Tim and Eric's Bedtime Stories 1x6

1. JASON, GUYS. THIS IS JASON. JASON! OVER HERE! JASON!

2. JASON! OVER HERE! JASON! HEY!

3. JASON! HEY! JASON, BIG FAN.

4. HEY! JASON, BIG FAN. THANKS, MAN.

5. JASON, BIG FAN. THANKS, MAN. YOUR BIRTHDAY'S COMING UP.

6. THANKS, MAN. YOUR BIRTHDAY'S COMING UP. BIG PLANS?

7. YOUR BIRTHDAY'S COMING UP. BIG PLANS? UH, STAY HOME WITH SOME

8. BIG PLANS? UH, STAY HOME WITH SOME FRIENDS.

9. UH, STAY HOME WITH SOME FRIENDS. AWESOME.

10. FRIENDS. AWESOME. WHAT ABOUT THE RUMORS OF YOU AND

11. AWESOME. WHAT ABOUT THE RUMORS OF YOU AND SASHA RAMIREZ COUPLING UP?

12. WHAT ABOUT THE RUMORS OF YOU AND SASHA RAMIREZ COUPLING UP? YOU KNOW ME BETTER THAN THAT,

13. SASHA RAMIREZ COUPLING UP? YOU KNOW ME BETTER THAN THAT, GENTLEMEN.

14. YOU KNOW ME BETTER THAN THAT, GENTLEMEN. I DON'T KISS AND TELL.

15. GENTLEMEN. I DON'T KISS AND TELL. OKAY.

16. I DON'T KISS AND TELL. OKAY. ALL RIGHT.

17. OKAY. ALL RIGHT. TAKE IT EASY.

18. ALL RIGHT. TAKE IT EASY. BYE, BUDDY.

19. TAKE IT EASY. BYE, BUDDY. LOVE YOUR WORK.

20. BYE, BUDDY. LOVE YOUR WORK. LOVE YOURS.

21. LOVE YOUR WORK. LOVE YOURS. WHAT A GUY.

22. LOVE YOURS. WHAT A GUY. LET ME MAKE SURE I WAS...

23. WHAT A GUY. LET ME MAKE SURE I WAS...

24. LET ME MAKE SURE I WAS... RECORDING THIS.

25. RECORDING THIS. LOVE YOUR WORK.

26. LOVE YOUR WORK. LOVE YOURS.

27. LOVE YOUR WORK. LOVE YOURS.

28. LOVE YOURS. WHAT A GUY.

29. WHAT A GUY. NO, YOU'RE GONNA LISTEN TO ME

30. WHAT A GUY. NO, YOU'RE GONNA LISTEN TO ME FOR A SECOND.

31. NO, YOU'RE GONNA LISTEN TO ME FOR A SECOND. WHEN I CALL YOU BACK, YOU'RE

32. FOR A SECOND. WHEN I CALL YOU BACK, YOU'RE GONNA HAVE A BETTER NUMBER,

33. WHEN I CALL YOU BACK, YOU'RE GONNA HAVE A BETTER NUMBER, WE'RE GONNA HAVE A BETTER OFFER.

34. GONNA HAVE A BETTER NUMBER, WE'RE GONNA HAVE A BETTER OFFER. DO NOT WASTE MY TIME!

35. WE'RE GONNA HAVE A BETTER OFFER. DO NOT WASTE MY TIME! ALL I WANT TO HEAR IS "YES,

36. DO NOT WASTE MY TIME! ALL I WANT TO HEAR IS "YES, DIANE."

37. ALL I WANT TO HEAR IS "YES, DIANE." GOOD. THANK YOU!

38. DIANE." GOOD. THANK YOU!

39. GOOD. THANK YOU! WHO'S YOUR MAMA?

40. WHO'S YOUR MAMA? YOU. YOU'RE MY MOM.

41. WHO'S YOUR MAMA? YOU. YOU'RE MY MOM. TELL ME AGAIN — WHO'S YOUR

42. YOU. YOU'RE MY MOM. TELL ME AGAIN — WHO'S YOUR MOTHERMAMA?

43. TELL ME AGAIN — WHO'S YOUR MOTHERMAMA? YOU MY MAMA!

44. MOTHERMAMA? YOU MY MAMA! ALL RIGHT, THEN!

45. YOU MY MAMA! ALL RIGHT, THEN! YOU ARE MY MAMA.

46. ALL RIGHT, THEN! YOU ARE MY MAMA. THANK YOU!

47. YOU ARE MY MAMA. THANK YOU!

48. THANK YOU! WHO'S YOUR MOTHER

49. WHO'S YOUR MOTHER MAMA?

50. WHO'S YOUR MOTHER MAMA? OKAY, WHAT COULDN'T WE TALK

51. MAMA? OKAY, WHAT COULDN'T WE TALK ABOUT ON THE PHONE?

52. OKAY, WHAT COULDN'T WE TALK ABOUT ON THE PHONE? OH, YEAH. HERE.

