1. Evening, Steven.
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2. Lot to get through, yeah?
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3. How much? What the hell is this?
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4. Sat Nav for the elderly.
It's a new option they're offering.
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5. Sat Nav?
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6. Is that the client's name?
That sounds Indian.
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7. So, I'm guessing that's you?
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8. Not quite, Steven.
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9. Sat Nav is the brand name
of a voiced automated travel service.
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10. - You what?
- Audio travel information.
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11. As you can see, Steven, there's a lot
to get through. So let's crack on.
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12. Yeah? May be a long night.
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13. Hello, Steven.
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14. - This is Clem Fandango. Can you hear me?
- Here we go.
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15. - Steven?
- Yeah, I can hear you, Clem Fandango!
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16. There's over 700 pages in front of you.
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17. The sooner we start,
the sooner we can sign off.
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18. Well, stop talking then, you silly prick!
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19. God!
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20. - Are we rolling?
- All good, buddy.
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21. You are now turning into...
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22. Abbotsbury... Abingdon...
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23. Acton...
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24. Albrighton... Alcester...
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25. Alford... Almouth... Alnwick...
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26. Alston... Aylsham... Amersham...
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27. Andover...
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28. Accrington...
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29. Aylesham...
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30. Ashbourne...
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31. Ascot... Ashburton...
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32. Axminster...
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33. St. Albans...
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34. St. Leonards Warrior Square...
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35. St. Peter Port...
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36. Who the hell are you?
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37. St. Saviour...
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38. What the hell's the time? Fuck this.
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39. And you must be looking forward
to going back into the West End again.
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40. Yes. Uh, it's a legendary play. I mean,
there can't be many theater goers
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41. who haven't heard of The Moosetrap.
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42. How long has it been running?
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43. Sixty years.
And uh, still attracting huge audiences.
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44. That is such a long time.
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45. What do you think
is the secret to its success?
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46. Well, it's a good old-fashioned
murder mystery, really.
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47. - Right.
- It's well plotted.
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48. And the fact that the chauffeur
is the murderer
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49. is very cleverly concealed
from the audience,
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50. with a series of delicious red herrings.
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51. - The chauffeur did it?
- The chauffeur is the murderer, yes.
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52. Well, The Moosetrap's running
in the West End until forever really.
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53. So, do go along and you'll see
our special guest, Mr. Steven Toast.
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54. Thanks for coming in, Steven.
Well, thank you.
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55. And I hope I don't come across
as crude by saying this,
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56. but you really are sex on legs.
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57. You should be on the TV,
where more people can see you.
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58. I don't suppose you fancy going
for a drink, do you? Hm?
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59. Had a hell of a morning, Jane.
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60. I was up all night doing that voiceover.
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61. Then I went and did the radio interview.
I was quite pleased with myself.
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62. And then, I went to The Colonial Club
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63. and, for some reason,
nobody would talk to me.
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64. I was up most of the night too, Toast,
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65. cleaning this collection
of antique firearms.
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66. Yeah, what the hell is it with all that?
Where did you get them from?
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67. Michael Winner loaned them to me.
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68. Kind of stuck with them now,
since he's dead.
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69. And then this morning,
I heard your interview.
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70. You know that play's
been running for... 60 years?
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71. - Yes.
- And in all that time, no one,
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72. not one single person,
has revealed the climax of the play
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73. where the murderer is unmasked.
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74. Yes.
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75. But today, live on Woman's Hour,
you revealed the name of the murderer.
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76. Yes.
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77. You see what you've done, Toast.
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78. Yes.
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79. Think of the implications for a moment.
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80. - Yes.
- Well?
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81. Oh, God.
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82. What are the implications?
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83. The implications are that,
as a result of your actions this morning,
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84. no director, or actor for that matter,
will ever want anything to do with you.
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85. Well, that's why people weren't talking
to me in The Colonial Club earlier.
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86. Anyone see Mark Rylance
on The Culture Show last night?
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87. - What's that smell, Royce? It's dreadful.
- Smell, Purchase?
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88. Yes. It smells like someone's
just fucked up their career!
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89. You were being shunned, Toast.
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90. - Shunned?
- Yes.
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91. You've done something really dreadful,
by giving away the end of that play.
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92. The Colonial is an actors' club.
They were quite right to shun you.
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93. It's not nice being shunned.
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94. Luckily, shunning doesn't last long.
You can go back in a couple of days.
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95. But, anyone who wanted to see
that Moosetrap play,
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96. probably won't bother now,
because you told them who the murderer is.
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97. No, no, Jane. It's like that Titanic film.
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98. Everyone knew
what was gonna happen in the end,
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99. but it was still a tremendous hit.
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100. This is very different, Toast.
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101. Honestly, Jane, I don't think anybody's
going to agree with you about this.
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102. It's like that Titanic film.
