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2. You unlock this door
with the key of imagination.
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3. Beyond it is another dimension-
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4. a dimension of sound,
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5. a dimension of sight,
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6. a dimension of mind.
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7. You're moving into a land
of both shadow and substance,
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8. of things and ideas.
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9. You've just crossed over
into the twilight zone.
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10. And here we have
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11. the famous temptress
from ancient egypt-
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12. cleopatra.
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13. Her captivating beauty
almost brought about
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14. the destruction of
caesar and mark anthony.
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15. If you will follow me...
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16. and now our next group.
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17. Ourpiece de resistance,
if I may say so.
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18. Here you will find
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19. the most infamous, black-hearted
killers of all time.
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20. It is not for the faint-hearted.
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21. So... if there are any
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22. who would prefer
to remain behind...
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23. no?
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24. Very well, then.
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25. Oh.
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26. Did I startle you?
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27. This is martin senescu-
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28. curator of
murderers' row.
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29. You all
right, honey?
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30. Sure, it's just
they're so real.
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31. And I, I thought...
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32. there's nothing
to be afraid of.
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33. They're just
a lot of wax.
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34. Perhaps not,
young man.
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35. Who knows
what evil lurks
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36. in the heart
of the man
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37. standing next to you?
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38. This is albert w. Hicks,
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39. a mate on the oyster smack
v. A. Johnson.
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40. A gentle man.
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41. Yet one day in 1860
off the atlantic coast,
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42. he murdered his entire crew.
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43. Killed them with an ax
exactly like this one.
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44. Why did he go mad?
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45. What made him change?
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46. And here... here we have
burke and hare,
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47. the monsters
of their time.
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48. But do they look
like monsters?
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49. This is how they suffocated
their victims.
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50. It was called... burking.
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51. Think of the agonies
they endured.
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52. Which one's he
talking about?
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53. Oh, sir,
all of them.
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54. All of them.
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55. Surely, it is horrible
to be murdered,
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56. as our victim here
could tell you
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57. if-if she could talk.
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58. But to murder!
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59. To take a life with your hands
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60. again and again...
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61. and not be able to stop oneself.
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62. Can you begin
to imagine the horror of that?
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63. No.
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64. Tell us
about it.
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65. Well,
I cannot.
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66. But somewhere
in the world
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67. now, at this
very moment...
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68. there is
someone who can.
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69. Yeah?
Who?
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70. Well, no one
knows yet,
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71. but if his torment is
great enough
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72. and he kills
as these poor creatures did,
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73. then future generations
will know.
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74. For he'll be here...
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75. immortalized in wax.
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76. Remembered...
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77. as you and I will never be.
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78. This... is henri
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79. desire landru.
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80. One can see
the agony
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81. that he, too,
must have felt
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82. as he was driven
to strangle the life
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83. from disappointed spinsters
and lonely widows.
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84. Landru was a master
of the garrote.
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85. And he used a waxed cord
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86. identical to the one
he holds there.
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87. Get away from there!
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88. Those figures are not
to be touched.
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89. They're too rare
and valuable.
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90. Besides...
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91. the museum can't be
held responsible
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92. for what might
happen to you.
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93. Now, here we have
another soul in torment.
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94. Jack the ripper.
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95. Who was he?
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96. And which- of
all the faces
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97. that moved about london's
whitechapel district-
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98. which one was his?
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99. And why did he
feel driven
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100. to kill those
pathetic drabs
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101. with one sweep
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102. of the knife
you see here?
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103. I'm afraid we shall never know.
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104. And as we look at hicks,
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105. burke and hare,
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106. landru
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107. and jack the ripper
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108. we see men,
as you and me.
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109. And we can only guess
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110. what devils pushed them
to their bloody fate.
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111. Thank you.
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112. Boy, let's blow
this creepy joint.
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113. Martin lombard senescu,
a gentle man,
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114. the dedicated curator
of murderers' row
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115. in ferguson's wax museum.
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116. He ponders the reasons
why ordinary men are driven
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117. to commit mass murder.
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118. What mr. Senescu does not know
is that the groundwork
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119. has already been laid
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120. for his own special kind
of madness and torment-
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121. found only in the twilight zone.
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122. Martin?
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123. Yes.
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124. I'd like to talk with you.
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125. Oh, well,
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126. I'll be through
in a moment.
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127. That
can wait.
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128. What I have to say
is rather important.
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129. All right.
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130. You know,
mr. Ferguson,
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131. landru needs
a new suit.
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132. This one is
ten years old,
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133. and it shows it.
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134. Is something wrong?
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135. Well, yes and no.
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136. I think we'd better discuss it
in the office.
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137. Is it something
I've done?
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138. Or haven't done?
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139. No, nothing
like that.
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140. Uh, sit down,
martin.
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141. Martin,
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142. I'm abandoning
the museum.
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143. Hmm?
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144. Abandoning?
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145. I'm afraid so.
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146. Oh.
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147. Is this a joke, sir?
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148. No.
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149. Oh, mr. Ferguson.
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150. You can't do that.