53. ABOUT ON THE PHONE? OH, YEAH. HERE. WHAT DO YOU THINK OF THIS WATCH?

54. OH, YEAH. HERE. WHAT DO YOU THINK OF THIS WATCH? IT'S A STRUSSEL — 5 GRAND.

55. WHAT DO YOU THINK OF THIS WATCH? IT'S A STRUSSEL — 5 GRAND. NOW, THAT'S A HIGH-END PIECE OF

56. IT'S A STRUSSEL — 5 GRAND. NOW, THAT'S A HIGH-END PIECE OF JEWELRY RIGHT THERE.

57. NOW, THAT'S A HIGH-END PIECE OF JEWELRY RIGHT THERE. YEAH, IT SEEMS NICE.

58. JEWELRY RIGHT THERE. YEAH, IT SEEMS NICE. WHAT IF I TOLD YOU I COULD

59. YEAH, IT SEEMS NICE. WHAT IF I TOLD YOU I COULD GET YOU $2 MILLION FOR ONE DAY'S

60. WHAT IF I TOLD YOU I COULD GET YOU $2 MILLION FOR ONE DAY'S WORK?

61. GET YOU $2 MILLION FOR ONE DAY'S WORK? OH, GOD.

62. WORK? OH, GOD. DIANE, I TOLD YOU I DON'T WANT

63. OH, GOD. DIANE, I TOLD YOU I DON'T WANT TO DO ANY ENDORSEMENTS OR

64. DIANE, I TOLD YOU I DON'T WANT TO DO ANY ENDORSEMENTS OR COMMERCIALS OR ANY OF THAT SHIT.

65. TO DO ANY ENDORSEMENTS OR COMMERCIALS OR ANY OF THAT SHIT. COME ON.

66. COMMERCIALS OR ANY OF THAT SHIT. COME ON. EVEN TOM CRUISE IS DOING THIS

67. COME ON. EVEN TOM CRUISE IS DOING THIS KIND OF STUFF.

68. EVEN TOM CRUISE IS DOING THIS KIND OF STUFF. AND I PROMISE YOU, IT'S ONLY

69. KIND OF STUFF. AND I PROMISE YOU, IT'S ONLY GONNA SHOW IN JAPAN — MAYBE

70. AND I PROMISE YOU, IT'S ONLY GONNA SHOW IN JAPAN — MAYBE MALAYSIA.

71. GONNA SHOW IN JAPAN — MAYBE MALAYSIA. I DON'T CARE.

72. MALAYSIA. I DON'T CARE. I'M — I'M A LEGITIMATE COOL-GUY

73. I DON'T CARE. I'M — I'M A LEGITIMATE COOL-GUY INDIE ACTOR.

74. I'M — I'M A LEGITIMATE COOL-GUY INDIE ACTOR. I DON'T DO COMMERCIALS.

75. INDIE ACTOR. I DON'T DO COMMERCIALS. THE WHOLE PROCESS IS DISGUSTING.

76. I DON'T DO COMMERCIALS. THE WHOLE PROCESS IS DISGUSTING. THE PHOTOGRAPHERS ARE GROSS, THE

77. THE WHOLE PROCESS IS DISGUSTING. THE PHOTOGRAPHERS ARE GROSS, THE AD GUYS ARE ANNOYING.

78. THE PHOTOGRAPHERS ARE GROSS, THE AD GUYS ARE ANNOYING. I DON'T LIKE IT.

79. AD GUYS ARE ANNOYING. I DON'T LIKE IT. JASON.

80. I DON'T LIKE IT. JASON. ALL RIGHT.

81. JASON. ALL RIGHT. I KNOW — YOU'RE NERVOUS.

82. ALL RIGHT. I KNOW — YOU'RE NERVOUS. YOU'RE A LITTLE UNCOMFORTABLE.

83. I KNOW — YOU'RE NERVOUS. YOU'RE A LITTLE UNCOMFORTABLE. THERE'S THIS SERVICE THAT WE

84. YOU'RE A LITTLE UNCOMFORTABLE. THERE'S THIS SERVICE THAT WE USE.

85. THERE'S THIS SERVICE THAT WE USE. IT'S CALLED "WHILE YOU SLEEP."

86. USE. IT'S CALLED "WHILE YOU SLEEP." THEY PROP YOU UP WITH THE

87. IT'S CALLED "WHILE YOU SLEEP." THEY PROP YOU UP WITH THE STRUSSEL PRODUCT WHILE YOU

88. THEY PROP YOU UP WITH THE STRUSSEL PRODUCT WHILE YOU SLEEP, THEY SHOOT THE

89. STRUSSEL PRODUCT WHILE YOU SLEEP, THEY SHOOT THE PICTURES — BAM, BAM, BAM —

90. SLEEP, THEY SHOOT THE PICTURES — BAM, BAM, BAM — THEN THEY TAKE YOU BACK HOME,

