1. Would you know his full name?
Copy !req
2. l barely knew the kid.
Copy !req
3. Jim.
Copy !req
4. - Jim.
- James.
Copy !req
5. James Hurley.
Copy !req
6. He said he was from Twin Peaks.
Copy !req
7. He's a drifter.
Copy !req
8. He was probably long gone by the time
Mr. Marsh pulled out of the driveway.
Copy !req
9. Did he work here long?
Copy !req
10. Mrs. Marsh hired him
to fix the Jaguar.
Copy !req
11. Jaguar...
Copy !req
12. J-A-G-W-- A car.
Copy !req
13. How did you meet him, Mrs. Marsh?
Copy !req
14. Jeffrey's Jaguar broke down
near Wallies.
Copy !req
15. l went in to use the phone.
Copy !req
16. He offered to help.
Copy !req
17. Okay, we'll check that. Thank you.
Copy !req
18. And so we bid adieu
to James Hurley.
Copy !req
19. Give it a rest.
Copy !req
20. Careful, Evelyn.
Copy !req
21. l'm not sure l can tolerate
a nervous co-conspirator.
Copy !req
22. l just want it over with, all right?
Copy !req
23. Anything you say, Mrs. Marsh.
Copy !req
24. James, we can't get out of this
by ourselves.
Copy !req
25. We're gonna need someone
to help us.
Copy !req
26. l didn't do anything.
Copy !req
27. Malcolm killed Mr. Marsh.
l'm being framed.
Copy !req
28. Can l get you something,
Miss Hayward?
Copy !req
29. No. No, thank you.
Copy !req
30. Look, it doesn't make any difference.
Copy !req
31. We can't wait for the cops
to catch us.
Copy !req
32. - l think l should call Ed.
- No, no, don't.
Copy !req
33. l gotta-- My only chance
is to talk to Evelyn myself.
Copy !req
34. lf she told me that this was all a setup,
maybe she'll just tell the police that too.
Copy !req
35. You're sure?
Copy !req
36. Yeah.
Copy !req
37. You wouldn't have a chance.
The cops will be waiting for you.
Copy !req
38. We've gotta keep moving.
Copy !req
39. She'd listen to me though.
l know she would.
Copy !req
40. Would she?
Copy !req
41. Why?
Copy !req
42. l'm gonna go call Ed.
Copy !req
43. Stay here.
Copy !req
44. Hi, Ed? Hi, it's Donna.
Copy !req
45. Listen, l don't have a lot of time,
but l think James is in trouble.
Copy !req
46. Well, he's been working
for this woman.
Copy !req
47. Working on her car,
Copy !req
48. and l think
there's been this accident and...
Copy !req
49. Hi, how are you doing, Yvette?
Copy !req
50. Listen, l heard about
your new boyfriend.
Copy !req
51. Yeah, that's great, really.
Copy !req
52. Good to hear it.
Copy !req
53. So tell me about him.
Copy !req
54. - Excuse me.
- Hi, Frank.
Copy !req
55. What were you doing
at Shelly's house last night, Bobby?
Copy !req
56. Shelly almost gets murdered and
you're worried about what l'm doing?
Copy !req
57. What about Leostein?
Copy !req
58. What were you doing
at Shelly's house?
Copy !req
59. Look, here's the deal.
Copy !req
60. Shelly and l are together, okay?
Copy !req
61. We have been for a long time,
since before Laura died,
Copy !req
62. before and after Leo
went into his drool mode.
Copy !req
63. Bobby?
Copy !req
64. Where were you
the night the mill burned?
Copy !req
65. What's that got to do with this?
Copy !req
66. Leo tried to kill you.
Copy !req
67. - Maybe you shot him.
- No way.
Copy !req
68. l went to Shelly's
the night the mill burned down,
Copy !req
69. because l was worried about her.
Copy !req
70. He was about to bury an ax
in my head
Copy !req
71. when Hank Jennings shot him
through the window.
Copy !req
72. - You sure it was Hank?
