Tim and Eric's Bedtime Stories 1x5

1. THREE, TWO, ONE. iBUENOS DíAS, MUCHACHOS! IT IS FRANKLIN BING CHECKING

2. iBUENOS DíAS, MUCHACHOS! IT IS FRANKLIN BING CHECKING BACK IN WITH YOU GUYS.

3. IT IS FRANKLIN BING CHECKING BACK IN WITH YOU GUYS. WANT TO GIVE YOU GUYS AN UPDATE

4. BACK IN WITH YOU GUYS. WANT TO GIVE YOU GUYS AN UPDATE AND INTRODUCE YOU TO MY NEW

5. WANT TO GIVE YOU GUYS AN UPDATE AND INTRODUCE YOU TO MY NEW ROOMMATE.

6. AND INTRODUCE YOU TO MY NEW ROOMMATE. iHOLA, AMIGAS!

7. ROOMMATE. iHOLA, AMIGAS! TONY DORT HERE — HOLLYWOOD

8. iHOLA, AMIGAS! TONY DORT HERE — HOLLYWOOD ACTOR CHECKING IN WITH YOU.

9. TONY DORT HERE — HOLLYWOOD ACTOR CHECKING IN WITH YOU. GOOD TO MEET ALL OF YOU.

10. ACTOR CHECKING IN WITH YOU. GOOD TO MEET ALL OF YOU. AND, UH, TONY, TELL US A

11. GOOD TO MEET ALL OF YOU. AND, UH, TONY, TELL US A LITTLE BIT ABOUT YOURSELF.

12. AND, UH, TONY, TELL US A LITTLE BIT ABOUT YOURSELF. UH, YOU CAN CHECK ME

13. LITTLE BIT ABOUT YOURSELF. UH, YOU CAN CHECK ME OUT AT IMDB AT TONY K. DORT.

14. UH, YOU CAN CHECK ME OUT AT IMDB AT TONY K. DORT. UNFORTUNATELY, "TONY DORT" WAS

15. OUT AT IMDB AT TONY K. DORT. UNFORTUNATELY, "TONY DORT" WAS TAKEN, SO I ADDED THE "K" RIGHT

16. UNFORTUNATELY, "TONY DORT" WAS TAKEN, SO I ADDED THE "K" RIGHT IN THERE.

17. TAKEN, SO I ADDED THE "K" RIGHT IN THERE. CHECK ME OUT.

18. IN THERE. CHECK ME OUT. AWESOME.

19. CHECK ME OUT. AWESOME. AND WHAT ARE YOU UP TO BESIDES

20. AWESOME. AND WHAT ARE YOU UP TO BESIDES ACTING?

21. AND WHAT ARE YOU UP TO BESIDES ACTING? UH, I'M ALSO A BARISTA.

22. ACTING? UH, I'M ALSO A BARISTA. ALL RIGHT, AWESOME.

23. UH, I'M ALSO A BARISTA. ALL RIGHT, AWESOME. JUST A QUICK UPDATE ON ME — I

24. ALL RIGHT, AWESOME. JUST A QUICK UPDATE ON ME — I JUST FINISHED THE UTA HAGEN

25. JUST A QUICK UPDATE ON ME — I JUST FINISHED THE UTA HAGEN SIX-WEEK COURSE.

26. JUST FINISHED THE UTA HAGEN SIX-WEEK COURSE. GOT A TON OUT OF IT.

27. SIX-WEEK COURSE. GOT A TON OUT OF IT. AND, UH, WHAT ELSE?

28. GOT A TON OUT OF IT. AND, UH, WHAT ELSE? OH, I HAD AN AWESOME AUDITION

29. AND, UH, WHAT ELSE? OH, I HAD AN AWESOME AUDITION FOR A POTATO-CHIP COMPANY.

30. OH, I HAD AN AWESOME AUDITION FOR A POTATO-CHIP COMPANY. UH, I CAN'T SAY THE NAME, BUT

31. FOR A POTATO-CHIP COMPANY. UH, I CAN'T SAY THE NAME, BUT LET ME GIVE YOU A LITTLE CLUE.

32. UH, I CAN'T SAY THE NAME, BUT LET ME GIVE YOU A LITTLE CLUE. IT'S, UH, THE KIND OF POTATO

33. LET ME GIVE YOU A LITTLE CLUE. IT'S, UH, THE KIND OF POTATO CHIP THAT COMES IN A CAN.

34. IT'S, UH, THE KIND OF POTATO CHIP THAT COMES IN A CAN. BUENO.

35. CHIP THAT COMES IN A CAN. BUENO. PRINGLES.

36. BUENO. PRINGLES. UM, AND — SO YOU WERE SAYING

37. PRINGLES. UM, AND — SO YOU WERE SAYING YOU DO COFFEE?

38. UM, AND — SO YOU WERE SAYING YOU DO COFFEE? YEAH, ABSOLUTELY. UH —

39. YOU DO COFFEE? YEAH, ABSOLUTELY. UH — CAN YOU GIVE US A LITTLE

40. YEAH, ABSOLUTELY. UH — CAN YOU GIVE US A LITTLE PEEK INTO WHERE WE MIGHT SEE YOU

41. CAN YOU GIVE US A LITTLE PEEK INTO WHERE WE MIGHT SEE YOU BARISTA?

42. PEEK INTO WHERE WE MIGHT SEE YOU BARISTA? AH, GRACIAS, AMIGA.

43. BARISTA? AH, GRACIAS, AMIGA. UH, HASTA MAÑANA, I'M GONNA HIT

44. AH, GRACIAS, AMIGA. UH, HASTA MAÑANA, I'M GONNA HIT THE STREETS, POUND THE PAVEMENT

45. UH, HASTA MAÑANA, I'M GONNA HIT THE STREETS, POUND THE PAVEMENT OF HOLLYWOOD AND PUT MY RéSUMéS

46. THE STREETS, POUND THE PAVEMENT OF HOLLYWOOD AND PUT MY RéSUMéS OUT AT A LOT OF COFFEE SHOPS, SO

47. OF HOLLYWOOD AND PUT MY RéSUMéS OUT AT A LOT OF COFFEE SHOPS, SO IF ANYONE OUT THERE, UH, HAS ANY

48. OUT AT A LOT OF COFFEE SHOPS, SO IF ANYONE OUT THERE, UH, HAS ANY RECOMMENDATIONS, GIVE US A

49. IF ANYONE OUT THERE, UH, HAS ANY RECOMMENDATIONS, GIVE US A COMMENT ON OUR VLOG.

50. RECOMMENDATIONS, GIVE US A COMMENT ON OUR VLOG. THAT WOULD BE VERY HELPFUL.

51. COMMENT ON OUR VLOG. THAT WOULD BE VERY HELPFUL. ALL RIGHT.

52. THAT WOULD BE VERY HELPFUL. ALL RIGHT. IT'S MY VLOG, AND, UH, BUT

53. ALL RIGHT. IT'S MY VLOG, AND, UH, BUT WELCOME ABOARD.

54. IT'S MY VLOG, AND, UH, BUT WELCOME ABOARD. AH, GRACIAS, AMIGAS.

55. WELCOME ABOARD. AH, GRACIAS, AMIGAS. ALL RIGHT, AND, UH,

56. AH, GRACIAS, AMIGAS. ALL RIGHT, AND, UH, CHECK YOU GUYS — I'LL SEE YOU

57. ALL RIGHT, AND, UH, CHECK YOU GUYS — I'LL SEE YOU GUYS THURSDAY NIGHT.

58. CHECK YOU GUYS — I'LL SEE YOU GUYS THURSDAY NIGHT. I'M BARBACKING AT THE

59. GUYS THURSDAY NIGHT. I'M BARBACKING AT THE ROOSTER CLUB, SO SEE YOU THERE.

60. I'M BARBACKING AT THE ROOSTER CLUB, SO SEE YOU THERE. ADIOS, AMIGAS.

61. ROOSTER CLUB, SO SEE YOU THERE. ADIOS, AMIGAS. SEE YOU NEXT WEEK.

62. ADIOS, AMIGAS. SEE YOU NEXT WEEK. AWESOME.

63. SEE YOU NEXT WEEK. AWESOME. THAT WAS GOOD.

64. AWESOME. THAT WAS GOOD. YEAH. COOL.

65. THAT WAS GOOD. YEAH. COOL. I'M GONNA UPLOAD THAT, UH, IN A

66. YEAH. COOL. I'M GONNA UPLOAD THAT, UH, IN A LITTLE BIT.

67. I'M GONNA UPLOAD THAT, UH, IN A LITTLE BIT. THAT THING'S GONNA GO

68. LITTLE BIT. THAT THING'S GONNA GO VIRAL.

69. THAT THING'S GONNA GO VIRAL. I HOPE SO.

70. VIRAL. I HOPE SO. YEAH.

71. I HOPE SO. YEAH. SO, TONY, I WAS CHECKING

72. YEAH. SO, TONY, I WAS CHECKING OUT YOUR IMDB.

73. SO, TONY, I WAS CHECKING OUT YOUR IMDB. I WAS, UH, NOTICING IT'S A

74. OUT YOUR IMDB. I WAS, UH, NOTICING IT'S A LITTLE THIN.

75. I WAS, UH, NOTICING IT'S A LITTLE THIN. WHAT HAVE YOU BEEN UP TO?

76. LITTLE THIN. WHAT HAVE YOU BEEN UP TO? OH, GRACIAS, AMIGA.

77. WHAT HAVE YOU BEEN UP TO? OH, GRACIAS, AMIGA. MOSTLY WORKING, UH, IN SKETCH

78. OH, GRACIAS, AMIGA. MOSTLY WORKING, UH, IN SKETCH RIGHT NOW.

79. MOSTLY WORKING, UH, IN SKETCH RIGHT NOW. RIGHT.

80. RIGHT NOW. RIGHT. UH, DRAMATIC SKETCH,

81. RIGHT. UH, DRAMATIC SKETCH, ONLINE SERIES, STUFF LIKE THAT.

82. UH, DRAMATIC SKETCH, ONLINE SERIES, STUFF LIKE THAT. YOU KNOW WHAT I LOVE —

83. ONLINE SERIES, STUFF LIKE THAT. YOU KNOW WHAT I LOVE — IS WHEN ACTORS CAN GO FROM THAT

84. YOU KNOW WHAT I LOVE — IS WHEN ACTORS CAN GO FROM THAT DRAMATIC REALM AND THEN ALSO DO

85. IS WHEN ACTORS CAN GO FROM THAT DRAMATIC REALM AND THEN ALSO DO SORT OF THE COMEDY VIRAL-VIDEO

