1. Save Shelly.
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2. Save Shelly.
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3. Why, who in the world
let Major Briggs loose, Leo?
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4. lt couldn't have been you, could it?
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5. No, no. No punishment, Leo.
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6. lt's too late for that
to do us any harm.
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7. And l have a new game for you.
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8. Well, here's our contribution
to the Miss Twin Peaks gala buffet.
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9. And l fully expect to see one of you
up there in the winner's circle.
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10. - Dream on, Norma.
- Don't be so sure.
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11. This is the biggest day of the year
for us.
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12. And we have to have somebody
up there
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13. who really deserves this title.
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14. Especially this year.
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15. You mean Laura Palmer?
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16. lt would be a good day for healing.
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17. l think we need more than a day.
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18. So, Norma, are they gonna
honor you tonight
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19. on your 20th anniversary
of winning Miss Twin Peaks?
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20. Don't remind me.
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21. Come on,
if you entered today, you'd win.
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22. Look at you,
you're already working on the judge.
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23. Well, since you mentioned it...
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24. Who are you gonna vote for?
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25. Maybe you could split your vote.
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26. - Hi, Daddy.
- Audrey.
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27. The most intelligent face
that l've seen all day.
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28. You make the rest of us
look like primates.
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29. What's with all the books?
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30. Yes, the Koran,
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31. the Bhagavad-Gita, the Talmud,
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32. the Bible, Old and New Testaments,
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33. the Tao Te Ching.
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34. Audrey, l hold in my hands
those holy books
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35. which constitute
the fundamental framework
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36. of humanity's
philosophy of good.
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37. Somewhere in here
are the answers that l seek.
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38. And l intend to read them
from cover to cover, until l find...
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39. Listen to me prattling on.
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40. lt's Jack, isn't it?
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41. lt's only been a day.
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42. l hope it doesn't hurt this much
in a week.
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43. Honey, may l give you
a piece of ageless wisdom
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44. culled from these volumes?
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45. Time heals all wounds.
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46. l know how it feels.
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47. Believe me.
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48. We barely had time
to know each other.
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49. But the time that you had
was highly concentrated.
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50. lt's the concentrate
they make concentrate from.
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51. l'm afraid l'll never see him again.
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52. Jack is a man of his word.
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53. And if he said that he'd be back,
then he will be back.
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54. l promise you.
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55. Daddy, you can't promise me,
but thanks for wanting to.
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56. l actually came here
to update you on my trip to Seattle.
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57. Right. Update away.
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58. Okay.
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59. The Packards are using
Twin Peaks Savings and Loan
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60. to funnel cash
to the Ghostwood project.
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61. But the bank is keeping
a very low profile.
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62. lt seems they don't want
any bad publicity.
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63. Oh, they don't?
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64. Well, bad publicity
is exactly what they're gonna get.
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65. Audrey, have you given
any more thought
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66. to the Miss Twin Peaks Pageant?
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67. Daddy...
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68. From the bottom of my heart,
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69. l don't wanna be
the town bathing beauty.
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70. l understand.
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71. But Miss Twin Peaks
is the ultimate local forum.
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72. Audrey.
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73. lt would truly be inspirational
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74. to have a winner
with a political sensibility
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75. that extends
beyond makeup strategies
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76. and recipes for cherry pie, huh?
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77. Now, as you know,
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78. each contestant gives a speech
to the assembled town.
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79. This year's theme concerns
our immediate environment.
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80. And what we must do to preserve it.
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81. l know there's another way to do this,
Daddy.
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82. Audrey, make the speech.
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83. Help stop Ghostwood.
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84. And take us to a better day.
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85. Has he taken his eyes off it yet?
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86. Not today.
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87. And before you ask,
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88. we still got people out
combing the woods for Major Briggs.
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89. Harry, considering our mutual
connection to Project Blue Book,
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90. l believe that Windom Earle
has targeted the major.
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91. - What for?
- lnteresting.
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92. l don't know.