- Absolutely.
Copy !req
73. What's Hank's connection with Leo?
Copy !req
74. l don't know, man.
Why don't you tell me?
Copy !req
75. Shelly, do you have any idea
where Leo might be now?
Copy !req
76. No, l don't.
Copy !req
77. l'll assign a couple of my deputies
to the house 24 hours a day.
Copy !req
78. Hey, man,
l can take care of Shelly all right.
Copy !req
79. You can just save the deputies.
Copy !req
80. Bobby Briggs,
Copy !req
81. button it.
Copy !req
82. - You can go now.
- Okay.
Copy !req
83. Shelly, don't worry, we're not
gonna let you out of our sight.
Copy !req
84. - Thank you.
- Come on, Shelly.
Copy !req
85. l feel so much safer,
don't you, Shelly?
Copy !req
86. Bobby.
Copy !req
87. Get a life, punk.
Copy !req
88. Gentlemen.
Copy !req
89. Another trip on the ''Seattle
to Twin Peaks'' shuttle.
Copy !req
90. How are you?
Copy !req
91. - Looking good, Harry.
- Yeah.
Copy !req
92. - Albert.
- Coop.
Copy !req
93. - Gentlemen.
- What have you got?
Copy !req
94. My invite back to Twin Peaks.
Copy !req
95. Windom Earle.
Direct orders from Gordon Cole.
Copy !req
96. As he so succinctly put it:
Copy !req
97. ''l'm worried about Coop.''
Copy !req
98. Springfield, Kansas City,
Lawton, Dallas, Jackson.
Copy !req
99. Earle's been sending
gift-wrapped packages
Copy !req
100. to police departments
and major law enforcement agencies.
Copy !req
101. Each looks like a mail bomb,
but they turn out to be harmless.
Copy !req
102. The deliveries were paid for by a phony
credit card signed Windom Earle.
Copy !req
103. What's in the boxes?
Copy !req
104. One article of clothing in each.
Copy !req
105. One, a white veil, two, a garter,
three, a pair of white slippers,
Copy !req
106. four, a pearl necklace,
and finally, a wedding dress.
Copy !req
107. Caroline's.
Copy !req
108. He's got DEA and FBl,
not to mention Mississippi, Oklahoma
Copy !req
109. and lllinois State patrols
looking for him.
Copy !req
110. Everyone's invited to the party.
Copy !req
111. But my guess is, he won't dance
with anyone but you, Coop.
Copy !req
112. The vagrant from the office died
from a knife wound severing the aorta.
Copy !req
113. This guy's finger is pointed
directly at this chess piece.
Copy !req
114. How did Earle manage that
with the rigor mortis?
Copy !req
115. Well, rigor mortis goes
from head to toe.
Copy !req
116. But after two days,
it leaves the body from toe to head.
Copy !req
117. So he waited for it to leave
the arms and the fingers
Copy !req
118. so they could be maneuvered
onto the chess board.
Copy !req
119. And then he played Zeus
at the power station.
Copy !req
120. - What was found?
- This map.
Copy !req
121. Taped to the bottom of a table.
Copy !req
122. Good work, Albert.
Copy !req
123. He's making his move.
Most definitely.
Copy !req
124. Yeah.
Copy !req
125. Oh, Coop, about the uniform.
Copy !req
126. Yes, Albert?
Copy !req
127. Replacing the quiet elegance
of the dark suit and tie
Copy !req
128. with the casual indifference
of these muted earth tones
Copy !req
129. is a form of fashion suicide,
but call me crazy.
Copy !req
130. On you, it works.
Copy !req
131. Thank you, Albert.
Copy !req
132. You're awake then.
Copy !req
133. l trust you've slept well?
Copy !req
134. While you've slept,
l've learned all about you.
Copy !req
135. Leo Johnson.
Copy !req
136. The police would like to see you
as soon as possible.