86. DRAMATIC REALM AND THEN ALSO DO SORT OF THE COMEDY VIRAL-VIDEO SKETCHES.

87. SORT OF THE COMEDY VIRAL-VIDEO SKETCHES. YOU KNOW, SOMEONE LIKE JON HAMM,

88. SKETCHES. YOU KNOW, SOMEONE LIKE JON HAMM, WHO'S ABLE TO KIND OF...

89. YOU KNOW, SOMEONE LIKE JON HAMM, WHO'S ABLE TO KIND OF... JUAN HAMM, EL GENIOUSO,

90. WHO'S ABLE TO KIND OF... JUAN HAMM, EL GENIOUSO, BUENO.

91. JUAN HAMM, EL GENIOUSO, BUENO. JUAN HAMM'S ACTUALLY MY

92. BUENO. JUAN HAMM'S ACTUALLY MY MENTOR, SO IT'S — WORKS OUT

93. JUAN HAMM'S ACTUALLY MY MENTOR, SO IT'S — WORKS OUT PERFECTLY FOR ME TO LOVE THAT.

94. MENTOR, SO IT'S — WORKS OUT PERFECTLY FOR ME TO LOVE THAT. YEAH, BUENO.

95. PERFECTLY FOR ME TO LOVE THAT. YEAH, BUENO. BUENO.

96. YEAH, BUENO. BUENO. OH, I LOVE YOUR OPINIONS.

97. BUENO. OH, I LOVE YOUR OPINIONS. GRACIAS, AMIGA.

98. OH, I LOVE YOUR OPINIONS. GRACIAS, AMIGA. AND WHAT ABOUT YOU?

99. GRACIAS, AMIGA. AND WHAT ABOUT YOU? WHAT'S BEEN GOING ON?

100. AND WHAT ABOUT YOU? WHAT'S BEEN GOING ON? WELL, RIGHT NOW, I'M

101. WHAT'S BEEN GOING ON? WELL, RIGHT NOW, I'M DOING MY CLASSES, GOING ON

102. WELL, RIGHT NOW, I'M DOING MY CLASSES, GOING ON AUDITIONS.

103. DOING MY CLASSES, GOING ON AUDITIONS. I'M ALSO WORKING ON MY ONE-MAN

104. AUDITIONS. I'M ALSO WORKING ON MY ONE-MAN SHOW.

105. I'M ALSO WORKING ON MY ONE-MAN SHOW. IT'S A LITTLE ONE-ACT PLAY I PUT

106. SHOW. IT'S A LITTLE ONE-ACT PLAY I PUT TOGETHER.

107. IT'S A LITTLE ONE-ACT PLAY I PUT TOGETHER. OH, I WOULD LOVE TO GET

108. TOGETHER. OH, I WOULD LOVE TO GET INVOLVED WITH THAT, AMIGA.

109. OH, I WOULD LOVE TO GET INVOLVED WITH THAT, AMIGA. NO, IT'S A UNO MUCHACHO.

110. INVOLVED WITH THAT, AMIGA. NO, IT'S A UNO MUCHACHO.

111. NO, IT'S A UNO MUCHACHO. UNO MUCHACHO PLAY.

112. UNO MUCHACHO PLAY. AMIGO, IS THAT WHAT I

113. UNO MUCHACHO PLAY. AMIGO, IS THAT WHAT I THINK IT IS?

114. AMIGO, IS THAT WHAT I THINK IT IS? WHAT ARE YOU LISTENING TO?

115. THINK IT IS? WHAT ARE YOU LISTENING TO? IT'S SOME OF MY FAVORITE

116. WHAT ARE YOU LISTENING TO? IT'S SOME OF MY FAVORITE MUSIC EVER MADE.

117. IT'S SOME OF MY FAVORITE MUSIC EVER MADE. IT'S CALLED LATIN JAZZ.

118. MUSIC EVER MADE. IT'S CALLED LATIN JAZZ. ARE YOU KIDDING ME?

119. IT'S CALLED LATIN JAZZ. ARE YOU KIDDING ME? ME TE AMO LATIN JAZZ, AMIGA.

120. ARE YOU KIDDING ME? ME TE AMO LATIN JAZZ, AMIGA. OHH! OHH!

121. ME TE AMO LATIN JAZZ, AMIGA. OHH! OHH! UH-OH, HERE HE GOES.

122. OHH! OHH! UH-OH, HERE HE GOES. AY, YI, YI, YI, YI, YI!

123. UH-OH, HERE HE GOES. AY, YI, YI, YI, YI, YI!

124. AY, YI, YI, YI, YI, YI! I GOT TO GET A VIRAL VIDEO OF

125. I GOT TO GET A VIRAL VIDEO OF THIS.

126. I GOT TO GET A VIRAL VIDEO OF THIS.

127. THIS. iOLé!

128. iOLé! THAT IS AWESOME.

129. iOLé! THAT IS AWESOME.

130. THAT IS AWESOME.

131. I LOVE THAT ENERGY.

132. I LOVE THAT ENERGY. BUENO. OH, YEAH.

133. I LOVE THAT ENERGY. BUENO. OH, YEAH. I GOT A LOT TO UPLOAD

134. BUENO. OH, YEAH. I GOT A LOT TO UPLOAD LATER.

135. I GOT A LOT TO UPLOAD LATER. GOOD THING I HAVE WI-FI.

136. LATER. GOOD THING I HAVE WI-FI. YEAH, BUENO.

137. GOOD THING I HAVE WI-FI. YEAH, BUENO. BUENO.

138. YEAH, BUENO. BUENO. BUENO.

139. BUENO. BUENO. BUENO.

140. BUENO. BUENO. MUCHO BUENO.

141. BUENO. MUCHO BUENO. WELL, I GOT TO TELL YOU

142. MUCHO BUENO. WELL, I GOT TO TELL YOU SOMETHING, TONY.

143. WELL, I GOT TO TELL YOU SOMETHING, TONY. I DON'T SEE ANYTHING GOING WRONG

144. SOMETHING, TONY. I DON'T SEE ANYTHING GOING WRONG BETWEEN US.

145. I DON'T SEE ANYTHING GOING WRONG BETWEEN US. I THINK WE'RE GONNA GET ALONG

146. BETWEEN US. I THINK WE'RE GONNA GET ALONG JUST FINE.

147. I THINK WE'RE GONNA GET ALONG JUST FINE. SO, UH, I'D LOVE TO HAVE YOU UP

148. JUST FINE. SO, UH, I'D LOVE TO HAVE YOU UP ON MY WALL OF FAME IF YOU HAVE

149. SO, UH, I'D LOVE TO HAVE YOU UP ON MY WALL OF FAME IF YOU HAVE YOUR H.S. FRAMED.

150. ON MY WALL OF FAME IF YOU HAVE YOUR H.S. FRAMED. YOU MEAN THIS, HOMBRE?

151. YOUR H.S. FRAMED. YOU MEAN THIS, HOMBRE? OH, NICE HEADSHOT,

152. YOU MEAN THIS, HOMBRE? OH, NICE HEADSHOT, THERE, TONE.

153. OH, NICE HEADSHOT, THERE, TONE. UH-OH!

154. THERE, TONE. UH-OH!

155. UH-OH! SALSA TIME!

156. SALSA TIME! LOOK AT MY BOARD.

157. SALSA TIME! LOOK AT MY BOARD. PLOP THAT UP THERE.

158. LOOK AT MY BOARD. PLOP THAT UP THERE. RIGHT NEXT TO THIS

159. PLOP THAT UP THERE. RIGHT NEXT TO THIS AMIGO.

160. RIGHT NEXT TO THIS AMIGO.

161. AMIGO. I LIKE IT.

162. I LIKE IT. YOU ALMOST LOOK LIKE A MAGICIAN.

163. I LIKE IT. YOU ALMOST LOOK LIKE A MAGICIAN. OH.

164. YOU ALMOST LOOK LIKE A MAGICIAN. OH. DOS HOMBRES.

165. OH. DOS HOMBRES. PEOPLE SAY DON'T WEAR

166. DOS HOMBRES. PEOPLE SAY DON'T WEAR THE HAT IN THE HEADSHOT.

167. PEOPLE SAY DON'T WEAR THE HAT IN THE HEADSHOT. YOU KNOW THE OLD EXPRESSION.

168. THE HAT IN THE HEADSHOT. YOU KNOW THE OLD EXPRESSION. BUT I LOVE IT BECAUSE, IN 10

169. YOU KNOW THE OLD EXPRESSION. BUT I LOVE IT BECAUSE, IN 10 YEARS, I'M GONNA BE BALD, AND I

170. BUT I LOVE IT BECAUSE, IN 10 YEARS, I'M GONNA BE BALD, AND I COULD STILL USE THAT HEADSHOT.

171. YEARS, I'M GONNA BE BALD, AND I COULD STILL USE THAT HEADSHOT. TORTIGO, BUENOS DíAS!

172. COULD STILL USE THAT HEADSHOT. TORTIGO, BUENOS DíAS! HEY! HEY! TONY!

173. TORTIGO, BUENOS DíAS! HEY! HEY! TONY! DON'T TAP ON THE GLASS, ALL

174. HEY! HEY! TONY! DON'T TAP ON THE GLASS, ALL RIGHT?

175. DON'T TAP ON THE GLASS, ALL RIGHT? THE TORTUGAS ARE VERY SENSITIVE

176. RIGHT? THE TORTUGAS ARE VERY SENSITIVE TO SOUND.

177. THE TORTUGAS ARE VERY SENSITIVE TO SOUND. AH.

178. TO SOUND. AH. LO SIENTO, TORTUGAS.

179. AH. LO SIENTO, TORTUGAS. LO SIENTO, AMIGO.

180. LO SIENTO, TORTUGAS. LO SIENTO, AMIGO. EVERYTHING IN THE CASA

181. LO SIENTO, AMIGO. EVERYTHING IN THE CASA IS MI CASA, SU CASA, EXCEPT THE

182. EVERYTHING IN THE CASA IS MI CASA, SU CASA, EXCEPT THE TORTUGAS, OKAY?

183. IS MI CASA, SU CASA, EXCEPT THE TORTUGAS, OKAY? HANDS OFF.

184. TORTUGAS, OKAY? HANDS OFF. I'M GONNA MAKE A DRINK.

185. iBUENOS DíAS! iBUENOS DíAS, AMIGO!

186. iBUENOS DíAS! iBUENOS DíAS, AMIGO! ¿CóMO ESTáS?

187. iBUENOS DíAS, AMIGO! ¿CóMO ESTáS? AH, BIEN, BIEN.