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151. You mustn't.
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152. Uh, I know
how you feel,
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153. martin,
believe me, I do.
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154. But... I'm afraid
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155. there isn't
any choice.
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156. I don't understand.
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157. I've been offered
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158. a large sum
for this property.
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159. Some people want to build
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160. a supermarket
here.
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161. A supermarket?
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162. Here, let me get you a drink.
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163. It'll help settle you.
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164. No, no, no. No.
Please, I don't...
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165. when I first opened the
museum 30 years ago,
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166. I never dreamed
I'd see this day.
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167. But the day is
here, martin.
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168. And we will just
have to face it.
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169. 30 years.
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170. We've been together
a long time.
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171. I know.
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172. You're the best employee
a man could ever have.
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173. The way you've run the
murderers' row exhibit-
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174. why, I don't think you
ever missed a tour.
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175. No, no.
Oh!
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176. I never did, never.
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177. How many more days?
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178. None.
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179. This was the last.
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180. They begin wrecking
the building next week.
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181. No more tours?
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182. None at all?
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183. I had to agree to it.
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184. What about the figures?
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185. I haven't
decided yet.
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186. Mr. Ferguson,
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187. we can open
another museum.
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188. We can move everything
somewhere else.
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189. We don't have
to give it up.
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190. No, no,
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191. I'm not as young
as I once was.
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192. Uh, I need a rest.
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193. Fanny and I talked...
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194. don't, don't...
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195. I'll do the work,
I mean it.
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196. You won't have
to do a thing.
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197. Not a thing!
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198. I appreciate that, martin,
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199. and I know you'd be
a great help, but...
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200. it would be foolish.
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201. But why?
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202. Why would it
be foolish?
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203. Let me show you something.
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204. We are passe,
martin.
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205. People aren't interested
in wax museums anymore.
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206. Here. Look through it-
it's all in there.
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207. Our attendance figures.
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208. Our gains,
but mostly our losses.
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209. This last year has been
the poorest of all.
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210. You'll also find
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211. a news story about the closing
of the grand guignol.
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212. A sign of the times-
the handwriting on the wall.
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213. Grand guignol.
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214. Uh, sure you
won't have a drink?
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215. No, thank you.
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216. You, you see, martin,
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217. the outside world
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218. offers them fears
we could never match.
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219. The ovens
at belsen and dachau
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220. have ruined our
chamber of horrors.
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221. People are blase,
sophisticated.
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222. They think they've outgrown
the need to be frightened.
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223. They live in fear
day in, day out.
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224. It, it's
the world, martin.
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225. No, no, martin...
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226. it would be foolish
to open another museum.
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227. Mr. Ferguson,
maybe...
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228. maybe the location
is wrong.
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229. Or maybe... maybe
it's the way
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230. we have the
figures exhibited.
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231. You remember
how the people came
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232. when we worked out
the ripper's arm?
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233. Yes.
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234. Oh, but that was
years ago.
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235. Mr. Ferguson...
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236. you're not...
thinking of destroying them,
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237. are you?
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238. They're meant to live forever.
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239. Martin, I tell you, I don't know
what I'm going to do!
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240. You're forgetting something.
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241. Forgetting something? What?
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242. Come with me.
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243. Please.
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244. Martin!
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245. Martin.
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246. Mr. Ferguson.
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247. Please.
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248. Look at him.
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249. Just look at him.
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250. Look at his eyes.
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251. Can't you see
the shy, frightened
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252. little choir boy
that he once was?
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253. Can't you see the bookkeeper
who so longed for freedom?
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254. Why, even the flesh
feels real.
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255. Why, it's
like flesh.
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256. And look at the mouth.
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257. Just look at the mouth.
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258. Isn't it about to say something?
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259. Why, landru was
an eloquent man.
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260. He was full
of tenderness.
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261. And it's there!
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262. It's there-
it's caught right in the mouth.
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263. Martin, what are you trying
to say?
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264. Mr. Ferguson,
you seem to have forgotten
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265. that these figures are the work
of the great henri guilmont-
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266. the only ones he created
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267. outside
of europe.
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268. No, I haven't forgotten that.
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269. Mr. Ferguson?
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270. I want to buy them.
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271. That's
ridiculous.
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272. I don't think I could bear it
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273. if these figures
were destroyed.
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274. It would... it would be like
losing five close friends.
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275. I won't destroy
them, martin, I
give you my word.
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276. But-but where
would I store them?
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277. I could put them
in my basement.
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278. Yes, it's a perfect place.
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279. Oh, for heaven's
sake, martin.
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280. What would emma say
to having the figures
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281. of five famous murderers
in her basement?
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282. Emma wouldn't mind,
she would understand.
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283. And I would put
an air conditioner
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284. in there, I tell you that.
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285. And a heater,
for the colder days.
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286. I would take
care of them.
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287. Just as I
always have.
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288. They should be here by now.
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289. You haven't eaten
your breakfast.
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290. And they'll get here
when they get here.
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291. I'm not hungry.
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292. How long are we
going to keep them?
