Tokyo Vice 1x1

Directed by Michael Mann

Aver Hamilton II as Eric • Teruyuki Nagamori as Sakai • Osamu Tanpopo as Sake Bartender • Yaeko Kimura as Fumiko • Ryu Tominaga as Tout

Hired as Meicho Shimbun’s first American crime reporter, Jake Adelstein is quickly tasked with covering two cases that initially appear unrelated, but soon stakes his career – and life – on connecting the dots.

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. These things will stop a bullet?

2. No.

3. They will not shoot you in a public place.

4. What a relief.

5. These are for knives.

6. Great.

7. When we sit down with them,

8. you're gonna order a black coffee.

9. What's this guy's rank?

10. Speak as little as possible. Let them do the talking.

11. Um, okay, did everyone practice their assignment?

12. Yes.

13. Uh, Mrs. Morimoto, how about you go first?

14. Hello. - Hello.

15. Is this Mr. Adelstein? - Speaking.

16. This is Mrs. Morimoto. I was won—

17. Wondering.

18. Wondering if you come to dinner tonight.

19. - We would love to. - Okay.

20. Thank you very much. Okay, that's it for today.

21. I'll see you guys next week.

22. Arigato gozaimashita.

23. Hai.

24. Hey, Jake!

25. - Oh! - Hey!

26. What's up? I thought you were going home.

27. I am. Just got done packing.

28. Hey, if this don't work out,

29. come to Austin and say hi.

30. - I will. - All right.

31. Huh? Oh.

32. Hai.

33. Hai.

34. Hai.

35. You wish to be a crime reporter in Japan.

36. Why?

37. My father is a coroner,

38. and he took me to crime scenes,

39. showed me bodies, murder files.

40. I found trying to reason what actually happened

41. from forensic evidence fascinating.

42. Your written Japanese is excellent.

43. Thank you.

44. So how do you explain this?

45. I did not pay close enough attention.

46. Even with what you missed, your score was high.

47. The Tokyo "Meicho Shimbun" has 12 million readers a day,

48. the greatest newspaper in Japan,

49. the best newspaper in the world.

50. No foreigner has worked here ever.

51. I understand.

52. I'm not your friend,

53. so you're about a thousand hours too early

54. in this relationship to call me Emi.

55. As your superior and your senpai,

56. you will pay me the courtesy of using Maruyama-san.

57. Are we clear?

58. Yes, totally.

59. You think because you're a foreigner,

60. the rules are different?

61. Not in this company and not with me.

62. Huh?

63. Kanpai! Kanpai!

64. Eh-eh-eh-eh-eh.

65. Hey, Jake!

66. What?

67. Mos-sad.

68. Everyone here thinks you're a spy for the Israelis.

69. Mos-sad.

70. I'm from Mos-souri.

71. Okay, James Bond.

72. These guys are all in.

73. Super hard-core.

74. She's gotta pour drinks all night?

75. Yeah, that's fucked up.

76. How much did you study for the test?

77. For the entrance exam, how much did you study?

78. - Who studied? - You had to study?

79. Who's that guy?

80. Miyamoto.

81. Prostitution, weapons.

82. Badass.

83. They say he loves chickens.

84. Chicks.

85. Chicks?

86. Yeah.

87. Not chickens?

88. Trust me.

89. The dead body by the bridge.

90. The home address is in the number one report.

91. Write it up, 500 characters, end of day.

92. Hai. Hai.

93. Hai.

94. Hai.

95. — I'm sorry, I— - I don't mean to get you in trouble.

96. I can take care of myself, thank you.

97. - I just think— - You don't get to think.

98. You will follow the rules

99. and write what you are told to write,

100. like everyone else, or you will be gone.

101. No, I'm not gonna regurgitate

102. the police report word for word.

103. - Regurgitate? - Yeah, that's not reporting.

104. So what did you do?

105. Oh, I went to the stabbed guy's house,

106. and, uh, I went through his mail.

107. What are you gonna do, call the mail police?

108. - Maybe. - Did you find anything?

109. There were bunch of overdue bills from a loan company.

110. So the guy was clearly in debt to this company.

111. I copied down the logo, the address.

112. You recognize this logo?

113. Nope.

114. I went to the address, and there was nothing there.

115. Like, the loan company was gone.

116. - So no story? - After all.