188. ¿CóMO ESTáS? AH, BIEN, BIEN. CARE FOR A LITTLE MOCHA

189. AH, BIEN, BIEN. CARE FOR A LITTLE MOCHA CAPPUCCINO WITH A TWIST OF

190. CARE FOR A LITTLE MOCHA CAPPUCCINO WITH A TWIST OF CINNAMON, AMIGO?

191. CAPPUCCINO WITH A TWIST OF CINNAMON, AMIGO? UH, NO, THANKS.

192. CINNAMON, AMIGO? UH, NO, THANKS. UH, NOT REALLY A COFFEE GUY.

193. UH, NO, THANKS. UH, NOT REALLY A COFFEE GUY. AH, BUENO.

194. UH, NOT REALLY A COFFEE GUY. AH, BUENO. I'M GONNA MAKE MYSELF A

195. AH, BUENO. I'M GONNA MAKE MYSELF A B.M.

196. I'M GONNA MAKE MYSELF A B.M. HUH?

197. B.M. HUH? A BLOODY MARY.

198. HUH? A BLOODY MARY. AH.

199. A BLOODY MARY. AH. COMPRENDE, BUENO.

200. AH. COMPRENDE, BUENO.

201. COMPRENDE, BUENO. MUDDLE THIS A LITTLE

202. MUDDLE THIS A LITTLE BIT.

203. MUDDLE THIS A LITTLE BIT. AHH.

204. BIT. AHH. I GOT TO TURN YOU ON TO

205. AHH. I GOT TO TURN YOU ON TO THIS.

206. I GOT TO TURN YOU ON TO THIS. THIS IS MY SMALL-BATCH

207. THIS. THIS IS MY SMALL-BATCH WORCESTERSHIRE.

208. THIS IS MY SMALL-BATCH WORCESTERSHIRE. I ONLY USE IT FOR MY B.M.s.

209. WORCESTERSHIRE. I ONLY USE IT FOR MY B.M.s. REALLY DIFFERENT TASTE.

210. I ONLY USE IT FOR MY B.M.s. REALLY DIFFERENT TASTE. GOT A LITTLE SOY IN IT.

211. REALLY DIFFERENT TASTE. GOT A LITTLE SOY IN IT. COMPRENDE, AMIGO.

212. GOT A LITTLE SOY IN IT. COMPRENDE, AMIGO. HEY, I DIDN'T WAKE YOU UP WITH

213. COMPRENDE, AMIGO. HEY, I DIDN'T WAKE YOU UP WITH THAT GRINDER THIS MORNING, DID

214. HEY, I DIDN'T WAKE YOU UP WITH THAT GRINDER THIS MORNING, DID I?

215. THAT GRINDER THIS MORNING, DID I? NO, THAT'S FINE.

216. I? NO, THAT'S FINE. I GOT AN AUDITION, UH, IN A

217. NO, THAT'S FINE. I GOT AN AUDITION, UH, IN A COUPLE HOURS, ANYWAY, SO I'M

218. I GOT AN AUDITION, UH, IN A COUPLE HOURS, ANYWAY, SO I'M GETTING READY FOR THAT.

219. COUPLE HOURS, ANYWAY, SO I'M GETTING READY FOR THAT. IT'S, LIKE, THIS — IT'S

220. GETTING READY FOR THAT. IT'S, LIKE, THIS — IT'S SUPPOSED TO BE THIS FAT GUY

221. IT'S, LIKE, THIS — IT'S SUPPOSED TO BE THIS FAT GUY EATING A BIG TURKEY SANDWICH

222. SUPPOSED TO BE THIS FAT GUY EATING A BIG TURKEY SANDWICH GOING, LIKE, "I'M FULL."

223. EATING A BIG TURKEY SANDWICH GOING, LIKE, "I'M FULL." BUENO.

224. GOING, LIKE, "I'M FULL." BUENO. BUT, UH, THEY HAVE NOT

225. BUENO. BUT, UH, THEY HAVE NOT GIVEN ME THE SIDES.

226. BUT, UH, THEY HAVE NOT GIVEN ME THE SIDES. HEY, IF I GIVE YOU A

227. GIVEN ME THE SIDES. HEY, IF I GIVE YOU A COUPLE HEADSHOTS, WOULD YOU MIND

228. HEY, IF I GIVE YOU A COUPLE HEADSHOTS, WOULD YOU MIND PASSING THEM ON TO YOUR CASTING

229. COUPLE HEADSHOTS, WOULD YOU MIND PASSING THEM ON TO YOUR CASTING DIRECTOR?

230. PASSING THEM ON TO YOUR CASTING DIRECTOR? YEAH, PUT 'EM IN MY BAG.

231. DIRECTOR? YEAH, PUT 'EM IN MY BAG. BUENO.

232. YEAH, PUT 'EM IN MY BAG. BUENO. THIS IS ACTUALLY MY

233. BUENO. THIS IS ACTUALLY MY FAVORITE NEW VODKA.

234. THIS IS ACTUALLY MY FAVORITE NEW VODKA. IT'S A SMALL-BATCH PRODUCT OUT

235. FAVORITE NEW VODKA. IT'S A SMALL-BATCH PRODUCT OUT OF VERMONT.

236. IT'S A SMALL-BATCH PRODUCT OUT OF VERMONT. I ABSOLUTELY LOVE IT.

237. OF VERMONT. I ABSOLUTELY LOVE IT. YEAH.

238. I ABSOLUTELY LOVE IT. YEAH. IT'S A REALLY NICE,

239. YEAH. IT'S A REALLY NICE, CLEAN FINISH.

240. IT'S A REALLY NICE, CLEAN FINISH. YOU CAN'T TASTE THE VODKA AT

241. CLEAN FINISH. YOU CAN'T TASTE THE VODKA AT ALL.

242. YOU CAN'T TASTE THE VODKA AT ALL. THAT'S WHY I DO AN EXTRA SPLASH.

243. ALL. THAT'S WHY I DO AN EXTRA SPLASH. AH, MUCHAS GRACIAS,

244. THAT'S WHY I DO AN EXTRA SPLASH. AH, MUCHAS GRACIAS, CAPPU-CHANA.

245. AH, MUCHAS GRACIAS, CAPPU-CHANA. HEY, UM, I'M NOT SURE IF

246. CAPPU-CHANA. HEY, UM, I'M NOT SURE IF I MENTIONED IT, BUT MY MAMACITA

247. HEY, UM, I'M NOT SURE IF I MENTIONED IT, BUT MY MAMACITA IS COMING TO STAY WITH US FOR A

248. I MENTIONED IT, BUT MY MAMACITA IS COMING TO STAY WITH US FOR A COUPLE OF DAYS.

249. IS COMING TO STAY WITH US FOR A COUPLE OF DAYS. HOPE THAT'S NOT A PROBLEM.

250. COUPLE OF DAYS. HOPE THAT'S NOT A PROBLEM. AMIGO, NO PROBLEMO.

251. HOPE THAT'S NOT A PROBLEM. AMIGO, NO PROBLEMO. I'M LOOKING FORWARD TO MEETING

252. AMIGO, NO PROBLEMO. I'M LOOKING FORWARD TO MEETING THAT MAMACITAS.

253. I'M LOOKING FORWARD TO MEETING THAT MAMACITAS. MI CASA, SU CASA, MAMACITA

254. THAT MAMACITAS. MI CASA, SU CASA, MAMACITA CASA, TORTUGA CASA.

255. MI CASA, SU CASA, MAMACITA CASA, TORTUGA CASA. BUENO.

256. MMM. CHEERS. CHEERS.

257. CHEERS. CHEERS. OOH! CALIENTE!

258. CHEERS. OOH! CALIENTE! AH, HERMANO, SPICE-BOY.

259. OOH! CALIENTE! AH, HERMANO, SPICE-BOY. YOU WANT A SIP?

260. AH, HERMANO, SPICE-BOY. YOU WANT A SIP? NO, GRACIAS, AMIGO.

261. YOU WANT A SIP? NO, GRACIAS, AMIGO. I DON'T DRINK ALCOHOL THIS

262. NO, GRACIAS, AMIGO. I DON'T DRINK ALCOHOL THIS EARLY.

263. I DON'T DRINK ALCOHOL THIS EARLY. MY BUZZ COMES FROM THIS

264. EARLY. MY BUZZ COMES FROM THIS CAPPI-CHA-NO.

265. MY BUZZ COMES FROM THIS CAPPI-CHA-NO. JUST LICK THE RIM.

266. CAPPI-CHA-NO. JUST LICK THE RIM. I DON'T THINK SO, MAN.

267. JUST LICK THE RIM. I DON'T THINK SO, MAN. I GOT A LITTLE COLD SORE IN

268. I DON'T THINK SO, MAN. I GOT A LITTLE COLD SORE IN HERE.

269. I GOT A LITTLE COLD SORE IN HERE. IT MIGHT STING TOO MUCH WITH THE

270. HERE. IT MIGHT STING TOO MUCH WITH THE ALCOHOL.

271. IT MIGHT STING TOO MUCH WITH THE ALCOHOL. OOH, A HERPES BOY.

272. ALCOHOL. OOH, A HERPES BOY. NAUGHTY, NAUGHTY.

273. OOH, A HERPES BOY. NAUGHTY, NAUGHTY.

274. NAUGHTY, NAUGHTY. YOU KNOW ME AND THE CHICANOS,

275. YOU KNOW ME AND THE CHICANOS, MUY CALIENTE.

276. YOU KNOW ME AND THE CHICANOS, MUY CALIENTE. MI AMIGO ES EL DIABLO.

277. MUY CALIENTE. MI AMIGO ES EL DIABLO.

278. MI AMIGO ES EL DIABLO. Sí, BUENO.

279. Sí, BUENO. MMM.

280. Sí, BUENO. MMM. ES UN BUENO B.M.

281. MMM. ES UN BUENO B.M. ALL RIGHT.

282. ES UN BUENO B.M. ALL RIGHT. WELL, I'M GONNA GO AND MAKE AN

283. ALL RIGHT. WELL, I'M GONNA GO AND MAKE AN ACTUAL B.M. RIGHT NOW.

284. WELL, I'M GONNA GO AND MAKE AN ACTUAL B.M. RIGHT NOW. SO, SEE YOU, AMIGA.

285. ACTUAL B.M. RIGHT NOW. SO, SEE YOU, AMIGA. ENJOY YOUR NúMERO DUO.

286. SO, SEE YOU, AMIGA. ENJOY YOUR NúMERO DUO. AH, IT'S HOT. TOO HOT.

287. ENJOY YOUR NúMERO DUO. AH, IT'S HOT. TOO HOT. THE THING IS, I'M NOT SO WORRIED

288. AH, IT'S HOT. TOO HOT. THE THING IS, I'M NOT SO WORRIED ABOUT NOT GETTING THE CALLBACK,

289. THE THING IS, I'M NOT SO WORRIED ABOUT NOT GETTING THE CALLBACK, YOU KNOW, BECAUSE THEY'RE GONNA