91. PICTURES — BAM, BAM, BAM — THEN THEY TAKE YOU BACK HOME, PUT YOU BACK IN YOUR NICE, COMFY

92. THEN THEY TAKE YOU BACK HOME, PUT YOU BACK IN YOUR NICE, COMFY BED, AND YOU WAKE UP $2 MILLION

93. PUT YOU BACK IN YOUR NICE, COMFY BED, AND YOU WAKE UP $2 MILLION RICHER.

94. BED, AND YOU WAKE UP $2 MILLION RICHER. THAT'S A REAL THING?

95. RICHER. THAT'S A REAL THING? ALL THE STARS ARE DOING IT

96. THAT'S A REAL THING? ALL THE STARS ARE DOING IT NOW.

97. ALL THE STARS ARE DOING IT NOW. AND THIS WOULD ONLY BE IN

98. NOW. AND THIS WOULD ONLY BE IN FOREIGN MARKETS?

99. AND THIS WOULD ONLY BE IN FOREIGN MARKETS? MAMA SWEARS.

100. FOREIGN MARKETS? MAMA SWEARS. HMM. SOUNDS GOOD.

101. MAMA SWEARS. HMM. SOUNDS GOOD. I'M WANTING TO SAY "YES"...

102. HMM. SOUNDS GOOD. I'M WANTING TO SAY "YES"... SO I WILL.

103. I'M WANTING TO SAY "YES"... SO I WILL. ALL RIGHT.

104. SO I WILL. ALL RIGHT. YES.

105. ALL RIGHT. YES. THERE YOU GO.

106. YES. THERE YOU GO. DON'T SCREW ME ON THIS.

107. THERE YOU GO. DON'T SCREW ME ON THIS. COME ON.

108. DON'T SCREW ME ON THIS. COME ON. MAMA DOESN'T SCREW HER BABIES.

109. COME ON. MAMA DOESN'T SCREW HER BABIES. THANKS, MAMA.

110. MAMA DOESN'T SCREW HER BABIES. THANKS, MAMA.

111. OKAY, HE'S HERE.

112. OKAY, HE'S HERE. HE'S HERE.

113. OKAY, HE'S HERE. HE'S HERE. GET HIM ON THE WIRES.

114. HE'S HERE. GET HIM ON THE WIRES. THANK YOU VERY MUCH.

115. GET HIM ON THE WIRES. THANK YOU VERY MUCH. [ WALKIE-TALKIE BEEPS ]

116. THANK YOU VERY MUCH. [ WALKIE-TALKIE BEEPS ] GO FOR AMY.

117. [ WALKIE-TALKIE BEEPS ] GO FOR AMY. YEAH, UH-HUH, I'M LOOKING AT HIM

118. GO FOR AMY. YEAH, UH-HUH, I'M LOOKING AT HIM RIGHT NOW.

119. YEAH, UH-HUH, I'M LOOKING AT HIM RIGHT NOW. OKAY, I WANT A CLEAN,

120. RIGHT NOW. OKAY, I WANT A CLEAN, PROFESSIONAL, EFFICIENT SHOOT.

121. OKAY, I WANT A CLEAN, PROFESSIONAL, EFFICIENT SHOOT. WE GOT TO GET HIM BACK INTO BED

122. PROFESSIONAL, EFFICIENT SHOOT. WE GOT TO GET HIM BACK INTO BED BY 3:00 A.M.

123. WE GOT TO GET HIM BACK INTO BED BY 3:00 A.M. COPY YOU.

124. BY 3:00 A.M. COPY YOU. [ WALKIE-TALKIE BEEPS ]

125. COPY YOU. [ WALKIE-TALKIE BEEPS ] ALL RIGHT, I NEED YOU TO PUT HIM

126. [ WALKIE-TALKIE BEEPS ] ALL RIGHT, I NEED YOU TO PUT HIM THROUGH THE WORKS.

127. ALL RIGHT, I NEED YOU TO PUT HIM THROUGH THE WORKS. SWING HIM OVER TO MAKEUP.

128. THROUGH THE WORKS. SWING HIM OVER TO MAKEUP.

129. SWING HIM OVER TO MAKEUP. OKAY, FOLKS, UH, EVERYBODY

130. OKAY, FOLKS, UH, EVERYBODY PLEASE STAY ON THEIR "A" GAME.

131. OKAY, FOLKS, UH, EVERYBODY PLEASE STAY ON THEIR "A" GAME. WE'RE MOVING QUICKLY.

132. PLEASE STAY ON THEIR "A" GAME. WE'RE MOVING QUICKLY. [ WALKIE-TALKIE BEEPS ]

133. WE'RE MOVING QUICKLY. [ WALKIE-TALKIE BEEPS ] WE GOOD?

134. [ WALKIE-TALKIE BEEPS ] WE GOOD? WE'RE WAITING ON YOU.

