.
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265. L... look, I'm not trying
to insult anyone, okay?
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266. Sue, don't get your panties in a bunch.
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267. I'm just saying, this is another example
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268. of Lee Russell using very poor judgment.
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269. What do you expect from
ol' King Ding-a Ling?
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270. That cartoon was pretty awesome.
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271. Mm-hmm. I'd love to shake
the hand of whoever did that.
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272. I made it my wallpaper.
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273. That's fantastic! She
made it her wallpaper!
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274. Classic cartoon cutdown.
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275. Sure would love to know
who did it. Did you do it?
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276. Amanda, did you hear from the
publisher about your book yet?
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277. - No, not yet.
- Oh.
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278. - Fingers crossed.
- Yeah.
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279. Publisher? What are
you guys talking about?
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280. - Wait...
- Amanda's boyfriend has connections
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281. at Penguin Press, and he's
trying to help her get published.
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282. Yup. That's right. Thanks, Jen.
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283. - Yeah, sure.
- Well, if that's all you're looking for,
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284. you should have told me ages go.
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285. I have several esteemed colleagues
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286. who dominate in that field
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287. - of business stuff.
- Oh.
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288. I had no idea, but I guess Brian was
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289. just the first to
believe in my work, so...
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290. Yeah, I bet he believes
in your work all right.
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291. Tell me, uh, did you, uh,
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292. ever even read my book?
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293. - I'm reading it right now.
- Yeah, where are you?
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294. I'm at the part where all the,
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295. the... stuff is going
on to the main character.
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296. - What, page one?
- Ms. Snodgrass, I think you just need
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297. to keep your feet on the ground, okay?
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298. I mean, I'm sure this Brian
is gonna promise you the world
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299. if he thinks he can unzip your blouse
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300. and slip and slide his
privates all over your lips.
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301. - Whoa, Neal.
- I'm sorry, Sue.
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302. You do not know what
you are talking about.
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303. But if I am lucky enough
to get my book published,
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304. I'll be sure to sign a copy for you.
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305. Well, that's not gonna happen,
so don't worry about it.
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306. Oh-ho-ho-ho-ho-ho-ho!
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307. Thanks a lot, Neal.
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308. - No, I don't mean...
- No, I understood.
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309. - Thank you. I got it...
- No, I mean he's not gonna be able
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310. to get it published.
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311. - Not that...
- Oh!
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312. Oh! Oh, my God, she got fuckin' faced!
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313. I wasn't trying to face her.
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314. I was just trying to
give her some advice.
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315. Oh, fuck!
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316. Shit.
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317. Goddammit!
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318. - Goddammit!
- What the hell?
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319. Bill, what the fuck are you doing?
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320. What the fuck are you doing?
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321. That was a classic comedy cutoff.
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322. I pulled in front of you,
you were gonna slow down,
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323. swerve out of the way, we'd
get out and both laugh about it!
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324. - What?
- Look, can I ask you a favor?
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325. Do you have any of your old lesson plans
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326. for the, uh, Reconstruction era?
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327. Go fuck yourself.
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328. Bill, please, be professional
for a moment here, okay?
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329. You fired me and now you want my help?
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330. Fuck you, Neal.
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331. Think about the children, okay?
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332. - They are our future, Bill.
- Screw the children.
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333. Well, maybe you care about this.
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334. Amanda Snodgrass.
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335. Huh? You might be interested to know
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336. she's getting pretty cozy
with Mr. Hotshot Porsche.
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337. Brian Biehn?
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338. Brian Biehn? That's what he's called?
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339. What else do you know about him?
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340. He's a fucking novelist.
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341. He teaches a writing
course that Amanda took.
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342. So that's his game, huh?
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343. He finds young pupils
to publish and then fuck.
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344. That seems like a lot of
effort to get a girl in bed.
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345. Yeah, that's what I'm saying.
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346. He seems pretty pathetic, if you ask me.