Copy !req
137. Now, let me see.
Copy !req
138. Drug trafficking.
Copy !req
139. Arson.
Copy !req
140. Attempted murder.
Copy !req
141. Domestic violence.
Now l am partial to that.
Copy !req
142. Well, Leo, l've cleansed your wounds.
Copy !req
143. You're on the mend.
Copy !req
144. l've removed the proverbial thorn
from your paw.
Copy !req
145. Leo. Leo the lion.
Copy !req
146. Now...
Copy !req
147. l want you to help me.
Copy !req
148. And obey me.
Copy !req
149. Will you do that?
Copy !req
150. Did you know that,
in the 1 3th century in Japan,
Copy !req
151. the samurai were stripped
of their weaponry.
Copy !req
152. But they discovered that the aged
and treated bamboo
Copy !req
153. of their shakuhachi flute
made an excellent cudgel.
Copy !req
154. This flute
is truly an instrument of pleasure.
Copy !req
155. Don't you think?
Copy !req
156. l wanted to save this necklace
for an occasion,
Copy !req
157. but you've ruined it.
Copy !req
158. Now...
Copy !req
159. Come over here.
Copy !req
160. l've made you some gruel.
Copy !req
161. Come on, Leo, eat your gruel.
Copy !req
162. Yum, yum.
Copy !req
163. lt's been 20 years, babe.
Copy !req
164. One day we're talking
about a graduation party
Copy !req
165. and the next day we're here.
Copy !req
166. And in between
nothing but a world of hurt.
Copy !req
167. l tried not to think about it.
Copy !req
168. l just spent
more and more time at the diner,
Copy !req
169. trying to make the place work.
Copy !req
170. Because l had nothing else.
Copy !req
171. We were open every day,
Copy !req
172. so l wouldn't have to have
another life.
Copy !req
173. No birthdays,
Copy !req
174. no Fourth of July,
Copy !req
175. no Christmas.
Copy !req
176. Well, l turned all my Christmases
into a week full of Mondays.
Copy !req
177. When that didn't work,
Copy !req
178. l thought about all the presents
l never bought you.
Copy !req
179. Never got to give you.
Copy !req
180. l bought you a present
last Christmas.
Copy !req
181. lt was a turquoise and onyx bolo tie.
Copy !req
182. l walked over to your house
to give it to you,
Copy !req
183. but l couldn't go in.
Copy !req
184. l just waited.
Copy !req
185. l could see you through the window.
Copy !req
186. l don't know why l couldn't go in.
Copy !req
187. l'm sorry l didn't.
Copy !req
188. All that time,
Copy !req
189. you should have been in my home.
Copy !req
190. ln my bed.
Copy !req
191. lt's about the future now, Ed.
Copy !req
192. And what we're gonna do about it.
Copy !req
193. l want you to come tonight
after l close the diner.
Copy !req
194. Take me home.
Copy !req
195. You're right.
Copy !req
196. lt's all ahead of us.
Copy !req
197. Plenty of time.
Copy !req
198. Eddie?
Copy !req
199. - Eddie?
- No, no, no.
Copy !req
200. l may as well talk to her now.
Copy !req
201. Hello, Nadine.
Copy !req
202. l got all the way
to the district finals at Knife River,
Copy !req
203. only to find out
the airplane slam is illegal.
Copy !req
204. l was disqualified.
Copy !req
205. Second place, what a drag.
Copy !req
206. Oh, boy, what a tough break, huh?
Copy !req
207. Hello, Nadine.
Copy !req
208. l owe you an apology, Norma.
Copy !req
209. l mean, l really pounded Hank
and l am sorry.
Copy !req
210. But l thought he was gonna do
something to Eddie.
Copy !req
211. And l sort of got mad.
Copy !req
212. Thank you.
Copy !req
213. Know what?
Copy !req
214. l know about you guys.
Copy !req
215. lt's really, really okay.
Copy !req
216. Because l don't have to feel so guilty
about me and Mike.
Copy !req
217. You and Mike?
Copy !req
218. l don't wanna get into it,
but l have to tell you,
Copy !req
219. it is really, really serious.