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293. I have plans
to open my own museum.
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294. But I'll have to buy them
from mr. Ferguson first.
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295. Supposing something
happened to them.
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296. You know, it's not like
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297. moving furniture.
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298. They should have
let me ride with them.
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299. What if they drop one?
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300. Is everything all right?
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301. Uh... you, uh, martin senescu?
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302. Yes.
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303. Everything's okay.
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304. Ah...
no bumps?
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305. Huh?
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306. Any bumps?
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307. No. No bumps.
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308. Oh, it's getting warm.
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309. Huh?
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310. I said it's getting warm.
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311. You see, they're delicate.
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312. They can't take more
than 80 degrees.
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313. Oh. Huh-huh.
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314. All right... wait.
Easy, please. Easy.
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315. Easy!
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316. Easy, easy,
oh, please.
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317. Please, don't jiggle it.
That's it, easy.
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318. That's-that's it.
There, there.
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319. Fine.
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320. Here, sign here.
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321. All right.
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322. One, two, three...
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323. there.
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324. Hmm.
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325. Well, emma...
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326. here they are.
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327. Landru...
is in here.
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328. Jack the ripper
is in here.
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329. Ooh, emma, emma,
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330. it's going to be like
opening christmas presents.
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331. I didn't think they were
going to be so big.
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332. Oh, well, no, that's
just the boxes.
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333. The figures themselves
are as big as we are.
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334. Well, I'll have to be very
careful with the uncrating.
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335. Mr. Senescu?
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336. Yes.
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337. The movers said
you were down here.
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338. Where do you want
the air conditioner?
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339. Ah... there. Put it
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340. in that window,
over there. You see it?
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341. Oh, okay.
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342. All right.
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343. Martin-
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344. you bought an
air conditioner?
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345. Yes, the figures
can't stand heat.
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346. We had to have it.
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347. Well, how much
did it cost?
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348. Well...
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349. don't worry
about it.
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350. Well, I am
worried about it.
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351. And I'm also worried
about how I'm going
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352. to do the laundry
with all this lying around...
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353. oh, emma, you can't... you
can't do the laundry here.
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354. The... the humidity!
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355. I mean, you don't have
a decent shirt to wear,
and it's been a week since I...
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356. look, go to
the laundromat.
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357. Just take it anywhere,
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358. but leave me to
my friends, please.
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359. You cleaned
that cape last week.
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360. Brushed it, you mean.
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361. It's going to need cleaning
and pressing pretty soon.
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362. In fact,
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363. all the clothes
are going to need it.
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364. It's almost been a year.
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365. Martin...
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366. the truth of the matter is,
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367. they all need new clothes.
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368. The ripper comes
off worst, do
you know that?
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369. Why, his coat is torn
right over there.
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370. Martin!
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371. What is it?
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372. We're not buying them
any clothes.
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373. Oh, but emma,
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374. it's not just buying.
It's tailoring.
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375. You see, they have
bodies that have...
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376. I don't care
about their bodies!
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377. You don't mean
that, do you?
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378. Yes, I do.
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379. Honestly, martin, you've been
paying more attention
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380. to thesemurderers
than you ever did tome.
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381. Oh, emma,
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382. that's not true.
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383. Then why do you spend
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384. every minute of the day
and night down here?
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385. Don't you see? This is
the work of guilmont.
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386. It's a trust.
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387. Why, they're
masterpieces.
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388. All right,
so they're masterpieces.
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389. You told me
they'd only be here
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390. for a few days.
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391. But they've been here
for weeks.
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392. Don't you
realize that?
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393. I've been nice
about it, martin.
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394. You can't say
that I haven't.
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395. But how long am I going to be
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396. locked out of my own basement?
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397. Oh, emma!
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398. I'm sorry,
dear, I am.
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399. But I didn't lie.
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400. I thought that they'd just
be here for a short while.
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401. I really did.
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402. But I can't seem
to find anybody
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403. who's-who's willing to
finance the museum.
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404. But how can you
find anybody,
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405. if you spend
all of your time down here?
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406. But I've phoned,
and these people...
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407. do you know these
people never even
heard of guilmont?
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408. Can you imagine?
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409. What, what's that?
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410. It's the
electric bill.
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411. You'll see how much
it's costing us to keep
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412. the air conditioner
running day and night.
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413. But you know it has
been hot down here.
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414. Oh.
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415. That is high,
isn't it?
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416. I just wish I could figure out
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417. how we're going
to keep on paying it.
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418. Martin, there's no more money
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419. in the bank.
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420. I know, but
don't worry.
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421. Please,
I'll find a way.
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422. There must be
somebody, somewhere.
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423. Mr. Ferguson.
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424. Hmm... no.
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425. Martin, why not?
You told me yourself
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426. that he loves these things
as much as you do.
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427. And isn't it really up to him
to take care of them?
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428. Emma, I don't know
anyone in the world
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429. I have more respect
for than mr. Ferguson.
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430. But I wouldn't trust him
with those figures.