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347. And how about her? I
mean, can you believe this?
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348. She's just got to go
from one guy to the next.
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349. I mean, obviously she has
some major codependency issues.
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350. Hey, you know what, Neal? I
don't want to bond with you.
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351. - We're not, like, friends or anything.
- Uh, yeah. No duh.
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352. I'm not trying to bond with you.
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353. I'm not trying to be friends.
I know we're not friends.
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354. Don't fucking come around here anymore.
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355. Bill, if you need a job
rec, let me know, okay?
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356. Because I'm not petty.
I will give you that.
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357. Only thing I need from you, Neal,
is for you to go fuck yourself.
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358. So, why don't you do that?
That would be a big favor to me.
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359. Thank you for the information on Brian.
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360. I appreciate it. Good luck.
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361. I insist
that every room be searched.
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362. Daddy?
Sara.
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363. Daddy! Oh, Daddy, it is you!
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364. I found you, I found you!
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365. They said you were dead,
but I knew you weren't!
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366. I knew you'd come back!
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367. Oh, Daddy!
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368. My mom is right here.
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369. Shh. She's sleeping.
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370. - It is big, isn't it?
- Why are you asking me?
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371. Well, you're the one I
stick it in, Christine.
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372. Who else am I gonna ask?
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373. Yeah, it's fine. I mean, I don't know.
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374. I haven't seen a lot of penises.
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375. Well, certainly you know if it's...
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376. if it's small.
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377. It's perfect for me.
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378. Big ones hurt.
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379. Well, I could hurt you.
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380. I could hit both walls if
I wanted, and your uterus.
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381. Just get away from me.
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382. - Lee!
- No, I'm going to bed.
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383. Turn the television
off and go to bed.
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384. That's enough TV for you.
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385. Must you cry?
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386. I don't understand why
you guys bought all this stuff.
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387. The room was already set up.
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388. You don't even have curtains that work.
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389. Gale, what do I need curtains for?
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390. I don't even have neighbors.
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391. You know what, Janelle?
I like this place for you.
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392. Thank you, Ray. I appreciate
you being supportive.
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393. I don't know why she can't
just drop the child off
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394. and keep her stupid mouth shut.
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395. I don't understand why you decided
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396. to move to a fucking pioneer house
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397. 30 miles in the middle of Bumfuck.
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398. I'm living in a secluded place, Gale,
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399. for our daughter's safety.
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400. What if I were staying in
town or staying at your place
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401. and the murderer tracked
me down there? Don't...
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402. He'd blast you in your f-ing face,
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403. kill her, and maybe even kill Ray.
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404. - He's gonna murder me?
- No one's gonna murder you, baby.
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405. You're off the grid
now, that's for sure.
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406. You'll be safe out here.
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407. Safety is just an illusion, Ray.
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408. All it takes is one nutball
with a high-powered rifle
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409. to shatter that illusion
to a fine, pink mist.
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410. Well, maybe more of a reason
to get curtains that work.
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411. - That's all.
- Do you always have to be so negative?
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412. - I'm not negative. I'm...
- Neal,
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413. take me and show me around outside.
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414. Let the girls get the room all set up.
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415. Why is everyone acting
like the room is not set up?
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416. The room has been set up.
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417. And they threw the barn in with it.
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418. As you can see, security
is a very big deal to me,
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419. so I've been turning this barn
into my command central station.
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420. Kind of paranoid, bud.
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421. Isn't this a little over the top?
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422. Ray, my shooter's still at-large.
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423. I'm not gonna rest until
I catch this fucker.
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424. Who are you looking up?
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425. Brian Biehn. Globetrotting author
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426. and professor of English studies.
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427. - What's he with, a gang?
- No, looks like it's a photograph
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428. from his first novel, Sky's the Limit.
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429. "Firsthand account of a hard life
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430. from child soldiers in Uganda."
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431. Damn.