290. ABOUT NOT GETTING THE CALLBACK, YOU KNOW, BECAUSE THEY'RE GONNA MAKE UP THEIR MINDS ON THEIR

291. YOU KNOW, BECAUSE THEY'RE GONNA MAKE UP THEIR MINDS ON THEIR OWN, AND IT'S — THE CALLBACK'S

292. MAKE UP THEIR MINDS ON THEIR OWN, AND IT'S — THE CALLBACK'S A WASTE OF TIME.

293. OWN, AND IT'S — THE CALLBACK'S A WASTE OF TIME. WELL, I-I BELIEVE IN YOU,

294. A WASTE OF TIME. WELL, I-I BELIEVE IN YOU, SON.

295. WELL, I-I BELIEVE IN YOU, SON. WHAT DO YOU THINK OF MY

296. SON. WHAT DO YOU THINK OF MY TORTUGAS, HUH?

297. WHAT DO YOU THINK OF MY TORTUGAS, HUH? YOUR WHAT?

298. TORTUGAS, HUH? YOUR WHAT? CALL 'EM TORTUGAS IN

299. YOUR WHAT? CALL 'EM TORTUGAS IN L.A.

300. CALL 'EM TORTUGAS IN L.A. THAT'S HECTOR, AND THAT'S

301. L.A. THAT'S HECTOR, AND THAT'S ELIZONDRO.

302. THAT'S HECTOR, AND THAT'S ELIZONDRO. AHH. THEY'RE BOYS.

303. ELIZONDRO. AHH. THEY'RE BOYS. YES. I THINK.

304. AHH. THEY'RE BOYS. YES. I THINK. I DON'T KNOW. IT DOESN'T MATTER.

305. YES. I THINK. I DON'T KNOW. IT DOESN'T MATTER. I THINK THIS TANK IS A LITTLE

306. I DON'T KNOW. IT DOESN'T MATTER. I THINK THIS TANK IS A LITTLE SMALL FOR THEM, DON'T YOU THINK?

307. I THINK THIS TANK IS A LITTLE SMALL FOR THEM, DON'T YOU THINK? NO.

308. SMALL FOR THEM, DON'T YOU THINK? NO. HE'S SWIMMING REALLY HARD

309. NO. HE'S SWIMMING REALLY HARD HERE, TRYING TO GET TO THE TOP.

310. HE'S SWIMMING REALLY HARD HERE, TRYING TO GET TO THE TOP. THAT'S FINE — THAT'S

311. HERE, TRYING TO GET TO THE TOP. THAT'S FINE — THAT'S WHERE THEY GET THEIR EXERCISE.

312. THAT'S FINE — THAT'S WHERE THEY GET THEIR EXERCISE. iBUENAS TARDES!

313. WHERE THEY GET THEIR EXERCISE. iBUENAS TARDES! HEY, TONY.

314. iBUENAS TARDES! HEY, TONY. TONY, THIS IS MY MAMACITA.

315. HEY, TONY. TONY, THIS IS MY MAMACITA. AH, iHOLA, MAMACITA!

316. TONY, THIS IS MY MAMACITA. AH, iHOLA, MAMACITA! IT'S JUDITH.

317. AH, iHOLA, MAMACITA! IT'S JUDITH. AH. ¿CóMO ESTáS?

318. IT'S JUDITH. AH. ¿CóMO ESTáS? UH, WHAT'S HE SAYING?

319. AH. ¿CóMO ESTáS? UH, WHAT'S HE SAYING? HE SAYS, "HELLO."

320. UH, WHAT'S HE SAYING? HE SAYS, "HELLO." OH. HELLO.

321. HE SAYS, "HELLO." OH. HELLO.

322. OH. HELLO. HOW'D THE AUDITION GO?

323. HOW'D THE AUDITION GO? NOT GOOD.

324. HOW'D THE AUDITION GO? NOT GOOD. UH, THE BREAKDOWN MY AGENT SENT

325. NOT GOOD. UH, THE BREAKDOWN MY AGENT SENT OVER SAID HIGH-SCHOOL TEENAGER,

326. UH, THE BREAKDOWN MY AGENT SENT OVER SAID HIGH-SCHOOL TEENAGER, UH, LATIN DANCER, SO I STARTED

327. OVER SAID HIGH-SCHOOL TEENAGER, UH, LATIN DANCER, SO I STARTED DOING MY MOVES, AND THE PRODUCER

328. UH, LATIN DANCER, SO I STARTED DOING MY MOVES, AND THE PRODUCER SAID, "HOLD ON.

329. DOING MY MOVES, AND THE PRODUCER SAID, "HOLD ON. ARE YOU IN THE RIGHT PLACE?"

330. SAID, "HOLD ON. ARE YOU IN THE RIGHT PLACE?" OH.

331. ARE YOU IN THE RIGHT PLACE?" OH. "WE'RE LOOKING FOR

332. OH. "WE'RE LOOKING FOR SOMEONE MAYBE 15, 20 YEARS

333. "WE'RE LOOKING FOR SOMEONE MAYBE 15, 20 YEARS YOUNGER, A LOT SKINNIER, AND

334. SOMEONE MAYBE 15, 20 YEARS YOUNGER, A LOT SKINNIER, AND HISPANIC," SO THAT WAS A PASS.

335. YOUNGER, A LOT SKINNIER, AND HISPANIC," SO THAT WAS A PASS. UGH.

336. HISPANIC," SO THAT WAS A PASS. UGH. WHAT ABOUT YOUR, UH, BARISTA

337. UGH. WHAT ABOUT YOUR, UH, BARISTA POSI-TI-ONO?

338. WHAT ABOUT YOUR, UH, BARISTA POSI-TI-ONO? THAT WAS A NIGHTMARE.

339. POSI-TI-ONO? THAT WAS A NIGHTMARE. UM, I HAD AN INTERVIEW DOWN AT

340. THAT WAS A NIGHTMARE. UM, I HAD AN INTERVIEW DOWN AT SAM'S CAFE, WHIPPED 'EM UP ONE

341. UM, I HAD AN INTERVIEW DOWN AT SAM'S CAFE, WHIPPED 'EM UP ONE OF MY FAMOUS PEPPERMINT LATTES.

342. SAM'S CAFE, WHIPPED 'EM UP ONE OF MY FAMOUS PEPPERMINT LATTES. BUENO.

343. OF MY FAMOUS PEPPERMINT LATTES. BUENO. UH, THE MANAGER SAID IT

344. BUENO. UH, THE MANAGER SAID IT TASTED LIKE SHIT.

345. UH, THE MANAGER SAID IT TASTED LIKE SHIT. MM.

346. TASTED LIKE SHIT. MM. SO...

347. MM. SO... THAT'S GROSS.

348. SO... THAT'S GROSS. UH, WELL, LISTEN, I WAS JUST

349. THAT'S GROSS. UH, WELL, LISTEN, I WAS JUST MUDDLING UP SOME MINT AND SOME

350. UH, WELL, LISTEN, I WAS JUST MUDDLING UP SOME MINT AND SOME POMEGRANATE.

351. MUDDLING UP SOME MINT AND SOME POMEGRANATE. I WAS THINKING I'D MAKE SOME

352. POMEGRANATE. I WAS THINKING I'D MAKE SOME MOJITOS FOR ALL YOU GUYS.

353. I WAS THINKING I'D MAKE SOME MOJITOS FOR ALL YOU GUYS. HOW MANY? YOU WANT TWO GLASSES?

354. MOJITOS FOR ALL YOU GUYS. HOW MANY? YOU WANT TWO GLASSES? OH, IT'S TOO EARLY FOR ME.

355. HOW MANY? YOU WANT TWO GLASSES? OH, IT'S TOO EARLY FOR ME. MA, IT'S 3:00.

356. OH, IT'S TOO EARLY FOR ME. MA, IT'S 3:00. I'M NOT THIRSTY FOR ANYTHING.

357. MA, IT'S 3:00. I'M NOT THIRSTY FOR ANYTHING. DORT?

358. I'M NOT THIRSTY FOR ANYTHING. DORT? NO, GRACIAS, AMIGA.

359. DORT? NO, GRACIAS, AMIGA. UH, I WAS JUST GONNA WHIP UP A

360. NO, GRACIAS, AMIGA. UH, I WAS JUST GONNA WHIP UP A COUPLE ESPRESSOS, IF ANYONE'S

361. UH, I WAS JUST GONNA WHIP UP A COUPLE ESPRESSOS, IF ANYONE'S INTERESTED.

362. COUPLE ESPRESSOS, IF ANYONE'S INTERESTED. OHH.

363. INTERESTED. OHH. YES, I THINK I'D LIKE THAT.

364. OHH. YES, I THINK I'D LIKE THAT. YEAH, MAYBE A LITTLE

365. YES, I THINK I'D LIKE THAT. YEAH, MAYBE A LITTLE MACCHIATO?

366. YEAH, MAYBE A LITTLE MACCHIATO? YEAH.

367. MACCHIATO? YEAH. FOLLOW ME.

368. YEAH. FOLLOW ME.

369. FOLLOW ME. OOH, YEAH.

370. OOH, YEAH. THAT'S A LOT OF COFFEE.

371. OOH, YEAH. THAT'S A LOT OF COFFEE. I DON'T KNOW HOW YOU GUYS SLEEP

372. THAT'S A LOT OF COFFEE. I DON'T KNOW HOW YOU GUYS SLEEP AT NIGHT.

373. WHAT DO YOU THINK?

374. WHAT DO YOU THINK? MM-HMM.

375. WHAT DO YOU THINK? MM-HMM. IT'S SOUR, BUT I LIKE IT.

376. MM-HMM. IT'S SOUR, BUT I LIKE IT. YOU KNOW THE SECRET TO

377. IT'S SOUR, BUT I LIKE IT. YOU KNOW THE SECRET TO MY CAPPA-CHANO, MUCHACHAS?

378. YOU KNOW THE SECRET TO MY CAPPA-CHANO, MUCHACHAS? NO. WHAT?

379. MY CAPPA-CHANO, MUCHACHAS? NO. WHAT? 100% GOAT MILK.

380. NO. WHAT? 100% GOAT MILK. REALLY?

381. 100% GOAT MILK. REALLY? YEAH.

382. REALLY? YEAH. IT'S A LITTLE — A LITTLE

383. YEAH. IT'S A LITTLE — A LITTLE SALTY.

384. IT'S A LITTLE — A LITTLE SALTY. YEAH, IT'S A LITTLE

385. SALTY. YEAH, IT'S A LITTLE FUNKY, A LITTLE BRINY.

386. YEAH, IT'S A LITTLE FUNKY, A LITTLE BRINY. THAT TOUCH OF TANG IN THAT

387. FUNKY, A LITTLE BRINY. THAT TOUCH OF TANG IN THAT CAPPA-CHANO.

388. THAT TOUCH OF TANG IN THAT CAPPA-CHANO. THERE HE IS.

389. CAPPA-CHANO. THERE HE IS. iBUENOS DíAS!

390. THERE HE IS. iBUENOS DíAS! OH, GOOD MORNING.

391. iBUENOS DíAS! OH, GOOD MORNING. iBUENOS DíAS, MUCHACHO!

