The Twilight Zone 3x8

Directed by James Sheldon

Alice Frost as Sally • Cloris Leachman as Mrs. Fremont • Max Showalter as Pat Riley • Jeanne Bates as Ethel Hollis • Lenore Kingston as Thelma Dunn

Little Anthony Fremont controls an entire town with his ability to read minds and make people do as he wishes. Which is a real good thing.

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. YOU'RE TRAVELING THROUGH ANOTHER DIMENSION...

2. SIGHT AND SOUND, BUT OF MIND,

3. ARE THAT OF IMAGINATION.

4. YOUR NEXT STOP, THE TWILIGHT ZONE.

5. TONIGHT'S STORY ON THE

6. KIND OF INTRODUCTION.

7. THIS, AS YOU MAY RECOGNIZE,

8. AND THERE'S A LITTLE TOWN THERE CALLED PEAKSVILLE.

9. WAS LEFT ALL ALONE.

10. LEFT UNTOUCHED,

11. SOMEHOW BEEN TAKEN AWAY.

12. THEY WERE, ON THE OTHER HAND, SURE OF ONE THING... THE CAUSE.

13. ARRIVED IN THE VILLAGE.

14. JUST BY USING HIS MIND, HE TOOK AWAY THE AUTOMOBILES,

15. THE ELECTRICITY, THE MACHINES, BECAUSE THEY DISPLEASED HIM.

16. JUST BY USING HIS MIND.

17. NOW I'D LIKE TO INTRODUCE YOU

18. IN PEAKSVILLE, OHIO.

19. THIS IS MR. FREMONT.

20. IT'S IN HIS FARMHOUSE THAT THE MONSTER RESIDES.

21. THIS IS MRS. FREMONT.

22. AND THIS IS AUNT AMY, WHO

23. BEGINNING THAN ALMOST ANYONE.

24. BUT ONE DAY SHE FORGOT.

25. SHE BEGAN TO SING ALOUD.

26. NOW, THE MONSTER DOESN'T LIKE SINGING

27. SO HIS MIND SNAPPED AT HER,

28. THIS SMILING, VACANT THING

29. YOU'RE LOOKING AT NOW.

30. SHE SINGS NO MORE.

31. AND YOU'LL NOTE THAT THE PEOPLE

32. IN PEAKSVILLE, OHIO HAVE TO SMILE.

33. BECAUSE ONCE DISPLEASED,

34. INTO A GROTESQUE, WALKING HORROR.

35. CAN READ MINDS, YOU SEE.

36. HE KNOWS EVERY THOUGHT, HE CAN FEEL EVERY EMOTION.

37. OH, YES, I DID FORGET SOMETHING, DIDN'T I?

38. YOU TO THE MONSTER.

39. THIS IS THE MONSTER.

40. HIS NAME IS ANTHONY FREMONT.

41. HE'S SIX-YEARS-OLD WITH A CUTE, LITTLE-BOY FACE

42. AND BLUE, GUILELESS EYES.

43. BUT WHEN THOSE EYES LOOK AT YOU,

44. YOU'D BETTER START

45. THEM IS ABSOLUTELY IN CHARGE.

46. THIS IS THE TWILIGHT ZONE.

47. HOWDY, ANTHONY.

48. MIGHTY GOOD TO SEE YOU TODAY.

49. MIGHTY GOOD.

50. AND IT'S SUCH A GOOD DAY, ISN'T IT?

51. A REAL GOOD DAY.

52. IT'S A TERRIBLE HOT DAY, THOUGH.

53. IT'S A TERRIBLE HOT DAY.

54. OH, I WOULDN'T SAY THAT, AUNT AMY.

55. NO, SIR, I WOULDN'T SAY THAT AT ALL.

56. IT'S FINE. IT'S JUST FINE.