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431. I don't think he could
take care of them right,
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432. and I wouldn't be
able to sleep if I...
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433. so, we're stuck
with them!
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434. Stuck?
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435. What do you
mean stuck, emma?
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436. Oh, please,
it's an honor.
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437. It's a privilege.
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438. For you, maybe.
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439. But what about me?
How do you think I feel?
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440. Every time I come down here
and look at them,
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441. I just about have
a heart attack.
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442. The way they stand there
and stare at me,
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443. they're frightening!
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444. But emma...
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445. they're supposed
to be frightening.
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446. Let me tell you this.
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447. When you live with them
as long as I have,
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448. you come to love them.
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449. Love them?
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450. Yes.
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451. And... then they cease
to be strangers,
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452. and you want to say...
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453. good morning!
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454. How'd you spend
the night, jack?
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455. And then it seem...
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456. emma?
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457. Emma!
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458. Emma?
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459. Oh... if only one of those
people he's been talking to
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460. would lend him enough money
to open the museum,
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461. that would make
everything all right.
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462. Now, emma, listen
to your brother.
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463. Nobody's going
to put money
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464. into a crazy scheme
like that.
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465. Old ferguson knew
what he was doing,
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466. all right, when he sold out.
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467. He got martin to take care of
all those crazy dummies,
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468. and he's not even paying him
for it.
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469. Pretty shrewd.
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470. What we've got to do...
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471. we've got to get martin
away from those things.
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472. Does he have them all?
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473. Only a few.
Copy !req
474. Well, how come?
I mean, ferguson had
Copy !req
475. two or 200,
didn't he?
Copy !req
476. Well, these are special.
Copy !req
477. Some man
in europe
made them.
Copy !req
478. I don't know how
they could be so special,
Copy !req
479. if they didn't
cost anything.
Copy !req
480. They are to him.
Copy !req
481. This is the first time anything
has come between us.
Copy !req
482. Ihatethose murderers!
Copy !req
483. You come on.
Copy !req
484. We're going to go talk
to him right now.
Copy !req
485. No, no, dave,
Copy !req
486. it wouldn't do
any good.
Copy !req
487. Okay. Then you talk to him.
Copy !req
488. But here's what you do.
Copy !req
489. Don't talk to him
the way you have been.
Copy !req
490. I mean, lay it
right on the line.
Copy !req
491. You tell him it's either
those stupid dummies or you!
Copy !req
492. Of course, if that
doesn't work, there...
Copy !req
493. there is something else.
Copy !req
494. What?
Copy !req
495. Well, um...
Copy !req
496. air conditioners
do break down, you know.
Copy !req
497. Oh.
Copy !req
498. Oh, I couldn't do that.
Copy !req
499. Couldn't you?
Copy !req
500. Emma.
Copy !req
501. Emma, where have you been?
Copy !req
502. You walked out on me
while I was talking to you.
Copy !req
503. Oh, emma, emma, I
know you're angry
with me, but I...
Copy !req
504. what can I do?
Copy !req
505. I have to keep
the figures in
perfect condition.
Copy !req
506. I can't let
them go or...
Copy !req
507. I thought you said
Copy !req
508. we didn't have
any money left.
Copy !req
509. I bought them
with some money
davegave me.
Copy !req
510. Dave!
Copy !req
511. Oh, my...
Copy !req
512. my, my...
Copy !req
513. oh, martin!
Copy !req
514. We can't go on this way.
Copy !req
515. Yes, I know. Well...
Copy !req
516. I'll borrow some money
from mr. Ferguson.
Copy !req
517. Borrowing isn't
going to help.
Copy !req
518. Well, then, I'll-I'll-I'll...
I'll mortgage the house.
Copy !req
519. That isn't going to answer
our problem.
Copy !req
520. Martin, nobody knows
better than I
Copy !req
521. how much those figures
mean to you.
Copy !req
522. But...
Copy !req
523. but what, emma?
Emma?
Copy !req
524. But I simply willnothave them
in this house
Copy !req
525. one minute longer!
Copy !req
526. Why shouldn't mr. Ferguson
take care of them?
Copy !req
527. They're his.
Copy !req
528. Well, why shouldn't he?
Copy !req
529. That's what
you really think, isn't it?
Copy !req
530. Is that all they mean to you?
Copy !req
531. Yes.
Copy !req
532. And I want you to call
Copy !req
533. and tell him tomorrow morning.
Copy !req
534. Martin,
Copy !req
535. once they're away
from here
Copy !req
536. you'll be a different
man, you'll see.
Copy !req
537. You've been around those
wax dummies for so long,
Copy !req
538. you've forgotten how
to be a human being.
Copy !req
539. No!
Copy !req
540. What kind of a friend
do you think I am?
Copy !req
541. I can't desert them now,
after all these years.
Copy !req
542. They need me!
Copy !req
543. They'd be lost without me.
Copy !req
544. Martin!
Copy !req
545. They're not alive.
Copy !req
546. They don't need anybody!
Copy !req
547. Martin...
Copy !req
548. I want you
to see a doctor.