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432. Looks like it was also a Critic's Pick.
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433. Hm.
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434. What's he doing in that picture?
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435. This is from his second
novel, The Ripest Fruit.
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436. "Brian Biehn embeds himself with
an Indonesian tribe of cannibals."
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437. This guy's for real.
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438. Looks like Brian Biehn might
be my number one suspect
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439. on my shooter's list.
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440. He's got the motive.
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441. He's dating Amanda Snodgrass.
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442. Chick you took to motocross?
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443. This guy Brian stole her from you?
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444. No. I dumped her.
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445. Stopped returning her phone calls,
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446. just kind of, like, let
the relationship fizzle.
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447. - Why'd you do that? She was awesome.
- I was shot, Ray.
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448. Okay, I wasn't, like, thinking
clearly. I made some mistakes.
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449. So, it's not Brian's fault.
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450. Oh, my God.
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451. You are so dense sometimes.
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452. Listen, he tried to kill me, all right?
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453. He's hanging out with
machine guns and cannibals.
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454. Maybe this is one you let go.
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455. Funny thing about me, Ray,
when push comes to shove,
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456. I can eat people too.
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457. It's not a joke, Ray.
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458. I could eat a person if I needed to.
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459. Ooh. What's up, sexy?
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460. Hot glasses.
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461. Having honor students draw
pictures of Frankenstein?
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462. That's so dumb, Neal.
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463. I know it's dumb.
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464. This teacher bullshit.
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465. I'm just putting a B+ on all
of 'em and calling it a day.
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466. You know, if you want some help
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467. with all this teaching stuff,
I could come work with you.
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468. I'm on different meds now.
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469. It would be better this time.
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470. I'm not interested.
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471. I don't want companionship
from anybody right now.
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472. My mind is focused on
more important things.
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473. Give me a break. Snodgrass?
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474. - Biddy-bop!
- What's up, Milner?
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475. - Hey.
- What's up?
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476. I see maybe two kids
here who could be artists.
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477. The rest are shit.
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478. What the hell do you know?
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479. You're a science teacher, Milner.
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480. I know art when I see it.
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481. Like King Ding-a Ling. In
fact, everybody, have you heard?
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482. There's a new one of Russell out.
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483. - There's a new drawing?
- On the bulletin board.
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484. Wah-ha!
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485. "Racing to a stop"?
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486. Is he
smiling or is he scared?
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487. HUH. Does Lee even ride a bike?
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488. I don't think I've ever seen him on one.
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489. This is not as good as
King Ding-a Ling, but...
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490. I'm not quite sure
what he's trying to say.
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491. When did this
go up? It must just have
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492. - because it wasn't there a minute ago.
- Well, I just noticed it.
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493. But you're right. Not
as good as the last one.
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494. Oh, it's disappointing.
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495. What's up, Deep Throat?
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496. Feel like a teacher yet?
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497. Oh, fuck you. Don't call me that.
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498. So what's the word?
You hear any good shit?
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499. Well, the teachers definitely hate you.
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500. They mock you at every turn.
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501. No shit.
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502. Give me somethin' I can use.
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503. Who drew the cartoon?
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504. - I got a theory.
- Was it Mrs. Deets?
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505. No, not Deets.
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506. Milner. Science teacher.
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507. He revealed a second drawing
in the teachers' lounge.
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508. A... a second drawing?
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509. Don't worry, it wasn't any good.
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510. It was you buck naked on a bicycle
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511. with your tiny pecker barely
poking out of your pubic hairs.
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512. It was like "Racing to a stop."
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513. I don't know what the fuck he
was trying to say, but it failed.
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514. It's like he expected it
to be an uproarious sequel,
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515. - but it scored no laughs.
- Fuckin' Milner.
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516. I thought he was a decent Christian man.
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517. Too bad I can't destroy a handicap
the way I would a normal person.
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518. Well, good job, Gamby.