57. IT'S A REAL GOOD DAY!

58. WHAT ARE YOU DOING, ANTHONY?

59. MY, THAT'S REAL GOOD, WHATEVER IT IS.

60. WHAT YOU WERE DOING.

61. WITH THREE HEADS.

62. SEE HIM?

63. YEAH.

64. YEAH, MY, HE'S A REAL FINE ONE.

65. I AIN'T NEVER SEEN A GOPHER WITH THREE HEADS BEFORE.

66. I'LL MAKE HIM DEAD NOW.

67. I'M TIRED OF PLAYING WITH HIM.

68. BE DEAD.

69. GOPHER, YOU BE DEAD!

70. MY, MY, THAT'S REAL FINE THAT YOU DONE THAT.

71. THAT'S-THAT'S REAL FINE, ANTHONY.

72. YOU'RE A GOOD BOY, ANTHONY.

73. WE ALL LOVE YOU.

74. DON'T WE, AUNT AMY?

75. DON'T WE LOVE ANTHONY?

76. WE SURE DO LOVE HIM.

77. WE LOVE THAT BOY.

78. HOWDY, MRS. FREMONT.

79. HOWDY, BILL.

80. GOT EVERYTHING?

81. PRETTY MUCH.

82. DIDN'T HAVE ANY MORE LAUNDRY SOAP, THOUGH.

83. ALL OUT OF LAUNDRY SOAP.

84. WELL, THAT'S TO BE EXPECTED.

85. SOAP, THOUGH, HUH?

86. ALL OUT OF THAT, TOO.

87. OH, WE'VE BEEN OUT OF THAT FOR A YEAR.

88. YOU KNOW THAT, MRS. FREMONT.

89. WE AIN'T HAD NO BAR SOAP FOR OVER A YEAR.

90. BUT I... I GOT A COUPLE OF CANS

91. OF TOMATO SOUP IN HERE.

92. DIDN'T EVEN KNOW WE HAD THEM LEFT. BILL...

93. TOMATO SOUP, DON'T HE?

94. SO I BROUGHT THAT.

95. OH, BILL.

96. YOU'LL TELL HIM, WON'T YOU, MRS. FREMONT?

97. BECAUSE I HEARD HE LIKED IT.

98. IT, WON'T YOU?

99. YES, I WILL, BILL. COURSE, I WILL.

100. MATTER OF FACT, I'LL TELL HIM RIGHT NOW.

101. OH, NO, YOU DON'T HAVE TO DO THAT, MRS. FREMONT.

102. YOU DON'T HAVE TO GO TO THAT TROUBLE NOW. I GOT TO GET GOING.

103. I GOT TO GET BACK TO THE STORE.

104. YOU DON'T HAVE TO BE FRIGHTENED OF HIM, BILL.

105. HE LIKES YOU.

106. HE'S TOLD ME THAT SEVERAL TIMES...

107. HOW MUCH HE LIKES YOU.

108. WELL, THAT'S REAL NICE TO HEAR, MRS. FREMONT.

109. HE'S A REAL CLEVER BOY.

110. WAS DOING OUT THERE?

111. OF FURRY ANIMAL.

112. YESTERDAY HE MADE ONE...

113. I NEVER DID SEE THE LIKES OF IT.

114. HE INVENTED IT ALL BY HIMSELF.

115. IT HAD REAL SHARP TEETH.

116. IT TRIED TO BITE HIM.

117. I WAS KIND OF HOPING THAT...

118. I GOT TO GET GOING, MRS. FREMONT.

119. BUT I'M REAL GLAD

120. MAKING THESE THINGS.

121. OH, SEE YOU TONIGHT, BILL.

122. TONIGHT?

123. TONIGHT IS TELEVISION NIGHT.

124. ANTHONY'S GOING TO PUT A NICE PICTURE ON TELEVISION.

125. AND WE'RE GOING TO HAVE THE SURPRISE PARTY FOR DAN HOLLIS.

126. A REAL NICE SURPRISE PARTY.