Copy !req
549. A doc...?
Copy !req
550. Yes, just once.
Copy !req
551. Well, there's
nothing whatever
Copy !req
552. the matter with me.
Copy !req
553. I, I didn't
say there was.
Copy !req
554. Then, what do I need
a doctor for?
Copy !req
555. Because, martin
Copy !req
556. thereissomething
the matter with you.
Copy !req
557. Well, what?
Copy !req
558. But you haven't been
yourself lately.
Copy !req
559. Well...
who have I been?
Copy !req
560. I don't know.
Copy !req
561. Somebody I've
never known.
Copy !req
562. But martin, staying down
in that basement all day
Copy !req
563. and talking to thosethings
as if they were alive,
Copy !req
564. it's not natural.
Copy !req
565. Emma...
Copy !req
566. that's my job.
Copy !req
567. I'm not the only husband
in the world
Copy !req
568. who brings his work home.
Copy !req
569. Don't you see?
Copy !req
570. I don't want to talk
about it anymore.
Copy !req
571. And...
Copy !req
572. you go back and you tell
that brother of yours
Copy !req
573. to mind his
own business.
Copy !req
574. You hear me?
Copy !req
575. Emma?
Copy !req
576. Emma.
Copy !req
577. Emma?
Copy !req
578. Emma?
Copy !req
579. Emma, you down there?
Copy !req
580. Emma?
Copy !req
581. Emma, you down here?
Copy !req
582. Emma?
Copy !req
583. Emma.
Copy !req
584. Emma?
Copy !req
585. Emma!
Copy !req
586. Emma!
Copy !req
587. Emma, what happened?
Copy !req
588. Emma...
Copy !req
589. twilight zonewill continue
after station identification.
Copy !req
590. Ah, I hate
to put you here, emma, but...
Copy !req
591. what can I do?
Copy !req
592. I know I should report it
to the police,
Copy !req
593. and I want to, but...
Copy !req
594. but who would believe me
Copy !req
595. if I told them that you were
killed by jack the ripper?
Copy !req
596. You can see that, can't you?
Copy !req
597. Besides...
Copy !req
598. if I went to prison-
Copy !req
599. as I probably would-
Copy !req
600. who would take care
of the figures?
Copy !req
601. No.
Copy !req
602. It's better this way.
Copy !req
603. Poor emma.
Copy !req
604. Too late to tell her
anything now.
Copy !req
605. There.
Copy !req
606. That's the best I can do, emma.
Copy !req
607. Gas man!
Copy !req
608. Well, hi, there,
mr. Senescu.
Copy !req
609. Doing a little
patching I see.
Copy !req
610. Yes, uh...
Copy !req
611. floor must have been
pretty bad, huh?
Copy !req
612. It was starting
to crack a little.
Copy !req
613. Well, I had to do
the same thing in my basement.
Copy !req
614. That's the way it is with
these old houses, you know.
Copy !req
615. Oh, yes.
Copy !req
616. Holy mackerel.
Copy !req
617. Be careful of
the cement, please.
Copy !req
618. For a minute there I...
Copy !req
619. where'd you ever get
anything like this?
Copy !req
620. Well, they belong
to mr. Ferguson.
Copy !req
621. But I'm taking
care of them.
Copy !req
622. They used to be in a museum,
but it closed.
Copy !req
623. Boy, they're the most realistic
things I ever saw.
Copy !req
624. You sure
they ain't alive?
Copy !req
625. Not all together.
Copy !req
626. Well, they
could fool me.
Copy !req
627. Sure be a fine thing
to have come halloween.
Copy !req
628. Something like this
Copy !req
629. in the basement,
you'd really throw
a scare into people.
Copy !req
630. Man, oh man.
Copy !req
631. Even up close they, uh...
Copy !req
632. well, what's this?
Copy !req
633. What?
Copy !req
634. Whoever made these up,
they thought of everything.
Copy !req
635. Even put blood
on the knife.
Copy !req
636. Pretty good.
Copy !req
637. Well, I got to go.
Copy !req
638. But I want to tell
you, you've got
quite a layout here.
Copy !req
639. Hey, tell me something.
Copy !req
640. Don't they give you
the creeps?
Copy !req
641. I mean, being down here
in the basement and all?
Copy !req
642. Oh, no.
Copy !req
643. Uh, not when you know
them as well as I do.
Copy !req
644. Oh, you're a card,
mr. Senescu.
Copy !req
645. Wait till I tell the wife
about this.
Copy !req
646. Hey, do you think
it'd be all right
Copy !req
647. if I brought her over
for a look at those things?
Copy !req
648. Oh, I don't think so.
Copy !req
649. We'll be gone
for a while.
Copy !req
650. Tomorrow?
Copy !req
651. No, for days,
Copy !req
652. and, uh, we don't
know when we'll be back.
Copy !req
653. Oh.
Copy !req
654. Well, uh, I'll see you.
So long.
Copy !req
655. Bye.
Copy !req
656. Jack!
Copy !req
657. I'm surprised at you.
Copy !req
658. I amreallysurprised.
Copy !req
659. How did you manage
all those murders
Copy !req
660. without being caught
by scotland yard?