135. WE GOOD? WE'RE WAITING ON YOU. ALL RIGHT.

136. WE'RE WAITING ON YOU. ALL RIGHT. GO FOR AMY.

137. ALL RIGHT. GO FOR AMY. [ WALKIE-TALKIE BEEPS ]

138. GO FOR AMY. [ WALKIE-TALKIE BEEPS ] OKAY, WE'RE GOING WITH THE BLACK

139. [ WALKIE-TALKIE BEEPS ] OKAY, WE'RE GOING WITH THE BLACK SHIRT.

140. OKAY, WE'RE GOING WITH THE BLACK SHIRT. PUT HIM IN THE BLACK SHIRT.

141. SHIRT. PUT HIM IN THE BLACK SHIRT. OKAY, SCHWARTZMAN'S AT 100%.

142. PUT HIM IN THE BLACK SHIRT. OKAY, SCHWARTZMAN'S AT 100%. WE'RE FLYING HIM IN.

143. OKAY, SCHWARTZMAN'S AT 100%. WE'RE FLYING HIM IN.

144. WE'RE FLYING HIM IN. BRING HIM IN.

145. BRING HIM IN. NICE AND EASY.

146. BRING HIM IN. NICE AND EASY. HELLO, MR. SCHWARTZMAN.

147. NICE AND EASY. HELLO, MR. SCHWARTZMAN. DAMIEN, HOLD HIM UP.

148. HELLO, MR. SCHWARTZMAN. DAMIEN, HOLD HIM UP. LET ME TAKE A LOOK AT HIM.

149. DAMIEN, HOLD HIM UP. LET ME TAKE A LOOK AT HIM. OH, YEAH!

150. LET ME TAKE A LOOK AT HIM. OH, YEAH! LOOK AT THAT BEAUTIFUL FACE!

151. OH, YEAH! LOOK AT THAT BEAUTIFUL FACE! DAMIEN, GET THE CAMERA!

152. LOOK AT THAT BEAUTIFUL FACE! DAMIEN, GET THE CAMERA! ALL RIGHT, EVERYBODY,

153. DAMIEN, GET THE CAMERA! ALL RIGHT, EVERYBODY, LET'S DO THIS.

154. ALL RIGHT, EVERYBODY, LET'S DO THIS. THIS IS SHOWTIME.

155. LET'S DO THIS. THIS IS SHOWTIME. SIR, WHY DON'T YOU COME IN?

156. THIS IS SHOWTIME. SIR, WHY DON'T YOU COME IN? BRIAN, BRING IN THE WATCH.

157. SIR, WHY DON'T YOU COME IN? BRIAN, BRING IN THE WATCH. THIS IS BRIAN FROM STRUSSEL.

158. BRIAN, BRING IN THE WATCH. THIS IS BRIAN FROM STRUSSEL. HE'S GONNA PLACE THE WATCH IN

159. THIS IS BRIAN FROM STRUSSEL. HE'S GONNA PLACE THE WATCH IN YOUR HANDS.

160. HE'S GONNA PLACE THE WATCH IN YOUR HANDS. IT'S AN HONOR TO MEET YOU.

161. YOUR HANDS. IT'S AN HONOR TO MEET YOU. MOSES?

162. IT'S AN HONOR TO MEET YOU. MOSES? THANK YOU, GUYS, SO MUCH.

163. MOSES? THANK YOU, GUYS, SO MUCH. HOLD HIS HAND UP LIKE WE TALKED

164. THANK YOU, GUYS, SO MUCH. HOLD HIS HAND UP LIKE WE TALKED ABOUT.

165. HOLD HIS HAND UP LIKE WE TALKED ABOUT. AND KEEP YOUR HEAD OUT OF FRAME.

166. ABOUT. AND KEEP YOUR HEAD OUT OF FRAME. THERE YOU GO.

167. AND KEEP YOUR HEAD OUT OF FRAME. THERE YOU GO. OKAY, HE'S ALL YOURS.

168. THERE YOU GO. OKAY, HE'S ALL YOURS. BEAUTIFUL.

169. OKAY, HE'S ALL YOURS. BEAUTIFUL. DON'T MOVE A MUSCLE, MOSES.

170. BEAUTIFUL. DON'T MOVE A MUSCLE, MOSES. DAMIEN, MUSIC!

171. DON'T MOVE A MUSCLE, MOSES. DAMIEN, MUSIC! [ MID-TEMPO MUSIC PLAYS ]

172. DAMIEN, MUSIC! [ MID-TEMPO MUSIC PLAYS ]

173. [ MID-TEMPO MUSIC PLAYS ] OH, YEAH!