127. OH, I... I'LL BE HERE, MRS. FREMONT.

128. I'LL CERTAINLY BE HERE.

129. WHERE'S ANTHONY?

130. I THINK HE WENT INTO THE BARN.

131. SHOULDN'T GO THERE,

132. BUT HE KEEPS ON... AMY?

133. IT'S A REAL GOOD THING THAT ANTHONY GOES IN THE BARN, A REAL GOOD THING.

134. BUT AGNES, HE ISN'T EVEN AROUND...

135. EVEN SO, AMY... YOU DON'T HAVE TO KEEP SAYING IT...

136. EVEN SO, IT'S NICE THAT HE GOES IN THE BARN, IT'S REAL NICE.

137. WE MUSTN'T THINK ANYTHING BAD ABOUT HIM, AMY.

138. BUT HE ISN'T EVEN AROUND.

139. AMY, DEAR, YOU KNOW AS WELL AS I DO THAT SOMETIMES...

140. SOMETIMES HE CAN HEAR WHAT WE'RE THINKING, NO MATTER WHERE HE IS.

141. SO, YOU JUST KEEP THINKING REAL NICE THINGS.

142. AND TONIGHT, WE'LL HAVE DAN HOLLIS' BIRTHDAY PARTY,

143. AND, AND WE'LL JUST HAVE A-A DELIGHTFUL TIME,

144. JUST A REAL NICE, DELIGHTFUL TIME.

145. BUT IT'S A TERRIBLE, HOT DAY.

146. I... HOPE IT COOLS OFF BY TONIGHT.

147. I WOULDN'T... SAY IT WAS HOT, AMY.

148. WHY, IT'S JUST RIGHT.

149. WHY, IT'S JUST A... REAL GOOD DAY.

150. JUST A... A REAL GOOD DAY.

151. WELL, HOWDY, ANTHONY.

152. I WAS LOOKING FOR YOU A BIT AGO.

153. WAS OUT IN THE BARN.

154. I WAS LOOKING AT THE COW.

155. OH, OH, THAT'S GOOD.

156. THAT'S... REAL GOOD

157. LOOKING AT THE COW.

158. NOW, UH...

159. YOU WEREN'T PLAYING ANY TRICKS ON YOUR OLD DAD,

160. WERE YOU?

161. I MEAN, REMEMBER LAST YEAR WHEN YOU... WHEN WE HAD THE PIGS?

162. I TURNED THEM INTO MONSTERS.

163. OH, DOGGONE IF YOU DIDN'T.

164. FUNNY LOOKING THINGS, TOO.

165. BUT GOOD THINGS, ANTHONY, REAL GOOD THINGS

166. AND IT'S GOOD THAT YOU DONE THAT.

167. OH, IT'S REAL GOOD.

168. TELEVISION NIGHT TONIGHT.

169. I'M GOING TO MAKE TELEVISION FOR EVERYBODY.

170. OH, YOU SURE ARE, AND EVERYBODY IS LOOKING FORWARD TO IT, TOO.

171. WHEN YOU MAKE TELEVISION.

172. AND WE'RE GOING TO HAVE

173. PARTY FOR DAN HOLLIS, TOO.

174. SOMETHING, ANTHONY?

175. COULD I GET YOU SOMETHING, SON?

176. TO PLAY WITH ME TODAY.

177. NOT A SINGLE ONE.

178. SOMEONE TO PLAY WITH.

179. OH, WELL, ANTHONY, YOU

180. SOME KIDS CAME OVER TO PLAY...

181. BOY AND HIS SISTER?

182. I HAD A REAL GOOD TIME.

183. OH, SURE, YOU DID. YOU HAD A REAL GOOD TIME,

184. AND IT'S GOOD THAT YOU HAVE A GOOD TIME.

185. IT'S REAL GOOD.

186. IT'S, UH, JUST THAT...

187. JUST THAT WHAT?

188. WELL, ANTHONY, YOU, UH...

