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2. You unlock this door
with the key of imagination.
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3. Beyond it is
another dimension-
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4. a dimension of sound...
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5. a dimension of sight...
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6. a dimension of mind.
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7. You're moving into a land
of both shadow and substance,
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8. of things and ideas.
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9. You've just crossed over
into the twilight zone.
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10. Is this the boy from huong hoa?
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11. That's right, sir.
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12. We were caught
in ambush.
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13. "Multiple shrapnel, abdomen.
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14. Extensive tissue damage."
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15. Well, we can't
touch him here.
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16. We'll have to send
him on back.
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17. What are his chances, sir?
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18. Not very good,
I'm afraid.
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19. "Phillips, pip."
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20. "Pip." that's an odd name.
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21. Well, private pip,
I wish you a long life.
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22. Or, short of that,
someone to mourn.
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23. No, please!
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24. Submitted for your approval,
one max phillips,
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25. a slightly the-worse-for-wear
maker of book
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26. whose life has been as drab
and undistinguished
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27. as a bundle of dirty clothes.
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28. And, though it's very late
in his day,
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29. he has an errant wish
that the rest of his life
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30. might be sent out to a laundry,
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31. to come back shiny and clean,
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32. this to be a gift of love
to a son named pip.
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33. Mr. Max phillips, homo sapiens,
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34. who is soon to discover that man
is not as wise as he thinks-
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35. said lesson to be learned
in the twilight zone.
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36. Yeah.
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37. Whew. It smells
like a brewery in here.
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38. Nice, huh?
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39. Nice, no.
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40. Typical, yes.
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41. You got a visitor downstairs.
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42. Some kid.
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43. Did I ever tell you
I love you, mrs. Feeney?
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44. Often and endlessly.
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45. Well, I do love you.
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46. You're the
queen of women.
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47. Mailman come?
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48. Come and gone.
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49. Anything for me?
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50. Nope.
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51. Nothing...
from the kid?
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52. No. Not this time.
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53. But don't worry about him.
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54. He's all right.
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55. You ain't going to do
yourself any good.
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56. You know that.
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57. An astute observation,
mrs. Feeney.
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58. Oh, I love you and your
astute observations.
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59. I mean it.
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60. I really mean it.
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61. I know.
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62. How 'bout it,
mrs. Feeney?
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63. It's to laugh, isn't it?
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64. Isn't it to laugh?
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65. Yeah.
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66. Hi, mr. Phillips.
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67. Come on in.
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68. Do you want
a cigarette?
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69. I got one.
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70. Got two?
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71. Thank you.
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72. Uh... shady lane lost yesterday.
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73. That's the way
of the world, georgy.
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74. The rich get richer
and the long shots lose.
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75. So what's to do?
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76. You said he had a good chance.
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77. You told me he ran good
on a wet track.
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78. I said that?
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79. Proving how little
I know about horses, huh?
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80. What am I going to do?
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81. I bet every nickel I had on him.
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82. It's funny, george.
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83. Can't think of a thing.
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84. Oh. Big joke.
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85. Lots of laughs.
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86. Where'd you get the money?
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87. Where'd it come from?
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88. I got it.
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89. From where?
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90. From... from
where I work.
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91. "Where you work."
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92. A white-collar heist, huh?
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93. I borrowed it.
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94. You borrowed it,
sure, you borrowed it.
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95. Without their knowing,
you borrowed it.
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96. How right am I?
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97. So what's to do, georgy?
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98. I'll go to jail.
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99. I'll make book on that.
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100. Poor georgy porgy,
one of the breed-
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101. johnny-come-lately wisdom
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102. grafted
onto a second-guesser head.
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103. So I ask again,
georgy,
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104. what's to do?
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105. Max phillips is outside.
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106. I haven't seen
you in five days.
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107. Seems like years.
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108. Where's everybody?
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109. Everybody's gone.
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110. We settled
accounts tonight.
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111. Where were you?
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112. A reasonable question.
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113. I took the wrong bus?
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114. You give me the
wrong story now,
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115. you'll wind up
under the wheels.
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116. 1,341 bucks. Hey!
Things are looking up.
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117. It depends on where
you're doing the looking.
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118. From where I sit,
I don't like the view.
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119. I don't
understand you, maxie.
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120. I treat you like
a favorite uncle,
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121. and you double-cross me.
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122. Egad, caught.
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123. Kid by the name
of george reynold
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124. placed a bet with you-
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125. $300, and the horse
doesn't place
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126. and yet, the dough
never got to me.
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127. Why, maxie?
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128. I'll bite. Why?
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129. Because you gave it
back, that's why.
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130. You welshed on me.
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131. And I had to go out
and find the kid
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132. and get my dough back.
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133. I had to rough him
up a little bit
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134. 'cause he was stubborn.