117. Not a complete story but a beginning of a story,

118. so I wrote it up, handed it in...

119. Got wrung out for not copying down

120. word for word a fucking—

121. Miyamoto-san. Jake.

122. I'm a crime reporter for the "Meicho," and, uh—

123. No, no, I— can I buy you a drink?

124. Why?

125. I'm trying to figure out

126. how reporters work with police,

127. and maybe you could show me the ropes.

128. Ropes?

129. Yeah.

130. It's a— - Show you the ropes?

131. Yeah.

132. - Miyamoto-san— - Uh, I like gaijin

133. but only with tits.

134. Oi, oi!

135. Tell me, do you know how to pick up gaijin girls?

136. Absolutely.

137. I have to say,

138. I find your dress, uh, extra flattering?

139. No, no, no. Extraordinarily flattering.

140. Extraordinarily.

141. And it's got to be sophisticated, smooth.

142. Just roll it out.

143. I have to say,

144. I find your dress

145. extraordinarily flattering.

146. - And this shit works? - Yes.

147. Western girls, they like a guy who's flirtatious, debonair.

148. Trust me, I know what I'm talking about.

149. Okay.

150. That was really great.

151. You were really good up there.

152. Thanks, I try.

153. Do you wanna have a drink?

154. Sure.

155. Yeah.

156. Your Japanese is very good.

157. Thank you.

158. Why are you hanging out with cops?

159. Because I'm a reporter for the "Meicho."

160. - No. Really? - Mm-hmm.

161. An American.

162. Well, what do you report on?

163. Uh, I'm on the police beat.

164. Hmm.

165. So stories about guys like that?

166. You never know.

167. Really, what do you report on?

168. You know, you never know who you're gonna talk to,

169. where you're gonna go, what you're gonna see.

170. Every day is different.

171. Is this what you wear to work every day?

172. No, I— the paper's got

173. these strict regulations on what you have to wear,

174. so I wear a suit and tie and, uh, so...

175. I'm trying really hard to get it right,

176. you know, to fit into their system, which...

177. Is mentally tyrannical,

178. which is not what I expected from a newspaper, you know?

179. Yeah.

180. Yeah, I know how rigid corporate life can be.

181. So why are you doing this?

182. Well, I wanna report on what really happens.

183. That's it.

184. That's...

185. I mean, you know,

186. maybe someday make a small piece of history.

187. So is it gonna work?

188. So far, it seems like

189. everything I've touched, I've...

190. Screwed up.

191. But giving up and going home is not an option.

192. You know what I mean?

193. I know exactly what you mean.

194. Where are you from?

195. Saitama, originally,

196. but I've been in Tokyo for the past few years.

197. Well, but before that, where are you from?

198. Well, that's a second bottle question, honey.

199. See, how this works is,

200. the more you buy, the more we talk.

201. And the better you buy, the better I talk.

202. But if there's no more buying...

203. I don't have enough for a whole nother bottle.

204. Well, that's a shame.

205. See you another time.

206. Another drink.

207. So, Miyamoto-san...

208. Tell me, how do reporters and police work, huh?

209. Here's what you need to understand.

210. There's no murder in Japan.

211. Wait, what?

212. How is that—

213. How is that a—

214. Huh?

215. Hmm?

216. Hi. This is my friend Tatiana.

217. Hi. How are you?

218. I have to say,

219. I find your dress extraordinarily flattering.

220. Thank you.

221. What do you mean there's no murder in Japan?

222. That doesn't make any sense.

223. I forgot, your English is not so good.

224. There is no murder in Japan.

225. So then what was that stabbing,

226. that guy in the street?

227. Could be manslaughter.

228. Could be accidental death.

229. But the key is, unless you have to deal with a witness,

230. it's never a murder.

231. Since when do you need a witness

232. to tell you a murder is a murder?

233. 'Cause you report it and we can't solve it,

234. our clearance rate goes down.

235. How does that get me a story to write?

236. Two dead men, two logos. The same logo.

237. You already have a story to write.

238. But there's linkage. This story is bigger.

239. The guy who set himself on fire in Kabukicho.

240. We covered that. It's already in print.

241. There's more to that story.

242. You do the story you're assigned.

243. - Okay. - No. Is that clear?

244. And only that story. Understood?

245. Totally. Yes, understood.

246. Oi!