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93. But with your permission,
l'd like to speak out loud.
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94. Windom Earle has been
seeking access to the Black Lodge
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95. as far back as 1 965.
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96. This chess game may involve
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97. more pieces
than we've begun to imagine.
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98. Then of course,
there's the mysterious circumstances
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99. surrounding Josie's death
to consider.
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100. What about them?
Consider them how?
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101. When she died-- l'm sorry
l didn't mention this before, Harry,
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102. but l had to take into account
your mental state.
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103. What is it?
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104. She was trembling with fear.
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105. l would go as far as to say
quaking like an animal.
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106. l might venture a guess to say
that it was the fear that killed her.
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107. At the moment of her death...
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108. ...l saw Bob.
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109. As if he had slipped in
through some crevice in time.
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110. Upon reflection, l believe
there's a connection
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111. between his appearance
and Josie's fear.
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112. As if he was attracted to it.
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113. Feeding off it somehow.
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114. You see a connection
between Bob and the Black Lodge?
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115. Harry,
l think it's where he comes from.
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116. l think that the Black Lodge
is what you have referred to in the past
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117. as ''the evil in these woods.''
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118. lf Windom Earle is seeking access
to that,
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119. it is imperative that we find our way in
before he does.
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120. There's a source of great power there,
Harry.
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121. Far beyond our ability
to comprehend.
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122. Eureka!
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123. Dale, l could kiss
your pointy little head.
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124. lt's fear.
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125. lt's fear, Leo. That's the key.
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126. My favorite emotional state.
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127. And all this time,
it's been staring me right in the kisser.
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128. Leo, it's marvelous, a perfect fit.
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129. These night creatures that hover
on the edge of our nightmares
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130. are drawn to us
when we radiate fear.
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131. lt's their bread and butter.
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132. A perfect symbiosis.
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133. Oh, nature,
perfect in design and aspects.
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134. You do not disappoint!
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135. Leo, look lively.
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136. Victory is at hand.
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137. We know where the entrance is.
We know when the lock appears.
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138. Now we hold the key in our hands.
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139. Forgive my hasty departure,
dear one.
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140. The time has come
to gather my beloved queen
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141. and embark
upon our dark honeymoon.
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142. l haven't been this excited
since l punctured Caroline's aorta.
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143. Leo, we must share
a final sentiment.
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144. During our time together
in this verdant bower,
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145. l must confess, l've developed
something of a fondness for you.
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146. Sounding board, companion,
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147. ever obedient and faithful.
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148. An overall A for effort, Leo.
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149. But l'm still a trifle miffed
at your release of Major Briggs.
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150. But then, you'll have plenty of time
to reflect upon that, won't you?
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151. Goodbye, Leo.
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152. And good luck.
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153. One and two and three, step four.
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154. And one and two--
Let the mood carry you.
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155. Don't be afraid of your vulnerability.
Show me more leg.
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156. What kind of a dance
is this supposed to be, Mr. Pinkle?
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157. lt's a dance of nature, my friend.
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158. lt's a celebration.
All right, girls.
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159. Now, turn around
and bend forward
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160. like a sapling.
A sapling in the wind.
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161. That's it. A little bit more, and hold it.
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162. What exactly are we celebrating
with us all bending over like this?
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163. Don't ever question the vision
of your choreographer!
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164. You are but a petal on my rose.
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165. Now, please, people.
On the count of one.
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166. One and two and three and four.
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167. And one and two
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168. - and three and four...
- l love a chorus line.
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169. lf we could just focus here
for a second.
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170. l've gotta get back to the diner.
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171. Now, what qualities do we think
best exemplify Miss Twin Peaks?
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172. Beauty and power.
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173. That's the way l like them.
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174. Poise and, God help us,
a sophistication
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175. and breeding.
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176. Well, l think a major factor
should be originality.
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177. Well, wouldn't that fall under talent?
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178. lt's always nice when it does.
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179. Personally,
l've always been big on style.