Copy !req
220. So you guys can go ahead
and do whatever you want.
Copy !req
221. l am completely cool
about all of this.
Copy !req
222. Really.
Copy !req
223. Josie...
Copy !req
224. This is it.
Copy !req
225. The Seattle police want answers
and l have to tell them something.
Copy !req
226. They know you were connected
with Jonathan.
Copy !req
227. How did he die?
Copy !req
228. He was shot three times
in the back of the head.
Copy !req
229. Josie...
Copy !req
230. lf you were ever gonna tell the truth,
Copy !req
231. now would be an ideal time.
Copy !req
232. Think l'll get another cup of joe.
Copy !req
233. ls that you, Pete?
Copy !req
234. - Yeah. Cooper?
- Yeah.
Copy !req
235. l get over to the Clean and Save
Copy !req
236. and Jeanie Pombelek
is working the counter.
Copy !req
237. She does not speak
one word of English.
Copy !req
238. Nada, zip.
Copy !req
239. She's from Budapest.
Copy !req
240. We just stood there
and looked at each other
Copy !req
241. like we were made of wood.
Copy !req
242. Who does all this belong to, Pete?
Copy !req
243. Catherine's been running her
into the ground.
Copy !req
244. - Need a hand?
- So l offered to stop
Copy !req
245. by the dry cleaners
and pick up Josie's stuff.
Copy !req
246. You know, the only words l know
in Hungarian are paprika and goulash.
Copy !req
247. lt took me 20 minutes
to get this stuff.
Copy !req
248. Let me get that. Give me a hand.
Copy !req
249. Hello.
Copy !req
250. Just hold a minute.
Copy !req
251. - lt's for Josie. ls she here?
- She's in the other room, Pete.
Copy !req
252. - Hello.
- Josie.
Copy !req
253. lt's Thomas.
Copy !req
254. l'm so glad l've found you.
Copy !req
255. l was wondering
if we could get together.
Copy !req
256. Did you hear about
what happened to Jonathan?
Copy !req
257. Dreadful.
Copy !req
258. Dreadful.
Copy !req
259. Welcome to Twin Peaks,
Mr. Eckhardt.
Copy !req
260. She's run back to Catherine Martell.
Copy !req
261. l'm so disappointed.
Copy !req
262. So l asked Stonewall Jackson
what he would like to do
Copy !req
263. after we run the Yankees
up to Canada.
Copy !req
264. He said: ''Follow them.
l wanna be the Duke of Montreal.''
Copy !req
265. Oh, that Stonewall.
Copy !req
266. l once asked him
Copy !req
267. what he thought
l should do with Lincoln.
Copy !req
268. And he says, ''Old Honest Abe
is about as useful to you
Copy !req
269. as a spittoon cleaner
in a whorehouse.''
Copy !req
270. Traveler.
Copy !req
271. What do you think, Dr. Jacoby?
Copy !req
272. Letting him out to mingle with the
public doesn't seem to have helped.
Copy !req
273. Well, you have to admit,
he's kind of fun this way.
Copy !req
274. What's the matter with you?
That's my father, your brother.
Copy !req
275. We can't leave him like this.
Copy !req
276. Well, now, Audrey, honey, now.
Copy !req
277. There are some advantages
to leaving him...insane.
Copy !req
278. --told me that every man,
woman and child...
Copy !req
279. Now, Audrey,
you know l was upset too,
Copy !req
280. but there's some projects,
both domestic and international,
Copy !req
281. that l'd might get a chance
to develop.
Copy !req
282. l mean, one man's crisis
is another man's opportunity.
Copy !req
283. Let me tell you something,
Uncle Jerry.
Copy !req
284. We leave him the way he is,
and l become executor of the estate.
Copy !req
285. Audrey, it's a little more complicated
than that, sweetheart.
Copy !req
286. No, it isn't.
l've examined his will, Jerry.
Copy !req
287. lf my father becomes incapacitated,
it all goes to me when l'm old enough.
