The Twilight Zone 1x34

Directed by Douglas Heyes

Anne Francis as Jess-Belle Stone • Elizabeth Allen as Saleswoman • Patrick Whyte as Mr. Sloan • James Millhollin as Mr. Armbruster • John Conwell as Elevator Man • Nancy Rennick as Ms. Keevers

A woman discovers that the floor of a department store, on which she bought a gold thimble, doesn't exist - and that her ""saleslady"" is really a mannequin!

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. YOU ARE ABOUT TO ENTER ANOTHER DIMENSION,

2. A DIMENSION NOT ONLY OF SIGHT AND SOUND, BUT OF M IND.

3. A JOURNEY INTO A WONDROUS LAND OF IMAGINATION.

4. YOUR NEXT STOP, THE TWILIGHT ZONE.

5. MAY I SHOW YOU SOMETHING?

6. NO.

7. NO, THAT'S...

8. NOT WHAT I'M LOOKING FOR.

9. GOING UP, MA'AM.

10. U M, HOUSEWARES?

11. THAT WOULD BE THE MEZZAN IN E, MA'AM.

12. WHAT IN PARTICU LAR WERE YOU LOOKING FOR?

13. U H, THIM BLES.

14. GOLD THIM BLES. YOU HAD THEM ADVERTISED.

15. THAT WOULD BE SPECIALTI ES, MA'AM.

16. THE N I NTH FLOOR.

17. I'M NOT ACCUSTOM ED TO SUCH SERVICE.

18. MA'AM?

19. THERE WERE A WHOLE LOT OF PEOPLE

20. WAITING FOR THE ELEVATOR.

21. I SEEM TO HAVE A PRIVATE ON E.

22. WELL, THIS IS AN EXPRESS ELEVATOR, MA'AM—

23. TO THE N I NTH FLOOR.

24. THE OTH ERS ARE ALL LOCALS THIS TIME OF DAY.

25. EXPRESS ELEVATOR TO THE NINTH FLOOR

26. OF A DEPARTMENT STORE, CARRYING MISS MARSHA WHITE

27. ON A MOST PROSAIC, ORDINARY, RUN-OF-THE-M ILL ERRAND.

28. N I NTH FLOOR.

29. THERE MUST BE SOME M ISTAKE.

30. THERE'S NOTHING HERE.

31. MISS MARSHA WHITE, ON THE NINTH FLOOR,

32. SPECIALTIES DEPARTMENT, LOOKING FOR A GOLD THIMBLE.

33. THE ODDS ARE THAT SHE'LL FIND IT.

34. BUT THERE ARE EVEN BETTER ODDS THAT SHE'LL FIND SOMETHING ELSE

35. BECAUSE THIS ISN'T JUST A DEPARTMENT STORE.

36. THIS HAPPENS TO BE—

37. THE TWILIGHT ZONE.

38. WAS SOMEONE HELPING YOU?

39. CAN I SHOW YOU SOMETHING?

40. OH, WHY, YES.

41. I WAS LOOKING FOR A GOLD THIM BLE—

42. A GI FT FOR MY MOTH ER.

43. A GOLD THIM BLE.

44. I THINK WE HAVE SOMETHING YOU'D LIKE.

45. THIS WAY, PLEASE.

46. HOW ABOUT THIS?

47. IT'S 14-KARAT GOLD

48. AND QU ITE DISTI NCTIVE- LOOKING, I THINK.

49. DON'T YOU?

50. U H, YES.

51. YES, I THINK THIS WILL DO.

52. THIS IS A CHARG E?

53. IS THIS A CHARG E, MISS?

54. U H, I BEG YOUR PARDON.

55. A CHARG E?

56. NO. NO, I'LL PAY FOR IT.

57. YOU WANT IT G I FT WRAPPED.

58. YES, PLEASE.

59. NO, ON SECON D THOUGHT,

60. I'LL WRAP IT MYSELF.

61. MISS—

62. THAT'S 22.80 PLUS TAX.

63. $25 EVEN.