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180. l think this is enough
for me to work with,
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181. so l'm gonna go back
and work up the scoresheets,
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182. and l'll see you tonight.
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183. - Terrific.
- Bye.
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184. And three and four.
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185. Okay, that's a break, team.
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186. Hi, Dick. We're on break.
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187. Hi, Lana.
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188. Would you mind helping me
find something in the storage room?
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189. Storage room?
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190. We're missing
a very important prop.
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191. Come on.
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192. l'm having trouble.
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193. Well, just flick it.
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194. Now, what exactly
did you need to find?
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195. - Lana?
- Oh, did l do that?
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196. What are you looking for?
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197. Well, now, l don't know
the exact technical name for it, but...
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198. Does anything--?
Does anything in here look like it?
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199. Oh, l think this might be it.
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200. Oh, by George, l think you've got it.
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201. Diane, it's 1 :1 7 p.m.
l have just concluded
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202. my second meditation of the day
in lieu of sleep.
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203. And l feel completely refreshed
and struck again by the realization
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204. that all of us on this great big
planet Earth
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205. live at only a fraction
of our potential.
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206. We are working round the clock
on the cave petroglyph.
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207. l am certain that the answers lie
in this mysterious etching.
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208. l am also convinced
that Windom Earle
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209. is searching for exactly
the same thing as we are
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210. for diametrically opposite reasons.
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211. lf l'm correct in my assumptions
about the power of this unholy place,
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212. God help us if he gets there first.
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213. Diane, at this particular juncture,
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214. l would like to make specific mention
of Annie Blackburn.
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215. She is a completely original
human being.
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216. Her responses,
as pure as those of a child.
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217. l must be honest, l haven't felt this way
about a woman since Caroline.
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218. lt has taken meeting Annie
for me to realize
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219. how gray my life has been
since Caroline's death.
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220. How cold and solitary.
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221. Although occasionally,
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222. there is something to be said
for solitude.
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223. Annie Blackburn,
you have almost perfect timing.
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224. That's not
what our choreographer says.
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225. What can l do for you?
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226. Well, l need to give a speech
in six hours.
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227. l haven't written a word,
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228. and l don't have any idea
what l wanna say.
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229. l'm in a complete
sweaty-palmed panic,
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230. and l need to talk to someone,
namely you.
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231. What's your topic?
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232. What you can do
to save our local forests.
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233. l just don't wanna stand up there
like some deranged Barbie doll,
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234. saying things like,
''Make sure your campfires are out,
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235. kind of like my brain.''
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236. - You're terrified of public speaking.
- Yes.
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237. All right, well...
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238. ...our forests need saving because
of the way people regard them.
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239. Expendable.
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240. lf the Ghostwood development
cost thousands of lives,
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241. do you think it would have
a chance of going forward?
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242. Well, trees aren't the same
as people.
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243. But they are alive.
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244. Your forest is beautiful
and peaceful.
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245. Part of it's been damaged.
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246. l've tried to replant,
but nothing's taken root.
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247. Every forest has its shadow.
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248. l can see half my life's history
in your face,
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249. and l'm not sure that l want to.
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250. l don't wanna talk about trees
anymore.
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251. All l know is,
l wanna make love with you.
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252. And this is me with last year's
regional champion from Yakima.
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253. He was cute, but a little slow. Next.
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254. Oh, and this is me
with Brock Farmington,
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255. triple-A champion from Spokane.
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256. Superior upper-body strength,
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257. and quads like bridge supports.
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258. l pinned him in a minute five.
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259. Next.
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260. Oh, this is me
with all the stuff l won.
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261. - That's nice.
- Way to go.
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262. Thank you, Nadine.
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263. Well, now,
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264. l suppose all of you are wondering
just why we've gathered here today.
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265. See, l learned that when a couple
is contemplating div--
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266. Breaking up,
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267. well, sometimes it's easier
to talk about our feelings
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268. when we're around other people.
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269. So, Nadine,
maybe you'd like to begin.