174. OH, YEAH! OH, THESE PICTURES ARE MAKING ME

175. OH, THESE PICTURES ARE MAKING ME HOT!

176. OH, THESE PICTURES ARE MAKING ME HOT! I JUST WANT TO EXPLODE IN YOUR

177. HOT! I JUST WANT TO EXPLODE IN YOUR FACE!

178. I JUST WANT TO EXPLODE IN YOUR FACE! OHHHH!

179. FACE! OHHHH! I'M GONNA DUMP ALL OVER MOSES!

180. OHHHH! I'M GONNA DUMP ALL OVER MOSES! OH!

181. I'M GONNA DUMP ALL OVER MOSES! OH! DAMIEN, DID YOU SEE THAT?

182. OH! DAMIEN, DID YOU SEE THAT? RIGHT AT MOSES.

183. DAMIEN, DID YOU SEE THAT? RIGHT AT MOSES. AH! OH!

184. RIGHT AT MOSES. AH! OH! OH!

185. AH! OH! OH! OH, DAMIEN, YOU'RE GONNA LOVE

186. OH! OH, DAMIEN, YOU'RE GONNA LOVE THESE.

187. OH, DAMIEN, YOU'RE GONNA LOVE THESE. GET INTO POSITION, HONEY!

188. THESE. GET INTO POSITION, HONEY! OH!

189. GET INTO POSITION, HONEY! OH! CAN I GET A COPY THAT

190. OH! CAN I GET A COPY THAT THE STRUSSEL FOLKS ARE WATCHING

191. CAN I GET A COPY THAT THE STRUSSEL FOLKS ARE WATCHING AND EVERYBODY'S HAPPY?

192. THE STRUSSEL FOLKS ARE WATCHING AND EVERYBODY'S HAPPY? OH! OH!

193. AND EVERYBODY'S HAPPY? OH! OH! [ WALKIE-TALKIE BEEPS ]

194. OH! OH! [ WALKIE-TALKIE BEEPS ] Yeah, Strussel's loving it.

195. [ WALKIE-TALKIE BEEPS ] Yeah, Strussel's loving it. COPY THAT.

196. Yeah, Strussel's loving it. COPY THAT.

197. COPY THAT. THAT'S MY DAMIEN.

198. THAT'S MY DAMIEN. OH! OH! OH!

199. THAT'S MY DAMIEN. OH! OH! OH! WE'RE DONE, AMY.

200. OH! OH! OH! WE'RE DONE, AMY. ALL RIGHT, EVERYBODY,

201. WE'RE DONE, AMY. ALL RIGHT, EVERYBODY, LET'S GET HIM UP AND BACK IN THE

202. ALL RIGHT, EVERYBODY, LET'S GET HIM UP AND BACK IN THE VAN AND BACK HOME.

203. LET'S GET HIM UP AND BACK IN THE VAN AND BACK HOME. JASON, IT WAS A

204. VAN AND BACK HOME. JASON, IT WAS A PLEASURE WORKING WITH YOU.

205. JASON, IT WAS A PLEASURE WORKING WITH YOU. THANK YOU SO MUCH.

206. PLEASURE WORKING WITH YOU. THANK YOU SO MUCH. REMEMBER TO FILL OUT

207. THANK YOU SO MUCH. REMEMBER TO FILL OUT YOUR TIMECARDS.

208. REMEMBER TO FILL OUT YOUR TIMECARDS. GO FOR AMY.

209. YOUR TIMECARDS. GO FOR AMY. [ WALKIE-TALKIE BEEPS ]

210. GO FOR AMY. [ WALKIE-TALKIE BEEPS ] YEAH, HE'S HEADING YOUR WAY.

211. YEAH, HE'S HEADING YOUR WAY. [ WALKIE-TALKIE BEEPS ] HE WAS IN "MOUNT RUSHMORE."

212. [ WALKIE-TALKIE BEEPS ] HE WAS IN "MOUNT RUSHMORE." IT'S A MOVIE.

