1. You unlock this door
with the key of imagination.
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2. Beyond it is another dimens/on...
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3. A dimension of sound...
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4. A dimension of sight...
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5. A dimension of mind.
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6. You're moving into a land of
both shadow and substance,
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7. of things and ideas.
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8. You've just crossed
over into the twilight zone.
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9. Is this the Bo from huong hoa?
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10. That's right, sir.
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11. We were caught in an ambush.
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12. "Multiple shrapnel, abdomen.
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13. Extensive tissue damage."
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14. Well, we can't touch him here.
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15. We'll have to send him on back.
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16. What are his chances, sir?
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17. Not very good, I'm afraid.
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18. "Phillips, pip."
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19. "Pip." that's an odd name.
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20. Well, private pip, I wish you a long life.
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21. Or, short of that, someone to mourn.
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22. No, please!
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23. Submitted for your
approval, one Max Phillips,
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24. a slightly the-worse-for-wear maker of book
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25. whose life has been as
drab and undistinguished
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26. as a bundle of dirty clothes.
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27. And, though it's very late in his day,
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28. he has an errant wish
that the rest of his life
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29. might be sent out to a laundry,
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30. to come back shiny and clean,
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31. this to be a gift of love
to a son named pip.
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32. Mr. Max Phillips, homo sapiens,
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33. who is soon to discover that
man is not as wise as he thinks...
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34. Said lesson to be learned
in the twilight zone.
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35. Yeah.
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36. Whew. It smells like a brewery in here.
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37. Nice, huh?
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38. Nice, no.
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39. Typical, yes.
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40. Got a visitor downstairs.
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41. Some kid.
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42. Did I ever tell you I
love you, Mrs. Feeney?
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43. Often and endlessly.
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44. Well, I do love you.
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45. You're the queen of women.
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46. Mailman come?
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47. Come and gone.
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48. Anything for me?
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49. Nope.
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50. Nothing... From the kid?
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51. No. Not this time.
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52. But don't worry about him.
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53. He's all right.
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54. You ain't gonna do yourself any good.
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55. You know that.
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56. An astute observation, Mrs. Feeney.
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57. Oh, I love you and
your astute observations.
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58. I mean it.
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59. I really mean it.
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60. I know.
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61. How 'bout it, Mrs. Feeney?
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62. It's to laugh, isn't it?
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63. Isn't it to laugh?
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64. Yeah.
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65. Hi, Mr. Phillips.
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66. Come on in.
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67. You want a cigarette?
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68. I got one.
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69. Got two?
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70. Yeah!
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71. Thank you.
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72. Uh... shady Lane lost yesterday.
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73. That's the way of the world, georgy.
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74. The rich get richer
and the long shots lose.
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75. So what's to do?
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76. You said he had a good chance.
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77. You told me he ran good on a wet track.
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78. I said that?
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79. Proving how little I
know about horses, huh?
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80. What am I gonna do?
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81. I bet every nickel I had on him.
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82. It's funny, George.
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83. Can't think of a thing.
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84. Oh. Big joke, huh?
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85. Lots of laughs.
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86. Where'd you get the
money? Where'd it come from?
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87. I got it.
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88. From where?
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89. From... from where I work.
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90. "Where you work."
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91. A white-collar heist, huh?
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92. I borrowed it.
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93. You borrowed it, sure, you borrowed it.
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94. Without their knowing, you borrowed it.
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95. How right am I?
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96. So what's to do, georgy?
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97. I'll go to jail.
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98. I'll make book on that.
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99. Poor georgy porgy, one of the breed...
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100. Johnny-come-lately wisdom
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101. grafted onto a second-guesser head.
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102. So I ask again, georgy,
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103. what's to do?
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104. Max Phillips is outside.
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105. I haven't seen you in five days.
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106. Seems like years.
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107. Where's everybody?
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108. Everybody's gone.
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109. We settled accounts tonight.
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110. Where were you?
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111. A reasonable question.
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112. I took the wrong bus?
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113. You give me the wrong story now,
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114. you'll wind up under the wheels.
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115. 1,341 bucks. Hey! Things are looking up.
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116. It depends on where
you're doing the looking.
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117. From where I sit, I don't like the view.
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118. I don't understand you, maxie.
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119. I treat you like a favorite uncle,
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120. and you double-cross me.
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121. Egad, caught.
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122. Kid by the name of George reynold
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123. placed a bet with you...
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124. $300, and the horse doesn't place
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125. and yet, the dough never got to me.
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126. Why, maxie?
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127. I'll bite. Why?
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128. Because you gave it back, that's why.
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129. You welshed on me.
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130. And I had to go out, find the kid
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131. and get my dough back.
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132. I had to rough him up a little bit
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133. 'cause he was stubborn.