189. DADDY WERE REAL UPSET.

190. ABOUT WHAT?

191. WELL, IT'S JUST THAT IF YOU

192. THERE WON'T BE NO ONE LEFT.

193. MAYBE NEXT WEEK WE'LL

194. THEIR CHILDREN OVER.

195. WE'LL DO THAT, WON'T WE?

196. THOSE FUNNY ANIMALS, DAD.

197. YEAH, YEAH... IT'S FUN, IT'S LOTS OF FUN TO DO.

198. THAT'S BILL SOAMES' COLLIE.

199. THAT'S THAT DOG THAT COMES AROUND.

200. YEAH, YEAH, THAT DOES SOUND LIKE BILL SOAMES' DOG.

201. NOT MANY DOGS LEFT NOW, ANTHONY.

202. YOU... WHY, YOU WISHED THEM ALL AWAY.

203. I DON'T LIKE THEM.

204. THEY DIDN'T LIKE ME.

205. I HATE ANYBODY LIKE THAT.

206. THAT DOESN'T LIKE ME.

207. WHY, EVERYBODY LOVES YOU, ANTHONY.

208. THEY LOVE YOU, SON.

209. YOU'RE EVERYBODY'S FAVORITE.

210. THINK ONE TIME...

211. I DON'T REMEMBER WHEN, BUT SOMETIME...

212. THAT I SHOULDN'T WISH AWAY

213. AND ELECTRICITY.

214. THEY SAID THAT IT WASN'T GOOD THAT I DID THAT.

215. SOMEBODY THOUGHT THAT ONE TIME.

216. WHO? WHO THOUGHT THAT?

217. OH, WHY, THAT WAS, UH...

218. TEDDY REYNOLDS WHO THOUGHT THAT.

219. HE OWNED THE FARM UP THE ROAD.

220. HE SHOULDN'T HAVE THOUGHT THOSE BAD THOUGHTS!

221. THAT'S WHY I MADE HIM GO ON FIRE.

222. THAT DOG.

223. THAT COLLIE DOG.

224. HE DOESN'T LIKE ME.

225. HE'S A BAD DOG.

226. ANTHONY?

227. TO BILL SOAMES' DOG?

228. DID YOU, SON?

229. I PUT HIM IN THE CORNFIELD.

230. HE ISN'T OUTSIDE ANYMORE.

231. BILL SOAMES' COLLIE WAS OUT IN THE YARD.

232. WHY, ANTHONY PUT HIM IN THE CORNFIELD.

233. ISN'T IT A REAL GOOD THING THAT HE DONE THAT, HONEY?

234. ISN'T IT A REAL GOOD THING?

235. YES, IT WAS A REAL GOOD THING...

236. THAT HE DONE THAT.

237. IT WAS A REAL GOOD THING.

238. THAT'S ALL THE TELEVISION THERE IS.

239. OH, IT WAS WONDERFUL, ANTHONY.

240. WASN'T IT, EVERYONE?

241. OH, THAT WAS REAL GOOD.

242. THAT WAS REAL GOOD.

243. WASN'T ANTHONY'S TELEVISION WONDERFUL TONIGHT?

244. OH, IT WAS JUST THE BEST.

245. THAN THE OLD TELEVISION.

246. MUCH BETTER.

247. AND NOW, THE BIG SURPRISE

248. FOR DAN'S BIRTHDAY.

249. GO AHEAD, ETHEL.

250. THE BIG SURPRISE.

251. WHAT'S THIS?

252. OH, PERRY COMO!

253. WHY, I HAVEN'T HEARD PERRY COMO

254. IN YEARS AND YEARS.

255. HAPPY BIRTHDAY, DARLING.

256. HAPPY BIRTHDAY.

257. HEY... YOU BETTER BE CAREFUL.

258. I'M HOLDING A PRICELESS OBJECT.

259. LOOK, DO YOU THINK WE COULD PLAY IT?