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103. Everyone knew
what was gonna happen in the end,
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104. - but it was still a tremendous hit.
- This is very different, Toast.
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105. Honestly, Davison, I don't think anybody's
going to agree with you about this.
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106. It's like that Titanic film.
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107. Everyone knew
what was gonna happen in the end,
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108. but it was still a tremendous hit.
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109. This is very different, Toast. Oh!
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110. Honestly, Mrs. P, I don't think anybody's
going to agree with you about this.
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111. It's like that Titanic film.
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112. Everyone knew
what was gonna happen in the end,
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113. but it was still a tremendous hit.
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114. This is very different, Toast.
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115. To be honest, Ed,
a few people have said that to me now.
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116. It's quite serious, to give away
the ending of such a legendary play.
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117. It probably doesn't matter much
to the cast. They've been in it for years.
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118. Completely zombified, going through
the motions. But 60 years?
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119. - Can you imagine?
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120. - I say?
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121. - Hello?
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122. - Hello?
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123. Oh.
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124. I'm Steven Toast.
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125. Ah.
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126. I'm playing the detective.
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127. I'm... I'm Ken Suggestion.
Good to meet you, Post.
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128. No, no, Toast.
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129. Philip, dear?
Philip, this is our new cast member, Post.
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130. - As in deaf as a...
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131. And I'm Penny Traitor.
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132. - Is the producer or director around?
- Sorry?
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133. The producer or director?
Are they around?
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134. No, no. It's just us, I'm afraid.
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135. Well, who takes charge of rehearsals?
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136. Rehearsals?
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137. - Well, I haven't even been sent a script.
Oh. Well...
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138. There may be a copy of the play
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139. lying around somewhere.
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140. Who... Who would have one?
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141. - Albert may have a copy.
- Yes, yes. Uh...
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142. Is he around?
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143. Oh, fuck...
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144. - Oh, I don't...
- Albert!
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145. Albert!
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146. - What news?
- What?
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147. Of the outside world?
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148. We're a bit isolated in here.
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149. Oh. Oh, right.
Well, um, David Cameron is still PM.
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150. Not that you'd notice.
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151. I mean, I can't even remember
what he looks like.
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152. - Who?
- Really?
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153. - Any sign of that script?
- Yes, here's Albert now.
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154. Do you have a copy of the play
for Post here?
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155. Thank you, Albert.
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156. Right.
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157. The play's awful,
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158. but, luckily, I don't appear
until the third act.
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159. when I quickly solve the murder.
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160. Yes, and you know who did it?
The chauffeur!
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161. We all know that now, thanks to you.
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162. - All right!
- Anyway...
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163. Looking forward to seeing the play again.
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164. What a relief to see a show
that isn't full of bad language,
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165. immigrants and sex-change artists.
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166. Unlike most modern dramas,
it isn't set in the North.
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167. Glorifying the type of scroungers
one sees on Benefits Street.
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168. And I don't even have to follow
the plot or anything,
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169. - because I know the chauffeur did it.
- All right, Blair, keep it down!
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170. Still, a regular job for you, Toast.
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171. Play your cards right, you could be in
gainful employment for the next 30 years.
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172. Where the bloody hell is he?
Not like him to be late.
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173. Ah! There he is.
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174. - Who the fuck is that?
- Dennis Thwaites.
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175. Retired commander of
the Household Cavalry Regiment.
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176. Still likes to wear the uniform.
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177. Dennis, good to see you.
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178. Gin, tonic!
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179. Uh, no, Dennis. This chap isn't a waiter.
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180. - He's my brother.
- Why does he think I'm a waiter?
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181. 'Cause you bloody look like one.
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182. A lot of people have remarked on it.
It's the tache.
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183. - Thwaites, Dennis!
- This is Steven Toast.
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184. - Toast, Steven!
- Toast, Blair!
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185. Ah!
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186. How was your journey
from Ipswich, Dennis?
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187. Come down on Farage, did you?
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188. - On who?
- Farage, Dennis's horse.
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189. What, did he ride a horse
all the way from Ipswich?
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190. Yes. The only reason
I'm meeting Dennis here
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191. in this bugger house,
it's one of the few places in London
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192. where you can still
tie up your horse outside.
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193. Christ, Cambridge!
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194. Roadworks at Cambridge were there, Dennis?
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195. Roadworks, Cambridge!
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196. You said you were using that new device.
The Sat Nav for the elderly.
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197. Rubbish, useless!
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198. Probably doesn't work on horses.
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199. Why the fuck is he talking
in that crazy way?
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200. Because since Dennis
retired from the regiment,
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201. he's landed himself
a cushy little job at the BBC.
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202. He's the announcer
on that university quiz program.
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203. Oh, that, yes.
I haven't seen that in 30 years,
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204. but there again I never watch television.