213. HE WAS IN "MOUNT RUSHMORE." IT'S A MOVIE. THANK YOU, DAMIEN.

214. IT'S A MOVIE. THANK YOU, DAMIEN. I WAS TALKING TO DAMIEN.

215. THANK YOU, DAMIEN. I WAS TALKING TO DAMIEN. HOW WE LOOKING, BRETT?

216. I WAS TALKING TO DAMIEN. HOW WE LOOKING, BRETT? UM, GOT TO GO.

217. HOW WE LOOKING, BRETT? UM, GOT TO GO. LOAD UP THE "A" CAM

218. UM, GOT TO GO. LOAD UP THE "A" CAM FOOTAGE.

219. LOAD UP THE "A" CAM FOOTAGE.

220. FOOTAGE. OOH, THAT'S HOT!

221. OOH, THAT'S HOT! PROBABLY TAKE SOME OF THESE

222. OOH, THAT'S HOT! PROBABLY TAKE SOME OF THESE JPEGs, LOAD 'EM UP ON MY PLASMAS

223. PROBABLY TAKE SOME OF THESE JPEGs, LOAD 'EM UP ON MY PLASMAS AND HAVE A JACK ATTACK.

224. JPEGs, LOAD 'EM UP ON MY PLASMAS AND HAVE A JACK ATTACK. MAKE A MESS ALL OVER MY HOME,

225. AND HAVE A JACK ATTACK. MAKE A MESS ALL OVER MY HOME, HAVE DAMIEN COME CLEAN IT UP.

226. MAKE A MESS ALL OVER MY HOME, HAVE DAMIEN COME CLEAN IT UP. DAMIEN!

227. HAVE DAMIEN COME CLEAN IT UP. DAMIEN! WHAT DO YOU THINK ABOUT 24?

228. DAMIEN! WHAT DO YOU THINK ABOUT 24? ALL RIGHT, LOAD UP THE EYES.

229. WHAT DO YOU THINK ABOUT 24? ALL RIGHT, LOAD UP THE EYES. STAND BY, STAND BY.

230. ALL RIGHT, LOAD UP THE EYES. STAND BY, STAND BY. HOW WE DOING?

231. STAND BY, STAND BY. HOW WE DOING? EVERYBODY HAPPY HERE?

232. HOW WE DOING? EVERYBODY HAPPY HERE? YEAH, WE'RE, UH, FINAL

233. EVERYBODY HAPPY HERE? YEAH, WE'RE, UH, FINAL STAGES, JUST LOADING THE EYES.

234. YEAH, WE'RE, UH, FINAL STAGES, JUST LOADING THE EYES. GREAT.

235. STAGES, JUST LOADING THE EYES. GREAT.

236. GREAT. ALL RIGHT, JUST A

237. ALL RIGHT, JUST A LITTLE BIT LOWER.

238. ALL RIGHT, JUST A LITTLE BIT LOWER.

239. LITTLE BIT LOWER. LITTLE BIT LOWER.

240. LITTLE BIT LOWER. THEY GOT TO GO LOWER.

241. LITTLE BIT LOWER. THEY GOT TO GO LOWER.

242. THEY GOT TO GO LOWER. NICE!

243. NICE! ALL RIGHT, THAT'S THE

244. NICE! ALL RIGHT, THAT'S THE ONE.

245. ALL RIGHT, THAT'S THE ONE. MARK IT, PRINT IT, LET'S GET OUT

246. ONE. MARK IT, PRINT IT, LET'S GET OUT OF HERE.

247. MARK IT, PRINT IT, LET'S GET OUT OF HERE. [ WALKIE-TALKIE BEEPS ]

248. OF HERE. [ WALKIE-TALKIE BEEPS ] AMY TO BASE. THAT'S A WRAP.

249. AMY TO BASE. THAT'S A WRAP. [ WALKIE-TALKIE BEEPS ]

250. MORNING. MORNING. SLEEP GOOD?

251. MORNING. SLEEP GOOD? YEAH. I... THINK SO.

252. YEAH, I DON'T KNOW WHY I HAVE TO AUDITION. HASN'T HE SEEN MY WORK?

253. AUDITION. HASN'T HE SEEN MY WORK? DOESN'T HE KNOW WHAT I DO?

254. HASN'T HE SEEN MY WORK? DOESN'T HE KNOW WHAT I DO? I KNOW.

255. DOESN'T HE KNOW WHAT I DO? I KNOW. EVERYBODY ALWAYS SAYS,

256. I KNOW. EVERYBODY ALWAYS SAYS, "EVERYBODY'S GOING IN," BUT NO

257. EVERYBODY ALWAYS SAYS, "EVERYBODY'S GOING IN," BUT NO ONE'S EVER GOING IN.

258. "EVERYBODY'S GOING IN," BUT NO ONE'S EVER GOING IN. IT JUST SEEMS SO DUMB —

259. ONE'S EVER GOING IN. IT JUST SEEMS SO DUMB — OH, MY GOD.

260. IT JUST SEEMS SO DUMB — OH, MY GOD. I GOT TO CALL YOU BACK.

261. OH, MY GOD. I GOT TO CALL YOU BACK.

262. I GOT TO CALL YOU BACK. HI. DIANA, PLEASE.

263. HI. DIANA, PLEASE. THIS IS JASON SCHWARTZMAN

264. HI. DIANA, PLEASE. THIS IS JASON SCHWARTZMAN CALLING.

265. THIS IS JASON SCHWARTZMAN CALLING.

266. CALLING.

267. HELLO?

268. HELLO? Diana.

269. HELLO? Diana. HEY. WHAT'S UP?

270. Diana. HEY. WHAT'S UP? HOW'S MY LITTLE DUMPLIN'?

271. HEY. WHAT'S UP? HOW'S MY LITTLE DUMPLIN'? What's up?

272. HOW'S MY LITTLE DUMPLIN'? What's up? MY STRUSSEL WATCH AD IS WHAT'S

273. What's up? MY STRUSSEL WATCH AD IS WHAT'S UP.

274. MY STRUSSEL WATCH AD IS WHAT'S UP. IT'S UP ON SUNSET BOULEVARD.

275. UP. IT'S UP ON SUNSET BOULEVARD. HOW DID THIS HAPPEN?