Copy !req
288. And l am old enough, Jer,
and he is incapacitated.
Copy !req
289. l have my way either way.
Copy !req
290. When the only project
you'll be developing
Copy !req
291. is selling baseboard heaters
at the local Cash 'n' Carry.
Copy !req
292. What's happened to the man
is a tragedy.
Copy !req
293. lt is a tragedy, Jer.
Copy !req
294. Dr. Jacoby,
l want you to bring my father back.
Copy !req
295. - To the office?
- Parade, rest!
Copy !req
296. To the real world.
Copy !req
297. l think it's time we implement
the Appomattox scenario.
Copy !req
298. Hey, sorry l'm late. A couple of bikers
tried to take this jacket.
Copy !req
299. But old Stonewall's
gone from me now,
Copy !req
300. cut down in a hail of Yankee lead.
Copy !req
301. He died alone,
Copy !req
302. without my comfort.
Copy !req
303. Laddy.
Copy !req
304. Come here.
Copy !req
305. You know what l wanna hear.
Troops, about face.
Copy !req
306. ''Dixie.'' ''Dixie''!
Copy !req
307. Forward, march.
Copy !req
308. Oh, l wish l was in the land of cotton
Copy !req
309. Old times there were not forgotten
Copy !req
310. Look away, look away, look away
Dixie land
Copy !req
311. Oh, l wish...
Copy !req
312. Mrs. Marsh?
Copy !req
313. l'm Donna, James' friend.
Copy !req
314. l remember you.
Copy !req
315. Get the lady here a drink.
Copy !req
316. With a little umbrella in it.
Copy !req
317. Go on, dear, sit down, it's all right.
Copy !req
318. - Why are you doing this to James?
- Why not?
Copy !req
319. Because he's a good person.
Copy !req
320. He was good at two things:
Copy !req
321. The car and me.
Copy !req
322. You don't get it, do you?
l'm talking about our lives.
Copy !req
323. Life. Life will be rosy if you can
just get out of one silly little jam.
Copy !req
324. Maybe.
Copy !req
325. Maybe not.
Copy !req
326. Talk to me in a couple of years
Copy !req
327. when your whole life
has turned to crap.
Copy !req
328. You really like to make everything
sound pointless and stupid.
Copy !req
329. lf there was a reason to climb out
of this primeval swill,
Copy !req
330. believe me, dear, l'd know it.
Copy !req
331. Would you, really?
Copy !req
332. Oh, here we are.
The car's waiting, Mrs. Marsh.
Copy !req
333. Get in it.
Copy !req
334. l'm sorry about your friend, honey.
There's nothing you can do.
Copy !req
335. So why don't you trundle along
to your little town,
Copy !req
336. safe in the knowledge that,
if l ever see you here again,
Copy !req
337. l'll kill you.
Copy !req
338. Don't do this to him, please.
Copy !req
339. Please.
Copy !req
340. Coop, take a look at this.
Copy !req
341. Vicuna thread sample
taken from Josie's coat.
Copy !req
342. Traces found on the floor
outside your room.
Copy !req
343. They're from the same coat?
Copy !req
344. Let me put it to you this way,
either Josie Packard pulled the trigger,
Copy !req
345. or she's loaning her winter wear
to the wrong people.
Copy !req
346. - lt's a perfect match.
- What about the gloves?
Copy !req
347. Checking for powder burns.
l'll have the results in the morning.
Copy !req
348. From the Seattle Homicide?
Copy !req
349. Locals are looking
for a beautiful Asian woman,
Copy !req
350. late 20s, in connection with the murder
of one Jonathan Kumagai.
Copy !req
351. He has an lnterpol sheet
as long as your arm
Copy !req
352. and three holes
in the back of his head.
Copy !req
353. l'm betting the bullets will match
the slugs we took from your vest.
Copy !req
354. l hope it's not Josie,
for Harry's sake.
Copy !req
355. Coop, as you know, Truman and l
have had our differences in the past.