Copy !req
661. Why, any killer knows
Copy !req
662. that you can't leave blood
on a murder weapon!
Copy !req
663. It's...
Copy !req
664. well, it's not
a joke, jack,
Copy !req
665. but it's a dead
giveaway, now...
Copy !req
666. there.
Copy !req
667. It's good as new.
Copy !req
668. Now will youplease,
Copy !req
669. pleasebehave yourself?
Copy !req
670. I don't want to have to
go through this again.
Copy !req
671. Emma?
Copy !req
672. Martin.
Copy !req
673. Martin.
Copy !req
674. Anybody down there?
Copy !req
675. Martin, if you're
down there, open up.
Copy !req
676. Martin.
Copy !req
677. All right, I'm, I'm here.
Copy !req
678. Open the door.
Copy !req
679. I can't, dave.
Copy !req
680. Why not?
Copy !req
681. Dave, I have a lot of, uh...
Copy !req
682. things piled up
against the door.
Copy !req
683. I'm going upstairs.
Copy !req
684. You come around the back door
to the kitchen.
Copy !req
685. You there, martin?
Copy !req
686. Yes, uh...
Copy !req
687. coming, dave.
Copy !req
688. You got
this place locked up
Copy !req
689. like fort knox
or something.
Copy !req
690. What's the big idea?
Copy !req
691. Oh, we, uh...
Copy !req
692. we always keep
the doors locked.
Copy !req
693. Where's emma?
Copy !req
694. Uh, she's, uh,
she's not here.
Copy !req
695. Oh.
Copy !req
696. It's probably
just as well.
Copy !req
697. Why?
Copy !req
698. Dave, what do you want?
Copy !req
699. Uh, have you got an
ashtray somewhere?
Copy !req
700. Yeah. Oh, here.
Copy !req
701. How's this?
Copy !req
702. Uh, sit down,
sit down, martin.
Copy !req
703. Dave, to tell the truth,
Copy !req
704. I'm kind of busy.
Copy !req
705. I'll bet.
Copy !req
706. If you just tell me
what you want, I...
Copy !req
707. come on, come on, sit down.
Copy !req
708. Sit down.
Copy !req
709. What is it?
Copy !req
710. Emma came to see me yesterday.
Copy !req
711. Oh, yes, I, uh...
Copy !req
712. I know, she told me.
Copy !req
713. She did?
Copy !req
714. All right,
that'll make things easier.
Copy !req
715. Where did she
go, by the way?
Copy !req
716. She took a trip.
Copy !req
717. A trip? Where?
Copy !req
718. To see my sister.
Copy !req
719. Oh.
Copy !req
720. You two have an argument?
Copy !req
721. Well...
Copy !req
722. everything's settled now.
Copy !req
723. Well, I'm certainly glad
to hear that.
Copy !req
724. She was sure
upset when she
talked to me.
Copy !req
725. Yes, I know.
Copy !req
726. You've got
to admit
Copy !req
727. you didn't treat
her square.
Copy !req
728. You brought
those dummies here
Copy !req
729. and kept her out
of her own basement.
Copy !req
730. Well... it's all been changed.
Copy !req
731. Well, I guess
Copy !req
732. I had you pegged
all wrong, marty.
Copy !req
733. You got rid of 'em?
Copy !req
734. Yes.
Copy !req
735. Must've been a pretty hot
night last night, huh?
Copy !req
736. What do you mean, hot?
Copy !req
737. Pretty hot for a bunch
of wax dummies, huh?
Copy !req
738. What's that humming noise?
Copy !req
739. Well, I...
Copy !req
740. I don't hear anything.
Copy !req
741. It... sounds like it's coming
from down there.
Copy !req
742. That's the air conditioner.
Copy !req
743. What are you
trying to hand me?
Copy !req
744. The door's locked.
Copy !req
745. Yes, I, uh...
I told you, you know
Copy !req
746. I like to keep the doors locked.
Copy !req
747. Why is the air conditioner going
Copy !req
748. if you got rid of
the wax figures?
Copy !req
749. Well, I was cleaning up, dave,
Copy !req
750. and I just wanted to keep
the place cool, that's all.
Copy !req
751. Look, you just came
up the stairway,
Copy !req
752. and you locked the
door behind you.
Copy !req
753. Now, why?
Copy !req
754. It's a habit.
Copy !req
755. I don't
think so.
Copy !req
756. I think you locked it to keep me
from going down there.
Copy !req
757. Now, you
better
open up.
Copy !req
758. Are you threatening me
in my own house?
Copy !req
759. You never got rid
of them things at all.
Copy !req
760. And how about this
sister of yours?
Copy !req
761. How come emma never
mentioned her before?
Copy !req
762. Where does she live?
Copy !req
763. Look, dave, I've...
had a very busy day.
Copy !req
764. I'm tired
of answering questions.