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270. Okay.
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271. Well, l guess it all started
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272. when l noticed Mike's buns
in the hall at school.
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273. Yes.
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274. Well, how are you feeling now?
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275. Well, a little guilty, l guess.
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276. l mean, Mike and l are hot.
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277. And Miss Twin Peaks is tonight,
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278. and Mr. Pinkle thinks
l'm a show-business natural.
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279. Well, l mean, because l'm so happy,
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280. l worry about Ed being sad.
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281. Ed, is there something
that you'd like to tell Nadine?
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282. Nadine...
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283. ...Norma and l
plan on getting married.
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284. Really?
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285. Well, that's wonderful, Eddie,
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286. because Mike and me
are getting married too.
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287. Which way is the castle?
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288. - l waited for you.
- Thanks, Harry.
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289. Not that he's too talkative.
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290. He checks out okay physically.
Doc ran some blood tests.
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291. He's been shot full of haloperidol.
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292. Right.
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293. Garland?
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294. Did Windom Earle do this to you?
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295. Garland?
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296. Odd name.
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297. Judy Garland?
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298. Was it Windom Earle?
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299. lt was God, l suppose.
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300. Garland, where did he take you?
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301. The woods?
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302. Can you be more specific?
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303. They were lovely.
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304. Dark. The king of Romania
was unable to attend.
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305. Harry, this is gonna take some time.
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306. - How much time we got?
- Not enough.
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307. Let's leave him here with us.
Maybe something will bubble up.
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308. Harry, we're in trouble.
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309. lf the door to the Black Lodge
does exist,
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310. it probably exists at a point in time.
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311. Now, an object, such as a door,
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312. normally exists at a point
in time and space.
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313. By way of contrast,
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314. a shooting star normally exists
at a point in time
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315. over a continuum of space.
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316. But taken from the star's point of view,
it's a completely different experience.
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317. You just lost me.
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318. lf we're not at the right place
at exactly the right time,
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319. we won't find our way in.
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320. Sheriff?
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321. Could the Four-H Club
have anything to do with all of this?
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322. Doubtful, Andy.
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323. This has to be the last box.
Look at it.
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324. l can't take any more of this.
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325. Boxes inside boxes.
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326. Whatever is in that
better be worth a fortune.
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327. Maybe it's not a box at all.
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328. Maybe it's just a block
of stainless steel.
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329. - Eckhardt's last little joke.
- lt'd be a good one.
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330. Let's channel
some of that high wit into the job.
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331. Again.
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332. l can't believe a little crumb like that
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333. can stand up to
this Cram Jack all-duty vise.
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334. On three. One, two and three!
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335. l'm sorry, Andrew.
That was my fault.
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336. Dumb boxes!
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337. Andrew!
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338. Darn boxes.
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339. Nice shooting, Andrew.
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340. Look at that.
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341. A key!
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342. And where there's a key,
there's a lock.
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343. lt should be kept safe.
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344. Yes, in plain sight.
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345. You two don't trust each other?
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346. Of course we do.
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347. Like brother, like sister.
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348. How about here?
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349. ln the cake saver.
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350. ln plain sight.
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351. - So we have a key.
- Yes, we do.
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352. You look truly beautiful.
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353. Read us your speech.
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354. l'd rather talk about the truth
right now.
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355. What truth is that?
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356. l know something's going on
with you and Benjamin Horne,
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357. and l wanna know what it is.
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358. Donna,
don't talk to your mother like that.
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359. You know, l'm really tired of you
talking to me like l'm a child.
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360. l wanna know what's going on.
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361. Donna, l understand your feeling.
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362. But there are some things
you just have to trust.
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363. You're young
and you don't know all the limitations.
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364. l know the limitations of lying.
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365. l know that you raised me
to tell the truth.
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366. l expect the same from you.
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367. lf you're not gonna tell me
what l need to know,
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368. l'll find out from Benjamin Horne.
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369. - No.
- Then tell me.