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205. Though I have heard
Breaking Bad is very good.
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206. What happens is the student presses
a buzzer when he
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207. or she...
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208. thinks they know the answer,
and Dennis gives the name and university.
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209. - That's the easiest job in the world.
- Dennis is getting a bit tired
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210. of the traveling though. Especially since
he goes everywhere by horse.
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211. - So, he's retiring.
- Well, I could do that job.
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212. How much do you earn in a year?
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213. Half a... million!
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214. Shit! Could you put a word in for me?
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215. Certainly, yes!
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216. You'd have to watch yourself though.
You'll probably have to meet Paxman.
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217. - Who?
- Jeremy Paxman!
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218. The miserable presenter.
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219. Year above me at Eton.
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220. He was a sullen little prick, even then.
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221. Who cares? Half a million quid? Just for
saying the names of a bunch of students?
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222. - Huh! Easy... peasy!
- Don't do that, Toast.
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223. Ladies and gentlemen,
please take your seats.
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224. Tonight's performance
will begin in five minutes.
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225. I say!
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226. It's a little queer that there aren't any
directors or stage managers around.
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227. Oh, we've been at it so long
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228. that everything more or less
happens automatically.
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229. No real dramas to speak of.
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230. Apart from Ken.
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231. Ken? What about Ken?
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232. He just occasionally forgets his lines
when a new actor joins the production.
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233. Or... Or there isn't a full house.
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234. One... minute...
until curtain up.
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235. All right, let's do this.
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236. What?
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237. There's no one there!
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238. I need a full house! I can't go on!
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239. - Get a fucking grip, woman!
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240. What did he say?
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241. I am Inspector Attenborough,
from Scotland Yard.
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242. One of your servants rang me
about a murder.
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243. So, I wish to interview you all. No?
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244. You don't come on till Act Three!
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245. Right.
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246. I'll be back.
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247. Yes, I know. It's Act Three.
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248. I'm on in a... moment.
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249. There's not many
in tonight.
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250. So, what time did you hear this scream,
Colonel Granville?
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251. I... um, uh... uh... uh...
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252. Miss Crabtree informed us
that she retired at 11:30.
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253. Was it after that?
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254. - Well, say your line, man!
- I've forgotten it.
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255. [man 1] The chauffeur did it.
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256. Bloody hell.
- [man 2] I say, the chauffeur did it.
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257. Yes!
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258. I say, the chauffeur did it!
The chauffeur did it!
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259. - The chauffeur did it!
- The chauffeur is the murderer, yes.
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260. - The chauffeur is the murderer, yes.
- There's not many in tonight.
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261. Oh, thank God.
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262. Finishing touches!
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263. Ha-ha! Starter for ten.
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264. I think Oxford is the better team, Toast.
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265. Maybe you should swap
Sooty and Richard Osman.
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266. It doesn't matter, Ed.
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267. I wanted Salman Rushdie and Germaine
Greer, instead of Sooty and Sweep,
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268. - but I couldn't find their pictures.
- Why do we have to have any women?
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269. I've never noticed a woman
on that program.
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270. Who cares, Blair?
It's important that I get this job.
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271. That play's a disaster.
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272. Ed, you be Oxford.
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273. Blair, you're Cambridge.
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274. Get on your buzzers
and I'll practice saying the names.
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275. Chemistry. What ionic logarithm
is the carbon derivative of ten?
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276. Oh...
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277. - Come on, buzz.
- I'm trying to think.
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278. Who'd be good at chemistry?
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279. You've selected classicists
and journalists.
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280. Well, can we at least get rid
of Janet Street-Porter?
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281. Just press anything.
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282. - Oxford, Fry!
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283. - Well, I don't know the answer.
- Me neither.
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284. Look, have you got any questions
on military history?
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285. Look, scrap that.
Randomly press and I'll say the names.
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286. Cambridge, Yentob!
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287. - Oxford, Kureishi!
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288. - Cambridge, Sweep!
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289. This is quite fun, actually.
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290. Isn't it? And I'm excellent at it.
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291. Yes, it's noticeable that the women
haven't answered anything.
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292. - When's your audition tomorrow?
- Three o'clock.
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293. - Will Paxman be there?
- Apparently so.
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294. - It's funny you've never heard about him.
- I never watch television.
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295. Although I hear
Breaking Bad is very good.
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296. - [Ed] Sorry, Toast.
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297. I think it's electrocuting me.
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298. [Ed] Not quite sure where we are, Toast.
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299. Since they closed down Television Centre,
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300. nobody really knows
where the BBC actually is now.
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301. I haven't got a clue either, Ed.
Do you have a Sat Nav?
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302. Good thought, Toast.
As it happens, I bought one just recently.
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303. - Ah.
- Let's see.
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304. You are now turning into...
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305. - ... St. Wafford... Abergavenny...