392. OH, GOOD MORNING. iBUENOS DíAS, MUCHACHO! YEAH, BIEN.

393. iBUENOS DíAS, MUCHACHO! YEAH, BIEN. LOOK WHAT TONY MADE FOR ME.

394. YEAH, BIEN. LOOK WHAT TONY MADE FOR ME. IT HAS A HEART.

395. LOOK WHAT TONY MADE FOR ME. IT HAS A HEART. OH.

396. IT HAS A HEART. OH.

397. OH. VERY CREATIVE.

398. VERY CREATIVE. MM-HMM.

399. VERY CREATIVE. MM-HMM. WHAT'S, UH — WHAT'S ON

400. MM-HMM. WHAT'S, UH — WHAT'S ON YOUR MOUTH?

401. WHAT'S, UH — WHAT'S ON YOUR MOUTH? OH, FOAM.

402. YOUR MOUTH? OH, FOAM. NO, YOU GOT A-A-A BIG

403. OH, FOAM. NO, YOU GOT A-A-A BIG RED SORE ON YOUR LIP.

404. NO, YOU GOT A-A-A BIG RED SORE ON YOUR LIP. OH.

405. RED SORE ON YOUR LIP. OH. UM, YEAH, IT'S PROBABLY ALL THE

406. OH. UM, YEAH, IT'S PROBABLY ALL THE TRAVELING.

407. UM, YEAH, IT'S PROBABLY ALL THE TRAVELING. YOU KNOW, STRESS.

408. TRAVELING. YOU KNOW, STRESS. OKAY.

409. YOU KNOW, STRESS. OKAY. ALL RIGHT, LISTEN, FORGET IT.

410. OKAY. ALL RIGHT, LISTEN, FORGET IT. I'M GONNA GO JUMP IN THE SHOWER,

411. ALL RIGHT, LISTEN, FORGET IT. I'M GONNA GO JUMP IN THE SHOWER, AND THEN YOU AND ME — WE CAN GO

412. I'M GONNA GO JUMP IN THE SHOWER, AND THEN YOU AND ME — WE CAN GO OVER TO THIS AUDITION I HAVE.

413. AND THEN YOU AND ME — WE CAN GO OVER TO THIS AUDITION I HAVE. IT'S FOR A STUDENT FILM CALLED

414. OVER TO THIS AUDITION I HAVE. IT'S FOR A STUDENT FILM CALLED "DON'T CALL ME MAMBO."

415. IT'S FOR A STUDENT FILM CALLED "DON'T CALL ME MAMBO." UH, IT IS A LEAD ROLE.

416. "DON'T CALL ME MAMBO." UH, IT IS A LEAD ROLE. YOU KNOW, THAT SOUNDS

417. UH, IT IS A LEAD ROLE. YOU KNOW, THAT SOUNDS WONDERFUL, BUT I'M REALLY TIRED,

418. YOU KNOW, THAT SOUNDS WONDERFUL, BUT I'M REALLY TIRED, YOU KNOW, FROM ALL THE TRAVEL.

419. WONDERFUL, BUT I'M REALLY TIRED, YOU KNOW, FROM ALL THE TRAVEL. WHAT ABOUT IF YOU GO TO YOUR

420. YOU KNOW, FROM ALL THE TRAVEL. WHAT ABOUT IF YOU GO TO YOUR AUDITION?

421. WHAT ABOUT IF YOU GO TO YOUR AUDITION? I'LL WAIT FOR YOU HERE.

422. AUDITION? I'LL WAIT FOR YOU HERE. SO YOU AND TONY JUST

423. I'LL WAIT FOR YOU HERE. SO YOU AND TONY JUST HANGING OUT?

424. SO YOU AND TONY JUST HANGING OUT? I COULD MAKE HER A

425. HANGING OUT? I COULD MAKE HER A CARAMEL MACCHIATAS.

426. I COULD MAKE HER A CARAMEL MACCHIATAS. OH. OKAY.

427. CARAMEL MACCHIATAS. OH. OKAY. COMING RIGHT UP.

428. OH. OKAY. COMING RIGHT UP. HE'S QUITE GOOD.

429. COMING RIGHT UP. HE'S QUITE GOOD. ANYTHING FOR YOU?

430. HE'S QUITE GOOD. ANYTHING FOR YOU? NO.

431. ANYTHING FOR YOU? NO. I'M GONNA GET — GET IN THE

432. NO. I'M GONNA GET — GET IN THE SHOWER.

433. I'M GONNA GET — GET IN THE SHOWER. WISH ME LUCK.

434. SHOWER. WISH ME LUCK. GOOD LUCK.

435. WISH ME LUCK. GOOD LUCK.

436. TONY? MOM?

437. TONY? MOM?

438. MOM? HEY! WHAT'S GOING ON IN THERE?

439. HEY! WHAT'S GOING ON IN THERE? HEY!

440. HEY! WHAT'S GOING ON IN THERE? HEY! GOD! AHH!

441. HEY! GOD! AHH! MA!

442. GOD! AHH! MA! AHH!

443. MA! AHH! AAH!

444. AHH! AAH! AMIGO!

445. AAH! AMIGO!

446. AMIGO! OH, FRANKLIN, I'M SO SORRY

447. OH, FRANKLIN, I'M SO SORRY YOU HAD TO FIND OUT LIKE THIS.

448. OH, FRANKLIN, I'M SO SORRY YOU HAD TO FIND OUT LIKE THIS. FRANKLIN, LO SIENTO, MI

449. YOU HAD TO FIND OUT LIKE THIS. FRANKLIN, LO SIENTO, MI HERMANO, BUT YOUR MOM AND I

450. FRANKLIN, LO SIENTO, MI HERMANO, BUT YOUR MOM AND I HAVE SOMETHING SPECIAL,

451. HERMANO, BUT YOUR MOM AND I HAVE SOMETHING SPECIAL, SOMETHING REAL, AND I GUARANTEE

452. HAVE SOMETHING SPECIAL, SOMETHING REAL, AND I GUARANTEE YOU IT'S NOT SEXUAL IN NATURE.

453. SOMETHING REAL, AND I GUARANTEE YOU IT'S NOT SEXUAL IN NATURE.

454. YOU IT'S NOT SEXUAL IN NATURE. ALL WE'RE DOING IS

455. ALL WE'RE DOING IS LOOKING INTO EACH OTHERS'

456. ALL WE'RE DOING IS LOOKING INTO EACH OTHERS' EYES... AND THEN WE MUTUALLY

457. LOOKING INTO EACH OTHERS' EYES... AND THEN WE MUTUALLY MASTURBATE.

458. EYES... AND THEN WE MUTUALLY MASTURBATE. COMPRENDE?

459. MASTURBATE. COMPRENDE? NO COMPRENDE.

460. COMPRENDE? NO COMPRENDE. THAT — MASTURBATION IS SEXUAL.

461. NO COMPRENDE. THAT — MASTURBATION IS SEXUAL. MASTURBATION IS SEXUAL, TONE!

462. THAT — MASTURBATION IS SEXUAL. MASTURBATION IS SEXUAL, TONE! IF YOU WOULD JUST LISTEN TO

463. MASTURBATION IS SEXUAL, TONE! IF YOU WOULD JUST LISTEN TO HIM —

464. IF YOU WOULD JUST LISTEN TO HIM — FRANK, DOS SIENAS.

465. HIM — FRANK, DOS SIENAS. DAMN IT, DORT, I TOOK

466. FRANK, DOS SIENAS. DAMN IT, DORT, I TOOK YOU IN TO MI CASA.

467. DAMN IT, DORT, I TOOK YOU IN TO MI CASA. AND THIS IS HOW YOU TREAT ME?

468. YOU IN TO MI CASA. AND THIS IS HOW YOU TREAT ME? FRANKLIN, JUST TRY TO

469. AND THIS IS HOW YOU TREAT ME? FRANKLIN, JUST TRY TO UNDERSTAND.

470. FRANKLIN, JUST TRY TO UNDERSTAND. AH, SHUT UP!

471. UNDERSTAND. AH, SHUT UP! I DON'T WANT TO HEAR IT FROM

472. AH, SHUT UP! I DON'T WANT TO HEAR IT FROM YOU!

473. I DON'T WANT TO HEAR IT FROM YOU! I'M OUT OF HERE!

474. YOU! I'M OUT OF HERE! FRANKLIN, COME BACK.

475. I'M OUT OF HERE! FRANKLIN, COME BACK. BING.

476. FRANKLIN, COME BACK. BING. MUCHACHINO!

477. HEY, EVERYBODY. IT'S FRANKLIN BING. UM, THIS IS, UH — IT'S BEEN A

478. IT'S FRANKLIN BING. UM, THIS IS, UH — IT'S BEEN A HARD DAY FOR ME.

479. UM, THIS IS, UH — IT'S BEEN A HARD DAY FOR ME. MY ROOMMATE, UH, TONY K. DORT,

480. HARD DAY FOR ME. MY ROOMMATE, UH, TONY K. DORT, TURNED OUT TO BE A REAL, UH,

481. MY ROOMMATE, UH, TONY K. DORT, TURNED OUT TO BE A REAL, UH, DORK.

482. TURNED OUT TO BE A REAL, UH, DORK. HE'S SLEEPING WITH MY MAMACITA

483. DORK. HE'S SLEEPING WITH MY MAMACITA AND HAVING AN AFFAIR IN MY OWN

484. HE'S SLEEPING WITH MY MAMACITA AND HAVING AN AFFAIR IN MY OWN APARTMENT, SO HE'S GOT TO GO.

485. AND HAVING AN AFFAIR IN MY OWN APARTMENT, SO HE'S GOT TO GO. AND I-I-I JUST, UH — I NEED

486. APARTMENT, SO HE'S GOT TO GO. AND I-I-I JUST, UH — I NEED YOUR SUPPORT.

487. AND I-I-I JUST, UH — I NEED YOUR SUPPORT. I NEED SMILEY FACES.

488. YOUR SUPPORT. I NEED SMILEY FACES. I NEED, UH, ALL YOUR LOVE, UM,

489. I NEED SMILEY FACES. I NEED, UH, ALL YOUR LOVE, UM, AND I NEED YOU TO COME CHECK OUT

490. I NEED, UH, ALL YOUR LOVE, UM, AND I NEED YOU TO COME CHECK OUT MY PLAY, UH, "ROOMMATES," COMING