260. GOSH, WHAT I'D GIVE TO HEAR SOME NEW MUSIC.

261. WELL, JUST THE FIRST PART...

262. BEFORE COMO SINGS.

263. I DON'T THINK WE'D BETTER, DAN.

264. AFTER ALL, WE DON'T KNOW JUST WHERE THE SINGING COMES IN.

265. IT'D BE TAKING TOO MUCH OF A CHANCE.

266. BETTER WAIT TILL YOU GET HOME.

267. IT'S GOOD I CAN'T PLAY IT HERE.

268. OH, YES, IT'S GOOD.

269. IT'S VERY GOOD.

270. UH, AND NOW IT'S TIME FOR PAT RILEY TO PLAY THE PIANO.

271. UH... PAT?

272. MY PLEASURE.

273. WHAT TO PLAY, ANTHONY.

274. GOOD IF YOU'D TELL ME

275. WHAT MUSIC YOU'D LIKE TO HEAR.

276. JUST PLAY... PLAY ANYTHING.

277. ALL RIGHT.

278. ALL RIGHT, I'LL PLAY, UH...

279. I'LL PLAY "MOONGLOW."

280. THAT'S A NICE OLD TUNE.

281. OH, THAT'S A NICE TUNE.

282. OH, YES, THAT'S A VERY GOOD TUNE.

283. DON'T MAKE ANY NOISE WHEN THE MUSIC'S PLAYING.

284. I DON'T LIKE ANY NOISE WHEN THE MUSIC'S PLAYING.

285. DAN... DAN, PLEASE.

286. PLEASE WHAT?

287. I'M NOT DOING ANYTHING.

288. I'M JUST DRINKING THIS PEACH BRANDY.

289. I'M JUST DRINKING ONE OF MY BIRTHDAY PRESENTS,

290. THAT'S ALL I'M DOING.

291. DAN, PLEASE, FOR

292. PLEASE DON'T SAY ANYTHING.

293. WHO'S SAYING ANYTHING?

294. I'M NOT SAYING ANYTHING.

295. I'M NOT SAYING ANYTHING AT ALL!

296. GO AHEAD, PAT, PLAY.

297. GO ON, KEEP PLAYING.

298. YOU KNOW, THIS IS REAL GOOD BRANDY.

299. REAL GOOD.

300. YOU FOLKS KNOW SOMETHING?

301. THERE'S ONLY FIVE BOTTLES

302. IN THE WHOLE VILLAGE.

303. ONLY FIVE BOTTLES.

304. THERE'S ONE RYE... TWO SCOTCH,

305. ONE AFTER-DINNER LIQUEUR AND...

306. AND THIS HERE.

307. WHEN THAT'S ALL GONE...

308. THERE WON'T BE ANY... ANY WHISKEY LEFT AT ALL.

309. NONE AT ALL.

310. NO WHISKEY AT ALL.

311. NUTS! I CAN'T EVEN PLAY MY OWN RECORD.

312. I CAN'T EVEN PLAY PERRY COMO!

313. DON'T PLAY THAT, PAT.

314. THAT'S NOT WHAT I WANT YOU TO PLAY.

315. PLAY THIS...

316. BE QUIET.

317. PLEASE STOP!

318. PLAY IT, PAT.

319. PLAY IT SO I CAN SING RIGHT.

320. YOU KNOW I CAN'T CARRY A TUNE

321. UNLESS SOMEBODY PLAYS IT.

322. YOU...

323. YOU AND HER, YOU HAD HIM.

324. YOU HAD TO GO HAVE HIM.

325. YOU MONSTER, YOU.

326. YOU DIRTY LITTLE MONSTER.

327. YOU MURDERER.

328. YOU THINK ABOUT ME.

329. GO AHEAD, ANTHONY.

330. THOUGHTS ABOUT ME...

331. MAN IN THIS ROOM...

332. SOME MAN WITH GUTS...

333. SOMEBODY WHO'S SO SICK TO DEATH

334. AND END THIS ONCE AND FOR ALL!