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370. All right, this is your choice,
not mine.
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371. Donna.
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372. Donna!
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373. By heavens.
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374. Andy, take a look at this.
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375. What you mistook
for the Four-H Club,
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376. the four and the H,
are actually astrological symbols.
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377. - You mean, like planets?
- Why, yes, Andy.
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378. They stand for Jupiter and Saturn.
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379. Some of the others
represent planets as well,
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380. but this particular part of the puzzle
pertains to a precise planetary position.
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381. - Jupiter and Saturn in conjunction.
- What's that supposed to mean?
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382. Well, historically, Harry,
when Jupiter and Saturn are conjunct,
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383. there are enormous shifts
in power and fortune.
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384. Jupiter being expansive
in its influence,
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385. Saturn, contractive.
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386. Conjunction suggests a state
of intensification, concentration.
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387. What this indicates to me
is the potential for explosive change,
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388. - good and bad.
- So when's the next conjunction?
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389. Well, now, let's see.
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390. According to the ephemeris...
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391. ...the next conjunction is due
January to June.
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392. My God, Harry.
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393. The door to the Lodge.
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394. That's when it's open.
That's what the puzzle is telling us.
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395. lt's telling us
when it's gonna be open.
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396. Protect the queen.
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397. lf it's telling us when,
then it must also tell us where.
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398. Fear and love open the doors.
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399. What's he saying?
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400. He said,
''Fear and love open the doors.''
Copy !req
401. Two doors, two lodges.
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402. Fear opens one, the black.
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403. - Love, the other.
- What's that mean?
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404. l don't know exactly.
lt just came to me.
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405. How does the queen--?
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406. - Of course, the queen.
- Of Romania?
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407. No. The chess game's final piece.
Harry, follow my logic.
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408. - lf Windom Earle takes the queen--
- Game's not over till he takes the king.
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409. That depends. Maybe he takes her
to the doorway when it opens.
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410. - Which queen are we talking about?
- Agent Cooper.
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411. Just a minute, Andy.
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412. The queen. The queen.
The crown. The queen.
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413. - Harry, the queen.
- Agent Cooper?
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414. Andy, please.
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415. Harry, Miss Twin Peaks.
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416. - Holy smokes, that's it.
- Yeah. Yeah.
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417. Agent Cooper, please.
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418. Andy.
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419. Coop, the plant's been bugged.
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420. This bonsai isn't from Josie, Harry.
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421. This bonsai's from Windom Earle.
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422. He's way ahead of us,
Copy !req
423. and we've been working for him
from the beginning.
Copy !req
424. - What time does that contest start?
- Any minute.
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425. Let's go.
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426. Agent Cooper. Agent Cooper!
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427. Welcome, ladies and gentlemen.
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428. l hope you've had a good weekend.
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429. And welcome
to the Miss Twin Peaks Pageant,
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430. in which one of these lovely
and talented young citizens
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431. will soon be crowned
Miss Twin Peaks.
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432. And now, commencing
our talent section of the show,
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433. Lucy Moran.
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434. Come on.
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435. Small town, man.
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436. So, what,
did you bring your whole family?
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437. We're pulling in deputies from all over
to surround the place.
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438. They should be here any time.
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439. Harry, it is essential whoever wins
this contest receive 24-hour guard,
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440. house security, l want the works.
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441. As soon as she's announced.
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442. Our next entry
is Lana Budding-Milford,
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443. who will perform a dance of...
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444. ...contortionistic jazz exotica.
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445. - Lana?
- Agent Coop--
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446. There, my friend, is a real artist.
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447. There is only one way to save a forest,
an idea, or anything of value.
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448. And that is by refusing to stand by
and watch it die.
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449. There is a law of nature,
which is more fundamental to life
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450. than the laws of man.
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451. And when something you care about
is in danger,
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452. you must fight to save it
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453. or lose it forever.
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454. Thank you.
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455. Thank you, Audrey Horne.
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456. Now a brief musical interlude.