491. AND I NEED YOU TO COME CHECK OUT MY PLAY, UH, "ROOMMATES," COMING IN — WE'RE IN, UH — WE'RE

492. MY PLAY, UH, "ROOMMATES," COMING IN — WE'RE IN, UH — WE'RE ABOUT THREE WEEKS OUT.

493. IN — WE'RE IN, UH — WE'RE ABOUT THREE WEEKS OUT. SO, UM, LET ME KNOW.

494. ABOUT THREE WEEKS OUT. SO, UM, LET ME KNOW. SEND ME SMILEY FACES.

495. SO, UM, LET ME KNOW. SEND ME SMILEY FACES. COME DOWN TO THE ROOSTER CLUB

496. SEND ME SMILEY FACES. COME DOWN TO THE ROOSTER CLUB TONIGHT.

497. COME DOWN TO THE ROOSTER CLUB TONIGHT. I'M GONNA BE HANGING, PARTYING,

498. TONIGHT. I'M GONNA BE HANGING, PARTYING, UH, DOING SOME BARBACKING,

499. I'M GONNA BE HANGING, PARTYING, UH, DOING SOME BARBACKING, MAKING SOME OF MY OWN DRINKS.

500. UH, DOING SOME BARBACKING, MAKING SOME OF MY OWN DRINKS. THANK YOU GUYS SO MUCH.

501. MAKING SOME OF MY OWN DRINKS. THANK YOU GUYS SO MUCH.

502. THANK YOU GUYS SO MUCH. HOW YOU DOING?

503. HOW YOU DOING? WHAT CAN I

504. HOW YOU DOING? WHAT CAN I GET YOU, BUDDY?

505. WHAT CAN I GET YOU, BUDDY? UH, LET ME GET A

506. GET YOU, BUDDY? UH, LET ME GET A PARK SWIZZLE WITH

507. UH, LET ME GET A PARK SWIZZLE WITH LAVENDER-INFUSED COASTAL GIN,

508. PARK SWIZZLE WITH LAVENDER-INFUSED COASTAL GIN, UH, UP WITH A SLOW STIR.

509. LAVENDER-INFUSED COASTAL GIN, UH, UP WITH A SLOW STIR. WE DON'T CARRY THAT HERE.

510. UH, UP WITH A SLOW STIR. WE DON'T CARRY THAT HERE. OKAY.

511. WE DON'T CARRY THAT HERE. OKAY. UM, THEN HOW ABOUT A

512. OKAY. UM, THEN HOW ABOUT A CHESHIRE CAT WITH MUDDLED

513. UM, THEN HOW ABOUT A CHESHIRE CAT WITH MUDDLED FRUIT — BRINED?

514. CHESHIRE CAT WITH MUDDLED FRUIT — BRINED? OKAY, YOU DON'T HAVE ANY BRINED

515. FRUIT — BRINED? OKAY, YOU DON'T HAVE ANY BRINED FRUIT?

516. OKAY, YOU DON'T HAVE ANY BRINED FRUIT? HEY, MAN, LOOK AROUND.

517. FRUIT? HEY, MAN, LOOK AROUND. IT'S NOT THAT KIND OF A PLACE.

518. ALL RIGHT, ANYTHING WITH BACON, THEN.

519. ALL RIGHT, ANYTHING WITH BACON, THEN. I GOT NO BACON HERE, MAN.

520. THEN. I GOT NO BACON HERE, MAN. TELL YOU WHAT — WHY

521. I GOT NO BACON HERE, MAN. TELL YOU WHAT — WHY DON'T YOU JUST GIVE ME A PLAIN

522. TELL YOU WHAT — WHY DON'T YOU JUST GIVE ME A PLAIN OLD SCOTCH?

523. DON'T YOU JUST GIVE ME A PLAIN OLD SCOTCH? CAN YOU HANDLE THAT?

524. OLD SCOTCH? CAN YOU HANDLE THAT?

525. CAN YOU HANDLE THAT? I GOT A 12-YEAR.

526. I GOT A 12-YEAR. OH, A 12-YEAR-OLD.

527. I GOT A 12-YEAR. OH, A 12-YEAR-OLD. THAT'S CUTE.

528. OH, A 12-YEAR-OLD. THAT'S CUTE. IT'S PROBABLY AGED IN AMERICAN

529. THAT'S CUTE. IT'S PROBABLY AGED IN AMERICAN OAK, TOO, HUH?

530. IT'S PROBABLY AGED IN AMERICAN OAK, TOO, HUH? GEEZ.

531. OAK, TOO, HUH? GEEZ. WHAT IS THIS — CRUSHED ICE?

532. GEEZ. WHAT IS THIS — CRUSHED ICE? IS THIS A JOKE?

533. WHAT IS THIS — CRUSHED ICE? IS THIS A JOKE? DO YOU HAVE ANY IDEA WHAT THIS

534. IS THIS A JOKE? DO YOU HAVE ANY IDEA WHAT THIS DOES TO THE SURFACE DENSITY OF

535. DO YOU HAVE ANY IDEA WHAT THIS DOES TO THE SURFACE DENSITY OF THE LIQUID?

536. DOES TO THE SURFACE DENSITY OF THE LIQUID? YOU KNOW, I'M MAKING THE DAMN

537. THE LIQUID? YOU KNOW, I'M MAKING THE DAMN DRINK.

538. YOU KNOW, I'M MAKING THE DAMN DRINK. WHOA, WHOA!

539. DRINK. WHOA, WHOA! NO, YOU DON'T, YOU LITTLE

540. WHOA, WHOA! NO, YOU DON'T, YOU LITTLE FANCY-PANTS PRICK.

541. NO, YOU DON'T, YOU LITTLE FANCY-PANTS PRICK. AAH!

542. FANCY-PANTS PRICK. AAH! NOW GET THE HELL OUT OF MY

543. AAH! NOW GET THE HELL OUT OF MY BAR, OR I'LL BUST YOUR HEAD WIDE

544. NOW GET THE HELL OUT OF MY BAR, OR I'LL BUST YOUR HEAD WIDE OPEN!

545. BAR, OR I'LL BUST YOUR HEAD WIDE OPEN! ALL RIGHT, OKAY, ALL

546. OPEN! ALL RIGHT, OKAY, ALL RIGHT.

547. ALL RIGHT, OKAY, ALL RIGHT. GET OUT!

548. BING. YOU OKAY, MUCHACHO? YEP.

549. YOU OKAY, MUCHACHO? YEP. JUST BEEN DOING SOME DRINKING

550. YEP. JUST BEEN DOING SOME DRINKING AND THINKING.

551. JUST BEEN DOING SOME DRINKING AND THINKING. COMPRENDE.

552. AND THINKING. COMPRENDE. SO, THIS THING WITH MY

553. COMPRENDE. SO, THIS THING WITH MY MAMACITA — IT'S THE REAL DEAL?

554. SO, THIS THING WITH MY MAMACITA — IT'S THE REAL DEAL? IT'S THE REAL DEAL,

555. MAMACITA — IT'S THE REAL DEAL? IT'S THE REAL DEAL, MAN.

556. IT'S THE REAL DEAL, MAN. YOUR MAMACITA, MI AMOR.

557. MAN. YOUR MAMACITA, MI AMOR. I DON'T KNOW.

558. YOUR MAMACITA, MI AMOR. I DON'T KNOW. MAYBE I'M DRUNK, BUT, UH, I KIND

559. I DON'T KNOW. MAYBE I'M DRUNK, BUT, UH, I KIND OF THINK THIS THING COULD WORK.

560. MAYBE I'M DRUNK, BUT, UH, I KIND OF THINK THIS THING COULD WORK. I THINK SO, TOO, AMIGO.

561. OF THINK THIS THING COULD WORK. I THINK SO, TOO, AMIGO. I'M GONNA TREAT HER REAL WELL.

562. I THINK SO, TOO, AMIGO. I'M GONNA TREAT HER REAL WELL. I DON'T KNOW.

563. I'M GONNA TREAT HER REAL WELL. I DON'T KNOW. WHO AM I TO SAY?

564. I DON'T KNOW. WHO AM I TO SAY? COME ON. ACTOR'S HUG, TONY.

565. WHO AM I TO SAY? COME ON. ACTOR'S HUG, TONY. GRACIAS, AMIGA.

566. COME ON. ACTOR'S HUG, TONY. GRACIAS, AMIGA. GRACIAS.

567. GRACIAS, AMIGA. GRACIAS. WHY DIDN'T YOU TELL ME

568. GRACIAS. WHY DIDN'T YOU TELL ME YOU JACK OFF?

569. WHY DIDN'T YOU TELL ME YOU JACK OFF?

570. YOU JACK OFF? WE DON'T TOUCH.

571. WE DON'T TOUCH. AH, YOU KNOW, I JUST

572. WE DON'T TOUCH. AH, YOU KNOW, I JUST FEEL LIKE WE SHOULD BE

573. AH, YOU KNOW, I JUST FEEL LIKE WE SHOULD BE COMBINING FORCES MORE OFTEN.

574. FEEL LIKE WE SHOULD BE COMBINING FORCES MORE OFTEN. YOU'RE SUCH A GREAT BARISTA.

575. COMBINING FORCES MORE OFTEN. YOU'RE SUCH A GREAT BARISTA. AND YOU'RE AN AMAZING

576. YOU'RE SUCH A GREAT BARISTA. AND YOU'RE AN AMAZING MIXOLOGIST.

577. AND YOU'RE AN AMAZING MIXOLOGIST. WELL, THEN WE SHOULD

578. MIXOLOGIST. WELL, THEN WE SHOULD WORK TOGETHER TO MAKE A DRINK TO

579. WELL, THEN WE SHOULD WORK TOGETHER TO MAKE A DRINK TO CELEBRATE THIS NEW RELATIONSHIP.

580. WORK TOGETHER TO MAKE A DRINK TO CELEBRATE THIS NEW RELATIONSHIP.

581. CELEBRATE THIS NEW RELATIONSHIP. IRISH COFFEE!

582. IRISH COFFEE!

583. IRISH COFFEE! ALL RIGHT.

584. ALL RIGHT. LET'S SEE.

585. ALL RIGHT. LET'S SEE. OHH!

586. LET'S SEE. OHH! STAND BACK.

587. OHH! STAND BACK.

588. STAND BACK. 20 DEGREES.

589. 20 DEGREES. OOH.