Copy !req
356. But the big lug's got his heart
in the right place, if nothing else.
Copy !req
357. And l'm not above feeling a little
sympathy for the stalwart and the dull.
Copy !req
358. - What's you point, Albert?
- Speaking frankly?
Copy !req
359. Feel free.
Copy !req
360. Our sheriff's got a serious problem
with his girlfriend.
Copy !req
361. Albert,
Copy !req
362. not one word until we're certain.
Copy !req
363. Coop.
Copy !req
364. Our John Doe's got a name:
Copy !req
365. Erik Powell. Transient.
Former merchant marine by his prints.
Copy !req
366. Powell?
Copy !req
367. Yeah, ring a bell?
Copy !req
368. Powell was Caroline's
maiden name.
Copy !req
369. Do you think
this Powell is a relative?
Copy !req
370. No. Earle's playing the game
according to his own rules.
Copy !req
371. Every move he makes
sends a message.
Copy !req
372. The fact that he chose
the name Powell
Copy !req
373. tells me he hasn't forgotten a thing
that went on between us.
Copy !req
374. So whenever he takes a piece
from the board...
Copy !req
375. Someone dies.
Copy !req
376. l never beat him, Harry.
Copy !req
377. Coop, if you've got a need
for a chess expert,
Copy !req
378. we've got one of the best
right here in town.
Copy !req
379. Checkmate.
Copy !req
380. Checkmate.
Copy !req
381. And mate.
Copy !req
382. Frankly, l am impressed.
Copy !req
383. l owe it all
to the great Jose Raul Capablanca.
Copy !req
384. Now, if there's chess boards
in heaven,
Copy !req
385. Jose's sitting next to the Lord.
Copy !req
386. - Doc?
- The mind reels.
Copy !req
387. One of these days.
Copy !req
388. Pete, l need your help.
Copy !req
389. l'm playing a chess match
of considerable importance.
Copy !req
390. l can't say any more than that.
Copy !req
391. Suffice to say,
l'd like to stalemate the game,
Copy !req
392. losing as few pieces as possible.
None, if that can be arranged.
Copy !req
393. Well, Agent Cooper,
l'd be proud to serve.
Copy !req
394. Thanks, Pete.
Copy !req
395. Great players are either far or few.
Copy !req
396. - Hi.
- Shelly.
Copy !req
397. l'm sorry about what happened.
Copy !req
398. Are you okay?
Copy !req
399. Not really.
Copy !req
400. l wanted to come right over,
Copy !req
401. but with Hank gone,
it's been a madhouse here.
Copy !req
402. You don't need any help, do you?
Copy !req
403. l... l'd...
Copy !req
404. l'd feel safer, Norma.
Copy !req
405. Are you kidding?
Copy !req
406. lt hasn't been the same without you.
Copy !req
407. When can you start?
Copy !req
408. - Now?
- Great. Welcome back.
Copy !req
409. Thank you.
Copy !req
410. Norma?
Copy !req
411. - Hi, Shelly.
- Hi.
Copy !req
412. Excuse me.
l need to talk to you for a minute.
Copy !req
413. There's something you should know.
Copy !req
414. Hank's nearly ready
to leave the hospital.
Copy !req
415. What about his parole violations?
Copy !req
416. Harry, this time
l don't want him back.
Copy !req
417. Don't worry. He won't be back.
Hank's going to jail.
Copy !req
418. We're charging him with
the attempted murder of Leo Johnson.
Copy !req
419. Add that to breaking parole,
Copy !req
420. Hank's going away for a long time.
Copy !req
421. Good.
Copy !req
422. Mr. Eckhardt, welcome.
Copy !req
423. Josie, help our guest with his coat.
Copy !req
424. l must confess l received
your invitation with some surprise.
Copy !req
425. Well, word travels fast
in Twin Peaks.
Copy !req
426. l thought it was fitting that l dined
with my late brother's business rival.