276. IT'S UP ON SUNSET BOULEVARD. HOW DID THIS HAPPEN? SUNSET BOULEVARD?

277. HOW DID THIS HAPPEN? SUNSET BOULEVARD? ARE YOU KIDDING ME?

278. SUNSET BOULEVARD? ARE YOU KIDDING ME? I D— I DON'T UNDERSTAND.

279. ARE YOU KIDDING ME? I D— I DON'T UNDERSTAND. YOU SAID IT WOULD ONLY PLAY IN

280. I D— I DON'T UNDERSTAND. YOU SAID IT WOULD ONLY PLAY IN JAPAN AND MAYBE MALAYSIA.

281. YOU SAID IT WOULD ONLY PLAY IN JAPAN AND MAYBE MALAYSIA. IT WENT GLOBAL, HONEY.

282. JAPAN AND MAYBE MALAYSIA. IT WENT GLOBAL, HONEY. THEY LOVE IT. THEY LOVE YOU.

283. IT WENT GLOBAL, HONEY. THEY LOVE IT. THEY LOVE YOU. Diana, you don't understand.

284. THEY LOVE IT. THEY LOVE YOU. Diana, you don't understand. THEY DID SOMETHING TO MY EYES OR

285. Diana, you don't understand. THEY DID SOMETHING TO MY EYES OR S—

286. THEY DID SOMETHING TO MY EYES OR S— I LOOK LIKE A DINK!

287. S— I LOOK LIKE A DINK! You have to make this go away.

288. I LOOK LIKE A DINK! You have to make this go away. OKAY, WELL, FINE.

289. You have to make this go away. OKAY, WELL, FINE. JUST TEAR UP THE $2 MILLION

290. OKAY, WELL, FINE. JUST TEAR UP THE $2 MILLION CHECK, THEN.

291. JUST TEAR UP THE $2 MILLION CHECK, THEN. NO, EVERYBODY'S LOOKING AT

292. CHECK, THEN. NO, EVERYBODY'S LOOKING AT IT!

293. NO, EVERYBODY'S LOOKING AT IT!

294. IT! Calm down!

295. Calm down! I'M NOT GONNA CALM DOWN!

296. Calm down! I'M NOT GONNA CALM DOWN! You calm down!

297. I'M NOT GONNA CALM DOWN! You calm down! JASON, THIS IS THE BEST-CASE

298. You calm down! JASON, THIS IS THE BEST-CASE SCENARIO...

299. JASON, THIS IS THE BEST-CASE SCENARIO...

300. SCENARIO... A win-win.

301. A win-win. YOU HEAR THAT?

302. A win-win. YOU HEAR THAT? THAT WAS SOMEONE HONKING AT ME.

303. YOU HEAR THAT? THAT WAS SOMEONE HONKING AT ME. Jason.

304. THAT WAS SOMEONE HONKING AT ME. Jason. YEAH, IT'S STARTED.

305. Jason. YEAH, IT'S STARTED.

306. YEAH, IT'S STARTED.

307. THIS IS STUPID.

308. THIS IS STUPID. HAVE YOU SEEN THIS BILLBOARD

309. HAVE YOU SEEN THIS BILLBOARD FOR THE FANCY WATCH WITH

310. HAVE YOU SEEN THIS BILLBOARD FOR THE FANCY WATCH WITH JASON SCHWARTZMAN?

311. FOR THE FANCY WATCH WITH JASON SCHWARTZMAN? IT'S OUT ON SUNSET BOULEVARD.

312. JASON SCHWARTZMAN? IT'S OUT ON SUNSET BOULEVARD.

313. IT'S OUT ON SUNSET BOULEVARD.

314. I DON'T KNOW WHAT HAPPENED HERE.

315. I DON'T KNOW WHAT HAPPENED HERE. I-IT LOOKS LIKE HIS EYE GOT

316. I DON'T KNOW WHAT HAPPENED HERE. I-IT LOOKS LIKE HIS EYE GOT TIRED OF BEING COVERED BY HIS

317. I-IT LOOKS LIKE HIS EYE GOT TIRED OF BEING COVERED BY HIS HAIR AND...

318. TIRED OF BEING COVERED BY HIS HAIR AND...

319. HAIR AND... MIGRATED SOUTH.

320. MIGRATED SOUTH. HE LOOKS LIKE A FLOUNDER.

321. MIGRATED SOUTH. HE LOOKS LIKE A FLOUNDER.

322. HE LOOKS LIKE A FLOUNDER. WELL, WHY WOULD HE AGREE TO

323. WELL, WHY WOULD HE AGREE TO THIS?

324. WELL, WHY WOULD HE AGREE TO THIS? MAYBE HE NEEDED THE MONEY TO FIX

325. THIS? MAYBE HE NEEDED THE MONEY TO FIX HIS FACE.

326. MAYBE HE NEEDED THE MONEY TO FIX HIS FACE. I DON'T KNOW.

327. HIS FACE. I DON'T KNOW.

328. I DON'T KNOW.

329. Hi, Mr. Schwartzman.

330. Hi, Mr. Schwartzman. This is Sharon calling from

331. Hi, Mr. Schwartzman. This is Sharon calling from Martin's office.

332. This is Sharon calling from Martin's office. Um, I just want to let you know

333. Martin's office. Um, I just want to let you know we've decided to go in another

334. Um, I just want to let you know we've decided to go in another direction on the film, so we

335. we've decided to go in another direction on the film, so we won't need you to come in for

336. direction on the film, so we won't need you to come in for the audition.