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519. Now would you please
just do me one more favor?
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520. Would you stop wearing
this old Warriors' shit?
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521. - Russell, I don't understand what the big deal is.
- It's time, Gamby.
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522. I can't have my VP living in the past
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523. while everybody else moves forward.
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524. I'm not gonna ask you again.
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525. So, is that the end of the meeting?
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526. This is the end, Gamby.
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527. Leave your jacket.
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528. - Why do I have to be here for this?
- Because, Janelle,
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529. if Brian Biehn happens to neutralize me,
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530. you're gonna have to fend for your life.
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531. Clear!
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532. One false step, sayonara.
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533. Don't roll your eyes.
What's gotten into you?
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534. I don't like coming way out here.
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535. It's too far from all my friends.
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536. Well, you're gonna
be pretty far from your friends
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537. when you're in heaven,
dead from being shot.
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538. Clear. Brian Biehn. Destroyed him.
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539. Gotta beat him. You see, you identify,
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540. you get behind him, up
his asshole like that.
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541. Wonderful to see you, Mr. Biehn.
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542. I call this little
shit-thrower the Apocalypto.
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543. Stuck like a fucking pig.
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544. Stab his privates. There you go.
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545. Trespass me?
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546. Fuck you, Brian Biehn.
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547. Why don't you write your way
out of this trap, book fuck?
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548. Safety above all else.
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549. Ibsen said
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550. that there are two kinds of conscience.
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551. One in a man,
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552. and the other, in an
altogether different way,
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553. in a woman.
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554. Very insightful.
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555. So we will pick this up next week.
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556. Thank you all for your
rapt devotion and attention
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557. to Henrik Ibsen.
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558. I have a couple of ideas for you two.
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559. What if you two dramatize act three?
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560. Let's get together tomorrow night
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561. and we can rehearse a little bit.
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562. - Fascinating lesson, Mr. Professor Biehn.
- Thank you.
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563. Um, I'll see you later, all right?
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564. I haven't seen you in,
uh, my class before.
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565. Uh, is there something I can do for you?
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566. Detective Bernard Willows from the, uh,
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567. Downtown Police Precinct offices.
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568. What's this all about?
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569. How 'bout I ask the
questions today, okay?
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570. Did I do something wrong, Officer?
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571. "Detective." And that's
what I'm here to find out.
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572. When was the last time you were
at North Jackson High School?
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573. Today.
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574. I dropped off a friend,
Amanda Snodgrass.
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575. She's a teacher there.
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576. And are you...
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577. girlfriends and boyfriends
with this teacher?
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578. I don't like to use
the term "girlfriend,"
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579. but we, uh, we are dating, yes.
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580. Have you made intercourse
with this woman?
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581. - Excuse me?
- Coitus.
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582. Flesh-to-flesh.
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583. What did you say your name was?
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584. Detective Bernard Willows.
You want to see my badge again?
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585. How about my fucking gun, huh?
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586. Is Amanda in some kind of trouble?
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587. No. You are.
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588. And you do not want to get
on my bad side, do you hear?
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589. - What?
- Do you own a gun, Professor?
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590. A nine millimeter?
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591. No, I do not own a gun.
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592. Have you ever taken
a gun and shot someone
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593. in the hip and in the
motherfucking shoulder?
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594. No! I hate guns.
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595. I know what guns can do to people.
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596. I'm trying to assess whether
you're being truthful or not.
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597. I would feel a lot more comfortable
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598. if I had a lawyer present.
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599. We're not calling any fucking
lawyers, do you understand me?
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600. I will cooperate.
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601. - What can I do?
- I'll tell you what you can do.
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602. You can stay the hell
away from Amanda Snodgrass.
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603. There is nothing but
trouble for you there.
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604. I'm helping Amanda with her novel.
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605. Pathetic.
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606. You better stay off my fucking bad side.
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607. I understand.