590. OOH. DON'T FORGET THE IRISH

591. OOH. DON'T FORGET THE IRISH CREAM.

592. DON'T FORGET THE IRISH CREAM. COUPLE MORE SHOTS.

593. CREAM. COUPLE MORE SHOTS.

594. COUPLE MORE SHOTS. ALL RIGHT, HERE SHE

595. ALL RIGHT, HERE SHE GOES.

596. ALL RIGHT, HERE SHE GOES. AH! BUENO.

597. GOES. AH! BUENO. I'M AT 102 DEGREES.

598. AH! BUENO. I'M AT 102 DEGREES. YOU GOT THAT IRISH WHISKEY

599. I'M AT 102 DEGREES. YOU GOT THAT IRISH WHISKEY READY?

600. YOU GOT THAT IRISH WHISKEY READY? SHE'S COMING.

601. READY? SHE'S COMING. GRACIAS, AMIGO.

602. SHE'S COMING. GRACIAS, AMIGO. WHOO!

603. GRACIAS, AMIGO. WHOO! OHH!

604. WHOO! OHH!

605. OHH! BUENO!

606. BUENO! WE NEED A LITTLE BIT OF

607. BUENO! WE NEED A LITTLE BIT OF WHIPPED CREAM.

608. WE NEED A LITTLE BIT OF WHIPPED CREAM. WHIPPED CREAM,

609. WHIPPED CREAM. WHIPPED CREAM, MUCHACHO.

610. OOH, IT'S HOT. NOT CALIENTE, THE

611. NOT CALIENTE, THE TEMPERATURE.

612. NOT CALIENTE, THE TEMPERATURE. BUENO.

613. TEMPERATURE. BUENO. PERFECT.

614. BUENO. PERFECT.

615. PERFECT. I LIKE IT.

616. I LIKE IT. HEY, MAMA.

617. I LIKE IT. HEY, MAMA. MADE YOU AN IRISH COFFEE.

618. HEY, MAMA. MADE YOU AN IRISH COFFEE. MAMACITA?

619. MADE YOU AN IRISH COFFEE. MAMACITA? MOM?

620. MAMACITA? MOM? WHERE IS SHE?

621. MOM? WHERE IS SHE? DID SHE GET OUT?

622. WHERE IS SHE? DID SHE GET OUT?

623. DID SHE GET OUT? WHERE'D SHE GO?

624. WHERE'D SHE GO? MAMACITA!

625. WHERE'D SHE GO? MAMACITA! WHERE ARE YOU, MY

626. MAMACITA! WHERE ARE YOU, MY MAMACITA?

627. WHERE ARE YOU, MY MAMACITA? MAMACITA?

628. MAMACITA? MAMACITA? HELLO?

629. MAMACITA? HELLO? WHAT'S GOING ON?

630. HELLO? WHAT'S GOING ON? OH.

631. WHAT'S GOING ON? OH. THIS IS HERNANDO.

632. OH. THIS IS HERNANDO. HE'S MAKING ME JUICE.

633. THIS IS HERNANDO. HE'S MAKING ME JUICE. YES, FRESHLY SQUEEZED.

634. HE'S MAKING ME JUICE. YES, FRESHLY SQUEEZED. I AM HERNANDO, A JUICE BOY, AND

635. YES, FRESHLY SQUEEZED. I AM HERNANDO, A JUICE BOY, AND JUICE IS MY PASSION.

636. I AM HERNANDO, A JUICE BOY, AND JUICE IS MY PASSION. IT'S OVER, TONY.

637. JUICE IS MY PASSION. IT'S OVER, TONY. MOM, I-I DON'T GET IT.

638. IT'S OVER, TONY. MOM, I-I DON'T GET IT. YOU — YOU AND TONY HAD

639. MOM, I-I DON'T GET IT. YOU — YOU AND TONY HAD SOMETHING SPECIAL.

640. YOU — YOU AND TONY HAD SOMETHING SPECIAL. MAMACITAS, TONY, MUCHO

641. SOMETHING SPECIAL. MAMACITAS, TONY, MUCHO BUENO.

642. MAMACITAS, TONY, MUCHO BUENO. I'M SORRY, TONY.

643. BUENO. I'M SORRY, TONY. IT WAS JUST A NORTH HOLLYWOOD

644. I'M SORRY, TONY. IT WAS JUST A NORTH HOLLYWOOD FLING.

645. IT WAS JUST A NORTH HOLLYWOOD FLING. ¿QUé PASA, MAMACITA?

646. FLING. ¿QUé PASA, MAMACITA? YOU DIDN'T LIKE MY PEPPERMINT

647. ¿QUé PASA, MAMACITA? YOU DIDN'T LIKE MY PEPPERMINT LATTES?