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306. What the hell's the time? Fuck this...
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307. - Um, was that...?
- Yeah.
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308. - Ah.
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309. Who the hell are you?
Albrighton...
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310. - Ah, fuck this!
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311. There it is! Stop!
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312. What the...
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313. Like the sound of that?
Thought not.
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314. Who the hell are you again?
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315. Who the hell? I'm Steven Toast.
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316. I'm here for the
university quiz show voiceover gig.
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317. Steven Toast. And what are
your qualifications for this job exactly?
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318. I'm an experienced actor
and voiceover artist.
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319. I'm a little surprised
you haven't heard of me.
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320. Steven Toast... Hang on a second. Oh, God.
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321. You're that idiot that gave away
the ending of The Moosetrap.
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322. Well, I went on Woman's Hour on Radio 4
and was asked a question—
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323. Did you give away
the ending of The Moosetrap?
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324. I was asked a question on said show...
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325. Did you give away
the ending of The Moosetrap?
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326. Many topics were discussed,
one of which was The Moo—
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327. Did you give away
the ending of The Moosetrap?
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328. It was a promotional interview.
She asked me the question...
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329. Did you give away
the ending of The Moosetrap?
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330. Why the fuck
do you keep asking me that?
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331. You're a rude fella,
if you don't mind me saying.
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332. Well, and you're an idiot.
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333. What did you just say?
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334. - You'll apologize for that, big boy.
- No, I won't.
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335. What's that meant to be?
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336. That's my sculpture of
the Angel of the North,
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337. which I made out of matchsticks.
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338. Well, if you don't apologize, I'll smash
your sculpture of the Angel of the North,
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339. - which you made out of matchsticks.
- Hm.
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340. You wouldn't dare.
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341. That was a very stupid thing to do.
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342. Paxman?
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343. Paxman? Where the hell did he go?
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344. Ahh.
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345. And so it becomes very clear.
An unlikely killer, to be sure.
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346. But there was only one person
who had the motive, means and opportunity
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347. to commit such a foul deed.
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348. The murderer is...
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349. - Lady Beddington.
- Huh?
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350. That's a surprise.
- What?
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351. No, no, you idiot!
The chauffeur did it!
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352. No. It was Lady Beddington.
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353. No, no, this is all wrong.
The chauffeur did it!
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354. - My God! I think she's dead.
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355. - Oh, brilliant.
- What's going on, Toast?
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356. I was just trying
to shake things up a bit.
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357. How dare you, Post?
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358. Toast, you fucknut!
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359. You bloody ruined it!
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360. Rubbish!
- Out of my way!
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361. Oh, that's right, yeah. Go on.
Desert a sinking ship.
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362. Bugger off to Cats,
or whatever it is you losers enjoy?
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363. - Screw you, old timers!
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364. Good for you, Toast.
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365. There's not many in tonight.
I know! So you keep saying!
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366. Sixty years, Toast.
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367. Sixty long and successful years
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368. and now the show has closed
and a wonderful actress has died.
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369. I didn't know she was one of your clients.
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370. Yes. The only thing she did,
apart from that play,
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371. was an episode of Poldark in 1973.
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372. Such a tragedy. And all down to you.
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373. You won't be able to show your face
around here for a while.
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374. I think you should go and live in France.
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375. And one more thing.
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376. What's this I hear about you on
that university quiz show on the BBC?
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377. - Uh...
- Ah! Just about to tell me, were you?
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378. Going behind my back,
trying to get jobs on your own, were you?
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379. You fucking weasel!
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380. - I just fancied the—
- “Fancied myself as an agent,"
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381. by the sounds of things. What have I said?
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382. - That you are never—
- Never to try and get jobs on my own.
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383. You are never ever to try
and get jobs on your own.
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384. Well, you haven't got this job, anyway.
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385. - Who got it?
- Well, not you.
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386. Because, apparently, you had some kind of
argument with Jeremy Paxman,
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387. destroyed his matchstick model
of the Angel of the North
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388. and threw him out of a window.
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389. Did you throw Jeremy Paxman
out of a window?
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390. No!
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391. - Well, kind of.
Oh.
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392. I didn't throw him out of a window, though
he did end up going through a window.
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393. Unbelievable behavior, Toast.
You have created a perfect fiasco.
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394. And now you're kind of
throwing Jeremy Paxman out of windows
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395. and destroying his matchstick models.
Really, Toast! I mean, really!
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396. I think you know what to do.
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397. And do a good job this time.
Your last attempt wasn't very thorough.
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398. Here's your starter for ten.
What was the name of the second-rate actor
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399. who single handedly forced the closure of
the legendary play, The Moosetrap,
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400. after a successful 60-year run
in London's West End?
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401. - Cambridge, Clacy-Smith!
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402. - Steven Post?
- Near enough.
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