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135. That was a lot
of trouble.
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136. For 300 lousy bucks.
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137. Yeah, an awful
lot of trouble.
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138. But you know
how it would be, maxie,
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139. if I let this one pass.
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140. It would be the first
of a long line.
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141. Inside of three months,
I wouldn't have a shirt.
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142. Kid must have
been persuasive.
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143. Ask the kid.
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144. He's been asked.
Look at his face.
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145. If I don't get
that dough back,
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146. I'm going to go to jail.
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147. Don't you understand,
mr. Moran?
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148. I'm going to go to jail.
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149. You're tearing me
to pieces, kid.
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150. Right in here.
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151. You know what's the
matter with you, fella?
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152. You listen to guys
like max phillips.
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153. That was mistake one.
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154. Max phillips never gave
anything away in his life.
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155. How right am I, maxie?
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156. Very right.
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157. A heel
with a robin hood complex,
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158. but thin and short-lived,
georgy porgy.
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159. Remember that the next time
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160. somebody tries to hand you
something for nothing.
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161. Consider the source.
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162. Yeah.
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163. Who?
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164. He's busy now.
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165. All right, all right.
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166. It's your landlady.
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167. Says there's
a telegram for you.
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168. Yeah, mrs. Feeney.
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169. Open it up.
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170. Department of the army?
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171. Well, read it to me.
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172. No.
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173. No...
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174. no, I'm all right, mrs. Feeney.
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175. Thank you.
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176. Thank you.
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177. Pip is dying.
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178. My kid is dying in a...
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179. in a place called south vietnam.
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180. There isn't even supposed
to be a war going on there,
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181. but my son is dying.
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182. It's to laugh.
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183. I swear, it's to laugh.
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184. Hey, max, oh, hey,
kid, I'm sorry.
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185. My kid used to love
amusement parks.
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186. I used to take him
on saturday night.
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187. It ain't like the kid's
dead already.
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188. What I mean is...
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189. when I wasn't too drunk,
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190. or when I wasn't
out conning for you,
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191. I used to take him
to the amusement park.
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192. You know something, moran,
I think you're wrong.
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193. I think I've given
something away.
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194. My kid, pip.
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195. The good part of me.
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196. The clean part.
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197. The part I
was proud of.
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198. Georgy, you
put this back
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199. where it
came from.
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200. Now, maxie, I'm sorry
about your kid, but...
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201. no more! No more!
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202. 20 years ago, I should have
spit right in your eye.
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203. 20 years ago,
I should have known
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204. how little time a man
has to raise his son.
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205. A little belated
honor now, george.
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206. You get out of here.
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207. Walk as fast
as you can.
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208. Don't look
behind you.
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209. Moran, if your boy is
reaching for a cigarette,
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210. tell him the smoke
bothers me.
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211. If he's reaching
for anything else,
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212. tell him I'll cut
his heart out
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213. before he halfway
reaches it,
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214. then I'll go
to work on you.
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215. Get out. Get out of here!
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216. Move!
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217. I was going to change.
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218. That's a fact, pip.
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219. I was...
I was going to change.
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220. I was... I was going to meet you
when you got off the boat.
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221. So now there's no more bets,
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222. and there's no more bottles...
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223. but, oh...
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224. there's no more pip either.
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225. Oh, god,
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226. if I...
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227. if I could just talk to him,
you see?
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228. If I could just see him...
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229. if I could just tell him...
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230. all right, my friends,
that'll do it.
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231. Let's see if he'll survive
for an hour.
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232. If he can hang on for that long,
I think he'll hang on for good.
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233. Well, good luck to you...
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234. what was his name? Pip?
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235. Good luck to you, pip.
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236. Pip?
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237. Pip.
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238. Hey, pip.
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239. Hey, pop,
I've been waiting.
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240. Hey, pip!
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241. Hey, pip.
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242. Pip, my boy.
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243. Pop, I've been waiting
for so long.
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244. Hey, pip.
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245. Oh, pip, hey!
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246. Pip.
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247. You're ten years
old again, pip.
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248. How come you're
ten years old again?
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249. That's what I am, pop.
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250. I'm ten years old,
and it's saturday night.
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251. You said to meet you
on the midway,
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252. and I've been waiting.
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253. I was afraid
you weren't going to come.
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254. But I don't understand.
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255. I really don't understand.
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256. Sometimes you don't
show up, pop.
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257. Sometimes when you're sick
or something.
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258. You remember what
I used to say, pip.
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259. You remember?
I remember.
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260. I used to say
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261. hey, pip, who's
your best buddy?
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262. Hey, pop,
you're my best buddy.
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263. Oh!
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264. What do you want to do?
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265. How about some rides, pop,
or some cotton candy?