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608. Good.
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609. And I appreciate your
cooperation, citizen.
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610. It's time to go do the other
mysteries that I have to work on.
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611. Good day.
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612. Fuck no.
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613. Let's do it. Let's just do it.
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614. What?
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615. Uh, okay.
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616. Okay, this is cool.
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617. Baby? Guess what? I...
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618. What?
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619. Oh, gross.
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620. Hey! Did you go to the college
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621. and pretend to be a cop to Brian?
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622. Where did you hear something like that?
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623. From Brian. He told me a
cop named Willows came by
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624. asking about me. It
wasn't hard to figure out.
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625. Okay, fine. You got me. Yeah.
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626. I went over there to go inspect
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627. that son of a bitch to
see what he was up to.
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628. Are you out of your mind?
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629. You pulled a gun on him, Neal.
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630. Okay, if he's telling you that,
then he's telling a big lie
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631. 'cause I did not do that.
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632. And all of this crazy shit,
'cause you're jealous now?
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633. Come on. Don't get a big head.
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634. No, I went over there because, yes,
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635. I did suspect him as being my shooter.
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636. So, I wanted to check up on
him, not because I'm jealous,
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637. but my assumptions
were correct about him.
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638. He doesn't have the contacts
it takes to get you published.
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639. He's just trying to fuck you.
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640. Well, the Penguin Press
are flying me to New York
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641. for a meeting, so you're wrong.
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642. - You got the meeting?
- Yes, I did.
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643. Yup.
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644. - Congrats.
- Thank you.
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645. But I'm sure he's just setting
the meeting so he can fuck you.
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646. Stop it.
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647. If you care so much
about who I'm dating,
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648. then you tell me why you stopped
talking to me after the shooting.
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649. You think that you know
me, okay, but you don't.
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650. I've done some really terrible things.
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651. Some really bad stuff.
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652. And I was just trying to protect you.
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653. Oh, my God, Neal.
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654. You know what?
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655. You don't even need to bother.
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656. I'm a big girl. I've been dumped before.
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657. You don't have to squeeze
out some bullshit story
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658. for my benefit, okay?
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659. You know, uh, actually, this
is... this is for the best
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660. because we never would have worked
out anyway if you think about it.
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661. I mean, we were both
just desperate and, um...
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662. you're not even my type.
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663. Well, you're not even my type either.
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664. Okay.
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665. I don't like it when girls
have just landing strips.
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666. I've always liked it more when
girls have full-blown beavers.
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667. Anybody who knows me knows that.
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668. So, no matter how close
we would have gotten,
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669. it would have only been so close
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670. 'cause you just don't have
enough pubic hair.
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671. Okay.
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672. - You're dismissed.
- See ya.
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673. "Reconstruction was one of the
most difficult eras in US history.
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674. The Civil War had reduced the South
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675. into a poverty-stricken backwater.
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676. Who shut off the light?
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677. Economy in ruin, populous divided,
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678. many died, many more were wounded.
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679. Left with a broken nation,
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680. rebuilding what was destroyed
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681. would prove to be the hardest part.
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682. Those who opposed the new regime
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683. instigated violence carried out
by secret, sinister organizations."
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684. Help! Help me!
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685. "A federal intervention was instituted... "
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686. - Help me, somebody!
- "... to suppress the disruptive factions.
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687. But it was followed by a deep,
national economic depression
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688. that contributed to
the growing frustration
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689. in both the North and the South.
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690. My hands! Anybody!
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691. "Even amidst defeat,
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692. - the South refused to accept the inevitable."
- Help!
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693. Help me!
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694. I think he was trying to break
my fingers, but he couldn't.
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695. - Who? Who did?
- I don't know!
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696. It was too dark.
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697. "They did all they could to defy
the unstoppable tide of change,
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698. but it was too late.
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699. A war had been fought.
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700. They had lost,
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701. and history is written by the winners."
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