337. won't need you to come in for the audition. Have a great day.

338. the audition. Have a great day. SASHA, YOU CAN'T JUST LEAVE

339. Have a great day. SASHA, YOU CAN'T JUST LEAVE ME OVER SOMETHING LIKE THIS.

340. SASHA, YOU CAN'T JUST LEAVE ME OVER SOMETHING LIKE THIS. IT'S SO STUPID!

341. ME OVER SOMETHING LIKE THIS. IT'S SO STUPID! LOOK! MY EYES ARE FINE!

342. IT'S SO STUPID! LOOK! MY EYES ARE FINE! THEY'RE FINE!

343. LOOK! MY EYES ARE FINE! THEY'RE FINE! SASHA!

344. IT LOOKS LIKE JASON SCHWARTZMAN'S TIME ON THE "A" LIST IS ABOUT TO RUN OUT.

345. JASON SCHWARTZMAN'S TIME ON THE "A" LIST IS ABOUT TO RUN OUT.

346. "A" LIST IS ABOUT TO RUN OUT. BETTER CHECK THAT FANCY WATCH OF

347. BETTER CHECK THAT FANCY WATCH OF HIS TO SEE IF IT'S STILL

348. BETTER CHECK THAT FANCY WATCH OF HIS TO SEE IF IT'S STILL TICKING.

349. HIS TO SEE IF IT'S STILL TICKING.

350. TICKING.

351. AND THAT'S YOUR

352. AND THAT'S YOUR "HOLLYWOOD WRAP UP."

353. AND THAT'S YOUR "HOLLYWOOD WRAP UP." WAS THAT OKAY?

354. WAS THAT OKAY? SHUT UP.

355. SHUT UP. GET BACK IN YOUR CAGE!

356. SHUT UP. GET BACK IN YOUR CAGE! YES, PLEASE —

357. GET BACK IN YOUR CAGE! YES, PLEASE — PLEASE DON'T —

358. YES, PLEASE — PLEASE DON'T — NOW!

359. PLEASE DON'T — NOW! PLEASE! ALL RIGHT!

360. NOW! PLEASE! ALL RIGHT! I HEARD YOU!

361. EAT UP, TROLL. THANK YOU. SHUT UP!

362. THANK YOU. SHUT UP!

363. SHUT UP! THERE IS MUCH WORK TO BE DONE.

364. "DON'T FORGET TO SUBSCRIBE AND SHARE."

365. "DON'T FORGET TO SUBSCRIBE AND SHARE." THERE'S NEWS!

366. SHARE." THERE'S NEWS! CARRIE ANN BROWN JUST GOT A NEW

367. THERE'S NEWS! CARRIE ANN BROWN JUST GOT A NEW HAIRCUT, AND SHE LOOKS LIKE A

368. CARRIE ANN BROWN JUST GOT A NEW HAIRCUT, AND SHE LOOKS LIKE A LESBIAN NOW.

369. HAIRCUT, AND SHE LOOKS LIKE A LESBIAN NOW. LET ME SEE THAT.

370. LESBIAN NOW. LET ME SEE THAT.

371. LET ME SEE THAT. CAN YOU BELIEVE IT?

372. CAN YOU BELIEVE IT?

373. CAN YOU BELIEVE IT? OH! THIS IS GOLD!

374. OH! THIS IS GOLD! OH, YEAH.

375. OH! THIS IS GOLD! OH, YEAH.

376. OH, YEAH. E-EXCUSE ME?

377. E-EXCUSE ME? OH, WHAT'S THIS?

378. E-EXCUSE ME? OH, WHAT'S THIS?

379. OH, WHAT'S THIS?

380. I TOLD YOU TO KEEP THAT DAMN

381. I TOLD YOU TO KEEP THAT DAMN MOUTH SHUT WHILE I WAS IN HERE.

382. I TOLD YOU TO KEEP THAT DAMN MOUTH SHUT WHILE I WAS IN HERE. I WON'T SAY ANYTHING, AND I

383. MOUTH SHUT WHILE I WAS IN HERE. I WON'T SAY ANYTHING, AND I WON'T —

384. I WON'T SAY ANYTHING, AND I WON'T —

385. WON'T — I'M SORRY!

386. I'M SORRY! I'M GOING BACK TO HOLLYWOOD

387. I'M SORRY! I'M GOING BACK TO HOLLYWOOD TO GET SOME MORE DIRT ON THE

388. I'M GOING BACK TO HOLLYWOOD TO GET SOME MORE DIRT ON THE BOULEVARD.

389. TO GET SOME MORE DIRT ON THE BOULEVARD.

390. BOULEVARD.