648. YOU DIDN'T LIKE MY PEPPERMINT LATTES? NO BUENO ON MY MOCHA-CHANOS?

649. LATTES? NO BUENO ON MY MOCHA-CHANOS? I DON'T CARE FOR THE COFFEE.

650. NO BUENO ON MY MOCHA-CHANOS? I DON'T CARE FOR THE COFFEE. MAMACITA, YOU DON'T

651. I DON'T CARE FOR THE COFFEE. MAMACITA, YOU DON'T LIKE MY PUMPKIN MACCHIATOS?

652. MAMACITA, YOU DON'T LIKE MY PUMPKIN MACCHIATOS? HEY, YOU'RE TONY CHEESE, EH?

653. LIKE MY PUMPKIN MACCHIATOS? HEY, YOU'RE TONY CHEESE, EH? EL QUE TIENES THE TINY PENIS?

654. HEY, YOU'RE TONY CHEESE, EH? EL QUE TIENES THE TINY PENIS? HUH?

655. EL QUE TIENES THE TINY PENIS? HUH? NO.

656. HUH? NO. TONY CHEESE?

657. NO. TONY CHEESE? YEAH, YEAH, YEAH, THE PORNO

658. TONY CHEESE? YEAH, YEAH, YEAH, THE PORNO GUY.

659. YEAH, YEAH, YEAH, THE PORNO GUY. HEY, HOW COME YOU NO MAKE MOVIES

660. GUY. HEY, HOW COME YOU NO MAKE MOVIES NO MORE?

661. HEY, HOW COME YOU NO MAKE MOVIES NO MORE? LO SIENTO, AMIGO.

662. NO MORE? LO SIENTO, AMIGO. I DON'T KNOW WHAT HE'S TALKING

663. LO SIENTO, AMIGO. I DON'T KNOW WHAT HE'S TALKING ABOUT.

664. I DON'T KNOW WHAT HE'S TALKING ABOUT. YOU KNOW, I ALWAYS — I

665. ABOUT. YOU KNOW, I ALWAYS — I ALWAYS THOUGHT TO MYSELF, HOW —

666. YOU KNOW, I ALWAYS — I ALWAYS THOUGHT TO MYSELF, HOW — WHAT — WHAT COULD LIFE BE LIKE,

667. ALWAYS THOUGHT TO MYSELF, HOW — WHAT — WHAT COULD LIFE BE LIKE, HAVING SUCH A SMALL PENIS?

668. WHAT — WHAT COULD LIFE BE LIKE, HAVING SUCH A SMALL PENIS? ALL THE GIRLS, YOU KNOW, MAKING

669. HAVING SUCH A SMALL PENIS? ALL THE GIRLS, YOU KNOW, MAKING FUN OF YOU.

670. ALL THE GIRLS, YOU KNOW, MAKING FUN OF YOU.

671. FUN OF YOU. YOU KNOW, 'CAUSE I-I HAVE A

672. YOU KNOW, 'CAUSE I-I HAVE A VERY LARGE PENIS, SO IT'S NO

673. YOU KNOW, 'CAUSE I-I HAVE A VERY LARGE PENIS, SO IT'S NO PROBLEM FOR ME.

674. VERY LARGE PENIS, SO IT'S NO PROBLEM FOR ME. MM.

675. PROBLEM FOR ME. MM. I'M A LITTLE CONFUSED.

676. MM. I'M A LITTLE CONFUSED. I — WHO'S TONY CHEESE?

677. I'M A LITTLE CONFUSED. I — WHO'S TONY CHEESE? TONY... CHEESE?

678. I — WHO'S TONY CHEESE? TONY... CHEESE? YEAH, THIS IS TONY CHEESE.

679. TONY... CHEESE? YEAH, THIS IS TONY CHEESE. TINY TONY?

680. YEAH, THIS IS TONY CHEESE. TINY TONY? WAIT A MINUTE.

681. TINY TONY? WAIT A MINUTE. WAIT A MINUTE. WAIT A MINUTE.

682. WAIT A MINUTE. WAIT A MINUTE. WAIT A MINUTE. YOU'RE TONY CHEESE, THE PORNO

683. WAIT A MINUTE. WAIT A MINUTE. YOU'RE TONY CHEESE, THE PORNO GUY WITH THE TINY PENIS?

684. YOU'RE TONY CHEESE, THE PORNO GUY WITH THE TINY PENIS? I'M TONY K. DORT,

685. GUY WITH THE TINY PENIS? I'M TONY K. DORT, PROFESSIONAL BARISTA AND ACTOR.

686. I'M TONY K. DORT, PROFESSIONAL BARISTA AND ACTOR. I SWEAR TO GOD, THIS IS

687. PROFESSIONAL BARISTA AND ACTOR. I SWEAR TO GOD, THIS IS TONY CHEESE.

688. I SWEAR TO GOD, THIS IS TONY CHEESE. TE PROMETO DE JUEZ POR MI VIDA.

689. TONY CHEESE. TE PROMETO DE JUEZ POR MI VIDA. YO LO BESO.

690. TE PROMETO DE JUEZ POR MI VIDA. YO LO BESO. HE'S A DIRTY JUICE BOY.

691. YO LO BESO. HE'S A DIRTY JUICE BOY. TONY, I'M HAVING A HARD

692. HE'S A DIRTY JUICE BOY. TONY, I'M HAVING A HARD TIME UNDERSTANDING THIS HERE.

693. TONY, I'M HAVING A HARD TIME UNDERSTANDING THIS HERE. YOU'RE TONY CHEESE WITH THE TINY

694. TIME UNDERSTANDING THIS HERE. YOU'RE TONY CHEESE WITH THE TINY PENIS?

695. YOU'RE TONY CHEESE WITH THE TINY PENIS? TONY CHEESE.

696. PENIS? TONY CHEESE. TONY CHEESE?

697. TONY CHEESE. TONY CHEESE? TONY CHEESE.

698. TONY CHEESE? TONY CHEESE. YOU HAVE THE SMALLEST PENIS

699. TONY CHEESE. YOU HAVE THE SMALLEST PENIS I'VE EVER SEEN.

700. YOU HAVE THE SMALLEST PENIS I'VE EVER SEEN. OW!

701. I'VE EVER SEEN. OW! DID THAT HURT?

702. OW! DID THAT HURT?

703. DID THAT HURT? HA-HA-HA, TONY CHEESE AND THE

704. HA-HA-HA, TONY CHEESE AND THE TINY PENIS.

705. HA-HA-HA, TONY CHEESE AND THE TINY PENIS.

706. TINY PENIS. YOU'RE TONY CHEESE?

707. YOU'RE TONY CHEESE? TINY TONY.

708. YOU'RE TONY CHEESE? TINY TONY. YES, I WAS TONY CHEESE

709. TINY TONY. YES, I WAS TONY CHEESE WITH THE TINY PENIS.

710. YES, I WAS TONY CHEESE WITH THE TINY PENIS. I DID SOME ADULT FILMS.

711. WITH THE TINY PENIS. I DID SOME ADULT FILMS. NOW I CHANGED MY NAME.

712. I DID SOME ADULT FILMS. NOW I CHANGED MY NAME. I'M TONY K. DORT.

713. NOW I CHANGED MY NAME. I'M TONY K. DORT. DON'T YOU THINK THAT'S

714. I'M TONY K. DORT. DON'T YOU THINK THAT'S SOMETHING YOU'D WANT TO PUT ON

715. DON'T YOU THINK THAT'S SOMETHING YOU'D WANT TO PUT ON THE ROOMMATE APPLICATION, TONY?

716. SOMETHING YOU'D WANT TO PUT ON THE ROOMMATE APPLICATION, TONY? I DIDN'T THINK IT WAS A

717. THE ROOMMATE APPLICATION, TONY? I DIDN'T THINK IT WAS A BIG DEAL, AMIGA.

718. I DIDN'T THINK IT WAS A BIG DEAL, AMIGA. I WANT YOU TO GO BACK,

719. BIG DEAL, AMIGA. I WANT YOU TO GO BACK, TAKE YOUR HEADSHOT OFF OF MY

720. I WANT YOU TO GO BACK, TAKE YOUR HEADSHOT OFF OF MY WALL, PACK YOUR BAGS, AND GET

721. TAKE YOUR HEADSHOT OFF OF MY WALL, PACK YOUR BAGS, AND GET OUT OF HERE!

722. WALL, PACK YOUR BAGS, AND GET OUT OF HERE! NO BUENO.

723. OUT OF HERE! NO BUENO. LEASE IS TERMINATED.

724. NO BUENO. LEASE IS TERMINATED. HE DOES HAVE A VERY SMALL

725. LEASE IS TERMINATED. HE DOES HAVE A VERY SMALL PENIS.

726. HE DOES HAVE A VERY SMALL PENIS.

727. LAST BUT NOT LEAST, TONY K. DORT...

728. LAST BUT NOT LEAST, TONY K. DORT... OTHERWISE KNOWN AS TONY CHEESE,

729. TONY K. DORT... OTHERWISE KNOWN AS TONY CHEESE, THE PORNO STAR WITH THE TINY

730. OTHERWISE KNOWN AS TONY CHEESE, THE PORNO STAR WITH THE TINY PENIS.

731. THE PORNO STAR WITH THE TINY PENIS. AND THIS WASN'T JUST ANY PORNO

732. PENIS. AND THIS WASN'T JUST ANY PORNO GUY.

733. AND THIS WASN'T JUST ANY PORNO GUY. THIS GUY WAS INTO

734. GUY. THIS GUY WAS INTO SELF-MUTILATION.

735. THIS GUY WAS INTO SELF-MUTILATION. I'M TALKING ABOUT GETTING KICKED

736. SELF-MUTILATION. I'M TALKING ABOUT GETTING KICKED IN THE BALLS.

737. I'M TALKING ABOUT GETTING KICKED IN THE BALLS.

738. IN THE BALLS. THAT'S RIGHT — GETTING

739. THAT'S RIGHT — GETTING KICKED IN THE BALLS.

740. THAT'S RIGHT — GETTING KICKED IN THE BALLS. [ WHISTLE! CLANG! ]

741. KICKED IN THE BALLS. [ WHISTLE! CLANG! ]

742. TONY CHEESE WAS THE WORST

743. TONY CHEESE WAS THE WORST ROOMMATE I EVER HAD.

744. TONY CHEESE WAS THE WORST ROOMMATE I EVER HAD. ONE DAY, I COME HOME, I OPEN THE

745. ROOMMATE I EVER HAD. ONE DAY, I COME HOME, I OPEN THE DOOR, I SEE TONY AND MY MOM

746. ONE DAY, I COME HOME, I OPEN THE DOOR, I SEE TONY AND MY MOM DOING IT.

747. DOOR, I SEE TONY AND MY MOM DOING IT.

748. DOING IT. AND TONY GOES, "IT'S

749. AND TONY GOES, "IT'S NOT — WE WEREN'T EVEN TOUCHING.

750. AND TONY GOES, "IT'S NOT — WE WEREN'T EVEN TOUCHING. WE WERE MUTUALLY MASTURBATING."

751. NOT — WE WEREN'T EVEN TOUCHING. WE WERE MUTUALLY MASTURBATING." YEAH, RIGHT.

752. WE WERE MUTUALLY MASTURBATING." YEAH, RIGHT.

753. YEAH, RIGHT. I'VE BEEN ACTING SINCE I WAS

754. I'VE BEEN ACTING SINCE I WAS 10 YEARS OLD.

755. I'VE BEEN ACTING SINCE I WAS 10 YEARS OLD. FOLLOW ME.

756. 10 YEARS OLD. FOLLOW ME.

757. FOLLOW ME. FRANKLIN,

758. FRANKLIN, CAN YOU COME OUT AND PLAY?

759. FRANKLIN, CAN YOU COME OUT AND PLAY? SORRY, KID.

760. CAN YOU COME OUT AND PLAY? SORRY, KID. I CAN'T.

761. SORRY, KID. I CAN'T. I'M WORKING ON BEING AN ACTOR.

762. I CAN'T. I'M WORKING ON BEING AN ACTOR. YOU SURE YOU

763. I'M WORKING ON BEING AN ACTOR. YOU SURE YOU DON'T WANT TO PLAY BASEBALL?

764. YOU SURE YOU DON'T WANT TO PLAY BASEBALL? UM, I'M GONNA

765. DON'T WANT TO PLAY BASEBALL? UM, I'M GONNA DO A DIFFERENT KIND OF PLAY —

766. UM, I'M GONNA DO A DIFFERENT KIND OF PLAY — MY PLAY.

767. DO A DIFFERENT KIND OF PLAY — MY PLAY. OTHER PLAYS, TV SHOWS,

768. MY PLAY. OTHER PLAYS, TV SHOWS, COMMERCIALS.

769. OTHER PLAYS, TV SHOWS, COMMERCIALS. I GUESS I GOT TO THANK

770. COMMERCIALS. I GUESS I GOT TO THANK TONY CHEESE FOR ONE THING.

771. I GUESS I GOT TO THANK TONY CHEESE FOR ONE THING. "WHAT? WHAT DID HE JUST SAY?"

772. TONY CHEESE FOR ONE THING. "WHAT? WHAT DID HE JUST SAY?" LOOK AT THIS GUY.

773. "WHAT? WHAT DID HE JUST SAY?" LOOK AT THIS GUY. YOU SHOULD SEE HIS FACE.

774. LOOK AT THIS GUY. YOU SHOULD SEE HIS FACE. HE'S GOING, "WHAT?

775. YOU SHOULD SEE HIS FACE. HE'S GOING, "WHAT? THANK TONY CHEESE, THE VERY SAME

776. HE'S GOING, "WHAT? THANK TONY CHEESE, THE VERY SAME GUY THAT CAME IN AND SCREWED MY

777. THANK TONY CHEESE, THE VERY SAME GUY THAT CAME IN AND SCREWED MY MAMACITA?"

778. GUY THAT CAME IN AND SCREWED MY MAMACITA?" THAT'S RIGHT.

779. MAMACITA?" THAT'S RIGHT. YOU HEARD ME RIGHT.

780. THAT'S RIGHT. YOU HEARD ME RIGHT. I SAID WE HAVE TO THANK

781. YOU HEARD ME RIGHT. I SAID WE HAVE TO THANK TONY CHEESE.

782. I SAID WE HAVE TO THANK TONY CHEESE. YOU BELIEVE IT?

783. TONY CHEESE. YOU BELIEVE IT?

784. YOU BELIEVE IT? I HAVE TO THANK TONY CHEESE FOR

785. I HAVE TO THANK TONY CHEESE FOR GIVING ME AN ENDING TO MY PLAY.

786. I HAVE TO THANK TONY CHEESE FOR GIVING ME AN ENDING TO MY PLAY.

787. TURN THE LIGHTS DOWN. IF WE COULD — AND CURTAIN CALL, APPLAUSE.

788. IF WE COULD — AND CURTAIN CALL, APPLAUSE.

789. CALL, APPLAUSE. THANK YOU.

790. THANK YOU. THANK YOU VERY MUCH.

791. THANK YOU. THANK YOU VERY MUCH. IT'S ACTUALLY A GREAT

792. THANK YOU VERY MUCH. IT'S ACTUALLY A GREAT PLAY.

793. IT'S ACTUALLY A GREAT PLAY. THANK YOU, EVERYBODY, SO

794. PLAY. THANK YOU, EVERYBODY, SO MUCH.

795. THANK YOU, EVERYBODY, SO MUCH. THIS WAS SO HARD FOR ME.

796. MUCH. THIS WAS SO HARD FOR ME. OKAY, THANK YOU FOR COMING, AND,

797. THIS WAS SO HARD FOR ME. OKAY, THANK YOU FOR COMING, AND, UH, I'M GONNA STICK AROUND AND

798. OKAY, THANK YOU FOR COMING, AND, UH, I'M GONNA STICK AROUND AND GET SOME FEEDBACK.

799. THANK YOU.

800. ALL RIGHT, AND THANKS TO THE PEOPLE WHO RUN THE THEATER. WE DO HAVE TO CLEAR OUT OF HERE.

801. PEOPLE WHO RUN THE THEATER. WE DO HAVE TO CLEAR OUT OF HERE. THERE'S AN, UH, IMPROV TROUPE

802. WE DO HAVE TO CLEAR OUT OF HERE. THERE'S AN, UH, IMPROV TROUPE STARTING HERE IN 15 MINUTES, SO

803. THERE'S AN, UH, IMPROV TROUPE STARTING HERE IN 15 MINUTES, SO THANK YOU, EVERYBODY.

804. I'LL BE AT THE ROOSTER CLUB TONIGHT MAKING DRINKS. COME BY.

805. TONIGHT MAKING DRINKS. COME BY. LOVE TO HEAR YOUR, UH, THOUGHTS

806. COME BY. LOVE TO HEAR YOUR, UH, THOUGHTS ON THE SHOW.

807. LOVE TO HEAR YOUR, UH, THOUGHTS ON THE SHOW. 8:00 TO CLOSE — ABOUT 8:00 TO

808. ON THE SHOW. 8:00 TO CLOSE — ABOUT 8:00 TO 2:00.

809. 8:00 TO CLOSE — ABOUT 8:00 TO 2:00. I'LL PROBABLY STAY A BIT LATER.

810. 2:00. I'LL PROBABLY STAY A BIT LATER. YOU GOT TO CLEAN UP.

811. I'LL PROBABLY STAY A BIT LATER. YOU GOT TO CLEAN UP. THANK YOU.

812. YOU GOT TO CLEAN UP. THANK YOU. THANKS, EVERYBODY.

813. WAIT — HOW DO I GET OUT? JACK?