335. YOU'RE A BAD MAN!

336. YOU'RE A VERY BAD MAN!

337. YOU THINK THAT.

338. GO AHEAD, ANTHONY, I'M A VERY BAD MAN.

339. KEEP THINKING THAT.

340. SOMEBODY SNEAK UP BEHIND HIM.

341. SOMEBODY END THIS NOW!

342. WHILE HE'S THINKING ABOUT ME!

343. WON'T SOMEBODY TAKE

344. OR SOMETHING AND END THIS?

345. YOU'RE A BAD MAN.

346. YOU'RE A VERY BAD MAN,

347. ABOUT ME.

348. WISH IT INTO THE CORNFIELD.

349. PLEASE, SON, WISH IT INTO THE CORNFIELD, PLEASE.

350. HE WAS A BAD MAN

351. A JACK-IN-THE-BOX,

352. STILL HAD HIS BAD FACE.

353. AND YOU MUSTN'T THINK BAD THOUGHTS ABOUT ME, EITHER,

354. OR I'LL DO THE SAME THING TO YOU.

355. PLAY SOME MORE MUSIC.

356. IT'S GOOD WHAT YOU DONE TO DAN.

357. IT'S REAL GOOD.

358. THAT WAS SWELL.

359. IT WAS JUST SWELL.

360. THAT WAS... REALLY GOOD.

361. CITIES OUTSIDE AND...

362. REAL TELEVISION...

363. THINGS LIKE THAT.

364. AMY, IT'S... IT'S REAL GOOD

365. FOR YOU TO SAY SUCH A THING.

366. IT'S REAL GOOD.

367. BUT HOW CAN YOU MEAN IT?

368. WHY, ANTHONY'S

369. EVER USED TO GET.

370. OH, YES, IT'S FINE.

371. WHY, ANTHONY'S TELEVISION

372. WE'VE EVER SEEN.

373. IT'S SNOWING OUTSIDE.

374. ANTHONY, ARE... ARE YOU MAKING IT SNOW?

375. YES, I'M MAKING IT SNOW.

376. WHY, THAT WILL RUIN HALF THE CROPS!

377. YOU KNOW THAT, DON'T YOU?

378. HALF THE CROPS, THAT'S WHAT THAT'LL... DAD...

379. BUT IT'S GOOD THAT YOU'RE MAKING IT SNOW, ANTHONY.

380. IT'S REAL GOOD.

381. AND TOMORROW...

382. TO BE A REAL GOOD DAY.

383. NO COMMENT HERE, NO COMMENT AT ALL.

384. SPECIAL CITIZENS...

385. LITTLE ANTHONY FREMONT, AGE SIX,

386. CALLED PEAKSVILLE,

387. IN A PLACE THAT USED TO BE OHIO.

388. ONLY GOOD THOUGHTS.

389. HANDLED AT YOUR OWN RISK.

390. YOU CAN BE SURE OF ONE THING...

391. THE TWILIGHT ZONE.

392. ROD SERLING, CREATOR OF THE TWILIGHT ZONE,

393. WEEK'S STORY AFTER THIS MESSAGE.

394. AND NOW, MR. SERLING.

395. IN A SMALL BAVARIAN TOWN,

396. AND NEXT WEEK, WE'LL ENTER IT WITH A FORMER S.S. OFFICER.

397. IT'S THE FIRST STOP

398. THAT WAS NAZI GERMANY.

399. MR. JOSEPH SCHILDKRAUT AND MR. OSCAR BEREGI DEMONSTRATE

400. WHEN IT IS JUDGED BY THE VICTIM.

401. DRAMA AS WE'VE EVER PRESENTED.

402. THAT YOU'RE AROUND

403. TO MAKE YOUR OWN JUDGMENT.

404. THOSE WHO LOOK FOR IT,

405. TO KNOW IT BETTER.

406. AT YOUR CHURCH OR SYNAGOGUE.