Copy !req
765. Now, will you please leave?
Copy !req
766. Okay.
Copy !req
767. All right.
Copy !req
768. Fine, I can take a hint.
Copy !req
769. I'll just be
on my way.
Copy !req
770. You, uh...
you have emma call me
Copy !req
771. if she comes back,
you hear?
Copy !req
772. Dave!
Copy !req
773. Dave!
Copy !req
774. Oh!
Copy !req
775. Hicks, how could you?
Copy !req
776. Martin.
Copy !req
777. Martin!
Copy !req
778. Martin, are
you there?
Copy !req
779. Martin...
Copy !req
780. martin?
Copy !req
781. Yes.
Copy !req
782. Oh, mr. Ferguson.
Copy !req
783. Come in, come in.
Copy !req
784. Martin, how nice
to see you!
Copy !req
785. Nice to see you.
I'm sorry.
Copy !req
786. I didn't hear you.
The air conditioner's on.
Copy !req
787. Yes, it's nice
and cool down here.
Copy !req
788. Yes.
Copy !req
789. There they are.
Copy !req
790. Yes.
Copy !req
791. And in perfect
condition.
Copy !req
792. Martin, I can't keep it
from you any longer.
Copy !req
793. What, sir?
Copy !req
794. The best news
in the world.
Copy !req
795. Martin, old friend,
when I told you
Copy !req
796. that nobody wanted
to buy these figures,
Copy !req
797. I was being
too pessimistic.
Copy !req
798. The fact is,
somebody does want to.
Copy !req
799. But not just somebody.
Copy !req
800. The marchand museum.
Copy !req
801. Oh.
Copy !req
802. Didn't you
hear me?
Yes.
Copy !req
803. Marchand's.
Copy !req
804. In brussels.
Copy !req
805. I can't imagine
why, but...
Copy !req
806. aren't you pleased?
Copy !req
807. Yes.
Copy !req
808. Mr. Ferguson,
look at the ripper.
Copy !req
809. I must say, martin,
you have kept them up well.
Copy !req
810. Yes, now, you see, this
needs fixing in here.
Copy !req
811. The threads are
starting to fall out.
Copy !req
812. As a matter of fact, I think
they all need new clothes.
Copy !req
813. Maybe it is too humid
in here, after all.
Copy !req
814. We won't have to worry
about that anymore.
Copy !req
815. Oh, and I asked emma
to sew this rip up,
Copy !req
816. but there's been
so many things to do.
Copy !req
817. Oh, by the way,
how is emma?
Copy !req
818. Oh, she's fine.
Copy !req
819. You have a
remarkable wife, martin.
Copy !req
820. There aren't many women
who would put up
Copy !req
821. with an exhibit like this
in their basement.
Copy !req
822. She never complains.
Copy !req
823. Oh, have you been
sleeping down here?
Copy !req
824. Yes.
Copy !req
825. Oh!
Copy !req
826. Mr. Ferguson...
I came across this little item
Copy !req
827. in this book that
I was reading just
before I fell asleep.
Copy !req
828. Martin...
mr. Ferguson,
do you remember
Copy !req
829. how excited we used to get
when we found out some new
things about the figures?
Copy !req
830. Martin, are you
all right?
Copy !req
831. Yes.
Copy !req
832. No, mr. Ferguson.
Copy !req
833. It isn't so.
Copy !req
834. I'm not all right.
Copy !req
835. No?
Copy !req
836. No.
Copy !req
837. Some strange things
have been happening.
Copy !req
838. Strange things?
Copy !req
839. Yes.
Copy !req
840. They haven't exactly
been behaving themselves.
Copy !req
841. Who?
Copy !req
842. Oh, come now.
Copy !req
843. Oh, it's true,
I swear it.
Copy !req
844. You've no idea what
they've been up to.
Copy !req
845. Oh, martin.
Copy !req
846. You've been so close...
sh!
Copy !req
847. You've been so close
Copy !req
848. to these figures
for the past three months.
Copy !req
849. You're beginning
toimaginethings about them.
Copy !req
850. No, no, it's
not imagination.
Not at all.
Copy !req
851. Well, that's neither
here nor there.
Copy !req
852. The point is...
Copy !req
853. you won't have to take care
of them any longer.
Copy !req
854. But mr. Ferguson, I want
to take care of them.
Copy !req
855. I know you do.
Copy !req
856. And as I've said,
I appreciate
Copy !req
857. what you've done,
but it's all settled.
Copy !req
858. Of course, there'll be
a substantial reward to you
Copy !req
859. for all the years
you've cared for them.
Copy !req
860. Now, why don't you prepare us
a cup of tea or something
Copy !req
861. while I take some measurements.
Copy !req
862. The marchand people want
some specifications
Copy !req
863. I wasn't able to provide.
Copy !req
864. All right.
Copy !req
865. I'll make some tea.
Copy !req
866. 53 inches.
Copy !req
867. Hmm.
Copy !req
868. 37.
Copy !req
869. I didn't think
you were that wide.
Copy !req
870. Well, no matter.
Copy !req
871. Mr. Ferguson,
Copy !req
872. I brought you
both the cream and the sugar.