Copy !req
427. Some wine, Josie.
Copy !req
428. Your brother was not always my rival.
We were friends.
Copy !req
429. - But your friendship soured.
- Sadly.
Copy !req
430. Men of business frequently find
their personal lives disrupted
Copy !req
431. by the larger portraits they paint.
Copy !req
432. You consider yourself an artist?
The wine, Josie.
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433. Of a sort. Your brother was as well.
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434. l wonder, Mr. Eckhardt.
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435. When you had him killed,
was it for art or money?
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436. - Don't stand there, Josie, pour.
- Call me Thomas. Your brother did.
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437. Thomas. We'll have
our hors d'oeuvres now, Josie.
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438. One does not kill for art or money.
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439. They are commodities easily lost
and just as easily gained.
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440. However, one, rather l,
might find reason to kill for love.
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441. - Did you love her that much?
- Yes.
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442. Josie has the most
incredible hands.
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443. Every finger a thing of beauty.
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444. l remember.
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445. l wonder,
what shall we do about her?
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446. lt would be a shame
if you left empty-handed.
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447. Of course,
l'll miss her cheery disposition.
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448. We've become the best of friends.
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449. Two girls chatting over tea.
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450. Perhaps you should purchase
an animal of some kind.
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451. A cat or a dog.
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452. lf l give her to you,
what will you give me in return?
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453. How can l place a value
on something so precious?
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454. But you will try?
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455. Yes.
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456. Josie.
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457. Thomas and l
will have our main course now.
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458. Why did you do it?
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459. You know l've been going through it.
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460. - l can't figure it out.
- James, you're not safe here.
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461. - lf Malcolm finds you--
- ls it the money?
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462. ls that it? No. No, l got it.
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463. lt was Malcolm. Oh, yeah.
He made you do it. Right?
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464. You better tell me a story, Evelyn.
Because l'm all mixed up.
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465. l just wanna know
why you would do this to me.
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466. James.
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467. What did you expect? An apology?
A hidden heart of gold?
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468. l did it all, James. l did everything.
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469. l found you, l lured you in
and l kept you here,
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470. while Malcolm planned
a nice, neat little frame.
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471. - Why?
- For the money.
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472. Out of fear.
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473. Because l wanted to do it.
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474. lt's not exactly what you wanted
to hear, is it, James?
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475. The truth hurts, doesn't it?
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476. James, you're good
and you're honest.
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477. l'm not.
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478. But that doesn't mean
there weren't moments
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479. when l truly wanted you here.
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480. Not for Malcolm,
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481. or for the money, but for me.
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482. For the good and honest way
that you taste.
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483. l like how you taste too.
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484. Malcolm, what did you do?
James, James. You hurt him.
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485. He broke into the house,
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486. he was angry, he was crazy.
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487. He killed Jeffrey
and he came back to kill you.
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488. You poor, defenseless little widow.
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489. But you were ready for him, Evelyn.
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490. You got your gun,
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491. and you shot James.
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492. You shot him until he was dead.
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493. - General Lee.
- Whoa.
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494. Welcome to our humble horse--
Home, General Lee.
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495. - Thank you. And you are...?
- Scarlett McLean.
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496. And this is my father--
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497. This is my father.
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498. Wilmer McLean at your service.
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499. l'm indeed honored to be making
your extremely sociable acquaintance.
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500. And why are you armed
with my sword, sir?
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501. l like your sword, sire.
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502. - Thank you, Daddy. Thank you.
- Where is General Grant?
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503. General Grant's a-coming, sire,
l know it.
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504. Excuse us.
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505. General Grant.
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506. General Lee.
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507. Sir, we met during the Mexican War.
Do you remember?
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508. l have come to surrender the North.
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509. The Mexican War, sir.
Do you remember?
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510. Oh, yes, yes.
lt was a good war, as l remember.
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511. Nonsense.
All wars are nothing but madness.
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512. Disguised as the patriotic ventures
of politicians,
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513. too old and too cowardly
to participate in them.