64. NOW THAT'S ODD.

65. WHAT IS, MARSHA?

66. WELL, YOU HAVEN'T ANY MERCHAN DISE

67. HERE AT ALL, EXCEPT THE THIM BLE,

68. EXCEPT THE VERY THING I NEEDED.

69. THE WHOLE FLOOR, IT LOOKS SO EM PTY AND—

70. YOU CALLED ME MARSHA.

71. DID I? I'M SORRY.

72. THAT WAS FORWARD OF ME.

73. I APOLOG IZE.

74. HOW DID YOU KNOW MY NAME?

75. I'VE PROBABLY SEEN YOU

76. AROUND THE STORE.

77. NO, YOU HAVEN'T.

78. I'VE NEVER SEEN YOU.

79. NOW, LOOK, I DON'T WANNA MAKE A BIG THING OUT OF THIS

80. BUT WHAT KIND OF A PLACE IS THIS?

81. ALL I WANT IS ONE SMALL ITEM, A GOLD THIM BLE.

82. I COME UP ON A FLOOR

83. THAT HASN'T A SING LE THING

84. EXCEPT WHAT I'M LOOKING FOR.

85. YOU MAY BE MORE SOPH ISTICATED, BUT THIS I CALL ODD.

86. PLEASE COME AGAIN.

87. ANY TIME.

88. THANK YOU.

89. MISS WH ITE?

90. ARE YOU HAPPY?

91. I BEG YOUR PARDON?

92. AM I WHAT? AM I HAPPY?

93. FORGIVE ME, BUT THAT'S REALLY NONE OF YOUR BUS IN ESS.

94. REALLY? IT'S NON E OF MY BUS IN ESS.

95. ALL RIGHT, MISS WH ITE, SU IT YOURSELF.

96. IT'S NONE OF MY BUS IN ESS.

97. GOING DOWN.

98. WELL, DID YOU F IN D WHAT YOU WERE LOOKING FOR?

99. AS A MATTER OF FACT, I DID.

100. ALSO AS A MATTER OF FACT, IT WAS THE ONLY THING FOR SALE

101. ON THAT FLOOR.

102. SOMEBODY OUGHT TO CALL AN EFF ICI ENCY EXPERT,

103. ONE ENTI RE FLOOR DEVOTED TO THE SALE

104. OF A SING LE GOLD THIM BLE?

105. AN EXTREM ELY ODDBALL SALESLADY

106. SOMEBODY OUGHT TO LOOK INTO.

107. THIS IS SCRATCH ED.

108. WELL, I DIDN'T NOTICE THAT BEFORE.

109. I CAN'T SEND THIS TO MY MOTH ER.

110. IT'S SCRATCH ED, AND IT'S DENTED TOO.

111. LOOK. LOOK HERE.

112. COM PLAINTS, THIRD FLOOR.

113. LOOK AT THIS THING!

114. IT'S SCRATCH ED

115. AND IT LOOKS AS I F SOMEBODY STEPPED ON IT.

116. THIRD FLOOR, COM PLAINTS.

117. WELL, I DISTI NCTLY TOLD HER THAT ALL THE GOLD THIM BLES

118. THAT WE HAVE ARE IN GI FTS.

119. AND THAT IF THE ITEM WERE DAMAG ED,

120. WE WOULD CERTAIN LY MAKE IT GOOD

121. E ITHER BY REPLACEM ENT OR REFU N D.

122. I DISTI NCTLY TOLD HER THAT, MR. SLOAN.

123. THEN WHAT IS THE PROBLEM, MR. ARM BRUSTER?

124. THE CUSTOM ER CLAI MS THAT SHE DIDN'T GET THE ITEM IN GI FTS,

125. THAT SHE GOT IT IN ANOTHER DEPARTM ENT.

126. MR. ARM BRUST—

127. JUST TELL H ER TO TAKE IT BACK

128. TO THE DEPARTM ENT WHERE SHE PU RCHASED THE ITEM.

129. THAT'S J UST THE PO I NT.

130. SHE HAS SOME I DIOTIC STORY ABOUT HAVING PU RCHASED

131. A GOLD THIM BLE ON THE N I NTH FLOOR.

132. NINTH FLOOR.

133. MR. ARMBRUSTER,