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457. Thanks, Daddy.
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458. l'm gonna go out there.
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459. l wanna know what's going on
with you and my mother.
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460. Donna.
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461. l think the wisest course would be,
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462. first of all, just to get together
and talk about this.
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463. l don't think so.
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464. Donna, l really don't think
this is the time or the place.
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465. Old pictures,
Horne bearer bonds in the attic,
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466. love letters to my mom.
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467. l want to tell the truth.
l want to do the right thing.
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468. A birth certificate
with no father's name on it.
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469. What the hell's going on here,
Mr. Horne?
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470. Why won't anyone tell me the truth?
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471. Donna.
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472. Your mother and l...
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473. You're my father?
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474. Donna.
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475. And to illustrate my point,
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476. l'd like to quote these words
from Chief Seattle,
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477. leader of the Suquamish tribe:
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478. ''Your dead are soon forgotten
and never return.
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479. Our dead never forget the beautiful
world that gave them being.
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480. They still love its verdant valleys,
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481. its murmuring rivers,
its majestic mountains.
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482. When the last red man has vanished
from this earth,
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483. these forests and shores
will still hold their spirits.''
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484. For the lndians love the earth
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485. as a newborn loves
its mother's heartbeat.
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486. Why have we all lost touch
with this beauty?
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487. Maybe saving a forest starts
with preserving some of the feelings
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488. that die inside us every day.
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489. Those parts of ourselves
that we deny.
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490. For if we cannot respect
that interior land,
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491. then neither can we respect
the land we walk.
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492. So let us, in walking gently
upon the earth,
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493. leave behind a simple legacy.
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494. That we're new warriors,
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495. mystic warriors who love the earth
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496. and tried to save it.
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497. Thank you very much.
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498. Thanks to all our contestants.
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499. Balloting will now commence,
and we will then announce our winner.
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500. Have you both forgotten
what day this is?
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501. Miss Twin Peaks Day?
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502. Today is the day
my unborn child receives a dad.
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503. lt was right on the tip of my tongue.
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504. l have decided
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505. that regardless of which individual
is biologically responsible,
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506. that l want Andy to be the father
of my child.
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507. Really?
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508. l'm sorry, Dick, but l just have to do
what's best for little what's-his-name.
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509. Oh, no, not at all. A sound choice.
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510. Heartiest congratulations,
dearest Andrew.
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511. Now, if you'll both excuse me,
l do have a vote to cast myself.
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512. Here's to the children.
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513. Don't sound so disappointed.
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514. My God, Lucy.
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515. l'm so honored
you made this decision.
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516. And l promise l'll be a great father.
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517. But right now
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518. l've got to find Agent Cooper.
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519. Men.
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520. lt is time
to make the announcement.
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521. The winner of the contest
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522. and our new Miss Twin Peaks is...
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523. ...Annie Blackburn.
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524. Ladies and gentlemen,
your new Miss Twin Peaks!
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525. This is an outrage.
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526. She's been living in this town
about 1 5 minutes.
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527. And what the hell got into you?
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528. She gave a beautiful speech.
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529. lnherent in her message were words
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530. even the most craven of us
can ill afford to ignore.
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531. What's happening?
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532. Everybody, please,
please stay calm.
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533. Good Lord.
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534. This way.
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535. Settle down. Everybody settle down.
Don't panic! This way.
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536. l will help you.
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537. Annie?
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538. Annie?
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539. Annie?
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540. - Harry.
- What?
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541. - He took Annie.
- What?
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542. He got Annie.
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543. Bastard. He won't get half a mile
from here. We'll get him.
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544. Agent Cooper,
l've been looking all over for you.
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545. Andy, they're gonna need you
outside.
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546. This is important.
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547. That cave painting in the office,
l finally figured it out.
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548. - What?
- l knew l'd seen it someplace before.
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549. l know where it's telling us to go.
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550. lt's not a puzzle at all.
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551. lt's a map.
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0. www.tvsubtitles.net
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