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514. - No, no, sir, l have no love for war.
- Me neither.
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515. - And even less for politicians.
- Hey, amen.
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516. But, as for the men who fight them,
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517. they have my eternal respect
and sympathy.
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518. All right, general,
enough of this fruitless conversation.
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519. My terms:
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520. Federal officers
may keep their sidearms
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521. and other general possessions.
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522. Officers and men claiming to own
their own horses may keep them too.
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523. And officers and men will be allowed
to return to their home,
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524. not to be disturbed
by the Confederate States' authorities.
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525. - l surrender.
- Of course you do.
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526. The articles.
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527. - Here, sire, the articles.
- Sir.
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528. The articles, sir.
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529. - You will sign, General Grant.
-Oh, yes, yes, yes.
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530. And may l add that, that you've been
a valiant opponent of fine character.
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531. l thought the North won
the Civil War?
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532. Ben?
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533. Ben.
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534. Daddy.
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535. - Ben? Ben?
- Daddy?
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536. Hey, give him some room.
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537. Where am l?
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538. - Where am l?
- Twin Peaks, Ben.
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539. l had the strangest dream.
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540. And you were there.
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541. And you, and you.
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542. lt was incredible.
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543. lt was a war.
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544. And l was General...
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545. General Robert E. Lee.
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546. And somehow,
in spite of incredible odds,
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547. l won.
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548. Now you're home, Daddy.
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549. Yes.
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550. - l'm home.
- Attaboy, Ben.
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551. How do you feel?
Any, any aftereffects? Dizziness?
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552. l feel terrific.
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553. - l feel...
- Yes?
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554. - What is it, Daddy?
- What are you doing in those clothes?
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555. Attaboy, Ben.
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556. What? What's the joke?
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557. Attaboy, Ben.
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558. Work slowly.
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559. And with care.
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560. Everything must be written
with a steady, uncompromising hand.
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561. No, no, no.
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562. Terrible.
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563. Erase.
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564. Erase.
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565. Now...
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566. Try again.
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567. Concentrate.
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568. Leo, for heaven's sake.
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569. Here.
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570. Let me show you.
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571. Like this:
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572. There you go.
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573. Much better.
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574. l am proud of you, Leo.
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575. - Windom Earle?
- Yes.
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576. Windom.
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577. Pretty words for pretty girls.
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578. Which one shall be my queen?
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579. Queen?
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580. No. No.
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581. No.
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582. Lick.
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583. The story rings a little truer
with your fingerprints on--
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584. No, Malcolm, l can't.
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585. Just your prints.
Leave the rest to me.
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586. l'll do my best to imitate
the actions of a hysteric.
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587. Five shots, tightly grouped,
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588. as though the gun went off
in your hand.
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589. - Repeatedly.
- No!
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590. No! No! James, James, James.
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591. - Don't hurt him any more, please.
- Give me the gun.
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592. l've called the cops.
They're on their way, it won't work.
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593. - Malcolm.
- She's lying. Give me the gun.
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594. Evelyn,
please don't let him die, please.
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595. - Please.
- Evelyn.
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596. Give me the gun, Evelyn.
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597. - Evelyn, give me the gun.
- No.
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598. - Evelyn, give me the gun.
- No.
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599. Evelyn. Evelyn.
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600. l can't do this, Malcolm.
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601. Then l will.
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602. No.
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603. He was angry,
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604. he was crazy.
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605. He killed Jeffrey,
came back to kill me.
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606. l was ready, though.
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607. l got my gun and l shot him.
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608. l shot him till he was dead.
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609. Caroline.
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610. For Miss Audrey Horne, please.
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611. Owls?
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612. Breathtaking, wasn't she?
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613. A truly beautiful woman, Caroline.
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614. Funny, isn't it?
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615. After all this time,
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616. after all that happened
in Pittsburgh,
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617. l still love her.
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618. And l know that you do too.
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619. Now, Dale, listen carefully.
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620. lt's your move.
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0. www.tvsubtitles.net
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