That was a lot of trouble.
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134. For 300 lousy bucks.
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135. Yeah, an awful lot of trouble.
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136. But you know how it would be, maxie,
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137. if I let this one pass.
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138. It'd be the first of a long line.
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139. Inside of three months,
I wouldn't have a shirt.
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140. Kid must have been persuasive.
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141. Ask the kid.
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142. He's been asked. Look at his face.
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143. If I don't get that dough back,
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144. I'm gonna go to jail.
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145. Don't you understand, Mr. Moran?
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146. I'm gonna go to jail.
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147. You're tearing me to
pieces, kid, right in here.
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148. You know what's the matter with you?
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149. You listen to guys like Max Phillips.
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150. That was mistake one.
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151. Phillips never gave
anything away in his life.
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152. How right am I, maxie?
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153. Very right.
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154. A heel with a Robin hood complex,
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155. but thin and short-lived, georgy porgy.
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156. Remember that the next time
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157. somebody tries to hand
you something for nothing.
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158. Consider the source.
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159. Yeah.
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160. Who?
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161. He's busy now.
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162. All right, all right.
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163. It's your landlady.
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164. Says there's a telegram for you.
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165. Yeah, Mrs. Feeney.
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166. Open it up.
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167. Department of the army?
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168. Well, read it to me.
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169. No...
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170. No.
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171. No, I'm all right, Mrs. Feeney.
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172. Thank you.
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173. Thank you.
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174. Pip is dying.
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175. My kid is dying in a...
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176. A place called south Vietnam.
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177. There isn't even supposed
to be a war going on there,
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178. but my son is dying.
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179. It's to laugh.
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180. I swear, it's to laugh.
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181. Hey, Max, oh, hey, kid, I'm sorry.
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182. My kid used to love amusement parks.
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183. I used to take him on Saturday nights.
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184. It ain't like the kid's dead already.
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185. What I mean is that...
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186. When I wasn't too drunk,
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187. or when I wasn't out conning for you,
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188. [... used to take him
to the amusement park.
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189. You know something,
moran, I think you're wrong.
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190. I have given something away.
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191. My kid, pip.
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192. The good part of me.
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193. The clean part.
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194. The part I was proud of.
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195. Georgy, you put this back
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196. where it came from.
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197. Now, maxie, I'm sorry
about your kid, but...
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198. No more! No more!
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199. 20 years ago, I should
have spit right in your eye.
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200. 20 years ago, I should have known
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201. how little time a man has to raise a son.
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202. A little belated honor now, George.
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203. You get out of here.
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204. Walk as fast as you can.
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205. Don't look behind you.
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206. Moran, if your boy is
reaching for a cigarette,
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207. you tell him the smoke bothers me.
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208. And if he's reaching for anything else,
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209. tell him I'll cut his heart out
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210. before he halfway reaches it,
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211. then I'll go to work on you.
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212. Get out. Get out!
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213. Move!
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214. I was gonna change.
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215. That's a fact, pip, I was...
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216. I was gonna change.
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217. I was... I was gonna meet
you when you got off the boat.
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218. So now there's no more bets,
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219. and there's no more bottles...
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220. But, oh...
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221. There's no more pip either.
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222. Oh, god...
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223. If I...
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224. If 1 could just talk to him, you see?
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225. If 1 could just see him...
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226. If I could just tell him...
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227. All right, my friends, that'll do it.
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228. Let's see if he'll survive for an hour.
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229. If he can hang on for that long,
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230. I think he'll hang on for good.
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231. Well, good luck to you...
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232. What was his name? Pip?
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233. Good luck to you, pip.
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234. Pip?
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235. Pip.
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236. Hey, pip.
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237. Hey, pop, I've been waiting.
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238. Hey, pip!
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239. Hey, pip.
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240. Pip, my boy.
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241. Hey, pop, I've been
waiting for ever so long.
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242. Hey, pip.
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243. Oh, pip, hey!
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244. Pip.
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245. Wait, you're 10 years old again, pip.
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246. How come you're 10 years old again?
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247. That's what I am, pop.
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248. I'm 10 years old, and it's Saturday night.
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249. You said to meet you on the midway,
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250. and I've been waiting.
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251. I was afraid you weren't gonna come.
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252. But... but I don't understand.
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253. I really don't understand.
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254. Sometimes you don't show up, pop.
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255. Sometimes you're... when
you're sick or something.
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256. You remember what I used
to say, pip. You remember?
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257. I remember.
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258. I used to say...
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259. "hey, pip, who's your best buddy?"
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260. "Hey, pop, you're my best buddy."
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261. Oh!
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262. What do you want to do? What do we do?
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263. How about some rides,
pop? Or some cotton candy?
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264. Sure. Some rides and some cotton candy.