134. I TRUST YOU IN FORM ED THE LADY

135. THAT THIS STORE HAS NO N I NTH FLOOR.

136. I HAVE TRI ED DESPERATELY,

137. I REALLY MEAN DESPERATELY TO ACQUAI NT HER WITH THIS FACT

138. BUT SHE STILL I NS ISTS THAT SHE WAS TAKEN

139. TO THE N I NTH FLOOR AND WAITED ON

140. BY A RATHER ODD WOMAN.

141. AN ODD WOMAN YET. H M.

142. A PERSONALITY TRAIT THAT SHE WOULD BE

143. PARTICU LARLY KNOWLEDG EABLE ABOUT.

144. WELL, ANYWAY, THIS WOMAN WHO ALLEG EDLY WAITED ON H ER—

145. N EVER MIND, ARM BRUSTER. I'LL TALK TO H ER.

146. YES, YES,

147. WELL, SH E'S WAITING RIGHT OUTSIDE, S I R.

148. MISS WH ITE, THIS IS OUR MANAG ER, MR. SLOAN.

149. PERHAPS I CAN H ELP YOU, MISS WH ITE.

150. PERHAPS YOU CAN. THIS THIM BLE—

151. IT'S DENTED AND SCRATCH ED.

152. WELL, IT MOST ASSUREDLY IS.

153. NOW, WHY DON'T YOU TAKE IT BACK

154. TO THE GI FT DEPARTM ENT AND—

155. I JUST EXPLAIN ED IT,

156. I DID NOT PU RCHASE THIS IN THE GI FT DEPARTM ENT.

157. I WAS TAKEN U P TO THE N I NTH FLOOR.

158. THAT'S WHAT MAKES IT SO DI FF ICU LT TO UNDERSTAND.

159. YOU SEE, WE DON'T HAVE A N I NTH FLOOR.

160. I WAS TAKEN TO THE N I NTH FLOOR.

161. I WAS WAITED ON BY A VERY ODD WOMAN.

162. I PAI D CASH.

163. YOUR RECE I PT?

164. MY RECE I PT?

165. I DIDN'T GET A RECE I PT

166. BUT I PAI D CASH.

167. I GAVE HER A 20-DOLLAR B I LL AND A 5-DOLLAR B I LL.

168. SHE GAVE ME THIS THIM BLE AND I—!

169. THERE SHE IS! THERE'S THE WOMAN WHO WAITED ON ME. MISS?

170. MISS, I WON DER IF YOU'D—

171. WELL, WELL, HOW IS SH E?

172. SHE'LL BE ALL RIGHT, MR. ARM BRUSTER.

173. SHE WAS JUST FRIGHTEN ED, THAT'S ALL.

174. WHAT ABOUT THIS DELUS ION OF H ERS?

175. I DON'T KNOW, I DI DN'T TALK TO H ER.

176. BUT SHE'S RESTING NOW.

177. I THINK, MAYBE EVEN GONE TO SLEEP.

178. H M M. WELL, TELL H ER WE'RE CLOSING.

179. TELL HER TO COME BACK TOMORROW

180. AND WE'LL GET H ER A REPLACEM ENT

181. OR REFU N D OR ANYTHING ELSE SHE WANTS.

182. MISS PETTIG REW, WE'RE CLOSING UP NOW.

183. WHAT I'D LIKE TO GIVE HER IS A BUS TICKET.

184. A ON E-WAY BUS TICKET

185. TO ANY DEPARTM ENT STORE WEST OF CLEVELAN D.

186. PREFERABLY CH ICAGO OR LOS ANGELES OR HONOLU LU.

187. MISS PETTIG REW, DID YOU HEAR ME?

188. WE'RE CLOSING UP NOW!

189. MISS KIEVERS.

190. YOU HAVE A CUSTOMER.

191. HURRY, PLEASE.

192. ALL RIGHT, I'M COMING.

193. SOMEBODY?

194. PLEASE, I'M LOCKED IN HERE.

195. U H, ANYONE?

196. I NEED SOME HELP.

197. ANYONE?

198. PLEASE?

199. MARSHA.

200. MARSHA.

201. (man) MARSHA?