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266. Sure. Some rides
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267. and some cotton candy.
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268. Anything you want.
Anything at all.
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269. But, pip, you're
ten years old again.
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270. I don't understand that.
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271. It doesn't make
any difference now.
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272. We're here, and
we're together,
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273. and we can go
on some rides.
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274. Sure we can.
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275. Sure we can, pip.
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276. Let's go.
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277. Hey.
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278. Come on, pop.
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279. Whoa!
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280. Pop, help, help.
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281. Ah.
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282. How about this?
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283. Ooh, neat.
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284. Come on, dad.
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285. Work the gun,
not the jaws.
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286. You hit a duck.
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287. Pip, you hit a duck.
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288. You hit it.
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289. Pip.
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290. Who's your best buddy, pip?
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291. You, pop.
You're my best buddy.
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292. What's the matter, pip?
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293. What happened?
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294. Pip, what's the matter?
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295. Pip, listen to me.
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296. Pip.
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297. Pip!
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298. Pip.
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299. Pip.
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300. Pip.
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301. Pip. Pip.
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302. Pip.
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303. You have to understand this.
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304. You have to try and listen
and understand.
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305. Those times
when I wasn't around,
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306. when I was out conning
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307. and being a shill,
or when I was too drunk,
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308. and when I'd drag you from
one rooming house to another...
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309. it doesn't make
any difference now, pop.
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310. It makes a difference, pip.
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311. It does make a difference
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312. because I want you to know
that no man...
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313. oh, listen to me, son.
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314. No man ever, everloved a boy
any more than I love you.
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315. It was because...
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316. well, because I dreamed
instead of did.
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317. I wished and hoped
instead of tried.
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318. But as god is my witness, pip,
I loved you.
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319. See, I wouldn't be able
to put it into words
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320. 'cause there isn't any language,
but...
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321. but I love you.
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322. Pip.
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323. You can't leave me now.
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324. You can't go away from me now.
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325. Pip.
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326. Pip.
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327. Pip. Pip.
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328. Pip!
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329. Pip. Pip.
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330. Pip?
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331. The hour's up now, pop.
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332. I have to go.
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333. I don't belong here.
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334. You see, pop, the hour's up,
and I'm dying.
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335. You... you're just a kid.
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336. You're just a little boy, pip.
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337. You can't die.
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338. I want to spend the rest
of my life being with you
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339. and doing things for you
and giving you things.
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340. That's all that life
means to me anymore.
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341. That's the only thing
that's important.
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342. And, pip, I promise you
that they'll be no more bottles,
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343. and no more con job, nothing,
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344. and no more having to wait
for me.
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345. Pip.
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346. Pip!
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347. I'm dying, pop.
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348. I'm sorry,
but I have to go back.
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349. Why, pip?
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350. Why?
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351. Hey, god?
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352. Hey, god...
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353. I'll make a deal with you.
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354. I give you...
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355. I give you the sodden carcass
of an aging, weak idiot.
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356. I give you me.
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357. All you have to give back
is pip.
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358. Please, god, don't take my boy.
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359. Please.
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360. Take me.
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361. Take me.
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362. You all right, pip?
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363. Oh, sure.
I'm fine.
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364. It's this leprechaun
grandkid of mine.
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365. She wants to go on
the ferris wheel.
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366. You want to
come with us?
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367. Ah, no, thanks.
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368. I'll just sorta walk around.
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369. You know, this place reminds me
of your father,
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370. god rest his soul.
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371. He used to talk about taking you
here all the time.
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372. Yeah, we sure had
some good times.
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373. Oh, we had some wonderful times.
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374. Look, we'll meet you
over by the ferris wheel
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375. when we get off, huh?
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376. Okay.
Have a good time.
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377. Yeah. You watch
out, huh, pip?
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378. Work the gun, not the jaws.
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379. That's what my pop used to say.
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380. Hey, pop, you're my best buddy.
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381. You always were.
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382. Very little comment here
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383. save for this small aside.
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384. That the ties of flesh
are deep and strong.
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385. That the capacity to love
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386. is a vital, rich
and all-consuming function
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387. of the human animal
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388. and that you can find nobility
and sacrifice and love
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389. wherever you may seek it out-
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390. down the block, in the heart
or in the twilight zone.
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391. And now, mr. Serling.
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392. Next ontwilight zone,
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393. we dabble in the manly arts
with a show called "steel."
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394. Written especially for us
by richard matheson,
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395. this one isn't just
for prizefighting buffs
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396. because the story
is above and beyond
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397. anything remotely involving
the marquis of queensberry.
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398. Rather, it's a tender, touching
and touch analysis
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399. of some very bizarre people.
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400. Lee marvin and joe mantell
take a walk in the twilight zone
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401. next in "steel."
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