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265. Anything you want. Anything at all.
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266. But, pip... pip, you're 10 years old again.
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267. See, I don't understand that.
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268. It doesn't make any difference now.
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269. We're here, and we're together,
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270. and we can go on some rides.
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271. Sure we can.
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272. Sure we can, pip.
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273. Come on, let's go.
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274. Hey.
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275. Come on, pop.
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276. Whoa!
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277. Pop, help, help.
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278. Ah.
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279. How about this?
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280. Ooh, neat.
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281. Come on, dad.
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282. Work the gun, not the jaws.
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283. You hit a duck.
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284. Pip, you hit a duck!
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285. You hit it.
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286. Pip.
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287. Who's your best buddy, pip?
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288. You, pop. You're my best buddy!
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289. What's the matter, pip?
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290. What happened?
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291. Pip, what's the matter?
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292. Pip, listen to me.
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293. Pip.
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294. Pip!
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295. Pip.
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296. Pip!
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297. Pip.
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298. Pip.
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299. Pip. Pip.
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300. Pip.
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301. You have to understand this.
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302. You have to try and listen and understand.
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303. All those times when I wasn't around,
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304. when I was out conning
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305. and being a shill, or when I was too drunk,
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306. and when I'd drag you from
one rooming house to another...
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307. It doesn't make any difference now, pop.
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308. It makes a difference, pip.
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309. It does make a difference
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310. because I want you to know that no man...
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311. Oh, listen to me, son.
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312. No man ever, ever loved a
boy any more than I love you.
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313. It was because...
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314. Well, because I dreamed instead of did.
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315. And I wished and hoped instead of tried.
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316. But as god is my witness, pip, I loved you.
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317. See, I wouldn't be
able to put it into words
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318. 'cause there isn't any language, but...
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319. But I love you.
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320. Pip.
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321. You can't leave me now.
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322. Pip, you can't go away from me now.
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323. Pip!
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324. Pip!
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325. Pip. Pip.
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326. Pip!
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327. Pip. Pip.
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328. Pip?
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329. The hour's up now, pop.
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330. I have to go.
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331. I don't belong here.
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332. You see, pop, the hour's up, and I'm dying.
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333. But you're... you're just a kid.
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334. You're just a little boy, pip.
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335. You can't die.
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336. I want to spend the rest
of my life being with you
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337. and doing things for
you and giving you things.
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338. That's all that life means to me anymore.
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339. That's the only thing that's important.
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340. And, pip, I promise you,
there'll be no more bottles,
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341. and no more con job, nothing,
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342. and no more having to wait for me.
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343. Pip.
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344. Pip!
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345. I'm dying, pop.
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346. I'm sorry, but I have to go back.
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347. Why, pip?
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348. Why?
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349. Kj
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350. Hey, god?
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351. Hey, god...
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352. I'll make a deal with you.
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353. I give you...
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354. I give you the sodden carcass of a...
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355. Of an aging, weak idiot.
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356. I give you me.
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357. All you have to give back is pip.
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358. Please, god, don't take my boy.
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359. Please.
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360. Take me.
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361. Take me.
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362. You all right, pip?
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363. Oh, sure. I'm fine.
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364. It's this leprechaun grandkid of mine.
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365. She wants to go on the Ferris wheel.
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366. Wanna come with us?
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367. Ah, no, thanks.
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368. I'll just sorta walk around.
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369. You know, this place
reminds me of your father,
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370. god rest his soul.
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371. He used to talk about
taking you here all the time.
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372. Yeah, we sure had some good times.
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373. Oh, we had some wonderful times.
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374. We'll meet you over by the Ferris wheel
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375. when we get off, huh?
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376. Okay. Have a good time.
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377. You watch out, huh, pip?
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378. Work the gun, not the jaws.
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379. That's what my pop used to say.
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380. Hey, pop, you're my best buddy.
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381. You always were.
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382. Very little comment here
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383. save for this small aside.
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384. That the ties of flesh are deep and strong.
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385. That the capacity to love
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386. is a vital, rich and all-consuming function
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387. of the human animal.
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388. And that you can find
nobility and sacrifice and love
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389. wherever you may seek it out...
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390. Down the block, in the heart...
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391. Or... in the twilight zone.
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392. And now, Mr. Serling.
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393. Next on twilight zone,
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394. we dabble in the manly arts
with a show called "steel,"
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395. written especially for
us by Richard Matheson.
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396. This one isn't just for prizefighting buffs
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397. because the story is above and beyond
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398. anything remotely involving
the Marquis of queensberry.
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399. Rather, it's a tender,
touching and tough analysis
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400. of some very bizarre people.
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401. Lee Marvin and Joe mantell
take a walk in the twilight zone
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402. next in "steel."
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