202. MARSHA.

203. MARSHA.

204. WHO DO YOU THINK YOU'RE FOOLING, MARSHA?

205. COME ON, DEAR.

206. CLIMB OFF IT.

207. YOUREMEMBER, MARSHA.

208. YOU KNOW WHO YOU ARE.

209. MARSHA?

210. YOUREMEMBER, MARSHA.

211. CLI M B OFF IT.

212. COME ON, DEAR.

213. OH, NO!

214. NOW, MARSHA, DEAR.

215. YOU'LL FORGIVE AN OBSERVATION

216. BUT YOU'RE ACTING LIKE A SILLY CH I LD.

217. COME NOW, MARSHA.

218. THINK NOW.

219. CONCENTRATE.

220. REMEMBER NOW?

221. ALL OF US WILL TRY AND H ELP YOU.

222. WE'LL H ELP YOU CONCENTRATE.

223. REMEMBER NOW?

224. COMING BACK TO YOU?

225. THAT'S ODD.

226. THAT'S REALLY ODD, BUT SU DDEN LY, I SEEM TO—

227. REMEMBER. COMING BACK NOW, IS IT?

228. I'M A MAN N EQU IN.

229. THAT'S WHAT I AM, I'M A MAN N EQU IN.

230. AND IT WAS MY TURN—

231. YOUR TURN TO LEAVE US FOR A MONTH.

232. BECOMING MUCH CLEARER NOW, ISN'T IT?

233. YOU LEFT US FOR A MONTH

234. AND YOU LIVED WITH THE OUTSIDERS.

235. BUT YOU WERE DU E BACK YESTERDAY

236. AND YOU DI DN'T SHOW UP.

237. YOU KNOW, MARSHA, THAT'S VERY SELF ISH.

238. ALL OF US WAIT OUR TURN

239. AND WE S IMPLY DO NOT OVERSTAY IT.

240. NOW. IT WAS MY TURN STARTING LAST NIGHT.

241. I'M ONE DAY DELAYED ALREADY.

242. BUT OF COURSE.

243. OF COURSE, I'M SORRY.

244. I FORGOT.

245. WHEN YOU'RE ON THE OUTSIDE, EVERYTHING SEEMS SO NORMAL.

246. AS I F—

247. AS I F WHAT, MARSHA?

248. AS IF WE WERE LIKE THE OTH ERS.

249. LIKE THE OUTSIDERS.

250. LIKE THE REAL PEOPLE.

251. WELL, NO SERIOUS HARM DONE.

252. WELL, I'LL SEE YOU ALL IN A MONTH.

253. TAKE GOOD CARE OF YOURSELVES.

254. HAVE A BALL.

255. AND YOU'LL ALL MISS ME?

256. (all) OH, YES!

257. AND YOU WON'T TEAR THE PLACE APART?

258. AND YOU'LL ALL BE HERE WHEN I GET BACK?

259. BYE.

260. BYE.

261. DID YOU ENJOY YOURSELF, MARSHA?

262. WAS IT FU N?

263. EVER SO MUCH FU N.

264. GOOD MORNING, DEAR.

265. WE'RE EXPECTING $100 OUT OF YOU TODAY.

266. KEEP YOUR POWDER DRY, DARLING.

267. WELL, IT WILL SELL.

268. MORNING.

269. MORNING, LADI ES.

270. HERE, HERE, BREAK IT UP.

271. BACK TO YOUR POSTS, GIRLS.

272. IT'S 9:00!

273. REALLY.

274. MARSHA WHITE IN HER NORMAL AND NATURAL STATE.

275. A WOODEN LADY WITH A PAINTED FACE

276. WHO, ONE MONTH OUT OF THE YEAR,

277. TAKES ON THE CHARACTERISTICS OF SOMEONE AS NORMAL

278. AND AS FLESH AND BLOOD AS YOU AND I.

279. BUT IT MAKES YOU WONDER, DOESN'T IT?

280. JUST HOW NORMAL ARE WE?

281. JUST WHO ARE THE PEOPLE

282. WE NOD OUR HELLOS TO AS WE PASS ON THE STREET?

283. A RATHER GOOD QUESTION TO ASK

284. PARTICULARLY IN THE TWILIGHT ZONE.

285. ROD SERLING, THE CREATOR OF TWILIGHT ZONE,

286. WILL TELL YOU ABOUT NEXT WEEK'S STORY

287. AFTER THIS WORD FROM OUR ALTERNATE SPONSOR.

288. AND NOW, MR. SERLING.

289. THIS LOCKER AND LIN I MENT EM PORI U M

290. HOUSES A MAJOR LEAG U E BASEBALL TEAM KNOWN AS THE HOBOKEN ZEPHYRS,

291. ALL OF WHICH BY WAY OF I NTRODUCTION IN NEXT WEEK'S SHOW,

292. A WILD AND WOOLLY YARN ABOUT THE GREAT AM ERICAN PASTIME.

293. IT'S CALLED "TH E MIGHTY CASEY" AND IT'S ALL ABOUT A LEFT-HAN DER

294. WHO P ITCH ES LIKE NOTHING HUMAN, S IMPLY BECAUSE HE ISN'T.

295. MR. JACK WARDEN TAKES US INTO THE STADI U M

296. NEXT WEEK FOR N IN E FAST IN NINGS ON THE TWILIGHT ZONE.

297. BE SURE TO SEE THE FUN-FILLED FAMILY LIFE

298. OF ONE OF AMERICA'S GREATEST ENTERTAINERS.

299. THE DAN NY THOMAS SHOW.

300. MONDAY NIGHTS OVER MOST OF THESE STATIONS.