Copy !req
873. I didn't know
which one you want...
Copy !req
874. mr. Ferguson.
Copy !req
875. Mr. Ferguson!
Copy !req
876. Landru.
Copy !req
877. It was you.
Copy !req
878. And hicks.
Copy !req
879. Hicks.
Copy !req
880. And burke.
Copy !req
881. And hare.
Copy !req
882. I know you didn't have
any part in this,
Copy !req
883. but you didn't stop it.
Copy !req
884. And you, landru,
Copy !req
885. especially you.
Copy !req
886. And you, jack.
Copy !req
887. This time you went too far.
Copy !req
888. I gave you
all the best years I had.
Copy !req
889. You wanted for nothing!
Copy !req
890. I washed you.
Copy !req
891. I cleaned your clothes.
Copy !req
892. I bought you new ones.
Copy !req
893. It was always
the right temperature for you,
Copy !req
894. becauseimade it so for you.
Copy !req
895. And who defended you...
Copy !req
896. and who defended your deeds
Copy !req
897. against the thousands
who saw you?
Copy !req
898. And when mr. Ferguson
sold the museum
Copy !req
899. who spoke up for you?
Copy !req
900. Who wanted you?
Copy !req
901. Me!
Copy !req
902. I was the best friend
you ever had.
Copy !req
903. Now...
Copy !req
904. now, what have you done for me?
Copy !req
905. You've murdered mr. Ferguson.
Copy !req
906. He was the only,
only man who was my friend.
Copy !req
907. He was my best friend.
Copy !req
908. And the books are right.
Copy !req
909. The books areright.
Copy !req
910. You are monsters,
all of you...
Copy !req
911. you're heartless
Copy !req
912. heartless monsters.
Copy !req
913. All of you,
through and through.
Copy !req
914. I'm going to punish
you all for this.
Copy !req
915. I'll break you
into little pieces.
Copy !req
916. I'll turn up the heat
so that you'll melt down
Copy !req
917. into little pools of wax.
Copy !req
918. That's what I'm going to do.
Copy !req
919. It'll be no less
than you deserve.
Copy !req
920. All right.
Copy !req
921. Now.
Copy !req
922. Which one of you is first?
Copy !req
923. Which one of you is first?
Copy !req
924. You!
Copy !req
925. Landru.
Copy !req
926. Because you murdered
mr. Ferguson.
Copy !req
927. No!
No, it was not I
who garroted
Copy !req
928. your friend,
martin senescu.
No.
Copy !req
929. It was you!
Copy !req
930. No, you killed him
Copy !req
931. while I was upstairs
making tea. No!
Copy !req
932. No, martin senescu,
it was you-
Copy !req
933. you murdered
your wife.
Copy !req
934. You killed her...
while I was asleep.
Copy !req
935. It was you who used my ax
to kill your wife's brother.
Copy !req
936. No.
Copy !req
937. Not so,
martin senescu.
Copy !req
938. No, you're-you're
the murderers.
Copy !req
939. No, no!
Copy !req
940. You are the murderer,
you killed them all.
Copy !req
941. No, you killed...
it was
always you.
Copy !req
942. You're the murderers!
No! Martin
senescu.
Copy !req
943. You're
the murderers.
Copy !req
944. It was you...
Copy !req
945. and here, ladies
and gentlemen,
Copy !req
946. we have jack
the ripper-
Copy !req
947. the one murderer
Copy !req
948. who was never caught.
Copy !req
949. And now we come to a man
who only recently
Copy !req
950. became one
of the most famous of all.
Copy !req
951. Martin lombard senescu...
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952. a remarkable and certainly
most versatile murderer.
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953. Who knows what thoughts
went through his mind
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954. as he dug the graves
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955. for his wife, emma,
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956. whom he killed with a knife...
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957. his wife's brother, david,
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958. whose skull was split
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959. with an ax...
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960. or his friend and employer
for 30 years,
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961. ernest ferguson.
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962. The new exhibit became
very popular at marchand's.
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963. But of all the figures,
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964. none was ever regarded
with more dread
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965. than that
of martin lombard senescu.
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966. It was something
about the eyes, people said.
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967. It's the look
that one often gets
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968. after taking a quick walk
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969. through the twilight zone.
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970. Next ontwilight zone
a trip back into time
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971. with albert salmi,
john anderson
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972. and guest star julie newmar.
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973. But this trip is very offbeat,
very adventuresome
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974. and totally unexpected
itinerary.
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975. It's called "of late I think
of cliffordville."
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976. You send me back in time.
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977. Send back to cliffordville.
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978. But I want to look exactly as
I did then. That's number one.
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979. Agreed.
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980. Number two,
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981. I want to have a memory
of everything
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982. that's occurred in the last
50 years.
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983. I don't want that memory
impaired on bit.
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984. Check again, mr. Feathersmith.
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985. I want it to happen right away.
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986. Cliffordville.
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987. This stop
is cliffordville.
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988. Cliffordville?
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989. The devil you say.
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